Tag Archives: canton

Episode Review: Son of Ghoul Presents THE VAMPIRE BAT (November 7, 1997)

Happy Halloween!

Ah yes, the big day is here once again. From decorations and television programming dedicated to the holiday proper, to the simple look and feel of ‘real life’ outside, I love the ambiance of this day and October in general – and that’s something even stupid dumb COVID-19 can’t ruin. Not totally, anyway.

I know, I know; I didn’t post as much as I had initially hoped to this month. Hey, I did say it’d be iffy! Nevertheless, methinks this Halloween post today will make up for whatever shortcomings I may have, uh, come up short with. Or not; whatever.

As you may have gleamed from that helpful post title, we’re taking another venture into the world of Northeast Ohio television, and horror host, icon Son of Ghoul, played by Keven Scarpino. This isn’t the first time we’ve taken a look at a vintage SOG broadcast, there’s also been this and before that this. But, it is the, erm, latest. As of this posting, anyway.

It’s also almost as far back as I can *personally* go with this subject. Why’s that? Because this was the very first episode of The Son of Ghoul Show I ever taped, that’s why! That’s also why what we’re looking at today hails from November, rather than the more-expected month of October. Although in regards to that aspect, I’d say that aside from specifically Thanksgiving/Christmas/New Year/Easter themed episodes, almost any horror host installment works for a Halloween update. Or not; whatever.

And, this does still tie into Halloween, and even the upcoming holiday season, all of which we’re pretty much at right now. As of this posting, anyway.

(Also, hopefully I won’t use that paragraph-ending-repetition-for-ostensible-comic-effect bit too many more times in this article.)

Airing on November 7, 1997, on my much-loved WAOH TV-29/WAX TV-25, this is very nearly my SOG fandom at its very earliest – basically at the start of a journey that continues on to this day in 2020; just about 23 years later! Read on, I’ll explain all of this in more detail momentarily.

SOG starting the show.

First off, SOG’s intro places us squarely in early November, with his announcement of “we have survived Halloween” near the top of it. This was a nice bit of continuity with the previous week’s show, which of course was the big Halloween episode. I know this because, well, that’s where I as a SOG fan entered the picture.

I know I’ve recounted this before so I’m just going to give the shortened account this time around, but that Halloween episode was where I was first actually introduced to SOG. Oh I had seen bits and pieces beforehand, but it was whilst flipping around the TV on November 1, 1997 (back then, SOG ran on both Friday & Saturday nights, same time, same episode. Halloween ’97 fell on a Friday, I stumbled in on Saturday) that I first really watched SOG.

I was hooked immediately. From the skits to the sound effects to the movie (Night of the Living Dead, another first for me that night) to, obviously, SOG himself, at 11 years old I became an instant fan. And, while I didn’t realize it at the time, looking back, this was where my love and fascination with local broadcasting first truly took seed. You wanna know the honest truth? Without SOG, there’s a real possibility you’re not reading this blog right now. Not just because I’m talking about SOG at the moment, but rather because I just don’t know if my interests and hobbies and whatnot would have played out the same without him. It’s entirely possible that they wouldn’t have.

Simply put, that November 1, 1997 Son of Ghoul broadcast of Night of the Living Dead was perhaps the single most transformative television broadcast of my life.

So, less than a week later, I was in front of the TV with the VCR at the ready. I was, as you would say, “chomping at the bit” to further dive into this new thing I had discovered, the results of which you’re reading about this very moment. (By the way, I learned the hard way that both the Friday & Saturday shows for a given week were identical, though this made it handy for recording when one of my eventual letters was read on the air, or if I just particularly liked the movie/episode.)

Anyway, back to SOG’s intro. Along with just some general fooling around (and man, just seeing him on that old set and goofing off, what a trip!), he states that the movie that night “aw man, this is a first run on this show – I hope it’s the last!” Of course that wound up being wildly untrue; most of these movies have been seen repeatedly on the program over the years, though there’s something undoubtedly neat about capturing one of these standbys in its Son of Ghoul debut.

The Vampire Bat’s cute lil’ title screen.

The movie was The Vampire Bat, from 1933. At the time, this was an entirely new flick to me! I was, and am, I serious sucker for these old cheapies, and as a King Kong fan even back then, the mention that Fay Wray was in it only added to the interest.

So yeah, The Vampire Bat. You wanna know the honest truth? I’ve wound up sort of ambivalent towards the movie. I love it for it’s public domain ever-presence and quasi-Universal vibes (it used some of the same actors and sets), and the whole look and feel and the history surrounding it. But as a movie movie itself? Well, I think it’s just okay. Certainly not bad, and I get seriously excited over various cleaner/completer available prints, or even just new-to-me budget home video releases from years past. But yes, the flick itself is just alright in my eyes. Heck, I couldn’t even muster up the enthusiasm to actually re-watch it for this review. (Although I probably shoulda, considering whatever credentials I imagine myself to have.) I’m the same way with another early-30s horror film: White Zombie. I like it fine, it’s not bad, I take a real interest in it, but perhaps conversely, I don’t tend to feel like watching it very often at all.

Of course, The Vampire Bat was a bigger deal to me back in 1997 when SOG was winging it at my face. Like I said, this was new territory. That’s why we’re here now, after all. It was only as the years progressed that I relatively cooled on it.

If nothing else, The Vampire Bat features a cool lab.

The plot? Even if you haven’t seen this, you’ve probably seen something like it; it’s an early 1930s horror movie with vampires as the subject, so you can probably guess the gist of it before ever pressing “play.”

The short synopsis: a rash of blood loss has hit a village, so naturally vampires are suspected. Particular suspicion falls on one “Herman Glieb,” because he likes bats. (Glieb is played by Dwight Frye, so you’ve probably got a good idea of his performance before ever pressing “play”.) However, it’s actually a mad doctor played by Lionel Atwill, who’s draining villagers of their blood for some sort of organism he’s created. Also, Fay Wray is our heroine.

Yeah, I don’t have much more to say about this one. Look, it’s wildly public domain, so if you haven’t seen it, it’s not like it’s hard to do so. Some of the imagery in it, such as Atwill’s cool laboratory set (that’s it above), sticks with me more than anything. As such, it makes for a cool horror host feature and/or something fun to have lazily playing in the background around Halloween, and indeed, it does look appropriately “Halloweeny.” It may not knock me out, but it certainly does its part adequately enough.

Obviously, since this is an episode review, I’m sorta obligated to cover the movie in some fashion. A necessary aspect of this post? Uh, yeah. But if I’m being honest with you (and I am), it’s all about the Son of Ghoul here. And luckily, because I dictate how this article transpires, we’re at that point right now!

I’m not gonna hit each and every last segment aired, just the highlights as I see ’em, but rest assured, this was a pretty good episode of The Son of Ghoul Show. There was plenty of then-new stuff and a couple fun throwbacks, and while someone who didn’t grow up with all this may be a bit mystified by the enamor I’m exhibiting, trust me, as a whole this was (is) some solid SOG.

While I certainly love de facto skits, my favorite part of pretty much any horror host show is the simple host segment; the respective host, sitting on the set, reading viewer mail or just goofing off. Or more often than not, doing both. Such was the case right here, with this fairly lengthy (about 15 minutes total) mail bit.

In it, SOG shows off the poster and promotes a movie he has a small part in: the then-upcoming Little Miss Magic. Also, that past Halloween night, SOG appeared at a party at the Sheraton Suite, along with Big Chuck & Lil’ John. Such things are pretty par for the course nowadays, but back then it was a rarer occurrence. According to SOG, “We had a dynamite time! I mean, the three of us got along just like peas in a pod! Or a pod that took a pee, one of the two; I can’t figure it out.”

Reading Brett’s letter.

But the area of most interest in this segment? My good friend Brett Van Wagner, who has contributed to this site before (including the SOG 30th anniversary tribute; have it again) had one of his early letters to the show read on-air here! Although Brett and I were born like two days apart and grew up loving a lot of the same things (obviously!), he discovered SOG a few months before I did, so he was already in the game by this point. He and I share a common trait where we kinda cringe at some of our early, pre-teen letters to SOG (my first would be in January), although I think that’s probably a personal viewpoint; this stuff isn’t as embarrassing to somebody else watching.

Indeed, I thought Brett’s letter here was pretty funny. He asks for an autographed picture of SOG, but not mailed; he wants it dropped off personally at his house. (SOG just gives a smirk to the camera and moves on.) And when he asks to lend him money for a SOG t-shirt and an extra $50? “Start holding your breath right now.” Good stuff, Brett!

Scarey Tales.

An installment of “Scarey [sic] Tales.” This is an old TV-67 bit; there were more of these older things ran back then than I caught on to at the time, but they still worked, and in retrospect I’m glad they were run. A little Son of Ghoul history for the newbies!

These skits basically amounted to SOG recounting an ostensibly-spooky story with some kind of comic conclusion. In this one, he tells us the tale of Little Miss Muppet; the story unfolds the same as the version we all grew up with, until the end, when Little Miss Muppet decides to eat the spider that sat down beside her, too.

You know, Big Chuck & Lil’ John once did a skit with the exact same outcome. Which came first? Was this an instance of mere coincidence? Does it really matter?

SOG & Fidge: together again.

As implied by Brett’s letter, official Son of Ghoul t-shirts were the hot new item of the day, a point driven home directly by this next segment. Here, SOG gives us all of the details on how to order them. For $16.75 ($13 + $3 s/h + 75¢ Ohio sales tax), you had your choice of adult-sized large of extra large. There was still time to order and get them before Christmas, but you had to hurry!

The best way to demonstrate their “wearability,” you ask? Have the late, great Ron “Fidge” Huffman come out and model one! It’s always nice to see Fidge during these old shows. I met him once; very friendly guy.

I myself never got one of these exact shirts; in retrospect, this was a mistake. But then, I wasn’t into that sort of memorabilia back then. I’ve since made up for that over the years, but I can tell you now: if I ever come across one of these vintage versions (or better yet, an old 67-era shirt) somewhere, you just might hear me flipping out from wherever you happen to be.

Festive SOG?

Another mail segment!

In this one, someone sent SOG a sombrero, which he happily wears for the rest of the bit.

Also, to further illustrate the point that Halloween was just freshly past, a piece of mail is shown wherein someone carved a SOG jack-o-lantern! It actually looks pretty cool, and SOG got some comedy out of it, too. “A nice fat face, just like me…how dare you embarrass me like that in front of family and friends?! Who do you think you are, guy?!” Of course SOG’s just kidding. (I hope!)

Shortly thereafter, there’s another piece of mail that’s legitimate hate mail. Apparently someone was not too enamored by SOG, because he sent a homemade button that had little pictures symbolizing a rather, erm, crude expression relating to SOG. SOG: “I have to tell you, that really hurts my feelings,” after which he proudly pins it to his chest.

Finishing up the show for the night.

Following an after-movie cartoon (a short WWII-era Bug Bunny pitch for war bonds), the show was all over. During SOG’s outro, he mentions that the movie next week would be The Corpse Vanishes.

Now, I actually did tape that one as well. Like The Vampire Bat, The Corpse Vanishes was a new-to-me horror cheapie. I’m so used to so much of this stuff in this day and age that it’s amazing to think there was a time when I wasn’t familiar with a lot of it!

Unlike The Vampire Bat however, I later taped over The Corpse Vanishes. I no longer remember with what, but it (probably) doesn’t matter; this action was eventually revealed to be a big huge mistake, based almost entirely on that flick and it’s extreme poverty row Lugosi-ness. I’m serious; it actually took me years to truly warm up to it, but nowadays I absolutely love The Corpse Vanishes. And, well, you’ve seen how ambivalent I am regarding The Vampire Bat. Not that I’d trade this ep for that ep, there’s still that personal history with SOG to be accounted for. But nevertheless, file this one under the follies of youth or some other stupidly wistful saying like that.

(The above ain’t no joke; I’ll reiterate to fill space. It did take years to realize, but this is one record-over I seriously regret nowadays. A great cheap movie, airing during the early weeks of my SOG fandom, one that I had and then let go, as it were? Regret. Of course, at 11 years old and with even less money than I have now – which is really saying something – I had to be extra choosy with VHS tape space. Does that make me feel any better? Not really. Do I take solace in the fact that whether I kept this Corpse Vanishes episode or not, my life wouldn’t be appreciably different today? Not really.)

So anyway, there you have it; a quick rundown of The Son of Ghoul Show from November 7, 1997, a week after Halloween for this Halloween.

BUT WAIT! We’re not quite done just yet!

What’s left, you ask? How about a few old commercials! Nothing quite takes you, or at least me, back in time quite like an old commercial. There were several good’uns seen during this broadcast, so real quick now, here are my three favorites:

The Cafe in Stow’s cool 29/35 ad!

The Cafe in Stow! As I mentioned in my post on the first of this month (here, have it again), I absolutely love local restaurant memorabilia and the like. Of course that extends to old commercials, which means that I was quite pleased to see this ad for The Cafe in Stow, long a local institution, turn up during the episode.

The commercial itself is simple but effective: a jaunty “Let’s Eat” jingle plays over footage of patrons, erm, eating while a voiceover extols the virtues of The Cafe in Stow. Like I said, simple but effective.

But what makes this really cool is just how local it feels. That was one thing you could absolutely count on from 29/35: a serious sense of local pride. In a lot of the actual programming, sure, but also in the advertising. There were ads for places that you could (probably) only see on 29/35, which only added to the good vibes of the station.

The Cafe in Stow is still open to this day, and while I’ve never been there, it is now absolutely on my “gonna try” list. Why? 20+ year old commercials, that’s why! (Plus, I just like patronizing local establishments like this.)

Columbia House’s cool M*A*S*H VHS tapes!

M*A*S*H on Columbia House VHS! Advertising on 29/35 wasn’t just local; there could also be national-type stuff (sort of like what we saw here). Take this spot, for example. This is just fantastic; a minute-long commercial for Columbia House’s VHS releases of M*A*S*H! As a long, long time M*A*S*H fanatic, you better believe something like this airing during The Son of Ghoul Show is pure icing.

This series of tapes first showed up in the early-90s, but 1997 was the 25th anniversary of the show (can you believe we’re now closer to the 50th anniversary than we aren’t?), so not only were they being pushed once again, but you also got a swanky M*A*S*H 25th Anniversary t-shirt when you ordered! I really like this screencap here; they went all out and included a martini, stethoscope, even some golf balls! That’s dedication! (The $4.95 + s/h seen here was an introductory price; subsequent editions cost $19.95 + s/h, though that was still a small price to pay for some quality M*A*S*H. Plus, you got that shirt.)

In the years before the official DVD sets (and actually, VHS sets too – for the first five seasons, anyway), these Columbia House tapes were the only way to get much of the TV series as official releases. Oh sure, the big huge series finale “Goodbye, Farewell and Amen” got a standalone release not long after airing, and of course the 1970 feature film was out there multiple times over, but there was a lot of good stuff in-between all that which could now be owned and watched whenever y’all pleased! Except for the super-long finale, which was naturally also included in this collection, there were several ‘themed’ episodes per tape. No, these weren’t in order from start to finish, and the whole series wasn’t represented either (though there were, I believe, over 50 volumes in this collection released, so you eventually got a good chunk of the show’s run), but does any of that really matter? It was M*A*S*H, a show I’d argue is in the top ten greatest U.S. TV series of all time, officially released on good ol’ VHS!

JC Comics & Cards, just being cool in general!

JC Comics & Cards! Ah, *my* comic place! I was already well familiar with JC’s before discovering SOG; as a young Star Wars nut (a fandom that eventually subsided considerably, though I still like it plenty), JC’s box of $3, loose old school SW figures was a thing of beauty.

Fortuitously, JC was also a sponsor of SOG. Why fortuitously? Because as I’ve recounted before, JC’s was where I first *met* SOG in person! Yep, SOG made a personal appearance at JC’s that coming December, and I was there; it was really the first time I ever felt the need to meet a celebrity, which shows you just what a big deal SOG was to me.

So, obviously JC ads were often seen during the show back then, and something still just feels ‘right’ about it when revisiting these old episodes. This particular spot is a herky-jerky (as in video effect) romp around the store whilst showing off its wares. At one point, a big inflatable Spiderman is seen, which I recall hanging in JC’s front window for years.

JC’s is still there in the same location, and while I’m no longer the Star Wars or comic book guy I once was, I do pop in occasionally, usually to check out the cool vintage toys in stock or to raid the 25¢ comic bins for neat old print advertisements (I’m a sucker for old video game ads, and I generally don’t feel too bad about extricating them from cheap old issues). JC’s is awesome.

And so with that, our big Halloween update comes to a close. Needless to say, I’m still a huge Son of Ghoul fan to this very day, so it’s a trip to go back to when that fandom was in the earliest of stages. I mean, I had just been introduced to the show less than a week prior! It’s amazing to look back and realize all that was ahead of me, some of it good, some of it bad, all of it still TBD at the time. And yet, one constant has been The Son of Ghoul Show; it’s still on the air! And, he had been on the air for 11 years before I even came into the picture! Talk about a local institution! I know nothing is forever, but I’m sure grateful for the time we’ve had, and will continue to have for the foreseeable future.

Have a Happy Halloween, everybody!

The Pizza Shop of Canton, Ohio – Vintage Promotional Playing Cards

“Oooh where has yoy been East Video Dood???”

Here’s the deal: I had something ordered on eBay that I felt stood a very good chance of being worthy (ha!) of being spotlighted on my silly blog. I was excited for it, it held promise, so of course the seller never sent it. Days went by without any update to the order after my lightnin’ quick payment, I (politely) opened my yap, the item was then marked as shipped – but without a tracking number – days later. Then, weeks went by without said item arriving, so I (politely) opened my yap again. A week went by before I received a response promising it was going out ASAP, I gave the benefit of the doubt and waited some more, nothing happened again. So I finally filed a complaint and got a refund.

Any semi-reasonable buyer would have filed said complaint and gotten said refund looong before I actually did, but with a generous window of time to act, only being out 12 bucks, and really wanting what I ordered, I played extraordinarily patient but was not rewarded. Not only did I not get what I hoped to write about (and I’m not saying what it was cause I don’t need all y’all battlin’ me if another one pops up), but weeks and weeks went by without a proper update here in the interim. I’m not saying that was the only reason you didn’t get an update during that time period, but it’s the factor I’m laying all the blame on.

So, instead you get to read about pizza-related playing cards. A fair trade-off? Without knowing what I was hoping to detail instead, you’ll just never know, will you??? (Unless I can obtain said item in the future; then I’ll spill the beans.)

No, this update has nothing to do with video, broadcasting, electronics, or any of the other normative suspects on this site, but it does have to do with Northeast Ohio and advertising, so I’m saying it fits. And even if it doesn’t, it’s my blog and I’ll do what I want.

Behold! It’s The Pizza Shop of Canton, Ohio, immortalized in playing card form! Actually, nothing here specifies if it was Ohio’s Canton, and Wikipedia sez there are lots and lots of places in this world with that moniker, but since I found these in Canton, Ohio, methinks it’s a safe guess that that’s where these originally hail from. Quite a leap, huh?!

Found with a two-compartment, ridge-sided plastic holder that appears to have originally had a lid at some point (there were none to be found in the vicinity, and I looked), many of these cards were all over the place when I came across them at a thrift store several months ago. They appeared to have been part of some card collector’s collection (that’s alliteration, as well as slightly redundant); other cards of the playing variety were strewn about as well. The Domino’s Pizza cards went back because they didn’t feature The Noid, but I’m a sucker for vintage local restaurant memorabilia, especially when said restaurant apparently doesn’t exist anymore, so there was no way these weren’t coming home with me – once I gathered them all back up, anyway.

I say the place apparently doesn’t exist anymore because I  can find no information on it whatsoever. Granted, typing “The Pizza Shop” and “Canton” into a search engine doesn’t exactly make for a narrow set of results, but nevertheless, I could find no info on this place at all. Is it still around? Did it evolve/merge into another place? Do you remember it? PLEASE, share any info you have in the comments! This is an interactive site, y’see!

The image you’re seeing on the left above is found across the back of each and every card in the set, presenting what I surmise were the actual logos of the restaurant proper: the name (which is sort of a must-have in cases such as these) and a little chef giving the “okay sign” and wearing a kickin’ bow tie (though aren’t most bow ties pretty kickin’ anyway?). There’s also the tagline proclaiming the place to be “Canton’s Original,” though original what isn’t specified. Was it Canton’s original pizza place, the original location of what was a local chain, or…?

(Also, if the plastic holder these are in did originally feature a lid, I wonder if any kind of graphics/info pertaining to The Pizza Shop was printed on it as well? If indeed the holder is even original to these cards in the first place, that is.)

Otherwise, and as demonstrated with the card on the right above, well, it’s just a normal set of playing cards. Brown & Bigelow playing cards to be exact, as per the company info printed right there for all to see. Brown & Bigelow of St. Paul, MN is evidently no longer around; this site says they existed from the 1920s to the 1980s. I have no hard data regarding what possible date(s) these could possibly hail from, but even if they’re from the extreme of the 1980s, that still counts as vintage so stop finding fault with my post title.

Actually, the font of “Canton’s Original” strikes me as being 1960s-ish. I have absolutely nothing to support that other than a gut-feeling, but I get that impression nevertheless. Again, if you can confirm or know otherwise, drop some knowledge in the comments!

Like I said, many of these cards were all over the place when I stumbled upon them, which meant I had to duly collect them all back up for collecting-purposes. It appears I got them all; I counted 53 cards here. That is, it’s a normal 52-card French-style deck, with one Joker. I searched pretty diligently, so if there were any more Jokers, I know not where they got to. I really do think I’ve got the whole set here.

Given my lack of success in figuring out when or how long this restaurant existed, the chances of my figuring out when and/or how exactly these cards were originally obtained seems doubtful as well. Free with a pizza, perhaps? Nevertheless, the deck is a cool little piece of Northeast Ohio eatery memorabilia, one that appears (to me) to hail from a truly bygone era. I don’t normally collect playing cards, but these were just too neat – and ostensibly obscure –  to pass up.

I wasn’t kidding before; if you have any info on this place, please share in the comments!

Son of Ghoul 30th Anniversary Tribute!

sogbump12

That screenshot above was taken nearly five years ago, during Son of Ghoul’s 25th anniversary special. (Has it really been five years? I refuse to believe five years passed that quickly!) A momentous occasion for sure, and a marvelously entertaining episode to boot. Interviews with past crew members, historic clips and bits, and an honest-to-goodness movie (The Most Dangerous Game), it was a fantastic show that stayed on my DVR for, no joke, around 6 or 7 months. It was like the perfect summation of what made Son of Ghoul, well, Son of Ghoul.

However, something SOG said, not during that episode but during a later show, has stuck in the back of my mind ever since it was uttered: when describing his 20th and 25th anniversaries, he made an off-hand comment about a potential 30th, essentially stating he had no idea if he’d even make it to 30. It was something along the lines of “Can I make it that long?” It was a throwaway line, not even really a joke, but it did bring up an interesting question: in this day and age of waning local television, where horror hosts in particular are an increasingly endangered species, could SOG hold in there for the big 3-0? How long can a good thing last?

I don’t know where today falls in the ultimate larger picture of The Son of Ghoul Show, but I do know that Keven “Son of Ghoul” Scarpino has accomplished the nearly impossible: a horror hosted movie showcase that has continuously run weekly since June 13, 1986 – 30 years ago today!

Make no mistake, this is a monumental achievement. Any television personality doing what they do for an uninterrupted 30 years is something to be celebrated, but a horror host? It’s not unheard of for one to run for a number of years, leave the airwaves (for one reason or another), and then come back some time later. But, to stay on for three decades, simply by doing what they do best? All while facing station changes, shifting television landscapes, and the decline of horror hosts on over-the-air TV stations nationwide? Just how does that happen?!

In fact, he is easily one of the longest continually-running horror hosts in the nation! Indeed, it seems he is THE longest running! That just makes this achievement all the more amazing!

It’s times like this that I count myself especially fortunate to be a Northeast Ohioan, or at least a TV-watchin’ Northeast Ohioan. It seems like if a local television personality has had an impact on us, they never really go away. I mean, Ghoulardi was only on from 1963 to 1966, and yet, Ernie Anderson’s iconic host is still instantly recognizable around here. And Big Chuck & Lil’ John? Even when they ‘retired’ back in 2007, they were still all over the place, and then they came back to TV in 2011. My point is, if you can make it around here, there will always be a place for you, somehow, somewhere.

Throughout all the changes in television in general, never mind locally, over the last 30 years, SOG has been there, doing what he does best: hosting a movie, performing in some skits, interacting with the viewers. It’s perfect “sit back and chill” weekend entertainment, and SOG has it down to a science. I simply can’t imagine a weekend without his show, a fact that made his uncertainty in regards to reaching 30 years a bit unsettling. Northeast Ohioans have long memories, but I suppose nothing and no one is immune to the sands of time.

But for now, SOG is still here, still plugging away, and I couldn’t be happier about it. I go way back with the show. Indeed, quite a few of my weekends have featured The Son of Ghoul Show, starting all the way back to the fall of 1997. In many ways, my love of local broadcasting can be traced back to The Son of Ghoul Show. That’s not a small statement I make, either.

sog301

The man himself, via an exclusive shot taken at his 1997 personal appearance at JC Comics & Cards. Check out the SOG cake to the right!

Anyone taking even a cursory glance at this blog has undoubtedly seen the presence SOG has had; I’m blatantly and unabashedly a longtime fan. We’ve looked at an episode or two, he’s gotten specific shout-outs during all three of my Ghoulardifest write-ups, and heck, I even took the time to post an update when his time slot was shifted back in February 2015. ‘Course, it was the big extensive interview with the man himself nearly two years ago (as of this writing) that was the ultimate example of SOG on this BLOG. (See what I did there?)

So yes, SOG reaching 30 years on the air is a big deal in general, but especially for me. Why? Because I’ve been around for 19 of those 30 years. I had seen Big Chuck & Lil’ John first, and was aware of Superhost in my formative years, but truthfully, it was SOG that introduced me to this whole Northeast Ohio horror host deal. And therein lies some nostalgia…

(I know I’ve related some, or all, of this before, so please, bear with me…)

I first discovered the show in the fall of 1997. At the time, I was looking for a Mystery Science Theater 3000 surrogate. I had become (and remain to this day) a die-hard fan of MST3K, but at the end of summer ’97, it was too expensive to keep the premium cable box needed to access the Sci-Fi Channel, and thus, MST3K (the network later became part of our basic cable package, but that was a few years away). Being only 11 years old, I didn’t have much say in the matter, and so, as summer came to a close, it became increasingly obvious I needed something to satisfy my bad movie-mocking needs.

Also during that same summer, I had become aware of “The Cat,” TV-29 in Akron, TV-35 in Cleveland. While I was primarily a horror and sci-fi fan (albeit a still-burgeoning one), The Cat introduced me to a wider range of older, sometimes wildly obscure, flicks. B-westerns, silents, foreign films and so on, I quickly found a growing interest in all of them.

By the time fall came around, I was jonesing for MST3K, or something similar, and I was jonesing bad. In retrospect, it’s a bit odd that it took me several months to actually discover The Son of Ghoul Show, but the fact is that some idle channel-surfing one Saturday night landed me upon SOG’s annual Halloween show. He was on Friday and Saturday at that point, same episode both nights, so I guess this would have been November 1, 1997 (since an online calendar tells me Friday was October 31st).

The movie was the original Night of the Living Dead, a flick he runs each Halloween. My brother Luke was watching with me, and as I recall it, we turned the channel on just as SOG’s introductory segment was coming to a close. The movie started shortly thereafter, and man, that was all it took. Before long, I was hooked. It took me a minute to realize that SOG was dropping in sound effects and music into the movie, but I loved it. I loved the film too, which was my first time seeing it.

But it was the host segments and skits that really got me. SOG was something entirely new to me. A genuine horror host, a concept I only had a vague notion of prior (I never thought of Chuck & John as horror hosts until later, and besides, it took me a few more years to really appreciate them). He was witty, he was acerbic, he was silly, he read mail. In short, it was everything I had been craving. In that single two-hour block that Saturday night, an entire new world of television, of comedy, was opened to me. Baby, I was done.

And he was ours! This was all local! SOG is the kind of entertainer anyone from anywhere can enjoy, but his program takes on a whole new dimension if you’re from the area. I doubt I was cognizant of all that when I watched for the first time (in fact, I’m sure I wasn’t), but it’s a factor that became increasingly important to me the more I watched and the bigger a fan I became.

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Another exclusive shot taken at JC Comics & Cards. Here SOG autographs a promotional picture, for either my brother or myself. We both still have our signed pictures to this day, either way.

Even though it was only until the following week, it was a long, long wait for the next episode. I was in 5th grade, and while (as I recall it), the other kids were into wrestling and/or MTV and whatnot, I personally could not wait to see more of this new thing I found.

Finally it was there; the movie was The Vampire Bat, and I knew I had made the right decision in jumping on this bandwagon. (I also learned it was the same movie, same episode both Friday and Saturday nights, but this wound up being beyond helpful. If I particularly liked a movie or bit, or one of the letters I later started sending in was on, I could sample Friday night and record Saturday night.)

From there on out, it was a constant sense of discovery. Nearly every single week, I was seeing a movie completely new to me. Okay, sure, they weren’t good movies, but they weren’t supposed to be! I can’t say this is where my love of watching bad movies because they’re so awful began, but the selections SOG ran certainly helped fuel the ongoing desire for a good baddie. The Hoodlum, The Corpse Vanishes, Santa Claus Conquers The Martians, Colossus and the Amazon Queen, all of those (and many more!) were introduced to me via SOG. I can’t say I ‘love’ the films, but they hold a nostalgic place in my heart nevertheless, simply because of how and where they fall in my lifetime.

And it was all so funny! I loved the mail segments, where SOG’s acerbic, sarcastic wit was on full-display. He had no problem goofing on the letter writers, and really, that was part of the fun, even if you were the one who had written in! And the skits! Barfaby, Mr. Banjo, Fatman and Rotten, Zero, Eat At Joe’s, and even the one-offs, so much of it had a hip, edgy, oftentimes “warped” tone that made the whole experience irresistible. I mean, “Genie of the John,” in which SOG played the titular character, one who emerges from a toilet? Stuff like that appealed (and appeals) endlessly to me.

‘Course, when I began watching, I didn’t really know about the first home of the show (Canton’s WOAC TV-67, from 1986 to 1995), and thus what bits were new and what bits old. Nor did I have a full understanding of the Ghoulardi lineage, only a vague knowledge of the tradition. (Ah, the days before the internet presented every last drop of information at the touch of a button!) This was almost all totally new to me, but I loved it.

Within just a few weeks of my becoming an instant mega-fan, SOG announced on the air that he was going to be making a personal appearance at JC Comics & Cards on State Road in Cuyahoga Falls. JCs?! I knew right where that was! It was practically just down the street from me! Dare I go and meet my newfound hero? Of course! (By the way, JC Comics & Cards is still at the same location; you’d be well-advised to stop in and buy some stuff – there’s a lot of great things there!)

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That’s my brother Luke on the left. I’m the one on the right. A rare shot of me not being a total badass? I think I’ve aged for the better.

Looking back, his personal appearance at JC Comics & Cards was probably my first real celebrity meeting. Okay, my school had a Cleveland Indian (don’t remember his name) appear and sign autographs once, and I had gotten baseballs autographed outside of (then) Jacob’s Field before, but as far as being a fan and specifically seeking out a meet-and-greet, SOG was the pretty much the first.

There was only one hindrance: I was a fairly shy 11 year old. It’s something I’ve long since grown out of, and nowadays I have no qualms with walking right up to a celebrity and bugging meeting them. But back then? It was totally uncharted territory for me. I didn’t quite know what to expect.

So, the big day arrived. My brother, mom and I waltzed into JCs, and there he was: Son of Ghoul, in person! I was excited and insanely nervous at the same time. I needn’t have worried though; as has been proven time and time again over the years, SOG is absolutely fantastic with his fans. He was personable, he was funny, he answered all questions posed to him, he took pictures, he signed autographs. Even if I did lock-up once after asking him a question (shy and all, remember), it was a great experience.

In fact, here’s something about the visit that I’ll never forget: after we had met him, got our pictures and so on, I was browsing the comics, and I found that 1988 reprint issue of Action Comics #1, for $3. Without prompting, SOG came up and actually looked at it with me, marveling at the price and the 1938 date in the corner. I thought (and think) that was just the coolest. When a personality goes that extra mile to interact with a fan, it shows how genuine they are. In the years since, talking with SOG or watching him talk with other fans, I know my impression of him back in ’97 at JCs was spot-on.

It really is hard to put in words the influence SOG had on me growing up. His show helped shape how I look at movies, at comedy, at broadcasting, everything. And I’m not the only one; There were other kids my age that were just as enthralled with it as I was.

In fact, this blog has introduced me to one: Brett Van Wagner. He discovered this site due to the SOG content, he messaged me, and we’ve been chatting ever since. Even though he lives out-of-state and we’ve never met in person, I’m proud to call him friend. We’ve even had shockingly similar experiences with The Son of Ghoul Show, and we’ve both been fans for nearly the same amount of time. I’m going to turn things over to him for a moment here; I’ve known for awhile now how important his recollections of “SOG history” are, and when I came up with the idea for this post, he was the first one I asked to contribute. Here he is now in his own words…

Brett:

Where to start? First off, a huge thank you to the Northeast Ohio Video Hunter for letting me be a part of an article about such a historic moment in Northeast Ohio television! Although we have never met, I have enjoyed emailing the author of this blog and sharing memories and stories of Son of Ghoul for probably close to a year now. Our SOG stories are actually quite similar, and it makes me wonder how many other kids our age were watching the show at that time. While I live in Florida now, I make it home to NE Ohio from time to time and perhaps one day we will meet up at a convention or SOG appearance. But, thank you for allowing me to be a part of this!

I was first introduced to the Son of Ghoul Show sometime in 1997. My dad would occasionally have the show on, although it seems like my mom would always make him turn it off. My dad grew up watching both Ghoulardi and The Ghoul, and would talk about watching those shows when he was young. After months of catching a few minutes here or there, I remember the first episode I ever watched from start to finish. It was Friday, August 29, 1997 and it was the first week of 6th grade for me. After a week of realizing that middle school was now my life, I realized I needed something to take the edge off. The movie that night was Godzilla vs. Megalon and I only recently realized it was actually a rerun of the very first show to ever air on the CAT. Going back and watching that episode again, it makes quite a bit of sense, as SOG refers to the fact that we are now seeing him in prime time and actually in Cleveland quite a bit. A great episode to officially start watching. The episode also featured what would quickly become, and still is, my favorite SOG sketch, Mr. Banjo. I’m not quite sure what it was about that green-screened dog, but no matter how many times I hear the opening rifts of that song and hear SOG start to talk in that ridiculous accent, I truly laugh out loud every time.

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This is the Mr. Banjo character Brett is referring to. Coincidentally (as you’re about to read), this is from a promo for The Brain That Wouldn’t Die!

In all of the years, my favorite SOG movie is The Brain That Wouldn’t Die. Fittingly, my very first fan letter was read during a show that featured this movie on October 10, 1997. Honorable mentions for other movies that I have a soft spot for go to favorites such as The Giant Gila Monster, Alice Sweet Alice (the only SOG movie that actually scared me as a kid – love it now though) Phantom from Space, Plan Nine from Outer Space, Killers from Space, (I’m noticing a space theme here) White Zombie, and the lost but still survives on VHS collections somewhere, Lethal Justice.

Despite the dungeon and skulls the faux scary vibe of the show, what I took away from the show more than anything was a love of comedy. From all of the drops in the movies (yeah, I know Bill Cosby has kind of fallen out of grace in society in the last year, and rightfully so.. but those old comedy albums of his are pure gold and the way SOG would incorporate drop pieces from those albums into the movies and show were fantastic) to the incredibly dry and witty sense of humor SOG would posses during mail breaks and show segments, the show for me was comedy first and foremost. SOG never fails to make me laugh with one of his one liners or observations during a skit or mail break. In addition to helping me with my love and appreciation for comedy, SOG always reinforced my love of The Beatles. While most kids grew up listening to their sing-a-long tapes, I remember listening to our old Beatles LP’s as young as 3 or 4, and my love for the band is still just as strong all these years later. Knowing SOG shared that love and appreciation for the band and incorporated them so heavily on his show was the icing on the cake.

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Another exclusive shot of SOG at that fateful JC Comics & Cards appearance!

Just like the Northeast Ohio Video Hunter, the first time I ventured out to meet SOG at a personal appearance was in December 1997 at JC Comics and Cards in Cuyahoga Falls. Heck, maybe I have met him after all. What I do remember is how friendly and kind SOG has always been to his fans. He remembered me from letters I had written, talked to my dad and I, and was just such a nice guy. I would again go to many personal appearances, including the 1999 FrightVision where I would spent lots of time talking to my horror host idol and also had the chance to meet, according to the headshot, the one…the only…Fidge! Fidge was also the nicest guy in the world, and the years he and SOG spent together are the best years of the show for me. The last time I saw SOG (and Fidge) in person was in October 2002 when they had the stage show during Fright Fest at what was then Six Flags Worlds of Adventure amusement park. (Sidenote, I am also a HUGE amusement park and roller coaster buff. Geauga Lake Amusement Park, which was a Northeast Ohio institution that spent a few years as a Six Flags park before becoming Geauga Lake again under the same owners of Cedar Point, Cedar Fair, is a place that I miss more than anything and am super sad about losing) Back on track, even though I haven’t seen SOG in person since 2002, I have stayed in touch with him via e-mail and he is nothing but kind and helpful to his fans. Questions I have had regarding episodes, etc, always are answered and he is just the nicest guy in the world, despite what he may want us to think from his on air persona.

It was so sad to hear of the passing of Fidge, especially because of the circumstances, in 2003, and SOG handled it with such class and respect in the tribute episode. Between that at the recent Colonel Klink tribute episodes, SOG has proven that even in the worst situations, he is the ultimate professional and is able to bring the audience together to celebrate the lives of two great men who were so influential on the show.

As the years went on, I went off to college and then moved to Florida eight years ago. I’ve experienced several jobs, a few serious girlfriends, and the usual ups and downs of life. Still, I always caught SOG any time I was home in Ohio on a Saturday night. In the more recent years, I have purchased over 20 episodes of the show from the SOG website and as time continues to go on, I’m sure I will purchase 20 more. Any time I am feeling a bit homesick, or just at the end of a long week, the excitement and comfort of popping in a Son of Ghoul DVD is just as strong as when I first discovered the show nearly 19 years ago. There have been countless horror hosts that have come and gone, but for one host to be on for 30 consecutive years is truly an amazing feat, especially in today’s constantly changing broadcast world. Hats off to the Son of Ghoul. I can only hope he appreciates not only the accomplishment of 30 years on the air, but how influential he was for kids like me who didn’t really have a place to fit in. Thanks for everything, SOG. Here’s to a happy 30th anniversary, and hope for many, many more.

Brett Van Wagner

It really is wild how close our experiences with the show are. I think we would have become fast friends back in the day, and I’m certainly happy to know him now. His contribution is invaluable to this article and I can’t thank him enough for providing it. You is good people, Brett!

Brett also touched on a great point: it hasn’t always been smooth sailing for the show. The fact that it has continued to survive though every seemingly-insurmountable obstacle shows not only how durable the show is, but how good SOG is at what he does.

The Son of Ghoul Show has survived a nasty lawsuit in the late-1980s, time changes, station changes, the switch to digital TV in ’09, the eroding of local TV in general and the presence of horror hosts in particular, even actual deaths…

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The passing of Ron “Fidge” Huffman in 2003 was an absolute shocker. Fidge was SOG’s sidekick, and in the late-90s/early-2000s, he was ever present. He took a lot of abuse on the show, but I think he knew it was all in fun; his presence gave the program something of a “warped” Big Chuck & Lil’ John quality.

I had the fortune to meet Fidge at FrightVision ’99, where that autographed picture above comes from. He couldn’t have been any nicer; it truly seemed like he got a kick out of the whole thing, and it showed when meeting his fans. I’m truly sorry that he passed; I’m glad I got to meet him when I did.

Something else Brett mentioned was the more-recent death of Jim “The Colonel” Klink. Klink went way back with our local horror hosts, sending tons of his artwork to Superhost and later SOG. Not only that, but at least as far as SOG went, he’d send in packages of random items, always decorated with a variety of stickers on the outside (as SOG said once, he couldn’t believe the post office accepted them!). Needless to say, SOG ragged on Klink quite a bit too, but again, it was all in fun.

I never met Klink, though I did see him walking around at Ghoulardifest once or twice. I wish I would have went up and spoken to him now. Still, he did leave this nice comment on my interview with SOG page, and it’s worth sharing here:

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The outpouring of grief online for Klink was quite large, and reading that comment, it’s easy to see why. He was a genuinely nice, enthusiastic fan, as his note above makes abundantly clear.

As Brett mentioned, SOG’s tribute shows to both Fidge and Klink are fantastic. Genuine, honest, funny, they were perfect in honoring both guys.

Their passing was tragic, and the unfortunate fact of the matter is when a show reaches such longevity, it’s almost inevitable that you’ll run into something like that. It comes with the territory of being on for so many years, I suppose.

Indeed, when something like that happens, it only serves to remind you of how far back this all goes, and how quickly it can all go away. By this point, SOG has become a veritable staple of Northeast Ohio television. It’s simply impossible to imagine a time when he’s not on the air in some fashion. But obviously, all good things come to an end, which makes treasuring them while they’re here all the more important. I’ve made that mistake with some other shows, but luckily, I won’t make it here. I’m grateful for each week SOG is on the air.

So, that’s my history with SOG, but it’s not a finished history by any means; it continues to this very day. His current shows, of course I’m there, and just like when I was 11, I still get a sense of anticipation in hearing what movie will be shown on a given night, or seeing if some letter or package I sent in is going to be presented. Stuff like that I don’t think will ever change.


So, my thoughts, and Brett’s up above obviously, on this big 30th anniversary are now known. But, I also reached out online for some other contributions to this big ol’ tribute, to help show what an impact SOG has had on other viewers and collaborators. Some wonderful additions were gathered, which I’d like to share now.

From famous fellow horror host “Wolfman Mac” Kelly (who for years shared Saturday nights with SOG on our local RTV affiliate; SOG 7 PM-9PM, Mac 10 PM-12 AM):

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Son of Ghoul with Wolfman Mac, as they appeared together during an episode of Wolfman Mac’s Chiller Drive-In.

Hey Son Of Ghoul, happy 30th anniversary to you my fellow horror host! You have such an awesome talent and your fans are truly fortunate to have YOU keeping the genre alive. Er…undead…

I had the honor of meeting you a few years ago at Wasteland. You’re not only a great horror host, you’re also a really good guy. All the best to you. Stay Creepy!! – Wolfman Mac

Mac, like SOG, is one of the coolest, nicest guys you could ever hope to talk to, which is not something that can be said for every television personality.

From longtime SOG-friend and genuine good guy Jungle Bob Tuma (check out his official website!) comes this hilarious recollection:

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

I remember the time that the Son of Ghoul & I went out to eat after Cinema Wasteland at an all you can eat Chinese Restaurant (his favorite place to eat). He had been there the week before & ” spoke up” when somebody tried to leave without paying their bill. This made him a hero to the girls who worked there…while we were there, we noticed them smiling, they even brought over a plate of crab legs for him.

He went to go wash his hands & I took my pen & drew a heart & wrote “I love you” on his napkin & when he returned I told him that the Chinese waitress wrote it…I had no idea that SOG would call the waitress over & ask her name & flirt with her…I even tried to stop him but when she came over she let him know that it was not her who wrote that …she also told him that she actually saw me write it while he was away from the table…

He looked at me & said..”OMG Jung, what is wrong with you…I am so embarrassed!” I thought about it & said to myself…”See, we even have fun when we are not on TV…Whether we are on & off the air, Keven (SOG) & I always seem to have a good time & that’s why we have been friends for so long… Happy 30th buddy & looking forward to our next Chinese dinner, LOL.

Anyone that has seen Jung on SOG’s show or watched them interact together in-person knows they have an incredible rapport that is absolutely hilarious, as his story demonstrates!

JB is not only ridiculously friendly, but he knows pretty much everything about every animal ever. You’d be well-advised to book him for any event.

From my buddy Matt Brassfield over at Rotten Ink:

Son of Ghoul with Dayton's Baron Von Porkchop. Photo used with permission.

Son of Ghoul with Dayton’s Baron Von Porkchop. Photo used with permission.

Hometown Horror Hosts mean a lot to viewers, and Cleveland has had their share of iconic hosts from Ghoulardi to Superhost in the golden age of broadcast TV hosting to modern late night ghoulies…but for over 30 years The Son Of Ghoul has entertained viewers with his silly antics and zany sidekicks like the Fidge (R.I.P.) and has truly became a staple for the Cleveland area.

I have had the honor to have met and chatted with Son Of Ghoul many times during his convention appearances and he has always taken the time to shoot the breeze and even was the first to introduce me to footage of Superhost as well as Woodrow The Woodsman! Son Of Ghoul is a Horror Host Hall Of Famer, a Musician, a Comedian and from Rotten Ink as well as from the cast of Baron Von Porkchop’s Terrifying Tales Of The Macabre, we want to wish Son Of Ghoul a Happy 30th Anniversary and wish him many more years of TV goodness.

Matt’s also the producer of Baron Von Porkchop’s Terrifying Tales of the Macabre; check it out!

My Facebook pal John Walch had this photo of SOG with his son Lil’ Kong to share, along with the following comment:

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Photo courtesy John Walch.

The highlight of April’s Cinema Wasteland show was when my son met Kevin. Such a great guy.

Yes he is!

From another Facebook pal, Danny Harasyn:

I live in Lake County and Time Warner won’t give me the station SOG is on …..so I had a friend I worked with who lived in the area Time Warner carried the show record it for me each week…

I know what he means; there was a time in the earlier-2000s in which we were using rabbit ears, and you could NOT pick up SOG’s show to save your life.

From Facebook’s Gary Smith:

Photo courtesy Gary Smith.

Photo courtesy Gary Smith.

Several years ago. it seemed like every week, I would see him at Jamie’s Flea Market in Amherst. On top of that, getting a chance to see and chat with him at Ghoulardifest and Monster Bash conventions the past few years. Looking forward to seeing him again at this year’s fests and congratulations on his 30 year milestone.

Thanks Gary!


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One final personal story before I close this tribute out. This one means as much to me as the nostalgia of discovering and watching SOG back in the late-90s does.

Back in November of 2011, I had a serious hand injury at where I then-worked. This was my first (and thus far only) real injury. Sure, I had sprained my ankle before, pinched a nerve in my neck, relatively little things like that, but this was a biggie. I eventually clocked three separate surgeries, a five-day hospital stay, several weeks of a home IV, and a whole lotta physical therapy. It was a mess.

I was blessed with some legitimately great doctors and nurses that helped me through the ordeal. I am thankful every day for that. Today, while there is some remaining evidence that a severe accident occurred, you probably wouldn’t notice unless I pointed it out to you. It could have been much, much worse, so yes, I’m most definitely grateful to those that made sure it wasn’t.

But anyway, back in December 2011, much of what I eventually had to go through was still ahead of me. All I knew was that I was injured, I was off work until after the new year, and I was severely bummed.

Meanwhile, prior to all that, after being a regular writer-in’r to the show in the late-90s, I had begun sending packages to SOG again in 2010 or so. Shortly before my injury, I had mocked up a SOG-album cover in a parody of Bruce Springsteen’s Born To Run cover, titled Born To Be Awesome. (See above.)

So, Saturday, December 24, 2011, it was SOG’s annual Christmas showing, appropriately airing on Christmas Eve. At a time when I was in critical need of a morale boost, SOG presented the album cover on the air. Not only that, but he really seemed to get a kick out of it! And that was in addition to all the older holiday-themed bits and cartoons, which all made for a wonderfully entertaining episode.

Obviously, SOG didn’t know what I had been going through at the time, this was all business-as-usual for him, but this was absolutely the pick-me-up I needed at that moment. I’ll always be grateful for that.

I think that points to an often-unrecognized aspect of not only The Son of Ghoul Show but any program people may turn to during those times when they just need to escape: they become more than just a television series to us, something deeper, though perhaps indefinable. And when they reach a historic milestone, like SOG has today, you feel, in some small way, a part of it, even if it was just by tuning in for so many years. And by now, I think it’s safe to say I’ll hang in there with him till the very end.

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Your Northeast Ohio Video Hunter hangin’ with the man himself! Ghoulardifest 2013.

There’s no better way to finish this article than with some words from the man himself, Keven Scarpino, aka Son of Ghoul. I reached out to him for a closing comment, and in true SOG-fashion, he first gave me Yeah, I would give a comment if I thought anybody actually reads your posts. LOL” Of course he was kidding (?), and immediately followed that up with this statement, directed towards all his fans:

Thanks for hanging with me all these 30 years. The viewers are the reason I’m still here – plus nobody else is willing to work as cheap as I do. Stay Sick! SOG.

Kinda says it all, doesn’t it?

Happy 30th anniversary Son of Ghoul! Here’s to the next 30!

Toshiba Betamax VCR No. V-M41 (1984)

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I found this Toshiba Betamax VCR at a thrift shop about 2 months ago. At that point,  my Super Betamax (the machine I normally used) was still working, but I figured it never hurts to have a back-up. I grabbed a random Beta tape that was there to test it, figuring if the thing ate it, I’d just pay the $1 for the tape. The VCR powered up, loaded the tape, rewound, fast forwarded, and ejected, all without exploding, but it didn’t seem to actually play the tape. Still for $15 (actually less, since this shop always knocks a few bucks off), I figured since it didn’t eat the tape, half the battle was already won. Of course, that was just bullshit on my part. I have no idea if that’s actually true or not, but I had to justify the purchase somehow. Besides, you never know for sure until you take it home and hook it up.

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The V-M41 is from 1984, and while it doesn’t appear to have been the highest-end Betamax ever made, I’ve heard these Toshiba’s were nice, solid units. Unfortunately, my first instincts were correct. It doesn’t actually play the tape, you get a split-second of screentime before it stops. Apparently, this is a common age problem with these units, though I’m not exactly sure if it’s the heads, belts, or what. It may be an easy fix, for all I know. No matter, I’m glad I bought it. It has a very cool, mid-80’s look to it. The front is kinda sloped, which doesn’t look all that impressive in the pictures, but in reality, I think, gives it a neat look.

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Another reason I’m glad I bought this machine is that it has a 12-channel selector. A common thing with VCRs at the time, but this one is specifically tailored to Northeast Ohio TV, which makes it completely worth the price to me. Take a look:

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Only the first six buttons are used: WKYC TV-3 (NBC affiliate), WEWS TV-5 (ABC affiliate), WJW TV-8 (then our CBS affiliate), WVIZ TV-25 (PBS affiliate), WUAB TV-43 (a very popular indie station), and WCLQ TV-61 (a less popular indie station). Unfortunately, WOAC TV-67 is MIA. Still, for all I know, the original owner taped Big Chuck & Lil’ John on TV-8, Superhost on TV-43, The Ghoul on TV-61, and maybe turned to TV-67 once or twice for The Cool Ghoul.

Then again, maybe the original owner wasn’t as weird as I am. No matter, I love this machine. Since it’s not Hi-Fi, which is really what I need at this point (even my currently non-working Super Betamax isn’t Hi-Fi), I don’t know if I’ll have it repaired, but just as a display piece I’m very happy with it.