Tag Archives: series finale

Mystery Science Theater 3000’s Final Sci-Fi Channel Broadcast (January 31, 2004)

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(Caution: this is an article by an MSTie, so beware of some “technical” jargon y’all non-MSTies might not understand.)

Well lookee what your Northeast Ohio Video Hunter dids dones did dugged up! While going through boxes of tapes, I came across the VHS recording I made of Mystery Science Theater 3000‘s final Sci-Fi Channel broadcast, waaaaay back in 2004 (January 31, to be exact). The episode? 912 – The Screaming Skull (with the Gumby short Robot Rumpus). The time? Saturday morning, 9 AM. The feeling? Well, kinda downbeat, honestly. For as good as this episode was/is, it couldn’t quite overcome the feeling that something special was passing by.

By 2004, I had long captured, on good ol’ VHS, all of the remaining episodes that Sci-Fi could legally air (except for a Blood Waters Of Dr. Z re-broadcast – of course the VCR died for that one), which naturally already included episode 912. This, this broadcast, however, it didn’t really matter what the actual episode was; this was all about partaking in the last Mystery Science Theater 3000 on actual television for the foreseeable future. As it turned out, it would be back in about 10 years, but of course no one knew that at the time. There had been so many rights issues with the movies featured on the show over the years that, for all anyone knew, this was it. ‘Course, we still had the official DVD releases, and the tape trading circles, but even to this day there’s just something about actually tuning in to MST3K that feels so right. At least, that’s how I feel about it; your mileage may vary.

I explained this all a bit better in that older post I linked to, but long story short: I began watching the show when it moved to the Sci-Fi Channel 1997, and by the summer, I was a die-hard MSTie, which I obviously remain to this day. At the time, you needed a cable box to access Sci-Fi, and unfortunately, my dad decided he didn’t want to spend the extra bucks for the box anymore. Thus, that began a period of living with what I had already recorded, getting others to record episodes for me, and the official VHS releases that were trickling out.

That is, until early 2002, when I discovered Sci-Fi had been added to the basic cable line-up. Thanks to Satellite News’ helpful schedule archives, I can pinpoint when exactly I was able to finally see the show on real TV again (via a nearby relative’s house, because at that point we didn’t even have basic cable): February 23, 2002, episode 911- Devil Fish. I was elated (though it figures that the episode largely responsible for turning me into an MSTie, 811 – Parts: The Clonus Horror, had what turned out to be its last Sci-Fi airing about a month prior – just missed it!).

It was a ‘reunion’ that lasted nearly 2 years, and it all came to an end with this one last broadcast.

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Honestly, I can’t believe it’s been over 10 years since this aired. 2004 just does not seem that long ago! I was a junior in high school!

It’s important to note that this wasn’t the actual series finale of Mystery Science Theater 3000; that happened back in 1999, with episode 1013 – Diabolik (though thanks to a rights snafu, episode 1003 – Merlin’s Shop Of Mystical Wonders wound up airing first-run about a month after said series finale, giving heartbroken MSTies one last bit of shiny new freshness). Rather, this was the last episode ever broadcast on the Sci-Fi Channel.

Y’see, after the show finished with new episodes in 1999, it went into endless repeats on Sci-Fi, eventually languishing in a Saturday morning time slot where it would remain for the rest of its time on the channel. Advertising had long, long stopped being run for MST3K, so outside of the fan circles, it was just kind of ‘there,’ treated no better than Saturday morning filler. We MSTies knew better, though; unbeknownst to most, this was the way to kick off your Saturday.

So, after two whole cable channels and having run since 1989 (technically, three channels since 1988, for you lucky Minnesotans who got to watch the series start on the local independent station KTMA TV-23), it all came down to this one last broadcast on January 31, 2004. Well, until Retro TV picked the series up 10 years later, anyway.

"Robot Rump?!" - Servo

“Robot Rump?! Oh…” – Servo

Here’s the deal with episodes of this series: they can be very, very subjective. Because opinions on movies and humor can vary so greatly from person to person, there’s always going to be someone who loves a certain episode to death, while someone else will hate it with a passion. From my viewpoint, 912 is a very good episode. Maybe not a start-to-finish smash, but mostly good host segments, fantastic riffing on the short, and a solid take on the movie. There are undoubtedly people out there that will disagree with that assessment, and hey, that’s cool, too.

912 may not be the all-out, blaze-of-glory episode many would have preferred for the final Sci-Fi broadcast, but it is a solid, enjoyable from start-to-finish episode, which seems just as fitting to me. Maybe because it’s so representative of MST3K as it often was: maybe not every riff connected throughout, but the episode was overall consistently funny nevertheless. I wasn’t kidding a bit ago, by 2004 there really was no better way to start your Saturday.

The one aspect of this episode that most fans seem to agree about: the short film preceding the movie is phenomenal. The shorts were a rarity during the Sci-Fi-era, there were only three of ’em total, but man, quality over quantity. Of the three, I easily give the edge to this one, the Gumby epic Robot Rumpus. This might as well have been made for MST3K, because it fits like a glove.

"It's a fair-to-partly cottony day." - Crow

“It’s a fair-to-partly cottony day.” – Crow

Truthfully, there are some shorts in the MST3K canon that no longer have me rolling the way they did the first few times I watched them; Chicken Of Tomorrow (from 702 – The Brute Man) used to be one of my favorites, but after the last few viewings, well, it has left me a bit cold. Robot Rumpus, on the other hand, I’ve seen this one so many times that by this point I’m fairly certain I’m never going to get tired of it. It starts out hilarious and stays right there. By the time a shot of Pokey prompts Mike to quip “Close-ups reveal the weakness of the whole premise,” I was done for. This one seems to get better each time I watch it.

The plot is, well, it’s a clay-animated Gumby short with the title Robot Rumpus, so don’t expect Shakespeare, alright? In this one, Gumby, rather than do his yardwork chores himself, gets a bunch of robots to do them for him. Things start out peacefully enough, but they soon go haywire; gardens are ruined, paint is thrown about, and a house is lifted off its foundation before Gumby’s pop Gumbo shows to help put things back in order. I’m tempted to call this the weirdest thing ever, but kids programming is by nature usually pretty weird, so it would be an entirely redundant statement (plus, I’m watching a show where a guy and his two robots are trapped in space and forced to watch bad movies; I love MST3K, but I’ll never say the premise isn’t a bit out there – that’s one of the reasons it’s so great!).

Also, it’s nice to know that Gumby holds a Class F license.

"Okay, who turned up the heat in the hot tub?!" - Servo

“Okay, who turned up the heat in the hot tub?” – Servo

A common charge against some of the episodes with particularly strong shorts before the main movie is that the feature never sustains the momentum of the short. I wouldn’t say this is true 100% of the time, but there are episodes where the short overshadows the movie somethin’ awful. So what am I even babbling about?

In the case of 912, you’ve got two forces contrasting each other as much as two forces can be, erm…contrasted? What I’m saying is you’ve got a loud, colorful, clay animated short intended for the lil’ baby childrens, and a long, black & white, slow-moving, drab horror movie for the older set (and by “older set” I don’t mean the “adult” set so much as I do “necking teenagers at the drive-in who couldn’t care less about a skull or why it happens to emitting loud decibels” set). The two don’t really pair well together, for obvious reasons.

And yet, together on Mystery Science Theater 3000, somehow it all works. True, the riffing of The Screaming Skull isn’t on the same level as Robot Rumpus, but with such a dramatic shift in tone, I don’t think you could really expect it to be. That said, I really enjoy The Screaming Skull portion of 912. Any movie that starts off with the promise of a free coffin for anyone that dies of fright during it is setting itself up for some quality riffin’, and Mike & The Bots live up to the challenge. I found myself laughing quite a bit throughout the entire feature-portion of the show (some of the riffing on the good Reverend Snow in particular is fantastic; during a conversation in which perpetually-worried-face Jenni unloads her emotional burden to him, Mike’s “You know, the Gospel speaks of losers like you…” and Crow’s semi-cheery “Oh, well it’s hell for you then!” had me roaring).

"Oh, he's playing with his beach skull!" - Mike "Buy beach skull now and receive free beach clavicle!" - Crow

“Oh, he’s playing with his beach skull!” – Mike / “Buy beach skull now and receive free beach clavicle!” – Crow

(Caution: some movie plot spoilers ahead, like anyone really cares.)

The screencap above makes this one seem more action packed than it really is. The fact of the matter is not a whole lot happens (not until the very end, anyway). This is one of those plots you can more or less figure out from the title and first 5-10 minutes of the film or so.

In it, newlyweds Jenni and Eric begin their new life together by moving into the house in which Eric and his first wife Marion lived before her untimely death. Also, she died under somewhat mysterious circumstances. Also, Jenni used to be in a mental institution. Also, Jenni is rich. Where this is all going couldn’t be any more obvious if someone wrote the entire plot out on a brick and threw it at your face. I’m pretty sure children are born with the knowledge of where this is all heading.

So yeah, Eric tries to drive his new wife batty (again) and thus to suicide by convincing her the house is haunted by the ghost of his first wife, her skull in particular, which naturally only Jenni can see.

Except there’s a twist here. For the stunning (?) climax, The real ghost of Marion shows up, announcing her presence first by chasing Jenni around (which kinda irritates me, since Jenni didn’t really do anything to draw the ire of the apparition, except maybe keeping her face in an almost constantly pinched expression), and then straight up killing Eric (that’s what you’re seeing in the screencap above).

If I’m being completely honest, yes, it’s a dull film with loooong sequences of nothing in particular really happening. BUT, it’s not that bad. I mean, yes, it is bad, no question, but it’s basically inoffensive 1950s drive-in fare. There were infinitely more disgusting things ran on Mystery Science Theater 3000. In comparison to, say, The Beast Of Yucca Flats, The Screaming Skull actually looks pretty derned good (then again, what doesn’t?). And, even though it takes forever to get there, some of the climatic scenes are actually pretty effective, provided you can ignore Eric clearly holding a plastic skull to his neck, and the infamous tossing-a-stool-at-the-ghost scene (which became this episode’s stinger). The movie itself almost lends an easygoing vibe to this episode as a whole, which is weird since it concerns a guy trying to kill his wife with a plastic skull.

The proceedings aren’t overly painful, is what I’m trying to explain.

Oh, and there’s a Torgo-esque gardener named Mickey. He provides some unintended levity to the proceedings, though he’s still a distant third behind Torgo and Ortega in the “really, really weird lackey that probably needs a shower” category.

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The host segments for this episode, like I said before, they’re “mostly good.” I wasn’t super impressed with Tom Servo turning into a butterfly or Pearl, Observer & Bobo tricking Mike & The Bots into costumes for no real reason. But on the other hand, Servo attempting to scam a free coffin is good, and Bobo being shrunk via the most non-existent special effect possible at the end is funny.

But, my favorite host segment is seen above: Crow decides to scare Mike by being a “screaming skull.” Unfortunately, his (fairly wimpy) scream causes Mike to flip out and continuously scream in terror as he beats Crow over the head with a variety of objects (the best scene of the segment is Mike carefully deciding on the perfect golf club to hit Crow with, all while still screaming). The host segments of MST3K can often be a mixed bag, and this episode is no exception, but this moment in particular is a bonafide winner.


 

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I said way up above that advertising for MST3K had basically disappeared from the station following the 1999 series finale. If there were any kind of promos for the series in general following that, I’m unaware of them. I’m guessing there may have been one for Merlin’s Shop Of Mystical Wonders, and Satellite News shows a mini-marathon of episodes at the end of 1999, which I cant imagine there not being some kind of advertising for that. But following all that, MST3K finished life on Sci-Fi strictly on Saturday mornings. When I was able to watch the show in “real time” again in 2002, I certainly never saw any advertising. I want to say there was a “coming up next” deal prior to episodes starting, but even if that’s so, that’s more of a courtesy than anything.

Anyway, in regards to this January 31 broadcast, the only thing even in the ballpark of advertising is what you’re seeing above: the little ‘banner’ at the bottom of the screen, reminding you of what you’re watching. Granted, it was common to Sci-Fi programming at the time, and they also take the opportunity to tell you what’s coming up next (in this case, Fright Night 2), but still, it’s nice to see that even in that little itty bitty way, MST3K was still on Sci-Fi’s radar. Kinda.

While on the subject of advertising, thus far this has been more of an episode review. Which is fine, because after years of hoping and praying, it was finally released officially in the Volume XXXI Turkey Day DVD set. I probably wouldn’t put 912 in my top 10 favorite episodes ever list, but I do like it plenty. Top 20, maybe.

However, this article is supposed to be about the larger broadcast picture. Sure, the episode itself is the main point, but what definitively places things in a certain time and place are the commercials. Just like my other ‘broadcast recap’ posts, I like to finish up with a look at those.

The problem here is that, being from 2004, most of the commercials, well, they aren’t that great. 2004 is just too new to be all that interesting. Still, I’d be remiss in whatever it is that can be considered my duties if I didn’t give at least a quick look at them, so here now are some of the better ones (in my opinion, anyway) that were seen during Mystery Science Theater 3000‘s Sci-Fi farewell broadcast on January 31, 2004:

 

Sci-Fi Channel Stargate SG-1 / Code Name: Eternity Promo

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Hey, you all remember Stargate SG-1, don’t you? Sure you do! After all, it was only on for about 47 years. It was about MacGyver and a guy with a Dodge Ram logo on his forehead going through adventures in outer space or something like that.

Easy SG-1 fans, of course I jest. It was actually a pretty good show, at least what I saw of it when it was in syndication (around here it was WJW TV-8 on weekend afternoons, if I recall correctly). This promo, obviously, spotlights the show after new episodes were moved from Showtime to Sci-Fi.

As for Code Name: Eternity, never saw it. Apparently it was a 1999 Canadian series that only ran a season and then showed up on Sci-Fi. Ain’t I helpful?

 

BarNone Auto Loans Ad

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I had almost completely wiped this series of ads from my memory. BarNone Auto Loans are still around, and at the time they had a line of commercials featuring a dog sock puppet (apparently originally a Pets.com mascot, though I really have totally forgotten all about that hoopla) pitching the company. So, yeah.

 

Office Max Highlighters Ad

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This one spotlights (see what I did there HAW HAW HAW) Office Max’s special brand of highlighters, and centers around one employee’s convoluted “too sick to work” scheme, which fails spectacularly. At least I think that’s plot of the commercial, I didn’t bother to save it to the PC and I refuse to go back and check. I’m pretty sure that’s what it’s about.

 

Geico Gecko Ad

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Geez oh man, it can be hard to realize that Geico’s Gecko has been around for basically forever at this point. I also find it troubling that I can tell his accent is slightly different in this ad from what it is nowadays, even though I’m hardly a Geico Gecko expert. In this installment in the long running series, a boy sleeps while his two robot toys prepare to duke it out. That is, until the Gecko steps forward to pontificate about Geico, much to the amazement of said toys.

 

Cabin Fever On DVD & VHS Ad

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Yes, they were still releasing commercial movies on VHS in 2004. That wouldn’t last a whole lot longer. My reasons for including this one have less to do with the movie (I have never seen Cabin Fever nor do I have any interest in seeing Cabin Fever) and the odds were good that I would have ended up skipping this one entirely (a fate that befell a Burger King ad featuring Steve Harvey trying to come up with a combination name for “sandwich” and “salad”), until I realized it starred Shawn from Boy Meets World. Though, that’s really all I have to say about it. So, thank my TGIF nostalgia for this entry, I guess.

 

Final Fantasy Crystal Chronicles On Nintendo Gamecube Ad

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Hey, a commercial I can almost get excited for! I say “almost” because aside from the very first installment for NES, I have never played a Final Fantasy game. And, since I generally don’t care for most RPGs, I really have no interest in even that one. In other words, I haven’t played Final Fantasy Crystal Chronicles and you can’t make me.

HOWEVER, the poor Nintendo Gamecube, while maintaining a cult following, was basically getting clobbered by Sony’s Playstation 2 and Microsoft’s Xbox at the time. Since Final Fantasy is indeed a big name in the game world, it was nice to see it show up on Nintendo’s underrated console; from a sales-standpoint, it needed all the help it could get (that’s not a slam, either; I had a Gamecube, still do somewhere in fact, and it was definitely a lot of fun, but the system really was an object of derision among most of my PS2-owning friends, which I think was representative of teenagers in general).

At any rate, old video game ads are always a nice example of the time in which they were broadcast. So, 2004, Gamecube, there you go.

Next On Sci-Fi Promo

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Found during the final commercial break of the broadcast, this was a short promo for what was coming up next on Sci-Fi. Fright Night II (hey, it was listed as Fright Night 2 before!) and Halloween II & III would take you up through midday that Saturday. While I’ll never claim to have much interest in any of those films, does Sci-Fi even play movies like them anymore? Of course it’s “SyFy” nowadays, but at last check (and it really has been awhile), it was all homemade SyFy exclusives and whatnot. Then again, I don’t watch the station anymore, so what do I know?


And so, Mystery Science Theater 3000 came to an end on the Sci-Fi Channel. Never has a show-ending stinger felt so bittersweet. We had our tapes, we had our DVDs, but what we didn’t have was knowledge of when or if we’d ever see our favorite show being broadcast again.

A lot of the “specialness” of this recording has dissipated over the years, but for once, this is a good thing. We MSTies have been given what could be described as the royal treatment. MST3K has been making a comeback on actual TV, the DVDs are profuse, and most of the people involved with the show are still out there cranking out the comedy in various forms.

Still, it’s a tape that captures that moment in time when a lot (but not all) of that was still up in the air, and for that, I’m glad I still have it.

Plus, you know, it’s a good episode I like to watch every now and then. Kinda easy to forget that when I’m busy pontificating about (real or imagined?) specialness and whatnot.

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Man, that image above still brings a tear to my eye. Figuratively, I mean. After all, it’s just a show, I should just relax and all that jazz.

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CBS Late Show With David Letterman – Dave Reads MY Letter On The Air! (2002)

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I’m not sure how much you can really see it here on this blog, but David Letterman has been a huge, huge influence on me. From my sense of humor to just how I look at comedy in general, Dave’s contribution to me (that sounds weirder than I meant it to) has been nearly incalculable; only Mystery Science Theater 3000 and the various local horror hosted movie shows from my neck of the woods can claim a larger influence on your Northeast Ohio Video Hunter. I’m a pretty big Letterman fan is what I’m saying.

Which is why today is such a bummer for me. For those that haven’t heard (and really, if this is news you’re just now getting from me, well, there’s a serious disconnect somewhere there), tonight Letterman will air the final episode of his Late Show on CBS. All good things must come to an end and so on, I know. Doesn’t mean I have to be happy about it.

I guess I can understand it, though. The late night TV climate has changed wildly over the last several years, and Dave has increasingly looked like the odd-man-out. Not to mention, and I say this as a longtime fan, he’s more-or-less been on autopilot the last several years. Not that the show has been bad,  it hasn’t, but from my perspective, it (or rather Dave himself), has been operating at a level markedly below previous years.

At any rate, Dave has always been my favorite, always will be my favorite, and thus I’d be remiss if I didn’t do some kind of post in regards to him on my silly blog. That’s just what I’m doing now, with what was (and is) undoubtedly the most exciting moment for me in my time as a Letterman fan.

‘Course, I’m particularly biased towards this particular moment, because this was the man himself, Mr. David Letterman, reading my letter on national television! As you can see above, that’s him, gearing up to read a letter that, to him, was almost certainly just business as usual, but to me is one of my most legendary “achievements” (such as they are).

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The practice became infrequent in later years (eventually they stopped doing it altogether), but at the time, Friday night was the dedicated viewer mail night on the show. Through an online submission page, you could send an email to the show in hopes of future usage during the “CBS Mailbag” portion of the program. Of course, the trick was to send something they could get a bit out of, because this was no serious question-and-answer deal.

I wound up bombarding them with questions. Most of them were, I thought, good fodder for the segment, though a few were, if I recall correctly, of a more “real question” nature (I don’t know what I was thinking). You have to imagine more than a couple people were writing to the show, and undoubtedly some were doing exactly what I did. With only fours letters read per segment, obviously chances of yours making it on the show were fairly slim. BUT, somehow, someway, through brute strength and sheer endurance (aka: got lucky), one of mine made it on the air.

At the time, I was heavily into the TV ratings/renewals/cancellations game; these were stats I followed as closely as some did their favorite sports teams. In more recent years I’ve only really paid attention to my favorite ‘new’ shows (there’s not many) in these regards, but at the time, this was an area of high interest to me. So, it being early in that fall television season, my question naturally was “What show do you think will be cancelled first this TV season?” Maybe not the most probing question ever posed to Dave, but hey, it got my mail on the air, so in yo’ face.

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That’s me! Thanks for zooming in for that close up of my letter, Late Show!

Dave’s reading of this wasn’t a complete surprise, which is a good thing, because otherwise I probably wouldn’t have been taping the show that night. I was able to know about the letter-reading beforehand thanks to the the Late Show‘s online Wahoo Gazette, which is still running (for now, anyway). Every Friday, they posted the mail questions that would be read that night, along with the names of the people that sent them. I can not overstate how much I flipped when I saw that one of my submissions had been selected to be on the show that week. In short order, a new blank VHS was obtained and earmarked for an SP mode recording; this was historic stuff, man! Needless to say, I still have it (duh!).

Also, I know I had at least one print-out of the Wahoo Gazette page featuring the revelation my question would be read on the air that night, but for the life of me I can’t find it. And to make matters worse, for whatever reason I didn’t notate the full date of the broadcast on the label of my VHS recording; this was definitely fall 2002, but I can’t remember the exact date otherwise. The fact that I can’t find my print-out irritates me mightily, but then, I really should have this date burnt into my memory. Still, Dave read my letter, so in yo’ face, I guess.

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Dave’s immediate response? “You’re lookin’ at it, Larry!” That wacky guy! I need to make that line a ringtone of some sort. David Letterman: said my name not once, but twice. This, of course, was cool winnins before the term “cool winnins” had been coined by yours truly. Cool winnins!

Just like most of his answers during the mail segment, Dave pretty much ignored the actual question in favor of setting up the respective gag. In this case, he mentions that everyone is excited about the then-new CSI spin-off CSI: Miami, and CBS has another such spin-off in the works.

Behold:

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60 Minutes: Miami. I love it. As per Dave, whenever there’s a hit show, the network makes another one just like it, but set in a different location, which, well, you can’t argue with him there. I mean, this aired nearly 13 years ago (as of this post) and networks still do this sort of thing, though it doesn’t seem like it’s as ubiquitous as it was back then.

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What could a 60 Minutes: Miami possibly entail? Dave wasn’t lying about the spin-offs being pretty much the same as the original shows. 60 Minutes: Miami is little more than regular 60 Minutes, with all of the same hosts, except they’re wearing swimwear (and ostensibly in Miami).

Obviously, they just superimposed tropical attire over the actual hosts as they give their customary “I’m ______________” diatribe. For such a simple gag, this really is pretty funny, and there is a final pay-off to the bit…

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It’s the final shot of a shirtless Andy Rooney that is the punchline to the whole thing. The audience had been laughing steadily at the whole deal anyway, but the topless Andy Rooney (that sounds weirder than I meant it to) causes them to erupt in surprised laughter.

While I’m not sure this gag really qualifies as the best example, I think what attracts me to Letterman’s humor so much is just how weird it is. Not that Andy Rooney without a shirt isn’t supremely weird enough as it is, but I mean, just look at the whole bit in general: it’s the cast of 60 Minutes in swimwear. That’s pretty much it! Dave always had a real streak of non-sequitur in his humor, and that’s right up my alley. I really do love random bits of humor that leave a viewer confused, and Dave’s show has (well, had) it in spades. Admittedly, it’s not for everyone, but personally, it always struck a chord with me (obviously).

And unless you’re missing the big picture here, let me spell it out: I wrote David Letterman, and it gave the world a mocked-up picture of a shirtless Andy Rooney.

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Dave’s final thoughts on the matter? The combined age of everyone on 60 minutes must be “well over two or three thousand” and Mike Wallace alone is “at least a hundred.” Funny stuff! It may come off a little dark to some people nowadays since both Mike Wallace and Andy Rooney have passed (RIP, fellas), but hey, they were still alive then. Anyone offended by that needs to chill out, man.

And so, that is the saga of my letter being read by David Letterman on national television. HOWEVER…

Now is as good a time as any to mention that in the summer of 2005, I had the good fortune to actually attend a taping of Late Show With David Letterman, with guests Jennifer Connelly and The Eels. It was a terrific show, and Dave really was “on” that night (and no, I’m not just saying that because I was there in person). For a trip that really only had, maybe, three days in advance planning, it went off without a hitch. I got to see Letterman in person, it was a great show, I got to walk around New York City (I’m not normally a sightseer, but NYC is an absolute exception), and to cap it all off, I got to meet two Letterman regulars in person: fan-favorite Rupert Gee of the Hello Deli (right next to the Ed Sullivan Theater) was working that day, and shortly thereafter, I ran into stagehand Pat Farmer taking a break around the side of the building. Both guys were extremely friendly and gracious enough to take pictures with me. I made a concerted effort to find those snapshots amongst the rest of the family photos to post here, but I have no idea where they are. The only thing I got out of the deal was some wasted time and depression from looking at old pictures of myself.

Anyway, those are my memories. It may not be much, but hopefully this is some kind of acceptable tribute to Letterman and what he’s meant to me over the years.

And so, it is with that that I now wait in apprehension for Dave’s swansong tonight. So long Dave, and thanks for all the laughs.