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Ghoulardifest 2016!

“Hey, why’d it take so long to post this, North Video Guy?!”

I know, I know, this is a belated update. For the fourth year in a row, it’s time to cover my trip to the annual Ghoulardifest convention on this silly blog. BUT, I didn’t want to just do the same exact thing I’d done for the previous three re-caps again. Soooo, I took video there. Oh how I took video. A first for this site!

Now theoretically, videos should have made getting this post up quickly even easier, which would totally be in line with my usual M.O. of posting these reviews within a day or two, or at least the week of, my visit. So, why did it take so long this time? Simply put, I had audio issues with several of the videos – to the point where I couldn’t even use them. Don’t get me wrong, I could have posted them here, but I like to give the impression of having some semblance of professionalism (HA!), and thus, I just wasn’t comfortable with doing that. Heck, even the videos I can use aren’t always perfect, audio-wise.

You have no idea how incredibly disheartened I was by this. Seriously, more than once I came this close to just scrapping the whole re-cap this year; I just couldn’t work up the energy to write after this development. I felt (and feel) that I was letting the people down that were kind enough to take the time to film with me – but then, the same feeling applied to putting up a substandard video, too. So, since I can still use screencaps (where needed), I will cautiously proceed. Just several weeks late. (It didn’t help matters that I’ve also been fairly busy these past few weeks.)

All that said, if you were someone I filmed with whose segment is absent here, please accept my apologies; fate dealt us both a crushing blow!

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Sunday, October 30, 2016: I woke up tired. I mean, your pal me was draggin’. Y’see, I awoke to a chilly, cloudy, rainy day, and while I love a good overcast weekend, in this case I knew such things would never do. Add in not enough sleep, and a bedside clock that had reset due to a brief power outage during the preceding night, and, well, it wasn’t an auspicious start to my day.

Why the grogginess? Because the day before was bright, beautiful, and fairly warm for this time of year. In short, it was gorgeous. But, unfortunately, when the weather changes, especially when it changes rapidly, I have a habit of getting the grogs. In those instances, I rarely feel like doing much of anything. And yet, this particular Sunday, I would accept no groggin’. Well, I mean, it was there, but I did the best I could to ignore it.

That’s because it was time for Ghoulardifest! Yep, Big Chuck & Lil’ John’s annual convention celebrating the Cleveland icon was once again upon us, and like every year since 2011, I was there for the Sunday edition. I look forward to this year-round, but especially when fall hits Northeast Ohio; the season just wouldn’t feel right without the ‘Fest!

Like the previous three years, the convention was held at the plush LaVilla Conference & Banquet Center. My photo above makes it look inappropriately foreboding; overcast day and all. Trust me, the LaVilla is beautiful.

Since the inception of this blog, I’ve covered my annual trip to the show. For those so inclined, you can check out my coverage of the 2013, 2014 and 2015 shows here. You can watch my writing skills gradually increase! Or, read ’em backwards and watch my writing skills decrease! It’s fun for the whole family!

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There are some downsides to only going on the third (and last) day of the convention. Jan Jones, Tim Taylor and Robin Swoboda, local legends all, were in attendance – on Saturday. Also, I missed my buddy Mike Olszewski, which hurts me deep. Furthermore, the Cavs Championship trophy was supposed to be on display all three days, but if it was there Sunday, I sure didn’t see it.

(Fun fact: I played basketball, poorly, in the fourth grade, and I later went to high school with LeBron; my first two years were his last two years. So, do enough mental gymnastics and you can pretty much thank me for the Cavs winning it all! You’re welcome, Cleveland! I will now sit back and anxiously await your accolades!)

‘Course, that’s not to say there’s nothing going on by the last two day; there’s cool merch and celebrities as far as the eye can see no matter what day you attend. As expected, my brother (who always comes with) and I had a terrific time – and yes, I’m already jonesing for next year. If my merchandise haul was substantially less than previous visits (and it was), it was only because I’d bought most of the stuff that strikes my fancy already. And yet, I left satisfied nevertheless; Ghoulardifest, no matter what you buy, who you meet or what you do, is always an experience, and this year was no exception.

Above: The ever-terrific shirts table, which lines a good portion of the left side of the main room. One of my top favorite buys this year came from these tables; we’ll see that momentarily.

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Like other similarly-themed conventions, there’s memorabilia everywhere you look. Toys, games, records, CDs, DVDs, movie posters, glassware, you name it, there’s a good chance it’s there.

Indeed, as I’ve mentioned in previous re-caps, Ghoulardi is really just one facet of Ghoulardifest; obviously Ernie Anderson’s legendary horror host and Big Chuck & Lil’ John are the main draws, but Ghoulardifest is also a celebration of horror and sci-fi in general, horror hosts as a whole, music (particularly 1960s music; The Beatles and such), and other areas of pop culture. Even if someone wasn’t enamored by the main draws (yeah, right), there’s still plenty to take in at Ghoulardifest.

Above: My attempt to show off the various wares in one all-encompassing shot. I wasn’t at all successful, but you can see the kind of cool stuff available there. I’m diggin’ that Addams Family 45!

That’s my brother photo-bombin’ to the far left. Thaaaaaaanks Luke.

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Aww, Son of Ghoul, you wacky guy! It continuously blows my mind that the guy I grew up watching now kinda sorta knows me – thanks in no small part to all the crap I’ve sent to his show over the years. Plus the interview. Plus Monsterfestmania. So, is it too early to go around proclaiming him my best friend in the whole wide world? That might be a bit premature, but I am considering it….

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I’ve mentioned this before, but one thing that endlessly impresses me about our local celebrities is just how fan-friendly they all are. These people not only give their fans the time of day, but also truly go the extra mile for them. Son of Ghoul, absolutely, as well as Big Chuck & Lil’ John, who you are helpfully seeing above.

Case in point: They (naturally) have helpers, but these guys all sell their own wares themselves, and they all are very free and giving with their time, answering all questions, taking pictures, and so on. Northeast Ohioans are fortunate to call people like this their own.

Much to my chagrin, Chuck & John had sold out of their new “Top 20 Skits” DVD that very morning, which was a fan-voted project. (Yes, I contributed my picks.) I was really looking forward to picking up this DVD, but I knew it was going to be a hot-ticket item, so what can you do? I thought about throwing a tantrum, until I remembered that Big Chuck & Lil’ John are two of my heroes and that probably wouldn’t look too good to them.

Speaking of Big Chuck & Lil’ John…

I totally filmed a quick, mostly off-the-cuff bit with them! This, needless to say, ranks up there with the proudest achievements of my life.

Backstory: The video doesn’t lie; Big Chuck has endorsed the Empire Window Company for quite awhile. The commercial for them in which his Stash character falls from a ladder is positively ingrained in my memory, and that ad goes back to at least 1991 – and it certainly aired for a long time afterwards. So, when print ads featuring Chuck began showing up in the mail a few years ago, I really did begin cutting them out and saving them. It started out as just a funny thing to progressively hang more and more of on the fridge, but after awhile, the action became something that felt more like a duty. Result? I have a ton of these, far more than what’s seen in the video.

Eventually, the joke arose between my brother and I that it would be funny if I brought them all up to Chuck and asked him for a free window in exchange, though of course these ads aren’t coupons, and no such offer actually exists anyway. And thus, the genesis of this bit was born. I naturally briefly explained to Big Chuck & Lil’ John what I wanted to film beforehand, but it was more of an outline than anything, and truth be told, I only expected a quick, few-second video – which would have been more than enough for me. But MAN, these guys are total pros; they just completely took the idea and ran with it, and absolutely brilliantly at that!

Because the last thing I ever want to do is step on anybody’s toes for any reason, prior to posting I did indeed contact the Empire Window Company to make sure everything would be fine with them regarding this bit. They simply couldn’t have been any nicer; no kidding, they were just wonderful. The Empire Window Company gets my legitimate, heartiest recommendation. If you need windows, siding, doors, or what have you, head to the official Empire Window Company website!

Some of the dreaded audio issues I mentioned at the start of this post reared their head here. Not so much in the Chuck & John portion, but rather, I wasn’t quite happy with my intro on the video. I had to take whatever measures I could, and therefore, you’ll notice (especially since I outright say so) that I dubbed over the audio in the first half of the video above. It was necessary, and while a bit glaring, I don’t think it hurts the final product; indeed, nearly a month later, and this bit still cracks me up! Some way, somehow, this happened!

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Unfortunately, no amount of dubbing could save my bit with Son of Ghoul, and thus, you only get this screencap. This hurts me deep.

The premise was that SOG knows me, we’re pals, we’re tight like Gs, and therefore when I go up to him, it’s like two old friends meeting. Of course, the punchline is that SOG has no idea who I am, he stares at me blankly, and then calls for security to throw me out. It’s the funniest thing in the world, and I can’t use a second of it.

It should be mentioned that these audio issues weren’t really a fault on the part of me or my brother, who was filming. Maybe I could (and should) have spoken up a bit here and there, but the main thing was that it was just loud in there. This was not a fault of the venue or anyone else, but between the live music and the crowd, well, it all tended to drown out the microphone of my brother’s cellphone. But, it is what it is.

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Same deal when I semi-interviewed Jungle Bob Tuma. (His official website) Like Son of Ghoul, JB knows me, we’re buddies, and it really, really pains me that I can’t use this video. We even stepped out into the hallway for this, and yet, you can still hear the music inside more than us. Again, it’s not anybody’s fault, it’s just how things worked out. Had this been in a more-controlled environment, the results would have been different, but when you’re filming things on the fly, well, you take your chances.

This was less of a skit and more of a chat; JB explained why he didn’t bring any animals on this last day of the show; it being the final day, and there being celebrations afterwards, it just wasn’t a good idea to bring them, especially if they’d need to be left in the car after the show. (I made a crack about winding up with a deep fried tarantula if the animals were brought into the restaurant that was practically Letterman-worthy… or not.)

You know what’s awesome about Jungle Bob? If you watch him on The Son of Ghoul Show or catch one of his appearances, he’s just as engaging in-person as he is during his performances. The man is a born entertainer, and besides being wildly informative about animals, he tells absolutely great stories. Jungle Bob is the man.

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I loved doing this one, so of course I can’t use the video. Do I sound like a broken record much? I don’t like it either, bucko.

I was excited, and more than a little nervous, to film this. Why? Because even if this was my first time filming at a convention, I at least have some in-person experience with pretty much everyone involved. BUT, as far as The Mummy & The Monkey go, I first met them at last year’s Ghoulardifest. They were absolutely wonderful, of course, but still, I was nervous about asking them to film. Also, don’t forget, I was draggin’ and not exactly on my A-Game that day. (And my A-Game is probably like most people’s C-Game, anyway.)

I needn’t have worried. Janet “The Mummy” Jay and James “The Monkey” Harmon were terrific. Some funny wordplay (I kept trying to remember which is The Mummy and which is The Monkey) led to the natural progression of where the people can see them. It wasn’t a particularly long video, but we covered a lot of ground, and to me, it was all marvelously entertaining.

But, the best part about talking with them wasn’t even captured on film; afterwards, we had a discussion about old tapes and cool winnins and so on. It was a gratifying (and almost-totally-new-to-me) feeling to actually talk with people that understood the same things I do. Also, it’s funny that I didn’t even really comprehend I was talking Betamax with a guy in a gorilla mask; it must have been wildly surreal to anyone overhearing our conversation. Or not, I don’t know.

Hey, another real, actual video! It’s about time!

My buddies from Monsterfestmania, Mike Mace and Dave Binkley, were on hand to promote their show, The Weirdness Really Bad Movie. Even though I had met them in-person just a few months prior, this really was like an old-friends-catching-up sorta thing. It was great. Let the video above tell the rest of the story!

Fun fact: Mike himself was on American Pickers just this past week! Cool winnins!

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This was certainly the wildest video I took. The screencap just doesn’t do it justice.

What started out as a chat with Bill “Greatest Voice Ever” Ward (he was the WJW TV-8 announcer for years) quickly devolved into just a general screwing around when Teri Wells, daughter of Bob “Hoolihan” Wells popped in. It was an absolute riot, climaxing in Ward’s dead-on Clint Eastwood impression. And Teri was just the nicest.

Unfortunately, this more than any other video was hurt, audio-wise. Due to the activity around us, large chunks of it are incomprehensible, and to make matters worse, poor Teri had laryngitis. It’s a real shame, because it was fast, funny and freewheeling.

That said, if you ever have the chance to speak with Teri Wells or Bill Ward, do so, because man they are just great.

A quick bit with Bob “Hoolihan” Wells!

Unlike previous years, we wound up staying at Ghoulardifest until pretty much the very end. There was much to see and do, not to mention filming videos, that it took a whole lot more time than I was anticipating. Still, I was able to catch up with Hoolie just as he was getting ready to go on stage for the show-closing group photo. It’s a brief video, but it’s awesome. Why? Cause Hoolihan.

Backstory: During the old “Soulman” skits from The Hoolihan & Big Show, Wells was always the narrator, and oftentimes he’d let out a great, dismayed “Ohhhhh Noooooo!!!” that I endlessly love. Thus, I asked him to give me one such “Ohhhhh Noooooo!!!” there in person, but because we were in such a hurry, I forgot to reference what I was talking about! You can see my kinda-goof in the video above.

Even though he doesn’t live in Northeast Ohio anymore, just like everyone else involved in this sort of thing, Bob Wells is always the nicest, most generous guy you could hope to meet. He’s good people!

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Because we were there to pretty much the very end, we were able to witness the convention-closing group photo; a wonderful moment. I fought the urge to go onstage and join them, though the confused looks of all involved would have almost made up for the undoubted subsequent escort to the parking lot by security… almost.

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And yes, we did indeed stop by the nearby Big Boy for the annual post-Ghoulardifest meal. Super Big Boy, you are a burger among burgers. And the fries! I’m not a big fry-eater, but Big Boy’s are always fantastic! Also, our waiter was phenomenal and got a well-deserved monster tip.

Look at that pic above. Big Boy has no qualms with the oncoming rain. Dude’s been around forever; you think a little water is gonna phase him? Nope!

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Like I said before, my merchandise haul was substantially less that previous years. That doesn’t mean I didn’t pick up some cool winnins though, cause I did.

Above: Another Son of Ghoul DVD to add to the collection (The Death Kiss), a Ghoulardi bumper sticker (at a buck a pop, I bought a few), and a Big Chuck & Lil’ John mug I’m this sure I don’t already own. Not that you can ever have too many, of course.

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But this, this was the big buy of the year: A Ghoulardi shirt celebrating the Cleveland Cavaliers’ monumental win in the NBA Finals! I’m a huge Cavs fan, so I flipped when I saw this! Forget buying just one; I bought two! One of the faces of Cleveland, pitching the historic win that was a true victory for all of Northeast Ohio? It does not get any cooler than that! I like wearing sports shirts, and I like wearing Ghoulardi shirts, so this was directly up my alley! I love it.

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And with that, the Ghoulardifest 2016 re-cap comes to a close. Was it worth the wait? I think so! Well, I hope so. I’m ready for Ghoulardifest 2017, either way!

Until next year, LaVilla! (Hopefully, the weather will be more fitting for the event!)

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Son of Ghoul 30th Anniversary Tribute!

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That screenshot above was taken nearly five years ago, during Son of Ghoul’s 25th anniversary special. (Has it really been five years? I refuse to believe five years passed that quickly!) A momentous occasion for sure, and a marvelously entertaining episode to boot. Interviews with past crew members, historic clips and bits, and an honest-to-goodness movie (The Most Dangerous Game), it was a fantastic show that stayed on my DVR for, no joke, around 6 or 7 months. It was like the perfect summation of what made Son of Ghoul, well, Son of Ghoul.

However, something SOG said, not during that episode but during a later show, has stuck in the back of my mind ever since it was uttered: when describing his 20th and 25th anniversaries, he made an off-hand comment about a potential 30th, essentially stating he had no idea if he’d even make it to 30. It was something along the lines of “Can I make it that long?” It was a throwaway line, not even really a joke, but it did bring up an interesting question: in this day and age of waning local television, where horror hosts in particular are an increasingly endangered species, could SOG hold in there for the big 3-0? How long can a good thing last?

I don’t know where today falls in the ultimate larger picture of The Son of Ghoul Show, but I do know that Keven “Son of Ghoul” Scarpino has accomplished the nearly impossible: a horror hosted movie showcase that has continuously run weekly since June 13, 1986 – 30 years ago today!

Make no mistake, this is a monumental achievement. Any television personality doing what they do for an uninterrupted 30 years is something to be celebrated, but a horror host? It’s not unheard of for one to run for a number of years, leave the airwaves (for one reason or another), and then come back some time later. But, to stay on for three decades, simply by doing what they do best? All while facing station changes, shifting television landscapes, and the decline of horror hosts on over-the-air TV stations nationwide? Just how does that happen?!

In fact, he is easily one of the longest continually-running horror hosts in the nation! Indeed, it seems he is THE longest running! That just makes this achievement all the more amazing!

It’s times like this that I count myself especially fortunate to be a Northeast Ohioan, or at least a TV-watchin’ Northeast Ohioan. It seems like if a local television personality has had an impact on us, they never really go away. I mean, Ghoulardi was only on from 1963 to 1966, and yet, Ernie Anderson’s iconic host is still instantly recognizable around here. And Big Chuck & Lil’ John? Even when they ‘retired’ back in 2007, they were still all over the place, and then they came back to TV in 2011. My point is, if you can make it around here, there will always be a place for you, somehow, somewhere.

Throughout all the changes in television in general, never mind locally, over the last 30 years, SOG has been there, doing what he does best: hosting a movie, performing in some skits, interacting with the viewers. It’s perfect “sit back and chill” weekend entertainment, and SOG has it down to a science. I simply can’t imagine a weekend without his show, a fact that made his uncertainty in regards to reaching 30 years a bit unsettling. Northeast Ohioans have long memories, but I suppose nothing and no one is immune to the sands of time.

But for now, SOG is still here, still plugging away, and I couldn’t be happier about it. I go way back with the show. Indeed, quite a few of my weekends have featured The Son of Ghoul Show, starting all the way back to the fall of 1997. In many ways, my love of local broadcasting can be traced back to The Son of Ghoul Show. That’s not a small statement I make, either.

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The man himself, via an exclusive shot taken at his 1997 personal appearance at JC Comics & Cards. Check out the SOG cake to the right!

Anyone taking even a cursory glance at this blog has undoubtedly seen the presence SOG has had; I’m blatantly and unabashedly a longtime fan. We’ve looked at an episode or two, he’s gotten specific shout-outs during all three of my Ghoulardifest write-ups, and heck, I even took the time to post an update when his time slot was shifted back in February 2015. ‘Course, it was the big extensive interview with the man himself nearly two years ago (as of this writing) that was the ultimate example of SOG on this BLOG. (See what I did there?)

So yes, SOG reaching 30 years on the air is a big deal in general, but especially for me. Why? Because I’ve been around for 19 of those 30 years. I had seen Big Chuck & Lil’ John first, and was aware of Superhost in my formative years, but truthfully, it was SOG that introduced me to this whole Northeast Ohio horror host deal. And therein lies some nostalgia…

(I know I’ve related some, or all, of this before, so please, bear with me…)

I first discovered the show in the fall of 1997. At the time, I was looking for a Mystery Science Theater 3000 surrogate. I had become (and remain to this day) a die-hard fan of MST3K, but at the end of summer ’97, it was too expensive to keep the premium cable box needed to access the Sci-Fi Channel, and thus, MST3K (the network later became part of our basic cable package, but that was a few years away). Being only 11 years old, I didn’t have much say in the matter, and so, as summer came to a close, it became increasingly obvious I needed something to satisfy my bad movie-mocking needs.

Also during that same summer, I had become aware of “The Cat,” TV-29 in Akron, TV-35 in Cleveland. While I was primarily a horror and sci-fi fan (albeit a still-burgeoning one), The Cat introduced me to a wider range of older, sometimes wildly obscure, flicks. B-westerns, silents, foreign films and so on, I quickly found a growing interest in all of them.

By the time fall came around, I was jonesing for MST3K, or something similar, and I was jonesing bad. In retrospect, it’s a bit odd that it took me several months to actually discover The Son of Ghoul Show, but the fact is that some idle channel-surfing one Saturday night landed me upon SOG’s annual Halloween show. He was on Friday and Saturday at that point, same episode both nights, so I guess this would have been November 1, 1997 (since an online calendar tells me Friday was October 31st).

The movie was the original Night of the Living Dead, a flick he runs each Halloween. My brother Luke was watching with me, and as I recall it, we turned the channel on just as SOG’s introductory segment was coming to a close. The movie started shortly thereafter, and man, that was all it took. Before long, I was hooked. It took me a minute to realize that SOG was dropping in sound effects and music into the movie, but I loved it. I loved the film too, which was my first time seeing it.

But it was the host segments and skits that really got me. SOG was something entirely new to me. A genuine horror host, a concept I only had a vague notion of prior (I never thought of Chuck & John as horror hosts until later, and besides, it took me a few more years to really appreciate them). He was witty, he was acerbic, he was silly, he read mail. In short, it was everything I had been craving. In that single two-hour block that Saturday night, an entire new world of television, of comedy, was opened to me. Baby, I was done.

And he was ours! This was all local! SOG is the kind of entertainer anyone from anywhere can enjoy, but his program takes on a whole new dimension if you’re from the area. I doubt I was cognizant of all that when I watched for the first time (in fact, I’m sure I wasn’t), but it’s a factor that became increasingly important to me the more I watched and the bigger a fan I became.

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Another exclusive shot taken at JC Comics & Cards. Here SOG autographs a promotional picture, for either my brother or myself. We both still have our signed pictures to this day, either way.

Even though it was only until the following week, it was a long, long wait for the next episode. I was in 5th grade, and while (as I recall it), the other kids were into wrestling and/or MTV and whatnot, I personally could not wait to see more of this new thing I found.

Finally it was there; the movie was The Vampire Bat, and I knew I had made the right decision in jumping on this bandwagon. (I also learned it was the same movie, same episode both Friday and Saturday nights, but this wound up being beyond helpful. If I particularly liked a movie or bit, or one of the letters I later started sending in was on, I could sample Friday night and record Saturday night.)

From there on out, it was a constant sense of discovery. Nearly every single week, I was seeing a movie completely new to me. Okay, sure, they weren’t good movies, but they weren’t supposed to be! I can’t say this is where my love of watching bad movies because they’re so awful began, but the selections SOG ran certainly helped fuel the ongoing desire for a good baddie. The Hoodlum, The Corpse Vanishes, Santa Claus Conquers The Martians, Colossus and the Amazon Queen, all of those (and many more!) were introduced to me via SOG. I can’t say I ‘love’ the films, but they hold a nostalgic place in my heart nevertheless, simply because of how and where they fall in my lifetime.

And it was all so funny! I loved the mail segments, where SOG’s acerbic, sarcastic wit was on full-display. He had no problem goofing on the letter writers, and really, that was part of the fun, even if you were the one who had written in! And the skits! Barfaby, Mr. Banjo, Fatman and Rotten, Zero, Eat At Joe’s, and even the one-offs, so much of it had a hip, edgy, oftentimes “warped” tone that made the whole experience irresistible. I mean, “Genie of the John,” in which SOG played the titular character, one who emerges from a toilet? Stuff like that appealed (and appeals) endlessly to me.

‘Course, when I began watching, I didn’t really know about the first home of the show (Canton’s WOAC TV-67, from 1986 to 1995), and thus what bits were new and what bits old. Nor did I have a full understanding of the Ghoulardi lineage, only a vague knowledge of the tradition. (Ah, the days before the internet presented every last drop of information at the touch of a button!) This was almost all totally new to me, but I loved it.

Within just a few weeks of my becoming an instant mega-fan, SOG announced on the air that he was going to be making a personal appearance at JC Comics & Cards on State Road in Cuyahoga Falls. JCs?! I knew right where that was! It was practically just down the street from me! Dare I go and meet my newfound hero? Of course! (By the way, JC Comics & Cards is still at the same location; you’d be well-advised to stop in and buy some stuff – there’s a lot of great things there!)

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That’s my brother Luke on the left. I’m the one on the right. A rare shot of me not being a total badass? I think I’ve aged for the better.

Looking back, his personal appearance at JC Comics & Cards was probably my first real celebrity meeting. Okay, my school had a Cleveland Indian (don’t remember his name) appear and sign autographs once, and I had gotten baseballs autographed outside of (then) Jacob’s Field before, but as far as being a fan and specifically seeking out a meet-and-greet, SOG was the pretty much the first.

There was only one hindrance: I was a fairly shy 11 year old. It’s something I’ve long since grown out of, and nowadays I have no qualms with walking right up to a celebrity and bugging meeting them. But back then? It was totally uncharted territory for me. I didn’t quite know what to expect.

So, the big day arrived. My brother, mom and I waltzed into JCs, and there he was: Son of Ghoul, in person! I was excited and insanely nervous at the same time. I needn’t have worried though; as has been proven time and time again over the years, SOG is absolutely fantastic with his fans. He was personable, he was funny, he answered all questions posed to him, he took pictures, he signed autographs. Even if I did lock-up once after asking him a question (shy and all, remember), it was a great experience.

In fact, here’s something about the visit that I’ll never forget: after we had met him, got our pictures and so on, I was browsing the comics, and I found that 1988 reprint issue of Action Comics #1, for $3. Without prompting, SOG came up and actually looked at it with me, marveling at the price and the 1938 date in the corner. I thought (and think) that was just the coolest. When a personality goes that extra mile to interact with a fan, it shows how genuine they are. In the years since, talking with SOG or watching him talk with other fans, I know my impression of him back in ’97 at JCs was spot-on.

It really is hard to put in words the influence SOG had on me growing up. His show helped shape how I look at movies, at comedy, at broadcasting, everything. And I’m not the only one; There were other kids my age that were just as enthralled with it as I was.

In fact, this blog has introduced me to one: Brett Van Wagner. He discovered this site due to the SOG content, he messaged me, and we’ve been chatting ever since. Even though he lives out-of-state and we’ve never met in person, I’m proud to call him friend. We’ve even had shockingly similar experiences with The Son of Ghoul Show, and we’ve both been fans for nearly the same amount of time. I’m going to turn things over to him for a moment here; I’ve known for awhile now how important his recollections of “SOG history” are, and when I came up with the idea for this post, he was the first one I asked to contribute. Here he is now in his own words…

Brett:

Where to start? First off, a huge thank you to the Northeast Ohio Video Hunter for letting me be a part of an article about such a historic moment in Northeast Ohio television! Although we have never met, I have enjoyed emailing the author of this blog and sharing memories and stories of Son of Ghoul for probably close to a year now. Our SOG stories are actually quite similar, and it makes me wonder how many other kids our age were watching the show at that time. While I live in Florida now, I make it home to NE Ohio from time to time and perhaps one day we will meet up at a convention or SOG appearance. But, thank you for allowing me to be a part of this!

I was first introduced to the Son of Ghoul Show sometime in 1997. My dad would occasionally have the show on, although it seems like my mom would always make him turn it off. My dad grew up watching both Ghoulardi and The Ghoul, and would talk about watching those shows when he was young. After months of catching a few minutes here or there, I remember the first episode I ever watched from start to finish. It was Friday, August 29, 1997 and it was the first week of 6th grade for me. After a week of realizing that middle school was now my life, I realized I needed something to take the edge off. The movie that night was Godzilla vs. Megalon and I only recently realized it was actually a rerun of the very first show to ever air on the CAT. Going back and watching that episode again, it makes quite a bit of sense, as SOG refers to the fact that we are now seeing him in prime time and actually in Cleveland quite a bit. A great episode to officially start watching. The episode also featured what would quickly become, and still is, my favorite SOG sketch, Mr. Banjo. I’m not quite sure what it was about that green-screened dog, but no matter how many times I hear the opening rifts of that song and hear SOG start to talk in that ridiculous accent, I truly laugh out loud every time.

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This is the Mr. Banjo character Brett is referring to. Coincidentally (as you’re about to read), this is from a promo for The Brain That Wouldn’t Die!

In all of the years, my favorite SOG movie is The Brain That Wouldn’t Die. Fittingly, my very first fan letter was read during a show that featured this movie on October 10, 1997. Honorable mentions for other movies that I have a soft spot for go to favorites such as The Giant Gila Monster, Alice Sweet Alice (the only SOG movie that actually scared me as a kid – love it now though) Phantom from Space, Plan Nine from Outer Space, Killers from Space, (I’m noticing a space theme here) White Zombie, and the lost but still survives on VHS collections somewhere, Lethal Justice.

Despite the dungeon and skulls the faux scary vibe of the show, what I took away from the show more than anything was a love of comedy. From all of the drops in the movies (yeah, I know Bill Cosby has kind of fallen out of grace in society in the last year, and rightfully so.. but those old comedy albums of his are pure gold and the way SOG would incorporate drop pieces from those albums into the movies and show were fantastic) to the incredibly dry and witty sense of humor SOG would posses during mail breaks and show segments, the show for me was comedy first and foremost. SOG never fails to make me laugh with one of his one liners or observations during a skit or mail break. In addition to helping me with my love and appreciation for comedy, SOG always reinforced my love of The Beatles. While most kids grew up listening to their sing-a-long tapes, I remember listening to our old Beatles LP’s as young as 3 or 4, and my love for the band is still just as strong all these years later. Knowing SOG shared that love and appreciation for the band and incorporated them so heavily on his show was the icing on the cake.

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Another exclusive shot of SOG at that fateful JC Comics & Cards appearance!

Just like the Northeast Ohio Video Hunter, the first time I ventured out to meet SOG at a personal appearance was in December 1997 at JC Comics and Cards in Cuyahoga Falls. Heck, maybe I have met him after all. What I do remember is how friendly and kind SOG has always been to his fans. He remembered me from letters I had written, talked to my dad and I, and was just such a nice guy. I would again go to many personal appearances, including the 1999 FrightVision where I would spent lots of time talking to my horror host idol and also had the chance to meet, according to the headshot, the one…the only…Fidge! Fidge was also the nicest guy in the world, and the years he and SOG spent together are the best years of the show for me. The last time I saw SOG (and Fidge) in person was in October 2002 when they had the stage show during Fright Fest at what was then Six Flags Worlds of Adventure amusement park. (Sidenote, I am also a HUGE amusement park and roller coaster buff. Geauga Lake Amusement Park, which was a Northeast Ohio institution that spent a few years as a Six Flags park before becoming Geauga Lake again under the same owners of Cedar Point, Cedar Fair, is a place that I miss more than anything and am super sad about losing) Back on track, even though I haven’t seen SOG in person since 2002, I have stayed in touch with him via e-mail and he is nothing but kind and helpful to his fans. Questions I have had regarding episodes, etc, always are answered and he is just the nicest guy in the world, despite what he may want us to think from his on air persona.

It was so sad to hear of the passing of Fidge, especially because of the circumstances, in 2003, and SOG handled it with such class and respect in the tribute episode. Between that at the recent Colonel Klink tribute episodes, SOG has proven that even in the worst situations, he is the ultimate professional and is able to bring the audience together to celebrate the lives of two great men who were so influential on the show.

As the years went on, I went off to college and then moved to Florida eight years ago. I’ve experienced several jobs, a few serious girlfriends, and the usual ups and downs of life. Still, I always caught SOG any time I was home in Ohio on a Saturday night. In the more recent years, I have purchased over 20 episodes of the show from the SOG website and as time continues to go on, I’m sure I will purchase 20 more. Any time I am feeling a bit homesick, or just at the end of a long week, the excitement and comfort of popping in a Son of Ghoul DVD is just as strong as when I first discovered the show nearly 19 years ago. There have been countless horror hosts that have come and gone, but for one host to be on for 30 consecutive years is truly an amazing feat, especially in today’s constantly changing broadcast world. Hats off to the Son of Ghoul. I can only hope he appreciates not only the accomplishment of 30 years on the air, but how influential he was for kids like me who didn’t really have a place to fit in. Thanks for everything, SOG. Here’s to a happy 30th anniversary, and hope for many, many more.

Brett Van Wagner

It really is wild how close our experiences with the show are. I think we would have become fast friends back in the day, and I’m certainly happy to know him now. His contribution is invaluable to this article and I can’t thank him enough for providing it. You is good people, Brett!

Brett also touched on a great point: it hasn’t always been smooth sailing for the show. The fact that it has continued to survive though every seemingly-insurmountable obstacle shows not only how durable the show is, but how good SOG is at what he does.

The Son of Ghoul Show has survived a nasty lawsuit in the late-1980s, time changes, station changes, the switch to digital TV in ’09, the eroding of local TV in general and the presence of horror hosts in particular, even actual deaths…

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The passing of Ron “Fidge” Huffman in 2003 was an absolute shocker. Fidge was SOG’s sidekick, and in the late-90s/early-2000s, he was ever present. He took a lot of abuse on the show, but I think he knew it was all in fun; his presence gave the program something of a “warped” Big Chuck & Lil’ John quality.

I had the fortune to meet Fidge at FrightVision ’99, where that autographed picture above comes from. He couldn’t have been any nicer; it truly seemed like he got a kick out of the whole thing, and it showed when meeting his fans. I’m truly sorry that he passed; I’m glad I got to meet him when I did.

Something else Brett mentioned was the more-recent death of Jim “The Colonel” Klink. Klink went way back with our local horror hosts, sending tons of his artwork to Superhost and later SOG. Not only that, but at least as far as SOG went, he’d send in packages of random items, always decorated with a variety of stickers on the outside (as SOG said once, he couldn’t believe the post office accepted them!). Needless to say, SOG ragged on Klink quite a bit too, but again, it was all in fun.

I never met Klink, though I did see him walking around at Ghoulardifest once or twice. I wish I would have went up and spoken to him now. Still, he did leave this nice comment on my interview with SOG page, and it’s worth sharing here:

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The outpouring of grief online for Klink was quite large, and reading that comment, it’s easy to see why. He was a genuinely nice, enthusiastic fan, as his note above makes abundantly clear.

As Brett mentioned, SOG’s tribute shows to both Fidge and Klink are fantastic. Genuine, honest, funny, they were perfect in honoring both guys.

Their passing was tragic, and the unfortunate fact of the matter is when a show reaches such longevity, it’s almost inevitable that you’ll run into something like that. It comes with the territory of being on for so many years, I suppose.

Indeed, when something like that happens, it only serves to remind you of how far back this all goes, and how quickly it can all go away. By this point, SOG has become a veritable staple of Northeast Ohio television. It’s simply impossible to imagine a time when he’s not on the air in some fashion. But obviously, all good things come to an end, which makes treasuring them while they’re here all the more important. I’ve made that mistake with some other shows, but luckily, I won’t make it here. I’m grateful for each week SOG is on the air.

So, that’s my history with SOG, but it’s not a finished history by any means; it continues to this very day. His current shows, of course I’m there, and just like when I was 11, I still get a sense of anticipation in hearing what movie will be shown on a given night, or seeing if some letter or package I sent in is going to be presented. Stuff like that I don’t think will ever change.


So, my thoughts, and Brett’s up above obviously, on this big 30th anniversary are now known. But, I also reached out online for some other contributions to this big ol’ tribute, to help show what an impact SOG has had on other viewers and collaborators. Some wonderful additions were gathered, which I’d like to share now.

From famous fellow horror host “Wolfman Mac” Kelly (who for years shared Saturday nights with SOG on our local RTV affiliate; SOG 7 PM-9PM, Mac 10 PM-12 AM):

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Son of Ghoul with Wolfman Mac, as they appeared together during an episode of Wolfman Mac’s Chiller Drive-In.

Hey Son Of Ghoul, happy 30th anniversary to you my fellow horror host! You have such an awesome talent and your fans are truly fortunate to have YOU keeping the genre alive. Er…undead…

I had the honor of meeting you a few years ago at Wasteland. You’re not only a great horror host, you’re also a really good guy. All the best to you. Stay Creepy!! – Wolfman Mac

Mac, like SOG, is one of the coolest, nicest guys you could ever hope to talk to, which is not something that can be said for every television personality.

From longtime SOG-friend and genuine good guy Jungle Bob Tuma (check out his official website!) comes this hilarious recollection:

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

I remember the time that the Son of Ghoul & I went out to eat after Cinema Wasteland at an all you can eat Chinese Restaurant (his favorite place to eat). He had been there the week before & ” spoke up” when somebody tried to leave without paying their bill. This made him a hero to the girls who worked there…while we were there, we noticed them smiling, they even brought over a plate of crab legs for him.

He went to go wash his hands & I took my pen & drew a heart & wrote “I love you” on his napkin & when he returned I told him that the Chinese waitress wrote it…I had no idea that SOG would call the waitress over & ask her name & flirt with her…I even tried to stop him but when she came over she let him know that it was not her who wrote that …she also told him that she actually saw me write it while he was away from the table…

He looked at me & said..”OMG Jung, what is wrong with you…I am so embarrassed!” I thought about it & said to myself…”See, we even have fun when we are not on TV…Whether we are on & off the air, Keven (SOG) & I always seem to have a good time & that’s why we have been friends for so long… Happy 30th buddy & looking forward to our next Chinese dinner, LOL.

Anyone that has seen Jung on SOG’s show or watched them interact together in-person knows they have an incredible rapport that is absolutely hilarious, as his story demonstrates!

JB is not only ridiculously friendly, but he knows pretty much everything about every animal ever. You’d be well-advised to book him for any event.

From my buddy Matt Brassfield over at Rotten Ink:

Son of Ghoul with Dayton's Baron Von Porkchop. Photo used with permission.

Son of Ghoul with Dayton’s Baron Von Porkchop. Photo used with permission.

Hometown Horror Hosts mean a lot to viewers, and Cleveland has had their share of iconic hosts from Ghoulardi to Superhost in the golden age of broadcast TV hosting to modern late night ghoulies…but for over 30 years The Son Of Ghoul has entertained viewers with his silly antics and zany sidekicks like the Fidge (R.I.P.) and has truly became a staple for the Cleveland area.

I have had the honor to have met and chatted with Son Of Ghoul many times during his convention appearances and he has always taken the time to shoot the breeze and even was the first to introduce me to footage of Superhost as well as Woodrow The Woodsman! Son Of Ghoul is a Horror Host Hall Of Famer, a Musician, a Comedian and from Rotten Ink as well as from the cast of Baron Von Porkchop’s Terrifying Tales Of The Macabre, we want to wish Son Of Ghoul a Happy 30th Anniversary and wish him many more years of TV goodness.

Matt’s also the producer of Baron Von Porkchop’s Terrifying Tales of the Macabre; check it out!

My Facebook pal John Walch had this photo of SOG with his son Lil’ Kong to share, along with the following comment:

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Photo courtesy John Walch.

The highlight of April’s Cinema Wasteland show was when my son met Kevin. Such a great guy.

Yes he is!

From another Facebook pal, Danny Harasyn:

I live in Lake County and Time Warner won’t give me the station SOG is on …..so I had a friend I worked with who lived in the area Time Warner carried the show record it for me each week…

I know what he means; there was a time in the earlier-2000s in which we were using rabbit ears, and you could NOT pick up SOG’s show to save your life.

From Facebook’s Gary Smith:

Photo courtesy Gary Smith.

Photo courtesy Gary Smith.

Several years ago. it seemed like every week, I would see him at Jamie’s Flea Market in Amherst. On top of that, getting a chance to see and chat with him at Ghoulardifest and Monster Bash conventions the past few years. Looking forward to seeing him again at this year’s fests and congratulations on his 30 year milestone.

Thanks Gary!


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One final personal story before I close this tribute out. This one means as much to me as the nostalgia of discovering and watching SOG back in the late-90s does.

Back in November of 2011, I had a serious hand injury at where I then-worked. This was my first (and thus far only) real injury. Sure, I had sprained my ankle before, pinched a nerve in my neck, relatively little things like that, but this was a biggie. I eventually clocked three separate surgeries, a five-day hospital stay, several weeks of a home IV, and a whole lotta physical therapy. It was a mess.

I was blessed with some legitimately great doctors and nurses that helped me through the ordeal. I am thankful every day for that. Today, while there is some remaining evidence that a severe accident occurred, you probably wouldn’t notice unless I pointed it out to you. It could have been much, much worse, so yes, I’m most definitely grateful to those that made sure it wasn’t.

But anyway, back in December 2011, much of what I eventually had to go through was still ahead of me. All I knew was that I was injured, I was off work until after the new year, and I was severely bummed.

Meanwhile, prior to all that, after being a regular writer-in’r to the show in the late-90s, I had begun sending packages to SOG again in 2010 or so. Shortly before my injury, I had mocked up a SOG-album cover in a parody of Bruce Springsteen’s Born To Run cover, titled Born To Be Awesome. (See above.)

So, Saturday, December 24, 2011, it was SOG’s annual Christmas showing, appropriately airing on Christmas Eve. At a time when I was in critical need of a morale boost, SOG presented the album cover on the air. Not only that, but he really seemed to get a kick out of it! And that was in addition to all the older holiday-themed bits and cartoons, which all made for a wonderfully entertaining episode.

Obviously, SOG didn’t know what I had been going through at the time, this was all business-as-usual for him, but this was absolutely the pick-me-up I needed at that moment. I’ll always be grateful for that.

I think that points to an often-unrecognized aspect of not only The Son of Ghoul Show but any program people may turn to during those times when they just need to escape: they become more than just a television series to us, something deeper, though perhaps indefinable. And when they reach a historic milestone, like SOG has today, you feel, in some small way, a part of it, even if it was just by tuning in for so many years. And by now, I think it’s safe to say I’ll hang in there with him till the very end.

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Your Northeast Ohio Video Hunter hangin’ with the man himself! Ghoulardifest 2013.

There’s no better way to finish this article than with some words from the man himself, Keven Scarpino, aka Son of Ghoul. I reached out to him for a closing comment, and in true SOG-fashion, he first gave me Yeah, I would give a comment if I thought anybody actually reads your posts. LOL” Of course he was kidding (?), and immediately followed that up with this statement, directed towards all his fans:

Thanks for hanging with me all these 30 years. The viewers are the reason I’m still here – plus nobody else is willing to work as cheap as I do. Stay Sick! SOG.

Kinda says it all, doesn’t it?

Happy 30th anniversary Son of Ghoul! Here’s to the next 30!

Ghoulardifest 2015!

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Yes, it’s that time of year again: Ghoulardifest! It’s hard for me to adequately portray in words just how much I love going to this convention every fall season. I really do anticipate it the whole year round. Seriously, the very next day, I’m already jonesing for the next show. I’ve been to some conventions in my time, but because it’s so tailored to my tastes and my hometown (well, roughly; I’m an Akronite), I can say without exaggeration that Ghoulardifest is my favorite. There’s a reason I’ve made it a point to make it there every year since 2011. It’s like the Bruce Springsteen concert of horror/sci-fi conventions; one ain’t enough, I needs me more!

Besides, after sitting around going through thousand-year old videotape after thousand-year old videotape, it’s nice to get out once in awhile, y’know?

Ghoulardifest is, of course, the annual celebration of any and all things Ernie “Ghoulardi” Anderson. Not only is his pioneering character and show represented (gee, no kidding!), but also his successors, as well as Cleveland TV in general. Beyond that, a lot of it has more to do with the spirit of Ghoulardi, the era he came from, the music, the movies, that sort of thing. Of course, there’s also a lot of stuff that has no real connection to Ghoulardi, but instead would fit in at any typical horror convention. That’s not a complaint on my part; it all adds up to a lot of fun with something for everybody, except it’s all with a heavy Cleveland theme. That’s why I love it so much!

For the third year in a row, the show was held at the plush LaVilla Banquet Center, which is an absolutely terrific venue for the convention. Driving to the LaVilla to see Ghoulardifest around the same time every year (always on a Sunday; November 1 this year), it has really come to symbolize Fall and the end of the Halloween season and the start of the holiday season for me (even on those years where the show falls before or on Halloween). Some people get up early to shop the day after Thanksgiving, I plan around Ghoulardifest. Considering it’s less hectic and I find things I actually want, I dare say I come out on the winning end every year, but that’s just me.

And lest you forget, Ghoulardifest was almost certainly the reason for that Big Chuck & Lil’ John Ghoulardi Special I babbled about in mid-October (unless it wasn’t, in which case never mind). They ran it several times after that as well, and better promotion for Ghoulardifest I cannot think of.

(Also, should the mood strike you, check out my recaps for the 2013 and 2014 conventions, though I fear some redundancy among those two posts and this one.)

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(Click on any of the pictures to, how do you say, enlarge them.)

I was told there was going to be fewer vendors this year, and maybe there weren’t quite as many as previous shows, but there was still a lot going on. Indeed, it took several walks around the entire place to take it all in, and frankly, I seriously doubt I did take it all in. If anything, and this is just me talking, but less vendors gave the entire show this year a more balanced feel. Not that I’m promoting “less stuff,” but everything I look for at Ghoulardifest was well-represented, but not in an overwhelming way (unlike earlier years, where I was struggling to take it all in and afraid I’d miss “somethin’ good.”).

The heart and soul of the place is really the Cleveland stuff: Ghoulardi, of course, and Big Chuck & Lil’ John (don’t forget, the official title is Big Chuck & LIl’ John’s Ghoulardifest), Son of Ghoul (that’s him doin’ his thing above), and some of Cleveland’s newer horror hosts, plus lotsa Cleveland TV (and even some radio) memorabilia in general. For obvious reasons, it’s a very Cleveland-centric convention, as one would expect.

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That said, if someone from out-of-state were to waltz in without knowing what this was all about (just play along with the scenario, okay?), they’d probably be confused by all this Ghoulardi-hoopla, but they’d also still be able to find some stuff they’d want. There’s a lot of ‘general’ stuff there; that is, things that wouldn’t be out-of-place at any horror/sci-fi convention. Posters, lobby cards, toys, Star Wars, Star Trek, DVDs, music (lotsa CDs and vinyl). Heck, one guy even had a ton of Laserdiscs, and his box of Godzilla LDs was enough to elicit an “oh MAN!” reaction from me, though I was burning money so frighteningly fast that I unfortunately wasn’t able to partake of said Laserdiscs. I just know I’m going to regret not buying that Japanese King Kong Vs. Godzilla LD sometime down the road.

What I’m saying is that even if you’re not into Ghoulardi or the whole Northeast Ohio horror hosting thing, if you like vintage horror or science fiction films, odds are you’ll still find plenty to peak your interest anyway.

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There’s even some newer, “craft-y” type stuff, for those so inclined. Since I’m rarely hip to that sort of thing, my brother tells me the product seen in this picture is “pixel art,” which is as it sounds: artwork, keychains and so on, made up pixel-by-pixel, just like the character sprites in 8-bit and 16-bit video games. I generally only buy video game stuff when it’s vintage-from-the-period, but no doubt this new-fangled pixel art thing is cool. I mean, pixelated Mario Kart artwork? Heck yeah!

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See, my brother and I always hit up Ghoulardifest on Sunday, the last day of the show. It just works easiest for us that way. The downside is that we often miss some of the special guests and events they have going. Readings By Robert and stage shows like that, we don’t always get to see those. This year though, they had some good stuff going on the whole time we were there.

Up above is Caesare Belvano, who does a phenomenal Elvis performance. I don’t always go for the fan-tribute thing, but Elvis is one of the few exceptions. Not only because Elvis is dead and thus my chances of seeing him live are, well, nil, but also because Elvis tribute acts have become an art unto themselves. Rest assured, Caesare does a fantastic Elvis. His voice is unbelievable; he was on-stage when we first went in, and before I even actually saw him up there, I heard him, and his singing blew me away. His rendition of “My Way” was just incredible. I’ve seen and heard a lot of Elvis over the years, and Caesare gets my full approval (not that my approval really amounts to all that much, but whatever).

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After Caesare, The ReBeats took the stage. Beatles tribute acts are another exception for me; I love them and the time period of music they generally cover (aside from Springsteen, 1950s & 1960s Rock & Roll is my preference). In the case of The ReBeats, they of course do The Beatles, but not just The Beatles. While we were there, they were busting into The Dave Clark Five (they do a great “Catch Us If You Can”), and though we were on our way out by that point, according to their website they also cover Paul Revere & The Raiders, which automatically grabs my admiration.

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I imagine Friday and almost certainly Saturday were busier, but there was a pretty good turnout for what was the last day of the show, too. Indeed, Big Chuck, Lil’ John and Hoolihan had a pretty steady line the entire time we were there; getting to Hoolie in particular looked like quite a wait!

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Speaking of meeting the celebrities, here I am with my pal Jungle Bob! I’ve been a JB fan ever since he started featuring his animals on The Ghoul waaaay back in, what, 1999? 2000? Jungle Bob is one of the coolest guys you could hope to talk to, and he always has some creatures at Ghoulardifest. I forget what he said the thing was in his hand when this picture was taken, but it had a blue tongue and a little goatee. Turn blue, goatee, sounds pretty Ghoulardi-appropriate to me! Later on, he was walking around with a chinchilla, surefire proof of how cool JB is.

Jungle Bob’s official website.

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Me with Mike & Jan Olszewski, where I was able to pick up their fantastic new book, Cleveland TV Tales Volume 2. As of this writing, it’s not yet available on Amazon, but when it is, y’all should buy it. And if you haven’t got the first one yet, buy that, too. There’s an added incentive to buying Volume 2, but I’ll get to that a bit later in the post.

Lemme tell you my Mike Olszewski story: I first met him in 1999 at a signing for the book he and Ron “The Ghoul” Sweed wrote together. He was very personable then. But, it was when I met him over a year later that he just knocked me out (no, not literally!). The Ghoul was making a personal appearance at B-Ware Video in Lakewood. It’s long gone, but at the time, B-Ware was a haven for all of the hard-to-find, obscure movies that you couldn’t easily locate anywhere else. Anyway, The Ghoul was filming bits for his show, and when the cameras came out, I kinda sorta retreated further back into the store. Mike saw this, and despite not actually knowing me, he came up and implored me to get on camera. Thanks to him, The Ghoul episode that aired with this footage featured me near the front, loafing about and occasionally cheering. I always thought it was amazing that Mike would take the time to do that for a total stranger. ‘Course, I was a goofy lookin’ 14 year old, but I won’t hold that against him.

Nowadays, Mike occasionally pops into Time Traveler Records, and every meeting I’ve had with him since that day in 2000 has only reinforced my opinion that he’s one of the nicest guys in the world.

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Hanging with Cleveland weather legend Dick Goddard. No kidding, Dick Goddard is weather in Northeast Ohio. I’ve met him before, but this is my first picture with him (I would have had one a few years back, but the camera decided it didn’t want to take the shot, which I didn’t realize until well after we had left). Every time I’ve met him, Dick has been very friendly.

What am I holding in my hand? Why, that’s my now-autographed Dick Goddard CD! How, what, when, where? I’ll explain later.

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My buddy, Son of Ghoul! Every single year, if I’m going to buy anything, it’s going to be at SOG’s table. I actually make it a point to buy from him. He gets more of my money than anybody. Considering I usually have so little of it, I hope that says something.

Longtime readers will know what a fan I am of SOG; I’ve been watching him since Halloween ’97, I still write into the show, and, you know, there was that time I interviewed the man himself. He even recognizes me when I walk up to him, which always makes me feel like a big man.

There was some sad news in regards to the show this year that SOG and I talked about: longtime supporter of all this, Jim “The Colonel” Klink passed away a week before Ghoulardifest ’15. Klink was well-known to SOG fans for his rabid support and many packages sent to the show. Before SOG, he was a big Superhost guy (in fact, I *think* some of his Supe artwork can be seen in this old post of mine). I saw him walking around at least once at previous shows, and we were friends on Facebook, but it’s much to my regret that I never actually met him in person. The show of grief for Jim’s passing on Facebook was overwhelming; he touched a lot of people and became a well-known Northeast Ohio personality simply by indulging in his fandom and being a nice guy.

Besides being his Facebook friend, my limited contact with Klink included this very nice comment he left for my SOG interview. I think it shows what a good-hearted, upbeat guy he was, and thus I’d like to present here as a small tribute to him:

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R.I.P, Colonel.

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A dream realized! I wanted to meet Janet Decay (aka The Daughter Of The Ghoul, aka Janet Jay) last year, but she was either off doing something or I missed her completely. So, I definitely wanted to meet her this year.

She’s doing a new show with Grimm “James Harmon” Gorri titled The Mummy and the Monkey. When they asked me if I had seen it yet, I had to sheepishly sputter in the negative. D’oh! I had seen The Daughter Of The Ghoul Show before though, which I liked, so I had no problem buying a DVD of their new show. They even gave me a cute lil’ free button; cool winnins! They were both incredibly friendly; I foresee great things in their future.

One thing I noticed when the guest list was announced (and this has been pointed out by others) this year was the lack of national celebrities. For example, last year Arch Hall Jr. and Dee Wallace Stone were in attendance. While I would have liked to talk with Arch Hall again, and I had my concerns when no one like that was included in the show this year, I think it’s cool that the guests were overwhelmingly Cleveland-centric AND that the turnout was so good. It shows that our guys can hold their own and still make for a successful show, and Janet Decay & Grimm Gorri are prime examples of that; their table was very busy!

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Is it corny and/or cliche to say that Fox 8 news anchor Tracy McCool was the coolest? Yeah, I bet she hasn’t heard that enough! Well, she was. Seriously, she was about as nice as it gets. Because WJW Fox 8 was sponsoring the show this year (as opposed to WBNX TV-55 in preceding years), a lot of talent from the station made appearances over the three days. I had brushed up a bit on who was going to be there via the official Ghoulardifest website, though by Sunday afternoon I had promptly forgotten most of it. So, it was a bit of a surprise to see Tracy McCool walk in. She was absolutely great.

You know what really impressed me about her? It wasn’t just that she’d take the time to pose for a picture with a goofball like me. No, rather it was what she was telling a young girl ahead of us: she was explaining good starting places to begin a career in broadcasting, and she wasn’t rattling off facts or anything like that, she was actually talking to her. One thing I admire about a celebrity is their ability to genuinely talk and listen to their fans; not that I expected anything less from Tracy McCool, that’s just a general observation, and fortunately, it applies to many, many of these Cleveland TV personalities (frankly, everyone in this post). Tracy McCool was just awesome.

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I met Bill Ward previously, at the 2013 convention. For years he was the voice of WJW, and make no mistake, that voice is instantly recognizable to many Northeast Ohioans. Just like Tracy McCool (and when I met him in ’13), Ward really takes the time to talk with you, and you’d be hard-pressed to find anyone friendlier (I know, I know, I’m repeating the whole “they were nice” thing a lot in this post; hey, everybody was ridiculously nice!). We actually had a conversation about a commercial he did not too long ago for a retirement company, in which he played “Stu,” and he told me some very funny anecdotes related to that ad.

If you ever have the chance to speak with Bill Ward, trust me, you’ll walk away the better for it. An extremely kind and incredibly funny guy.

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Ah, the customary picture with Big Chuck & Lil’ John. I can’t ever leave without one, because even though I’ve got plenty of pictures with them, accumulating more makes me feel important. I wanted to get a picture with Chuck, John and Hoolihan, but Hoolie was so incredibly busy at his end of the table that I wasn’t sure if he’d ever be able to break away for it. Not that I’m complaining, because a picture with Big Chuck & Lil’ John is one of the coolest things anyone could hope to achieve.

This year, they were selling brand new Big Chuck & Lil’ John wine glasses, and Lil’ John had one in front of him complete with some actual wine in it. Every few minutes he’d take a sip and proclaim “work, work, work!” and it just got funnier each time.

I finally got to talk to Chuck about something that’s been on mind for quite awhile: several years ago, I found a locally-released vinyl record by one Scott Read, appropriately titled The Scott Read Show. According to the liner notes, it was a program on WJW produced by Chuck. So, I asked him about it, and Chuck told me it was many one of many shows that he produced, and it didn’t last very long, only about 6 months on the air. I’m thinking next time they’re making an appearance somewhere, I just might bring that LP along to get signed.

Surprisingly, John seemed to remember us from past years; he actually asked if we always came on Sundays (yep). How cool is that? Although, it’s also a little distressing; I had been relying on the idea that if I accidentally did or said something totally stupid in front of Chuck and/or John (and really, it’s only a matter of time), they meet so many people in a year that they’d quickly forget my face and then we could start anew next time. But now, I just don’t know. Oh the agony it is to be me!

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I met Caesare after his set. There were a number of people waiting to get pictures with him, some acting like he was the real Elvis. Of course, he played the part up and was extremely nice to everyone. He was very gracious when I told him what a fantastic show he put on. Great guy!

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Another dream realized! I met The Midnight Movie guys last year, but I missed Dave from the show. As luck would have it, just as we were on our way out, he was in the lobby taking a break, and he was cool enough to take a picture with me. Even better, he told me that they were filming a lot of footage there for a show that should air within the next month or so. I noticed they were filming when I was waiting to take a picture with Chuck & John; indeed, I’m in the background as they were interviewing Tracy McCool. Me? Surprise Midnight Movie cameo? Maybe!

And so, that ended the annual visit to Ghoulardifest. But wait! Before heading home for another year, we had one last stop to make…

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No trip to Ghoulardifest would be complete without the customary visit to the Big Boy restaurant down the street from the LaVilla. A Ghoulardifest excursion just doesn’t feel right without it. In fact, we did skip the Big Boy one year, and by the time we got home, we felt like we had missed out on an essential element of the trip (or at least, I certainly did). And it’s not just because of the whole Manners Big Boy-Ghoulardi connection, either; rather, Big Boy restaurants are rare animals, and there are none near us anymore. So after reveling in all of this once-a-year fandom, it’s only fitting that we revel in some once-a-year food, too.

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I have to give a big shout out to my brother Luke. It’s thanks to him that I’m able to make it to Ghoulardifest every year. He always drives, because if it were up to me to commandeer the car, I’d probably wind up driving it into a ditch or something. Carnage such as that would probably put a real damper on the event.

Luke likes going to these, he digs all this stuff, and he was jazzed for the trip, but he doesn’t get into it all quite as much as I do; I watched a lot of this stuff growing up, but he usually had other interests. Without me, I doubt he’d make the trip, so for him to haul my goofy self up there each and every year is a testament to what a nice guy he is. Luke is a good mang. Plus he paid for lunch.

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I tried looking at the menu to see if there was something different I wanted this year. No go, the Super Big Boy is just too good to pass up. Seriously, it’s one of my favorite burgers on this planet. It’s that good. Look at that beauty! Two patties, cheese, and special sauce. They taste as good as they look. If you ever find yourself in a Big Boy, this is the option on the menu that I heartily endorse.


Okay, that was the show (and lunch), but what about the goods, the loot, the booty I picked up during the trip? I always come home with some good stuff, and this just may be one of my best hauls ever. And even if it’s not, I still feel perfectly justified in blowing through my money at an alarming rate.

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I have the previously-released clear glass “Certain Ethnic Last Supper” mug (you can see it in this post), but when I saw these new white mug versions, I had to get one. Two, actually; my good friend Pete G. helped me out big time by providing me with tickets to the show, allowing me to save some extra precious bucks, so I got him one of these as a thank you. You’re a good man, Pete!

It’s a cool mug, showcasing much of the Northeast Ohio TV talent that has infiltrated the airwaves over the years. There are a lot of mugs/cups/whatever featuring these guys, but this one is easily one of my favorites of the bunch.

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I got this from Son of Ghoul, and man is it cool. It is what it looks like: a picture of Superhost in a wooden frame. Sure, technically I could print out my own Supe picture, get an old frame and make my own, but there was something about this that made me have to buy it as soon as I saw it. It just felt so right.

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Yeah, I bought another. If you go back to my Ghoulardifest post from last year, you’ll see how jazzed I was to get a Superhost shirt from Son of Ghoul. In my weird little world, I decided I needed another one that I could wear around without fear of wearing it out or accidentally staining it. I’m normally a size-large wearer, but I can get away with a medium, which is fortunate, because there were no more larges left. SOG jokingly explaining the sizes sans-large: “You can get an extra-large and throw it in the dryer to shrink it, or you can get a medium and lay off the Whoppers!” I was cracking up!

Like I said before, Son of Ghoul got more of my money than anybody this year. Truth be told, he usually gets more of my money than anyone else every year. I’m fine with that!

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This was a longtime coming, and I’m a little ashamed to admit that it took me this long to get Jungle Bob’s excellent book, BobTails. Naturally he autographed it to me. You’d be well advised to pick one up, it’s good stuff!

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My official The Mummy and the Monkey DVD of the original Little Shop of Horrors, a swanky flyer, and that aforementioned official button. I pinned the button to my jacket when we took the photo, and promptly forgot it was there for most of the day, and that’s not a bad thing!

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My copy of Mike & Janice Olszewski’s brand new Cleveland TV Tales Volume 2 book. They even autographed it for me! I haven’t had time to read much of it yet (I just got it yesterday!), but the content is directly up my alley. Indeed, it’s already on track to becoming one of my very favorite books of this nature. Why? Because I’m in it, that’s why!

Well, a piece of my interview with Marty “Superhost” Sullivan is, anyway.

A few months back, Mike contacted me asking for my permission to use the bit in the interview where Marty talks about his feelings following the filming of his final episode. Well heck yeah Mike, use away! What a thrill!

When I went up to Mike’s table, he had sample copies of all of his books on display, and I quickly began searching myself out in this newest one. I didn’t have time to find the exact quote (I did when I got home though; this site is mentioned in the body of the section!), but I did find myself listed right at the top of the bibliography. I considered stomping around and shrieking “I is published, I is published!” I decided against it though; having security cart me out for being too obnoxious probably would have put a dark cloud over the day.

But seriously, what a monumental honor for me. This really does feel like some kind of validation, like I’m actually contributing something to something. I mean, okay, most of the time on this blog, I’m just screwing around and posting things that I know only select people are gonna care about. That’s fine, that’s why I do what I do. But, when I do something actually important, and I’d certainly like to think my Superhost interview qualifies, it’s nice to know that the big names (and make no mistake, Mike & Janice Olszewski’s work is VERY well known) take notice. Mike even thanked me again for letting him use the piece and told me what a great interview it was. Hey, if I’m getting Mike Olszewski’s approval, I must be doing something right!

So, thanks again Mike! (And thanks again also to Marty Sullivan for taking the time to speak with me in the first place!)

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Some decidedly cool postcard reproductions of classic Cleveland TV artwork. At a buck apiece, I couldn’t resist. Included: Batguy & Rinaldi, Superhost, The Kielbasy Kid, and Hoolihan & Big Chuck’s good night bumper.

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No, I didn’t buy this CD there, but I was fortunate enough to find it at a thrift store early last week. No kidding, I almost flipped out. The first time I thumbed through the CDs I didn’t even notice it. It wasn’t until my usual second run-through that I saw it. It was placed in backwards, so I was reading the spine upside down, and I thought to myself “wait, am I reading that right?” Obviously I was, and from that moment on it was coming home with me. Quite a few people I told about it thought it was extremely cool as well, and everyone agreed I should get it signed at Ghoulardifest.

It was released in 2002 as a 9/11 tribute, and features vocals by not only Dick Goddard but also fellow WJW 8 talent Tim Taylor and Wilma Smith, along with a few others. There are some standards on it, and some monologues. I like to think of it as Dick Goddard’s attempt at his own The Rising. (How many superfluous Springsteen references in this post does that make? I’m up to three – so far.)

Goddard got a big kick out of it when I presented it to him to be signed. When asked where I got it, I couldn’t lie, so I told him the thrift store. Then, how much did I pay? Well, that was prickly, because I didn’t want to accidentally insult him by telling him the CD was only going for $1.50. I needn’t have worried; he cracked up!

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And finally, my mega-cool Ghoulardifest 2015 promotional poster. Like the Dick Goddard CD, I didn’t get this at the show, but unlike the CD, I didn’t bring it to be signed there. But, I feel I’d be remiss if I didn’t thank my good friend Scott at Time Traveler Records for it. Every year he thinks of me when he gets the promotional Ghoulardifest stuff and gives me the poster after the event. Scott helps me out in so many ways, far beyond keeping me in mind when cool stuff likes this comes along, and I can’t thank him enough. I’m proud to call him amigo.


And with that, my big giant Ghoulardifest 2015 recap comes to a close. From the people there, to the people I met, to the stuff I came home with, to the book with my gol’derned Superhost thing in it, I dare say this was one of the best ones ever. My brother and I had an absolute blast (and a fine, fine lunch). I’ve mentioned this before, but it’s so great to know that Northeast Ohio memories are long; when personalities such as these have meant so much to so many, they never really go away, even if they’re not on the air. Furthermore, the new personalities that come along to take up the torch are not only treated with respect, but also welcomed into the fold, as it were. Ghoulardifest is a celebration of all that, and as a lifelong Northeast Ohioan and TV fan, that’s something I’m absolutely grateful for.

And yes, even though this all took place only yesterday, I’m already starting to itch for the next one!

WJW TV-8 – Big Chuck & Lil’ John’s Pregame Show (September 20, 2003)

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Man, I used to tape a lot of stuff, so much so that it’s not uncommon for me to come across something I recorded myself back in the day and yet have NO recollection of ever doing so. (See: this post.) When it came to all of the crap things I taped, I like to think that I have a pretty good memory, but I’ve been genuinely surprised by what I recorded years ago enough times to realize that my mental synapses aren’t always untouchable when it comes to this sort of thing.

While this particular broadcast isn’t one I had completely and totally forgotten about capturing, I only retained the vaguest memories of taping it. For obvious reasons, I’m sure glad I did, though. Behold: from WJW 8, it’s Big Chuck & Lil John’s Saturday afternoon “Pregame Show,” from 2003. Has it really been 12 years since this first aired? I refuse to believe it’s been 12 years. I was 17 years old! A junior in high school!

Truth be told, I’m really not sure what drove me to record this. I was of course a full-fledged Big Chuck & Lil’ John fan by 2003, but, aside from a few scattered instances (such as the one seen in this post), I didn’t really tape their show(s) that often. Thanks to those aforementioned super-vague memories, I seem to recall there being something ostensibly special about this broadcast. Maybe I thought it would be a one-off kinda thing?

No matter, because I taped it, I saved it, and thus, here we are.

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Even though the branding is never used here, make no mistake, this is really an installment of Couch Potato Theater, Big Chuck & Lil’ John’s long-running Saturday afternoon showcase, which was always in addition to their regular late night program (they had moved to Saturday nights after MadTV by this point). The features shown during Couch Potato Theater varied from week-to-week; could be a movie, could be old comedy shorts, could be episodes of The Abbott And Costello Show. Or, as in this case, it could be just be skits.

As implied by the whole “Pregame” thing, this episode preceded baseball on WJW 8 that day (actually, it precedes a local special on football and an episode of Buffy The Vampire Slayer before the game, a difference of scheduling that is noted during the show). As such, it’s a half-hour show made up entirely of skits.

Actually, one thing I really like about this broadcast is just how much it reminds me of Big Chuck & Lil’ John’s current show: 30 minutes of skits with the occasional host segment. One major difference between now and then, besides the set and live audience of the old days I mean, is how ‘current’ they were back in the day; references and reminders of what was going on around Northeast Ohio, including where they would be appearing in person (indeed, as per an announcement from Chuck, they were appearing somewhere following this very episode), was a constant part of their hosting duties. Not so hard to understand, since they were (I’m guessing) in the studio quite a bit back then. It’s a much simpler affair nowadays, though anything that keeps Big Chuck & Lil’ John on the air is fine by me.

(Speaking of on the air: up until a few months ago, WJW was running Big Chuck & Lil’ John’s new show in a Saturday11:30 AM time slot, which reminded me even more of the old Couch Potato Theater days. They’ve since moved them to 11;30 PM, Sundays. I DVR the show no matter what, so the time change doesn’t impact me all that much, but I preferred Saturday mornings solely due to that nostalgia element it presented. There was just something about kicking off your Saturday with Chuck & John!)

Being only 30 minutes in length (or, if you want to be really anal, about 28 minutes; the next show didn’t start immediately after this one, dig?), I naturally don’t have a whole lot to work with here, even if I do find it incredibly cool and undeniably nostalgic. But, I’ll give it a shot.

First up, the skits themselves:

Muldoon’s Bar

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One of my all-time favorites, though I’m pretty sure it’s just a filmed version of an old joke. “Resident Irishman” Tom Bush plays Paddy, who every week or so enters Muldoon’s Bar for two shots of Irish whiskey: one for him, and one to drink for his brother back in Ireland (“To his health!”). One week, he stops at the bar, but only orders a single shot. The bartender is understandably concerned about Paddy’s brother back in Ireland, but when questioned, Paddy reveals the truth: his brother is fine, and in fact, the one shot he drinks is for him. So why not the second shot? Because Paddy gave up drinking for Lent! I love it!

 

The Amazing Stanley

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You can almost see where this one is going from the start. it’s the classic “sawing a woman in half” magic routine, which “The Amazing Stanley” performs to the satisfaction of the crowd. It’s only backstage that the “magic” of the illusion is seen: it’s been two little people curled up in the individual sections of the box! It’s a trip seeing John in high heels, and as per the host segment following the skit, the woman is played by John’s real-life sister.

 

Rockhead

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The Rockhead skits were never my favorites, though I think there were only a few of them. It’s a parody of Rocky, obviously. In this one, Rockhead is training for his big fight with “Alonzo,” while fake Adrian continuously nags him to give up boxing and instead take a steady job as a delivery boy for Rego’s Supermarket. Rockhead always gives the idea the brush off, until he disturbs Alonzo during his training; Alonzo angrily crashing through the wall is enough for Rockhead to immediately change his plans for the future. Fun fact: Chuck’s Rockhead wears a Ghoul sweatshirt throughout the entire skit!

 

Art Modell’s Back!

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Even though he passed away three years ago, Art Modell still isn’t the most popular guy in Northeast Ohio. But back in 2003, the hate for him was pretty venomous. He took away our Browns, man! This sketch plays into that sentiment. In it, Modell is seen talking on the phone and snickering; turns out Cleveland wants him back! We just couldn’t live without him! The pay-off to the skit is that he is indeed brought back to Cleveland…selling hot dogs! And to further insult him, he’s seen calling after people asking if the men’s toilets are backed up while holding up a plunger!

Obviously, there’s no way the real Art Modell was going to come back to Cleveland just to film a skit ragging on him. Instead, “Art” is either seen from behind or, using the same technology as Clutch Cargo and Conan O’Brien, with a pair of live-action, talking lips superimposed over a still image of his head.

It’s a very, very Cleveland sketch, needless to say.

 

$10 Magic Wands

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A pretty well-known skit. A sidewalk salesman tries to sucker John’s character into buying a magic wand for the low, low price of $10. The prospective customer is apprehensive until he sees the magic wand instantaneously produce a beautiful girl right before his very eyes! He quickly buys a wand, and the salesman sneaks off. The Purchaser’s attempt at using the wand produces a woman alright, albeit one of a rather more robust variety, who then proceeds chase him around as the skit ends.

 

Madame Mary

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Another skit I’m pretty sure is just a filmed version of an old joke. In fact, I know it is; variations of the gag are really pretty common. In this version, an old man goes to visit fortune teller “Madame Mary,” and asks her if there is pro football in Heaven. The good news? Yes, there is indeed pro football in heaven. The bad news? He has box seats for the next game!

 

Ben Crazy

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A classic. The Ben Crazy skits are always welcome, and this is a particularly good entry. The scene opens on a group of doctors drawing lots. One Dr. White wins, much to the chagrin of everyone else. He then enters a hospital room and informs a “Ms. Goodbody” that it’s time for her morning shot. Obviously, this is not a shot in the arm! So that’s why they were drawing lots!

 

The Certain Ethnic Artist

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Another really good one. Chuck’s classic Stash character is the “certain ethnic artist.” He’s seen painting a portrait of John, the results of which, well, you can see above.

Okay, so that does it for the skits themselves, but what about the host segments? I’m so used to Chuck & John only appearing intermittently during the new show that I had forgotten just how many there were back then; they follow every single skit! For the most part, I like the batch of skits seen in this episode, but as far as I’m concerned, the real heart lies in the host segments. Just seeing Chuck & John on that classic set takes me back like you wouldn’t believe.

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Did you notice the pizza box on the table in the host segment screencap way at the start of this post? That was your first clue that quite a bit of the host segments are dedicated to pitching Pizza Pan pizza (alliteration). Pizza Pan was a big sponsor of Big Chuck & Lil’ John at the time. The fellas even did a number of commercials for the company (I’ve got a few). Chuck & John make a point of showing off the pizza box and mentioning the company numerous times during the episode. This is borderline The Pizza Pan Big Chuck & Lil’ John Show!

The gimmick of Pizza Pan was this: order a pizza and have it delivered, you got an extra pizza free. Even better, order a pizza and pick it up yourself, you got two free pizzas! Obviously, a deal like that is going to attract some attention, and for a time, Pizza Pan was pretty ubiquitous in Northeast Ohio. I certainly partook of the ‘Pan more than once. Why? Chuck & John told me to. (Also, free pizza is always nice.)

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At one point during the show, the owner of Pizza Pan himself joins Chuck & John onstage to further promote the company. Not only is a special deal mentioned (free ribs when a pizza is ordered – at the Mentor location only), but also the then-recent expansion of the company to more areas. I wasn’t kidding, there was a time in the early-to-mid-2000s when Pizza Pan was a pretty big local chain.

And then, it just sort of seemed to fade away. I seem to recall, though don’t quote me on this because my memory isn’t that clear on the matter, that after awhile the free pizza deal was done away with. If that is indeed what happened, I guess I can understand it; the whole free pizza thing was what the company built its success on!

There are a few locations still around though. As to whether the free pizza deal was brought back or not, I couldn’t say (the official website seems to only give me the current locations and the ability to order online). Check the official website out to see if there’s one near you.

See, now I’m plugging Pizza Pan! Why? Chuck & John, man, Chuck & John.

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Finally, the pregame show ends with a mention of their feature for their normal, late night program: Rocky II! They both seem quite excited by this, not only because they had run the original Rocky the week before, but also because this is apparently the third good movie they’ve had in a row, though what entailed the third movie in that line-up isn’t stated.

Now is as good a time as any to mention that I love the old movie bumpers Big Chuck & Lil’ John used for their films. The Rocky II one above is a good example. There’s something just so right about them, though my nostalgia obviously plays a part in that feeling.

(By the way: I didn’t notate on the tape when this originally aired, but Bob “Hoolihan” Wells’ 70th birthday is mentioned as coming up on September 27th, and this episode followed my recording of Conan O’Brien’s 10th anniversary show and preceded Saturday Night Live‘s 29th season premiere. Those aired September 14th and October 4th, respectively, and with the help of this calendar, it pretty much has to be September 20, 2003. I can’t see a way that it’s not!)

Anyway, during these broadcast recaps, I usually look at some of the interesting (to me) commercials found during the respective airing. Being only half an hour, again, I’ve only got so much to work with, and frankly, there wasn’t a whole lot that stood out to me. BUT, there were two I couldn’t end the article without taking a quick look at:

 

Buddy’s Carpet Ad

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Buddy’s Carpet! At one time, it was pretty difficult to watch local TV in Northeast Ohio without seeing at least one Buddy’s Carpet ad. Initially, Buddy himself pitched the company in these commercials, though later on a woman (his daughter, I guess?) took over those duties. As evidenced above, this is one of those later commercials. No matter, because it still gives me a far bigger nostalgic charge than any carpet commercial has a right to.

Buddy’s Carpet is still around, though like Pizza Pan, it seems the locations are more limited now. Check them out here.

 

Regency Windows Ad

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I’m slightly embarrassed to admit that up until fairly recently, I didn’t realize I hadn’t seen a Regency Windows ad on TV in a long, long time. Just like Buddy’s Carpet, their commercials were nearly omnipresent on Northeast Ohio TV. Most of them featured owner and spokesman Mikey (that’s him above) screaming “I’m gonna save you a lotttttttta money!” This ad is (probably) one of the few where he doesn’t give his famous line, but he’s still there, and he’s still excitable, so it’s not a total loss.

Turns out Regency Windows closed some years ago, though what remained of the company was purchased by Window Nation. That official website is here.


 

For what is only a 30 minute recording, this one actually packs quite a nostalgic wallop for me. Besides the whole Big Chuck & Lil’ John Saturday afternoon thing (which is more than enough by itself), there’s also Pizza Pan, Buddy’s Carpet, Regency Windows (and more specifically, Regency’s Mikey), and of course, the skits.

Also, It’s amazing to realize that in 2003, in four years Chuck would retire and they’d be off the air entirely, but in less than 10 years, they’d be back hosting a show that is very reminiscent of this (and other, I’m sure) pregame episodes, a show which continues to this day. If there’s one thing I love about Northeast Ohio, it’s that more than once, our movie hosts have not gone quietly into the figurative night. One way or another, they find their way back!

Portside Brewery’s Big Chuck Barley Wine Ale!

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“Big Chuck’s getting a beer?! When?! Where?! MUST. HAVE. NOW.

That was more or less my reaction when I first learned a month or so ago that local legend “Big Chuck” Schodowski was getting his own beer. It’s funny how after all these years, the announcement of “somethin’ new” related to one of Northeast Ohio’s movie hosts *still* has the ability to turn me into a total spaz.  It’s one facet of my personality that I’ve come to accept as never changing. And, when it’s something out-of-the-box like a beer (as opposed to your expected t-shirts and whatnot), well, that’s the kind of thing that can turn me straight-up violent with anticipation.

I’m (sorta) kidding of course, but considering that the March announcement of Portside Brewery’s Big Chuck-themed barley wine ale didn’t include a specific release date (I only saw a somewhat-vague “In April” release mentioned) or where I could find it for sale when it was on sale, I was a bit concerned about finding some of my own. Was it going to be available only in Cleveland-area stores, or all of Northeast Ohio? Maybe there was an article somewhere that answered these burning questions, but I sure didn’t see it.

More troubling to me than all that, however, was the specific mention that the release was going to be limited to about 8000 cans. Not 8000 cases, not 8000 4-packs, 8000 cans. That doesn’t seem like very much to me, at all. Especially when you consider all of the Northeast Ohio beer-drinkers that could potentially be interested in this. Now, under most circumstances, I take the statement “limited edition” with a grain of salt; I’ve picked up so many ostensibly ‘collectible’ things over the years with that term plastered all over ’em that it really doesn’t mean anything to me anymore. Anything made to be collected usually isn’t worth much in the long-run. Everyone goes out and buys it (because it’s “limited edition,” you know), which means it’s not scarce, which means…well, you get the picture.

BUT, unless there’s another run, Big Chuck beer really is a limited edition, and considering it’s a disposable product, there are less likely to be unopened cans popping up online in the future. Then again, the sad fact of the matter is that there are people as fanatical about this kind of thing as I am; the more I think about it, the more I can almost guarantee there’s going to be a bunch of folks at the next Ghoulardifest getting Big Chuck to sign can after can for them.

All of this was indeed running through my head to prior to finally finding Big Chuck beer for sale in my neck of the woods. And with the way my mind works, I had basically worked myself into thinking “there’s no way I’m going to be able to find this stuff at one of my stores! It probably sold-out instantly, anyway!” I get the same way with concert tickets, though in that case it’s a bit more understandable. Heaven help anyone that gets in the way of my purchasing Springsteen tickets, by the way.

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Of course, in other, similar instances, I always tend to see the glass half-empty as far as my probable success-rate is concerned. But in reality, I usually do come out of things kinda sorta successful. It’s rarely as bad or rough as I get myself worked up into thinking it is or will be. And such was the case with Big Chuck beer. Prior to the release, a friend of mine said it would in all likelihood be at Acme. Since I had no idea when it was hitting stores (if it was hitting anyplace in my near-vicinity, that is), I just sort of started checking this store or that store when April came around. Three Giant Eagle stores, one independent drive-thru, and the info that Big Chuck beer was indeed at Acme “store #1” later, I finally decided to check the Acme on State Road in Cuyahoga Falls. Since this Acme is nearby and easily visited, it’s a mystery why I didn’t check there sooner, but nevertheless, they had it, and it’s now mine, as the picture above aptly demonstrates. Big Chuck beer, happily traveling in an official Acme-brand shoppin’ cart. Tis beautiful.

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There they are, the fruits of my semi-fervor. Ain’t they cute? The red plastic rings keeping the cans together are a sign of quality, and the well-known Big Chuck caricature on the front of the cans is ample proof that this isn’t just another alcoholic beverage, this is a product. Or, dare I say, an event? And look, the UPC is housed in an Ohio! Even before tasting it, you know this is something special. At $10.99 a pack, they kinda have to be.

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There’s the can, liberated from the necessary plastic rings that keep the four cans together and away from ragamuffins and whatnot.

Big Chuck beer comes only in 4-packs of 12 oz. cans. At $10.99 a pack, it’s most definitely a premium beer. Didn’t stop me from buying 3 packs of it, though (one to drink, sparingly, at home, one to drink, sparingly, with friends, and one to keep minty sealed fresh for the rest of my days). Your Northeast Ohio Video Hunter is many things, but rolling in dough he is not, so I had to make sure the $35 or whatever it totaled out to after taxes was not spent in vain. So, that means you can thank the higher-price for this post.

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For scale comparisons, there’s Big Chuck beer next to a regular ol’ can of Diet Pepsi and an Adam West Batman action figure. It’s the same size and height as the Diet Pepsi, but not as tall as the Batman. This is really a pretty pointless pic, since everyone knows what a 12 oz. can looks like and Batman has nothing to do with anything. I’m not sure why I’m including this at all, but hey, there it is. “Holy superfluous picture, Batman!”

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Geez o yikes – Big Chuck beer ain’t for the wimps! 11.7% alcohol is just under the current 12% Ohio limit. $10.99 for a 4-pack of 12 oz. cans may sound like “a lot for a little” to some, but if you’re just looking for alcoholic content, well, it kinda evens all out in the end (besides, a limited edition beer from a microbrewery almost has to cost more than your average beer, right?)

The high alcohol content presents a small problem for your Northeast Ohio Video Hunter: I am by no means a teetotaler, but the fact is that I’m not much of a drinker, either. The result is that I have an admittedly sad tolerance, which I’m sure is probably letting John Wayne down somewhere, somehow. Prior to picking up this beverage, I think the last alcoholic anything I bought was a pack of that Budweiser Cranbrrrrita stuff right before Christmas, and it sat untouched, except for one (by my Brother), in my fridge for several months afterwards, until I brought them to a friends, where I think I eventually ended up having one, maybe two, tops. I have no problem with alcohol, but I’m the first to admit I’m a lightweight.

So, I can drink Big Chuck’s beer, but I’m gonna have to drink it slo-o-o-o-o-o-o-o-o-o-o-w. There’s just no conceivable way I can drink this thing even remotely fast, unless I want to put myself into a drunken coma, which I don’t. This, of course, is not a fault on the part of the beer at all, it’s totally my shortcoming. I yam a weakling, I admits it. As it stands, I’m gonna have to nurse this beverage like a, um, nurse.

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See that mug? Is it not fitting for the occasion? It’s the closest thing I have to a legit Big Chuck mug, at any rate. Never mind that the graphic on it is kinda obscuring a clear view of the Big Chuck beer outside of the aluminum prison it was formerly housed in, it’s still a nice match to me. Especially since when I do drink, this is totally my mug of choice.

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As you can see, it’s a dark beer, and boy, is it powerful! A big beer for Big Chuck! Another downside of not being much of a drinker is that I can’t really describe all of the nuances of the flavor (seriously, I admire the people that can drink wine or something and then list all of the little flavors they pick up, because I’ve just never been able to do that.)

Portside Brewery has done the formerly impossible though, because prior to this, I haven’t been a big fan of dark beers, preferring instead your lighter domestic beers (not only am I a lightweight, but I’m also extremely mainstream). Believe me when I say this is a good beer. I’m not just saying that because my judgement is clouded by fondness for Big Chuck, either. No joke, I really, really like it! It has that kind of bitter-y taste you associate with dark beers (what is that? Malted barley? Hops?), but in a good way; no cringing here. I may be taking it in slowly, but I’m totally enjoying it. This is really good stuff, the perfect drink to sit back and relax with after a hard day of work. Of course, in my case, a hard day depends on how long I decided to sit in front of a VCR going through ancient videotapes, but I’m assuming the sentiment is the same for people that have real jobs.

In the interest of full disclosure, I first tried Big Chuck beer the other day with a buddy, and he was picking out all of the subtle (or maybe not so subtle, I don’t know) flavors. He was impressed, as were two other pals that tried it. Unlike me, these guys know their beer, and Big Chuck totally passed the test with them. It also passed with high marks from my Brother. My word may not always mean much, but theirs certainly do.

So, you’ve got a limited edition beer featuring a local television legend that comes in a swanky can and is tasty to boot. I consider that a successful purchase. I should pick up some more while I’ve still got the chance. Sure, it’ll take me forever to drink all of it, but I’ll enjoy every second. I know full well that things I’m super-anxious to pick up are often hyped (in my mind) to near astronomical proportions, so much so that sometimes it’s impossible for them to live up to such lofty expectations. But, Big Chuck beer was definitely worth the wait and search. I dig it. It’s certainly worthy of the Big Chuck name.

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Awww, now it’s just a 3-pack. Tis a bittersweet sight.

I guess the only question remaining is: when are we going to get a “Lil’ John” Rinaldi beer?

Just for fun:

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(Visit the official Portside Brewery website here, and the official Big Chuck & Lil’ John site here.)

UPDATE: Totally went and got some more, which as it turned out, was the last one on Acme’s shelf (my brother got the penultimate pack.) Will more arrive in the future? Only time will tell, but I’m certainly stocked for awhile!

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Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

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There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

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The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

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The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

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It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

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Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

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Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

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Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

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It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

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I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

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At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

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The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

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Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

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I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

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The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

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There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

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Ghoulardifest 2013!

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There are plenty of reasons to love this time of year, but one of the big ones, for me, is the annual Big Chuck & Lil’ John Ghoulardifest convention. Ghoulardifest, for those “not in the know,” is the yearly convention celebrating all things Ghoulardi, the legendary Cleveland horror movie host. This year held special meaning, as it commemorated the 50th anniversary of Ernie Anderson’s debut as Ghoulardi, on WJW TV-8 waaaaay back in 1963. Due to a shortage of money (and I tend to spend a lot at these things), initially I wasn’t sure if I was going to be able to make it this year. But, there’s only one 50th anniversary! I had to go! Luckily, my brother came through with the needed dinero, and so, earlier today, Sunday, November 3rd, we made our yearly trip to Ghoulardifest.

(A huge, huge thanks to my good friend Scott “Scottsbury” Shepard, proprietor of Time Traveler Records, which I talked about here: https://neovideohunter.wordpress.com/2013/08/05/a-trip-to-time-traveler-records/ . Scott scored us a pair of complimentary tickets to the ‘Fest from fellow local legend Jim Chenot, which definitely helped make our limited funds go further. It’s for reasons like this that Scott and Jim are, as we in the hepcat profession say, “the dude.” Well, “the dudes,” in this case.)

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For the past several years, the convention has been held at the UAW Local 1005 Hall, a venue and transit I had become accustomed to. So, when it was announced earlier this year that the convention was moving to the La Villa Conference & Banquet Center, I was a bit concerned. Was this going to be farther away? Would the trip become longer and more difficult?! I’m not always adverse to change, but when it comes to the important things (like Ghoulardifest), I can become a bit apprehensive. In this case, however, whatever concerns I may have had were unfounded; since my Brother always does the driving to these sorts of things, I didn’t realize that the trip was nearly the same. La Villa is right by the UAW. Even the Big Boy Restaurant that we usually visit after leaving Ghoulardifest was close-by (we didn’t stop there this year, however; mah Bro was tired, we had eaten beforehand, and besides, we spent quite a bit of money at the ‘Fest. Sorry Big Boy, not this year).

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The La Villa was/is beautiful. Definitely plush, and it’s design actually reminded me of a Frightvision I went to years ago (early-2000’s). That’s my Brother in the pic above, walking ahead of me, as he tends to do. You could be forgiven for perhaps mistaking him for a young Bruce Springsteen upon first glance (it’s the hair, y’see).

One thing I’ll admit I regret missing out on was held yesterday (November 2nd, for those keeping score at home): Tim Conway, Ernie Anderson’s comedy partner and longtime supporter of all this, made an appearance. I would have liked to have met him, or at least seen him, but it having been a Saturday and Tim Conway only appearing that one time only, you have to figure the place was jammed. Now, I am not a fan of big crowds, and that coupled with the fact that there was a family engagement that left my Brother unable to attend yesterday meant that it was just going to be easier all-around to go today. So, sorry Mr. Conway, but it couldn’t have been helped. (Sunday is when we usually go anyway, and despite my uncomfortable-ness around/in crowds, it’s still always pretty busy that day, and this year was no exception.)

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As you may imagine, meeting the local celebrities is one of the big draws of the ‘Fest. So, it stands to reason that Big Chuck & Lil’ John were out in full force, layin’ down the law and takin’ names. Right before (or right after, I can’t remember) this super-exclusive candid photo was taken, Lil’ John was staring at me while I, like a dope, stood there with my big ol’ camera out. I became nervous at the fact that I may have been irritating one of my heroes, so in this moment of potential crisis, what did I do? Point at him and do an Arsenio-style “roo roo” gesture. Yes, really. If I had been irritating him, this was certainly not going to help matters, but luckily, nothing more came of it, besides me making a clown of myself in public (something I admittedly can be exceptionally good at). Lil’ John, if I bothered you, I’m sorry man! Please don’t hate me! Also, we *may* have accidentally cut in line when meeting Chuck & John (oops!), but there was a lull at their table, no one seemed to be making any immediate headway towards them, so what were we supposed to do? At any rate, they were kind enough to sign my American Scary book and take a picture with me (both of which I’ll spotlight in a little bit), so, all is well; I won’t suffer a sleepless night tonight (not due to this, at least).

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I really wanted to meet Bob “Hoolihan” Wells, maybe get his autograph and/or a picture taken with him. But, for a record third year in a row, I missed out! When these super-exclusive candid photos were taken, he was on his way up to the stage for a presentation (as were the rest of the celebrities in attendance). For the record, in the right shot, he was leaning down to take a bite of food before heading to the stage. Your Northeast Ohio Video Hunter captures all of life’s special little moments, doesn’t he?

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While the celebrities and special presentations are a big part of Ghoulardifest, of course there are always a ton of vendors selling cool stuff, and this year didn’t disappoint in that regard. Man, I could, can, and often do drop some serious dough at these things, but I had to temper the urge to buy everything even remotely interesting in sight a bit this year. I still walked out with a bagful of really cool stuff, but man, I had to pass up some pretty amazing things. Nothing I’ll lose sleep over tonight, but trust me, if you’ve never been to a Ghoulardifest, you’re missing out on a lot of neat items.

Notice in the right pic above Son of Ghoul selling some of his fine wares. SOG always has a lot of awesome stuff, and I bought a ridiculously cool Superhost DVD from him. He even had a vintage Frankenstein Laserdisc for sale, something that made my heart swell with joy.

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The place really was (and always is) a feast for the eyes. Often, at least for us, it takes several walk-throughs to fully appreciate everything being sold. No joke, even after going around the room a few times, we were still finding neat things to buy. Near the end of our visit, my Brother got a very cool print of a vintage Beatles photo (from the original photographer) in which they’re in the back of a car, Paul is waving, and Ringo has what definitely appears to be a joint.

With his back to the camera, that’s Jungle Bob, busy being awesome, in the left pic above.

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A few more vendor photos. In the right pic is a shot of our newest horror host’s table. Well, hostess’ table: The Daughter Of Ghoul! I wasn’t able to meet her, but I can’t tell you how awesome it is to know that we’ve got another person out there keeping the tradition alive! Unfortunately, I don’t think I get any of the channels that carry her show at the moment, but hopefully I will at some point in the future.

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Someone was even selling the new action figures based on the 1966-1968 Batman series! I’m not that big of a toy collector, but this line is one that has definitely had me excited. Seriously, these things should be put on the list of mankind’s greatest achievements. I already have the Batman & Robin two-pack (the only way to get Robin at this time; exclusivity, yo!), and no joke, it’s a work of art on par with Michelangelo’s David, the Mona Lisa, or that portrait of dogs playing strip poker. While I didn’t buy any of these figs at Ghoulardifest, just seeing the Surf’s Up Batman figure in person was enough to cause me to fall to my knees and weep pure, unadulterated tears of joy, which resulted in the curious stares of passerby, not unlike Lil’ John earlier.

(Did I really fall to my knees and weep at the sight of the figure? Maybe I did, maybe I didn’t. You’ll just never know for sure, will you?)

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Here’s two shots of that stage presentation that kept me from meeting Hoolihan I was talking about. This was at the very tail-end of our visit, and I’m not quite clear on what the purpose of everyone going up on stage was for, but it made for a few very cool pictures.

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There’s a shot of everyone on stage for the presentation that I should’ve stayed to watch but didn’t.

The more I think about it, the more I think I should have bought that Surf’s Up Batman figure. Missed opportunities, people, missed opportunities.

What’s that? Pics with celebrities? Oh, your Northeast Ohio Video Hunter has pics with celebrities!

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There I am with Jim Syzmanski. I know I may end up being redundant saying this, but all of our local guys are always so nice when you talk to them, and Jim was no exception. Years ago, when I first started watching Big Chuck & Lil’ John, I always liked Jim in their skits, and I talked to him a bit last year, but I’m very glad to have gotten a photo with him this year.

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Me with Big Chuck & Lil’ John! I’ve had photos taken with them before, but you have no idea how much I love this shot with their classic King Kong backdrop. Always two of the nicest guys you could hope to meet. I’m dangerously close to making this picture the background on my cellphone.

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Hangin’ with my hero, Son Of Ghoul! SOG is always great to talk to, and after our trend-setting, groundbreaking interview ( https://neovideohunter.wordpress.com/2013/08/12/an-interview-with-son-of-ghoul/ ), as well as all the crap I’ve sent him over the years, he kinda knows me now! Even if the rest of the day was a bust, this moment alone would have made it all worthwhile. SOG’s just about the coolest guy ever, and you’d be well-advised to give him due props. Don’t make me throw down over this.

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Jungle Bob! I’ve been a Jungle Bob fan for years, and it’s always great talking with him. I first met him waaay back in 2000, and he’s always been just great with his fans. He even had a lizard of some sort with him today!

(Jungle Bob’s official site: http://www.junglebob.tv/ )

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Bill Ward, the former voice of WJW TV-8! If you’ve lived in Northeast Ohio for any decent period of time, in all likelihood you’ve heard Bill Ward’s voice. Not only that, but he’s also done a ton of great skits with Big Chuck & Lil’ John. Mr. Ward was mindblowingly friendly. Seriously, he couldn’t have been a nicer guy. And, he even took an interest in this blog! That’s right, your Northeast Ohio Video Hunter talked to Bill Ward about, erm, The Northeast Ohio Video Hunter! Even gave him the address! The very idea of Bill Ward reading my silly little blog is just amazing to me!

But, that’s not all! As previously mentioned, I came home with some cool items! So, what was my booty, my loot, my acquisitions, you ask? I won’t go over everything I picked up, but here’s some of it:

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A beer-scented candle in an official Ghoulardi mug! This thing smells very accurately and very strongly of beer. I’m concerned that passerby may walk past my house, smell the candle from the sidewalk, and assume I’m a microbrewer or something. I really wanted this more as a display piece (I’m not really a candle-lightin’ kinda guy), but I’m serious, the scent is really strong. I’m probably going to have to wrap this in a bag and put it somewhere away from things I don’t want to smell like brew, lest someone presume I partake in large amounts of alcoholic alcohol throughout the day (aside from one or two beers now and then, I don’t drink much at all, really).

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Legendary Northeast Ohio weatherman Dick Goddard was there, and he signed this old promotional picture I bought about 2 years ago. I’m confident this will one day be worth the mighty dollars, but I ain’t ever sellin’ it, no way!

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The official comic book adaption of Batman Forever, a movie only slightly less terrible than Batman & Robin! It doesn’t really take the sting out of passing up Surf’s Up Batman, but I’m a Batfan and the comic was only $1 so screw it.

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Told ya I got my American Scary book signed! Uber-collectors of autographs may balk at the fact these signatures are personalized to me, but baby, this book is mines, and I want to let the world know it! I got Big Chuck & Lil’ John’s, Son Of Ghoul’s, and Jungle Bob’s signatures (Jungle Bob isn’t a horror host, but he does appear in the book, so it counts). I would have liked to add Hoolihan to it, but maybe next year. I actually almost brought this book last year to have signed, but I didn’t feel like lugging it around. While I’m glad I brought it today, I’ll admit it was a pain finagling between the book, my camera, and the increasingly full bags of purchased items. By the end, I have a feeling my Brother was pretty tired of hearing “hey, hold the book for a sec” from me.

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I also got an official Big Chuck & Lil’ John hand stamp! Proof that I had a ticket and wasn’t trying to pull no funny business! Please ignore my somewhat chapped hand. I love this stamp, but it’s a bittersweet love, because I know that in the very near future, it will soon disappear. There are two possible solutions to this, however: 1) I can have it tattooed on, thus ensuring that my lil’ baby grandchilds will know I was once at a Ghoulardifest, or 2) I can just not wash this hand anymore, which may be a more sensible, or at least cheaper, option (he said having already washed his hands several times since coming home from Ghoulardifest earlier today). Well, nothing is forever, and I guess that includes my hand stamp. *sigh*

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I also have my complimentary Ghoulardifest 50th anniversary ticket stub, a memento not only of today’s events, but also of the extreme kindness of Scott Shepard and Jim Chenot. I really appreciate it, compadres!

And so, that’s it for another year of Ghoulardifest. Despite my having left only a few hours ago, I already can’t wait for next year. I always have a blast, and it’s great to be around people that generally like the same stuff as I do. You don’t always get that from your common everyday person on the street, but at Ghoulardifest, I could shout “I loves ya, ‘lardi!” at the top of my lungs and few, if any, would bat an eye. Probably.

If you haven’t been to a Ghoulardifest convention, I can’t recommend it highly enough. Even if you just go in to see the sights and sounds, I tink you’ll be satisfied. Of course, if you’re an out-of-towner, making the trek may prove a bit more difficult, but don’t fret! There’s an official website, where you can get much of the goodstuff sold at the convention! Check that out here: http://theghoulardifest.com/ . But, I’m confident in stating that there’s enough to see and do each year that, if at all possible, it would be worth taking the trip and seeing it all in person.

Until next year…

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(That pic was actually taken as we were first arriving at the convention, but the sentiment it conveys is the same. Right? RIGHT?!)

I think I should have bought that Surf’s Up Batman figure.