Tag Archives: tv-8

Ghoulardifest 2015!

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Yes, it’s that time of year again: Ghoulardifest! It’s hard for me to adequately portray in words just how much I love going to this convention every fall season. I really do anticipate it the whole year round. Seriously, the very next day, I’m already jonesing for the next show. I’ve been to some conventions in my time, but because it’s so tailored to my tastes and my hometown (well, roughly; I’m an Akronite), I can say without exaggeration that Ghoulardifest is my favorite. There’s a reason I’ve made it a point to make it there every year since 2011. It’s like the Bruce Springsteen concert of horror/sci-fi conventions; one ain’t enough, I needs me more!

Besides, after sitting around going through thousand-year old videotape after thousand-year old videotape, it’s nice to get out once in awhile, y’know?

Ghoulardifest is, of course, the annual celebration of any and all things Ernie “Ghoulardi” Anderson. Not only is his pioneering character and show represented (gee, no kidding!), but also his successors, as well as Cleveland TV in general. Beyond that, a lot of it has more to do with the spirit of Ghoulardi, the era he came from, the music, the movies, that sort of thing. Of course, there’s also a lot of stuff that has no real connection to Ghoulardi, but instead would fit in at any typical horror convention. That’s not a complaint on my part; it all adds up to a lot of fun with something for everybody, except it’s all with a heavy Cleveland theme. That’s why I love it so much!

For the third year in a row, the show was held at the plush LaVilla Banquet Center, which is an absolutely terrific venue for the convention. Driving to the LaVilla to see Ghoulardifest around the same time every year (always on a Sunday; November 1 this year), it has really come to symbolize Fall and the end of the Halloween season and the start of the holiday season for me (even on those years where the show falls before or on Halloween). Some people get up early to shop the day after Thanksgiving, I plan around Ghoulardifest. Considering it’s less hectic and I find things I actually want, I dare say I come out on the winning end every year, but that’s just me.

And lest you forget, Ghoulardifest was almost certainly the reason for that Big Chuck & Lil’ John Ghoulardi Special I babbled about in mid-October (unless it wasn’t, in which case never mind). They ran it several times after that as well, and better promotion for Ghoulardifest I cannot think of.

(Also, should the mood strike you, check out my recaps for the 2013 and 2014 conventions, though I fear some redundancy among those two posts and this one.)

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(Click on any of the pictures to, how do you say, enlarge them.)

I was told there was going to be fewer vendors this year, and maybe there weren’t quite as many as previous shows, but there was still a lot going on. Indeed, it took several walks around the entire place to take it all in, and frankly, I seriously doubt I did take it all in. If anything, and this is just me talking, but less vendors gave the entire show this year a more balanced feel. Not that I’m promoting “less stuff,” but everything I look for at Ghoulardifest was well-represented, but not in an overwhelming way (unlike earlier years, where I was struggling to take it all in and afraid I’d miss “somethin’ good.”).

The heart and soul of the place is really the Cleveland stuff: Ghoulardi, of course, and Big Chuck & Lil’ John (don’t forget, the official title is Big Chuck & LIl’ John’s Ghoulardifest), Son of Ghoul (that’s him doin’ his thing above), and some of Cleveland’s newer horror hosts, plus lotsa Cleveland TV (and even some radio) memorabilia in general. For obvious reasons, it’s a very Cleveland-centric convention, as one would expect.

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That said, if someone from out-of-state were to waltz in without knowing what this was all about (just play along with the scenario, okay?), they’d probably be confused by all this Ghoulardi-hoopla, but they’d also still be able to find some stuff they’d want. There’s a lot of ‘general’ stuff there; that is, things that wouldn’t be out-of-place at any horror/sci-fi convention. Posters, lobby cards, toys, Star Wars, Star Trek, DVDs, music (lotsa CDs and vinyl). Heck, one guy even had a ton of Laserdiscs, and his box of Godzilla LDs was enough to elicit an “oh MAN!” reaction from me, though I was burning money so frighteningly fast that I unfortunately wasn’t able to partake of said Laserdiscs. I just know I’m going to regret not buying that Japanese King Kong Vs. Godzilla LD sometime down the road.

What I’m saying is that even if you’re not into Ghoulardi or the whole Northeast Ohio horror hosting thing, if you like vintage horror or science fiction films, odds are you’ll still find plenty to peak your interest anyway.

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There’s even some newer, “craft-y” type stuff, for those so inclined. Since I’m rarely hip to that sort of thing, my brother tells me the product seen in this picture is “pixel art,” which is as it sounds: artwork, keychains and so on, made up pixel-by-pixel, just like the character sprites in 8-bit and 16-bit video games. I generally only buy video game stuff when it’s vintage-from-the-period, but no doubt this new-fangled pixel art thing is cool. I mean, pixelated Mario Kart artwork? Heck yeah!

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See, my brother and I always hit up Ghoulardifest on Sunday, the last day of the show. It just works easiest for us that way. The downside is that we often miss some of the special guests and events they have going. Readings By Robert and stage shows like that, we don’t always get to see those. This year though, they had some good stuff going on the whole time we were there.

Up above is Caesare Belvano, who does a phenomenal Elvis performance. I don’t always go for the fan-tribute thing, but Elvis is one of the few exceptions. Not only because Elvis is dead and thus my chances of seeing him live are, well, nil, but also because Elvis tribute acts have become an art unto themselves. Rest assured, Caesare does a fantastic Elvis. His voice is unbelievable; he was on-stage when we first went in, and before I even actually saw him up there, I heard him, and his singing blew me away. His rendition of “My Way” was just incredible. I’ve seen and heard a lot of Elvis over the years, and Caesare gets my full approval (not that my approval really amounts to all that much, but whatever).

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After Caesare, The ReBeats took the stage. Beatles tribute acts are another exception for me; I love them and the time period of music they generally cover (aside from Springsteen, 1950s & 1960s Rock & Roll is my preference). In the case of The ReBeats, they of course do The Beatles, but not just The Beatles. While we were there, they were busting into The Dave Clark Five (they do a great “Catch Us If You Can”), and though we were on our way out by that point, according to their website they also cover Paul Revere & The Raiders, which automatically grabs my admiration.

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I imagine Friday and almost certainly Saturday were busier, but there was a pretty good turnout for what was the last day of the show, too. Indeed, Big Chuck, Lil’ John and Hoolihan had a pretty steady line the entire time we were there; getting to Hoolie in particular looked like quite a wait!

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Speaking of meeting the celebrities, here I am with my pal Jungle Bob! I’ve been a JB fan ever since he started featuring his animals on The Ghoul waaaay back in, what, 1999? 2000? Jungle Bob is one of the coolest guys you could hope to talk to, and he always has some creatures at Ghoulardifest. I forget what he said the thing was in his hand when this picture was taken, but it had a blue tongue and a little goatee. Turn blue, goatee, sounds pretty Ghoulardi-appropriate to me! Later on, he was walking around with a chinchilla, surefire proof of how cool JB is.

Jungle Bob’s official website.

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Me with Mike & Jan Olszewski, where I was able to pick up their fantastic new book, Cleveland TV Tales Volume 2. As of this writing, it’s not yet available on Amazon, but when it is, y’all should buy it. And if you haven’t got the first one yet, buy that, too. There’s an added incentive to buying Volume 2, but I’ll get to that a bit later in the post.

Lemme tell you my Mike Olszewski story: I first met him in 1999 at a signing for the book he and Ron “The Ghoul” Sweed wrote together. He was very personable then. But, it was when I met him over a year later that he just knocked me out (no, not literally!). The Ghoul was making a personal appearance at B-Ware Video in Lakewood. It’s long gone, but at the time, B-Ware was a haven for all of the hard-to-find, obscure movies that you couldn’t easily locate anywhere else. Anyway, The Ghoul was filming bits for his show, and when the cameras came out, I kinda sorta retreated further back into the store. Mike saw this, and despite not actually knowing me, he came up and implored me to get on camera. Thanks to him, The Ghoul episode that aired with this footage featured me near the front, loafing about and occasionally cheering. I always thought it was amazing that Mike would take the time to do that for a total stranger. ‘Course, I was a goofy lookin’ 14 year old, but I won’t hold that against him.

Nowadays, Mike occasionally pops into Time Traveler Records, and every meeting I’ve had with him since that day in 2000 has only reinforced my opinion that he’s one of the nicest guys in the world.

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Hanging with Cleveland weather legend Dick Goddard. No kidding, Dick Goddard is weather in Northeast Ohio. I’ve met him before, but this is my first picture with him (I would have had one a few years back, but the camera decided it didn’t want to take the shot, which I didn’t realize until well after we had left). Every time I’ve met him, Dick has been very friendly.

What am I holding in my hand? Why, that’s my now-autographed Dick Goddard CD! How, what, when, where? I’ll explain later.

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My buddy, Son of Ghoul! Every single year, if I’m going to buy anything, it’s going to be at SOG’s table. I actually make it a point to buy from him. He gets more of my money than anybody. Considering I usually have so little of it, I hope that says something.

Longtime readers will know what a fan I am of SOG; I’ve been watching him since Halloween ’97, I still write into the show, and, you know, there was that time I interviewed the man himself. He even recognizes me when I walk up to him, which always makes me feel like a big man.

There was some sad news in regards to the show this year that SOG and I talked about: longtime supporter of all this, Jim “The Colonel” Klink passed away a week before Ghoulardifest ’15. Klink was well-known to SOG fans for his rabid support and many packages sent to the show. Before SOG, he was a big Superhost guy (in fact, I *think* some of his Supe artwork can be seen in this old post of mine). I saw him walking around at least once at previous shows, and we were friends on Facebook, but it’s much to my regret that I never actually met him in person. The show of grief for Jim’s passing on Facebook was overwhelming; he touched a lot of people and became a well-known Northeast Ohio personality simply by indulging in his fandom and being a nice guy.

Besides being his Facebook friend, my limited contact with Klink included this very nice comment he left for my SOG interview. I think it shows what a good-hearted, upbeat guy he was, and thus I’d like to present here as a small tribute to him:

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R.I.P, Colonel.

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A dream realized! I wanted to meet Janet Decay (aka The Daughter Of The Ghoul, aka Janet Jay) last year, but she was either off doing something or I missed her completely. So, I definitely wanted to meet her this year.

She’s doing a new show with Grimm “James Harmon” Gorri titled The Mummy and the Monkey. When they asked me if I had seen it yet, I had to sheepishly sputter in the negative. D’oh! I had seen The Daughter Of The Ghoul Show before though, which I liked, so I had no problem buying a DVD of their new show. They even gave me a cute lil’ free button; cool winnins! They were both incredibly friendly; I foresee great things in their future.

One thing I noticed when the guest list was announced (and this has been pointed out by others) this year was the lack of national celebrities. For example, last year Arch Hall Jr. and Dee Wallace Stone were in attendance. While I would have liked to talk with Arch Hall again, and I had my concerns when no one like that was included in the show this year, I think it’s cool that the guests were overwhelmingly Cleveland-centric AND that the turnout was so good. It shows that our guys can hold their own and still make for a successful show, and Janet Decay & Grimm Gorri are prime examples of that; their table was very busy!

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Is it corny and/or cliche to say that Fox 8 news anchor Tracy McCool was the coolest? Yeah, I bet she hasn’t heard that enough! Well, she was. Seriously, she was about as nice as it gets. Because WJW Fox 8 was sponsoring the show this year (as opposed to WBNX TV-55 in preceding years), a lot of talent from the station made appearances over the three days. I had brushed up a bit on who was going to be there via the official Ghoulardifest website, though by Sunday afternoon I had promptly forgotten most of it. So, it was a bit of a surprise to see Tracy McCool walk in. She was absolutely great.

You know what really impressed me about her? It wasn’t just that she’d take the time to pose for a picture with a goofball like me. No, rather it was what she was telling a young girl ahead of us: she was explaining good starting places to begin a career in broadcasting, and she wasn’t rattling off facts or anything like that, she was actually talking to her. One thing I admire about a celebrity is their ability to genuinely talk and listen to their fans; not that I expected anything less from Tracy McCool, that’s just a general observation, and fortunately, it applies to many, many of these Cleveland TV personalities (frankly, everyone in this post). Tracy McCool was just awesome.

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I met Bill Ward previously, at the 2013 convention. For years he was the voice of WJW, and make no mistake, that voice is instantly recognizable to many Northeast Ohioans. Just like Tracy McCool (and when I met him in ’13), Ward really takes the time to talk with you, and you’d be hard-pressed to find anyone friendlier (I know, I know, I’m repeating the whole “they were nice” thing a lot in this post; hey, everybody was ridiculously nice!). We actually had a conversation about a commercial he did not too long ago for a retirement company, in which he played “Stu,” and he told me some very funny anecdotes related to that ad.

If you ever have the chance to speak with Bill Ward, trust me, you’ll walk away the better for it. An extremely kind and incredibly funny guy.

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Ah, the customary picture with Big Chuck & Lil’ John. I can’t ever leave without one, because even though I’ve got plenty of pictures with them, accumulating more makes me feel important. I wanted to get a picture with Chuck, John and Hoolihan, but Hoolie was so incredibly busy at his end of the table that I wasn’t sure if he’d ever be able to break away for it. Not that I’m complaining, because a picture with Big Chuck & Lil’ John is one of the coolest things anyone could hope to achieve.

This year, they were selling brand new Big Chuck & Lil’ John wine glasses, and Lil’ John had one in front of him complete with some actual wine in it. Every few minutes he’d take a sip and proclaim “work, work, work!” and it just got funnier each time.

I finally got to talk to Chuck about something that’s been on mind for quite awhile: several years ago, I found a locally-released vinyl record by one Scott Read, appropriately titled The Scott Read Show. According to the liner notes, it was a program on WJW produced by Chuck. So, I asked him about it, and Chuck told me it was many one of many shows that he produced, and it didn’t last very long, only about 6 months on the air. I’m thinking next time they’re making an appearance somewhere, I just might bring that LP along to get signed.

Surprisingly, John seemed to remember us from past years; he actually asked if we always came on Sundays (yep). How cool is that? Although, it’s also a little distressing; I had been relying on the idea that if I accidentally did or said something totally stupid in front of Chuck and/or John (and really, it’s only a matter of time), they meet so many people in a year that they’d quickly forget my face and then we could start anew next time. But now, I just don’t know. Oh the agony it is to be me!

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I met Caesare after his set. There were a number of people waiting to get pictures with him, some acting like he was the real Elvis. Of course, he played the part up and was extremely nice to everyone. He was very gracious when I told him what a fantastic show he put on. Great guy!

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Another dream realized! I met The Midnight Movie guys last year, but I missed Dave from the show. As luck would have it, just as we were on our way out, he was in the lobby taking a break, and he was cool enough to take a picture with me. Even better, he told me that they were filming a lot of footage there for a show that should air within the next month or so. I noticed they were filming when I was waiting to take a picture with Chuck & John; indeed, I’m in the background as they were interviewing Tracy McCool. Me? Surprise Midnight Movie cameo? Maybe!

And so, that ended the annual visit to Ghoulardifest. But wait! Before heading home for another year, we had one last stop to make…

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No trip to Ghoulardifest would be complete without the customary visit to the Big Boy restaurant down the street from the LaVilla. A Ghoulardifest excursion just doesn’t feel right without it. In fact, we did skip the Big Boy one year, and by the time we got home, we felt like we had missed out on an essential element of the trip (or at least, I certainly did). And it’s not just because of the whole Manners Big Boy-Ghoulardi connection, either; rather, Big Boy restaurants are rare animals, and there are none near us anymore. So after reveling in all of this once-a-year fandom, it’s only fitting that we revel in some once-a-year food, too.

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I have to give a big shout out to my brother Luke. It’s thanks to him that I’m able to make it to Ghoulardifest every year. He always drives, because if it were up to me to commandeer the car, I’d probably wind up driving it into a ditch or something. Carnage such as that would probably put a real damper on the event.

Luke likes going to these, he digs all this stuff, and he was jazzed for the trip, but he doesn’t get into it all quite as much as I do; I watched a lot of this stuff growing up, but he usually had other interests. Without me, I doubt he’d make the trip, so for him to haul my goofy self up there each and every year is a testament to what a nice guy he is. Luke is a good mang. Plus he paid for lunch.

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I tried looking at the menu to see if there was something different I wanted this year. No go, the Super Big Boy is just too good to pass up. Seriously, it’s one of my favorite burgers on this planet. It’s that good. Look at that beauty! Two patties, cheese, and special sauce. They taste as good as they look. If you ever find yourself in a Big Boy, this is the option on the menu that I heartily endorse.


Okay, that was the show (and lunch), but what about the goods, the loot, the booty I picked up during the trip? I always come home with some good stuff, and this just may be one of my best hauls ever. And even if it’s not, I still feel perfectly justified in blowing through my money at an alarming rate.

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I have the previously-released clear glass “Certain Ethnic Last Supper” mug (you can see it in this post), but when I saw these new white mug versions, I had to get one. Two, actually; my good friend Pete G. helped me out big time by providing me with tickets to the show, allowing me to save some extra precious bucks, so I got him one of these as a thank you. You’re a good man, Pete!

It’s a cool mug, showcasing much of the Northeast Ohio TV talent that has infiltrated the airwaves over the years. There are a lot of mugs/cups/whatever featuring these guys, but this one is easily one of my favorites of the bunch.

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I got this from Son of Ghoul, and man is it cool. It is what it looks like: a picture of Superhost in a wooden frame. Sure, technically I could print out my own Supe picture, get an old frame and make my own, but there was something about this that made me have to buy it as soon as I saw it. It just felt so right.

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Yeah, I bought another. If you go back to my Ghoulardifest post from last year, you’ll see how jazzed I was to get a Superhost shirt from Son of Ghoul. In my weird little world, I decided I needed another one that I could wear around without fear of wearing it out or accidentally staining it. I’m normally a size-large wearer, but I can get away with a medium, which is fortunate, because there were no more larges left. SOG jokingly explaining the sizes sans-large: “You can get an extra-large and throw it in the dryer to shrink it, or you can get a medium and lay off the Whoppers!” I was cracking up!

Like I said before, Son of Ghoul got more of my money than anybody this year. Truth be told, he usually gets more of my money than anyone else every year. I’m fine with that!

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This was a longtime coming, and I’m a little ashamed to admit that it took me this long to get Jungle Bob’s excellent book, BobTails. Naturally he autographed it to me. You’d be well advised to pick one up, it’s good stuff!

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My official The Mummy and the Monkey DVD of the original Little Shop of Horrors, a swanky flyer, and that aforementioned official button. I pinned the button to my jacket when we took the photo, and promptly forgot it was there for most of the day, and that’s not a bad thing!

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My copy of Mike & Janice Olszewski’s brand new Cleveland TV Tales Volume 2 book. They even autographed it for me! I haven’t had time to read much of it yet (I just got it yesterday!), but the content is directly up my alley. Indeed, it’s already on track to becoming one of my very favorite books of this nature. Why? Because I’m in it, that’s why!

Well, a piece of my interview with Marty “Superhost” Sullivan is, anyway.

A few months back, Mike contacted me asking for my permission to use the bit in the interview where Marty talks about his feelings following the filming of his final episode. Well heck yeah Mike, use away! What a thrill!

When I went up to Mike’s table, he had sample copies of all of his books on display, and I quickly began searching myself out in this newest one. I didn’t have time to find the exact quote (I did when I got home though; this site is mentioned in the body of the section!), but I did find myself listed right at the top of the bibliography. I considered stomping around and shrieking “I is published, I is published!” I decided against it though; having security cart me out for being too obnoxious probably would have put a dark cloud over the day.

But seriously, what a monumental honor for me. This really does feel like some kind of validation, like I’m actually contributing something to something. I mean, okay, most of the time on this blog, I’m just screwing around and posting things that I know only select people are gonna care about. That’s fine, that’s why I do what I do. But, when I do something actually important, and I’d certainly like to think my Superhost interview qualifies, it’s nice to know that the big names (and make no mistake, Mike & Janice Olszewski’s work is VERY well known) take notice. Mike even thanked me again for letting him use the piece and told me what a great interview it was. Hey, if I’m getting Mike Olszewski’s approval, I must be doing something right!

So, thanks again Mike! (And thanks again also to Marty Sullivan for taking the time to speak with me in the first place!)

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Some decidedly cool postcard reproductions of classic Cleveland TV artwork. At a buck apiece, I couldn’t resist. Included: Batguy & Rinaldi, Superhost, The Kielbasy Kid, and Hoolihan & Big Chuck’s good night bumper.

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No, I didn’t buy this CD there, but I was fortunate enough to find it at a thrift store early last week. No kidding, I almost flipped out. The first time I thumbed through the CDs I didn’t even notice it. It wasn’t until my usual second run-through that I saw it. It was placed in backwards, so I was reading the spine upside down, and I thought to myself “wait, am I reading that right?” Obviously I was, and from that moment on it was coming home with me. Quite a few people I told about it thought it was extremely cool as well, and everyone agreed I should get it signed at Ghoulardifest.

It was released in 2002 as a 9/11 tribute, and features vocals by not only Dick Goddard but also fellow WJW 8 talent Tim Taylor and Wilma Smith, along with a few others. There are some standards on it, and some monologues. I like to think of it as Dick Goddard’s attempt at his own The Rising. (How many superfluous Springsteen references in this post does that make? I’m up to three – so far.)

Goddard got a big kick out of it when I presented it to him to be signed. When asked where I got it, I couldn’t lie, so I told him the thrift store. Then, how much did I pay? Well, that was prickly, because I didn’t want to accidentally insult him by telling him the CD was only going for $1.50. I needn’t have worried; he cracked up!

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And finally, my mega-cool Ghoulardifest 2015 promotional poster. Like the Dick Goddard CD, I didn’t get this at the show, but unlike the CD, I didn’t bring it to be signed there. But, I feel I’d be remiss if I didn’t thank my good friend Scott at Time Traveler Records for it. Every year he thinks of me when he gets the promotional Ghoulardifest stuff and gives me the poster after the event. Scott helps me out in so many ways, far beyond keeping me in mind when cool stuff likes this comes along, and I can’t thank him enough. I’m proud to call him amigo.


And with that, my big giant Ghoulardifest 2015 recap comes to a close. From the people there, to the people I met, to the stuff I came home with, to the book with my gol’derned Superhost thing in it, I dare say this was one of the best ones ever. My brother and I had an absolute blast (and a fine, fine lunch). I’ve mentioned this before, but it’s so great to know that Northeast Ohio memories are long; when personalities such as these have meant so much to so many, they never really go away, even if they’re not on the air. Furthermore, the new personalities that come along to take up the torch are not only treated with respect, but also welcomed into the fold, as it were. Ghoulardifest is a celebration of all that, and as a lifelong Northeast Ohioan and TV fan, that’s something I’m absolutely grateful for.

And yes, even though this all took place only yesterday, I’m already starting to itch for the next one!

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WJW TV-8 – Big Chuck & Lil’ John’s Pregame Show (September 20, 2003)

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Man, I used to tape a lot of stuff, so much so that it’s not uncommon for me to come across something I recorded myself back in the day and yet have NO recollection of ever doing so. (See: this post.) When it came to all of the crap things I taped, I like to think that I have a pretty good memory, but I’ve been genuinely surprised by what I recorded years ago enough times to realize that my mental synapses aren’t always untouchable when it comes to this sort of thing.

While this particular broadcast isn’t one I had completely and totally forgotten about capturing, I only retained the vaguest memories of taping it. For obvious reasons, I’m sure glad I did, though. Behold: from WJW 8, it’s Big Chuck & Lil John’s Saturday afternoon “Pregame Show,” from 2003. Has it really been 12 years since this first aired? I refuse to believe it’s been 12 years. I was 17 years old! A junior in high school!

Truth be told, I’m really not sure what drove me to record this. I was of course a full-fledged Big Chuck & Lil’ John fan by 2003, but, aside from a few scattered instances (such as the one seen in this post), I didn’t really tape their show(s) that often. Thanks to those aforementioned super-vague memories, I seem to recall there being something ostensibly special about this broadcast. Maybe I thought it would be a one-off kinda thing?

No matter, because I taped it, I saved it, and thus, here we are.

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Even though the branding is never used here, make no mistake, this is really an installment of Couch Potato Theater, Big Chuck & Lil’ John’s long-running Saturday afternoon showcase, which was always in addition to their regular late night program (they had moved to Saturday nights after MadTV by this point). The features shown during Couch Potato Theater varied from week-to-week; could be a movie, could be old comedy shorts, could be episodes of The Abbott And Costello Show. Or, as in this case, it could be just be skits.

As implied by the whole “Pregame” thing, this episode preceded baseball on WJW 8 that day (actually, it precedes a local special on football and an episode of Buffy The Vampire Slayer before the game, a difference of scheduling that is noted during the show). As such, it’s a half-hour show made up entirely of skits.

Actually, one thing I really like about this broadcast is just how much it reminds me of Big Chuck & Lil’ John’s current show: 30 minutes of skits with the occasional host segment. One major difference between now and then, besides the set and live audience of the old days I mean, is how ‘current’ they were back in the day; references and reminders of what was going on around Northeast Ohio, including where they would be appearing in person (indeed, as per an announcement from Chuck, they were appearing somewhere following this very episode), was a constant part of their hosting duties. Not so hard to understand, since they were (I’m guessing) in the studio quite a bit back then. It’s a much simpler affair nowadays, though anything that keeps Big Chuck & Lil’ John on the air is fine by me.

(Speaking of on the air: up until a few months ago, WJW was running Big Chuck & Lil’ John’s new show in a Saturday11:30 AM time slot, which reminded me even more of the old Couch Potato Theater days. They’ve since moved them to 11;30 PM, Sundays. I DVR the show no matter what, so the time change doesn’t impact me all that much, but I preferred Saturday mornings solely due to that nostalgia element it presented. There was just something about kicking off your Saturday with Chuck & John!)

Being only 30 minutes in length (or, if you want to be really anal, about 28 minutes; the next show didn’t start immediately after this one, dig?), I naturally don’t have a whole lot to work with here, even if I do find it incredibly cool and undeniably nostalgic. But, I’ll give it a shot.

First up, the skits themselves:

Muldoon’s Bar

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One of my all-time favorites, though I’m pretty sure it’s just a filmed version of an old joke. “Resident Irishman” Tom Bush plays Paddy, who every week or so enters Muldoon’s Bar for two shots of Irish whiskey: one for him, and one to drink for his brother back in Ireland (“To his health!”). One week, he stops at the bar, but only orders a single shot. The bartender is understandably concerned about Paddy’s brother back in Ireland, but when questioned, Paddy reveals the truth: his brother is fine, and in fact, the one shot he drinks is for him. So why not the second shot? Because Paddy gave up drinking for Lent! I love it!

 

The Amazing Stanley

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You can almost see where this one is going from the start. it’s the classic “sawing a woman in half” magic routine, which “The Amazing Stanley” performs to the satisfaction of the crowd. It’s only backstage that the “magic” of the illusion is seen: it’s been two little people curled up in the individual sections of the box! It’s a trip seeing John in high heels, and as per the host segment following the skit, the woman is played by John’s real-life sister.

 

Rockhead

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The Rockhead skits were never my favorites, though I think there were only a few of them. It’s a parody of Rocky, obviously. In this one, Rockhead is training for his big fight with “Alonzo,” while fake Adrian continuously nags him to give up boxing and instead take a steady job as a delivery boy for Rego’s Supermarket. Rockhead always gives the idea the brush off, until he disturbs Alonzo during his training; Alonzo angrily crashing through the wall is enough for Rockhead to immediately change his plans for the future. Fun fact: Chuck’s Rockhead wears a Ghoul sweatshirt throughout the entire skit!

 

Art Modell’s Back!

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Even though he passed away three years ago, Art Modell still isn’t the most popular guy in Northeast Ohio. But back in 2003, the hate for him was pretty venomous. He took away our Browns, man! This sketch plays into that sentiment. In it, Modell is seen talking on the phone and snickering; turns out Cleveland wants him back! We just couldn’t live without him! The pay-off to the skit is that he is indeed brought back to Cleveland…selling hot dogs! And to further insult him, he’s seen calling after people asking if the men’s toilets are backed up while holding up a plunger!

Obviously, there’s no way the real Art Modell was going to come back to Cleveland just to film a skit ragging on him. Instead, “Art” is either seen from behind or, using the same technology as Clutch Cargo and Conan O’Brien, with a pair of live-action, talking lips superimposed over a still image of his head.

It’s a very, very Cleveland sketch, needless to say.

 

$10 Magic Wands

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A pretty well-known skit. A sidewalk salesman tries to sucker John’s character into buying a magic wand for the low, low price of $10. The prospective customer is apprehensive until he sees the magic wand instantaneously produce a beautiful girl right before his very eyes! He quickly buys a wand, and the salesman sneaks off. The Purchaser’s attempt at using the wand produces a woman alright, albeit one of a rather more robust variety, who then proceeds chase him around as the skit ends.

 

Madame Mary

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Another skit I’m pretty sure is just a filmed version of an old joke. In fact, I know it is; variations of the gag are really pretty common. In this version, an old man goes to visit fortune teller “Madame Mary,” and asks her if there is pro football in Heaven. The good news? Yes, there is indeed pro football in heaven. The bad news? He has box seats for the next game!

 

Ben Crazy

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A classic. The Ben Crazy skits are always welcome, and this is a particularly good entry. The scene opens on a group of doctors drawing lots. One Dr. White wins, much to the chagrin of everyone else. He then enters a hospital room and informs a “Ms. Goodbody” that it’s time for her morning shot. Obviously, this is not a shot in the arm! So that’s why they were drawing lots!

 

The Certain Ethnic Artist

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Another really good one. Chuck’s classic Stash character is the “certain ethnic artist.” He’s seen painting a portrait of John, the results of which, well, you can see above.

Okay, so that does it for the skits themselves, but what about the host segments? I’m so used to Chuck & John only appearing intermittently during the new show that I had forgotten just how many there were back then; they follow every single skit! For the most part, I like the batch of skits seen in this episode, but as far as I’m concerned, the real heart lies in the host segments. Just seeing Chuck & John on that classic set takes me back like you wouldn’t believe.

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Did you notice the pizza box on the table in the host segment screencap way at the start of this post? That was your first clue that quite a bit of the host segments are dedicated to pitching Pizza Pan pizza (alliteration). Pizza Pan was a big sponsor of Big Chuck & Lil’ John at the time. The fellas even did a number of commercials for the company (I’ve got a few). Chuck & John make a point of showing off the pizza box and mentioning the company numerous times during the episode. This is borderline The Pizza Pan Big Chuck & Lil’ John Show!

The gimmick of Pizza Pan was this: order a pizza and have it delivered, you got an extra pizza free. Even better, order a pizza and pick it up yourself, you got two free pizzas! Obviously, a deal like that is going to attract some attention, and for a time, Pizza Pan was pretty ubiquitous in Northeast Ohio. I certainly partook of the ‘Pan more than once. Why? Chuck & John told me to. (Also, free pizza is always nice.)

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At one point during the show, the owner of Pizza Pan himself joins Chuck & John onstage to further promote the company. Not only is a special deal mentioned (free ribs when a pizza is ordered – at the Mentor location only), but also the then-recent expansion of the company to more areas. I wasn’t kidding, there was a time in the early-to-mid-2000s when Pizza Pan was a pretty big local chain.

And then, it just sort of seemed to fade away. I seem to recall, though don’t quote me on this because my memory isn’t that clear on the matter, that after awhile the free pizza deal was done away with. If that is indeed what happened, I guess I can understand it; the whole free pizza thing was what the company built its success on!

There are a few locations still around though. As to whether the free pizza deal was brought back or not, I couldn’t say (the official website seems to only give me the current locations and the ability to order online). Check the official website out to see if there’s one near you.

See, now I’m plugging Pizza Pan! Why? Chuck & John, man, Chuck & John.

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Finally, the pregame show ends with a mention of their feature for their normal, late night program: Rocky II! They both seem quite excited by this, not only because they had run the original Rocky the week before, but also because this is apparently the third good movie they’ve had in a row, though what entailed the third movie in that line-up isn’t stated.

Now is as good a time as any to mention that I love the old movie bumpers Big Chuck & Lil’ John used for their films. The Rocky II one above is a good example. There’s something just so right about them, though my nostalgia obviously plays a part in that feeling.

(By the way: I didn’t notate on the tape when this originally aired, but Bob “Hoolihan” Wells’ 70th birthday is mentioned as coming up on September 27th, and this episode followed my recording of Conan O’Brien’s 10th anniversary show and preceded Saturday Night Live‘s 29th season premiere. Those aired September 14th and October 4th, respectively, and with the help of this calendar, it pretty much has to be September 20, 2003. I can’t see a way that it’s not!)

Anyway, during these broadcast recaps, I usually look at some of the interesting (to me) commercials found during the respective airing. Being only half an hour, again, I’ve only got so much to work with, and frankly, there wasn’t a whole lot that stood out to me. BUT, there were two I couldn’t end the article without taking a quick look at:

 

Buddy’s Carpet Ad

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Buddy’s Carpet! At one time, it was pretty difficult to watch local TV in Northeast Ohio without seeing at least one Buddy’s Carpet ad. Initially, Buddy himself pitched the company in these commercials, though later on a woman (his daughter, I guess?) took over those duties. As evidenced above, this is one of those later commercials. No matter, because it still gives me a far bigger nostalgic charge than any carpet commercial has a right to.

Buddy’s Carpet is still around, though like Pizza Pan, it seems the locations are more limited now. Check them out here.

 

Regency Windows Ad

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I’m slightly embarrassed to admit that up until fairly recently, I didn’t realize I hadn’t seen a Regency Windows ad on TV in a long, long time. Just like Buddy’s Carpet, their commercials were nearly omnipresent on Northeast Ohio TV. Most of them featured owner and spokesman Mikey (that’s him above) screaming “I’m gonna save you a lotttttttta money!” This ad is (probably) one of the few where he doesn’t give his famous line, but he’s still there, and he’s still excitable, so it’s not a total loss.

Turns out Regency Windows closed some years ago, though what remained of the company was purchased by Window Nation. That official website is here.


 

For what is only a 30 minute recording, this one actually packs quite a nostalgic wallop for me. Besides the whole Big Chuck & Lil’ John Saturday afternoon thing (which is more than enough by itself), there’s also Pizza Pan, Buddy’s Carpet, Regency Windows (and more specifically, Regency’s Mikey), and of course, the skits.

Also, It’s amazing to realize that in 2003, in four years Chuck would retire and they’d be off the air entirely, but in less than 10 years, they’d be back hosting a show that is very reminiscent of this (and other, I’m sure) pregame episodes, a show which continues to this day. If there’s one thing I love about Northeast Ohio, it’s that more than once, our movie hosts have not gone quietly into the figurative night. One way or another, they find their way back!

Portside Brewery’s Big Chuck Barley Wine Ale!

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“Big Chuck’s getting a beer?! When?! Where?! MUST. HAVE. NOW.

That was more or less my reaction when I first learned a month or so ago that local legend “Big Chuck” Schodowski was getting his own beer. It’s funny how after all these years, the announcement of “somethin’ new” related to one of Northeast Ohio’s movie hosts *still* has the ability to turn me into a total spaz.  It’s one facet of my personality that I’ve come to accept as never changing. And, when it’s something out-of-the-box like a beer (as opposed to your expected t-shirts and whatnot), well, that’s the kind of thing that can turn me straight-up violent with anticipation.

I’m (sorta) kidding of course, but considering that the March announcement of Portside Brewery’s Big Chuck-themed barley wine ale didn’t include a specific release date (I only saw a somewhat-vague “In April” release mentioned) or where I could find it for sale when it was on sale, I was a bit concerned about finding some of my own. Was it going to be available only in Cleveland-area stores, or all of Northeast Ohio? Maybe there was an article somewhere that answered these burning questions, but I sure didn’t see it.

More troubling to me than all that, however, was the specific mention that the release was going to be limited to about 8000 cans. Not 8000 cases, not 8000 4-packs, 8000 cans. That doesn’t seem like very much to me, at all. Especially when you consider all of the Northeast Ohio beer-drinkers that could potentially be interested in this. Now, under most circumstances, I take the statement “limited edition” with a grain of salt; I’ve picked up so many ostensibly ‘collectible’ things over the years with that term plastered all over ’em that it really doesn’t mean anything to me anymore. Anything made to be collected usually isn’t worth much in the long-run. Everyone goes out and buys it (because it’s “limited edition,” you know), which means it’s not scarce, which means…well, you get the picture.

BUT, unless there’s another run, Big Chuck beer really is a limited edition, and considering it’s a disposable product, there are less likely to be unopened cans popping up online in the future. Then again, the sad fact of the matter is that there are people as fanatical about this kind of thing as I am; the more I think about it, the more I can almost guarantee there’s going to be a bunch of folks at the next Ghoulardifest getting Big Chuck to sign can after can for them.

All of this was indeed running through my head to prior to finally finding Big Chuck beer for sale in my neck of the woods. And with the way my mind works, I had basically worked myself into thinking “there’s no way I’m going to be able to find this stuff at one of my stores! It probably sold-out instantly, anyway!” I get the same way with concert tickets, though in that case it’s a bit more understandable. Heaven help anyone that gets in the way of my purchasing Springsteen tickets, by the way.

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Of course, in other, similar instances, I always tend to see the glass half-empty as far as my probable success-rate is concerned. But in reality, I usually do come out of things kinda sorta successful. It’s rarely as bad or rough as I get myself worked up into thinking it is or will be. And such was the case with Big Chuck beer. Prior to the release, a friend of mine said it would in all likelihood be at Acme. Since I had no idea when it was hitting stores (if it was hitting anyplace in my near-vicinity, that is), I just sort of started checking this store or that store when April came around. Three Giant Eagle stores, one independent drive-thru, and the info that Big Chuck beer was indeed at Acme “store #1” later, I finally decided to check the Acme on State Road in Cuyahoga Falls. Since this Acme is nearby and easily visited, it’s a mystery why I didn’t check there sooner, but nevertheless, they had it, and it’s now mine, as the picture above aptly demonstrates. Big Chuck beer, happily traveling in an official Acme-brand shoppin’ cart. Tis beautiful.

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There they are, the fruits of my semi-fervor. Ain’t they cute? The red plastic rings keeping the cans together are a sign of quality, and the well-known Big Chuck caricature on the front of the cans is ample proof that this isn’t just another alcoholic beverage, this is a product. Or, dare I say, an event? And look, the UPC is housed in an Ohio! Even before tasting it, you know this is something special. At $10.99 a pack, they kinda have to be.

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There’s the can, liberated from the necessary plastic rings that keep the four cans together and away from ragamuffins and whatnot.

Big Chuck beer comes only in 4-packs of 12 oz. cans. At $10.99 a pack, it’s most definitely a premium beer. Didn’t stop me from buying 3 packs of it, though (one to drink, sparingly, at home, one to drink, sparingly, with friends, and one to keep minty sealed fresh for the rest of my days). Your Northeast Ohio Video Hunter is many things, but rolling in dough he is not, so I had to make sure the $35 or whatever it totaled out to after taxes was not spent in vain. So, that means you can thank the higher-price for this post.

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For scale comparisons, there’s Big Chuck beer next to a regular ol’ can of Diet Pepsi and an Adam West Batman action figure. It’s the same size and height as the Diet Pepsi, but not as tall as the Batman. This is really a pretty pointless pic, since everyone knows what a 12 oz. can looks like and Batman has nothing to do with anything. I’m not sure why I’m including this at all, but hey, there it is. “Holy superfluous picture, Batman!”

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Geez o yikes – Big Chuck beer ain’t for the wimps! 11.7% alcohol is just under the current 12% Ohio limit. $10.99 for a 4-pack of 12 oz. cans may sound like “a lot for a little” to some, but if you’re just looking for alcoholic content, well, it kinda evens all out in the end (besides, a limited edition beer from a microbrewery almost has to cost more than your average beer, right?)

The high alcohol content presents a small problem for your Northeast Ohio Video Hunter: I am by no means a teetotaler, but the fact is that I’m not much of a drinker, either. The result is that I have an admittedly sad tolerance, which I’m sure is probably letting John Wayne down somewhere, somehow. Prior to picking up this beverage, I think the last alcoholic anything I bought was a pack of that Budweiser Cranbrrrrita stuff right before Christmas, and it sat untouched, except for one (by my Brother), in my fridge for several months afterwards, until I brought them to a friends, where I think I eventually ended up having one, maybe two, tops. I have no problem with alcohol, but I’m the first to admit I’m a lightweight.

So, I can drink Big Chuck’s beer, but I’m gonna have to drink it slo-o-o-o-o-o-o-o-o-o-o-w. There’s just no conceivable way I can drink this thing even remotely fast, unless I want to put myself into a drunken coma, which I don’t. This, of course, is not a fault on the part of the beer at all, it’s totally my shortcoming. I yam a weakling, I admits it. As it stands, I’m gonna have to nurse this beverage like a, um, nurse.

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See that mug? Is it not fitting for the occasion? It’s the closest thing I have to a legit Big Chuck mug, at any rate. Never mind that the graphic on it is kinda obscuring a clear view of the Big Chuck beer outside of the aluminum prison it was formerly housed in, it’s still a nice match to me. Especially since when I do drink, this is totally my mug of choice.

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As you can see, it’s a dark beer, and boy, is it powerful! A big beer for Big Chuck! Another downside of not being much of a drinker is that I can’t really describe all of the nuances of the flavor (seriously, I admire the people that can drink wine or something and then list all of the little flavors they pick up, because I’ve just never been able to do that.)

Portside Brewery has done the formerly impossible though, because prior to this, I haven’t been a big fan of dark beers, preferring instead your lighter domestic beers (not only am I a lightweight, but I’m also extremely mainstream). Believe me when I say this is a good beer. I’m not just saying that because my judgement is clouded by fondness for Big Chuck, either. No joke, I really, really like it! It has that kind of bitter-y taste you associate with dark beers (what is that? Malted barley? Hops?), but in a good way; no cringing here. I may be taking it in slowly, but I’m totally enjoying it. This is really good stuff, the perfect drink to sit back and relax with after a hard day of work. Of course, in my case, a hard day depends on how long I decided to sit in front of a VCR going through ancient videotapes, but I’m assuming the sentiment is the same for people that have real jobs.

In the interest of full disclosure, I first tried Big Chuck beer the other day with a buddy, and he was picking out all of the subtle (or maybe not so subtle, I don’t know) flavors. He was impressed, as were two other pals that tried it. Unlike me, these guys know their beer, and Big Chuck totally passed the test with them. It also passed with high marks from my Brother. My word may not always mean much, but theirs certainly do.

So, you’ve got a limited edition beer featuring a local television legend that comes in a swanky can and is tasty to boot. I consider that a successful purchase. I should pick up some more while I’ve still got the chance. Sure, it’ll take me forever to drink all of it, but I’ll enjoy every second. I know full well that things I’m super-anxious to pick up are often hyped (in my mind) to near astronomical proportions, so much so that sometimes it’s impossible for them to live up to such lofty expectations. But, Big Chuck beer was definitely worth the wait and search. I dig it. It’s certainly worthy of the Big Chuck name.

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Awww, now it’s just a 3-pack. Tis a bittersweet sight.

I guess the only question remaining is: when are we going to get a “Lil’ John” Rinaldi beer?

Just for fun:

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(Visit the official Portside Brewery website here, and the official Big Chuck & Lil’ John site here.)

UPDATE: Totally went and got some more, which as it turned out, was the last one on Acme’s shelf (my brother got the penultimate pack.) Will more arrive in the future? Only time will tell, but I’m certainly stocked for awhile!

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Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

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There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

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The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

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The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

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It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

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Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

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Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

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Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

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It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

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I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

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At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

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The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

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Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

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I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

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The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

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There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

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Ghoulardifest 2013!

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There are plenty of reasons to love this time of year, but one of the big ones, for me, is the annual Big Chuck & Lil’ John Ghoulardifest convention. Ghoulardifest, for those “not in the know,” is the yearly convention celebrating all things Ghoulardi, the legendary Cleveland horror movie host. This year held special meaning, as it commemorated the 50th anniversary of Ernie Anderson’s debut as Ghoulardi, on WJW TV-8 waaaaay back in 1963. Due to a shortage of money (and I tend to spend a lot at these things), initially I wasn’t sure if I was going to be able to make it this year. But, there’s only one 50th anniversary! I had to go! Luckily, my brother came through with the needed dinero, and so, earlier today, Sunday, November 3rd, we made our yearly trip to Ghoulardifest.

(A huge, huge thanks to my good friend Scott “Scottsbury” Shepard, proprietor of Time Traveler Records, which I talked about here: https://neovideohunter.wordpress.com/2013/08/05/a-trip-to-time-traveler-records/ . Scott scored us a pair of complimentary tickets to the ‘Fest from fellow local legend Jim Chenot, which definitely helped make our limited funds go further. It’s for reasons like this that Scott and Jim are, as we in the hepcat profession say, “the dude.” Well, “the dudes,” in this case.)

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For the past several years, the convention has been held at the UAW Local 1005 Hall, a venue and transit I had become accustomed to. So, when it was announced earlier this year that the convention was moving to the La Villa Conference & Banquet Center, I was a bit concerned. Was this going to be farther away? Would the trip become longer and more difficult?! I’m not always adverse to change, but when it comes to the important things (like Ghoulardifest), I can become a bit apprehensive. In this case, however, whatever concerns I may have had were unfounded; since my Brother always does the driving to these sorts of things, I didn’t realize that the trip was nearly the same. La Villa is right by the UAW. Even the Big Boy Restaurant that we usually visit after leaving Ghoulardifest was close-by (we didn’t stop there this year, however; mah Bro was tired, we had eaten beforehand, and besides, we spent quite a bit of money at the ‘Fest. Sorry Big Boy, not this year).

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The La Villa was/is beautiful. Definitely plush, and it’s design actually reminded me of a Frightvision I went to years ago (early-2000’s). That’s my Brother in the pic above, walking ahead of me, as he tends to do. You could be forgiven for perhaps mistaking him for a young Bruce Springsteen upon first glance (it’s the hair, y’see).

One thing I’ll admit I regret missing out on was held yesterday (November 2nd, for those keeping score at home): Tim Conway, Ernie Anderson’s comedy partner and longtime supporter of all this, made an appearance. I would have liked to have met him, or at least seen him, but it having been a Saturday and Tim Conway only appearing that one time only, you have to figure the place was jammed. Now, I am not a fan of big crowds, and that coupled with the fact that there was a family engagement that left my Brother unable to attend yesterday meant that it was just going to be easier all-around to go today. So, sorry Mr. Conway, but it couldn’t have been helped. (Sunday is when we usually go anyway, and despite my uncomfortable-ness around/in crowds, it’s still always pretty busy that day, and this year was no exception.)

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As you may imagine, meeting the local celebrities is one of the big draws of the ‘Fest. So, it stands to reason that Big Chuck & Lil’ John were out in full force, layin’ down the law and takin’ names. Right before (or right after, I can’t remember) this super-exclusive candid photo was taken, Lil’ John was staring at me while I, like a dope, stood there with my big ol’ camera out. I became nervous at the fact that I may have been irritating one of my heroes, so in this moment of potential crisis, what did I do? Point at him and do an Arsenio-style “roo roo” gesture. Yes, really. If I had been irritating him, this was certainly not going to help matters, but luckily, nothing more came of it, besides me making a clown of myself in public (something I admittedly can be exceptionally good at). Lil’ John, if I bothered you, I’m sorry man! Please don’t hate me! Also, we *may* have accidentally cut in line when meeting Chuck & John (oops!), but there was a lull at their table, no one seemed to be making any immediate headway towards them, so what were we supposed to do? At any rate, they were kind enough to sign my American Scary book and take a picture with me (both of which I’ll spotlight in a little bit), so, all is well; I won’t suffer a sleepless night tonight (not due to this, at least).

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I really wanted to meet Bob “Hoolihan” Wells, maybe get his autograph and/or a picture taken with him. But, for a record third year in a row, I missed out! When these super-exclusive candid photos were taken, he was on his way up to the stage for a presentation (as were the rest of the celebrities in attendance). For the record, in the right shot, he was leaning down to take a bite of food before heading to the stage. Your Northeast Ohio Video Hunter captures all of life’s special little moments, doesn’t he?

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While the celebrities and special presentations are a big part of Ghoulardifest, of course there are always a ton of vendors selling cool stuff, and this year didn’t disappoint in that regard. Man, I could, can, and often do drop some serious dough at these things, but I had to temper the urge to buy everything even remotely interesting in sight a bit this year. I still walked out with a bagful of really cool stuff, but man, I had to pass up some pretty amazing things. Nothing I’ll lose sleep over tonight, but trust me, if you’ve never been to a Ghoulardifest, you’re missing out on a lot of neat items.

Notice in the right pic above Son of Ghoul selling some of his fine wares. SOG always has a lot of awesome stuff, and I bought a ridiculously cool Superhost DVD from him. He even had a vintage Frankenstein Laserdisc for sale, something that made my heart swell with joy.

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The place really was (and always is) a feast for the eyes. Often, at least for us, it takes several walk-throughs to fully appreciate everything being sold. No joke, even after going around the room a few times, we were still finding neat things to buy. Near the end of our visit, my Brother got a very cool print of a vintage Beatles photo (from the original photographer) in which they’re in the back of a car, Paul is waving, and Ringo has what definitely appears to be a joint.

With his back to the camera, that’s Jungle Bob, busy being awesome, in the left pic above.

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A few more vendor photos. In the right pic is a shot of our newest horror host’s table. Well, hostess’ table: The Daughter Of Ghoul! I wasn’t able to meet her, but I can’t tell you how awesome it is to know that we’ve got another person out there keeping the tradition alive! Unfortunately, I don’t think I get any of the channels that carry her show at the moment, but hopefully I will at some point in the future.

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Someone was even selling the new action figures based on the 1966-1968 Batman series! I’m not that big of a toy collector, but this line is one that has definitely had me excited. Seriously, these things should be put on the list of mankind’s greatest achievements. I already have the Batman & Robin two-pack (the only way to get Robin at this time; exclusivity, yo!), and no joke, it’s a work of art on par with Michelangelo’s David, the Mona Lisa, or that portrait of dogs playing strip poker. While I didn’t buy any of these figs at Ghoulardifest, just seeing the Surf’s Up Batman figure in person was enough to cause me to fall to my knees and weep pure, unadulterated tears of joy, which resulted in the curious stares of passerby, not unlike Lil’ John earlier.

(Did I really fall to my knees and weep at the sight of the figure? Maybe I did, maybe I didn’t. You’ll just never know for sure, will you?)

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Here’s two shots of that stage presentation that kept me from meeting Hoolihan I was talking about. This was at the very tail-end of our visit, and I’m not quite clear on what the purpose of everyone going up on stage was for, but it made for a few very cool pictures.

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There’s a shot of everyone on stage for the presentation that I should’ve stayed to watch but didn’t.

The more I think about it, the more I think I should have bought that Surf’s Up Batman figure. Missed opportunities, people, missed opportunities.

What’s that? Pics with celebrities? Oh, your Northeast Ohio Video Hunter has pics with celebrities!

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There I am with Jim Syzmanski. I know I may end up being redundant saying this, but all of our local guys are always so nice when you talk to them, and Jim was no exception. Years ago, when I first started watching Big Chuck & Lil’ John, I always liked Jim in their skits, and I talked to him a bit last year, but I’m very glad to have gotten a photo with him this year.

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Me with Big Chuck & Lil’ John! I’ve had photos taken with them before, but you have no idea how much I love this shot with their classic King Kong backdrop. Always two of the nicest guys you could hope to meet. I’m dangerously close to making this picture the background on my cellphone.

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Hangin’ with my hero, Son Of Ghoul! SOG is always great to talk to, and after our trend-setting, groundbreaking interview ( https://neovideohunter.wordpress.com/2013/08/12/an-interview-with-son-of-ghoul/ ), as well as all the crap I’ve sent him over the years, he kinda knows me now! Even if the rest of the day was a bust, this moment alone would have made it all worthwhile. SOG’s just about the coolest guy ever, and you’d be well-advised to give him due props. Don’t make me throw down over this.

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Jungle Bob! I’ve been a Jungle Bob fan for years, and it’s always great talking with him. I first met him waaay back in 2000, and he’s always been just great with his fans. He even had a lizard of some sort with him today!

(Jungle Bob’s official site: http://www.junglebob.tv/ )

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Bill Ward, the former voice of WJW TV-8! If you’ve lived in Northeast Ohio for any decent period of time, in all likelihood you’ve heard Bill Ward’s voice. Not only that, but he’s also done a ton of great skits with Big Chuck & Lil’ John. Mr. Ward was mindblowingly friendly. Seriously, he couldn’t have been a nicer guy. And, he even took an interest in this blog! That’s right, your Northeast Ohio Video Hunter talked to Bill Ward about, erm, The Northeast Ohio Video Hunter! Even gave him the address! The very idea of Bill Ward reading my silly little blog is just amazing to me!

But, that’s not all! As previously mentioned, I came home with some cool items! So, what was my booty, my loot, my acquisitions, you ask? I won’t go over everything I picked up, but here’s some of it:

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A beer-scented candle in an official Ghoulardi mug! This thing smells very accurately and very strongly of beer. I’m concerned that passerby may walk past my house, smell the candle from the sidewalk, and assume I’m a microbrewer or something. I really wanted this more as a display piece (I’m not really a candle-lightin’ kinda guy), but I’m serious, the scent is really strong. I’m probably going to have to wrap this in a bag and put it somewhere away from things I don’t want to smell like brew, lest someone presume I partake in large amounts of alcoholic alcohol throughout the day (aside from one or two beers now and then, I don’t drink much at all, really).

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Legendary Northeast Ohio weatherman Dick Goddard was there, and he signed this old promotional picture I bought about 2 years ago. I’m confident this will one day be worth the mighty dollars, but I ain’t ever sellin’ it, no way!

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The official comic book adaption of Batman Forever, a movie only slightly less terrible than Batman & Robin! It doesn’t really take the sting out of passing up Surf’s Up Batman, but I’m a Batfan and the comic was only $1 so screw it.

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Told ya I got my American Scary book signed! Uber-collectors of autographs may balk at the fact these signatures are personalized to me, but baby, this book is mines, and I want to let the world know it! I got Big Chuck & Lil’ John’s, Son Of Ghoul’s, and Jungle Bob’s signatures (Jungle Bob isn’t a horror host, but he does appear in the book, so it counts). I would have liked to add Hoolihan to it, but maybe next year. I actually almost brought this book last year to have signed, but I didn’t feel like lugging it around. While I’m glad I brought it today, I’ll admit it was a pain finagling between the book, my camera, and the increasingly full bags of purchased items. By the end, I have a feeling my Brother was pretty tired of hearing “hey, hold the book for a sec” from me.

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I also got an official Big Chuck & Lil’ John hand stamp! Proof that I had a ticket and wasn’t trying to pull no funny business! Please ignore my somewhat chapped hand. I love this stamp, but it’s a bittersweet love, because I know that in the very near future, it will soon disappear. There are two possible solutions to this, however: 1) I can have it tattooed on, thus ensuring that my lil’ baby grandchilds will know I was once at a Ghoulardifest, or 2) I can just not wash this hand anymore, which may be a more sensible, or at least cheaper, option (he said having already washed his hands several times since coming home from Ghoulardifest earlier today). Well, nothing is forever, and I guess that includes my hand stamp. *sigh*

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I also have my complimentary Ghoulardifest 50th anniversary ticket stub, a memento not only of today’s events, but also of the extreme kindness of Scott Shepard and Jim Chenot. I really appreciate it, compadres!

And so, that’s it for another year of Ghoulardifest. Despite my having left only a few hours ago, I already can’t wait for next year. I always have a blast, and it’s great to be around people that generally like the same stuff as I do. You don’t always get that from your common everyday person on the street, but at Ghoulardifest, I could shout “I loves ya, ‘lardi!” at the top of my lungs and few, if any, would bat an eye. Probably.

If you haven’t been to a Ghoulardifest convention, I can’t recommend it highly enough. Even if you just go in to see the sights and sounds, I tink you’ll be satisfied. Of course, if you’re an out-of-towner, making the trek may prove a bit more difficult, but don’t fret! There’s an official website, where you can get much of the goodstuff sold at the convention! Check that out here: http://theghoulardifest.com/ . But, I’m confident in stating that there’s enough to see and do each year that, if at all possible, it would be worth taking the trip and seeing it all in person.

Until next year…

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(That pic was actually taken as we were first arriving at the convention, but the sentiment it conveys is the same. Right? RIGHT?!)

I think I should have bought that Surf’s Up Batman figure.

WAOH TV-29 in Akron / WAX TV-35 in Cleveland (“The Cat”) stuff.

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In the late-90’s and early-2000’s, one of the most important channels for me was WAOH TV-29 in Akron / WAX TV-35 in Cleveland, better known as “The Cat” (Cleveland-Akron Television, dig?). Both 29 and 35 were the exact same channel, so I’ll simply identify it as The Cat or WAOH. There’s surprisingly little info about the station on the internet, and someone I was talking to once exhibited some interest at the fact I had recorded a number of programs off the station (believe me when I say I taped a lot of stuff).

What made the channel so special to me was the sheer number of ancient movies, old TV shows and local content they played. Granted, the majority of the movies and TV shows weren’t actually owned by WAOH, but was rather syndicated content from the America One Network, but the fact remains that The Cat ran things you weren’t going to find on ANY other channel. And all of the local programming (which naturally had nothing to do with America One) gave The Cat a terrific Northeast Ohio flavor.

Furthermore, despite the A1 affiliation, this was really an honest-to-goodness independent station, something that (unknown to me at the time) was becoming increasingly rare around the U.S., and while there were still some old and/or local programming on other channels (for example, WJW had Big Chuck & Lil’ John, and WBNX brought The Ghoul back in 1998), none reveled in it like WAOH.

I discovered the station in the summer of 1997. It was nothing earth-shaking, I was just flipping channels, when I came across an airing of a hugely battered old print of the original 1930 version of The Blue Angel. No one else was running things like that, not on local TV at least, and from then on, I was hooked.

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Of course, probably the most popular show then (and now) , and certainly my favorite on the channel, was The Son Of Ghoul Show. Like Ghoulardi and The Ghoul before him, Son Of Ghoul ran old movies, inserted humorous sound effects/drop-ins, performed comedy skits, and read viewer mail. As I’ve mentioned before, SOG started on WOAC TV-67 in 1986, and in 1995 he moved to The Cat.

Those screencaps above are from my two earliest SOG Cat promos. The one on the left is a silent still-card promo that ran for 10 seconds, so what you see is what it was. The one on the right features the standard SOG-pitch: He mentions the show and  the awful movies they run. It’s an all-around promo, and SOG did more than a few for The Cat over the years. Most of them say basically the same thing, but I mean, they’re supposed to.

I actually didn’t discover SOG right away. I mean, I saw the promos, sure (The Cat tended to run the same promos a LOT), and I had seen bits and pieces of the show here and there, mostly in passing, but it was Halloween 1997 that I actually sat down and watched the show. I stumbled across an airing of the original Night Of The Living Dead, which I had never seen before. Even with all of the sound effects and jokes (it took me a minute to realize what they were doing, but I immediately loved it), I seriously dug the movie, and I became an instant SOG fan. I even wrote him a bunch of letters, and his reading them on the air was always a thing of great excitement. Of course, I was only like 11/12 years old, so I never had much to actually say (and watching my old tapes, I can’t help but cringe a bit).

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Today, Son Of Ghoul is still running, and I’m still watching. That screencap above is from the latest promo for the show that I’ve seen. I captured it in 2011, but I think it’s been running since 2009, and I know it’s ran several times since 2011. The reason I say 2009 is because that’s when The Cat became an RTV affiliate, and SOG’s timeslot switched to Saturday evenings at 7:00 PM. The promo is, like the one above, a standard SOG pitch: talking about the awful movies, humorous sound clips, and comedy skits, with the exception that SOG mentions the new timeslot “starting in June,” which was when The Cat became RTV (though I still continue to call it The Cat, and always will). Despite the June mention, this is the only promo I’ve seen the station run for SOG relatively lately. Probably because most of the vast majority of content is RTV’s, and they have their own promos and whatnot. But, you do catch some locally-produced promos here and there. I don’t think they run quite as much as they used to, but there were some WAOH-produced spots for RTV shows, which I’ll get to in a bit.

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Speaking of local promos for syndicated content, that sort of thing isn’t new to the station. The screencap on the left is from 1997, the one on the right from 1999. Both are for the western movies that the channel ran every weekday afternoon (and on Saturday afternoons for awhile, and if I recall correctly, occasionally on Sundays, too). Both promos are more or less the same: various scenes from old westerns, while appropriate music plays. In the ’97 spot, it’s “Happy Trails.” The other features “Where Have All The Cowboy’s Gone?”

The afternoon Western flick was actually America One’s “Western Theater,” and I loved it. It’s thanks to these films that I became a fan of  westerns. You didn’t tune into this program to see The Shootist, though; these were all old rickety “B-Westerns”, mostly from the 1930’s and 1940’s. Probably all of them were/are in the public domain. You saw the standards like Roy Rogers, John Wayne’s poverty row films, Hoot Gibson, Ken Maynard, Rex Bell, etc. etc.

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Speaking of films, through America One, The Cat ran a lot of them. This promo is from 1999, and spotlights just how many they play a week. Even back then, the claim of “over 40 films a week” seemed just a bit high to me, but they did play a lot. There was a morning movie that began at 10 or 11 AM, and ran for an hour and a half, the western at 12:30 PM, which also ran for an hour and a half, then the noon movie at 2 PM, which ran for 2 hours. At 8 PM, there was another 2-hour movie. The overnight hours generally featured content from the American Independent Network (AIN), and, if I recall correctly, was two 2-hour films in a row. The weekends were a wildcard. I have a recording of three consecutive westerns from a Saturday afternoon in the late-90’s, but that wasn’t always the case. There could be one, maybe two, or maybe none. Sundays generally had less than that or none altogether, and didn’t necessarily have to be a western (I once taped The Tonto Kid, obviously a western, on a Sunday, but my copies of Goliath And The Vampires and Monster From A Prehistoric Planet, clearly not westerns, also came from Sunday airings).

I don’t know, maybe over 40 films a weeks wasn’t so far off after all.

Most of the films were from America One, but there were a few that the station itself seemed to own itself. Every Halloween, they’d run Night Of The Living Dead, the most scratched up and battered print you’ve ever seen. Since none of the A1 branding was present during these annual airings, I’m guessing the station owned it’s own print. For Christmas Eve, they’d run the 1935 Scrooge and then Beyond Tomorrow back-to-back, commercial-free. I still have a recording of Scrooge, but not Beyond Tomorrow.

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A movie that received some actual promotion was their 1999 airing of the infamous Reefer Madness. I taped it, but later taped over it. I don’t recall if it was an A1 presentation or not. A1 films generally weren’t singled out for promos like this, but I don’t know, maybe they thought there was a specific audience for this? They had various clips on-hand for the promo, and the local announcer that did all of The Cat’s promos did the voiceover here, too. or maybe the clips were provided by A1? Either way, I may not have the actual airing, but at least I managed to capture the original promo.

Sprinkled throughout all of these movies were lots of old TV programs. The early mornings typically had old black and white sitcoms before the morning movie, The Cisco Kid once ran before the afternoon western, and Dobie Gillis followed the 2 PM afternoon movie.

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At one point, there was a fairly big push for the Dobie Gillis reruns (big for The Cat at least). They were all humorous, such as the one above. There were a couple “Dear Maynard” spots, always featuring someone writing in to Maynard ala Dear Abby, and then Maynard’s “advice” (a clip from the show taken out of context, which was really pretty funny since it was essentially a non-sequitur moment). There were also promos playing up Bob Denver’s then-recent arrest for marijuana, Dobie’s father’s strictness, and Dobie’s falling for every girl under the sun.

Dobie ran until about 1999, and since I had grown accustomed to watching the 4:00 PM weekday airings after school, I found myself missing it once it was gone. TV Land ran episodes now and then, and nowadays you can catch it on MeTV, but those old Cat airings probably mean the most to me. Even today, I still really like the show.

Other shows that appeared on The Cat over the years courtesy of America One or other networks:

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For the girl-watchers, there was Babewatch, which was apparently just girls parading around bikinis.

Emergency was, I believe, a cheap Rescue 911 knock-off.

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One Step Beyond I watched a few times, but it never really grabbed me. Sort of a lower-rent version of The Twilight Zone.

While I like old sitcoms, The Adventures Of Ozzie And Harriet was never one of my favorites. WAOH’s promo for it, though, was awesome. This was when V-Chips were first being widely introduced, and the gag was that Ozzie was V-Chip-free TV, but all of the clips had words bleeped out as if there was constant swearing in the show. For example, one was a clip of Harriet saying “I think you’ve got the wrong girl,” but “got” is bleeped out. It was a riot. As you can see from that and the Dobie promos, The Cat often put a lot of humor into their spots.

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Two more I never liked. Bonanza, I know it’s considered a classic, but I’ve always been a Gunsmoke man. Also, The Beverly Hillbillies has always left me cold.

Still, The Cat did a great job of selling these promos, mostly through humor, and if I already didn’t like them, I probably would have tuned in to check them out.

And of course, Enigma Theater With Edward St. Pe’, which I’ve already written about, aired very late Saturday nights/Sunday mornings on WAOH, though it seems very, very few people remember it nowadays.

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I mentioned above the overnight airings being from the American Independent Network. A lot of the same movies as America One were shown, but the print’s weren’t the same. AIN even ran some of genuine “big time” movies once in awhile. Once, they played the original 1939 Stagecoach, which I taped. Despite having never seen the film prior, I could tell huge chunks of the movie were cut out; Stagecoach was just way too disjointed, way more than any film widely considered an American classic would be. I later taped over that airing with a unedited version from AMC, and I kinda wish I hadn’t done that, because in retrospect, film’s of that caliber (i.e. big-time, never-gonna-be-public-domain) weren’t usually shown on The Cat.

This was a fairly minor problem with the daytime programming, but the overnight schedule was notorious (to me, at least) for rarely being correct. It was often a crapshoot whether a scheduled movie would actually be run, or an entirely different film instead. Many times, there was a movie listed that I was seriously stoked for, and I’d set the VCR timer, only to be crushed come the morning when I found out something I had zero interest in was played instead.

Rather, a lot of WAOH’s late night programming was often made up of content from who-knows-where. I mean, nothing ever adult, or actually disturbing, but still, waaaay obscure stuff from the far reaches of the U.S. I haven’t always had the greatest sleep patterns, and I recall sometimes stumbling out of bed and watching The Cat when I couldn’t sleep, and wondering “Where did this come from?” Have you ever heard David Cronenberg’s inspiration for Videodrome? When he was a kid living in Canada, late at night his TV could pick up signals from Buffalo, NY, and he’d worry he’d be able to see something he wasn’t meant to. It was the same sort of thing with late night WAOH.

Of course, at the heart of The Cat was the local programming. Son Of Ghoul, sure, but also a lot of stuff that’s been more or less lost to time. A lot of The Cat’s local programming was simple, live call-in shows, with the host or hosts seated in front of a plain black screen and taking phonecalls. Today, the only show from the old days left besides Son of Ghoul is Steve French Sportstalk and Handy Randy.

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Of boy, two of the dullest shows you could imagine. Back Talk was exactly that, chiropractic talk. And Senior Talk? Well, that was what it sounds like, too. Back Talk I don’t recall running very long, but Senior Talk ran for a number of years, at least until 2006. It may have been a casualty of the 2009 switch to RTV, I don’t know.

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Dining Out With Steve ran for a looong time. I believe it did last until the 2009 switch. Basically, you could call in, talk about local restaurants, and even get gift certificates.

The Hunting And Fishing Show ran for a number of years, and in the summer of 2011 they even tried bringing it back, but it didn’t last very long. There were promos for it, and I think I have a few that aired during SOG, but I haven’t put any on the PC.

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Big Al was very short-lived. It was essentially people performing in a karaoke bar, and hosted by the show’s namesake. I only caught one episode, which featured a bizarre Elvis impersonator that admittedly did sound a lot like The King, but didn’t look much like him at all (despite Al’s constant insisting the guy was “so real it’s scary!” or something to that effect).

I don’t know when Steve French started hosting his WAOH show, but it’s still on, and apparently still pretty popular. I even tried calling in a few weeks back, but I didn’t get through, which is probably a good thing, since I’m by no means a sports expert and the last thing I need is to make an idiot of myself on local TV.

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While on the subject of the local call-in shows, SOG hosted a live game show from about 2001 to 2004 or so. Unfortunately, this promo is all I have as far as original recordings go (I did buy some DVDs from SOG himself at the last Ghoulardifest convention). Son of Ghoul’s House Of Fun & Games ran at a time when I actually couldn’t watch The Cat. Y’see, the station was so low power that we couldn’t pick it up with the rabbit ears dad decided to use to save money. I wouldn’t even have this promo except I went to grandma’s house one afternoon to tape a movie I particularly wanted back in 2001.

So, that’s my “golden age” of WAOH/WAX, roughly 1997-2001. Like I’ve mentioned, they became an RTV (Retro Television) affiliate in the summer of 2009. Since Son Of Ghoul survived the switch, I was generally okay with it, though I missed some of the old movies or other assorted America One content. Still, RTV was pretty cool. A lot like old school TV Land. A line-up shift in the summer of 2011 took away most of my favorite programs, though there are still a few shows I like, and Wolfman Mac’s Chiller Drive-In on Saturday nights and Off Beat Cinema on Sunday nights is pretty awesome.

To end this post (aka massive article), here’s a few screencaps from locally produced promos for RTV content, which harkens back to the late-90’s era I so findly recall. All of the modern promos are simply scenes/music taken from the opening credits of the respective series, with appropriate logos and voiceover. Unfortunately, no promos for Airwolf or Quincy, M.E. were ever made, and RTV no longer runs them, much to my chagrin.

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Neither of these are run anymore. Knight Rider is legit awesome, and I don’t mind The A-Team in small doses. Knight Rider in particular I really miss.

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You’d better believe Magnum, P.I. gets two screencaps. Of all the shows that left the RTV schedule in the summer of 2011, this is the one I miss most. I’ve mentioned before what I big fan of the show I am, and while I’ve got the DVDs, it’s still nice to see Magnum being actually aired on TV, even if the broadcasts were a loooong way from DVD quality. As of this writing, no one, at least not in my area, is playing the show, and THAT, my friends, is major uncool.

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Highway To Heaven is still being aired on RTV, but Starsky & Hutch is not. I don’t like either show. Starsky & Hutch, in particular, is a show I want to like, I should like, but I really, really don’t like. It’s just never done anything for me.

So, there’s my long, long overview of WAOH TV-29/WAX TV-35. There’s more I could talk about, but man, this post is a beast as it is. It’s not what it used to be, but I’m glad the station is still around, and that they’re still supporting Son of Ghoul. As of this writing, I’m not too big on RTV’s programming line-up (aside from Wolfman Mac & Off Beat Cinema), but if RTV keeps WAOH/WAX alive, I’m all for it.

Better to have some semblance of The Cat than none at all, right?