Tag Archives: akron

Vintage Cuyahoga Falls State Road Shopping Center Softball Team Jacket!

Well what do you know; it’s Leap Day once again! I can’t believe it’s been four years since our last one of these (along with the accompanying fancy schmancy post – speaking of which, I also can’t believe it’s now been over four years since we lost Marty “Superhost” Sullivan).

I’ve had at least one ‘big’ update in mind lately; an old television broadcast overview like I used to do more frequently. I would have absolutely preferred that been our Leap Day update today.

So why isn’t it, you undoubtedly and indignantly are asking right this very moment? Because the issue of finding the time to watch, screencap, etc. it is a big one, but even more pressing is the matter of actually digging the thing out to watch it. Oh I’ve got a (rough) idea of where it is, but the amount of intestinal fortitude required on my part to actually extract the broadcast from the increasingly-concerning level of stuff I’ve amassed over the years – preferably without breaking anything either in my collection and/or on myself during the process (dislocating my shoulder would put a real damper on the whole project) – is something I just haven’t been able to sufficiently work up as of yet.

SO ANYWAY, I wanted to get something up for this relatively-rare 29th day of Feb-brew-airy. Luckily, I’ve got enough junk stuff lying around that I never have to look too far for sumpin’ to babble about; it really all comes down to what gets me fired up. Or at least fired up enough.

I finally settled on this pretty obscure piece of local memorabilia. And when I say local, I mean really local; I suspect only (certain) folks from the Cuyahoga Falls-Akron-Stow-Kent areas of Northeast Ohio will have any interest in this one – and even then, I might be casting too wide a hypothetical net. Still, I managed to fulfill the pointless obligation I imposed upon myself for today, so there!

One of the most popular posts on this blog has proven to be my look at the old, now-gone State Road Shopping Center. It’s sort of a wash, since it’s an earlier effort of mine and I don’t think it’s particularly well-written. Nevertheless, it’s apparently filled some sort of gap out there in internet-land, and if nothing else, it definitively points to the sheer amount of nostalgia I had (and have) for a plaza I spent quite a bit of time at over the years. There’s a nice, new, swanky shopping center there now; nothing wrong with it, it’s just not what I grew up with. And as we all know, what I grew up with is of tantamount importance.

My arbitrary whims and the old State Road Shopping Center collided, albeit fairly briefly, once more near the end of my personal pandemic project post (alliteration). That one’s even more nostalgic, and in my mind, a much better-written piece, to boot.

Welp, today’s post now makes for a State Road Shopping Center triumvirate. (Triumvirate? Talk about using a $6 word! I guess I coulda just called it a trilogy, or perhaps even a trifecta, and gotten the same point across, but too late now he said as if he didn’t have the ability to edit). Dig this neato piece of SRSC (I’m tired of typing the whole thing out) memorabilia: your eyes don’t deceive you, that is indeed an official jacket for the softball team the center once sported! (Get it? Sported! Cause it’s related to sports! Oh, my writing abilities are simply on point tonight!)

No, I had absolutely no idea the SRSC sported boasted it’s own softball team back in the day. No, I don’t know what the genesis of said team was or how long it lasted. No, I don’t know who they would have played; I like to think the team’s archrival was the Chapel Hill’ers. (No, I don’t know if Chapel Hill had its own softball team or what it was called if they did.)

So, what exactly do I know about this? Well, I know the jacket is beyond cool. And if you think about it, isn’t that enough?

According to my official records (i.e., the pictures taking up space on my cellphone), I got this jacket back in July. Indeed, I was entranced the very moment my eyes fell upon it. I think it was $25 – and I couldn’t have cared less. I mean, when was I ever going to see one of these again? How many could there possibly be out there? Or rather, still be out there?

In fact, I was so entranced by the thing that I didn’t even immediately realize it’s a women’s jacket. I don’t think it looks particularly girly, so long as all the buttons are, erm, buttoned up. (Cause, opposite side and all that jazz.) I don’t know, maybe the lapels give that aspect away, you decide. At any rate, fears of putting wear and tear on it aside, my sense of masculinity won’t let me sport (there I go again!) it in public. Of course, the possibility of my wearing it out and about and meeting some chick wearing a men’s iteration because that’s all she had and thus finally meeting my true love exists, but like I said, sense of masculinity. *sigh* That’s just a risk I’ll have to take.

Here’s a close-up of the patch, which of course is the best thing about the jacket. (Duh!)

You know, I’m just assuming this was for a softball team, because isn’t that what these local teams generally play? I guess it could have been for full-fledged baseball, but just like my potentially missing out on meeting my soul mate, I’m playing the odds here.

There actually is another patch on the jacket, sporting boasting this one with a first initial and last name, but I really don’t think providing a picture of it would serve much purpose. Privacy issues beside, could it really help provide more info on this team/jacket? I seriously doubt it. I guess I could type the name and other appropriate keywords into a search engine, but it’s highly unlikely that would provide some pertinent info as well. In fact, the only thing I could see it accomplishing is making me feel like a gigantic creep.

All that said, I did indeed do some online searchin’ when I first picked this up; I came up with nada. I guess I could find some online group and post the pics there and hope someone somewhere knows something, but ever since one of my posts (full disclosure: a really meaningful one to me) in one of those groups was removed for unknown reasons, I’m leery of that sort of thing.

What did I do when that happened? I left the group, but not before deleting all of my older posts in it. Petty? Well sure it was! I guess it doesn’t take much to make me pick up my metaphorical ball and go home. (Another sports reference! I’m on fire tonight!)

One last picture: here’s the tag, which probably can be used to give a rough estimate of the years/decade/whatever this is from. It was made in the U.S.A., something not widely done anymore, so it’s definitely old. I’m guessing it hails from somewhere in the 1980s. No, I’m not familiar with the manufacturer.

Having fairly little meat on my bones, I can and do get away with wearing mediums, though I tend to stick with size large. As you can see, this jacket is a medium, but remember, this is a wimmins medium, which means it’s going to fit even smaller. I can’t remember if I tried this on when I first found it. I imagine I did. I didn’t when I pulled the jacket out to take pictures for this article, nor am I going to, because that seems like an awful lot of work for a post only eight people will ever actually read.

All that said, as a collector of local memorabilia, as well as someone with an undying affinity for the old State Road Shopping Center, not to mention Cuyahoga Falls in general, this jacket was one of those mega-scores seemingly tailor-made (see what I did there?! I can’t be stopped!) for me. Things of this stature, I’m sad to say, don’t turn up with nearly the frequency that it would take to keep me satisfied, but then, when they do, that just makes the find all the more special. And rest assured, this was indeed a special one.

(If anyone out there knows/recalls anything about this team, who they were, who they played, how long they were around, if they were any good, etc. etc. etc., I would love for you to hit up the comments and share your knowledge!)

Happy Leap Day, I guess.

Springsteen & Scrambled Eggs (December 31, 1978)

You know, I liked writing about that 1992 Bruce Springsteen ticket stub on Halloween so much, I’ve decided I’m going to go to the Bossman well once again for this final update of 2023. ‘Course, in this case, things are even better, cause the memorabilia is local (to me, that is), the tour it pertains to is legendary, and what’s more, today is the 45th (!!!) anniversary of the event. It was even on a Sunday too, no less!

Now listen: I loves me some artifacts pertaining to the long-gone Richfield Coliseum. From concerts to the Cavaliers, the Coliseum hosted who-knows-how-many events for Northeast Ohioans over the years. As such, I’ve got a special fondness for the place. Funny thing is, I don’t even recall going there back in the day. I mean, maybe my parents took me to see the circus or something there, but it’s not like the venue was an aspect I would have taken note of at that young age. And by the time I was old enough to become a concert/sporting event goer, the Coliseum was but a memory. (It’s just a big ol’ meadow now.)

Nevertheless, because it was a local institution (for just under 20 years), I’m a sucker for things with that old Richfield Coliseum logo emblazoned on ’em. Especially when it comes to concerts.

Which brings us to Bruce. Springsteen performed 14 concerts there over the years, spanning from the “lawsuit tour” (that is, 1977 – post-Born to Run, pre-Darkness on the Edge of Town) to, well, the tour we talked about in that Halloween update. Readers who lean more towards the casual side of fandom will probably be mostly interested in the pair of shows he did at the Coliseum in support of global mega-smash Born in the U.S.A., but as far as I’m concerned, the real gold lies in 1978-1981 (what I consider Springsteen’s zenith, something I also briefly touched on in that Halloween post). Across that span, the Coliseum saw seven of those shows.

No joshin’, when I think about what Bruce tour I’d attend if I had the option of going back in time (either via time machine or at least quantum leapin’), I constantly ping pong between the 1978-1979 Darkness on the Edge of Town tour or the 1980-1981 tour in support of The River. (This presupposes I can only attend one, for some reason.) I can never come to a definitive conclusion though; my choice is always decided by which album/tour I’m currently feeling. The good news is there’s really no wrong option.

Still, in the realm of Springsteen mega-fandom, no other tour generally receives the level of acclaim that the Darkness tour does. And as it turned out, the Richfield Coliseum was the venue for the final two shows of it!

December 31, 1978 and January 1, 1979 were those two dates, and while 1/1/79 was a tremendous grand finale, 12/31/78 will be our main focus for this post, since, you know, today is New Year’s Eve and all. Plus, it’s not like that penultimate show was exactly a slouch – one look at the setlist in that link will aptly demonstrate that.

This wasn’t the first or last time Bruce performed a New Year’s Eve concert; Philly got one in 1975, and perhaps most memorably, Uniondale, NY’s 1980 send-off was nothing less than monumental. (Both of those concerts have been officially released via Springsteen’s Live Archive Series, and while I’d absolutely flip if 12/31/78 and/or 1/1/79 showed up there someday, considering the series tends to focus on shows recorded in multitrack, and since there seems to be doubt that either Richfield outing exists that way, well, I’m not holding out hope for them. Of course, I’d love to be proven wrong!) But whereas 12/31/80 was famous for how sheerly gargantuan it was/is, 12/31/78 actually has a sense of infamy hanging over it.

You see, this concert has become known as “the firecracker show.” As the new year was being rung in, one concertgoer in a particularly, erm, festive spirit decided it was a good idea to throw a lit firecracker on stage. Unfortunately, it exploded uncomfortably close to Bruce’s eye, which caused him to briefly voice his displeasure, and then a little later more elaborately speak about it. (It wouldn’t be the last time Bruce would show his displeasure for firecrackers at his shows either; for example, at one point in 1981, after someone set one off in the crowd, he declared the offending party “no friend of mine” – along with some other, uh, colorful, but entirely understandable, words).

Personally I would have been pretty shaken up myself (who wouldn’t be?), and who knows how I would have responded had it been me in that situation, but it’s to Bruce’s credit that he finished the show – and without any adverse effect on the performance, to boot!

SO ANYWAY, the picture you’re looking at above? Why, that’s a flyer for the big after party at The Coliseum Club that immediately followed this concert! Despite what’s printed on it, since the show went well past midnight, it was January 1st by the time it finally happened. I wonder if any of the band attended? (I doubt they were charged the $7.50, if so.) Can you imagine a better way to ring in the new year? People already exhausted from a fantastic Springsteen concert, partying some more! And disco? Hey, it was 1978, or well 1979, after all!

I picked this flyer up online. I was watching an auction for another flyer from that tour, and decided to see if there was anything else in the same wheelhouse that piqued my interest. As it so happened, this one here had been listed shortly before – right place, right time for me! I wound up buying the other flyer, but I like this Richfield specimen a whole lot more. It may lack graphically in comparison, but the local-to-me vibes and historical aspect(s) are enough to put it over the top for yours truly.

(By the way, you may be wondering what that big splotch in the top-right corner of the flyer is. That’s just a sticker from the original seller on the front of the protective sleeve the flyer is in; I never bothered removing it, so I wound up digitally obscuring it after my picture taking session for this post was finished. Just consider it a watermark or something, okay?)

Not enough New Year’s Eve Bruce memorabilia for you? Okay, I’ve got one more…

Yes indeed, that’s a full original ticket from the event! Like the flyer, I bought this online, and to be perfectly frank, it cost me more than some actual (as in, new, upcoming concert) tickets have. Still, the idea of having a full, unripped ticket for the concert was too cool to resist. (Though in the interest of saving money, I initially tried!)

And dig the mention of WMMS. The big Bruce Cleveland Agora radio broadcast from the summer of ’78 (held in celebration of WMMS’ 10th anniversary) will probably always loom larger than any other show Springsteen holds in Northeast Ohio, but if nothing else, this is an additional reminder of just what a FORCE that station was at the time. (That Agora concert did get an official Archive Series release, by the way.)

Hey, since this ticket is complete, maybe that time travel question I posed earlier just became easier…

Aw what the heck; because I’m not gonna do another update for January 1st and it’s germane to the conversation, here’s a little bonus before we close the year out…

Yes sir, that’s a stub from the 1/1/79 big tour finale! Unlike the previous two items, I didn’t buy this one online. Rather, my good friend Craig gave me this (along with a stub from 12/31/78 and stubs from 1980 and 1981 Springsteen shows at the Richfield Coliseum) a few years back. Well actually, it wasn’t a few years back; more like 10 or so now. (Where has the time gone?!) Because of work, I haven’t met up with Craig for a few years, but rest assured, I’d still consider him one of my best friends. Thanks C, thinkin’ of ya!

And with that, 2023 comes to a close on the blog here. I hope you all have a happy and healthy new year. See you in 2024!

Signed Santa Ghoul Artwork (Christmas 2001)

I told you, I done told you, I was gonna attempt to get one more post up related to Santa Ghoul aka The Ghoul before Christmas 2022 was in the books, and here it is. It’s a Christmas miracle!

Like I mentioned last update, the vintage Santa Ghoul button was and is amazingly cool; that’ll always hold true, of course. BUT, where Santa Ghoul is concerned, perhaps amazingly, it’s not even the coolest. So what is the coolest? What we’re going to look at today, that’s what!

Some backstory: I’ve talked about local horror host legend The Ghoul (played by Ron Sweed) and his late-90s/early-2000s run on WBNX TV-55 before. I won’t go into another mega-detailed account now, so the short of it is this: for the first 2 years (plus a couple months) of that final regular TV run of his, The Ghoul was a Friday night 11:30 PM staple, generally playing the terrible horror & sci-fi movies with goofy sound effects that fans craved. But in late September 2000, the station moved him from that ideal time slot to Sunday night (technically Monday mornings) at 12 AM. This situation was not preferable for obvious reasons. To add further insult to injury, the movie choices were fiddled with; maybe 75% of the time, the film featured was whatever was picked up in a package and on the schedule, regardless of genre and without the sound effects/drops-ins. There were exceptions, but that’s exactly what they were: exceptions. The old way was no longer the order of the day. Needless to say, I was gutted.

Well, just slightly over a year after that, the show was pushed back an hour further, to 1 AM. This didn’t exactly remedy the situation, though the circumstances of who could or couldn’t regularly tune in probably didn’t change much for 99% of the viewing audience. (Rough guesstimate.)

The 1 AM thing did lead to an interesting aspect of that WBNX run though: The Breakfast Club. The movie situation changed little, but by filming on a different set and taking the form of “Cleveland’s earliest morning show” (or something along those lines), The Ghoul would often be joined by crew members during the host segments (you know, a club) at and around a breakfast table, and with parodic looks at traffic, breakfast, etc. It was meant to be like an actual morning chat-type show… but the Ghoul Power way. The experiment sort of faded away and things went back to normal (such as they were) after about 6 months, but like I said, it was an interesting aspect of that WBNX run. And that’s where our subject today originally found itself.

December 3, 2001: despite the changes to our Ghoul Power, The Ghoul still did the Santa Ghoul thing and went all out for the season as best he could. The movie that night? 1986’s The Nutcracker: The Motion Picture, a filmed version of the ballet hosted by Felix Unger Tony Randall. Not exactly prime Ghoul Power fodder, and certainly not my cup of tea, but if nothing else, it was seasonally appropriate. And, the episode gave viewers this moment here…

The Ghoul, sans Santa Ghoul get-up, holding up official, show-sanctioned artwork of him in said Santa Ghoul get-up!

By that point in the show’s run, the computer-generated cards/bumpers of the past had given way to hand drawn artwork by a different artist. I absolutely love hand drawn things like that. These cards, most or maybe even always used on the show once and once only, exemplify that mindset. From a local standpoint, if you’ve been in a Marc’s and seen the humorous hanging artwork (wait, do they still do those?), or perhaps more appropriately here, remember the hand drawn “tonight’s movie…” artwork Big Chuck & Lil’ John used to use back in the 90s, these Ghoul cards are very much in the same wheelhouse. That’s most definitely a good thing.

But, this post isn’t so much about that era of Ghoul Power or that artwork used in general, but rather, that Santa Ghoul card you’re seeing above specifically. What happened to it? Where’d it go?

Into my collection, that’s where! But not before being signed by all (most?) of the crew, which takes something already awesome and sends it right into the stratosphere, not unlike the results of one of The Ghoul’s boom booms.

(Sorry about the highly professional and totally not done with my cellphone NEOVH watermark at the top, by the way; without going into detail, circumstances have forced it.)

You know, obviously The Ghoul was the, uh, main focus of the show, BUT, the crew behind it all were big, big parts of the proceedings, too. To the point that you sorta knew them more as cast members or something than just crew members. Does that make sense? These weren’t just names in the credits; if you watched the show regularly, you really got to know all these people. I mean, as far as tuning into the show went, that is. And really, that just makes things cooler here.

And even more of a snapshot of the time than it already it is: as of this writing, three of those people are no longer with us: The Ghoul of course, but also Sick Eddie of B-Ware Video fame (I met him there once) and Ed Cole (who I can’t recall ever meeting). Those signatures add a nice, though slightly bittersweet vibe, to what was – I’m guessing – something that hailed from a staff Christmas party.

So where’d I get this dandy item? Simple: I know the original artist, Joe C., who was a cast/crew member on the show. Joe is a phenomenally nice, not to mention incredibly talented, dude, and when he contacted me a few years back asking if I wanted to purchase some original show artwork, the answer was highly in the affirmative.

Indeed, from a realistic and technical standpoint, this is undoubtedly the coolest piece I got from him. BUT, truth be told, I got one other that’s actually my favorite of the two. (I’m gonna keep that one in my back pocket for now, should the need for a post regarding it ever arise.)

That doesn’t change the fact that this is a unique, one of a kind piece of Ghoul memorabilia, one of the very best things in my Ghoul collection, and I couldn’t be prouder of it. Thanks Joe, and thanks for thinking of me!

And so with that, our Christmas post comes to a close. I hope you all have a wonderful holiday – see you in 2023! (2023? Why, I do believe the year will boast the big 10th anniversary of this blog! Will I do anything to commemorate it? Time will tell. For now though, Merry Christmas!)

Signed WAKR 1590 AM “Adam and Bob in the Morning” Coffee Mug (October 28, 1982)

I originally had not one but TWO kinda sorta ‘spooky’ movie-themed posts to finish up October/take us to Halloween, but things didn’t quite work out as planned. I simply didn’t have time to sit back and watch them and review ’em proper. Between work and clearing other things off the DVR, well, it is what it is. One of those subjects I’ll probably just put on the backburner and maybe, MAYBE get to it somewhere down the road, while the other I’ll hopefully get up in November.

Truthfully, I probably could have swung one of them, but then, earlier this week, our subject today fell into my grubby hands, and since the timing was fortuitous and I’m only going to get one 40th anniversary to celebrate it, hey, that’s what I’m going with.

Longtime readers may remember the super neato McDonald’s slash WAKR 1590 “Adam and Bob” plastic coffee mug I detailed back in November 2018 – nearly four (!) years ago as of this writing. As someone who’s always, always after local broadcasting memorabilia, not to mention old restaurant/fast food memorabilia, it was an indelible addition to my collection. The fact I’m a sucker for those old promotional plastic coffee cups/mugs (typically – but not always – made by Whirley) was just the icing on the cake.

So, we’re going back to that well today, because I got another, and it’s even cooler.

This is it, obviously. If you go back to that old post, you’ll see that it’s identical to what I’m showing now. There’s a typical McDonald’s logo on the other side, which I’m neglecting to photograph this time around because I don’t have much to say about it. (Click on the link if you really wanna see it, cause it’s the exact same deal.)

Rather, this image here is, to me, the “meat” of the mug. The Adam and Bob caricatures, the 1590 logo, all immortalized in McDonald’s-appropriate colors and decades-old Whirley plastic – it’s all awesome. Simply put, you just can’t have too many of these. Well, you can’t if you’re me.

Copy ‘n paste from last time, uh, time. Here’s what I done said: “Adam and Bob were Adam Jones and Bob Allen. Sadly, Bob Allen passed away in April, 2017. They had a long running show on the station, starting in 1978 and running until either 1991 or 1995. (I’m seeing both years listed online; can anyone confirm which is correct?)” Honestly, I had forgotten much of what I’d written in that original post, but the illuminating comment from Bob Allen’s daughter was more informative than anything I said anyway.

This is all well and good, but why exactly are we taking a trip to Adam and Bob mug-land again? Well, had you fired up them astute lil’ eagle eyes you’re always bragging about (or just bothered to read the post title), you’d already know: this mug is signed by Adam Jones and Bob Allen! Cool winnins!

Oh alright, you have a point; the signatures on the mug are obscured in the photograph above. Fine, here’s a close-up. Happy? Well sure you are!

Seriously gang, this is mega sweet. The mug itself was already a neat throwback to a bygone era in local broadcasting, but when it’s signed by the two stars of the subject, that’s not just cool; that’s immensely cool. (I am of course operating under the presumption that the autographs are legit; forgeries, uh, seem kinda unlikely.)

And what’s even more interesting is that the mug is dated: 10-28-82. Since it’s in a different ink from the signatures, I’ll surmise it was put there by the original owner to, obviously, commemorate the event. If that notation is to be trusted, then this occurred a whopping 40 years agotoday!

Unlike that other Adam and Bob mug, this one has the removable holder on the bottom still in place, though it lacks the little instruction paper inside. I guess I could take the one from the other mug and put it in this one, but that seems awfully superfluous, even for me.

So, the bottom line: I did not have a signed Adam/Bob/WAKR/McDonald’s mug prior, but I do now; it’s the local piece of memorabilia I didn’t realize I needed! And luckily, just in time for its 40th anniversary!

Cleveland Christmas Commercial Collection (1980-1998)

Yes, I’m here, I’m alive. I know, I know, I haven’t posted since late October. But but but, I have an excuse! Simply put, I started a new job a few months back, and the true fact of the matter is I just haven’t had a lot of time to write. Even my thrift trips have taken a hit, though not a dire one; I’ve still managed to being home plenty o’ neato stuff. But yes, as things worked out, I wound up taking November off. Believe it or not, I have something resembling a real life outside of this silly lil’ blog – go figure!

But I’m here for the time being, and tis the season, so why not break the drought with a look back at Northeast Ohio’s advertising past? That’s just what we’re going to do: a quick glimpse into local advertising in which Christmas was the focal point.

A couple ground rules: this won’t be exhaustive, but rather just a handful of selected bits that, I felt, made for both nice seasonal reminders as well as good screencaps. That’s another point: these aren’t videos or links to videos, just screenshots; one per. Consider it a short burst of nostalgia or something like that. While I probably could get away with posting the whole segments in video form, from a legal standpoint, I’m technically not allowed to. Oh I highly doubt any rights holders would complain if I did, at least not strongly, but we’re gonna stay firmly within the grounds of fair use here. Since this is all for review and educational purposes (yes, methinks local broadcasting history counts as educational), well, lets not poke any bears, okay? (‘Course, if the right people gave me the right permission…)

One last rule: I decided that for inclusion here, it had to be local. (And despite the delightful alliteration seen in my topic title, these aren’t all specifically Cleveland; “Northeast Ohio” is a more accurate descriptive term.) So, much as I wanted to, Tim Allen pitching Builders Square and/or Toys-R-Us trying to get people to buy an Atari 7800 for Christmas couldn’t make the cut.

Okay, we good? We can get started? Here we go!

Dick Goddard for Hickory Farms (1980)

Dick Goddard, mega-legendary local weatherman; you know him, you love him. Despite the fact he passed away in 2020, he’s pretty much always going to be the standard by which them hometown weather folks are judged.

In addition to his normative weather-forecastin’, Goddard was plenty visible just in general. Big Chuck & Lil’ John skits, personal appearances (I met him several times; super nice guy) and, as you can see here, as a spokesman. Indeed, at one point he pitched Hickory Farms (they of those cheese ‘n’ sausage packages that are, to be frank, a severe weakness of mine), and for the Christmas season of 1980, well, there he was. Obviously he was there to tell you what fine, fine Christmas gifts Hickory Farms selections made for, and if you weren’t going to listen to DICK GODDARD, who would you listen to?

At one point in the ad, Goddard looks puzzlingly at a cardboard stand-up of himself, evidently something in usage at the time. Honestly, they need to bring that back, apropos of nothing.

“Santa” John Lanigan for Sumwalts (1983)

It may be hard to tell, but underneath that Santa get-up is Cleveland radio/TV legend John Lanigan! Lanigan was a spokesman for the Sumwalts music store, for a time anyway; I know not for how long, when it began or when it ended. I don’t think Sumwalts is even around anymore.

But for Christmas 1983, he was there as “Santa Lanigan,” pitching the mega 36 hour Christmas sale Sumwalts was providing. See that big honkin’ keyboard Lanigan’s holding? You BEST believe you could buy one of them. For how much, I do not know, but for 1983 prices I imagine it was reasonable enough. (‘Course, translated to today’s dollars, it was probably like half a mill or sumpin.)

Season’s Greetings from Cleveland’s WCLQ TV-61 (1983)

I often lament how much of local television has become less overtly, erm, local, and more homogenized. If there’s one case where that DOESN’T still apply however, it’s Christmas. Greetings from on-air staff, silly locally produced commercials, stuff like that, it’s still in evidence to this day. I may not always care for the clean, computerized look some of it can exhibit, but that’s more because I’m inclined to be arbitrary than anything.

Anyway, some of the most fun, ‘genuine’ Christmas greetings back in the day could be seen on the independent stations – they didn’t need to be big productions, just simple, ostensibly-heartfelt seasonal contributions. One of my very favorite local stations is the loooong gone WCLQ TV-61, and as you can see here, they naturally got in on the act too. A series of filmed well-wishes from the staff of 61 were each bookended by this delightful bumper here. Lights, ornaments, and the WCLQ logo – if that doesn’t scream hometown holiday broadcasting to you, well then I just don’t know…

Season’s Greetings from Superhost (1984)

… Or, if that doesn’t, this probably should. One of my other very favorite local stations is WUAB-43, and I probably don’t need to tell you they also went all out with the Christmas greetings from the staff.

Of course, the image you’re seeing here is the topper, because it’s, uh, SUPERHOST, duh! (Obligatory link to my interview with him.) Yes indeed, sandwiched amongst well wishes from a number of 43’ers in one particular spot was Supe himself! And if THAT didn’t fill you with holiday cheer, then you just a busta. I mean, they put a wreath on his ticket window!

Christmas Sale at Silverman’s (1984)

Silverman’s was a Northeast Ohio department store chain, the last of which closed in, I believe, 2015. I don’t think I ever visited a location, and that’s just something I’m going to have to live with.

The normative spokesman seen in commercials for the chain was a guy adorned entirely in silver – you know, a silver man. Dude was even the subject of a Big Chuck & Lil’ John skit once.

Here, obviously the low low Christmas sale prices at Silverman’s were being pitched, but really, it’s all about that Santa hat they put on Silverman here; thas festive, yo. They made the right call in not making that silver, too; thas even more festive, yo.

Season’s Greetings from Barnaby (1985)

Same deal as that Superhost greeting but from a year later (and with different background graphics) comes another “well wishes from the staff of WUAB” spot, with the main area of interest here being that Linn Sheldon‘s Barnaby is present. Since his whole shtick was that he was a nice guy and such, it stands to reason he would come along to wish y’all Merry Christmas, too.

For several generations, Barnaby was a children’s programming mainstay in these parts. He was just always there. Funny thing is, I can’t remember specifically watching him back in the day. I mean, I must have, I was the right age (and 43 was pretty ever present for me back then), but, yeah. I wonder if he still thought you were the nicest person in the world if you weren’t actually watching?

Season’s Greetings from the staff of WOAC TV-67 (1990)

For me, there’s WCLQ, there’s WUAB, and then there’s Canton’s WOAC TV-67. These are local channels that I’m always, always after memorabilia from. (WJW TV-8 rounds out my personal “big four.”) So yeah, 67 had to be included here, too.

In the same vein as the other “greetings from the station” bits we’ve seen thus far is WOAC’s contribution from 1990 – but rather than stretching out the concept over more than one spot, 67 instead had the whole staff wish viewers a Merry Christmas all at once, in one fell swoop!

I can’t tell if Son of Ghoul is in attendance here (shoulda put him in costume, if so!); as it stands, sports/news guy Scott Davis (front and center) is the only face I’m recognizing. Also, I want that official WOAC desk, or at least the signage on the front of it. Christmas present, anyone?

Season’s Greetings from WAKC TV-23 (1992)

TV-23 was Akron’s ABC affiliate, and while it tended to exist in the shadow of the big Cleveland ABC affiliate WEWS, it has subsequently garnered a fairly large nostalgic following locally. I certainly watched it back then, and while it’s not a TOP favorite of mine now, I still like it plenty. Enough to include it here, anyway.

There’s not much to this one: a brief “Season’s Greetings” bumper. It’s cool, it’s neat, and there’s not much more I can say about it. But hey, look, stereo!

WOIO-19’s “What’s Santa Doing?” (1993)

It became a CBS affiliate when they swapped with WJW in 1994, but in 1993, WOIO-19 was still the original home of Fox in this area. As such, some of the advertising could exhibit the same hip edginess Fox was (is?) known for.

I can only assume this spot was part of a series, peeking in on Santa doing un-Santa-like things during the Christmas season. Here, he’s washing clothes. It’s a very brief spot with little to it, but I guess that was the point.

Look close: Santa’s wearing an official old school Fox/WOIO t-shirt! I want one of those now; Christmas present, anyone?

Talk to Santa live on WAOH TV-29/WAX TV-35 (1998)

Wacky Fact: I originally considered writing solely about this promo alone, until I realized I could fill this article out with additional bits of nostalgia.

While the channel still exists as W27EA-D and still features a handful of local programs, the station formerly known as “The CAT” (I’ve gotten nostalgic about it before) was once a beacon of local programming. While the signal supposedly reached Cleveland, to tune into The CAT was really to tap into some distinctly Akron/Cuyahoga Falls/Stow/Kent vibes. (Makes sense, since it was/is the TV arm of WNIR 100.1 FM, “The Talk of Akron.”)

Anyway, I don’t know how many other years, if any, they did it, but for one night in 1998 at least, callers could call in live to “Santa” to tell him what junk they wanted. (Actually, they must’ve done it more than once, because here, the ad spotlights a supposedly-real call to Santa, some kid asking for a Sega. Since the Dreamcast was a year away, the Genesis was obsolete and I’m not sure any kid still wanted a Saturn by ’98, well…) It’s a solid example of just how big call-in shows were on the channel at the time. (Nowadays, it’s down to just Steve French on Mondays and Jim Isabella on Thursdays.)

And with that, my little Christmas commercial stop-gap post is complete. I tentatively have something else planned, but we’ll see if it actually happens. At least you know I haven’t abandoned you now, though.

Vintage WUAB-43 KidsLand Club Membership Card (Circa-1989)

Perhaps my earliest memories go back to when I was three years old. I can still specifically recall watching Halloween specials with my dad in that year of 1989, for example. Less specific, but rather more general, are the memories of watching cartoons on WUAB-43‘s KidsLand line-up during those formative years. Actually, right now I’m not quite sure if all those memories are completely of my watching ‘live’ or of later watching the VHS recordings my mom made for me. Maybe a bit of both. Either way, I was there, and as such, WUAB’s KidsLand is positively burnt into my memory.

Which is why this find from just yesterday was such a huge deal personally. Whoda thunk that a small piece of paper, roughly (but I don’t think exactly) the size of any ‘regular’ trading card, would have been such a monumental acquisition for me? Actually, I would have thunk it beforehand, had it crossed my mind. I don’t think it ever did, but needless to say, it was.

Dig this:

Good golly, when I came across this, it was one of those lightning bolt “oooh!” reactions (does anyone else get those, or is it just me being weird?), accompanied by a rapid snatching of the object that would have made Bruce Lee proud (maybe). The moment my eyes fell upon that logo, the registration with my brain was instantaneous, and thus there was absolutely no doubt whatsoever that it was coming home with me. I’m not a man moved to violence, but had competition been afoot, well, I could very possibly be incarcerated right now. (Okay, things probably wouldn’t have gone that far… but hopefully I’ll never be put in a position to where I’ll have to find out.)

We’ll look at the back of the card momentarily, but for now I’ll just say there’s no date anywhere on this thing, which is why you got a “Circa-1989” in the post title above. Why go with ’89? Because I can say with total confidence that that’s when this logo was in usage – because I was there, man! KidsLand was pushed extensively at that time, and that was the logo they used. It’s engraved on my psyche or something like that. I don’t know how long it was used for, though; I want to say it was around at least as early as 1988, but that’s a statement I can’t make with certainty. At any rate, it had changed by some point in 1990 to a more updated, 90s-appropriate look. Same name, same club, different logo. Savvy?

So what was WUAB’s KidsLand Club? KidsLand was the branding for 43’s morning/afternoon kid shows – you know, a KidsLand. Hosted by “Liz,” in-studio or on-location host segments, contests and the like could appear during the commercial breaks, which, while maybe not too atypical of local children’s programming blocks found across the U.S., certainly added a nice local flavor to both the hot syndicated programming of the time (Teenage Mutant Ninja Turtles, The Real Ghostbusters, G.I. Joe) as well as some of the old favorites (Tom & Jerry, etc.) running on the station.

Liz was cool, like a big sister that didn’t torture you (a statement I make despite never having had a big sister, or sister of any kind for that matter.)

As for the specific KidsLand Club though? Sad to say, I was never actually a member, so first-hand accounts of the benefits of joining are not something I can give. I’m guessing it was free to become a member, but maybe parents had to shell out a few bucks, I dunno. Besides the card, maybe kids periodically received updates or activities or whatnot in the mail? Perhaps they could be invited to special KidsLand events held about town? Or maybe it was all honorary, just something for kids to hang their figurative hats on, so to speak?

It kinda stands to reason that there’d be ‘more’ to joining than just owning an admittedly-spiffy membership card, but look, while I absolutely remember the graphics and branding and programming of KidsLand, I’m not claiming to be any sort of authority on the subject. Which of course doesn’t change the fact that I’m certainly nostalgic for my time with it and, needless to say, paraphernalia pertaining to it.

Some kid’s name is still written on the back of the card; evidently he didn’t feel the need to hold on to it some 30+ years later, so to a thrift store it went – his trash was my treasure! Obviously I’m not going to flash his name or (just to be on the safe side) membership card number across the web for all to see. Hence the big black bars you’re seeing above, provided by my advanced usage of technology. (AKA my computer’s paint program.)

Actually, the kid wrote his name in pencil; I suppose I could erase it and put my own moniker there, should I be interested in being a disingenuous piece of human garbage. As previously stated, I was never actually a member of the club, and therefore writing my name here would be hurtful and fraudulent. And superfluous; this is a terrific piece of local television memorabilia as well as a link to undeniable childhood memories on my part, but where practicality is concerned, there’s not much I can really do with it. I mean, the KidsLand Club hasn’t existed in decades; I’m just speculatin’ here, but I imagine it was bye-bye by the mid-90s. Maybe, at least, when 43 affiliated with UPN and started running their cartoons? I don’t know.

‘Course, should I scrawl my name on the back here (and, fun fact, my penmanship is generally sloppy enough to be mistaken for a kid’s handwriting), I then might be tempted to keep the card in my wallet as if it were a valid form of state I.D. I mean, it should be, but it isn’t. (Is it?) The main problem there is that I’d be threatening extra wear on the card, which could not only hurt whatever collectability this thing may have, but also prove problematic if/when I hand the card to the tattoo artist and ask them to put that logo on my face.

ANYWAY, taking a closer look at the back of the card here, you’ll notice that a member was entitled to club privileges. What were they? Like I said a bit ago, I couldn’t say. Coulda just been bragging rights, for all I know. Also evident: a KidsLand secret code key, though again, I have no idea what it pertains to. Both things definitely point towards there being more than a kid just being a “mere member” of the club, if that makes any sense.

I admit, I figured out what my first name would translate to in secret KidsLand code. You never know when information like this will come in handy, he said as if he hadn’t already forgotten the series of numbers.

You know what’s additionally cool about this card to me? The time period in kid’s TV it signifies. Remember, I was there, and in my eyes, it really was a murderers’ row of cartoons: Teenage Mutant Ninja Turtles, C.O.P.S., The Real Ghostbusters, The Super Mario Bros. Super Show, G.I. Joe, probably more I’m forgetting. And that’s not even counting standbys like Scooby-Doo, Tom & Jerry, Popeye and the like; stuff that, you know, never goes out of style. Or at least shouldn’t ever go out of style. And don’t forget the local programming like Barnaby or, even though I don’t think he was officially part of KidsLand beyond being advertised during it, Superhost.

Add a healthy dose of fantastic late-80s/early-90s advertising and of course those KidsLand host segments with Liz, and it should be no wonder why I’m so nostalgic for the time period. Certainly I’m biased, but as far as I’m concerned, it was a wonderful time to be alive. The late-80s and early/mid-90s, before the internet took over everything everywhere, it was a great time to be a kid.

Oh, and the icing on the cake here? WUAB is one of the top local stations I always, ALWAYS love collecting memorabilia from. No joshin’, it’s one of my personal “big four” stations. So the fact that there’s a nostalgic connection for yours truly here only adds to the enamor.

So there you have it: an old school WUAB-43 KidsLand Club membership card. Maybe some former (?) members can chime in with their experiences being part of it. But whether they do or don’t, it’s still a fantastic representative of a bygone era in local television, and THAT, my friends, makes it invaluable.

Portable Sony Trinitron KV-8AD10 TV (October 1990)

When it comes to collecting old CRT TVs, there’s one very important rule of thumb that I follow: you can never have too many Sony Trinitrons. That doesn’t necessarily mean I’ll buy each and every one that crosses my path, but as long as the price is reasonable (and given the current public perception of CRT TVs, it generally is), it’s likely entering my collection.

Why’s that? Simply put, because the picture quality of these was so utterly fantastic. Trinitron sets were known to be some of the best televisions out there, and while they cost more because of it, you genuinely got your money’s worth. Even today, Trinitrons are popular on the used market, particularly among retro gamers. Since classic consoles, in my opinion, should only be played on a CRT TV (as they were, you know, intended to be), why not get the best picture possible? There’s a very real and noticeable difference between vintage games displayed on a Trinitron and other, ‘regular’ CRT TVs.

That of course isn’t to say that all non-Trinitrons were junk; they weren’t. But as a general rule…

Indeed, nowadays I’ll only run classic consoles on these sets. This is a preference, but not a strict “ONLY SONY TRINITRONS SHALL BE USED IN THIS HOUSE” edict. (Though the thought of a plaque stating such and hanging above my front door does amuse me.) It’s just that, hey, I’ve had enough Trinitron scores in recent times to make this ideal a reality.

Which brings us to our subject today. Meet this acquisition in my world of Sony Trinitron…

It’s the portable KV-8AD10, manufactured in October of 1990, and boy is it neato. It’s just a lil’ baby! With a screen size of only 8 inches and an overall build not unlike other portable TVs of the time, it was most definitely a television for people on the go or with otherwise limited space.

This of course isn’t the first time we’ve seen a portable Sony television here on the blog. There was this terrible old post, and this somewhat newer, relatively better post. But then, since our subject today is a Trinitron, it automatically becomes the best portable TV I own. Not necessarily my favorite, though it IS up there, but technically the best.

To the best of my recollection, this is my newest Trinitron acquisition. Don’t quote me on that though; there was another I picked up in the same general time frame. Both were several months back, and it’s not like I catalogue the dates and times of all this stuff. I’m pretty sure this was the latest, but it’s not like anybody cares either way, so what am I even blathering about here?

Actually, this was a case where the price wasn’t quite right for me, and so this set continued to sit at the thrift store that offered it. There it was, every time I waltzed in, staring back at me. I don’t even think it was that much; $25, if I recall correctly. Not a terrible price, especially for a Trinitron, but when you don’t technically need it and funds are short, well, hard sacrifices must occasionally be made. Anyway, eventually a coupon for this store was acquired, and there may have been an additional discount on top of that too, I don’t really remember, but needless to say, it ultimately became mine.

(The store this was at gets some heavy traffic, so I’m heartened to think that everyone else just passed it by, uninterested in a CRT portable they saw as overpriced and with seemingly no practical use in this day and age. Or maybe they were just being cheap like me. Either way, I WON.)

Here’s the back of the thing. Up at the very top of the pic, you can see the adorable little handle built in to the plastic casing, just to really drive home the fact this was a portable and not merely just an itty bitty TV.

See? October of 1990. Did you think I was lying? I wasn’t.

Also, down at the bottom, there’s the prerequisite input for an external antenna along with a jack for a DC adapter, which I guess is helpful despite there already being a power cord present (detachable, but thankfully included here). But what really made my eyes figuratively (as opposed to literally HAW HAW HAW) pop out of my head was the inclusion of A/V input jacks. Man, you have no idea how many portable TVs don’t feature these, or even just a regular RF input, so I was certainly pleased with this revelation. You know what this means, don’t you? I can hook up retro game consoles or even VCR/DVD players to this thing, if so inclined. (And a little further in this article, you’ll see that I was.)

The only real bummer for me here is that this Trinitron doesn’t accept batteries, and as such, its portability is limited somewhat. Oh sure, take it wherever, but y’all gonna need a power source of some sort if you wanna do more than just sit there and glare at its Sony-ness.

But then, how many batteries would it have taken to power this thing? I remember taking my old Bentley black & white portable on camping trips; that thing used a whopping nine size D batteries, and even then, after only a few hours of continuous watching, the volume got so low it was pretty much nonexistent. (No joshin’; I watched Terminator 2 on Big Chuck & Lil’ John that way once, and towards the end of the broadcast, it was essentially a silent movie.) Whether a battery-powered color Trinitron portable would have been different in that regard or not, I couldn’t say.

A top-down view of the set. It’s longer than it is wide, though I always mentally picture it lengthier than it actually is. Dunno why. Certainly there’s more bulk to it than many other portables from the time period, but not enough to be a deal breaker, and besides, it’s a Trinitron.

The length is actually not unlike the aforementioned Bentley, though I’m not going to drag that one back out to compare and contrast. (I say back out because I seriously grabbed the spare set I have here to refresh myself on the number and size of batteries it took, a subject I illuminated you on only moments ago. Of course, as I did so, the thing slipped out of my hands and naturally fell upon the Trinitron we’re talking about right this very instant. Aside from a very tiny, very superfluous scratch that may or may not have already been there, the Sony was unscathed and still works like a champ. It takes a lot to hurt these things! And as for the Bentley, well, I didn’t hear anything rattling around in there, but I neither have the will nor the nine gigantic batteries required to power it to find out for sure.)

Also, note the extendable antenna that was helpfully, and naturally, provided. I don’t even need to extend it to know it ain’t gonna pick up any channels. (But eventually tried anyway.)

Pretty basic set-up along the front. You’ve got your buttons for power, channels, volume, TV/video select (cause of them A/Vs, man!) and a receiver for your highfalutin infrared remote control device. I got lucky with the power cord being included here, but there was no such luck with the remote. Unless that was only available separately, in which case I’m still ahead in the game or something like that.

There are more options along the side, though I nearly missed them during my picture taking session earlier. Knobs for adjusting the picture quality. Brightness, color, hue and picture are all adjustable. What wasn’t apparently adjustable? My ability to take a decent pic of these. This was as good as it got, gang.

Oh, and a jack for headphones, that’s here too. Because hey, portable.

Time to power the thing up. And again, there was just no way I could get a decent picture of this, and I sure tried. This was the best of the bunch.

The channels are actually listed in groupings, 2-4, 9-13, and so on and so forth. Upon pressing the channel up or down buttons, the TV continuously cycles through them in whichever direction you had pressed. I’m assuming this is some sort of channel scan and would stop when something was tuned in. Of course, in this case, it doesn’t stop, because there’s nothing to tune in; everything’s digital nowadays.

That being the case, there was only one (easy) way to ascertain the picture quality of this set – even though it was almost-certainly going to be good anyway. That was, I had to make use of those A/V inputs….

You know, maybe choosing something I taped a thousand years ago wasn’t the best way to demonstrate the picture quality of the Trinitron, but I’m running on only like four hours sleep right now and I’m not going back for more pics.

Anyway, remember when we looked at Son of Ghoul’s hosting of The Hoodlum? Well here it is again, playing on the Trinitron! My picture here doesn’t do the thing justice; like any other set in the line, the picture quality is excellent. I wasn’t joking earlier; when it comes to CRT TVs, if you’re serious about whatever looking as good as possible, invest in a Trinitron.

Plus, doesn’t SOG just look swanky playing on that portable screen? Memories of my checking in on his show whilst camping with that Bentley so many years ago are coming to mind… (I do believe the movie was 1944’s The Monster Maker that evening.)

One final pic of SOG on the Trinitron, this time after I had been fiddling with the picture adjustment knobs on the side of the TV. They work as expected, and in this case, really bring out that luxurious SLP VHS grain you all love so. Look at SOG pointing at you there; he’s like the Uncle Sam of horror hosts or something along those lines. I’m really, really tired right now.

No kidding though, really nice, rich colors on this set; I can only imagine how great a current program would look whilst playing on it. I’m almost tempted to figure out the necessary steps needed to get a digital converter box plugged into this thing. Almost, but not quite.

And so, that’s the Sony Trinitron KV-8AD10 portable television, from October of 1990. Such a cool little TV that, even in this age of HD, still manages to look really, really nice picture-wise. Since I have three other Trinitrons, all with unique consoles currently dedicated to them, the possibility of this one also finding semi-regular for me use as a gaming TV is very real. Maybe if I have a little space to fill somewhere in my increasingly cluttered abode…

Aw what the heck, just for fun:

Here’s the other Sony Trinitron I picked up roughly around the same time as this portable. It’s newer, one of those flat screen (but certainly not thin overall) CRT TVs from the latter part of Trinitron’s run. How much did this one set me back? A whopping $6 at Goodwill. Cool winnins! Obviously they just wanted to move a presumably-outdated CRT TV quickly and cheaply, and I was happy to oblige. Seen in the pic here is the Atari 2600 rendition of Ms. Pac-Man, which is not only a timeless classic port (seriously, I’ve been madly addicted to it lately), but also looks utterly sharp and phenomenal when displayed on this set. I’ll reiterate one more time: if you really wanna retro game, get a Trinitron ASAP.

(Oh, hey, look close; nestled next to it is the 1975 RCA portable TV I talked about here, and they’re both sitting on top of, and quite possibly ruining the finish on, the 1985 Magnavox TV I talked about here. I have deemed this structure as a whole “TV mountain,” though it’s really more of a haphazardly-stacked wall. Whatever.)

Episode Review: Son of Ghoul Presents THE VAMPIRE BAT (November 7, 1997)

Happy Halloween!

Ah yes, the big day is here once again. From decorations and television programming dedicated to the holiday proper, to the simple look and feel of ‘real life’ outside, I love the ambiance of this day and October in general – and that’s something even stupid dumb COVID-19 can’t ruin. Not totally, anyway.

I know, I know; I didn’t post as much as I had initially hoped to this month. Hey, I did say it’d be iffy! Nevertheless, methinks this Halloween post today will make up for whatever shortcomings I may have, uh, come up short with. Or not; whatever.

As you may have gleamed from that helpful post title, we’re taking another venture into the world of Northeast Ohio television, and horror host, icon Son of Ghoul, played by Keven Scarpino. This isn’t the first time we’ve taken a look at a vintage SOG broadcast, there’s also been this and before that this. But, it is the, erm, latest. As of this posting, anyway.

It’s also almost as far back as I can *personally* go with this subject. Why’s that? Because this was the very first episode of The Son of Ghoul Show I ever taped, that’s why! That’s also why what we’re looking at today hails from November, rather than the more-expected month of October. Although in regards to that aspect, I’d say that aside from specifically Thanksgiving/Christmas/New Year/Easter themed episodes, almost any horror host installment works for a Halloween update. Or not; whatever.

And, this does still tie into Halloween, and even the upcoming holiday season, all of which we’re pretty much at right now. As of this posting, anyway.

(Also, hopefully I won’t use that paragraph-ending-repetition-for-ostensible-comic-effect bit too many more times in this article.)

Airing on November 7, 1997, on my much-loved WAOH TV-29/WAX TV-25, this is very nearly my SOG fandom at its very earliest – basically at the start of a journey that continues on to this day in 2020; just about 23 years later! Read on, I’ll explain all of this in more detail momentarily.

SOG starting the show.

First off, SOG’s intro places us squarely in early November, with his announcement of “we have survived Halloween” near the top of it. This was a nice bit of continuity with the previous week’s show, which of course was the big Halloween episode. I know this because, well, that’s where I as a SOG fan entered the picture.

I know I’ve recounted this before so I’m just going to give the shortened account this time around, but that Halloween episode was where I was first actually introduced to SOG. Oh I had seen bits and pieces beforehand, but it was whilst flipping around the TV on November 1, 1997 (back then, SOG ran on both Friday & Saturday nights, same time, same episode. Halloween ’97 fell on a Friday, I stumbled in on Saturday) that I first really watched SOG.

I was hooked immediately. From the skits to the sound effects to the movie (Night of the Living Dead, another first for me that night) to, obviously, SOG himself, at 11 years old I became an instant fan. And, while I didn’t realize it at the time, looking back, this was where my love and fascination with local broadcasting first truly took seed. You wanna know the honest truth? Without SOG, there’s a real possibility you’re not reading this blog right now. Not just because I’m talking about SOG at the moment, but rather because I just don’t know if my interests and hobbies and whatnot would have played out the same without him. It’s entirely possible that they wouldn’t have.

Simply put, that November 1, 1997 Son of Ghoul broadcast of Night of the Living Dead was perhaps the single most transformative television broadcast of my life.

So, less than a week later, I was in front of the TV with the VCR at the ready. I was, as you would say, “chomping at the bit” to further dive into this new thing I had discovered, the results of which you’re reading about this very moment. (By the way, I learned the hard way that both the Friday & Saturday shows for a given week were identical, though this made it handy for recording when one of my eventual letters was read on the air, or if I just particularly liked the movie/episode.)

Anyway, back to SOG’s intro. Along with just some general fooling around (and man, just seeing him on that old set and goofing off, what a trip!), he states that the movie that night “aw man, this is a first run on this show – I hope it’s the last!” Of course that wound up being wildly untrue; most of these movies have been seen repeatedly on the program over the years, though there’s something undoubtedly neat about capturing one of these standbys in its Son of Ghoul debut.

The Vampire Bat’s cute lil’ title screen.

The movie was The Vampire Bat, from 1933. At the time, this was an entirely new flick to me! I was, and am, I serious sucker for these old cheapies, and as a King Kong fan even back then, the mention that Fay Wray was in it only added to the interest.

So yeah, The Vampire Bat. You wanna know the honest truth? I’ve wound up sort of ambivalent towards the movie. I love it for it’s public domain ever-presence and quasi-Universal vibes (it used some of the same actors and sets), and the whole look and feel and the history surrounding it. But as a movie movie itself? Well, I think it’s just okay. Certainly not bad, and I get seriously excited over various cleaner/completer available prints, or even just new-to-me budget home video releases from years past. But yes, the flick itself is just alright in my eyes. Heck, I couldn’t even muster up the enthusiasm to actually re-watch it for this review. (Although I probably shoulda, considering whatever credentials I imagine myself to have.) I’m the same way with another early-30s horror film: White Zombie. I like it fine, it’s not bad, I take a real interest in it, but perhaps conversely, I don’t tend to feel like watching it very often at all.

Of course, The Vampire Bat was a bigger deal to me back in 1997 when SOG was winging it at my face. Like I said, this was new territory. That’s why we’re here now, after all. It was only as the years progressed that I relatively cooled on it.

If nothing else, The Vampire Bat features a cool lab.

The plot? Even if you haven’t seen this, you’ve probably seen something like it; it’s an early 1930s horror movie with vampires as the subject, so you can probably guess the gist of it before ever pressing “play.”

The short synopsis: a rash of blood loss has hit a village, so naturally vampires are suspected. Particular suspicion falls on one “Herman Glieb,” because he likes bats. (Glieb is played by Dwight Frye, so you’ve probably got a good idea of his performance before ever pressing “play”.) However, it’s actually a mad doctor played by Lionel Atwill, who’s draining villagers of their blood for some sort of organism he’s created. Also, Fay Wray is our heroine.

Yeah, I don’t have much more to say about this one. Look, it’s wildly public domain, so if you haven’t seen it, it’s not like it’s hard to do so. Some of the imagery in it, such as Atwill’s cool laboratory set (that’s it above), sticks with me more than anything. As such, it makes for a cool horror host feature and/or something fun to have lazily playing in the background around Halloween, and indeed, it does look appropriately “Halloweeny.” It may not knock me out, but it certainly does its part adequately enough.

Obviously, since this is an episode review, I’m sorta obligated to cover the movie in some fashion. A necessary aspect of this post? Uh, yeah. But if I’m being honest with you (and I am), it’s all about the Son of Ghoul here. And luckily, because I dictate how this article transpires, we’re at that point right now!

I’m not gonna hit each and every last segment aired, just the highlights as I see ’em, but rest assured, this was a pretty good episode of The Son of Ghoul Show. There was plenty of then-new stuff and a couple fun throwbacks, and while someone who didn’t grow up with all this may be a bit mystified by the enamor I’m exhibiting, trust me, as a whole this was (is) some solid SOG.

While I certainly love de facto skits, my favorite part of pretty much any horror host show is the simple host segment; the respective host, sitting on the set, reading viewer mail or just goofing off. Or more often than not, doing both. Such was the case right here, with this fairly lengthy (about 15 minutes total) mail bit.

In it, SOG shows off the poster and promotes a movie he has a small part in: the then-upcoming Little Miss Magic. Also, that past Halloween night, SOG appeared at a party at the Sheraton Suite, along with Big Chuck & Lil’ John. Such things are pretty par for the course nowadays, but back then it was a rarer occurrence. According to SOG, “We had a dynamite time! I mean, the three of us got along just like peas in a pod! Or a pod that took a pee, one of the two; I can’t figure it out.”

Reading Brett’s letter.

But the area of most interest in this segment? My good friend Brett Van Wagner, who has contributed to this site before (including the SOG 30th anniversary tribute; have it again) had one of his early letters to the show read on-air here! Although Brett and I were born like two days apart and grew up loving a lot of the same things (obviously!), he discovered SOG a few months before I did, so he was already in the game by this point. He and I share a common trait where we kinda cringe at some of our early, pre-teen letters to SOG (my first would be in January), although I think that’s probably a personal viewpoint; this stuff isn’t as embarrassing to somebody else watching.

Indeed, I thought Brett’s letter here was pretty funny. He asks for an autographed picture of SOG, but not mailed; he wants it dropped off personally at his house. (SOG just gives a smirk to the camera and moves on.) And when he asks to lend him money for a SOG t-shirt and an extra $50? “Start holding your breath right now.” Good stuff, Brett!

Scarey Tales.

An installment of “Scarey [sic] Tales.” This is an old TV-67 bit; there were more of these older things ran back then than I caught on to at the time, but they still worked, and in retrospect I’m glad they were run. A little Son of Ghoul history for the newbies!

These skits basically amounted to SOG recounting an ostensibly-spooky story with some kind of comic conclusion. In this one, he tells us the tale of Little Miss Muppet; the story unfolds the same as the version we all grew up with, until the end, when Little Miss Muppet decides to eat the spider that sat down beside her, too.

You know, Big Chuck & Lil’ John once did a skit with the exact same outcome. Which came first? Was this an instance of mere coincidence? Does it really matter?

SOG & Fidge: together again.

As implied by Brett’s letter, official Son of Ghoul t-shirts were the hot new item of the day, a point driven home directly by this next segment. Here, SOG gives us all of the details on how to order them. For $16.75 ($13 + $3 s/h + 75¢ Ohio sales tax), you had your choice of adult-sized large of extra large. There was still time to order and get them before Christmas, but you had to hurry!

The best way to demonstrate their “wearability,” you ask? Have the late, great Ron “Fidge” Huffman come out and model one! It’s always nice to see Fidge during these old shows. I met him once; very friendly guy.

I myself never got one of these exact shirts; in retrospect, this was a mistake. But then, I wasn’t into that sort of memorabilia back then. I’ve since made up for that over the years, but I can tell you now: if I ever come across one of these vintage versions (or better yet, an old 67-era shirt) somewhere, you just might hear me flipping out from wherever you happen to be.

Festive SOG?

Another mail segment!

In this one, someone sent SOG a sombrero, which he happily wears for the rest of the bit.

Also, to further illustrate the point that Halloween was just freshly past, a piece of mail is shown wherein someone carved a SOG jack-o-lantern! It actually looks pretty cool, and SOG got some comedy out of it, too. “A nice fat face, just like me…how dare you embarrass me like that in front of family and friends?! Who do you think you are, guy?!” Of course SOG’s just kidding. (I hope!)

Shortly thereafter, there’s another piece of mail that’s legitimate hate mail. Apparently someone was not too enamored by SOG, because he sent a homemade button that had little pictures symbolizing a rather, erm, crude expression relating to SOG. SOG: “I have to tell you, that really hurts my feelings,” after which he proudly pins it to his chest.

Finishing up the show for the night.

Following an after-movie cartoon (a short WWII-era Bug Bunny pitch for war bonds), the show was all over. During SOG’s outro, he mentions that the movie next week would be The Corpse Vanishes.

Now, I actually did tape that one as well. Like The Vampire Bat, The Corpse Vanishes was a new-to-me horror cheapie. I’m so used to so much of this stuff in this day and age that it’s amazing to think there was a time when I wasn’t familiar with a lot of it!

Unlike The Vampire Bat however, I later taped over The Corpse Vanishes. I no longer remember with what, but it (probably) doesn’t matter; this action was eventually revealed to be a big huge mistake, based almost entirely on that flick and it’s extreme poverty row Lugosi-ness. I’m serious; it actually took me years to truly warm up to it, but nowadays I absolutely love The Corpse Vanishes. And, well, you’ve seen how ambivalent I am regarding The Vampire Bat. Not that I’d trade this ep for that ep, there’s still that personal history with SOG to be accounted for. But nevertheless, file this one under the follies of youth or some other stupidly wistful saying like that.

(The above ain’t no joke; I’ll reiterate to fill space. It did take years to realize, but this is one record-over I seriously regret nowadays. A great cheap movie, airing during the early weeks of my SOG fandom, one that I had and then let go, as it were? Regret. Of course, at 11 years old and with even less money than I have now – which is really saying something – I had to be extra choosy with VHS tape space. Does that make me feel any better? Not really. Do I take solace in the fact that whether I kept this Corpse Vanishes episode or not, my life wouldn’t be appreciably different today? Not really.)

So anyway, there you have it; a quick rundown of The Son of Ghoul Show from November 7, 1997, a week after Halloween for this Halloween.

BUT WAIT! We’re not quite done just yet!

What’s left, you ask? How about a few old commercials! Nothing quite takes you, or at least me, back in time quite like an old commercial. There were several good’uns seen during this broadcast, so real quick now, here are my three favorites:

The Cafe in Stow’s cool 29/35 ad!

The Cafe in Stow! As I mentioned in my post on the first of this month (here, have it again), I absolutely love local restaurant memorabilia and the like. Of course that extends to old commercials, which means that I was quite pleased to see this ad for The Cafe in Stow, long a local institution, turn up during the episode.

The commercial itself is simple but effective: a jaunty “Let’s Eat” jingle plays over footage of patrons, erm, eating while a voiceover extols the virtues of The Cafe in Stow. Like I said, simple but effective.

But what makes this really cool is just how local it feels. That was one thing you could absolutely count on from 29/35: a serious sense of local pride. In a lot of the actual programming, sure, but also in the advertising. There were ads for places that you could (probably) only see on 29/35, which only added to the good vibes of the station.

The Cafe in Stow is still open to this day, and while I’ve never been there, it is now absolutely on my “gonna try” list. Why? 20+ year old commercials, that’s why! (Plus, I just like patronizing local establishments like this.)

Columbia House’s cool M*A*S*H VHS tapes!

M*A*S*H on Columbia House VHS! Advertising on 29/35 wasn’t just local; there could also be national-type stuff (sort of like what we saw here). Take this spot, for example. This is just fantastic; a minute-long commercial for Columbia House’s VHS releases of M*A*S*H! As a long, long time M*A*S*H fanatic, you better believe something like this airing during The Son of Ghoul Show is pure icing.

This series of tapes first showed up in the early-90s, but 1997 was the 25th anniversary of the show (can you believe we’re now closer to the 50th anniversary than we aren’t?), so not only were they being pushed once again, but you also got a swanky M*A*S*H 25th Anniversary t-shirt when you ordered! I really like this screencap here; they went all out and included a martini, stethoscope, even some golf balls! That’s dedication! (The $4.95 + s/h seen here was an introductory price; subsequent editions cost $19.95 + s/h, though that was still a small price to pay for some quality M*A*S*H. Plus, you got that shirt.)

In the years before the official DVD sets (and actually, VHS sets too – for the first five seasons, anyway), these Columbia House tapes were the only way to get much of the TV series as official releases. Oh sure, the big huge series finale “Goodbye, Farewell and Amen” got a standalone release not long after airing, and of course the 1970 feature film was out there multiple times over, but there was a lot of good stuff in-between all that which could now be owned and watched whenever y’all pleased! Except for the super-long finale, which was naturally also included in this collection, there were several ‘themed’ episodes per tape. No, these weren’t in order from start to finish, and the whole series wasn’t represented either (though there were, I believe, over 50 volumes in this collection released, so you eventually got a good chunk of the show’s run), but does any of that really matter? It was M*A*S*H, a show I’d argue is in the top ten greatest U.S. TV series of all time, officially released on good ol’ VHS!

JC Comics & Cards, just being cool in general!

JC Comics & Cards! Ah, *my* comic place! I was already well familiar with JC’s before discovering SOG; as a young Star Wars nut (a fandom that eventually subsided considerably, though I still like it plenty), JC’s box of $3, loose old school SW figures was a thing of beauty.

Fortuitously, JC was also a sponsor of SOG. Why fortuitously? Because as I’ve recounted before, JC’s was where I first *met* SOG in person! Yep, SOG made a personal appearance at JC’s that coming December, and I was there; it was really the first time I ever felt the need to meet a celebrity, which shows you just what a big deal SOG was to me.

So, obviously JC ads were often seen during the show back then, and something still just feels ‘right’ about it when revisiting these old episodes. This particular spot is a herky-jerky (as in video effect) romp around the store whilst showing off its wares. At one point, a big inflatable Spiderman is seen, which I recall hanging in JC’s front window for years.

JC’s is still there in the same location, and while I’m no longer the Star Wars or comic book guy I once was, I do pop in occasionally, usually to check out the cool vintage toys in stock or to raid the 25¢ comic bins for neat old print advertisements (I’m a sucker for old video game ads, and I generally don’t feel too bad about extricating them from cheap old issues). JC’s is awesome.

And so with that, our big Halloween update comes to a close. Needless to say, I’m still a huge Son of Ghoul fan to this very day, so it’s a trip to go back to when that fandom was in the earliest of stages. I mean, I had just been introduced to the show less than a week prior! It’s amazing to look back and realize all that was ahead of me, some of it good, some of it bad, all of it still TBD at the time. And yet, one constant has been The Son of Ghoul Show; it’s still on the air! And, he had been on the air for 11 years before I even came into the picture! Talk about a local institution! I know nothing is forever, but I’m sure grateful for the time we’ve had, and will continue to have for the foreseeable future.

Have a Happy Halloween, everybody!

EPISODE REVIEW: Big Chuck & Lil’ John Present 1915’s A HASH HOUSE FRAUD and THE CHAMPION (January 16, 1999)

Fall is now upon us, and under normal circumstances, that would mean the annual Big Chuck & Lil’ John Ghoulardifest convention (and subsequent Big Boy Restaurant visit). Of course, since 2020 is obviously anything but “normal circumstances,” needless to say, Ghoulardifest ain’t happenin’ this year. (Though, provided their dining room is open, the idea of heading that way just for Big Boy has been bandied about between my brother, my cousin and I; who knows if it’ll actually happen, but man, I’m jonesin’.)

Since we’ve been begrudged the annual tradition by the stupid dumb pandemic, what say we fill the void a bit with an old Big Chuck & Lil’ John episode review today? I haven’t done one of these in awhile, apparently (some) people appreciate them, and besides, I want to get one more Northeast Ohio-centric post up before October, when I have several relatively ‘spooky’ topics tentatively planned to show up throughout the month. (Whether any or all of them actually happen remains to be seen, but my heart’s in the right place.)

Anyway, the show we’ll look at today, I actually talked about it before, in this old post. If you don’t remember it, don’t bother clicking; it sucks. (Hey, it’s been nearly 7 years.) Still, it deserves a fuller, better look; even though this aired in January ’99 and isn’t actually complete (more on all that momentarily), it still seems like a decent fit for a late September entry here. Plus, my dance card is (ostensibly) full for October, so if not now, when? (I guess I could wait till the January anniversary, but I, uh, don’t wanna.)

Big Chuck & Lil’ John, or from left-to-right, Lil’ John & Big Chuck.

First of all: Big Chuck & Lil’ John, aka Chuck Schodowski and John Rinaldi. You know ’em, you love ’em. Unless you’re not from around here, in which case just know that they’re indisputable local television legends. From Cleveland’s channel 8, they hosted movies and performed wacky skits for decades. Technically they were horror hosts until they kinda weren’t but sometimes still were, but it didn’t really matter; any movie went better with Chuck & John. (I know this from personal experience.)

They’re still around, too. Even though their regular ‘movie’ show ended in 2007, they came back as a 30 minute skits-only program in 2011, which is still running to this day. Currently airing at 11:30 PM Sunday nights (though sporting events sometimes push that slot later), it’s a fun way to cap off the weekend.

(Although, quick side note: you probably did have to grow up with these guys to really ‘get’ the humor of the show/skits. Recently my brother tried to introduce his fiancée, she originally hailing from Tiffin, OH, to these guys, and her palpable confusion at the whole thing was…well, actually it was pretty funny, to be honest with you.)

Of course, we’re talking about their old movie-hostin’ days here. The slots/running times/days/etc. varied over the years, but for awhile, they ran for 2 hours 30 minutes (generally; it could be even longer, depending on the movie) starting at 11:30 PM on Friday nights, and then had a 2 hour Saturday afternoon show the next day.

While there was, for the most part, little difference in the look or feel of the Chuck & John host segments and skits and general ‘outside the movie’ stuff between the two, as far as the mid/late-90s and beyond go, the Friday night editions generally featured bigger-budgeted films from a variety of genres. Not always; there were times when they ran one of the horror/sci-fi oldies that were formerly their bread-and-butter. But for the most part, those Friday shows featured a relatively more ‘professional’ grab bag of film fare that wouldn’t have been out of place on other stations all across the country that were running movies on that day, at that time, in that era. Except better here, because Chuck & John.

The nostalgic Couch Potato Theater bumper screen.

The Saturday afternoon show, titled Couch Potato Theater (see: right), could be much more eclectic. Not always; big time Hollywood flicks weren’t strangers to the program, but the cheesier old stuff could also appear with a bit more regularity. (Or so it seemed to me.) And sometimes, there wouldn’t even be a full-fledged movie, but rather Three Stooges shorts, Abbott & Costello episodes, or if sporting events were a factor, maybe even no movie at all.

Here’s the backstory for our subject today: Saturday, January 16, 1999. At the time, I was a serious sucker for classic silent comedy shorts, particularly Charlie Chaplin. Thanks to their even-then public domain status, these would regularly show up as after-movie filler on my beloved WAOH TV-29, and attempting to catch new-to-me entries became something of a hobby, not unlike you and your little Pokeemans cards.

As a regular subscriber to TV Guide back then, I’d absolutely pour over the local listings in those issues looking for neat movies to catch. And yet, somehow I completely missed the notation of short comedies being broadcast on Couch Potato Theater that day, until I discovered the truth – as they were airing! What really hurt was the mention of Chaplin’s The Tramp as being among them. And to further complicate matters, the family was leaving for my younger brother’s volleyball game momentarily (these games were interminable excursions for yours truly, but shhhhh, don’t tell my brother I said that!).

What to do? What could I do? I grabbed a random blank VHS tape, threw it in the VCR, hit record, and we left. I wound up capturing basically the second half of the episode.

But what’d I miss? During my recent lock down dig finds (some of which I detailed here), I uncovered, if not all then at least most, of my old TV Guides. The finer details of that listing, aside from that general memory of The Tramp being mentioned, had long since disappeared. So, specifically for this article, I actually (re)dug the appropriate issue out and (re)discovered the truth: starting at noon on the dot, the listing mentioned, along with The Tramp, a film titled Polly Tix in Washington as being among that day’s features. I’ve seen Polly Tix before; it’s a 1933 Shirley Temple short that’s, honestly, pretty terrible. If that TV Guide listing was accurate, that would have been the only non-silent of the afternoon, and in retrospect, frankly, there was no great loss in missing it. (No joshin’; I kinda detest it.)

Oddly, the other two shorts, the two that are our subject today, weren’t specifically mentioned in that listing at all. Now, there’s always the chance the description wasn’t accurate, but I’ll give the benefit of the doubt and presume Chuck & John did indeed jam those two as-listed short comedies along with the two definitely-aired ones we’re about to look at, as well as all of their stuff and commercials, into a two hour time slot. (Which wasn’t unheard of; They once crammed The Karate Kid, which by itself and unedited runs over two hours, into a two hour Couch Potato Theater installment.)

Alright, all that said, the movies I did get to see…

A Hash House Fraud [Keystone; 1915]

If you go back and read that earlier article spotlighting this broadcast (though I urge that you refrain from doing so), you’d see that I mistakenly believed I had started recording in the middle of whatever short ended up being first in this instance. I WAS DEAD WRONG THERE, SPORTO. In actuality, I got basically the whole thing, but the title screen is such a microsecond flash that it’s very, very easy to miss. Obviously, that’s what happened with yours truly for the longest time.

So anyway, first up here is A Hash House Fraud, a Keystone komedy comedy from 1915. I’m gonna be honest with you; I’m not a mega huge Keystone Films fan. The constant manic slapstickiness of them kinda wears on me after while. A little goes a long way, and a lot, well, you know. I appreciate the ‘earliness’ of them, and I do like Chaplin’s output at the studio, but truth be told, that’s more from a historical standpoint; there’s little doubt that Chaplin’s work from just a few years later, or even just a year later, is superior, and not by just a little; by a lot. (In fact, we’ll be seeing one such example coming up next.)

The Plot: The Busy Bee Restaurant has fallen on hard times. Business is slow and funds are low, and when customers do come in, they never stay long. So, one of the proprietors puts the establishment up for sale (for a whopping $500!), and to pique the interest of prospective buyers, he invites a bunch of folks in to eat free and tells the cashier to simply pretend to collect money. When the swindle – the “hash house fraud” of our title – is discovered, a riot ensues and then the Keystone Kops show up and chase people around.

You know what? I’m just going to say it: this is a stupid movie. I know, I know; you should never, ever go into a Keystone expecting deep comical nuance. Even so, to me it’s just…by the numbers. The Keystone numbers. I kinda got an (inner) chuckle from the “Don’t Flirt With the Cashier” sign in the restaurant, though I’m not sure it was supposed to be funny.

I just know some pretentious film buff with too much time on their hands is gonna chime in now and tell me how wrong I am for missing the deep psychological context and symbolism of the human condition that is both this movie in particular and Keystone films in general. To that hypothetical buff, I say “aw go take a powder.”

Also, this movie just kinda reinforced my stance that the only thing I genuinely like about the Keystone Kops is their Atari 2600 (and later, ColecoVision) game.

The Champion [Essanay; 1915]

Next: I may have missed out on The Tramp, but I did get Essanay’s 1915 opus The Champion, which is even better than a consolation prize since I like The Champion more. Indeed, I’d venture to say it’s the cinematic winner of this entire episode, though that of course may be debatable. Plus, it’s Charlie Chaplin, so it’s automatically one-up on the movie that preceded it during this broadcast.

This is the stuff right here. Made at a time when Chaplin’s movies were starting to get really good, the film may pale when compared to the work he did for Mutual Films after leaving Essanay, but that’s mainly because, man, those Mutual flicks are really, really good.

The Plot: Charlie, as his iconic Tramp character, is in need of some bucks, so he becomes a sparring partner for a renowned boxer. When he sees every previous sparring partner, erm, ending up worse for wear after facing the boxer, he slips a horseshoe into his glove, knocks the guy out, and is then enlisted to fight the champion.

This one is a lot of fun, and Chaplin is utterly brilliant in it. Not that I’m saying anything revolutionary here, but the way he moved, his facial expressions, his timing, just everything about his acting is just so on point, it’s continuously a wonder even today. And what’s even more astounding is that he hadn’t even reached his peak yet! Watching The Champion, I was reminded just what I loved and appreciated about the guy in the first place. (Actually, my appreciation was even higher; you see more clearly when watching with 34 year old eyes than you do 12, after all.)

The climatic bout between Charlie and the champ goes on a tad too long for my tastes, but that’s a very minor complaint; The Champion is terrific.

Also, it’s probably not at all fair to compare the two, but in the context of this broadcast, the difference in quality between this film and A Hash House Fraud preceding it is monumental. Here, the opening scene alone, in which Charlie tries to feed his bulldog a frankfurter, is funnier than the entirety of that other flick.

You know, looking back on it, it’s almost weird that these shorts showed up on TV when they did. Even though it was local television in the late-90s, for a channel as ‘big’ as 8, it’s kind of amazing they got such a relatively-visible afternoon slot. These things showing up on 29 made sense, the movies on that station were almost all oldies anyway, but even in comparison to some of the other oddball things that could appear on Couch Potato Theater, I don’t know, silent comedies just seem way out of place for the time. I guess I was even kinda shocked back then, never expecting such things to air where or when they did. Of course BC & LJ were no strangers to pure comedy classics, their Laurel & Hardy shows of the 1980s were numerous, but still, for 1999…

(And to me, it’s something practically inconceivable nowadays!)

So that takes care of the movies. Now let’s see the rest of the episode; even with only 1 hour to work with here, there’s still a lot of Big Chuck & Lil’ John action packed into the proceedings.

Big Chuck, Lil’ John, Dick Goddard, Tony Rizzo; Cleveland TV legends one and all!

The first (applicable) host segment is just…just fantastic on so many levels. Obviously the hosts themselves, but that set with the Cleveland Browns helmet on the table (more on that later) and the backdrop, just everything about it. (Top screencap here.)

A common element of BC & LJ host segments were trivia segments with the studio audience, always for a prize of some sort. In this instance, said prize was a doozy: the then-new Dick Goddard weather almanac! And even better, Goddard himself sits in with the audience to give the book away! (Middle screencap here.)

Of course, Goddard passed away this past August. To call him a mere weatherman would be a serious disservice; the guy was an absolute institution in Northeast Ohio, and actually holds the world record for longest tenured meteorologist! Around here, he was the weatherman.

Working at the same station, Goddard was certainly no stranger to appearances on BC & LJ, often performing in skits or, as you see here, simply guesting in the studio. He could be really, really funny; when sports anchor Tony Rizzo (he now has his own half-hour show…airing right before the current incarnation of Big Chuck & Lil’ John!) randomly shows up in the studio eating sushi – which he apologizes to animal-advocate Goddard for – Goddard studies the foodstuff and dryly states “with a little medical help, that could be back in the sea.” (Bottom screencap here.)

I met Dick Goddard several times over the years, and he was always extremely friendly and generous with his time. Just a really good guy that was as likable in person as he was on TV. In fact, the last time I met him (Ghoulardifest 2018), I used my bean and brought along my own copy of the very almanac seen in this host segment for him to sign (I also believe I asked him to sign the back of a Ghoulardifest promotional poster), and considering I never had another chance to talk with him, well, wise decision on my part.

So to have him as ‘himself’ in this Big Chuck & Lil’ John segment, and with Tony Rizzo to boot, that’s just fantastic man. (By the way, the trivia question here was what fall festival does Goddard annually host. Of course it’s the Woolly Bear Festival, which a woman sitting behind him easily answers.)

The next host segment features another trivia question bit that, as a whole, isn’t as big a knockout, but is still pretty terrific.

The prize? Frankie Yankovic’s Songs of the Polka King: Volume 2, which as it turned out was his very last album (he had passed away that prior October). Besides the whole polka aspect that was (is?) such a big part of Cleveland culture, there was an added reason this CD was given away as a prize: Chuck and John themselves performed with Yankovic on it! It’s true; the disc contains their rendition of “My Melody of Love” as the fourth track! Neato!

(This CD actually isn’t too hard to find around town here; I’ve come across it multiple times, though oddly enough, Volume 1 has thus far eluded me – though it’s really only a matter of time. Anyway, as far as Volume 2 goes, my first copy I actually bought used online – both because I obviously still needed it for my collection at the time, but also because, while somewhat faint, the cover unmistakably features the signature of Mr. Yankovic himself! Cool winnins!)

The question was: what nationality was Frank Yankovic? “Polish” was guessed, and while the correct answer was actually Slovenian, it’s deemed “close enough” by John.

The Lil’ Flash, along with Chuck. (Chuck playing himself?)

That segment is followed immediately by a longtime favorite skit of mine: The Lil’ Flash. BC & LJ did a lot of a parodies of big time movies and TV shows, sometimes poking fun at Chuck’s Polish heritage or John’s small stature. This was the latter.

I’m assuming this skit first appeared in the early-90’s, when The Flash TV series was running on CBS (which 8 was an affiliate of at the time, though by 1999 it had been Cleveland’s Fox outlet for several years).

It’s a simple premise: the TV-8 payroll, in the form of a suitcase loaded with money, has been stolen (as one of the thieves gleefully exclaims, “probably half of it’s Goddard’s!”), so superhero The Lil’ Flash gives chase. Spoiler: the bad guys get away. Why? The Lil’ Flash’s shoe had a blowout!

(Look, I love Big Chuck & Lil’ John, but no one ever said their skits were intricate pieces of comic writing.)

There were more skits throughout the hour than what I’m showing here; I’m kinda just hitting the highlights, or at least what I consider to be the highlights. I’m trying to get this done and up and with a little spotlight time to itself before my October 1st post, remember. Was I ultimately successful, reader? Time will tell!

Cuyahoga Jones and Shortstuff, considering a $5 airplane ride.

Cuyahoga Jones and the Castle of Doom, another one of those parodies I was just talking about, wasn’t just a singular skit, but rather a serialized, continuing story, complete with cliffhangers. Obviously an Indiana Jones parody, the skits detailed Cuyahoga Jones and his sidekick Shortstuff attempting to steal the fabled “Kapusta Diamond” from the evil Uncle Vic (aka Victor Blecman, a real Cleveland DJ who passed away in 2019).

I’m not sure they ever finished the saga (they play these skits frequently on the current 30 minute show yet I’ve never seen any sort of definitive conclusion), but what they did was a lot of fun. This broadcast here was my first time seeing an entry, and I can’t tell you how clever I found the very name of “Cuyahoga Jones” to be.

In this installment, Cuyahoga and Shortstuff are in need of $20 to buy supplies to break into Vic’s castle, but between them they only have $5. Luckily, they happen upon $5 airplane thrill rides, the reward for not screaming during which just happens to be $20. So, with Cuyahoga in the passenger seat and Shortstuff hanging on top, off they fly in the rickety old plane. The plan is ultimately successful and the $20 is won, but the pilot almost got Cuyahoga to scream, just once: when Shortstuff fell off! (Cut to a dummy freefalling through the air.)

High art it ain’t, but it is funny, and spoiler alert, Shortstuff ended up okay in the next chapter.

Let’s finish this review with something I briefly mentioned during that Dick Goddard segment, and something that, despite originally airing in January, fits perfectly with the time of year we’re currently in: that Cleveland Browns helmet.

At one point, John puts it on and declares “Go Browns!” Not so unusual; these were/are Cleveland personalities, after all. What’s more interesting, to me, anyway, is Chuck’s response to that: “Only 245 days left!”

It’s a small moment, but it points to a definitive time in Northeast Ohio history: this aired when the Browns were still MIA in Cleveland! The time of their return was drawing nearer and nearer however, and as it did so, the anticipation continued to grow. That anticipation was front-and-center here, even with the better part of a year still left to wait.

Anyway, there you have it: a look at Big Chuck & Lil’ John’s Couch Potato Theater presentation of January 16, 1999. Well, about half of it. Despite the incomplete nature of the recording, this broadcast has wound up being one I’m pretty fond of. Not only is there the personal story behind it, but their content is just so strong here, even though it was just par for the course at the time. The host segments and skits are fun, the Dick Goddard appearance great (and now, bittersweet), and the movies, The Champion is legit and, well, even a dumb flick like A Hash House Fraud makes for a nice piece of lazy afternoon programming.

Hopefully this post scratched the itch of locals who, like me, can’t go to Ghoulardifest this year. Or maybe it didn’t; hey, at least I got something else up.

See y’all in October!

A Trip Down Memory Lane (Cause Pandemics Don’t Let Me Do Nothin’ Else, Man)

I didn’t intend on taking nearly two months off here. Y’see, my Wi-Fi, which had been spotty at best anyway, went, as you would say, totally kerblooey. This of course inhibited new updates on my silly little blog.

That wasn’t the only reason, however. There’s also this coronavirus pandemic going on. (Maybe you’ve heard of it?)

No, I didn’t catch the thing. Still, given the stay-at-home order that has been in effect here since March, and thus the fact that I can’t really go anywhere, you’d think I’d have more than enough time sit around and write stupid dumb blog updates. I mean, my internet wasn’t bad the whole time…

(Of course, I’d much rather stay at home than risk catching the virus – and more importantly, spreading it to someone else. Still, the reopening of retail stores on the 12th will be welcome, even if it does mean I’ll probably have to wear a stupid mask while out in public. Although, it’ll be nice to have a reason to be antisocial for once.)

Despite frequent walks around the neighborhood, I’ve stayed pretty much in my abode. And yet, I’ve remained busy enough. Not wanting to sit around and do nothing all day, I instead took this opportunity to dig through many, many boxes, bags and bins of old childhood crap junk memories. Ostensibly it was in an effort to organize, but really, I just wanted to unearth “neat old stuff.” You know, things that should be properly preserved, or at least as properly as I can, uh, preserve them.

This was no small feat, and the amount of dusty, dirty, back-breakin’ diggin’ an’ liftin’ I had to do wasn’t exactly my idea of good time party fun. It was pretty time consuming too, as you may well imagine. And yet, I enjoyed the process! The constant discovery of new old things wound up being pretty addicting! I’ve gone through the vast majority of it all now, and honestly, I’m a little disappointed there’s not more to explore!

Toys, games, magazines, books, knickknacks, papers, even clothes, I dug through plenty of it all. Often, while uncovering some item, the memories came flooding back. Other times, it was like I was looking at a foreign object. Hey, my memory is good, but it’s not photographic.

So, now that I’m back in action, what say you join me on a little journey down memory lane? I’m not naive; much of this will be important to only me, but since I bank on my viewership being mostly comprised of people with nothing better to do (raging pandemic or not), hey, at least it’ll be a time killer.

Oh, and this is by no means the totality of what I uncovered. Not by a long shot. Furthermore, this stuff ain’t in strict chronological order, though certain entries will follow naturally from others whenever I decide to hamfistedly attempt a narrative.

Prepare now to take a trip into the psyche of your Northeast Ohio Video Hunter. What makes him tick? What makes him him? Partial, potentially unsatisfying (not to mention long winded) answers are forthcoming!


Found just two days ago, the Blockbuster Entertainment Guide to Movies and Videos 1998 was the very first movie guide book I could call my own.

In the summer of 1997, I had discovered at my local library the then-latest Leonard Maltin movie guide on their shelves. Being a reference book, I was unable to check it out, and as such I wound up greatly anticipating subsequent trips to the ‘bary to further peruse the book. As a young movie buff, it was a wondrous tome; what did he like? What did he not? What could I discover? What did he score my favorite flick(s)? The internet and endless movie reviews – amateur or otherwise – in the following years kinda took away the usefulness of such books, but at the time Maltin’s guides were indispensable, and I still carry a hefty heap of nostalgia for them.

So why wasn’t a copy of Maltin the first personal guide to become mine? Well, as I recall it, mom promised me a copy for good grades or something (hey, I was in 5th grade!), and on the fateful day when it came time to make good on the promise, I was presented with the choice of not only Maltin’s document, but Blockbuster’s as well (along with a few other choices, which were and are still good, but not conducive to this particular recollection otherwise). Such was the power in the Blockbuster name brand at the time that I was torn; Maltin was already my trusted source, but surely the top purveyors of video entertainment would be an authority of such matters too! You can see what my ultimate decision was.

Did I choose wisely? Well, uh, not really. I have no idea if such things were present before or after, but this 1998 edition was riddled with errors that were obvious to even my young eyes. My favorite example: Godzilla vs. Mothra being listed as a 1964 *French* film. While the idea of ‘Zilla and Mothra sluggin’ it out with the Eiffel Tower as backdrop is undoubtedly delightful, it just wasn’t correct.

I rectified my mistake when the next annual movie guide editions came out, but I can’t help feeling some fondness for my Blockbuster book nevertheless. It may have been spotty fact-wise, but like I said, the chain was an absolute force at the time.

Next we have The Harlem Globetrotters: World Tour for the Game Boy Advance, still minty sealed fresh and with Big Deals stickers plastered on it. Evidently Deals couldn’t give it away at the bargain price of $5, so it was marked down even further to a mere $3. I honestly have zero recollection of ever getting this game, and it may actually belong to my brother, in which case, hey Luke, come an’ get it!

Obviously this isn’t a terribly old acquisition, but had you asked me beforehand if this resided somewhere in residence, I’d have scoffed and then given you a curt “NAY.”

Since it has never been opened, it has, needless to say, also never been played. I almost certainly never played it elsewhere, either. Apparently it was/is considered quite terrible, and as such, that sticker proclaiming it plays on the DS and DSLite handhelds reads more like a threat than anything. I take joy in imagining that Deals couldn’t even collect less than an Abraham Lincoln on these and just started throwing them in the bags with the other respective purchases customers were making, preferably on the sly. That’s honestly more believable when it comes to guessing how it actually came into my possession, anyway. That’d be a pretty funny customer complaint: “I didn’t want this dumb game! No, I *don’t* care if it was free!”

Probably hailing from about 1990, these knock-off Batman knickknacks are a sure sign of not only what an absolute phenomenon the 1989 movie was, but what a bonafide Batmaniac I was. Teenage Mutant Ninja Turtles, Ghostbusters and Batman, those were the big three for adolescent me.

While obviously capitalizing on the Bat-hype rampant at the time, you’ll notice that the logo is (I presume) just different enough to (hopefully?) avoid any legal entanglements. It’s not the Bat signal, it’s just a, uh, bat.

I have no idea where exactly these came from, but they’re obviously of the dime store variety. Still, they were Batman-related, and as such, something I needed in my simple little life.

Our line-up: a yellow ninja star-esque throwin’ object adorned with suction cups, a tiny, green, probably unusable even back then yo-yo, a red badge (the tiny lip on the back looks like it’d hang off a kid’s shirt pocket, at least until a mild breeze came by and knocked it off), a pink I-don’t-know-what (something on the back has long since broken off; I assume it was a clip, thus making this a cheap pin, but I guess it could’ve been a handle, making it a shield accessory for legit Batman toys – a scenario that is pretty baller when I think about it), and an orange get-the-ball-in-the-slot game watch, with bands so brittle that, as you can see, one has been lost to time.

The watch I actually uncovered over a year ago, but the others were all finds from my recent digs. What’s funny is I remembered the logo on these, but couldn’t have told you what actual items it could be found on until I, erm, found them. I’m pretty nuts about these though, and each new discovery was a moment of exhilaration for yours truly. Such a cool example of little me and my obsession with Batperson. They now all reside in a little wooden keepsake box appropriately deemed the “Bat Box” by no one but me.

I don’t know if these five items comprise a complete collection of all that I had, it’s reasonable to assume one or more similar Batfakes meeting their demise over the years, but they’re all I’ve found and I know not where else I can look. Heck, I don’t even know what to call the “line,” or how to search for it. At any rate, I love what I’ve got here; as weird as it may sound, these alone made all my searching worthwhile.

Old, unopened, sugar free pistachio-flavored Jell-O pudding. Yes, really. No, it hasn’t been sitting around since my formative years. Rather, this is something I found back in probably 2007, maybe give or take a year either way.

Where’d it come from? From the food shelves of a “salvage” store. The other ostensible edibles there were quite possibly of questionable age anyway, but this, nestled amongst other varieties of Jell-O, it was immediately evident that this box was of a graphic style no longer in production. The font just looked old, perhaps even 1980s old. Irrationally tickled that such a thing could survive to the then-present day, and out for actual sale at that, I plunked down however much the asking price was and happily trotted home with my expired puddin’ dessert, never actually intending to eat it.

(Wait, does Jell-O ever even go bad?)

I rediscovered this box months and months ago, pre-coronavirus and during a different excavation search, and even if it wasn’t expired back when I first got it, it undoubtedly is now. I still have no idea how old it actually is though; the lack of a web address anywhere on the packaging is a pretty good indicator that it’s of somewhat impressive age. It appears that “30 JAN90D6” is stamped on one side of the box – can I assume that means January 30, 1990? And if so, would that be the expiration date? How long is Jell-O pudding supposed to last in general? Maybe this really is from the 1980s?

In the same foodstuff vein, I now present to you my ancient bottle of Heinz Worcestershire Sauce. Unlike the Jell-O you just delightfully read about, this bottle has been around since my formative years. Indeed, it was never even actually lost, and as such may not technically fit in with the overall theme of this post. But if not now, when? Don’t get me wrong, if I got bored enough I could get an entire update out of this alone, but meh, lets just check this one off now. Besides, the longer this post is, the more impressed you’ll be with my literary skillz. Right?

Here’s the story: this bottle of Worcestershire (I’ve never been so grateful to have the ability to copy-and-paste as I am right now with that word) Sauce is nearly as old as I am, which is now over the 30 year mark. Is it as old as me? I don’t think so, but it could be. It’s definitely in the same vicinity.

Why does it still exist? Way back in the day, it floated (figuratively not literally HAW HAW HAW) around my parent’s pantry for years; seriously, it eventually became basically a part of the scenery, more of a decoration than something anyone would actually use to cook with. Years went by, and I grew older – as did the Worcestershire Sauce. As I recall it, it was eventually slotted for trashin’ when a long overdue pantry clean was ordered, but I rescued it from such an ignominious demise and have kept it happy and safe ever since.

I know how that preceding paragraph makes me sound, but I promise you, I’m not a hoarder. I’m a collector, and a sentimentalist, but trust me, I’m not in the habit of keeping expired food around. And yet, I just couldn’t let the Worcestershire be junked so many years ago. I think this was due to a few factors. Mainly, because it had been around for as long as I could remember, but also, that label. I mean, just look at the massive steak on that thing! I can probably attribute my lifelong love of steak (and mushrooms, and potatoes) to that graphic alone, and to this day that’s my ideal image of a steak dinner. And indeed, nowadays I love Worcestershire Sauce in general; if it can be added to a recipe, I’m there at the forefront championing its addition. Add it during the preparation of your hamburgers and just tell me it doesn’t enhance the flavor!

The bottle isn’t full, though there is still some liquid in it. The coagulation around the cap tells me it has probably turned into something fairly poisonous, but you know what? I’m still going to liken it to a vintage bottle of wine, something to be treasured, if not actually consumed. (You could point out the fact that vintage wine could still be consumed if one so desired, but I request that you don’t.)

You know, I now realize that in pursuit of honesty, this entire section of the article makes me sound like a crazy person. Maybe I should have stuck rigidly to the theme and omitted it? Oh well, the Worcestershire Sauce is in the bottle and the cat is out of the bag now.

Back to the non-edibles. As I mentioned earlier, There was Batman and Ghostbusters, and then there was Teenage Mutant Ninja Turtles. It’s tough, but those heroes in a half shell may very well have been the definitive pop culture obsessions of my childhood. Toys, video games, books, clothes, never mind the cartoon, those pizza lovin’ dudes were a near constant of formative years. They were, as hip kids say, radical and totally righteous.

So when the first big screen movie came out in 1990, it stands to reason that I considered it something of a cultural event. A watershed touchstone? Sure, why not. What you’re seeing here are two of the promotional items foisted upon the children of America during the insane hype that was Teenage Mutant Ninja Turtles: The Movie. On the upper left: a pin, with a shot taken from the campfire scene. That’s Mikey and Don, lookin’ all nonchalant despite the amounts of pain they were capable of doling out. On the lower right: Raph and Leo share a brotherly moment in a shot that I think comes from after Raph had been revived following a severe beat down.

Both items are still technically usable, the pin more so than the keychain, which has cracked and was dutifully covered in tape by yours truly somewhere down the line. Nevertheless, both are absolute powerhouses of nostalgia for me (especially the keychain, because it features Raphael, who we all know was the superior turtle).

I remember, back in the early-90s, an entire wall in Sears (or maybe it was JC Penney?) being dedicated to smaller TMNT items such as these. As I recall it, it was located in the vicinity of the shoes, and if the turtles’ faces could be plastered on it, it was there. We’re talking shoelaces and the like, in addition to the stuff like what you’re seeing above.

While certainly emblematic of the TMNT movie fervor I had at the time, these were far from the only items I had spotlighting that 1990 debut movie; somewhere I have a giant cardboard standup of all four turtles. It has not as yet been recovered, and I sure hope it hasn’t disintegrated into a mildewed pile of sadness. That would be decidedly not righteous.

(My dad took me to see the movie in the theater. I vaguely recall arriving a little late and later spilling some of the green TMNT-esque drink. Loved the movie though, and you know, I think it holds up better today than it has any right to – though in the interest of full disclosure, I’m looooong overdue for a rewatch. It’s been years!)

The Ninja Turtles weren’t my only cinematic obsession of 1990, however. TMNT found a natural place in my heart due to already being a fan of the franchise. My other movie hero of 1990 was, on the surface, a bit more inexplicable though, and his name was Dick Tracy.

Played by Milton Armitage Warren Beatty, 1990’s Dick Tracy was aggressively marketed to kids, and in my case, it worked. Big time. For a period there, I was all about that copper and his sunshiny bright yella coat. Dutifully, we all went to see it at the drive-in; I recall falling asleep at some point later in the flick, but that wasn’t a commentary on the quality of the film (I was too young to judge, and truth be told, I haven’t seen the movie since then – but I want to, because it absolutely looks like something I’d love nowadays).

Beyond the movie itself was a promotional blitz that, in retrospect, seems sorta unlikely for a comic strip character that was hardly a beacon of “hip” to kids my age beforehand. I’ve read that it was intended to mimic the Batman ballyhoo of the summer prior, and even if it wasn’t ultimately as successful, it certainly seemed comparable in terms of all-encompassing hype. Like I said, it worked big time in my case.

The two pins you’re seeing above are just two small parts of that blitz. The button in the lower right, it’s just the expected Dick Tracy logo that was plastered on pretty much everything at the time. (Even today, TMNT notwithstanding, that logo screams “1990”  to me in a way that few other things can.) The pin in the upper left, well, it’s missing the actual pin part on the back, but it’s shaped like a badge, and declaring the wearer to be a “Junior Detective.” I’d seriously consider keeping that one in my wallet if I didn’t think I’d get busted for impersonating a cop and providing the world’s most embarrassing rap sheet. Dick Tracy wouldn’t approve of that.

I fear it’s long, long gone by now, but I’d sure LOVE to find one of the cards from McDonald’s Dick Tracy Crime Stoppers game. I had one, but I haven’t seen it in decades. That, to me, would be more emblematic than anything of the Dick Tracy mania that swept 1990.

The promotional blitz didn’t end there, though…

No, this isn’t an official Dick Tracy item, but in my world, it’s related, and it’s something I was quite happy to rediscover recently. Lemme explain…

In conjunction with the movie came the expected line of toys. Such things were beyond commonplace by 1990; it would have been weirder if they hadn’t released a corresponding toy line! Put out by Playmates, the same folks behind the fantastic line of Teenage Mutant Ninja Turtles action figures, Dick Tracy and his fellow cast of characters were immortalized in plastic.

Like TMNT, the line was brilliantly detailed, with some of the villains being pretty accurate toy recreations of their disgusting big screen counterparts. Indeed, from looks to scale, these figures would have fit right in the Ninja Turtle world, and while I personally don’t recall doing so, it’s easy to imagine other kids taking advantage of that. The line certainly never achieved the same long running success as the Turtles did, but it was pretty decent for what it was…

…Except for one aspect that burnt me up then, and still puzzles me now: THE DICK TRACY FIGURE DIDN’T HAVE A YELLOW RAINCOAT! How on earth do you make a Dick Tracy action figure and then omit his most recognizable aspect?! It boggles mah mind! Oh, he had the hat alright, but the sensible suit that made up the figure’s attire otherwise just didn’t cut it, man. Not then, and not now. And what makes things even more inexplicable is that Playmates released a Donatello action figure with a raincoat  – that very same year!

Anyway, thanks to what I assume was incessant badgering on my part, mom took pity on me and actually sewed a proper yellow coat out of felt for my Dick Tracy action figure! Thanks, ma! Naturally, that’s what you’re looking at above. Actually, for reasons now forgotten, she sewed me two of ’em; I came across the other during my recent digs, but stupidly didn’t put it aside like I did this second one. I don’t have the stamina go digging again just for that, so this coat above will have to represent all on its own. (They were both pretty much the same, and nobody but me cares about any of this anyway.)

Such things were (are) typical of mom, even with something that in the grand scheme of things is of zero importance. But really, even she must’ve realized you just don’t make a Dick Tracy action figure without the yellow raincoat. You. Just. Don’t. Do. It.

Oh was I happy to find this one; I had been on the hunt for it for well over a year, but I never expected to find it buried among old high school junk. It wasn’t the only surprising find in that batch either; there were some TV Guides that, like this book, I thought were in one specific place but actually, erm, weren’t.

The Kid’s Guide to Home Computers hails from 1983, but that’s not when I got it – I wasn’t born yet! And no, it didn’t come from a thrift store, garage sale or what have you, either.

Nope, I actually got this ‘new’, albeit well, well after it was even remotely current. It was at some store inside of Chapel Hill Mall, I recall it as a Big Lots-styled, closeout type place, but I could be wrong on that. Actually, I could be wrong on it being at Chapel Hill, too; that particular part of my memory has faded. BUT, I do absolutely recall seeing it on a rack along with others books/magazines, and this wasn’t an oldies rack. I mean, if this was a closeout store, maybe they were, but even so, The Kid’s Guide… stood out to me. How it got to where it was and lasted there as long as it did, I do not know. But I’m sure glad it waited around for me!

By then, I was certainly already familiar with the Atari 2600 console, and I believe I was familiar with both the Intellivision and Odyssey 2 too (albeit only via old print advertisements at that point). So, I’ll say I picked this book up around 1995 or 1996. Maybe even ’97, but that seems a little too late. We’ll stick with mid-90s and leave it at that.

I was already a sucker for retro gaming then, though I’m not sure most of it was old enough to be considered “retro” just yet. In those pre-internet-as-we-now-know-it years, this book was an absolute revelation. If the pages within weren’t my first actual introductions to the ColecoVision, Atari 5200, and Atari 8-bit computer line, then they were certainly my first real introductions. As you may surmise from the title of the book, the proceedings lean heavily on the “home computer” side of the equation, as opposed to the “home video game console.” Of course, since nearly all of the home video game consoles at the time were trying to be home computers in some form, there was quite a bit of overlap, and it was fantastic to read all about it.

The book is an absolute time capsule, with chapters on choosing a PC, the various hardware and software out there, even upcoming titles. Most of the major players in the industry are represented, and even a few that, at least now, may not be considered major.

I absolutely poured over all this back in the day, and despite clearly being aimed at kids (as you, uh, gleamed from the title) in writing style and length, it covers a lot of bases. A sign of the times: the Atari 5200 controller was considered an improvement over the 2600 joystick. (And at least on paper, that was true!) Also, this was where I first learned that M*A*S*H had been turned into an Atari 2600 game! Neato!

Okay, sure, technically there’s nothing in this book that can’t be learned online nowadays, but as a snapshot of gaming/home computing in the early-80s, I consider it indispensable. And I’m never letting it get lost again.

Undoubtedly you’re asking yourself right this moment “say, what’s with that swell gem-shaped rock y’all got there, North Video Guy?” And to that I reply “pump the brakes Ace, I’ll explain.” (Seriously, haven’t you been paying attention? I always explain!)

This wasn’t a store-bought acquisition. At one point during my earliest of years, I wanted a “gem.” Why or what kind of gem, I don’t know, and I’m not sure I could have given you a decent explanation even back then, either.

So anyway, my dad took a rock, and polished into the smooth, gem-like shape you’re seeing now. Thanks, pa!

Like so many of the smaller pieces in my childhood ‘stuff’, the gem/rock/thing floated around (figuratively not literally HAW HAW HAW) the house for years, at one point being colored red with crayon (except for some edge chips that you can just barely see in this pic, this was eventually cleaned off), and ultimately being boxed/bagged/whatevered up until I uncovered it during my archaeological dig some weeks ago. It was immediately set aside, because you know, I still really like the gem rock (I’ve decided that’s its official name, “gem rock”). As a childhood trinket, its nostalgia is powerful.

(Of course, I doubt anyone else anywhere would care all that much about it, and truthfully I don’t have a ton more to say about it here; I mean, what do you want? It’s a rock polished into the shape of a generic gem! I gave you its history, so what more can I say? Nothing’s ever enough for you, is it?)

I think you’d have to be of a certain age to really appreciate the ubiquitous LCD handheld video games Tiger Electronics released in the 1980s and 1990s. These things were everywhere; a seemingly countless number arcade or console games, movies, cartoons and sports received dedicated Tiger handheld adaptations. I mean, MC Hammer and Full House even had handhelds! (As a TGIF kid, there’s a good chance you’ll hear me flipping out from wherever you happen to be should I find that Full House somewhere. And minus the whole TGIF aspect, the same goes for MC Hammer too, come to think of it. Also, now’s as good a time as any to mention that it saddens me that Urkel and/or Family Matters never received a Tiger LCD game adaptation.)

Of course, even those that grew up with them tend to admit that they really weren’t very good. Even compared to other single game handhelds like those by Nintendo (Game & Watch!) or Konami (or at least their TMNT games were pretty decent), the Tigers could come up a little short in the gameplay department – even with the diminished expectations that inherently come with a single game LCD.

So why was I so happy to see that they’re being revived? Nostalgia, I suppose. I loved these things back then – even after I had a Game Boy. Cheap and cheesy as they might have been, there was something oddly special about them at the time – and that something may or may not translate to modern times, even for those that grew up with them originally. I don’t know, maybe I innately sensed that the single game set-up and dedicated marquee-like graphics recalled the coin-ops that were still so prevalent at the time? (Actually, I started that thought fully intending to be a smarty pants, except I then remembered that Tiger ran commercials in the late-80s specifically touting the arcade-in-yo’-pocket aspect of these things. In other words, initial smarty pants reaction or not, subconsciously I guess I wasn’t too far off!)

Indeed, when I learned of the revival, I looked around for one that was worthy of specifically reviewing. I obviously never made the plunge, though Street Fighter II was a serious candidate for about 12 seconds (until I played it and couldn’t decide if some of the controls were broken or if that’s just how it was supposed to play.)

SO ANYWAY, that all played into my being pleased when these two childhood examples were rediscovered during my ‘ronavirus-sourced searchin’. Ninja Gaiden II and Sonic the Hedgehog 2, as you can see. Look close and you’ll notice that the screen in Ninja Gaiden II has been smashed beyond repair (?), which is just a real shame. Sonic 2 still plays fine though.

Indeed, my want and anticipation of Sonic 2 was unbelievable at the time. I wouldn’t own a Sega Genesis for a year or two more when I first got it, but I had already become a Sonic fan nevertheless, via the not one but two cartoon series centered around him. For a period, I was all Sonic all the time, despite natively being a Nintendo kid and not owning any actual Sonic games yet. While ultimately a prime example of Tiger translations of ‘real’ video games not exactly living up to the originals, my yearning for this Sonic 2 back then was unprecedented, and comparable to my wanting of whatever Game Boy title was currently on my radar. I played the heck out of it too – it held the Sonic fort until I got the real Sonic 2 some time later.

Oh, and during my searching, I also found Tiger handheld renditions of Batman Returns and Teenage Mutant Ninja Turtles: Dimension X Assault (which seemed like somewhat of a novelty to me back then, not only because it talked but also because Konami released the previous TMNT LCDs). I knew automatically that these actually belonged to my brother, and when I sent him a text asking if I could have them or if he actually wanted them back, he replied in the affirmative regarding the latter. I was somewhat disappointed in this response, and that leads me to this interlude.

Here, flanked by those two Tiger handhelds that have been begrudged me, as well as a Pocket Rocker, is Imperial’s King Kong figure. The sad (for me) fact of the matter was that as I dug through all this childhood stuff, I wasn’t finding only my crap, but stuff belonging to my brother as well. He didn’t want all of it back, but the stuff in this picture, he did. The two handhelds, I understand it, those were staples of his childhood, I get it. And the Pocket Rocker was gifted to him by some relative one long ago Christmas, so I get that, too. (What I don’t get is why he got the cool Pocket Rocker, since I was the one who remembered the commercials; IT AIN’T FAIR. I mean, *I* want an almost immediately worthless music playin’ device, too!)

I was really hoping I could finagle that King Kong out of him though. He didn’t go for it, and that hurts me deep. And after I went through the trouble of locating his stupid stuffed Wiley Ewok thing, too! Thas gradditood fo’ ya!

(Of course I kid. Or do I? You decide!)

I thought for sure I had written about these old Big Chuck & Lil’ John stickers before; maybe I had and the post is just no longer up. I do that sometimes. Either way, during my digs I came across a stray example, and despite already having a number of them ‘in their place’, I was pretty derned happy to rescue yet another, because believe it or not, they’re actually some of my favorite pieces of BC&LJ memorabilia.

(I actually came across precious little material regarding Northeast Ohio’s horror hosts during my searches, which is both good cause that means I’ve already got most of it preserved and bad because I, erm, want more. Oh, I found a few bits besides this sticker here, but more is always better.)

These stickers hail from around 2000/2001. They were freebies at the Fox 8 store in Summit Mall. (Yes, a local channel had their own store in a mall; it was honestly pretty cool, and I wish I’d taken even more advantage of it than I did.) I can’t remember if it was beforehand or if it was when I met Big Chuck & Lil’ John for the very first time in person in the summer of 2001 (just before I entered high school), but there were a whole bunch of these stickers (in a basket on the checkout counter, if I recall correctly), and they let us take a handful.

Hailing from where and when it does, this is just such a terrific example of Northeast Ohio broadcasting at the time. I mean, You’ve got Big Chuck & Lil’ John, who are indisputably local legends, and you’ve got the mention of them following another local institution, The Drew Carey Show. Although it wasn’t (normally) filmed there, Drew himself is a Cleveland icon, and the sitcom was set there, so naturally The Drew Carey Show was a fairly big deal around these parts.

It’s hard to explain what a piece of the cultural landscape Drew’s show was in the late-90s and early-00s, or at least that’s how it seemed to me. Everything stopped for the new episodes on ABC on Wednesday nights, and then Drew’s Whose Line is it Anyway?, and of course the syndicated episodes that were airing multiple times a day on channel 8.

The very fact that a Big Chuck & Lil’ John sticker plays into all of that makes it an indispensable part of my collection, no matter how many times over.

You may notice that this particular copy of the sticker is in a protective card case. No, I didn’t find it that way; rather, whilst digging, I also came across two of the only remaining Pokemon cards I own, both contained back-to-back in said protective case. Since Chuck & John trump Charizard any day, out went the cards and in went the sticker – though truth be told, I made the switch mainly just because it amused me.

I’m seriously considering having both Chuck and John sign the back of the sticker if I bother to go to the next Ghoulardifest, and if I could get Drew to sign it too at some point, well, that’d be pretty amazing.

Speaking of autographs, here’s something I found that I had no recollection of ever having, though I do remember the meeting itself.

You’re looking at the autograph of one Don “Action” Jackson, who until recently was one of *the* DJs at WMJI 105.7 FM. He was recently laid off during that iHeart Radio restructuring or whatever it was, and that’s a genuine shame. Not only was Action Jackson ever present during the years in which I was forming my musical tastes (thanks largely due to his station), but he was just a terrific DJ in general – energetic, entertaining, and in no way deserving of such an unceremonious exit.

Anyway, I met him in 2002, at the opening of some store somewhere. (A Giant Eagle, I think? Or maybe a Sam’s Club? I ain’t recall.) That’s obviously where this autograph came from, signed on the back of a “United We Stand” bumper sticker (it was the months following 9/11, after all).

And as luck would have it, he was also giving out Moondog concert tickets as prizes, should you be able to answer four of the performers appearing at the show that year. The guy next to me blanked, but I nailed three of them before blanking on the fourth. I did recall the opening, warm-up act though, so I took a chance, and that was enough to net me two free tickets to the Magic Moondog Coronation Ball 2002. Which leads me to this…

I already kinda knew where this Moondog ’02 program was, it wasn’t really a rediscovery here, but it still needed liberated, so here we are. This program was, of course, the result of my ticket win. My brother and I both went, and I’m not sure about him, but I do believe this was the first real concert I ever attended. Unless you count the KISS tribute band in the parking lot of High Point Furniture, which I don’t.

(What, I treat you to a free, memory-makin’ Moondog concert and you can’t toss that King Kong figure my way, bro? UNBELIEVABLE.)

The Moondog, held annually for years starting in 1992, commemorated Alan Freed’s original Moondog show of 1952, generally considered the first legitimate Rock & Roll concert. 2002 happened to be the 50th anniversary of all that.

The guest line-up on the first page of the program gives you a good idea of what the Moondog consisted of for a number of years. Namely,1950s and 1960s acts, and man, 2002 didn’t disappoint. (Partners in Rhyme, an a cappella group, was the opening act that inadvertently won me the tickets; thanks guys!) Not a dud in the bunch, and one of them (Lesley Gore) is no longer with us. As a first concert experience and a lover of 50s and 60s pop/rock (then and now), it was tough to beat! I specifically remember Gary Puckett’s vocals absolutely shaking the arena.

(And yet, the best Moondog I ever saw was in 2011: The Grass Roots, a few months before Rob Grill died, Eric Burdon of The Animals, whose voice was still unbelievable, The Spinners, who put on a fantastic grand finale-type performance in the middle of the concert, Felix Cavaliere & The Rascals, and headliners America. I mean, I love all of those acts, and aside from the fact it was tough for anyone to follow The Spinners’ showstopper, it’s one of the best concerts I’ve ever seen by someone not named Bruce Springsteen. 2012 was good too but just couldn’t compare, and I haven’t made it to a Moondog since. Actually, I don’t think they’ve even had them for the last few years, which is pretty sad.)

Time for some more Teenage Mutant Ninja Turtles memorabilia. This one, I had already found an empty tube some time beforehand, and then I found another during the recent searching. Which one is this? Does it even really matter? Stop being so needlessly arbitrary, you! They’re both the same!

(Yeah, like I have any room to be criticizing anybody for being arbitrary!)

Put out in conjunction with 1991’s Teenage Mutant Ninja Turtles II: The Secret of the Ooze, this was a tube of “Squeeze & Lick Lollipop,” as per the now-empty tube you’re seeing to your right. It was really just a fruit-flavored gel, though I recall it being tasty enough. I question the look of anger on Raph’s face as he samples it though; what, if it ain’t pizza it ain’t good?

It’s tough to say when TMNT mania among kids reached its peak. I’d cautiously posit 1990/1991, though. You had the cartoon with three years under its belt, an endless amount of merchandise (toy, game, clothing, food, you name it), and now two live-action movies. Oh, and a live concert tour that featured a promotional appearance on Oprah. That happened too. The early years of the 90s really did belong to the Turtles, at least where kids were concerned. This empty tube does a decent enough job of representing that era all on its own, if you ask me.

I didn’t, and don’t, think the sequel quite topped the first movie in terms of quality, though I will say the second flick did achieve something approaching a microcosm of early-90s kids’ pop culture. Or something like that. Vanilla Ice performing “Ninja Rap” just may be the definitive summation of 1991 when it comes to the world of children at the time. Of course, I’m biased; I was there for it as it happened. My perception may very well (and almost certainly is) skewed.

This follows, cause Ninja Turtles, pizza, ya dig?

Found in a bag of random papers and whatnot, this is an original flyer for Pizza Pan, a local chain that was, as you can see, “home of the free pizza.” I can’t believe this survived to the present day, and even crumpled and a little torn (I’m trying to flatten it out as best I can right now), it’s a find I’m pretty happy to have had.

Here’s how it worked: have a pizza delivered, and you got one free. Pick it up yourself, and you got two free. As seen here, the same deal applied to their ribs. With an offer like that, there’s naturally going to be some buzz, and for awhile there in the early/mid-00s, Pizza Pan was aggressively pushed locally. Big Chuck & Lil’ John themselves even pitched them in commercials, and even their show proper. (Hey, here’s proof!) The push worked, because we certainly sampled their wares more than once.

And then they just seemed to sort of go away. I vaguely recall the free pizza deal being done away with, which, if my memory is correct, is going to hurt business considering that’s what the business was built on. Maybe I’m recalling wrong, though. At any rate, the location nearest us closed, and we never had them again. There’s still a website, though it doesn’t seem to have been updated since 2015, and nearly all of the tabs just lead back to the store locations page – and I’m not sure how many of those are even still open today.

Still, like Mikey and Regency Windows ads (“I’m gonna save you a lotttttta money!”), the promotions for this place were ever present at the time, and for me, an indispensable reminder of that era in Northeast Ohio.

My recent digs weren’t relegated to only bags, boxes and bins of childhood crap, however. I’ve also used this unexpected down time to take the opportunity to sift through my vast, VAST video collection, simply to recover long missing tapes that have been on my mental want list for too long.

The tape, from 2005, that you’re seeing here wasn’t the biggest rediscovery, but it’s certainly one that I’d been searching for for quite awhile, and as such pretty representative of the whole project. When I finally unearthed it, the contents weren’t even marked (something that, I’m sad to say, became quite common for me as the 00s dawned).

While an episode of That 70s Show and part of The Simple Life (The Simple Life, boy, I had forgotten all about that garbage) were captured afterwards, the main purpose of this tape was to grab three episodes of Seinfeld that I found particularly brilliant. This was of course before the DVD releases, when the only way to consistently re-watch these was to tape them via syndication. At the time I was a huge Seinfeld fan, and while the truth is the show hasn’t worn all that well for me now, I do indeed still consider these three episodes to be among my favorites:

“The Bizarro Jerry” (season 8, episode 3), in which Elaine falls in with a group of friends who are the polar opposites of Jerry, George, Kramer and Newman, behavior-wise. I’ll never forget just how clever I found the concept the first time I saw the episode. Oh, and “man hands” stems from this ep, too.

“The Merv Griffin Show” (season 9, episode 6), in which Kramer finds the discarded set from the aforementioned show in a dumpster and recreates the program in his apartment. It’s a little surreal, and while the occasional surrealism of the later seasons of Seinfeld have been criticized (even by myself at one point), it’s an aspect that, ironically, holds up better for me now.

“The Frogger” (season 9, episode 18), in which George buys and attempts to keep his high score preserved on an old Frogger coin-op. This one, besides having the usage of a vintage arcade machine as a natural source of interest for yours truly, was one of the first (and only) episodes I saw first run. In the hype surrounding the series finale, I briefly started watching new episodes on NBC, though I didn’t stick with it. Despite the heartbreaking image of a Frogger machine smashed to bits at the episode’s conclusion, there’s still some real nostalgia at play here.

Obviously the tape is pretty worthless now that the uncut, squeaky clean DVDs are readily available, but at the time, this was as good as I could have hoped for. And dig this, there’s a Pizza Pan commercial during “The Frogger” episode, too! Look, it’s all comin’ together, just like an episode of Seinfeld!

(I’ve managed to relocate nearly all of the tapes I’d been searching for, albeit at the expense of a beater VCR that actually held up for far longer than it should have considering what I put it through. The last hold out? Years ago, I had five tapes loaded with Nick Arcade episodes. I have #1, #3, #4 and #5, but as of this writing, #2 is still MIA. I would have marked that one, so where could it be? It’s drivin’ me ‘nanners, man!)

Hey, did y’all know I was an artist? NO?! Well, that’s understandable, since I’m really not. Not professionally, I mean. I’d like to think that the image to your left here was my only real flirtation with surrealism or existentialism or some artsy fartsy term like that, though.

Here’s the story: during my senior year of high school, my art class was split in two groups. There was photography, and then there was whatever I was in (I honestly don’t remember). The photography part took up most of the teacher’s focus, so me and the two or three others in our group were largely left to our own devices. Oh, the teacher would give us assignments and we’d do them, but since her attention was focused on photography, we got to screw around way more than we would have otherwise. No joke, I once made a makeshift TMNT action figure in a kiln, because some things stay with you for life.

Anyway, one time, I can’t remember if there was a bowl of pretzels set out for us or if someone just brought pretzels as a snack, but I got the idea to dip one in epoxy or something and wing it at a piece of my art paper. The result survives to this day and is what you’re seeing now. I call it “Discarded Pretzel,” and it represents isolation or something. It looks like it’s been spit out, okay? I can’t decide if the pretzel itself is more or less toxic than the Worcestershire Sauce I wrote about several months ago in this article.

We’re nearing the end of our journey here, which is good, because my enthusiasm is fading fast. Still, I find this artifact pretty funny. I don’t know when it’s from, but it’s the result of my brother and I being needlessly destructive.

You know those dollar store G.I. Joe knock-off figures that have been produced forever, right to this very day? Well, at one point my brother and I decided it’d be a good idea to melt a toy roulette wheel into the torso of one. You can ask me why, but I have no good excuses.

Honestly, it’s something so pointless and stupid, I can’t help but love it. I kinda regret ‘modifying’ the wheel (which I think hails from the same general era as those fake Batman things waaaay up above), but considering our clumsy melting skills, it’s amazing that the wheel is not only still functional, but so are the hapless soldier’s appendages. Even his head still turns!

Remember those little I.D. cards on the back of G.I. Joe packages, detailing the attributes of whatever specific figure you bought? I can’t help but wonder how this guy’s would read (even though he’s not a G.I. Joe). I mean, could his specialized skill be any more useless? The dumb wheel doesn’t even work right unless he’s laying down! (We call that gravity, gang.) What, is he hoping to tap into the compulsive gambling habits of Cobra?

The questions are endless; this dude’s a total enigma. I deem him “Wheelhouse,” because that sounds like a G.I. Joe-ish moniker. Oh, and he has to originally hail from either Vegas or Atlantic City, I haven’t decided which yet.

During my digging, I turned up not one, not two, but three old Mystery Science Theater 3000 merchandise order forms! Cool winnins!

I had written the show and sent in some of my artwork back in, probably, late 1997, and that was enough for them to add me to the “Info Club.” Thanks, MST3K! Man, I loved getting these things in the mail; new MST3K merch to buy – too cool! Well, having even less money then than I do now (which is really saying something), most of it was just for me to gawk at, though I did order tapes fairly frequently from them. This is also where my “Bot Building Booklet” and some kind of MST3K-emblazoned folder loaded with stuff came from, but usually, it was all about the VHS.

Do I wish I had taken even more advantage of the wares they offered? Well, of course. Still, I can’t complain about what I did get, and I’m certainly glad to have a decent number of these old order forms survive in my collection. As far as I know, the Info Club is no more, but at least we MSTies have artifacts such as these to remind us. (As well as the on-screen graphic that remains in old episodes.)

And last but certainly not least, we have this dandy little item. Dig this: it’s a State Road Shopping Center coupon booklet, from 2006! Mega cool winnins!

One of the most popular articles on this blog is this oldie, in which I detailed, in photographic form, some of the establishments that had once made up the shopping center. It’s kind of a wash, since it’s an earlier effort and I don’t think it’s particularly well-written, but meh, it is what it is.

Anyway, this booklet was good throughout May 2006 (14 years ago as of this writing!), and I imagine it was a last ditch effort to improve business and stave off the eventual demolishing that ultimately took away the old center and made way for the one that stands today. Or maybe they just though it’d be a nice gesture, I dunno. But look, it was free!

I myself didn’t actually find this; rather, mom came across not one but two of them during her own personal cleaning project. (See, it’s not just me; there hasn’t been much anyone can do around here lately!) She actually asked me if I wanted them! Uh, yeah ma, I do! Mom knows what kind of stuff I collect, so I appreciate her saving these for me. Thanks again, ma!

Not every place in the strip was represented in the booklet, and that unfortunately means no special deals for North Gate Lanes (though I can’t remember for sure now; they may have been gone by ’06). Still, the coupons for Arby’s (still there), Pro-Tec Electronics (relocated), Goodwill (relocated), Fishland Pets (gone, I think?) and Longhitano’s Restaurant (still around in Kent), among a few others, make this an essential piece of local (and I do mean really local) memorabilia for yours truly!


And with that, our little trip down (my) memory lane comes to a close. This was a fun article to write, mostly because it was mainly for me. As I said over 8000 (yes, really!) words ago, much of this is probably only important to me. But like I also said way back at the beginning, hey, it’s a bit of a peak into what makes me, me. Not a big one, but one nevertheless.

If nothing else, hopefully it gave you something to do, provided you’re under the same stay-at-home orders as I currently am. I want everyone to be safe and healthy and to do their part to keep others safe and healthy, but man, I’m ready for this to be over. I never expected to live through something like this pandemic, and I sure hope I never have to live through something like it again.

Stay safe, everybody!

Oh, but before I go…

There, that’s better! Seriously, Dick Tracy without the yellow raincoat, man, it just ain’t right!