Tag Archives: hoolihan

Happy Halloween! (Also: Ghoulardifest 2018)

Well, what I wanted to do for this update was review 1940’s The Ape. You know, the Monogram poverty row opus that somehow starred Boris Karloff and subsequently became undeniably, indisputably public domain.

That’s what I intended to do, but apparently no one will let me. Y’see, I didn’t want to review just any copy of The Ape – I wanted to spotlight an old VHS copy because I’m insanely arbitrary. I had my heart set on the old Kartes Film Classics release; I’ve been looking to cover something by them for awhile now, and that would have taken care of two things at once.

Well, it never showed up for sale anywhere (one copy I thought might be it and ordered from a 3rd party on Amazon was later cancelled because it was “out of stock”), nor did any other standalone copies turn up, any of which I would have happily settled for. Compared to The Corpse Vanishes, releases of which you, yes YOU, practically trip over whilst walking down the street, stupid dumb The Ape was essentially nonexistent on videotape when I most needed it to, uh, not be nonexistant. Evidently the world has conspired against me in an effort to cause severe irritation.

(And to top it all off, a Kartes release of John Wayne favorite Blue Steel I ordered on eBay for cheap buck bills and intended to cover next month was also later cancelled, because it was “damaged or out of stock.” What, is there a sign on my back?)

Anyway, not wanting to mess with a newer DVD release, though I could have, I wound up with two options where VHS was concerned: buy a still-sealed two-pack VHS put out by Madacy back in the 1990s that paired The Ape with Doomed to Die, or crack open my still-minty-sealed fresh Grampa Presents copy (purchased for cheap well before, near as I can ascertain, I inadvertently caused prices of titles in the series to rise to ridiculous amounts through my writing, research and sharing of information on them). The Madacy edition was tempting but didn’t give full-props to the only movie I cared about in the set (that is, The Ape wasn’t front-and-center), and opening my Grampa version, well, that actually wasn’t a viable option at all, so what am I even talking about?

So da heck wit all it, I’m going to briefly talk about Ghoulardifest 2018 instead. Happy Halloween, by the way.

I didn’t intend on getting a post out of the convention, but I’ve got to get something up for not only today but the month of October as a whole. And since I didn’t even bother to talk about Ghoulardifest last year (though I did go), well, the time is right. I mean, it’s Halloween right now this very moment, and while I’ve got lotsa material, there’s been little fire, so this is the best I can do.

I held off on writing about the show last year because, frankly, I didn’t have all that much new to say about it. I didn’t want to just keep repeating myself year after year, but things were just different enough this time around that I think I can swing it. Maybe.

Ghoulardifest: the annual three-day convention held in honor of Cleveland’s legendary horror host Ernie “Ghoulardi” Anderson, Big Chuck & Hoolihan & Lil’ John, and all things related. You want to know the honest truth? Attending this has become my go-to fall event. It says “October” to me in a real, tangible way; Halloween comes and goes, maybe I’ll watch an appropriate movie, soak in the general vibes, but Ghoulardifest, that’s something I really do.

For the past several years, the show had been held at the LaVilla Party & Banquet Center, but this year, they moved back to the location of the first Ghoulardifest, the Cuyahoga Country Fairgrounds, which you’re kinda sorta seeing to the left here.

I was mildly apprehensive about this, because I generally have no idea where any of these places are located beforehand, but as it turned out, it’s always been in the same general vicinity since I started going back in 2011.

Don’t let the “fairgrounds” thing fool you; this was held indoors, as usual. Interestingly, it was spread over two buildings this time around. You walked in one, and that’s where most of the vendors and some of the guests were located. A walkway led out the back door of that building and directly into the other, which is where Big Chuck, Lil’ John, Hoolihan, Son of Ghoul, Jungle Bob etc. etc. etc. were located. (Plus, some more vendors, of course.)

I was happy to see Dick Goddard back in attendance this year; I don’t think he was there for the last show, maybe the last two shows even. It’s always a pleasure meeting him, and this gave me a chance to get one of his old almanacs I found at a thrift store signed. Dick Goddard is always a good guy and a class act.

(Some other WJW personalities were also supposed to be in attendance, and I brought my Dan Coughlin book in hopes of getting it signed, but if he was there, it was before I made it in.)

Truth be told, the visit to Ghoulardifest was a bit shorter than usual this year. I didn’t exactly make a quick pass-through and then call it a day, but there was only so much spare $$$ to spend, so the haul was somewhat smaller. Some DVDs, a vintage Big Chuck & Lil’ John shooting script, two old TV Guides with Lawrence Welk on the cover, a couple VHS tapes, that’s really all I bought. Still spent more than I should have, but whatever.

Most of my time was spent in the “Chuck & John room.” Fun moment: it came to my attention only a few weeks before that Lil’ John used to have his own pizza place back in the 1990s. This was something I was completely unaware of until I stumbled upon an old menu/coupon flyer. Naturally I had to ask him about it, and when I showed him a pic of the flyer on my phone, he got a huge kick out of it!

Loved catching up with Son of Ghoul and Jungle Bob, too. It’s always a pleasure chatting with them. SOG was in rare form; cracking jokes as usual, and hilariously ragging on my, as you can see here, “zig zag jacket.” I found it at a thrift store for, I think, $8, and when I informed SOG of this, he replied “I hope you got $9 change back!”

(I’ve taken plenty of pics with this guy over the years, but this one here, with his disgusted look regarding said jacket, is instantly one of my favorites. I wish it wasn’t slightly out of focus, but that won’t stop me from getting it tattooed on my face if I’m ever feeling particularly impulsive and/or insane.)

My buddy Pete G. made it to Ghoulardifest this year, but I apparently just missed him. I got there about 2 PM, he left at 2:30, so we were there at the same time, but, you know. Pete G. is a good dude and hopefully we can meet up at next year’s show. (Also, Pete picked me up the swanky Kino-Lorber Blu-ray of Invisible Ghost at Cinema Wasteland like the week prior, so huge props to him for that; thanks Pete!)

So yes, a good time was had at Ghoulardifest 2018, and as usual, I’m already looking forward to the next one.

You know what the biggest piece of worry was regarding the new location this year though? I didn’t know if the also-annual visit to Big Boy was going to happen this time around. No joke, I look forward to heading there after the show as much as, you know, actually going to the show.

Fortunately for me, it was only about 13 minutes away, which is good, because not only is the food and service always fantastic, but a Ghoulardifest trip just wouldn’t feel complete without a Super Big Boy sammich to top it all off.

So, that was that. Even though Ghoulardifest was a bit earlier this year (October 12-14), it still felt perfectly “Halloweeny” to me. Maybe it’s more “fall” than “Halloween,” but meh, they kinda go hand-in-hand anyway.

So Happy Halloween and all that. There, I got a post up in time. Maybe I won’t wait 6000 years between now and the next update?

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WJW-TV 10th Anniversary Commemorative Lighter (1966)

Here’s the thing: I’d like to start covering more legit Cleveland memorabilia here on the blog, especially that which pertains to its television history. Not that such things haven’t been seen before, but I take a huge interest in old local-to-me knick-knacks like this, and frankly, these types of posts have been fairly neglected. Not that I can promise articles like this will become a once-a-week feature or anything like that, I’d like to keep things video/electronic-focused, but hopefully I can start to rectify this error beginning with our subject today.

And boy, is it cool! Behold: my vintage Wind Master lighter. It’s reusable, man. Think wick and lighter fluid and all that. Now, during my travels I come across things like this frequently enough, and truth be told, I don’t pay all that much attention to them, because, I mean, I just, uh, don’t. Lighters like this are a dime-a-dozen, figuratively speaking.

So why get so fired up this time around? What, you’ve already forgotten the subject of this post, and refuse to scroll up to read the title and/or opening paragraph? You say you have thus far neglected to look at my informative provided picture? Well, let me spell it out for you here and now then, Chuckles: the aspect of this lighter that gets me so fired up is that it was given out in celebration of the 10th anniversary of Cleveland’s WJW-TV 8! See, stamped right on the front there! Cool winnins!

(You’ll notice that I used a napkin as a backdrop, because I’m talented. Actually, after a slightly longer-than-expected session of picture-taking, it became evident that getting a satisfactory photograph was going to be somewhat harder than I initially anticipated. Blame it on the shininess of the lighter, the flash on my camera, the light in room, or whatever you want, but this was the best that I could come up with. Methinks it looks okay, though.)

I’m guessing, just a bit, on the date. Wikipedia sez WJW began life as WXEL in late 1949, and eventually became WJW in 1956. I’m going to go ahead and say this lighter was produced in regards to the birth of WJW proper and not the station as a whole. It could be from 1959, but I really don’t think so. So yeah, 1966 is what I’m going with.

Pictured on the back is what I’m assuming is an illustration of the WJW station of the time. I mean, what else could it be? There’s nothing about it that particularly screams “television station!” to me, except for what appears to be the little antenna on the very top. But then, I’m no expert on the building(s) that housed the station in years past. Or present, for that matter.

It’s a pretty safe guess (and keep in mind, this is entirely a guess on my part) that these lighters were originally given out to WJW employees working there at the time of the big 10th anniversary. (“Gee, you don’t say!”) As such, it probably wasn’t something that your common man-on-the-street could have acquired. You could call it a promo item, but I think of it more as a commemorative one, which of course is what it actually was.

And (probably) being from 1966, who knows who originally owned it? Was it Ernie “Ghoulardi” Anderson’s personal lighter? Big Chuck Schodowski’s go-to implement for firing up the grill? The possibilities are (almost) endless!

Or maybe they just gave them out to everyone who walked in the general vicinity of the station, including the kid who delivered the sandwiches, I don’t know.

Honestly, I’d like this lighter no matter what network was showcased on it, but especially so here, because WJW 8 is one of the “big” stations that I like to collect memorabilia for. It’s one of my personal favorites, boasting an absolute wealth of local broadcasting history, both past and present.

(Along with WJW, the other local channels whose memorabilia I go ‘nanners over: WUAB-43, WKBF-61 and its successor WCLQ-61, and WOAC-67. Those are my “big five” favorites, and whenever I can add something, anything pertaining to them to my collection, it’s a cause for celebratory fist pumps and/or triumphant cheers. Not necessarily saying I do either of those things, just that they’d be appropriate.)

As I stated earlier, this is a Wind Master brand lighter. A quick Google search tells me these were popular to use for advertising purposes or as commemorative pieces like what we’re seeing right now.

Also as stated earlier, this was (obviously) a reusable lighter. Although you can’t see it in my picture here, mine still has a wick in it. It’s dry as far as fuel goes, but I’ll go ahead and guess that it would light okay if I put some fluid in. Truth be told though, whether it works or not isn’t really important to me. It’d be a nice bonus, but hardly necessary. No, for yours truly, it’s all about the neato WJW stuff stamped on the front and back.

Indeed, for that very reason this is a piece of broadcasting memorabilia directly up my alley. I really do love finding vintage local television-related items like this. If I’m being honest, I tend to prefer things that anyone back then could have theoretically had; I like to imagine myself in their shoes, if that makes any sense.

Still, there’s something to be said for relatively-exclusive pieces such as this one; it’s not like you trip over them walking down the street. Not my street, anyway. It’s obviously an item in far shorter supply, especially with it being as old as it is.

This WJW 10th anniversary-branded Wind Master lighter is not only an interesting artifact of the 1960s, but more importantly, an artifact hailing from a bygone era in television broadcasting – Cleveland television broadcasting, at that! As such, it’s a welcome part of my ever-growing collection.

(Related side note: for quite awhile, there was a WKBF-branded lighter on eBay that kept ending unsold and being relisted. As I recall, it was kinda pricey, maybe $50 or $60, don’t remember. Whether someone eventually bought it or the seller just got tired of relisting, I couldn’t say. All I know is that despite opportunity after opportunity, I never jumped on it, and now my WJW lighter is missing a companion piece. Then again, the fact that I’m almost perpetually broke didn’t really lend itself well to my dropping coin on what is, when all is said and done, basically an arbitrary purchase. Doesn’t mean I have to be happy about it now, though.)

Ghoulardifest 2015!

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Yes, it’s that time of year again: Ghoulardifest! It’s hard for me to adequately portray in words just how much I love going to this convention every fall season. I really do anticipate it the whole year round. Seriously, the very next day, I’m already jonesing for the next show. I’ve been to some conventions in my time, but because it’s so tailored to my tastes and my hometown (well, roughly; I’m an Akronite), I can say without exaggeration that Ghoulardifest is my favorite. There’s a reason I’ve made it a point to make it there every year since 2011. It’s like the Bruce Springsteen concert of horror/sci-fi conventions; one ain’t enough, I needs me more!

Besides, after sitting around going through thousand-year old videotape after thousand-year old videotape, it’s nice to get out once in awhile, y’know?

Ghoulardifest is, of course, the annual celebration of any and all things Ernie “Ghoulardi” Anderson. Not only is his pioneering character and show represented (gee, no kidding!), but also his successors, as well as Cleveland TV in general. Beyond that, a lot of it has more to do with the spirit of Ghoulardi, the era he came from, the music, the movies, that sort of thing. Of course, there’s also a lot of stuff that has no real connection to Ghoulardi, but instead would fit in at any typical horror convention. That’s not a complaint on my part; it all adds up to a lot of fun with something for everybody, except it’s all with a heavy Cleveland theme. That’s why I love it so much!

For the third year in a row, the show was held at the plush LaVilla Banquet Center, which is an absolutely terrific venue for the convention. Driving to the LaVilla to see Ghoulardifest around the same time every year (always on a Sunday; November 1 this year), it has really come to symbolize Fall and the end of the Halloween season and the start of the holiday season for me (even on those years where the show falls before or on Halloween). Some people get up early to shop the day after Thanksgiving, I plan around Ghoulardifest. Considering it’s less hectic and I find things I actually want, I dare say I come out on the winning end every year, but that’s just me.

And lest you forget, Ghoulardifest was almost certainly the reason for that Big Chuck & Lil’ John Ghoulardi Special I babbled about in mid-October (unless it wasn’t, in which case never mind). They ran it several times after that as well, and better promotion for Ghoulardifest I cannot think of.

(Also, should the mood strike you, check out my recaps for the 2013 and 2014 conventions, though I fear some redundancy among those two posts and this one.)

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(Click on any of the pictures to, how do you say, enlarge them.)

I was told there was going to be fewer vendors this year, and maybe there weren’t quite as many as previous shows, but there was still a lot going on. Indeed, it took several walks around the entire place to take it all in, and frankly, I seriously doubt I did take it all in. If anything, and this is just me talking, but less vendors gave the entire show this year a more balanced feel. Not that I’m promoting “less stuff,” but everything I look for at Ghoulardifest was well-represented, but not in an overwhelming way (unlike earlier years, where I was struggling to take it all in and afraid I’d miss “somethin’ good.”).

The heart and soul of the place is really the Cleveland stuff: Ghoulardi, of course, and Big Chuck & Lil’ John (don’t forget, the official title is Big Chuck & LIl’ John’s Ghoulardifest), Son of Ghoul (that’s him doin’ his thing above), and some of Cleveland’s newer horror hosts, plus lotsa Cleveland TV (and even some radio) memorabilia in general. For obvious reasons, it’s a very Cleveland-centric convention, as one would expect.

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That said, if someone from out-of-state were to waltz in without knowing what this was all about (just play along with the scenario, okay?), they’d probably be confused by all this Ghoulardi-hoopla, but they’d also still be able to find some stuff they’d want. There’s a lot of ‘general’ stuff there; that is, things that wouldn’t be out-of-place at any horror/sci-fi convention. Posters, lobby cards, toys, Star Wars, Star Trek, DVDs, music (lotsa CDs and vinyl). Heck, one guy even had a ton of Laserdiscs, and his box of Godzilla LDs was enough to elicit an “oh MAN!” reaction from me, though I was burning money so frighteningly fast that I unfortunately wasn’t able to partake of said Laserdiscs. I just know I’m going to regret not buying that Japanese King Kong Vs. Godzilla LD sometime down the road.

What I’m saying is that even if you’re not into Ghoulardi or the whole Northeast Ohio horror hosting thing, if you like vintage horror or science fiction films, odds are you’ll still find plenty to peak your interest anyway.

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There’s even some newer, “craft-y” type stuff, for those so inclined. Since I’m rarely hip to that sort of thing, my brother tells me the product seen in this picture is “pixel art,” which is as it sounds: artwork, keychains and so on, made up pixel-by-pixel, just like the character sprites in 8-bit and 16-bit video games. I generally only buy video game stuff when it’s vintage-from-the-period, but no doubt this new-fangled pixel art thing is cool. I mean, pixelated Mario Kart artwork? Heck yeah!

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See, my brother and I always hit up Ghoulardifest on Sunday, the last day of the show. It just works easiest for us that way. The downside is that we often miss some of the special guests and events they have going. Readings By Robert and stage shows like that, we don’t always get to see those. This year though, they had some good stuff going on the whole time we were there.

Up above is Caesare Belvano, who does a phenomenal Elvis performance. I don’t always go for the fan-tribute thing, but Elvis is one of the few exceptions. Not only because Elvis is dead and thus my chances of seeing him live are, well, nil, but also because Elvis tribute acts have become an art unto themselves. Rest assured, Caesare does a fantastic Elvis. His voice is unbelievable; he was on-stage when we first went in, and before I even actually saw him up there, I heard him, and his singing blew me away. His rendition of “My Way” was just incredible. I’ve seen and heard a lot of Elvis over the years, and Caesare gets my full approval (not that my approval really amounts to all that much, but whatever).

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After Caesare, The ReBeats took the stage. Beatles tribute acts are another exception for me; I love them and the time period of music they generally cover (aside from Springsteen, 1950s & 1960s Rock & Roll is my preference). In the case of The ReBeats, they of course do The Beatles, but not just The Beatles. While we were there, they were busting into The Dave Clark Five (they do a great “Catch Us If You Can”), and though we were on our way out by that point, according to their website they also cover Paul Revere & The Raiders, which automatically grabs my admiration.

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I imagine Friday and almost certainly Saturday were busier, but there was a pretty good turnout for what was the last day of the show, too. Indeed, Big Chuck, Lil’ John and Hoolihan had a pretty steady line the entire time we were there; getting to Hoolie in particular looked like quite a wait!

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Speaking of meeting the celebrities, here I am with my pal Jungle Bob! I’ve been a JB fan ever since he started featuring his animals on The Ghoul waaaay back in, what, 1999? 2000? Jungle Bob is one of the coolest guys you could hope to talk to, and he always has some creatures at Ghoulardifest. I forget what he said the thing was in his hand when this picture was taken, but it had a blue tongue and a little goatee. Turn blue, goatee, sounds pretty Ghoulardi-appropriate to me! Later on, he was walking around with a chinchilla, surefire proof of how cool JB is.

Jungle Bob’s official website.

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Me with Mike & Jan Olszewski, where I was able to pick up their fantastic new book, Cleveland TV Tales Volume 2. As of this writing, it’s not yet available on Amazon, but when it is, y’all should buy it. And if you haven’t got the first one yet, buy that, too. There’s an added incentive to buying Volume 2, but I’ll get to that a bit later in the post.

Lemme tell you my Mike Olszewski story: I first met him in 1999 at a signing for the book he and Ron “The Ghoul” Sweed wrote together. He was very personable then. But, it was when I met him over a year later that he just knocked me out (no, not literally!). The Ghoul was making a personal appearance at B-Ware Video in Lakewood. It’s long gone, but at the time, B-Ware was a haven for all of the hard-to-find, obscure movies that you couldn’t easily locate anywhere else. Anyway, The Ghoul was filming bits for his show, and when the cameras came out, I kinda sorta retreated further back into the store. Mike saw this, and despite not actually knowing me, he came up and implored me to get on camera. Thanks to him, The Ghoul episode that aired with this footage featured me near the front, loafing about and occasionally cheering. I always thought it was amazing that Mike would take the time to do that for a total stranger. ‘Course, I was a goofy lookin’ 14 year old, but I won’t hold that against him.

Nowadays, Mike occasionally pops into Time Traveler Records, and every meeting I’ve had with him since that day in 2000 has only reinforced my opinion that he’s one of the nicest guys in the world.

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Hanging with Cleveland weather legend Dick Goddard. No kidding, Dick Goddard is weather in Northeast Ohio. I’ve met him before, but this is my first picture with him (I would have had one a few years back, but the camera decided it didn’t want to take the shot, which I didn’t realize until well after we had left). Every time I’ve met him, Dick has been very friendly.

What am I holding in my hand? Why, that’s my now-autographed Dick Goddard CD! How, what, when, where? I’ll explain later.

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My buddy, Son of Ghoul! Every single year, if I’m going to buy anything, it’s going to be at SOG’s table. I actually make it a point to buy from him. He gets more of my money than anybody. Considering I usually have so little of it, I hope that says something.

Longtime readers will know what a fan I am of SOG; I’ve been watching him since Halloween ’97, I still write into the show, and, you know, there was that time I interviewed the man himself. He even recognizes me when I walk up to him, which always makes me feel like a big man.

There was some sad news in regards to the show this year that SOG and I talked about: longtime supporter of all this, Jim “The Colonel” Klink passed away a week before Ghoulardifest ’15. Klink was well-known to SOG fans for his rabid support and many packages sent to the show. Before SOG, he was a big Superhost guy (in fact, I *think* some of his Supe artwork can be seen in this old post of mine). I saw him walking around at least once at previous shows, and we were friends on Facebook, but it’s much to my regret that I never actually met him in person. The show of grief for Jim’s passing on Facebook was overwhelming; he touched a lot of people and became a well-known Northeast Ohio personality simply by indulging in his fandom and being a nice guy.

Besides being his Facebook friend, my limited contact with Klink included this very nice comment he left for my SOG interview. I think it shows what a good-hearted, upbeat guy he was, and thus I’d like to present here as a small tribute to him:

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R.I.P, Colonel.

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A dream realized! I wanted to meet Janet Decay (aka The Daughter Of The Ghoul, aka Janet Jay) last year, but she was either off doing something or I missed her completely. So, I definitely wanted to meet her this year.

She’s doing a new show with Grimm “James Harmon” Gorri titled The Mummy and the Monkey. When they asked me if I had seen it yet, I had to sheepishly sputter in the negative. D’oh! I had seen The Daughter Of The Ghoul Show before though, which I liked, so I had no problem buying a DVD of their new show. They even gave me a cute lil’ free button; cool winnins! They were both incredibly friendly; I foresee great things in their future.

One thing I noticed when the guest list was announced (and this has been pointed out by others) this year was the lack of national celebrities. For example, last year Arch Hall Jr. and Dee Wallace Stone were in attendance. While I would have liked to talk with Arch Hall again, and I had my concerns when no one like that was included in the show this year, I think it’s cool that the guests were overwhelmingly Cleveland-centric AND that the turnout was so good. It shows that our guys can hold their own and still make for a successful show, and Janet Decay & Grimm Gorri are prime examples of that; their table was very busy!

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Is it corny and/or cliche to say that Fox 8 news anchor Tracy McCool was the coolest? Yeah, I bet she hasn’t heard that enough! Well, she was. Seriously, she was about as nice as it gets. Because WJW Fox 8 was sponsoring the show this year (as opposed to WBNX TV-55 in preceding years), a lot of talent from the station made appearances over the three days. I had brushed up a bit on who was going to be there via the official Ghoulardifest website, though by Sunday afternoon I had promptly forgotten most of it. So, it was a bit of a surprise to see Tracy McCool walk in. She was absolutely great.

You know what really impressed me about her? It wasn’t just that she’d take the time to pose for a picture with a goofball like me. No, rather it was what she was telling a young girl ahead of us: she was explaining good starting places to begin a career in broadcasting, and she wasn’t rattling off facts or anything like that, she was actually talking to her. One thing I admire about a celebrity is their ability to genuinely talk and listen to their fans; not that I expected anything less from Tracy McCool, that’s just a general observation, and fortunately, it applies to many, many of these Cleveland TV personalities (frankly, everyone in this post). Tracy McCool was just awesome.

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I met Bill Ward previously, at the 2013 convention. For years he was the voice of WJW, and make no mistake, that voice is instantly recognizable to many Northeast Ohioans. Just like Tracy McCool (and when I met him in ’13), Ward really takes the time to talk with you, and you’d be hard-pressed to find anyone friendlier (I know, I know, I’m repeating the whole “they were nice” thing a lot in this post; hey, everybody was ridiculously nice!). We actually had a conversation about a commercial he did not too long ago for a retirement company, in which he played “Stu,” and he told me some very funny anecdotes related to that ad.

If you ever have the chance to speak with Bill Ward, trust me, you’ll walk away the better for it. An extremely kind and incredibly funny guy.

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Ah, the customary picture with Big Chuck & Lil’ John. I can’t ever leave without one, because even though I’ve got plenty of pictures with them, accumulating more makes me feel important. I wanted to get a picture with Chuck, John and Hoolihan, but Hoolie was so incredibly busy at his end of the table that I wasn’t sure if he’d ever be able to break away for it. Not that I’m complaining, because a picture with Big Chuck & Lil’ John is one of the coolest things anyone could hope to achieve.

This year, they were selling brand new Big Chuck & Lil’ John wine glasses, and Lil’ John had one in front of him complete with some actual wine in it. Every few minutes he’d take a sip and proclaim “work, work, work!” and it just got funnier each time.

I finally got to talk to Chuck about something that’s been on mind for quite awhile: several years ago, I found a locally-released vinyl record by one Scott Read, appropriately titled The Scott Read Show. According to the liner notes, it was a program on WJW produced by Chuck. So, I asked him about it, and Chuck told me it was many one of many shows that he produced, and it didn’t last very long, only about 6 months on the air. I’m thinking next time they’re making an appearance somewhere, I just might bring that LP along to get signed.

Surprisingly, John seemed to remember us from past years; he actually asked if we always came on Sundays (yep). How cool is that? Although, it’s also a little distressing; I had been relying on the idea that if I accidentally did or said something totally stupid in front of Chuck and/or John (and really, it’s only a matter of time), they meet so many people in a year that they’d quickly forget my face and then we could start anew next time. But now, I just don’t know. Oh the agony it is to be me!

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I met Caesare after his set. There were a number of people waiting to get pictures with him, some acting like he was the real Elvis. Of course, he played the part up and was extremely nice to everyone. He was very gracious when I told him what a fantastic show he put on. Great guy!

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Another dream realized! I met The Midnight Movie guys last year, but I missed Dave from the show. As luck would have it, just as we were on our way out, he was in the lobby taking a break, and he was cool enough to take a picture with me. Even better, he told me that they were filming a lot of footage there for a show that should air within the next month or so. I noticed they were filming when I was waiting to take a picture with Chuck & John; indeed, I’m in the background as they were interviewing Tracy McCool. Me? Surprise Midnight Movie cameo? Maybe!

And so, that ended the annual visit to Ghoulardifest. But wait! Before heading home for another year, we had one last stop to make…

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No trip to Ghoulardifest would be complete without the customary visit to the Big Boy restaurant down the street from the LaVilla. A Ghoulardifest excursion just doesn’t feel right without it. In fact, we did skip the Big Boy one year, and by the time we got home, we felt like we had missed out on an essential element of the trip (or at least, I certainly did). And it’s not just because of the whole Manners Big Boy-Ghoulardi connection, either; rather, Big Boy restaurants are rare animals, and there are none near us anymore. So after reveling in all of this once-a-year fandom, it’s only fitting that we revel in some once-a-year food, too.

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I have to give a big shout out to my brother Luke. It’s thanks to him that I’m able to make it to Ghoulardifest every year. He always drives, because if it were up to me to commandeer the car, I’d probably wind up driving it into a ditch or something. Carnage such as that would probably put a real damper on the event.

Luke likes going to these, he digs all this stuff, and he was jazzed for the trip, but he doesn’t get into it all quite as much as I do; I watched a lot of this stuff growing up, but he usually had other interests. Without me, I doubt he’d make the trip, so for him to haul my goofy self up there each and every year is a testament to what a nice guy he is. Luke is a good mang. Plus he paid for lunch.

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I tried looking at the menu to see if there was something different I wanted this year. No go, the Super Big Boy is just too good to pass up. Seriously, it’s one of my favorite burgers on this planet. It’s that good. Look at that beauty! Two patties, cheese, and special sauce. They taste as good as they look. If you ever find yourself in a Big Boy, this is the option on the menu that I heartily endorse.


Okay, that was the show (and lunch), but what about the goods, the loot, the booty I picked up during the trip? I always come home with some good stuff, and this just may be one of my best hauls ever. And even if it’s not, I still feel perfectly justified in blowing through my money at an alarming rate.

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I have the previously-released clear glass “Certain Ethnic Last Supper” mug (you can see it in this post), but when I saw these new white mug versions, I had to get one. Two, actually; my good friend Pete G. helped me out big time by providing me with tickets to the show, allowing me to save some extra precious bucks, so I got him one of these as a thank you. You’re a good man, Pete!

It’s a cool mug, showcasing much of the Northeast Ohio TV talent that has infiltrated the airwaves over the years. There are a lot of mugs/cups/whatever featuring these guys, but this one is easily one of my favorites of the bunch.

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I got this from Son of Ghoul, and man is it cool. It is what it looks like: a picture of Superhost in a wooden frame. Sure, technically I could print out my own Supe picture, get an old frame and make my own, but there was something about this that made me have to buy it as soon as I saw it. It just felt so right.

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Yeah, I bought another. If you go back to my Ghoulardifest post from last year, you’ll see how jazzed I was to get a Superhost shirt from Son of Ghoul. In my weird little world, I decided I needed another one that I could wear around without fear of wearing it out or accidentally staining it. I’m normally a size-large wearer, but I can get away with a medium, which is fortunate, because there were no more larges left. SOG jokingly explaining the sizes sans-large: “You can get an extra-large and throw it in the dryer to shrink it, or you can get a medium and lay off the Whoppers!” I was cracking up!

Like I said before, Son of Ghoul got more of my money than anybody this year. Truth be told, he usually gets more of my money than anyone else every year. I’m fine with that!

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This was a longtime coming, and I’m a little ashamed to admit that it took me this long to get Jungle Bob’s excellent book, BobTails. Naturally he autographed it to me. You’d be well advised to pick one up, it’s good stuff!

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My official The Mummy and the Monkey DVD of the original Little Shop of Horrors, a swanky flyer, and that aforementioned official button. I pinned the button to my jacket when we took the photo, and promptly forgot it was there for most of the day, and that’s not a bad thing!

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My copy of Mike & Janice Olszewski’s brand new Cleveland TV Tales Volume 2 book. They even autographed it for me! I haven’t had time to read much of it yet (I just got it yesterday!), but the content is directly up my alley. Indeed, it’s already on track to becoming one of my very favorite books of this nature. Why? Because I’m in it, that’s why!

Well, a piece of my interview with Marty “Superhost” Sullivan is, anyway.

A few months back, Mike contacted me asking for my permission to use the bit in the interview where Marty talks about his feelings following the filming of his final episode. Well heck yeah Mike, use away! What a thrill!

When I went up to Mike’s table, he had sample copies of all of his books on display, and I quickly began searching myself out in this newest one. I didn’t have time to find the exact quote (I did when I got home though; this site is mentioned in the body of the section!), but I did find myself listed right at the top of the bibliography. I considered stomping around and shrieking “I is published, I is published!” I decided against it though; having security cart me out for being too obnoxious probably would have put a dark cloud over the day.

But seriously, what a monumental honor for me. This really does feel like some kind of validation, like I’m actually contributing something to something. I mean, okay, most of the time on this blog, I’m just screwing around and posting things that I know only select people are gonna care about. That’s fine, that’s why I do what I do. But, when I do something actually important, and I’d certainly like to think my Superhost interview qualifies, it’s nice to know that the big names (and make no mistake, Mike & Janice Olszewski’s work is VERY well known) take notice. Mike even thanked me again for letting him use the piece and told me what a great interview it was. Hey, if I’m getting Mike Olszewski’s approval, I must be doing something right!

So, thanks again Mike! (And thanks again also to Marty Sullivan for taking the time to speak with me in the first place!)

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Some decidedly cool postcard reproductions of classic Cleveland TV artwork. At a buck apiece, I couldn’t resist. Included: Batguy & Rinaldi, Superhost, The Kielbasy Kid, and Hoolihan & Big Chuck’s good night bumper.

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No, I didn’t buy this CD there, but I was fortunate enough to find it at a thrift store early last week. No kidding, I almost flipped out. The first time I thumbed through the CDs I didn’t even notice it. It wasn’t until my usual second run-through that I saw it. It was placed in backwards, so I was reading the spine upside down, and I thought to myself “wait, am I reading that right?” Obviously I was, and from that moment on it was coming home with me. Quite a few people I told about it thought it was extremely cool as well, and everyone agreed I should get it signed at Ghoulardifest.

It was released in 2002 as a 9/11 tribute, and features vocals by not only Dick Goddard but also fellow WJW 8 talent Tim Taylor and Wilma Smith, along with a few others. There are some standards on it, and some monologues. I like to think of it as Dick Goddard’s attempt at his own The Rising. (How many superfluous Springsteen references in this post does that make? I’m up to three – so far.)

Goddard got a big kick out of it when I presented it to him to be signed. When asked where I got it, I couldn’t lie, so I told him the thrift store. Then, how much did I pay? Well, that was prickly, because I didn’t want to accidentally insult him by telling him the CD was only going for $1.50. I needn’t have worried; he cracked up!

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And finally, my mega-cool Ghoulardifest 2015 promotional poster. Like the Dick Goddard CD, I didn’t get this at the show, but unlike the CD, I didn’t bring it to be signed there. But, I feel I’d be remiss if I didn’t thank my good friend Scott at Time Traveler Records for it. Every year he thinks of me when he gets the promotional Ghoulardifest stuff and gives me the poster after the event. Scott helps me out in so many ways, far beyond keeping me in mind when cool stuff likes this comes along, and I can’t thank him enough. I’m proud to call him amigo.


And with that, my big giant Ghoulardifest 2015 recap comes to a close. From the people there, to the people I met, to the stuff I came home with, to the book with my gol’derned Superhost thing in it, I dare say this was one of the best ones ever. My brother and I had an absolute blast (and a fine, fine lunch). I’ve mentioned this before, but it’s so great to know that Northeast Ohio memories are long; when personalities such as these have meant so much to so many, they never really go away, even if they’re not on the air. Furthermore, the new personalities that come along to take up the torch are not only treated with respect, but also welcomed into the fold, as it were. Ghoulardifest is a celebration of all that, and as a lifelong Northeast Ohioan and TV fan, that’s something I’m absolutely grateful for.

And yes, even though this all took place only yesterday, I’m already starting to itch for the next one!

WJW TV-8 – The Big Chuck & Lil’ John Ghoulardi Special (October 10, 2015)

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I usually don’t look at ‘modern’ television broadcasts, especially broadcasts as recent as this past weekend, but this was so unabashedly cool that I can’t resist. Besides, it may be a new broadcast, but it’s a new broadcast of older material which in turn featured even older material. There, wrap your mind around that!

‘Course, the fall-back here is that this is my blog and I’ll write about what I want. I could go in the backyard and describe all the neat-lookin’ rocks I find if I so desire. You keep pushing me and I just might, too.

I was made aware of this special just the night before it aired: on Saturday, October 10, 2015 at 3:30 PM, WJW TV-8 would be airing the 30 minute Big Chuck & Lil’ John Ghoulardi Special. I’m glad I only had to wait less than a day for this, because man, I was stoked. A Big Chuck & Lil’ John special, airing (roughly) in their old Couch Potato Theater time slot, and focusing solely on Ernie “Ghoulardi” Anderson, the man who set this whole thing in motion waaay back in 1963? I was so there.

This is what I love so much about Northeast Ohio TV: for all of the changes it has gone through over the years, the steady erosion of locally-grown programming in favor of syndicated content and whatnot, there’s still a sense of history here; there’s a reason Big Chuck & Lil’ John have been forever in the public eye, Son of Ghoul is still plugging away, and no one bats an eye when a special regarding a character that hasn’t been on Cleveland airwaves since 1966 is allotted a 30 minute time slot. Doesn’t hurt that Ghoulardi had (and continues to have) an incalculable impact on so much of the populace, either.

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The announcement I saw didn’t elaborate, and I automatically assumed this was going to be a half hour edition of their regular skits-only show, tailored solely to Ghoulardi material. As it turned out, this wasn’t actually a new special; as the above screencap attests, this was instead a re-broadcast of Big Chuck & Lil’ John’s tribute to Ernie Anderson following his 1997 death. It’s actually not too far off from what I envisioned, just 18 years older. I guess it makes sense to simply re-run the earlier special; a new version would just cover the same ground and take time to film.

Not that I’m complaining, mind you. Anything that gives Big Chuck & Lil’ John and Ghoulardi airtime is absolutely fine with me. Always. Besides, seeing Chuck & John on that old set with the studio audience gets the nostalgia fired up somethin’ fierce.

(By the way: why the slightly fuzzy reception in this day and age of ultra-clear digital everything? Meh, for old times’ sake I recorded this onto DVD on my downstairs CRT TV, which apparently doesn’t play by the same rules as my cute HDTV upstairs does. I also DVR’d the special upstairs, but what the heck, this DVD is already made and handy for screencaps, so here we are.)

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Being a tribute to Ernie Anderson, in addition to actual Ghoulardi footage there’s also a lot of reminiscing, as you would expect. In addition to a short bio of Anderson and how he wound up as Ghoulardi, among other stories Chuck recounts the famous tale of his stealing a Ghoulardi poster off a bus while Anderson kept the driver distracted. Funny stuff!

Keep in mind, this originally aired some time before the phenomenal Ghoulardi: Inside Cleveland TV’s Wildest Ride book was released, and waaaay before Big Chuck’s terrific autobiography (head on back to that BC & LJ store link for that one), so a lot of the information here hadn’t been widely recounted and available to the masses yet.

(For the record, both of those books are absolutely essential reads, not only for Northeast Ohioans or fans of Horror Hosts, but for television lovers in general; both offer an indelible snapshot of TV history, an era that won’t be repeated, and are ridiculously entertaining to boot.)

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Much of the tribute also consists of Chuck’s one-on-one interview with Anderson himself, obviously conducted some years prior. As I recall it, this interview provided the basis for a previous BC & LJ special show, though integrating the segments into this tribute show makes all the sense in the world, given the circumstances.

After giving up Ghoulardi in 1966, Anderson went to Hollywood and made the mighty dollars doing voiceover work. I have countless commercials/promos featuring his voice, and on a nationwide scale that’s what he’s really known for. At one point during this show, Chuck mentions that when Ernie went to Hollywood and became a millionaire, it didn’t change him a bit; he was still the same guy he was back in Cleveland. You get a real sense of that during these interview segments. There’s no showing off, no posturing or anything like that. It’s just two friends talking about the old times.

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As far as actual Ghoulardi material goes, with only 30 minutes and so much ground to cover, well, you’re only going to see so much. However, the official Ghoulardifest website sells a phenomenal DVD of much (all?) of the remaining footage from Ghoulardi’s show, the only official place to get this stuff. I have it in my collection, and you should have it in yours too.

As for this special though, I personally would have liked to see a few more bits with Ghoulardi on his set doing his thing. As it stands, there are two brief clips, and the skit you’re seeing above, The Pitching Coach.

Y’see, Chuck got his behind-the-camera and, as in this case, his in-front-of-the-camera start on the show, performing in skits and even providing the basis for running gags such as the whole “PARMA?!” thing. In this skit, he plays the new pitching coach for the Cleveland Indians, who proves to be fairly incompetent. My favorite moment comes when Ghoulardi tosses a ball back to him, and it lightly hits Chuck’s arm; Chuck holds his arm in pain and pouts in the corner while Ghoulardi tries to apologize!

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More Chuck, this time in one of the legendary skits from Ghoulardi’s show: Parma Place.

Parma Place was a take-off on the soap opera Peyton Place, and the line of skits basically existed to poke fun at the Cleveland suburb of Parma. The loose idea was that Chuck’s character was always trying to make time with Anderson’s wife behind his back (and often right in front of him), but the more notable aspect of the skits were the stereotypes of Parma they perpetuated: white socks, polka music, and so on.

And this was all in addition to the jokes Anderson would make about the suburb when in character as Ghoulardi. Naturally, some residents of Parma didn’t take too kindly to all this, but it’s all still funny, and the genesis of a running joke that continued (and continues) on through The Ghoul and Hoolihan & Big Chuck (& Lil’ John).

A few different Parma Place entries are spotlighted during the special, and this screencap comes from a moment when Chuck’s character “Jerry” gifts Anderson with a pair of white socks, to which he and his wife marvel at endlessly.

Also, you have no idea how funny I find Chuck’s PARMA shirt.

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A fun bit where Ernie Anderson interviews, well, himself. Using a split screen and some handy pre-filming, Ernie Anderson as Ernie Anderson interviews Ernie Anderson as Ghoulardi (who insists he be called “King”). It actually works pretty well; in fact, for the time period it’s fairly seamless.

My favorite line: “I first got my start as Ghoulardi when they fired me from channel 3 and 5 wouldn’t hire me!

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The whole open-wounds-shock of Anderson’s passing may not be as hard to take today as it was in ’97, which is understandable; it has been nearly 20 years, after all (20 years? I refuse to believe this all happened that long ago!). That’s not to say it isn’t still sad, because of course it is. I don’t mean to downplay anything here, it’s just that after 18 years, (most?) Northeast Ohioans have learned to live with Ghoulardi being gone, really gone.

All that said, there is a moment that still packs an emotional wallop in this tribute: the final scene returns to Chuck interviewing Anderson, and Anderson recounts that he met a lot of great people in Cleveland, and then jokingly says to Chuck “You’re not one of them,” to which they both crack up. After they calm down a bit, he then adds “You are, you’re great,” and then the scene freezes as the copyright info pops up. It stays there a bit before fading out, and in that little moment, the deeper meaning of all this is hammered home: it’s not just about what Anderson accomplished as Ghoulardi and what he meant (means) to Clevelanders, it’s also about the genuine friendship between him and Chuck that was there up until the very end of Ernie’s life. It’s a terrific, honest scene, and an absolute perfect way to end the special.

You know, maybe it’s for the best that they didn’t film an all-new Ghoulardi tribute episode; it would be nearly impossible to improve upon this one. From the recollections to the clips, it’s as concise a definition of the character and what he represented to Clevelanders as you’re likely to get in half an hour.

But wait! In a for-modern-day rarity of rarities (for me), there were some great commercials during this broadcast. ‘Course, they all had to with Ghoulardi and/or Big Chuck & Lil’ John, but frankly, that’s how I prefer things. Behold:

Big Chuck For Empire Windows

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Chuck has been pitching Empire Windows for quite awhile now, often in print ads that come nearly every week in one of those circulars. I haven’t seen a whole lot of TV advertising with him for the company, so I was glad to see this and add it to my collection (y’see, through my massive collection of old videotapes, I have amassed a large “archive” of commercials, promos and whatnot featuring horror hosts, and not just our horror hosts, either; it spans the entire nation).

Chuck gives really a pretty standard pitch, though the commercial is so short (15 seconds) there isn’t a whole lot of time for much else. Chuck says he’s been plugging the company for 29 years at this point; that’s as long as I’ve been alive!

If I ever need new windows, I’ll go to Empire. Why? Big Chuck told me to.

Empire Windows’ official website is here.

WJW TV-8 Big Chuck & Lil’ John Ghoulardi Special Promo

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A mega-quick (5 seconds!) promo for the special itself, which aired less than a minute before the show began. I was really, really happy to capture this one; not only does it give me fond memories of this, but also because I just wasn’t sure if there even was a promo for this special. I don’t care how short it is, either; it’s another one for the collection!

The voiceover: “The Big Chuck & Lil’ John Ghoulardi Special, today at 3:30!” Yeah, yeah, basically the same info that’s printed on-screen.

Ghoulardifest 2015 Commercial

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I’m thinking Ghoulardifest is the reason this special was run in the first place; what better promotion could there be? In prior years, the convention was sponsored by WBNX TV-55, but this year it’s WJW, which means they’ve got carte blanche as far as Ghoulardi footage and whatnot goes. It’s a more involved commercial than what has aired in recent years, which more or less usually amounted to basically Chuck & John standing in front of a green screen and giving their pitch. In this spot, however, lotsa Ghoulardi clips are interspersed with the pertinent information, though perhaps oddly, Chuck & John are nowhere to be seen.

WJW was pushing Ghoulardifest pretty hard during the special (as you’d expect). A full 30 second spot aired twice during the show, and a 15 second version right after it.

Needless to say, I am now even more jazzed for Ghoulardifest, which is saying something since I’m always jonesing for the convention. Yes, I will be attending again this year, and yes, there will be another write-up. In the mean time, check out my 2013 and 2014 reviews! And if you can attend, please do so! It’s always a blast!

The Ghoulardifest website with all the info y’all need is here.

The Big Chuck & Lil’ John Show Promos

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And finally, promos for Big Chuck & Lil’ John’s current 30 minute Sunday night show proper were, for obvious reasons, ran twice during the special. On the left, a spot featuring a brief clip from their Nukey Shoes skit. On the right, the bit where, as part of the opening fanfare for a movie, John gears up to hit a gong but instead accidentally nails Chuck in his, erm, manhood. Yikes!


 

I love the fact that a special so undeniably Cleveland in every facet can still air on local TV here in 2015. The sad fact of the matter is that there’s not always a place for this kind of thing on modern airwaves. Like I said at the start of this post, there’s a very real sense of history in Northeast Ohio television, one that seemingly won’t let people forget the accomplishments of its past.

And I wouldn’t have it any other way.

Ghoulardifest 2014!

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It’s that time of year again! Big Chuck & Lil’ John’s Ghoulardifest! 2014!

I’ve gone to this convention for several years in a row now, and I even wrote extensively about it last year. I always, always have a blast at these shows. Ostensibly, the convention is to celebrate all things Ernie “Ghoulardi” Anderson, and needless to say, you’ll see more Ghoulardi stuff than anything else there. But, it’s also a celebration of Northeast Ohio broadcasting, namely Hoolihan & Big Chuck & Lil’ John, Son of Ghoul, Jungle Bob, and even beyond; this year, Dee Wallace Stone and Arch Hall Jr. were also in attendance. Ghoulardifest isn’t just about Ghoulardi, it’s also about the Ghoulardi ideals, the music and movies and ideas he represented. That is, lotsa horror films, music (you can’t take two steps without running into some Beatles memorabilia – the way it should be), and the like. Trust me, it’s awesome.

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For the second year in a row, the show was held at the LaVilla Banquet Center. I really, really like this place. It’s plush, and big enough to hold a lot of vendors, plus there’s a big ol’ stage for presentations, musical performances, etc. In short, it’s perfect for events like Ghoulardifest. When we (my brother and I) first got there, Frank & Dean were performing, and even though I was currently trying to get my bearings straight and deciding just what to tackle first (there’s a lot to take in!), I could tell they were putting on a heckuva show.

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Every year, the show runs Friday, Saturday and Sunday, and this year those days were October 31 (HALLOWEEN), November 1st, and November 2nd. Also every year, the only feasible day for me to make it up is on Sunday. It’s easiest for me that way, and while I’m always pleased, going there this Sunday did have a few drawbacks: Son of Ghoul played with Arch Hall Jr. and his band on Friday and Saturday only, which I missed out on, as I did meeting Janet Decay, The Daughter Of The Ghoul, who was apparently only there the first two days. Tim Conway was supposed to be there again this year, this time signing autographs on Saturday only, but he had to cancel. Since I wasn’t going to make it up on Saturday anyway, I guess I broke even on that front.

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Still, I was able to knock several items, be they meeting celebrities or items I’ve had a year to mull over purchasing, off my Ghoulardifest bucket list. Here now, are the highlights from said bucket list:

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Hangin’ with my pal Son Of Ghoul! I always make it a point to stop by SOG’s table; a ‘Fest hasn’t gone by that I haven’t bought something (sometimes a lot) from him. Every year, he has these awesome Superhost t-shirts. Last year, I was too late for a large size shirt, and like a dolt I didn’t buy a medium. So, the gameplan was to definitely, absolutely get one this year. Luckily, he had one large size shirt left, which is now mine. I prefer large t-shirts, though mediums work too, and if he hadn’t had a large, that’s what I would have went with; one way or another, I was getting a Supe shirt!

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A dream realized! I babbled last year about how I kept missing out on Bob “Hoolihan” Wells. It kept being either his line was too long or he was doing something on stage. Bottom line was I had never met him…until Ghoulardifest 2014. I had pretty much decided beforehand that this year I was going to meet Hoolihan. And as you can see, I, erm, did. Really cool guy! (Hoolihan, I mean.)

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I met Arch Hall Jr.! I may have missed his band, but no way was I going to miss the man! The star of Eegah!, Wild Guitar and other 1960s flicks, this is a guy I had to meet. And no kidding, he’s just about the nicest guy in the world. Incredibly personable and outgoing, I wish every celebrity out there was like Arch. Just the coolest.

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Chillin’ with Jungle Bob! My buddy! I first met JB waaay back in 2000 (at the long-gone B-Ware Video), and I still have a lot of fun talking with him nowadays. Great guy, and he gets props for always pickin’ up them big damn spiders he has; I couldn’t do it, man.

Jungle Bob’s official website!

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There I am with the cats from The Midnight Movie! The Midnight Movie is a newer discovery of mine. Technically, I’ve known about the show for quite awhile, but I could never find it. Until I did: in Northeast Ohio, if you have Time-Warner Digital Cable, it’s channel 180, Saturdays at midnight. It’s probably been there forever and I’m just a chucklehead. Anyway, I’m really diggin’ the show; they play a lot of movies you don’t see too often on the horror hosting-circuit. Really nice guys, too.

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Finally: the obligatory photo with Big Chuck & Lil’ John. I got one last year, I got one the year before two years before that, and I’ll probably get one next year. Why? Cause it’s Chuck & John, that’s why! Their names are in the title of the whole show! I’ll plaster my walls with photos of me with Big Chuck & Lil’ John if I want to!

That pretty much brought us to the end of the show (just for us, I mean; there were a few hours left). However, there’s one important thing associated with the show that we skipped last year but had to do this year:

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There’s a Big Boy very, very close to the LaVilla, and we almost always make it a point to stop by after leaving the ‘Fest. If I recall correctly, we just ran out of money last year, and since I don’t know of any other locations even remotely close to me, I’ve been jonesin’ for one of their big ol’ burgers, big time.

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That’s a thing of beauty! A big honkin’ “Super Big Boy!” Big Boy after Ghoulardifest just seems so right, and man, their burgers are good.

Real quick: a closer look at my loot. This isn’t quite everything I brought home, but it’s some of the coolest.

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There’s my beloved Superhost shirt. I could put this on with some red shorts and go running around the neighborhood if I so desired. Maybe I’ll just wear it while I read my interview with Supe himself over and over and over.

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My autographed Arch Hall Jr. CD. When I heard he was going to be signing autographs all weekend, I hoped he’d have one of these CDs for purchase by the time I got there, and as luck would have it, this was the last one! Cool winnins! This is packed with Arch’s music; well worth having! It’s now a prized part of my collection.

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Since I finally met Hoolihan, it stands to reason I couldn’t leave without his autograph. I didn’t feel like lugging my American Scary book back to Ghoulardifest for autographs this year, so I instead opted for one of these swanky Hoolihan pictures for autograph purposes.

So, that was Ghoulardifest 2014. My brother and I had a lot fun, as we always do when going to this show. Had a good time, got some cool stuff, and ate a delicious burger. I’d call that a successful trip.

Portside Brewery’s Big Chuck Barley Wine Ale!

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“Big Chuck’s getting a beer?! When?! Where?! MUST. HAVE. NOW.

That was more or less my reaction when I first learned a month or so ago that local legend “Big Chuck” Schodowski was getting his own beer. It’s funny how after all these years, the announcement of “somethin’ new” related to one of Northeast Ohio’s movie hosts *still* has the ability to turn me into a total spaz.  It’s one facet of my personality that I’ve come to accept as never changing. And, when it’s something out-of-the-box like a beer (as opposed to your expected t-shirts and whatnot), well, that’s the kind of thing that can turn me straight-up violent with anticipation.

I’m (sorta) kidding of course, but considering that the March announcement of Portside Brewery’s Big Chuck-themed barley wine ale didn’t include a specific release date (I only saw a somewhat-vague “In April” release mentioned) or where I could find it for sale when it was on sale, I was a bit concerned about finding some of my own. Was it going to be available only in Cleveland-area stores, or all of Northeast Ohio? Maybe there was an article somewhere that answered these burning questions, but I sure didn’t see it.

More troubling to me than all that, however, was the specific mention that the release was going to be limited to about 8000 cans. Not 8000 cases, not 8000 4-packs, 8000 cans. That doesn’t seem like very much to me, at all. Especially when you consider all of the Northeast Ohio beer-drinkers that could potentially be interested in this. Now, under most circumstances, I take the statement “limited edition” with a grain of salt; I’ve picked up so many ostensibly ‘collectible’ things over the years with that term plastered all over ’em that it really doesn’t mean anything to me anymore. Anything made to be collected usually isn’t worth much in the long-run. Everyone goes out and buys it (because it’s “limited edition,” you know), which means it’s not scarce, which means…well, you get the picture.

BUT, unless there’s another run, Big Chuck beer really is a limited edition, and considering it’s a disposable product, there are less likely to be unopened cans popping up online in the future. Then again, the sad fact of the matter is that there are people as fanatical about this kind of thing as I am; the more I think about it, the more I can almost guarantee there’s going to be a bunch of folks at the next Ghoulardifest getting Big Chuck to sign can after can for them.

All of this was indeed running through my head to prior to finally finding Big Chuck beer for sale in my neck of the woods. And with the way my mind works, I had basically worked myself into thinking “there’s no way I’m going to be able to find this stuff at one of my stores! It probably sold-out instantly, anyway!” I get the same way with concert tickets, though in that case it’s a bit more understandable. Heaven help anyone that gets in the way of my purchasing Springsteen tickets, by the way.

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Of course, in other, similar instances, I always tend to see the glass half-empty as far as my probable success-rate is concerned. But in reality, I usually do come out of things kinda sorta successful. It’s rarely as bad or rough as I get myself worked up into thinking it is or will be. And such was the case with Big Chuck beer. Prior to the release, a friend of mine said it would in all likelihood be at Acme. Since I had no idea when it was hitting stores (if it was hitting anyplace in my near-vicinity, that is), I just sort of started checking this store or that store when April came around. Three Giant Eagle stores, one independent drive-thru, and the info that Big Chuck beer was indeed at Acme “store #1” later, I finally decided to check the Acme on State Road in Cuyahoga Falls. Since this Acme is nearby and easily visited, it’s a mystery why I didn’t check there sooner, but nevertheless, they had it, and it’s now mine, as the picture above aptly demonstrates. Big Chuck beer, happily traveling in an official Acme-brand shoppin’ cart. Tis beautiful.

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There they are, the fruits of my semi-fervor. Ain’t they cute? The red plastic rings keeping the cans together are a sign of quality, and the well-known Big Chuck caricature on the front of the cans is ample proof that this isn’t just another alcoholic beverage, this is a product. Or, dare I say, an event? And look, the UPC is housed in an Ohio! Even before tasting it, you know this is something special. At $10.99 a pack, they kinda have to be.

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There’s the can, liberated from the necessary plastic rings that keep the four cans together and away from ragamuffins and whatnot.

Big Chuck beer comes only in 4-packs of 12 oz. cans. At $10.99 a pack, it’s most definitely a premium beer. Didn’t stop me from buying 3 packs of it, though (one to drink, sparingly, at home, one to drink, sparingly, with friends, and one to keep minty sealed fresh for the rest of my days). Your Northeast Ohio Video Hunter is many things, but rolling in dough he is not, so I had to make sure the $35 or whatever it totaled out to after taxes was not spent in vain. So, that means you can thank the higher-price for this post.

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For scale comparisons, there’s Big Chuck beer next to a regular ol’ can of Diet Pepsi and an Adam West Batman action figure. It’s the same size and height as the Diet Pepsi, but not as tall as the Batman. This is really a pretty pointless pic, since everyone knows what a 12 oz. can looks like and Batman has nothing to do with anything. I’m not sure why I’m including this at all, but hey, there it is. “Holy superfluous picture, Batman!”

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Geez o yikes – Big Chuck beer ain’t for the wimps! 11.7% alcohol is just under the current 12% Ohio limit. $10.99 for a 4-pack of 12 oz. cans may sound like “a lot for a little” to some, but if you’re just looking for alcoholic content, well, it kinda evens all out in the end (besides, a limited edition beer from a microbrewery almost has to cost more than your average beer, right?)

The high alcohol content presents a small problem for your Northeast Ohio Video Hunter: I am by no means a teetotaler, but the fact is that I’m not much of a drinker, either. The result is that I have an admittedly sad tolerance, which I’m sure is probably letting John Wayne down somewhere, somehow. Prior to picking up this beverage, I think the last alcoholic anything I bought was a pack of that Budweiser Cranbrrrrita stuff right before Christmas, and it sat untouched, except for one (by my Brother), in my fridge for several months afterwards, until I brought them to a friends, where I think I eventually ended up having one, maybe two, tops. I have no problem with alcohol, but I’m the first to admit I’m a lightweight.

So, I can drink Big Chuck’s beer, but I’m gonna have to drink it slo-o-o-o-o-o-o-o-o-o-o-w. There’s just no conceivable way I can drink this thing even remotely fast, unless I want to put myself into a drunken coma, which I don’t. This, of course, is not a fault on the part of the beer at all, it’s totally my shortcoming. I yam a weakling, I admits it. As it stands, I’m gonna have to nurse this beverage like a, um, nurse.

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See that mug? Is it not fitting for the occasion? It’s the closest thing I have to a legit Big Chuck mug, at any rate. Never mind that the graphic on it is kinda obscuring a clear view of the Big Chuck beer outside of the aluminum prison it was formerly housed in, it’s still a nice match to me. Especially since when I do drink, this is totally my mug of choice.

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As you can see, it’s a dark beer, and boy, is it powerful! A big beer for Big Chuck! Another downside of not being much of a drinker is that I can’t really describe all of the nuances of the flavor (seriously, I admire the people that can drink wine or something and then list all of the little flavors they pick up, because I’ve just never been able to do that.)

Portside Brewery has done the formerly impossible though, because prior to this, I haven’t been a big fan of dark beers, preferring instead your lighter domestic beers (not only am I a lightweight, but I’m also extremely mainstream). Believe me when I say this is a good beer. I’m not just saying that because my judgement is clouded by fondness for Big Chuck, either. No joke, I really, really like it! It has that kind of bitter-y taste you associate with dark beers (what is that? Malted barley? Hops?), but in a good way; no cringing here. I may be taking it in slowly, but I’m totally enjoying it. This is really good stuff, the perfect drink to sit back and relax with after a hard day of work. Of course, in my case, a hard day depends on how long I decided to sit in front of a VCR going through ancient videotapes, but I’m assuming the sentiment is the same for people that have real jobs.

In the interest of full disclosure, I first tried Big Chuck beer the other day with a buddy, and he was picking out all of the subtle (or maybe not so subtle, I don’t know) flavors. He was impressed, as were two other pals that tried it. Unlike me, these guys know their beer, and Big Chuck totally passed the test with them. It also passed with high marks from my Brother. My word may not always mean much, but theirs certainly do.

So, you’ve got a limited edition beer featuring a local television legend that comes in a swanky can and is tasty to boot. I consider that a successful purchase. I should pick up some more while I’ve still got the chance. Sure, it’ll take me forever to drink all of it, but I’ll enjoy every second. I know full well that things I’m super-anxious to pick up are often hyped (in my mind) to near astronomical proportions, so much so that sometimes it’s impossible for them to live up to such lofty expectations. But, Big Chuck beer was definitely worth the wait and search. I dig it. It’s certainly worthy of the Big Chuck name.

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Awww, now it’s just a 3-pack. Tis a bittersweet sight.

I guess the only question remaining is: when are we going to get a “Lil’ John” Rinaldi beer?

Just for fun:

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(Visit the official Portside Brewery website here, and the official Big Chuck & Lil’ John site here.)

UPDATE: Totally went and got some more, which as it turned out, was the last one on Acme’s shelf (my brother got the penultimate pack.) Will more arrive in the future? Only time will tell, but I’m certainly stocked for awhile!

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Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

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There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

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The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

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The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

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It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

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Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

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Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

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Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

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It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

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I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

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At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

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The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

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Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

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I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

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The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

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There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

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