Category Archives: Uncategorized

Vintage KSTP-TV 5 DIALING FOR DOLLARS Promotional Token

Do you remember back in June when I showcased a vintage Dialing For Dollars keychain from the Duluth and Superior areas of Minnesota? Of course you don’t.

Anyway, we’re taking another trip back to “The Gopher State” (unknown to me beforehand, but that’s apparently one of its nicknames; Wikipedia sez so) for this update, because I’ve obtained another vintage piece of Dialing For Dollars memorabilia from Minnesota, this time from the Minneapolis/St. Paul market. KSTP-TV 5 had their own version of the franchise, and I’ve got the promotional token to prove it.

Like the above-linked keychain, this was an eBay find. (What, you think I’m likely to come across stuff like this locally?) Unlike the above-linked keychain, this was an auction, rather than a buy it now. This meant I had to bide my time and hope no competitors had their eyes on the same prize. I waited, they didn’t, and so here we are. I’m the champ?

Here’s the ‘face’ of the token, presenting what I presume was “the count and amount” system that viewers needed to know in order to win the big, big bucks. (In other words, when  the host came a-callin’, y’all best know it was “15 DOWN” or “1 UP” or however they went about playing the game.) I’m a little confused as to why it’s labeled “LETTER GAME,” when it seems to me that numbers are much more the focal point here, but then, I wasn’t there and I wasn’t watching, so I’ll just guess that whoever struck the coin knew better than I.

One thing about Dialing For Dollars in general that I talked about in the earlier article: because it was such a 1960s & 1970s phenomenon, much of it aired in the pre-home video-era (in a widely commercial sense anyway), and as such, learning about the finer details of some iterations can be difficult. For example, the host(s) and/or exact format for a particular market isn’t always immediately certain. At least not from what I can discern through online research; respective television historians from wherever probably know all this stuff automatically, but for those of us ‘on the outside’ and learning about things waaaay after the fact and waaaay outside of the original area, well, sometimes it can be tough.

Also, some local versions of the franchise were movie showcases, with a daily flick interrupted by the, say it with me, dialing for dollars segments during the breaks. But for other versions, it was all dialin’ for dinero, all the time. (As in, that was the whole show.)

My issue here: I couldn’t figure out which ‘type’ KSTP’s version was. I don’t know how long it ran, I don’t know who hosted it, and I don’t know how it was exactly played. I’d certainly prefer that it was of the movie-hosted variety, but either way, it represents a live, call-in aspect of television history that just can’t happen anymore. (At least not on a regular basis.)

Never mind, I found some solid info: this site has an advertisement for the show. KSTP’s Dialing For Dollars was evidently not a movie showcase, but rather a standalone program, albeit one with interviews, cooking segments, and other things you’d expect of a typical daytime program. Interestingly, the ad makes a loud and specific declaration that this wasn’t just a woman’s show, despite the fairer sex making up 63% of its audience (which makes sense; more women stayed at home back then, after all).

The host, or hostess rather, was Jane Johnston, who sadly passed away in 2007.

Here’s the back of the coin, with more pertinent identification information. After all, what good is an advertising token if you don’t let the people know where they can tune in? You’ve got the station call sign, the viewing area the station served, and who the owner was. And look, color television! I love that they call specific attention to the fact it was a color station; it’s just so evocative of that era of television broadcasting.

While I don’t have an exact date for this coin, I do, hopefully, have a time frame: according to Logopedia, the style of logo seen on this token was only in usage from 1968 to 1969.

HOWEVER, that above-linked advertisement claims to be from 1966, and the logo seen in it is identical to the one here, so I don’t know. Your guess is as good as mine. Johnston’s obit says she came to KSTP in 1963 and hosted the show in the 1960s and 1970s, so…? Did she immediately start this show in ’63, or did it take a few years? It had apparently been on the air for some time before that ad came about.

Another question remains: how would someone go about obtaining one of these back in the day? Was it a prize for contestants? Something given away during personal appearances by Johnston? A promotional item passed out during industry events? Unfortunately, these are things I just don’t know. (Also, I wonder what that “8101” stamped into the back designates? Does it refer to the number of coins struck? Are there possibly 8,100 more of these out there?!)

At any rate, I love pieces of promotional material like this, because there’s only so much pertaining to the source material (seemingly) still floating around nowadays. I mean, maybe KSTP has footage of the actual show in their archives, and if it ran into the 1970s, it did crossover into the commercial home video-era (technically 1972 with Cartrivision, but more likely 1975/1976 with Betamax if it made it to the middle of the decade), but in regards to what can fall into my paws, I imagine I’m limited to the smaller accoutrements such at this. Maybe some press photos, potentially some appropriately-branded mugs or glasses, probably print ads from old TV listings (TV Guide or otherwise), but realistically I can’t think of a whole lot else.

That’s okay though, because even on its own, this token is suitably neat; I wouldn’t wait for an auction to end for anything less! As it stands, it now proudly resides right by the Duluth/Superior keychain I linked to at the start of this update. They belong together because they is cousins.

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EPISODE REVIEW: The Ghoul’s airing of 1935’s SCROOGE (December 17, 1999)

I have no idea what’s happening the rest of the month, so consider this your de facto Christmas and New Year post.  I suppose I could wait till Monday and post this on the 19th anniversary of the original air date, but I’m, uh, not.

But hey, if I’m gonna jump the gun, what a way to do it!

Under normal circumstances, I wouldn’t do another “Ghoul post” so soon after the last one, even if the last one was in actuality back in August. Not that I couldn’t babble about Ghoul Power every single day if I wanted to; it’s just that I worry about over-saturating all four of my regular readers or something like that.

At any rate, in the months since that August update, some sad and shocking news dropped: Ron “The Ghoul” Sweed suffered a massive heart attack. I don’t know all of the details, other than it happened and that triple-bypass surgery was needed. As far as I know, and hope, he’s had the surgery and is recovering now. Scary, scary stuff; I sincerely pray he makes it through with flying colors and comes out stronger than ever.

Well before that news (and also well before that August post), and certainly continuing afterwards, I had made a habit of revisiting a lot of the old Ghoul shows I recorded off WBNX TV-55 in the late-1990s and early-2000s. For the most part they don’t feel that old to me, and yet it’s been so long since I had watched some of them (or in some cases, taped but never watched at all), that they’ve essentially become ‘new’ to me all over again. I have greatly enjoyed having a regular (sometimes every single night) dose of Ghoul Power!

So, to talk about a horror host in December, it may seem a little strange, until you realize (or at least read the title of this update) that every Christmas season, The Ghoul went all-out in celebration, and he perhaps never went more all-out than he did in December of 1999, when the entire month was dedicated to Christmas-appropriate films. Not only was it intensely festive, but The Ghoul was probably at his peak in both material and visibility on the station.

Over the course of the month, not one but two films that would become personal Christmastime favorites of mine were presented: 1964’s Santa Claus Conquers the Martians (for me it has become a tradition to watch this movie at some point in December each year), and our subject today, 1935’s Scrooge, which also happens to be my go-to film adaptation of Charles Dickens’ A Christmas Carol. The Ghoul tackled it on December 17, 1999, one whole week before Christmas Eve! The anticipation was running high, and Santa Ghoul was running rampant!

The episode opens with a really cool intro: old footage of “Santa Ghoul” from the WKBF TV-61 days (i.e., the 1970s) being pulled by a reindeer, and then transitioning to the modern day Santa Ghoul on his set, before transitioning back to the old footage to close the intro out. Neato!

During the ‘current’ portion of his intro, The Ghoul promises not just a movie, but all kinds of “eclectic Christmas vignettes,” and boy, he wasn’t lying! During the Friday 11:30 PM era of his WBNX run, man, there would be a ton material packed into any given show, and this installment was no exception. Some vintage bits, some trips around Cleveland (including visits to the WOIO and WNCX studios), some ice skating, all in addition to his on-set antics and a genuinely good Christmas movie! When it comes to local holiday celebrations, this was a terrific, jam packed example – and there was still a week to go before his actual Christmas special!

Before we get to all of The Ghoul stuff though, let’s look at Scrooge. Look, I wanted to do some kind of tribute to The Ghoul before the year was out, but I also really, really wanted to talk about this movie. I love this movie; not that I’m terribly familiar with the others, but it’s still my favorite film version of A Christmas Carol. Some of that’s nostalgia; for years, WAOH TV-29/WAX TV-35 (“The CAT”) annually ran a commercial-free presentation of it each Christmas Eve (I talked about it before, though don’t bother visiting that link; the article is old and terrible). But even beyond the fond memories, I just think it’s a genuinely good film.

Released in 1935, this is not only one of the more underrated adaptations of the story, it’s also one of the more obscure. Both the 1938 and 1951 versions tend to eclipse it, though I admittedly have no real experience with those (they may very well be, and apparently are, better movies).

Still, when you’ve got the foundation of stellar source material, it’s probably all relative (to a point, anyway). The classic tale of Ebenezer Scrooge, miserly and anti-Christmas-lovin’, getting a verbal beat-down by the tortured spirit of former business partner Jacob Marley and then put in check by ghosts of Christmas past, present and future in order to make him not only get Christmas but get Christmas all year long, hey, it’s legendary stuff. No joke, calling it “legendary” actually seems to downplay the whole thing; A Christmas Carol has become one of the most recognizable, enduring ‘extras’ associated with Christmas.

(In other words, do I really need to explain any more of the plot? Doesn’t everyone know it by now? I’m pretty sure there are kids that are born automatically knowing this story.)

Great source material or not, I’d imagine any filmed version of A Christmas Carol ultimately hinges on the guy in the lead role, and let me tell you, Sir Seymour Hicks makes for an excellent Scrooge. From the onset, he’s not just cranky; he’s downright unpleasant. You’re not supposed to initially like Scrooge of course, and Hick’s rendition is so filled with vitriol, so angry at anything approaching cheer, that you really don’t.

Of course, that just makes his eventual redemption all the more joyful, and Hicks is terrific in demonstrating the transition. He really comes off as a changed man! And his looks of sadness at what he has and is missing out on, as well as his fear at what will be, are all nicely portrayed as well.

1935’s Scrooge also has something going for it that I find continuously appealing: a feeling of authenticity. Sure, the movie is old (duh!), black and white (duh duh!) and a little creaky (duh duh duh!). But it somehow feels like Britain in 1843, as if it was really filmed back then. Sure, there’s probably some time period inconsistencies, but for your average fella such as myself, the vibes are overwhelmingly old fashioned, I guess you could say. It feels like you’re there during an old timey English Christmas, or at least it feels that way to me.

The movie also does a good job of presenting the deeper aspects of Christmas, as you’d expect. Sure there’s the parties and merriment and so on, but ultimately it’s about a generosity and happiness of spirit, with obviously the birth of Christ at the center of it all, even if only by implication. (I should mention now I haven’t actually read the original book, unless you count the mega-abridged and rewritten edition I read when I was in like 3rd grade – which I don’t.)

In its original British incarnation, Scrooge was 70+ minutes long, but for the U.S. it was edited down to around an hour, and it’s those truncated prints that made the rounds on American television and home video for decades. (And the fact that it’s apparently public domain in the U.S. only exacerbated matters.) Obviously it was a common hour-long version that The Ghoul was running, but unlike a good many flicks featured on the show, it wasn’t chopped to ribbons. The only bit I really noticed missing was the “Lord mayor of London celebration” scene, but its exclusion didn’t hurt the plot any. Indeed, by and large, the ‘meat’ of the story is here and is completely coherent.

And of course, since this was The Ghoul after all, there was a bevy of sound effects, music and what have you dropped into the film, including the humorous “fact bubbles” that were a staple of the show at the time, as you can see here to your right.

So, when you’ve got a movie that’s not only fitting for the season but also actually good and whose plot you can easily follow, hey, that’s always something that can get you in the holiday mood. But of course, being only an hour long originally, even after commercials were taken into consideration, there was plenty of time for wacky Ghoul material, and that’s just what viewers got that night of December 17, 1999…

(Indeed, there was so much material, I’m only going to focus on a few of the personal highlights here.)

The Ghoul liked to take little digs at Big Chuck & Lil’ John, albeit digs that were always good-natured in spirit. Given the shared Northeast Ohio-history between the two shows, never mind that both aired at the same time on Friday nights back then, it was only natural. Here, because it was in the thick of the Christmas season, The Ghoul wanted to wish good will to men, all men, even Chuck & John…which was demonstrated by him holding up a Big (wood) Chuck and a Lil’ John (toilet)! This was followed by a “call” to Chuck in which The Ghoul had to remind him not only who he was (“Not Ghoulardi; The Ghoul!”), but also who Lil’ John was!

Immediately following that little bit was footage of The Ghoul, in full Santa regalia, and Froggy visiting the offices of WOIO/WUAB, traipsing around the lobby, talking to some of the staff, and culminating in The Ghoul pulling his beard and mustache off and putting them on a hanging portrait of Denise Dufala, and then making a hasty exit!

Dufala was another local personality that The Ghoul had a good-natured “feud” going with at the time, and the shot of her picture with the beard and mustache on it was repeated for the longest time afterwards, with the declaration that she was a “bad mamma jamma” later grafted on.

Ahh, a blow up! What would The Ghoul Show be without a little juvenile destruction? It was a tradition going all the way back to the Ghoulardi days of the 1960s, and a show never quite felt complete without one ‘splosion to set the mood.

This time around, it was a model car that got the explosive nod, and it did indeed blow up real nice! Quick, silly, simple, and a lot of fun.

You know, it’s amazing how big of a destructive influence The Ghoul had on both me and my brother. We never really had legit fireworks in which to destroy things, but fire, smashing, what have you, that sort of stuff was within our reach. In fact, I have two related stories that can be directly attributed to the influence of The Ghoul…

1) Once, at a computer swap meet-type convention (of all places), my brother bought a box of already-assembled model cars from a guy. They weren’t particularly old, nor were they particularly intricate pieces (snap-on plastic, maybe some glue, decal stickers), but the dude had obviously spent some time putting them together. You can see where I’m going with this, can’t you? Over time, all of those cars met destructive ends, mostly by crushing/smashing, I’d imagine. I almost feel bad about it now, because I can just imagine the guy feeling like he was passing these cars, cars he spent time with and enjoyed assembling, on to someone who would (supposedly) appreciate them, and that was the end they met instead. Actually, it’s kinda (darkly?) funny when you think about it.

2) At one point, again in lieu of fireworks, I combined by Ghoul-fueled destructive tendencies with my love of Japanese giant monster movies and created a game imaginatively titled “Gamera.” “Gamera” took place in our backyard, in the circular dirt “arena” in which our old pool once stood, and involved a thick plastic sea turtle I got at SeaWorld or some place being tied to a rope and swung around in the air before attempting to slam it down upon G.I. Joe figures that weren’t deemed important enough to keep. (Since I collect that early-1980s to mid-1990s G.I. Joe line nowadays, this decision was eventually revealed to be a mistake.)

Obviously it wasn’t a very precise game, so a (relatively rare) direct hit was certainly cause for celebration. Since the toy turtle wasn’t exactly indestructible, his limbs began to wear down and break off from the abuse after awhile, plus I got a nasty blister on the inside of my thumb from the constant swinging of the rope. (Those Joes were pretty durable and put up a good fight, too!)

Look, my brother and I were young enough to be amused by things like this, and it was pretty much all thanks to The Ghoul. Anyway…

A short, funny bit in which The Ghoul greets carolers at (ostensibly) his front door, only to then be regaled with loud, out-of-tune, and mismatched Christmas carols. Eventually, he just goes back inside, only to have the carolers continue singing (and even peeking in his windows)!

I recognize some of the Ghoul crew as the carolers; I’m guessing the rest were family members? Oh to be one of those lucky few in a Ghoul skit!

In addition to the opening WKBF material, there was another nice holiday-themed surprise from the past presented on the show, this one from his WCLQ TV-61 run in the 1980s. Here, The Ghoul narrates some of the annual traditions that take place during the Christmas season, including an unlucky-in-love couple but mostly focusing on a big giant brawl (“What Christmas is complete without the traditional holiday fistucuffs?”), which The Ghoul passes through without trying to stop. (This piece appeared to be part of a larger bit that was truncated somewhat for this particular broadcast.)

Now this is really cool: during one host segment, The Ghoul holds up a shirt for the then-new Ghoulardi’s Bar & Grille, a local establishment named (obviously) after the Cleveland horror host who set all this in motion so many years prior. The Ghoul promises to visit there sometime in the “very near future.

That would turn out to be true, as there were multiple instances of footage from Ghoul appearances there run in the following years. And why not? The two were a natural fit!

I never had the chance to visit Ghoulardi’s, and the place has evidently since closed, so that’s something I’m just going to have to live with. (Also, with all of the old local restaurant glassware and such that I come across during my travels, I have yet to stumble upon some Ghoulardi’s memorabilia in-person, and that’s something else I’m just going to have to live with, apparently.)

Ah, my buddy, Jungle Bob! Yep, JB was a regular guest on The Ghoul Show at the time, for awhile there having a weekly segment.

This time around, he had some parrots with him, including “Booger,” the green one from the Amazon, and “Orion,” the African grey parrot. Both were only a few years old at the time, which means it’s a safe guess that they’re still alive. (Parrots, as JB points out in the segment, are pretty long-lived creatures!)

That’s the recently-retired (*sniff*) Mr. Classic of WNCX holding “Orion.” At the time, The Ghoul would join him during his weekly Saturday night request show on the station.

As I said earlier, there was a lot packed into this show, and more than what I’ve described happened during it. Other shenanigans included some ice skating, visits around Cleveland, chats with citizens, and even an interview with Michael Stanley during a trip to the WNCX studios. And through it all, The Ghoul was in his Santa suit, keeping things in the Christmas spirit.

But, I’m going to close out this article with the image above: Santa Ghoul, hopping out on his bouncy ball as the show drew to a close, Ghoul Power just about done for the night. It was one week till Christmas Eve, or, if y’all wanna get technical, a week till Christmas proper, since it was well after midnight by that point.

(A funny email moment before The Ghoul exited: someone wrote in asking if he was interested in getting some audio copies of his late-1970s WXON TV-20 shows from Detroit. The Ghoul declined, because as he himself bluntly put it, those shows “sucked.“)

So, like The Ghoul, I’m gonna hop on out of here (figuratively), because that just about wraps up the big Christmas update; a more fitting post I could not think of. A terrific Christmas movie, a generous helping of Christmas cheer throughout the skits and host segments, and what I hope is a fitting tribute to Ron “The Ghoul” Sweed as he faces his health crisis. My prayers, thoughts and best wishes are with him, and I’m sure it’s the same for countless other 10 Star Generals in the Ghoul Power Army.

I truly hope you all have a blessed Christmas and a happy, safe new year. Ignore the constant drive for more and more gifts and instead remember the true meaning of the holiday, what it’s all about and what’s really important. That is my hope for you all.

Vintage WUAB-TV 43 & WAKR TV-23 Golf Ball Markers (Circa 1984)

I went Christmas shopping this past Saturday. Well, ostensibly; I did find one thing to check off my list, but came up empty for everyone else. Well, except for me. I did find a few things for me.

I wasn’t trying to – really! This was a mission to get Christmas shopping done, and since I don’t have that many people to buy for, theoretically it could have been completed during this one outing. Several locations were visited over the course of several hours, and where I myself was concerned, I dutifully passed up on some things I considered merely “neato,” because unless something practically jumped out and punched me in the face with awesomeness, I wasn’t going to get anything for my personal collection. It wasn’t an issue of cost either; this was about principle. I was on a specific mission, man!

I made it safely through the day – until the last place I visited. There, as I perused small display boxes made up of compartments filled with various knick knacks, my eyes fell upon the baggie you’re seeing right here. This was one of those cases where I got so immediately excited, so incredibly stoked, that I dropped what I was doing and instantly began extricating it. I knew, I knew, that as long as the price wasn’t prohibitive (and it wasn’t in the slightest), it was coming home with me. And so it did.

I hadn’t been to this antique store in several months (as it has been operating on reduced hours lately), so this must have been a fairly new addition to their wares, because I’d really hate to think my normally-fairly-astute eyes passed over this time and time again. Dig this: two pairs of vintage Northeast Ohio television-branded golf markers, WUAB-43 and WAKR TV-23! Cool winnins!

And Golf markers! If there’s one thing my collection lacks, it’s golf stuff. Not that I have anything against the sport; it’s just that aside from some old school video games and Happy Gilmore, I have little experience with it. Heck, I wouldn’t have even known what these markers were if not for the handy sticker affixed to the baggie notating the contents. This was an entirely unexpected find, but this was also exactly the sort of random TV-related thing I’m always hoping to come across.

(Also picked up for myself at the same time? I rarely drink alcohol, but a vintage Bud Man patch for only a buck was just too cool to pass up.)

It was the old WUAB logo here that first caught my eye, and because I have such an ongoing-affinity for the station, those markers were the ‘biggies’ for me. As you can see, one is pink and one is white, but otherwise they’re identical with the black “half-moon” 43 logo. (“Half-moon” is how *I* refer to this particular iteration of the station I.D., but as far as I know, I’m the only one to do so. Maybe that is the ‘official’ term for it though, I dunno.)

The WAKR markers are less logos and more mere station identifications. Unlike the two WUAB markers, they’re both completely identical to each other. Besides WAKR, WAEZ is also featured; I can only guess that this refers to what later became WONE 97.5 FM, which was WAEZ prior and WAKR-FM before that. There was some kind of connection there, is what I’m sayin’.

I have no idea what the actual age of these markers are. I’m assuming both pair hail from the same general era, but they could have just as easily been, erm, paired up later. WUAB only used that style of logo from, roughly, 1980 to 1986, before going to a full-circular version. WAKR TV-23 became WAKC TV-23 in 1986, and WAEZ became WONE on January 1, 1985. So yeah, I’m sticking with what I used in the title of this update: “circa 1984.” That seems to be a safe guess. At any rate, the WUAB ones have to hail from 1986 or earlier, and the WAKR/WAEZ ones from before January 1, 1985.

Regardless of the actual date(s) that brought these markers forth, they both demonstrate a terrific time in Northeast Ohio television, when quirky local programming and an eclectic line-up of movies and shows was the order of the day. I love that!

Hey, know what I discovered when it came time for a picture-taking session of these earlier today? Golf ball markers aren’t the easiest things in the world to photograph! Not these ones, anyway. Because they’re rounded, they tend to roll ll over when I don’t want them to. Indeed, I had to poke them through a disposable styrofoam plate for the main shots, and to your left here is the best I could come up with as far as a side-view goes. See, they done got lil’ pegs, perfect for plunkin’ down into the ground! These aren’t especially big markers, they’re all the same size, which is roughly that of a regular shirt button (a bit bigger actually, but not by much). They seem to be bright enough to show up on the ground during a golf outing, but I’d have thought they’d be a bit bigger for easier visibility. But then, I’m not a golfer; far be it for me to go tellin’ ’em their business.

The last remaining question for me is: how did someone go about acquiring these originally? They almost seem too niche to be widely-spread promotional items. I have seen golf balls with station logos/I.D, emblazoned on them, so this sort of thing was (is?) not unheard of. Perhaps they were from some industry event? A friendly game between the staffs of 43 and 23? These are things I do not know, and perhaps the finer details of which have become lost to time. (If you’ve got some additional information on them, by all means share it in the comments!)

So, as it stands right now, I’ve still got some Christmas shopping to do, but when I come home with cool promo items such as these to add to the ever-growing collection, well, how can that ever be considered a wasted trip? Like I said earlier, TV-related things like this are what I always hope to come across during my travels; sadly, it doesn’t happen often enough for my liking, but when it does, it’s usually worth the dry spells. Given the last update, I seem to be on some kind of streak right now – hopefully it lasts a bit longer!

Vintage WKBN-TV 27-Branded Mad Dasher Rain Poncho

Look, I don’t know where you reside, but here in Northeast Ohio, it’s pretty cold right now. I can (sorta) live with that, but when it’s snowing, well, it gets real irritating, real fast. I am not a fan of snow, especially when it’s mushy and relentless.

So, in the spirit of the season (ha!), here’s an appropriate update, not only because it was meant to aid us in our never ending battle against unpleasant weather, but also because it features an aspect directly up the alley of the blog you’re perusing right now this very moment.

This is a new acquisition of mine, found a few nights ago during a thrift trip for only – get this – 14 cents. 14 big cents! Now under normal circumstances, I wouldn’t purchase an item such as a poncho for even that low, low price. I don’t wear ponchos, I don’t collect ponchos, and had it not looked somewhat vintage, I probably wouldn’t have even picked it up in the first place.

I take no issue with ponchos, mind you; they’re handy enhancements to any wardrobe that you don’t wish to become damp. It’s just that I personally don’t typically like wearing ‘extra’ things over my clothing. I almost rather get all wet, even at the risk of not being able to pretend I’m Luke Skywalker on Endor.

Anyway, the side of the packaging you’re seeing here was what I myself first saw. It’s a “Mad Dasher” brand poncho, and it’s got an adjustable hood. It’s also reusable, recyclable, and it’s touted as being of the “Dura-Tuff” design, which I assume means the wearer is essentially invulnerable whilst wearing it. (Seriously, when the weather is poundin’, y’all want these things to hold steady, which is what I’m guessing “Dura-Tuff” refers to.)

Mad Dasher is known for producing these ponchos with promotional logos of whoever, and while I don’t know when this particular one was released (I estimate it as hailing from the mid-1980s to the early-1990s), I do know that, man, it’s a home run cool winnin for sure. Dig this…

Look at that!

When I turned the package over and saw the logo of Youngstown, Ohio’s CBS affiliate, WKBN-TV 27, emblazoned in bright red lettering on the other side, this poncho went from something I was just kind of absentmindedly scanning to something that was absolutely coming home with me.

Longtime readers will know that I collect promotional memorabilia related to broadcasting, especially television broadcasting, and when it’s of vintage age (though indeterminate in this case), I have no problem telling you I get unacceptably giddy. Such was the case here, cause no joke, I love this thing.

Since Youngstown isn’t my hometown, and we (or at least *I*) couldn’t/can’t normally pull in the station around these parts, the only way things could be cooler here is if this was branded with one of ‘my’ Cleveland and/or Akron stations. But then, for all I know, there’s one of those ponchos waiting out there somewhere for me, too.

This poncho is still sealed and unused in its baggy, and I just don’t have the heart to open it. Theoretically I could find another at some point, new or used, but as of now, I can’t take the plunge and crack the seal. Still, if you scroll back up to that first pic and look close, you can see the 27 printing peaking through from the inside, which means the wearer would be a walking billboard for WKBN. Neato!

So, not a big huge update this time around, but an update nonetheless, and regarding something too cool not to spotlight here.

Until the next time, stay warm and dry (if applicable).

Vintage McDonald’s / WAKR 1590 AM “Adam and Bob in the Morning” Coffee Mug

My friend Jesse found this for me several weeks back. His alert came via text message, with a simple caption of “need?” Yes, Jesse, need. Need now. (Or maybe the caption was “want?” Either way, my response was highly in the affirmative.) Jesse knows I collect broadcasting memorabilia and promotional items, and indeed, some months back it was he that found me an old WVIZ mug that was subsequently covered here. (Would you believe he picked me up another one of those later, too? No foolin’!)

‘Course, if you have thus far callously neglected to scan the title of this post, and still refuse despite my vaguely passive-aggressive reminder right here, you may be looking at this picture and thinking to yourself “broadcasting?” True, the face you’re seeing is just the famous McDonald’s logo. But that font! Those arches! Coupled with the color scheme and design of this plastic coffee mug, the nostalgic vibes emanating forth are still enough to make me unacceptably giddy even without an added attraction. I think we pretty much all grew up with McDonald’s, and If this is as old as I’ll momentarily surmise it to be, well, I can already hear the appropriate jingles of yesteryear ringing in my head. This thing just looks like breakfast at McDonald’s! Fast food or otherwise, I generally skip the first meal of the day, but this has me wanting one of their sausage biscuit things. Or maybe some eggs, provided they served them to me in an old school styrofoam container. (Wait, the eggs did come in styrofoam at one point, didn’t they?)

Ah, but it’s the other side of the mug that not only gives this a broadcasting connection, but a local broadcasting connection to boot. Dig this: the other side is a promo for Akron’s WAKR 1590 AM, specifically their morning show of the 1970s to the 1990s, The Adam and Bob Show. Cool winnins!

No, seriously, this is really, really neato. I’m into radio memorabilia quite a bit less than I am television, but even so, this is legitimately awesome.

Adam and Bob were Adam Jones and Bob Allen. Sadly, Bob Allen passed away in April, 2017. They had a long running show on the station, starting in 1978 and running until either 1991 or 1995. (I’m seeing both years listed online; can anyone confirm which is correct?)

I really don’t think this mug hails from the extreme of the 1990s though, or even the late-1980s. Given the size and shape of it, I’m guessing early-1980s; even though the show started in 1978, I’m not sure they would have been producing mugs of this nature that early on. I mean, maybe they were, but I’m getting the notion (basically just a gut-feeling on my part) that it’s from about 1980. No later than 1984, anyway. That’s my best guess.

(I did a search for the specific WAKR logo seen here to help narrow things down even further, but nothing doing on that front.)

To top it all off, despite some (minimal) wear to the graphics and outer mug in general, I don’t think it was ever used. A little slip of paper was still inside, giving the company info as Whirley Industries of Warren, PA. (I’ve seen/got a few other mugs of similar shape by them, and each one appeared/appears to be of notable vintage.) I just can’t see someone using this, washing it, and then replacing this slip of paper afterwards each and every time. So yeah, I’m guessing it’s technically “new.”

Though, as the instructions make clear, it’s not quite complete; these Whirley travel mugs (officially deemed the “Easy Rider Travel Mug,” as per the pic here) originally came with a ‘holder’ that would be affixed via tape to a flat surface, ostensibly in that of a moving vehicle of some sort, and which would then allow the owner to slide the mug in and out for easy usage and then safe, hands-free holding.

Mine does not include said holder, so maybe the original owner intended to use this only as a “breakfast table” item? Maybe? Or perhaps it was just simply lost over the years? Oh the mysteries this mug presents!

Anyway, the last big question remaining is: how did someone go about obtaining this mug back in the day? The obvious answer is McDonald’s, but I mean how? Did you have to order breakfast and then pay a nominal fee for your collectible local mug? Could you just walk in and buy one alone? Was it included free when you ordered coffee? Oh the mysteries this mug presents!

Or perhaps it was a giveaway from The Adam and Bob Show direct? A call-in trivia prize? Something given away at personal appearances? I just don’t know, but if anyone does, please hit up the comments section and share!

However it was originally obtained, it was certainly put “out there” somehow, much to my eventual intrigue and delight. What a cool mug! It just feels like McDonald’s in that late-1970s/early-1980s era, and the local connection just makes it all the more irresistible. You could drink out of it while perusing the newspaper in the morning, or at work, or maybe even on the drive to work (perhaps all while listening The Adam and Bob Show, even!).

For this lifelong Akronite, that all makes it an indelible addition to the collection. (Thanks Jesse!)

Happy Halloween! (Also: Ghoulardifest 2018)

Well, what I wanted to do for this update was review 1940’s The Ape. You know, the Monogram poverty row opus that somehow starred Boris Karloff and subsequently became undeniably, indisputably public domain.

That’s what I intended to do, but apparently no one will let me. Y’see, I didn’t want to review just any copy of The Ape – I wanted to spotlight an old VHS copy because I’m insanely arbitrary. I had my heart set on the old Kartes Film Classics release; I’ve been looking to cover something by them for awhile now, and that would have taken care of two things at once.

Well, it never showed up for sale anywhere (one copy I thought might be it and ordered from a 3rd party on Amazon was later cancelled because it was “out of stock”), nor did any other standalone copies turn up, any of which I would have happily settled for. Compared to The Corpse Vanishes, releases of which you, yes YOU, practically trip over whilst walking down the street, stupid dumb The Ape was essentially nonexistent on videotape when I most needed it to, uh, not be nonexistant. Evidently the world has conspired against me in an effort to cause severe irritation.

(And to top it all off, a Kartes release of John Wayne favorite Blue Steel I ordered on eBay for cheap buck bills and intended to cover next month was also later cancelled, because it was “damaged or out of stock.” What, is there a sign on my back?)

Anyway, not wanting to mess with a newer DVD release, though I could have, I wound up with two options where VHS was concerned: buy a still-sealed two-pack VHS put out by Madacy back in the 1990s that paired The Ape with Doomed to Die, or crack open my still-minty-sealed fresh Grampa Presents copy (purchased for cheap well before, near as I can ascertain, I inadvertently caused prices of titles in the series to rise to ridiculous amounts through my writing, research and sharing of information on them). The Madacy edition was tempting but didn’t give full-props to the only movie I cared about in the set (that is, The Ape wasn’t front-and-center), and opening my Grampa version, well, that actually wasn’t a viable option at all, so what am I even talking about?

So da heck wit all it, I’m going to briefly talk about Ghoulardifest 2018 instead. Happy Halloween, by the way.

I didn’t intend on getting a post out of the convention, but I’ve got to get something up for not only today but the month of October as a whole. And since I didn’t even bother to talk about Ghoulardifest last year (though I did go), well, the time is right. I mean, it’s Halloween right now this very moment, and while I’ve got lotsa material, there’s been little fire, so this is the best I can do.

I held off on writing about the show last year because, frankly, I didn’t have all that much new to say about it. I didn’t want to just keep repeating myself year after year, but things were just different enough this time around that I think I can swing it. Maybe.

Ghoulardifest: the annual three-day convention held in honor of Cleveland’s legendary horror host Ernie “Ghoulardi” Anderson, Big Chuck & Hoolihan & Lil’ John, and all things related. You want to know the honest truth? Attending this has become my go-to fall event. It says “October” to me in a real, tangible way; Halloween comes and goes, maybe I’ll watch an appropriate movie, soak in the general vibes, but Ghoulardifest, that’s something I really do.

For the past several years, the show had been held at the LaVilla Party & Banquet Center, but this year, they moved back to the location of the first Ghoulardifest, the Cuyahoga Country Fairgrounds, which you’re kinda sorta seeing to the left here.

I was mildly apprehensive about this, because I generally have no idea where any of these places are located beforehand, but as it turned out, it’s always been in the same general vicinity since I started going back in 2011.

Don’t let the “fairgrounds” thing fool you; this was held indoors, as usual. Interestingly, it was spread over two buildings this time around. You walked in one, and that’s where most of the vendors and some of the guests were located. A walkway led out the back door of that building and directly into the other, which is where Big Chuck, Lil’ John, Hoolihan, Son of Ghoul, Jungle Bob etc. etc. etc. were located. (Plus, some more vendors, of course.)

I was happy to see Dick Goddard back in attendance this year; I don’t think he was there for the last show, maybe the last two shows even. It’s always a pleasure meeting him, and this gave me a chance to get one of his old almanacs I found at a thrift store signed. Dick Goddard is always a good guy and a class act.

(Some other WJW personalities were also supposed to be in attendance, and I brought my Dan Coughlin book in hopes of getting it signed, but if he was there, it was before I made it in.)

Truth be told, the visit to Ghoulardifest was a bit shorter than usual this year. I didn’t exactly make a quick pass-through and then call it a day, but there was only so much spare $$$ to spend, so the haul was somewhat smaller. Some DVDs, a vintage Big Chuck & Lil’ John shooting script, two old TV Guides with Lawrence Welk on the cover, a couple VHS tapes, that’s really all I bought. Still spent more than I should have, but whatever.

Most of my time was spent in the “Chuck & John room.” Fun moment: it came to my attention only a few weeks before that Lil’ John used to have his own pizza place back in the 1990s. This was something I was completely unaware of until I stumbled upon an old menu/coupon flyer. Naturally I had to ask him about it, and when I showed him a pic of the flyer on my phone, he got a huge kick out of it!

Loved catching up with Son of Ghoul and Jungle Bob, too. It’s always a pleasure chatting with them. SOG was in rare form; cracking jokes as usual, and hilariously ragging on my, as you can see here, “zig zag jacket.” I found it at a thrift store for, I think, $8, and when I informed SOG of this, he replied “I hope you got $9 change back!”

(I’ve taken plenty of pics with this guy over the years, but this one here, with his disgusted look regarding said jacket, is instantly one of my favorites. I wish it wasn’t slightly out of focus, but that won’t stop me from getting it tattooed on my face if I’m ever feeling particularly impulsive and/or insane.)

My buddy Pete G. made it to Ghoulardifest this year, but I apparently just missed him. I got there about 2 PM, he left at 2:30, so we were there at the same time, but, you know. Pete G. is a good dude and hopefully we can meet up at next year’s show. (Also, Pete picked me up the swanky Kino-Lorber Blu-ray of Invisible Ghost at Cinema Wasteland like the week prior, so huge props to him for that; thanks Pete!)

So yes, a good time was had at Ghoulardifest 2018, and as usual, I’m already looking forward to the next one.

You know what the biggest piece of worry was regarding the new location this year though? I didn’t know if the also-annual visit to Big Boy was going to happen this time around. No joke, I look forward to heading there after the show as much as, you know, actually going to the show.

Fortunately for me, it was only about 13 minutes away, which is good, because not only is the food and service always fantastic, but a Ghoulardifest trip just wouldn’t feel complete without a Super Big Boy sammich to top it all off.

So, that was that. Even though Ghoulardifest was a bit earlier this year (October 12-14), it still felt perfectly “Halloweeny” to me. Maybe it’s more “fall” than “Halloween,” but meh, they kinda go hand-in-hand anyway.

So Happy Halloween and all that. There, I got a post up in time. Maybe I won’t wait 6000 years between now and the next update?

VHS REVIEW: Popeye in “Ancient Fistory” (Amvest Video, 1989)

Hey, do you remember when I wrote about that Amvest/Kid Pics Alice in Wonderland VHS tape, and I expressed my desire to find one of their offerings with the “Happy Hamster” intro and outro host segments included? Well, this review comes courtesy of that ongoing quest.

They don’t show up at thrift stores and the like very often, but in the time since I wrote that review, I’ve picked up several additional titles in that bygone line of budget videos. These tapes were your standard kids fare of the time, focusing on public domain cartoons and such (no small field back in the 1980s & 1990s, granted). Think Parent’s Approved Video, except harder to find nowadays.

Anyway, none of those subsequent finds yielded the ‘Ster (and two of them had the wrong tape inside; I still picked ’em up for the sleeves if nothing else, but it’s irritating because I generally don’t find mismatched tapes that often), so it was with that continuing failure that I picked up this Ancient Fistory, starring Popeye. This wasn’t a thrift purchase though; nah, I resorted to online buyin’ for this one. I thought the relatively-later date of 1989 would prove promising (I had been hovering around the 1986/1987 mark, and while you never know with this company and re-releases and whatnot, apparently the Happy Hamster waltzed on the scene around the 1988/1989 mark).

Look, it was $10, the shipping was free, and it came with three other Popeye tapes that I didn’t really need, so I pushed aside the nagging thought that I’ll eventually find it at a thrift somewhere and just bought it.

Of course, it figures the Happy Hamster isn’t on this one either, but I blew $10 on the tape so I’m getting a post out of the thing anyway.

(Actually, truth be told, awhile back I did pick up one of the Amvest releases with the Happy Hamster, a three-tape set of old Disney cartoons. Even though the shorts presented are all presumably public domain, I don’t want to taunt Mickey’s crew, so no-go on the update front where that one is concerned.)

My reference to Parent’s Approved Video (PAV from here on out) a bit ago was intentional; a lot of the earlier Kid Pics tapes featured artwork and fonts similar to PAV’s, so much so that at first glance it’s easy to think a certain one is a PAV title. But, as the years rolled by, the artwork started becoming a bit more sophisticated, relatively speaking. The tape we’re talking about today is a good example; just look at it here! The artwork isn’t just competent, it’s actually pretty good! Seriously, this is no small feat; there were some seriously-lacking budget Popeye tapes out there back in the day. Getting Popeye to, you know, look like Popeye, that didn’t always happen. But it happened here and that means Amvest won that round.

As per the back cover, here’s our line-up: Ancient Fistory, Greek Mirthology, A Haul in One, and Insect to Injury. These are all Famous Studios-era entries in Popeye’s oeuvre; while there are several cartoons from my preferred Fleischer-era Popeye that have lapsed, most of the public domain Popeye shorts are from the later Famous Studios years, and as such make up the majority of budget VHS (and now DVD) releases.

While I feel the Famous shorts pale in comparison to the Fleischer series (particularly the Fleischer series prior to them moving the studios from New York to Florida in 1938, after which they cutesy-upped and watered-down our one-eyed sailor), the Famous cartoons are still pretty solid, consistently good-not-great in my opinion.

Four cartoons on this tape may not sound like a whole lot, but considering that some budget releases around that time got away with three or even only two entries (sometimes with additional PD cartoon filler, sometimes not), four entries is practically a smorgasbord of animated fisticuffs! Even though they omitted my personal favorite Famous Studios Popeye, 1957’s Spree Lunch (the penultimate cartoon in the original Popeye theatrical series), this is still a solid bunch of cartoons, and had they flipped the last two entries, they’d even be in chronological order!

Let’s check ’em out, one by one…

The tape’s namesake comes from the very first cartoon presented (gee, you don’t say!), and it’s one of those ‘fantasy’ Popeye entries that I tend to be ambivalent towards. It’s not bad though, with some pretty funny sight gags (including a literal bullseye) and even an appearance by Poopdeck Pappy!

1953’s (ignore that copyright credit here; Wikipedia says it dropped on 1-30-53) Ancient Fistory is a play on the old Cinderella tale. Here, Olive Oyl plays a princess who is hosting a ball in order to net a hubby find a suitable prince. The kingdom isn’t stated, but considering all the “ye” declarations and “-eth” suffixes, old timey England is the implication.

Popeye works in the kitchen of “Bluto’s Beanery,” in the servile, dressed-in-rags role (it’s a pretty miserable existence, apparently), though Bluto must be doing pretty well with the venture; he’s spiffily dressed and headed to the ball. Enter Popeye’s “Fairy Godfather,” as portrayed by Poopdeck Pappy. Pappy turns a can on spinach into a slick automobile (anachronism?) and gives Popeye some swanky duds, with the expected caveat that it all goes away at midnight.

Like so many of these shorts, Olive falls for both Popeye and Bluto, which sets in motion a series of feats of strength. Popeye doesn’t win before midnight, but then the car turns back into the can of spinach, Popeye consumes said can of spinach, and, well, you know how things turn out.

The second short presented continues the “ancient history” theme. 1954’s Greek Mirthology always seemed to me like Famous’ attempt at getting in on the vibes of those two-reeler cartoons from the Fleischer reign that placed the ‘Eye in situations featuring historical characters (Sinbad Sindbad, Aladdin, Ali Baba) but without recycling footage from those cartoons (which Famous also did).

‘Course, it’s not like these cartoons in general were always strictly “real time,” and this isn’t a two-reeler, so I’m probably all kinds of off-base here. Still, that’s how I’ve thought of Greek Mirthology in the past and how I will continue to do so in the future. And you can’t stop me.

Here, Popeye recounts the tale of great-ancestor Hercules to his nephews Pip-Eye, Peep-Eye, Pup-Eye and Poop-Eye in an effort to get them to eat spinach. (It’s important to note that not only was Popeye given actual teeth by this point in his run, but his one eye is just squinty rather than straight-up missing, which is good, because his nephews all exhibit the same trait.) According to Popeye, Herc had been getting his strength from sniffing strong garlic (glad he wasn’t eating it!), until a marauding bully (Bluto, of course) shows and discovers the weakness in that method. A chance-landing in a spinach patch (naturally from a Bluto punch) produces superior results, and the rest is, erm, history.

Popeye’s nephews naturally remain unconvinced and head outside to get some ice cream from a vendor who turns out to be…Bluto! In a sad turn of events, Popeye doesn’t deliver a beat down upon him as the short concludes.

The third cartoon takes place solely in the present time (I presume), but it’s still more-or-less the same as what we’ve just seen twice-over: Popeye and Bluto competing with each other until Popeye ends it all by downing some spinach. Olive is back as the object of desire again, as opposed to the attempt to gain love for spinach from the nephews in the previous installment. Look, the general plots of these were pretty durable, okay? (Similar or not, they were all pretty entertaining, to the endless credit of the people behind these cartoons.)

1956’s A Haul in One is one of those Popeye cartoons in which he and Bluto are actually pals at the start, before Olive enters the picture and provides the catalyst for punchin’. Here, the two former (?) sailors have their own moving company, an apparently harmonious affair until they stop by Olive’s. It’s never explained why she’s moving, but I’m going to assume it’s due to unpaid rent. (Good luck gettin’ your deposit back, Olive!) Anyway, as you may have guessed, Popeye prevails in the end.

Now is as good a time as any to talk about the print quality of all this. Technically, Amvest didn’t get terrible copies of these shorts; there’s some dust and whatnot, but compared to how they could have looked, these really aren’t that bad. Far uglier things have shown up on budget videos!

The main problem is the VHS duplication. Boy are these blurry! Sure, the prints were probably a few generations removed anyway, but there should still be more sharpness than there actually is. It all just looks like a budget VHS tape. (Go figure!) And I was playing all this on my right sporty RCA SVHS deck, too!

Still, this wasn’t meant to be an archival release. This was for the kids, and on that front, hey, they’re more than watchable, they’re entertaining, they’ve got their opening cred—

Aw c’mon!

Yes, this is how our fourth and final feature commences. Obviously there was some VHS-to-VHS duplication going on at some point! 1956’s Insect to Injury, on my copy here anyway, starts at the beginning, but not the very beginning. Not only were the opening credits MIA, but you’ve got that on-screen VCR info up in the upper-right hand corner!

I’m going to guess this took place when they were creating their “master,” I doubt they made each and every copy from VHS-to-VHS. Unless they were, I dunno. It’s kind of a funny reminder of how laid back things could be in that era of budget video, if nothing else.

As for the short itself, Popeye’s house is besieged by termites. They eatin’ up everything, man! No Bluto or Olive in this one, it’s strictly Popeye vs. bugs. It ends the same though: Popeye fails in his quest to stop the creatures, so he slams some spinach and builds a house out of metal. The termites aren’t destroyed by this, but they are defeated.

You know, I realize Popeye’s famous “I takes all I can stands…” line implies a certain amount of patience, but really, shouldn’t he have realized at some point that his natural strength can only take him so far? Just stay powered up on spinach all the time, man!

Anyway, there you have it, four Famous Studios Popeye adventures courtesy of Amvest Video’s Kid Pics division. These tapes aren’t very common, and since Popeye (and Superman, while we’re at it) are top-tier PD cartoon properties in my eyes, I had to nab this one online. It’s fun, it’s entertaining, and it’s a good example of budget cartoon compilations from that era. If nothing else, I got a post out of it, so I’m saying I got ten bucks worth out of the whole thing.

I just wish the Happy Hamster had been included.