Tag Archives: WEWS

WEWS TV-5’s The Morning Exchange – Vintage Coffee Mug

Yeah yeah, I know, I took nearly all of August off. A combination of being busy, lack of ‘writable’ material and absence of drive kept me from duly updating my arbitrary blog. Those last two reasons are related; technically, I’ve always got lots of stuff I could write about, but the fire man, the fire has to be there. It’s like how a car don’t go without no gas or some stupid analogy like that. And when I go out thrifting, I very nearly always come home with what I consider some good winnins, but it’s the cool winnins that give me the fire. And it’s those very cool winnins that have been more-or-less MIA in recent weeks. This, my friends, was not an ideal situation for your Northeast Ohio Video Hunter, but it’s not like I had much say in the matter.

‘Course, it’s times like that when I can just sit back and let my old material do the work for me. I mean, when I wrote about that sentient alarm clock over a year ago (!), I held no illusions about it being a particularly popular post; I just got jazzed enough over the device that I wanted to introduce it to a potential audience. It’d be there for the right people when they come looking. And for quite awhile, that’s pretty much where things sat, until in recent months when its popularity relatively exploded, with enough page views and comments to put a figurative smile on mah face.

ANYWAY, this find from just last night is, rest assured, just the sort of thing that can get my creative juices flowin’ and another new update on the dinner table. Dig this: it’s a vintage coffee mug promoting WEWS TV-5 of Cleveland’s long, long running and incredibly influential daily talk show, The Morning Exchange. Cool winnins.

I take solace in the fact that (apparently) most people don’t find the same things that I do interesting, because this is the sort of thing that I would (and did) snap up with extreme fervor; there was absolutely no question it was coming home with me from first glimpse. And yet, when I came upon it, it sat nearly alone in a big tub, seemingly unwanted by those who knew no better. But I knew. I knew.

Now to be honest, I’ve got lots of glassware and mugs and what have you that I could write about, and sometimes I did consider doing so during what turned out to be my unintentional hiatus. I decided against it though; it just felt too soon after the last time I looked at old Northeast Ohio television-related coffee mugs. Heck, in the time since, I picked up yet another new-to-me WVIZ java accessory, but I just didn’t want to go back to that well. Not yet, anyway. I don’t want to become known as “The Mug Man,” man.

This Morning Exchange thing is different though. Not only because it’s promoting an absolutely legendary piece of Cleveland television history (it was so popular locally, it inspired ABC to create the national Good Morning America!), but also because it was hosted for nearly all of its 27 year (!!) run by local icon Fred Griffith, who sadly passed away recently. No joke, Griffith was a certified local legend, and from what I’ve heard, a genuine good egg to boot.

Here’s the thing with this mug: as you can see in the above pic, the logo is quite wide, and as such, getting the whole thing in one definitive shot just isn’t going to happen, unless y’all wanna provide me with one of them Matrix cameras or something. Wait, I don’t think that would work here, either.

So anyway, to better educate and inform and annoy the masses, I’m gonna have to provide some additional pictures. As such, here’s the left side of the mug, showcasing the, uh, left side of the Morning Exchange logo. Also visible: the ever-handy, erm, handle that allows one to make use of the mug without scalding their delicate lil’ hands.

Look, I don’t really know what you want me to say about it, okay? It’s one side of a coffee mug. And since I just used up whatever I could think to say about it here, I’m already questioning what I’m going to write about the other half. Nothing can ever be easy in my world.

So yeah, here’s the right side. The rest of the logo, close-up of the channel 5 logo, big swoopy thing comin’ off the “g” in “Exchange,” you can see it all here. The white lettering over burgundy is an attractive, appropriately morning-ish look. I dig it!

(Yeah, now I’m spent.)

It’s funny; I didn’t (and don’t) ever really watch any morning shows, mainly because I’m rarely up in time, and even though I have little direct history with The Morning Exchange, because it was such an ever-present part of the Northeast Ohio television landscape for such a long time, I remain fond of it. My grandmother used to watch it, my mom says she used to watch it, so there’s some pleasant memories there. But really, it’s more about what this mug represents that enamors me so. What’s that? One of the giants of Northeast Ohio television, that’s what!

All that said, I have no idea how old this mug is; there’s no date anywhere on it. I’m considering it late-80s or early-90s, but I could be dead wrong on that. The channel 5 logo was updated around 1995, so methinks it’s prior to then. The Morning Exchange ran from 1972 to 1999, so even at the latest it’s around 20 years old as of this writing. I really don’t think it’s even that relatively-recent, though. I do think it’s somewhat newer than this example, but how, when and where it relates to these examples, I do not know. I’m going with a mental “circa-1990” descriptive term, though I’m not confident in it enough to add it to the title of this update. (While on the subject, I couldn’t find a sequence of wording for the title that I was totally happy with, so if it reads awkwardly, that’s why.)

How would one go about getting one of these back in the day? My brother suggested it was a souvenir of actual guests on the program. If that’s the case, MAN is that cool. I’m not prepared to go quite that far though, not just yet. I’m thinking this was a promotional item anyone could have gotten, but that begs the question: where? There (probably) wasn’t any internet yet, at least not in any form approaching how we now know it. So, personal appearances by the hosts? Industry swag? A mail order item? Was there something akin to what WJW TV-8 later had, their very own store? (It was in Summit Mall.)

These are questions I know not the answer to. Maybe it was a guest-used/show-used item. That’d be, as the hip individuals say, pretty baller.

Regardless of its origin, the very fact that this coffee mug promotes a veritable Cleveland institution such as The Morning Exchange is more than enough. The fact it’s a coffee mug (cause coffee/morning, dig?) just makes it all the more appropriate. The era and images and feelings it invokes is indelibly Northeast Ohio. A bygone era in our broadcasting history. The sad fact of the matter is stuff like this doesn’t turn up all that often, but when it does, it’s cause for celebration and weird, amateurish touchdown dances. I didn’t, but I could have.

There’s your precious update. Maybe I’ll get another one up within the next several decades, we’ll see.

WAOH TV-29 in Akron / WAX TV-35 in Cleveland (“The Cat”) stuff.

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[UPDATE: This article has turned out to be one of the most popular on this site. As such, I feel it’s worth mentioning that WAOH TV-29 ended its life on October 25, 2017. So, as ’17 drew to a close, I felt the need to not only recognize once again the station that was so, so important to me over the years, but to also take an updated and expanded – not to mention better written – overall look at it. You can see that article right here, and believe me, I think it’s FAR superior to the early effort you’re currently looking at.]

In the late-90’s and early-2000’s, one of the most important channels for me was WAOH TV-29 in Akron / WAX TV-35 in Cleveland, better known as “The Cat” (Cleveland-Akron Television, dig?). Both 29 and 35 were the exact same channel, so I’ll simply identify it as The Cat or WAOH. There’s surprisingly little info about the station on the internet, and someone I was talking to once exhibited some interest at the fact I had recorded a number of programs off the station (believe me when I say I taped a lot of stuff).

What made the channel so special to me was the sheer number of ancient movies, old TV shows and local content they played. Granted, the majority of the movies and TV shows weren’t actually owned by WAOH, but was rather syndicated content from the America One Network, but the fact remains that The Cat ran things you weren’t going to find on ANY other channel. And all of the local programming (which naturally had nothing to do with America One) gave The Cat a terrific Northeast Ohio flavor.

Furthermore, despite the A1 affiliation, this was really an honest-to-goodness independent station, something that (unknown to me at the time) was becoming increasingly rare around the U.S., and while there were still some old and/or local programming on other channels (for example, WJW had Big Chuck & Lil’ John, and WBNX brought The Ghoul back in 1998), none reveled in it like WAOH.

I discovered the station in the summer of 1997. It was nothing earth-shaking, I was just flipping channels, when I came across an airing of a hugely battered old print of the original 1930 version of The Blue Angel. No one else was running things like that, not on local TV at least, and from then on, I was hooked.

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Of course, probably the most popular show then (and now) , and certainly my favorite on the channel, was The Son Of Ghoul Show. Like Ghoulardi and The Ghoul before him, Son Of Ghoul ran old movies, inserted humorous sound effects/drop-ins, performed comedy skits, and read viewer mail. As I’ve mentioned before, SOG started on WOAC TV-67 in 1986, and in 1995 he moved to The Cat.

Those screencaps above are from my two earliest SOG Cat promos. The one on the left is a silent still-card promo that ran for 10 seconds, so what you see is what it was. The one on the right features the standard SOG-pitch: He mentions the show and  the awful movies they run. It’s an all-around promo, and SOG did more than a few for The Cat over the years. Most of them say basically the same thing, but I mean, they’re supposed to.

I actually didn’t discover SOG right away. I mean, I saw the promos, sure (The Cat tended to run the same promos a LOT), and I had seen bits and pieces of the show here and there, mostly in passing, but it was Halloween 1997 that I actually sat down and watched the show. I stumbled across an airing of the original Night Of The Living Dead, which I had never seen before. Even with all of the sound effects and jokes (it took me a minute to realize what they were doing, but I immediately loved it), I seriously dug the movie, and I became an instant SOG fan. I even wrote him a bunch of letters, and his reading them on the air was always a thing of great excitement. Of course, I was only like 11/12 years old, so I never had much to actually say (and watching my old tapes, I can’t help but cringe a bit).

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Today, Son Of Ghoul is still running, and I’m still watching. That screencap above is from the latest promo for the show that I’ve seen. I captured it in 2011, but I think it’s been running since 2009, and I know it’s ran several times since 2011. The reason I say 2009 is because that’s when The Cat became an RTV affiliate, and SOG’s timeslot switched to Saturday evenings at 7:00 PM. The promo is, like the one above, a standard SOG pitch: talking about the awful movies, humorous sound clips, and comedy skits, with the exception that SOG mentions the new timeslot “starting in June,” which was when The Cat became RTV (though I still continue to call it The Cat, and always will). Despite the June mention, this is the only promo I’ve seen the station run for SOG relatively lately. Probably because most of the vast majority of content is RTV’s, and they have their own promos and whatnot. But, you do catch some locally-produced promos here and there. I don’t think they run quite as much as they used to, but there were some WAOH-produced spots for RTV shows, which I’ll get to in a bit.

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Speaking of local promos for syndicated content, that sort of thing isn’t new to the station. The screencap on the left is from 1997, the one on the right from 1999. Both are for the western movies that the channel ran every weekday afternoon (and on Saturday afternoons for awhile, and if I recall correctly, occasionally on Sundays, too). Both promos are more or less the same: various scenes from old westerns, while appropriate music plays.

The afternoon Western flick was actually America One’s “Western Theater,” and I loved it. It’s thanks to these films that I became a fan of  westerns. You didn’t tune into this program to see The Shootist, though; these were all old rickety “B-Westerns”, mostly from the 1930’s and 1940’s. Probably all of them were/are in the public domain. You saw the standards like Roy Rogers, John Wayne’s poverty row films, Hoot Gibson, Ken Maynard, Rex Bell, etc. etc.

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Speaking of films, through America One, The Cat ran a lot of them. This promo is from 1999, and spotlights just how many they play a week. Even back then, the claim of “over 40 films a week” seemed just a bit high to me, but they did play a lot. There was a morning movie that began at 10 or 11 AM, and ran for an hour and a half, the western at 12:30 PM, which also ran for an hour and a half, then the noon movie at 2 PM, which ran for 2 hours. At 8 PM, there was another 2-hour movie. The overnight hours generally featured content from the American Independent Network (AIN), and, if I recall correctly, was two 2-hour films in a row. The weekends were a wildcard. I have a recording of three consecutive westerns from a Saturday afternoon in the late-90’s, but that wasn’t always the case. There could be one, maybe two, or maybe none. Sundays generally had less than that or none altogether, and didn’t necessarily have to be a western (I once taped The Tonto Kid, obviously a western, on a Sunday, but my copies of Goliath And The Vampires and Monster From A Prehistoric Planet, clearly not westerns, also came from Sunday airings).

I don’t know, maybe over 40 films a weeks wasn’t so far off after all.

Most of the films were from America One, but there were a few that the station itself seemed to own itself. Every Halloween, they’d run Night Of The Living Dead, the most scratched up and battered print you’ve ever seen. Since none of the A1 branding was present during these annual airings, I’m guessing the station owned it’s own print. For Christmas Eve, they’d run the 1935 Scrooge and then Beyond Tomorrow back-to-back, commercial-free. I still have a recording of Scrooge, but not Beyond Tomorrow.

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A movie that received some actual promotion was their 1999 airing of the infamous Reefer Madness. I taped it, but later taped over it. I don’t recall if it was an A1 presentation or not. A1 films generally weren’t singled out for promos like this, but I don’t know, maybe they thought there was a specific audience for this? They had various clips on-hand for the promo, and the local announcer that did all of The Cat’s promos did the voiceover here, too. or maybe the clips were provided by A1? Either way, I may not have the actual airing, but at least I managed to capture the original promo.

Sprinkled throughout all of these movies were lots of old TV programs. The early mornings typically had old black and white sitcoms before the morning movie, The Cisco Kid once ran before the afternoon western, and Dobie Gillis followed the 2 PM afternoon movie.

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At one point, there was a fairly big push for the Dobie Gillis reruns (big for The Cat at least). They were all humorous, such as the one above. There were a couple “Dear Maynard” spots, always featuring someone writing in to Maynard ala Dear Abby, and then Maynard’s “advice” (a clip from the show taken out of context, which was really pretty funny since it was essentially a non-sequitur moment). There were also promos playing up Bob Denver’s then-recent arrest for marijuana, Dobie’s father’s strictness, and Dobie’s falling for every girl under the sun.

Dobie ran until about 1999, and since I had grown accustomed to watching the 4:00 PM weekday airings after school, I found myself missing it once it was gone. TV Land ran episodes now and then, and nowadays you can catch it on MeTV, but those old Cat airings probably mean the most to me. Even today, I still really like the show.

Other shows that appeared on The Cat over the years courtesy of America One or other networks:

 

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One Step Beyond I watched a few times, but it never really grabbed me. Sort of a lower-rent version of The Twilight Zone.

While I like old sitcoms, The Adventures Of Ozzie And Harriet was never one of my favorites. WAOH’s promo for it, though, was awesome. This was when V-Chips were first being widely introduced, and the gag was that Ozzie was V-Chip-free TV, but all of the clips had words bleeped out as if there was constant swearing in the show. It was a riot. As you can see from that and the Dobie promos, The Cat often put a lot of humor into their spots.

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Two more I never liked. Bonanza, I know it’s considered a classic, but I’ve always been a Gunsmoke man. Also, The Beverly Hillbillies has always left me cold.

Still, The Cat did a great job of selling these promos, mostly through humor, and if I already didn’t like them, I probably would have tuned in to check them out.

And of course, Enigma Theater With Edward St. Pe’, which I’ve already written about, aired very late Saturday nights/Sunday mornings on WAOH, though it seems very, very few people remember it nowadays.

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I mentioned above the overnight airings being from the American Independent Network. A lot of the same movies as America One were shown, but the print’s weren’t the same. AIN even ran some of genuine “big time” movies once in awhile. Once, they played the original 1939 Stagecoach, which I taped. Despite having never seen the film prior, I could tell huge chunks of the movie were cut out; Stagecoach was just way too disjointed, way more than any film widely considered an American classic would be. I later taped over that airing with a unedited version from AMC, and I kinda wish I hadn’t done that, because in retrospect, film’s of that caliber (i.e. big-time, never-gonna-be-public-domain) weren’t usually shown on The Cat.

This was a fairly minor problem with the daytime programming, but the overnight schedule was notorious (to me, at least) for rarely being correct. It was often a crapshoot whether a scheduled movie would actually be run, or an entirely different film instead. Many times, there was a movie listed that I was seriously stoked for, and I’d set the VCR timer, only to be crushed come the morning when I found out something I had zero interest in was played instead.

Rather, a lot of WAOH’s late night programming was often made up of content from who-knows-where. I mean, nothing ever adult, or actually disturbing, but still, waaaay obscure stuff from the far reaches of the U.S. I haven’t always had the greatest sleep patterns, and I recall sometimes stumbling out of bed and watching The Cat when I couldn’t sleep, and wondering “Where did this come from?” Have you ever heard David Cronenberg’s inspiration for Videodrome? When he was a kid living in Canada, late at night his TV could pick up signals from Buffalo, NY, and he’d worry he’d be able to see something he wasn’t meant to. It was the same sort of thing with late night WAOH.

Of course, at the heart of The Cat was the local programming. Son Of Ghoul, sure, but also a lot of stuff that’s been more or less lost to time. A lot of The Cat’s local programming was simple, live call-in shows, with the host or hosts seated in front of a plain black screen and taking phonecalls. Today, the only show from the old days left besides Son of Ghoul is Steve French Sportstalk and Handy Randy.

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Of boy, two of the dullest shows you could imagine. Back Talk was exactly that, chiropractic talk. And Senior Talk? Well, that was what it sounds like, too. Back Talk I don’t recall running very long, but Senior Talk ran for a number of years, at least until 2006. It may have been a casualty of the 2009 switch to RTV, I don’t know.

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Dining Out With Steve ran for a looong time. I believe it did last until the 2009 switch. Basically, you could call in, talk about local restaurants, and even get gift certificates.

The Hunting And Fishing Show ran for a number of years, and in the summer of 2011 they even tried bringing it back, but it didn’t last very long.

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Big Al was very short-lived. It was essentially people performing in a karaoke bar, and hosted by the show’s namesake. I only caught one episode, which featured a bizarre Elvis impersonator that admittedly did sound a lot like The King, but didn’t look much like him at all (despite Al’s constant insisting the guy was “so real it’s scary!” or something to that effect).

I don’t know when Steve French started hosting his WAOH show, but it’s still on, and apparently still pretty popular. I even tried calling in a few weeks back, but I didn’t get through, which is probably a good thing, since I’m by no means a sports expert and the last thing I need is to make an idiot of myself on local TV.

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While on the subject of the local call-in shows, SOG hosted a live game show from about 2001 to 2004 or so. Unfortunately, this promo is all I have as far as original recordings go (I did buy some DVDs from SOG himself at the last Ghoulardifest convention). Son of Ghoul’s House Of Fun & Games ran at a time when I actually couldn’t watch The Cat. Y’see, the station was so low power that we couldn’t pick it up with the rabbit ears dad decided to use to save money. I wouldn’t even have this promo except I went to grandma’s house one afternoon to tape a movie I particularly wanted back in 2001.

So, that’s my “golden age” of WAOH/WAX, roughly 1997-2001. Like I’ve mentioned, they became an RTV (Retro Television) affiliate in the summer of 2009. Since Son Of Ghoul survived the switch, I was generally okay with it, though I missed some of the old movies or other assorted America One content. Still, RTV was pretty cool. A lot like old school TV Land. A line-up shift in the summer of 2011 took away most of my favorite programs, though there are still a few shows I like, and Wolfman Mac’s Chiller Drive-In on Saturday nights and Off Beat Cinema on Sunday nights is pretty awesome.

To end this post (aka massive article), here’s a few screencaps from locally produced promos for RTV content, which harkens back to the late-90’s era I so findly recall. All of the modern promos are simply scenes/music taken from the opening credits of the respective series, with appropriate logos and voiceover. Unfortunately, no promos for Airwolf or Quincy, M.E. were ever made, and RTV no longer runs them, much to my chagrin.

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Neither of these are run anymore. Knight Rider is legit awesome, and I don’t mind The A-Team in small doses. Knight Rider in particular I really miss.

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You’d better believe Magnum, P.I. gets two screencaps. Of all the shows that left the RTV schedule in the summer of 2011, this is the one I miss most. I’ve mentioned before what I big fan of the show I am, and while I’ve got the DVDs, it’s still nice to see Magnum being actually aired on TV, even if the broadcasts were a loooong way from DVD quality. As of this writing, no one, at least not in my area, is playing the show, and THAT, my friends, is major uncool.

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Highway To Heaven is still being aired on RTV, but Starsky & Hutch is not. I don’t like either show. Starsky & Hutch, in particular, is a show I want to like, I should like, but I really, really don’t like. It’s just never done anything for me.

So, there’s my long, long overview of WAOH TV-29/WAX TV-35. There’s more I could talk about, but man, this post is a beast as it is. It’s not what it used to be, but I’m glad the station is still around, and that they’re still supporting Son of Ghoul. As of this writing, I’m not too big on RTV’s programming line-up (aside from Wolfman Mac & Off Beat Cinema), but if RTV keeps WAOH/WAX alive, I’m all for it.

Better to have some semblance of The Cat than none at all, right?

Toshiba Betamax VCR No. V-M41 (1984)

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I found this Toshiba Betamax VCR at a thrift shop about 2 months ago. At that point,  my Super Betamax (the machine I normally used) was still working, but I figured it never hurts to have a back-up. I grabbed a random Beta tape that was there to test it, figuring if the thing ate it, I’d just pay the $1 for the tape. The VCR powered up, loaded the tape, rewound, fast forwarded, and ejected, all without exploding, but it didn’t seem to actually play the tape. Still for $15 (actually less, since this shop always knocks a few bucks off), I figured since it didn’t eat the tape, half the battle was already won. Of course, that was just bullshit on my part. I have no idea if that’s actually true or not, but I had to justify the purchase somehow. Besides, you never know for sure until you take it home and hook it up.

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The V-M41 is from 1984, and while it doesn’t appear to have been the highest-end Betamax ever made, I’ve heard these Toshiba’s were nice, solid units. Unfortunately, my first instincts were correct. It doesn’t actually play the tape, you get a split-second of screentime before it stops. Apparently, this is a common age problem with these units, though I’m not exactly sure if it’s the heads, belts, or what. It may be an easy fix, for all I know. No matter, I’m glad I bought it. It has a very cool, mid-80’s look to it. The front is kinda sloped, which doesn’t look all that impressive in the pictures, but in reality, I think, gives it a neat look.

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Another reason I’m glad I bought this machine is that it has a 12-channel selector. A common thing with VCRs at the time, but this one is specifically tailored to Northeast Ohio TV, which makes it completely worth the price to me. Take a look:

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Only the first six buttons are used: WKYC TV-3 (NBC affiliate), WEWS TV-5 (ABC affiliate), WJW TV-8 (then our CBS affiliate), WVIZ TV-25 (PBS affiliate), WUAB TV-43 (a very popular indie station), and WCLQ TV-61 (a less popular indie station). Unfortunately, WOAC TV-67 is MIA. Still, for all I know, the original owner taped Big Chuck & Lil’ John on TV-8, Superhost on TV-43, The Ghoul on TV-61, and maybe turned to TV-67 once or twice for The Cool Ghoul.

Then again, maybe the original owner wasn’t as weird as I am. No matter, I love this machine. Since it’s not Hi-Fi, which is really what I need at this point (even my currently non-working Super Betamax isn’t Hi-Fi), I don’t know if I’ll have it repaired, but just as a display piece I’m very happy with it.