Monthly Archives: October 2014

ProScan VHS VCR Model No. PSVR81

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It’s all about the contours with this one. I’ve got so many VCRs at this point that anything outside of the mid-1980’s ‘sweet spot’ almost has to be all about the contours (in other words: it’s gotta look cool, or have enough features to make up for not looking cool, which in and of itself is cool. Dig?). And boy, this unit has “style” to burn; the sleek black casing and overall elegant design practically scream “classy product, yo!” Which is why I pretty much flipped when I happened upon this deck at a thrift shop recently. It actually took me a moment to realize it was a VCR; at first glance the design, as well as the fact that the flap-door blends right in with said design, fooled me into thinking this was a stereo receiver or something. The second I realized it was instead a slick-lookin’ VCR, it became mine (well, I held on to it for dear life; it didn’t *technically* become mine until the appropriate amount of cash was thrown down at the register, but you know what I meant).

I have only limited experience with ProScan products, but according to this Wikipedia article, they seem to be on the higher-end of things. The sole ProScan product I had prior is the best Laserdisc player I’ve ever owned: a really terrific unit with auto-flip (i.e., no getting up to flip the disc) and some other snazzy features. This is the player I always have hooked up (yeah, I still watch Laserdiscs from time to time; love ’em) and it has always performed like a champ. So yeah, what experience I have with ProScan has been 100% positive.

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I don’t know what year this hails from, but my gut told me around 1995, and this page more-or-less confirms that feeling with a “1994-1995.” It looks like a product of the 1990s, but in a good way. I’ve mentioned time and time again my ambivalent feelings towards the electronics of the era, but there are exceptions, and this unit more than any other qualifies.

(The deck I talked about in this post exemplifies the “cheap 1990s” look I usually avoid; strangely, that post and the VCR it’s about I had both completely forgotten about until it showed up on my WordPress dashboard as having been viewed by someone recently. It took me a moment to even remember where I stored the thing; that’s how forgettable some 90s electronics were/are!)

Eagle eyes will notice that this deck uses the VCR Plus+ get up. I never had any first-hand experience with VCR Plus+, but basically you could input the number codes found next to listings in TV Guide and whatnot into the VCR and it would automatically record the program. I don’t think I ever had a deck that used VCR Plus+ (back in my ‘real’ taping days, I mean), I always manually set the VCR timer, which wound up being a good thing, because I got complete versions of programs that would have been cut-off by running over their timeslot otherwise (VCR Plus+ didn’t adjust for that sorta thing, from how I understand it).

Oddly enough, despite the fact it means fairly little in regards to a VCRs functionality, at least nowadays, I’ve seen units with the VCR Plus+ moniker marked higher than other VCRs at thrift shops and the like. Maybe that’s just skewed perception on my part, but it sure seems like that’s what folks are doing, and if so, it fills me with a burning rage you can’t begin to fathom.

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The thing actually says “Hello” when you turn it on. That’s adorable. It’s a small touch, but it adds an even more classy quality to a machine that already looks pretty darn spiffy. Sure, it’s just a small gimmick that doesn’t really mean anything, but it sure doesn’t hurt.

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Remember that time I gushed about the audio level readout in this post? Of course you don’t. Anyway, I always get a kick out of it, particularly on newer (relatively speaking) units such as this one. I could be dead wrong on this, but it seems like this was a feature that was by and large phased out on VCRs as the 1990s progressed. Again, I could be dead wrong on that, but I know that I’ve found far fewer 1990s decks that sport audio levels when compared to 1980s VCRs.

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In addition to the usual fast forward/rewind/play/stop buttons, the PSVR81 also features this stylin’ jog wheel, though I still call these “swing shuttles,” which was Sony’s (and others?) name for the feature. It lets you access pause, slow-motion, etc. Admittedly, I never really use the jog wheels, but I also admit that they look really cool to me. Anytime I come across a deck with a jog wheel, it’s almost assuredly a must-purchase (unless preliminary testing proves that the deck doesn’t work correctly).

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The not-immediately-noticed panel along the bottom of the front features a number of other options, including a button that awards the ability to record in all three speeds (SP, LP, SLP), blank search, input select, and a set of AV input jacks. Unfortunately, I’m not seeing tracking control anywhere on the unit, which means it was almost certainly a feature accessed via the remote, which was MIA with this particular VCR.

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On the back: AV inputs and outputs and antenna in-and-out jacks. See, PSVR81. Did you think I was lying? I wasn’t.

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As with any thousand-year-old VCR, the million dollar question is “how does it work?” This PSVR81 runs incredibly well. Maybe it was serviced at some point in the past, but I have a feeling it was just well-maintained on top of being high quality in the first place. All of the functions perform like new, and the picture is terrific. Me being me, of course I used an old Magnum, P.I. tape for screencap purposes, because no VCR would dare chew up Magnum (but just in case, I tested tapes I didn’t care as much about beforehand).

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This really is a fantastic machine, and it must have looked swanky as all get-out in mid-1990s entertainment centers. While the design isn’t identical, it actually would compliment my aforementioned ProScan Laserdisc player nicely, if I didn’t already have too many things hooked up in that particular center. I don’t know if I’d take take this deck over some feature-packed models from the mid-to-late-1980s, but this is certainly up there as one of the best 1990s VCRs I’ve ever found while out and about. Personally, it’s probably a tie between this and that Goldstar as my favorite *as far as thrift/second-hand store finds go* (a high-end Sony Hi-Fi VHS VCR from 1990 that I bought online is my best and favorite of the decade, period).

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Just for fun, there’s my three latest thrift store VCR acquisitions. The Goldstar I talked out before is on the bottom, this ProScan on top (duh!), and in the middle a fairly decent Toshiba I nevertheless couldn’t muster the enthusiasm to write about. It’s a nice machine, but the real reason for my purchasing it? Jog wheel man, jog wheel.

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Adorable.

VCI Home Video – The Creeping Terror (On Betamax, No Less)

 

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I love this one. Love love love it. No matter how many times I type “love,” I doubt you’re going to understand just how happy I am to have this awful, awful movie on a format that’s only slightly more obsolete than VHS. I’m jazzed, man.

Why? Because I’m a complete and total sucker for The Creeping Terror. I love this stupid terrible movie beyond what is probably considered acceptable limits of, erm, acceptability…? That kind of fell apart, but suffice it to say, I’m quite fond of the flick. It’s one of the worst movies ever made, and it’s gloriously entertaining because of that.

The Creeping Terror has it all: shoddy black & white footage, limited dialogue but plenty of awkward narration, a star that you won’t buy for a minute as a legitimate star and who doesn’t really do enough to warrant being called a star anyway (but being the director/producer/guy who made this movie happen, naturally he had first dibs on leading man-status), a scientist played by the original Marlboro Man (yes, really), a random rectal thermometer for a baby, an even more random lecture on bachelor-hood and married life, a very slow-moving monster that looks to be made of shag carpet, victims that not only lack the ability to run or even walk away from said monster but who also crawl into the damn thing, a rather rotund man and his grandson Bobby (“Bobbbby!“), a hot leading lady, and the most awkward dance party you’ve ever seen (that goes on for far too long and culminates in not only the monster eating everyone but also a pointless fight between two guys that results in a woman’s dress being torn and her, erm, bare upper region being briefly exposed – a moment that clearly wasn’t planned so of course they left in).

It’s one “the hell?” moment after another, and thus it’s clearly one of the worst (greatest) things ever committed to film. Fittingly, it was given the Mystery Science Theater 3000 treatment, but the movie is so, so out there that it’s a trip by itself.

I first saw (and taped!) the film in 1998 on WAOH TV-29, years before I saw the MST3K version, and it was the recording of that broadcast that I was most familiar with for years (rarity of rarities: unlike most of the crap I taped, I actually wound up watching it!). My reasons for taping it were two-fold: 1) at that time, any old horror/sci-fi flicks were fair-game for my vicious recordin’ tactics (that is, I’d tape anything and everything possible that fit my preferred criteria), and more importantly, 2) thanks to my beloved Mystery Science Theater 3000 Amazing Colossal Episode Guide, I knew the movie had been featured on the show, and even though it would be a few years before I became familiar with the actual episode, the mere fact that the movie was on the show was enough to make me want it.

That said, despite the extreme oddness of the film, it didn’t really do much for me then. Sure, it was an uber-amateurish, grade-z sci-fi flick, but I had plenty of those in my collection already (albeit few, if any, as inept). And while the MST3K treatment has since become one of my favorites, my first viewing of that episode several years after first seeing The Creeping Terror left me a little cold as well (just a little, though).

It wasn’t until almost 2 years ago, when I came across this thread at the Classic Horror Film Board, that my interest in the film rose to peaks I never thought it would. The thread started way back in 2006, and it’s still going! There’s so much interesting backstory regarding The Creeping Terror that the movie itself is almost (but not quite) overshadowed by it all. And since I stumbled across the thread after it was already well, well underway, it was simply amazing to watch as more and more info about the film was progressively revealed. The contributors to that thread are some of the most knowledgeable and downright cool people I’ve come across online, and the sheer amount of information I’ve learned from not only that thread but from that forum in general is something I’m certainly grateful for. If you don’t know how The Creeping Terror came to be (and I sure didn’t), you owe it to yourself to check the thread out. It’s an absolutely fascinating read.

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Indeed, that thread is how I learned of the VCI home video release in the first place. Prior to that, The Creeping Terror is a film I had figured as incredibly public domain. That is, there was endless VHS/DVD releases of it out there, be it standalone or in compilation sets, not unlike The Brain That Wouldn’t Die. I’m not sure how I got that idea in my head, because while there were a few VHS releases, and the film is on a few DVD compilations nowadays, it turns out The Creeping Terror is not only not in the public domain, it also never had much of a life in the home video market, either. There was apparently a Rhino VHS release in the late-1980s/early-1990s, and of course the MST3K version on both VHS and DVD, but as far as I can ascertain, the VCI release under their “Le Bad Cinema” banner from the early-to-mid-1980s (there’s no video release date anywhere on my copy) was the first. Maybe it wasn’t, but as far as I can tell it was. Either way, in short order the VCI release became one of my “most wanted” videos.

I tend to operate under a “sooner or later I’ll come across it” optimism. Not just with videos, but also with old broadcasts/commercials/etc., electronics, and so on. And time and time again, that optimism and patience has paid off. But, it’s not fool-proof. For example, even though I’ve had a copy for years (two copies, actually), I still haven’t come across the Vestron release of Giorgio Moroder’s Metropolis in person; I had to resort to Ebay back in the day (luckily, it’s out on DVD now). Considering VCI’s The Creeping Terror is far, far more rare than that video ever was (Moroder’s Metropolis used to go for big bucks on Ebay because it was, at the time, the best restoration of the film, but there were always multiple copies for sale; even though it was out of print, it was really more popular than outright rare), I knew my chances of finding a copy “in the wild” were slim, though certainly not impossible.

Still, when the opportunity to pick up the Beta version of the VCI release presented itself (and I had no idea there was a Beta release beforehand, though given the rough timeframe of release, it makes sense), I jumped at it. I paid more than I really would have liked; the final total was akin to what rarer tapes were going for back in the good ol’ days (ha!) of late-1990s Ebay. I’ve spent less on (some) used blank Beta tape lots, but I had the money, so what the hell. Needless to say, I was successful, as the picture above can attest.

I love the cover art. I mean, just look at it up there! It’s 1980s in all the best ways. I love the hand drawn artwork of the era, and the cover of this particular video fits in perfectly: it’s simple, but perfect for this type of film. Though I’ll admit the absence of “The” in the title irritates me. It’s The Creeping Terror, not Creeping Terror! I got the same way with Goodtimes’ 35th anniversary release of The Blob back in the day; the cover listed it simply as Blob, which is even more awkward than Creeping Terror.

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It appears my copy has some staining to the box, mostly visible on the back. I pray it was only someones drink and not something more sinister. It doesn’t smell like anything troubling, or anything at all really, which is always a good sign. Yeah, I smelled the damn thing. Could I be any weirder?

The description on the back is adequate enough, but not exactly spot-on. None of the film takes place in the Rocky Mountains; it’s set in “Angel County,” California. And while it’s true that a ’57 Ford (I guess it’s a ’57 Ford, anyway) does indeed kill one of the monsters (there are two of ’em), they are certainly not immune to grenades; immediately before the Ford takes the one monster out, the other one is killed by a hand grenade thrown by the illustrious “Colonel Caldwell.”

Still, you can’t fault them for a few mistakes. This is the kind of film where, without intense concentration, it would be easy to let your mind wander and your eyes glaze over. Besides, who would really want or need a deeper-than-necessary knowledge of the film (besides me, I mean)?

Also, the copyright date for the film is almost always listed as 1964, as demonstrated on the back of this box. It was made around that time, but another interesting thing I learned from that aforementioned thread is that it’s almost positive that this film was never actually released theatrically! It seems the public never saw the film until it was licensed for TV showings sometime in the 1970s! And that’s really just the tip of the iceberg when it comes to the wonderfully bizarre backstory of the film.

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There were a number of movies in VCI’s “Le Bad Cinema” line. It was probably a smart move to tag them as such, because at least as far as The Creeping Terror goes, you’re almost certainly gonna piss a lot of people off if you advertise it as a ‘straight’ sci-fi/horror movie. No one is going to buy this as a ‘real’ film, and if by some chance they did, those hopes and dreams would be crushed as soon as the alien craft landing on Earth is shown as (and I’m not kidding here) blurred car headlights and stock footage of a rocket blasting off ran in reverse. Rather than pretend this is something “legit,” it was a wise choice to play up the real strengths of the flick (such as they are).

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There’s the tape itself, with a fairly cheap identification label affixed to it. So now you know. Really, what more can I say about it?

Since I have several Betamax VCRs, there’s never an issue of playing Beta tapes (duh!), but I generally prefer VHS (due to convenience plus it being the format I grew up with and still predominantly use for this sorta thing). As fond as I am of the format, given the choice I probably would have went with a VHS copy over Beta. There is a major benefit to having this on Beta, however: higher quality video (yes, people still argue about this, but Betamax does look superior to my eyes). Granted, there’s only so much that can be done with The Creeping Terror; even a pristine 1st generation film print is probably going to look shoddy to an extent, because it’s just a shoddy film in general (that’s why people love it!).

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Even with the limited number of releases out there, there are worse looking versions. In fact, VCI’s version looks pretty darn good, all things considered. Sure, there’s plenty of film scratches and dust, some scenes are too dark, and some are too light, but the image itself is relatively sharp. I mean, I can actually read the copyright notice in the opening credits; a minor miracle? I really was able to pick out little details in this version that I couldn’t in others, small victory that may be.

From my very first viewing, I remember being mildly surprised that they used what appears to be the design from the opening credits of The Blob for the credits of this movie. Or maybe they technically didn’t and it just looks insanely close.

(In the interest of full-disclosure, the screenshots I’m using are from the DVD conversion I made of the original Beta tape, lest I be playing with figurative fire; i.e., I don’t want to mess around with thousand-year-old videotape more than absolutely necessary, especially since there remains the possibility it was a former rental. To my eyes, the actual Beta looks a tad sharper than the conversion, though I just may be playing mind games with myself. You’ll get the gist of things, and besides, my DVD conversion still looks pretty nice. As nice as The Creeping Terror can look, anyway.)

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You have no idea what a bitch it was trying to get a decent screenshot of the titular character, and I still don’t think I was all that successful. I wanted an all-encompassing shot that would give those unfamiliar with the film an idea of just how crappy the monster is, but the thing is always moving around whilst surrounded by trees and shrubbery and whatnot. Plus, the screen often being on the dark side only made things more difficult for your Northeast Ohio Video Idiot Hunter. Even the back of the video box had trouble with this (scroll back up and see if y’all don’t believe me). Rest assured, it’s a giant shaggy-carpet monster with hoses of some sort protruding from its head. It looks really bad (which of course means it’s awesome). The mostly-obscured illustration on the front cover looks better than the actual in-movie monster (dull surprise, I know).

Much has been made of the “worst movie ever,” and from the screencaps of the monster alone it’s easy to see why The Creeping Terror frequently makes those lists, which I don’t disagree with. It is without a doubt one of the most inept movies ever made; I mean, even Manos: the Hands Of Fate was in color and had real continuous dialogue (even if it was dubbed in later, not unlike the small bits of actual speech found in this film), and as silly as Torgo was/is, he’s infinitely more believable than the slow-moving title character of The Creeping Terror. And, hollow victory, The Creeping Terror is better than the similarly-narrated and similarly-hated The Beast Of Yucca Flats. The Creeping Terror may be awful, but at least it doesn’t have a thick layer of ickiness covering it like Manos or Yucca. Just silliness.

As bad as it is, I’ve seen other movies that may technically be better but that I’ve enjoyed far, far less. I’ve seen early-1970s European horror films that have actually left me depressed. The Creeping Terror, though? It’s too goofy to take even remotely seriously.

Though even I’ll admit that the goofiness can’t carry the entire movie. Despite what VCI says on the box, this movie only runs some 76 minutes, and there are long stretches where the monster eats person after person and/or stretches where there is no speech or narration, only goofy music, which for all intents and purposes turns this into a silent movie. What I’m saying is the wackiness only goes so far before things become a little tiresome. Still, there’s obviously enough “huh?!” moments to save the whole thing (from a pure entertainment standpoint, at least). Otherwise, I wouldn’t love the thing as much as I do.

Just for the hell of it, here’s some comparison screenshots between my Betamax copy and the version I recorded off of WAOH TV-29 way back in 1998. Of course, since my Betamax copy is a commercially-released version recorded in the high-quality BII mode and the one I taped back in ’98 was recorded some 16 years ago in low-quality SLP off an over-the-air broadcast on a low-power independent station and on a good-but-not-great blank tape, there really is no direct comparison between the two versions, but hey, let me do this. It brings me joy, and don’t I deserve some of that in my life?

(For all of these, Beta’s on the left, ’98 recording’s on the right. Got it? Good.)

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Remember that time I provided a screencap of the title screen? Here it is again, only twice-over. As the comparison demonstrates, the WAOH broadcast is always much grayer than the Beta.

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This is our “hero,” the “star” Vic Savage, aka A.J. Nelson, who is responsible for the film. Vic Savage is a pseudonym, y’see? Does our leading man inspire confidence in his Creeping Terror-stopping abilities? I’ll let you be the judge.

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This is from the infamous “Bobby!” scene, in which the large grandfather you’re seeing above goes searching for his grandson by stumbling about and constantly shouting “Bobby!” in the most annoying manner possible. Spoiler alert: they both get eated.

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I’m not sure which is more infamous, the aforementioned “Bobby!” or this “Community Dance Hall” scene, in which we’re shown several minutes worth of repetitive shots of people (badly) dancing while the same tune plays over and over and over. Spoiler alert: they all get eated.

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Man, The Creeping Terror on Betamax. I can’t quite place my finger on why, but it just seems so right. I’ll venture a guess that this was the only release of the movie on the format. Quite a leap, huh?

In lieu of the film as-is, less adventurous souls may opt to hunt down the Mystery Science Theater 3000 treatment on either VHS or DVD instead (they’re both out of print but fairly easily obtainable used online, though the DVD boxset containing the episode can be pricey). Even with Mike & The Bots, the film is pretty out there. ‘Course, if you’re feeling brave, the uncut version is available on DVD, in this set here (I have this one, and there’s enough goofy crap besides The Creeping Terror to make it worthwhile). There’s a few other DVD sets featuring the movie, easily found on Amazon, but that one is my favorite of the bunch. As far as DVD goes, though, your best option really is to hunt down the out of print MST3K version, which, despite featuring the ever-annoying double-sided disc, has both their episode and the uncut movie.

As for me, I’ve got the MST3K version (on VHS and DVD), I’ve got the uncut version in that 12-movie DVD set, I’ve got my old WAOH recording, and now I’ve got this swanky VCI Betamax copy, which has immediately become a treasured part of my collection.

That’s a lotta The Creeping Terror, far more than should be allowed.

Cool recommended readins:

The Classic Horror Film Board Thread

Jabootu’s Bad Movie Dimension Review

The IMDb Page

Satellite News’ Mystery Science Theater 3000 Episode Guide Page