Tag Archives: promo

The Pizza Shop of Canton, Ohio – Vintage Promotional Playing Cards

“Oooh where has yoy been East Video Dood???”

Here’s the deal: I had something ordered on eBay that I felt stood a very good chance of being worthy (ha!) of being spotlighted on my silly blog. I was excited for it, it held promise, so of course the seller never sent it. Days went by without any update to the order after my lightnin’ quick payment, I (politely) opened my yap, the item was then marked as shipped – but without a tracking number – days later, then weeks went by without said item arriving, I (politely) opened my yap again, a week went by before I received a response promising it was going out ASAP, I gave the benefit of the doubt and waited some more, nothing happened again, so I finally filed a complaint and got a refund.

Any semi-reasonable buyer would have filed said complaint and gotten said refund looong before I actually did, but with a generous window of time to act, only being out 12 bucks, and really wanting what I ordered, I played extraordinarily patient but was not rewarded. Not only did I not get what I hoped to write about (and I’m not saying what it was cause I don’t all y’all battlin’ me if another one pops up), but weeks and weeks went by without a proper update here in the interim. I’m not saying that was the only reason you didn’t get an update during that time period, but it’s the factor I’m laying all the blame on.

So, instead you get to read about pizza-related playing cards. A fair trade-off? Without knowing what I was hoping to detail instead, you’ll just never know, will you??? (Unless I can obtain said item in the future; then I’ll spill the beans.)

No, this update has nothing to do with video, broadcasting, electronics, or any of the other normative suspects on this site, but it does have to do with Northeast Ohio and advertising, so I’m saying it fits. And even if it doesn’t, it’s my blog and I’ll do what I want.

Behold! It’s The Pizza Shop of Canton, Ohio, immortalized in playing card form! Actually, nothing here specifies if it was Ohio’s Canton, and Wikipedia sez there are lots and lots of places in this world with that moniker, but since I found these in Canton, Ohio, methinks it’s a safe guess that that’s where these originally hail from. Quite a leap, huh?!

Found with a two-compartment, ridge-sided plastic holder that appears to have originally had a lid at some point (there were none to be found in the vicinity, and I looked), many of these cards were all over the place when I came across them at a thrift store several months ago. They appeared to have been part of some card collector’s collection (that’s alliteration, as well as slightly redundant); other cards of the playing variety were strewn about as well. The Domino’s Pizza cards went back because they didn’t feature The Noid, but I’m a sucker for vintage local restaurant memorabilia, especially when said restaurant apparently doesn’t exist anymore, so there was no way these weren’t coming home with me – once I gathered them all back up, anyway.

I say the place apparently doesn’t exist anymore because I  can find no information on it whatsoever. Granted, typing “The Pizza Shop” and “Canton” into a search engine doesn’t exactly make for a narrow set of results, but nevertheless, I could find no info on this place at all. Is it still around? Did it evolve/merge into another place? Do you remember it? PLEASE, share any info you have in the comments! This is an interactive site, y’see!

The image you’re seeing on the left above is found across the back of each and every card in the set, presenting what I surmise were the actual logos of the restaurant proper: the name (which is sort of a must-have in cases such as these) and a little chef giving the “okay sign” and wearing a kickin’ bow tie (though aren’t most bow ties pretty kickin’ anyway?). There’s also the tagline proclaiming the place to be “Canton’s Original,” though original what isn’t specified. Was it Canton’s original pizza place, the original location of what was a local chain, or…?

(Also, if the plastic holder these are in did originally feature a lid, I wonder if any kind of graphics/info pertaining to The Pizza Shop was printed on it as well? If indeed the holder is even original to these cards in the first place, that is.)

Otherwise, and as demonstrated with the card on the right above, well, it’s just a normal set of playing cards. Brown & Bigelow playing cards to be exact, as per the company info printed right there for all to see. Brown & Bigelow of St. Paul, MN is evidently no longer around; this site says they existed from the 1920s to the 1980s. I have no hard data regarding what possible date(s) these could possibly hail from, but even if they’re from the extreme of the 1980s, that still counts as vintage so stop finding fault with my post title.

Actually, the font of “Canton’s Original” strikes me as being 1960s-ish. I have absolutely nothing to support that other than a gut-feeling, but I get that impression nevertheless. Again, if you can confirm or know otherwise, drop some knowledge in the comments!

Like I said, many of these cards were all over the place when I stumbled upon them, which meant I had to duly collect them all back up for collecting-purposes. It appears I got them all; I counted 53 cards here. That is, it’s a normal 52-card French-style deck, with one Joker. I searched pretty diligently, so if there were any more Jokers, I no not where they got to. I really do think I’ve got the whole set here.

Given my lack of success in figuring out when or how long this restaurant existed, the chances of my figuring out when and/or how exactly these cards were originally obtained seems doubtful as well. Free with a pizza, perhaps? Nevertheless, the deck is a cool little piece of Northeast Ohio eatery memorabilia, one that appears (to me) to hail from a truly bygone era. I don’t normally collect playing cards, but these were just too neat – and ostensibly obscure –  to pass up.

I wasn’t kidding before; if you have any info on this place, please share in the comments!

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WVIZ TV-25 Auction Mug Round-Up (1983-1990)

It’s doubtful that any of my four faithful (?) readers remember the update, but this past August I shared the cool vintage Cleveland WVIZ TV-25 drinkin’ mug my friend Jesse picked up for me. It was neato, I was happy, I got a post out of it, and life went on.

But little did I realize at the time that my journey with local-PBS-affiliate-emblazoned beverage containers wasn’t over; oh no, it was just beginning. In recent weeks, that same friend has stumbled across a veritable cornucopia of WVIZ mugs, hailing from their annual fundraising auctions. All but one of them were found at the exact same time; I’ll be presenting six of them in this update, which means that it’s safe to say five probably came from the same person originally. That, or it was the most incredible coincidence ever.

(And funny enough, sometime in the middle of that first mug find and all of these, he found me another one of those mugs that I wrote about initially; go figure! Thanks for all these man!)

I’m guessing these were gifts for pledging a donation to WVIZ during that fundraising time? Or an added bonus if you won an auction? Perhaps even swag given out to people manning the phones? Specifics, anyone?

Anyway, come one, come all, come and enjoy my puke-green carpet and mug pictures this close to being inadequate!

1983

This earliest mug sets the template for the design used for the next few years. That’s not to say this was the first to use the same general look, but it’s the earliest that I currently have.

As you can see, it was for WVIZ’s May 7-15, 1983 8-day auction. The pertinent info is on one side, and the other side, obviously, features what I assume was their mascot of the era, a zebra. (Get it? It’s a WVIZebra!). Since the tagline is “THE GREATEST SHOW ON AIR,” the zebra is always airborne in some fashion; this template is used for not only this mug (duh!), but for all the mugs up through 1986; might’ve been around even longer, I dunno.

Anyway, here our zebra mascot is flying in a small airplane, because, uh, air. Of all the mugs in this ‘series’ this might be my favorite, simply because it’s the only one to present the 25 logo in some way. Look close; it’s stamped on the tail of the plane! (That is the tail, right? Look, it’s on the back of the craft, okay?)

1984

Here’s the 1984 edition. As you can see, it’s overall pretty similar-looking, and honestly would be easy for the untrained eye to overlook as a mere duplicate. But it’s not.

Held in May once again, 1984’s auction was also held over 8 days, but this time from the 5th to the 13th. On the other side, with the same slogan, our zebra friend evidently no longer needs an aircraft; he’s sprouted wings with which to soar through the clouds!

Look close, because this was something I totally missed until grabbing pics to put this article together: the zebra’s stripes spell out WVIZ! Nice touch!

1985

Evidently the auction was always held over 8 days in May, because for 1985 it ran from May 4th through the 12th. This brings up a question: does WVIZ (or any PBS affiliate) even still do auctions? Obviously they still run pledge drives where you can get tote bags or what have you, but I personally don’t recall the auctions. Obviously they existed at one point, and it’s not like I would have been paying attention to that sort of thing by the time I was old enough to watch PBS (Sesame Street and such was more my speed at the time), but still, yeah, I don’t remember these exact events. Maybe they still do ’em, I don’t know. Nevertheless, the only thing coming to mind here is that one episode of Cheers where no one wants Sam Malone’s jersey.

Uh oh, our zebra pal is still airborne in this one, but not necessarily in a good way! Dig it: he no longer has a plane, nor does he feature wings. Rather, he’s floating down to earth via parachute! Was there an equipment malfunction somewhere?!

You can just barely make out the W and the Z on his body, the rest being covered by the parachute’s harness; again, nice touch!

1986

Last of the “zebra mugs,” or at least my “zebra mugs.” You know, was the zebra their ongoing mascot in general during this era, or was he just something devised for the auction promotions? I certainly don’t remember him, but again, by the time I was old enough to pay any sort of attention to PBS, he may very well (and appears to have been) long gone.

1986 had the auction running May 3-11, and except for the differing date, yeah, there’s only so much I can think to say about it, except this was the first auction I was technically alive for. Not cognizant of, but alive for.

I might have to rectify that “favorite” statement I bandied about with the 1983 entry, because besides me officially being around for (well, during) the event, this variation features – in my opinion – the coolest “zebra action sequence” of them all: he’s flying! As in, like Superman! Dude’s even got a cape! As a lifelong Supes fan, that’s awesome, even if the relation is only of the most minimal variety. Man, you don’t even need the 25 logo stamped somewhere when you’ve got your mascot doing things like that!

Also: evidently those “WVIZ stripes” don’t extend to the opposite side of the zebra’s torso.

1987 & 1988

Sorry gang, I don’t have mugs for the 1987 and 1988 auctions, if there even were mugs for the 1987 and 1988 auctions. Maybe the original owner didn’t participate those years, or maybe someone inexplicably purchased those two but none of the others, or maybe they don’t even exist. At any rate, I don’t have ’em.

1989

’87 and ’88 may be missing from my collection (for now?), and the zebra apparently went MIA somewhere in the interim, but man, the 1989 edition was a home run, too! The one side merely states “WVIZ Auction ’89,” as you can plainly see here (no mention of the exact dates, but I’ll go out on a limb and say it was probably held in May again).

The other side though, hoo boy does it feature a cool gimmick! BP was apparently a sponsor of some sort, and that plays into the new (?) slogan: “Public Television – A Natural Resource.” Just like gas! Or something along those lines.

To go along with this, the illustration of a TV is used, with the BP logo ‘playing’ on its screen. What’s with the somewhat ‘muted’ coloring of the screen, you ask? That part of the mug is covered with some sort of material that changes colors when a hot beverage is housed within! That’s cool! This site has a page for this mug, and which showcases the hip color-changin’ abilities it holds.

I’m not sure if I like this one more than the 1983 or 1986 editions, but I still really, really like it, and it’s easily the most “technically advanced” mug in the line. Or at least in my WVIZ mug collection as it currently stands, anyway.

(For the record, this was the one mug that was found independently, weeks after the others. Maybe it originally hailed from the same person and just didn’t get put out with the rest at the same time, or maybe it originally came from another auction participant; gotta figure there were more than a few, you know?)

1990

Last one, found at the same time as all the zebra mugs. The image is the same on both sides, and hence, only one picture is needed. (Right?) Unlike the other ones seen in this article, which are all of the ceramic-variety, this one is plastic.

No real slogan, but this one does play up the fact the station was celebrating its 25th anniversary. Since WVIZ went on the air in 1965, that naturally points to this being from, uh, 1990.

Though you know, without the information stamped all over it, I really have no idea if this is technically an auction mug or something merely created to commemorate the event in general. I mean, considering the others it was found with, it’s a safe guess, and that’s the scenario I’m sticking with, but it has to be pointed out that the mug doesn’t actually state such facts. I dig the red color-scheme, which stands in stark contrast to every other example seen in this update.

***

So there you have it, six different auction mugs from Cleveland’s PBS destination, WVIZ TV-25. Given the “public participation” aspect of the channel, it stands to reason that memorabilia from it is a bit more plentiful than from a network (or even independent) station, but nevertheless, TV-related things like this don’t show up every day, so I couldn’t be happier to have them in my ever-growing mass of stuff (i.e., collection).

Vintage KSTP-TV 5 DIALING FOR DOLLARS Promotional Token

Do you remember back in June when I showcased a vintage Dialing For Dollars keychain from the Duluth and Superior areas of Minnesota? Of course you don’t.

Anyway, we’re taking another trip back to “The Gopher State” (unknown to me beforehand, but that’s apparently one of its nicknames; Wikipedia sez so) for this update, because I’ve obtained another vintage piece of Dialing For Dollars memorabilia from Minnesota, this time from the Minneapolis/St. Paul market. KSTP-TV 5 had their own version of the franchise, and I’ve got the promotional token to prove it.

Like the above-linked keychain, this was an eBay find. (What, you think I’m likely to come across stuff like this locally?) Unlike the above-linked keychain, this was an auction, rather than a buy it now. This meant I had to bide my time and hope no competitors had their eyes on the same prize. I waited, they didn’t, and so here we are. I’m the champ?

Here’s the ‘face’ of the token, presenting what I presume was “the count and amount” system that viewers needed to know in order to win the big, big bucks. (In other words, when  the host came a-callin’, y’all best know it was “15 DOWN” or “1 UP” or however they went about playing the game.) I’m a little confused as to why it’s labeled “LETTER GAME,” when it seems to me that numbers are much more the focal point here, but then, I wasn’t there and I wasn’t watching, so I’ll just guess that whoever struck the coin knew better than I.

One thing about Dialing For Dollars in general that I talked about in the earlier article: because it was such a 1960s & 1970s phenomenon, much of it aired in the pre-home video-era (in a widely commercial sense anyway), and as such, learning about the finer details of some iterations can be difficult. For example, the host(s) and/or exact format for a particular market isn’t always immediately certain. At least not from what I can discern through online research; respective television historians from wherever probably know all this stuff automatically, but for those of us ‘on the outside’ and learning about things waaaay after the fact and waaaay outside of the original area, well, sometimes it can be tough.

Also, some local versions of the franchise were movie showcases, with a daily flick interrupted by the, say it with me, dialing for dollars segments during the breaks. But for other versions, it was all dialin’ for dinero, all the time. (As in, that was the whole show.)

My issue here: I couldn’t figure out which ‘type’ KSTP’s version was. I don’t know how long it ran, I don’t know who hosted it, and I don’t know how it was exactly played. I’d certainly prefer that it was of the movie-hosted variety, but either way, it represents a live, call-in aspect of television history that just can’t happen anymore. (At least not on a regular basis.)

Never mind, I found some solid info: this site has an advertisement for the show. KSTP’s Dialing For Dollars was evidently not a movie showcase, but rather a standalone program, albeit one with interviews, cooking segments, and other things you’d expect of a typical daytime program. Interestingly, the ad makes a loud and specific declaration that this wasn’t just a woman’s show, despite the fairer sex making up 63% of its audience (which makes sense; more women stayed at home back then, after all).

The host, or hostess rather, was Jane Johnston, who sadly passed away in 2007.

Here’s the back of the coin, with more pertinent identification information. After all, what good is an advertising token if you don’t let the people know where they can tune in? You’ve got the station call sign, the viewing area the station served, and who the owner was. And look, color television! I love that they call specific attention to the fact it was a color station; it’s just so evocative of that era of television broadcasting.

While I don’t have an exact date for this coin, I do, hopefully, have a time frame: according to Logopedia, the style of logo seen on this token was only in usage from 1968 to 1969.

HOWEVER, that above-linked advertisement claims to be from 1966, and the logo seen in it is identical to the one here, so I don’t know. Your guess is as good as mine. Johnston’s obit says she came to KSTP in 1963 and hosted the show in the 1960s and 1970s, so…? Did she immediately start this show in ’63, or did it take a few years? It had apparently been on the air for some time before that ad came about.

Another question remains: how would someone go about obtaining one of these back in the day? Was it a prize for contestants? Something given away during personal appearances by Johnston? A promotional item passed out during industry events? Unfortunately, these are things I just don’t know. (Also, I wonder what that “8101” stamped into the back designates? Does it refer to the number of coins struck? Are there possibly 8,100 more of these out there?!)

At any rate, I love pieces of promotional material like this, because there’s only so much pertaining to the source material (seemingly) still floating around nowadays. I mean, maybe KSTP has footage of the actual show in their archives, and if it ran into the 1970s, it did crossover into the commercial home video-era (technically 1972 with Cartrivision, but more likely 1975/1976 with Betamax if it made it to the middle of the decade), but in regards to what can fall into my paws, I imagine I’m limited to the smaller accoutrements such at this. Maybe some press photos, potentially some appropriately-branded mugs or glasses, probably print ads from old TV listings (TV Guide or otherwise), but realistically I can’t think of a whole lot else.

That’s okay though, because even on its own, this token is suitably neat; I wouldn’t wait for an auction to end for anything less! As it stands, it now proudly resides right by the Duluth/Superior keychain I linked to at the start of this update. They belong together because they is cousins.

Vintage WUAB-TV 43 & WAKR TV-23 Golf Ball Markers (Circa 1984)

I went Christmas shopping this past Saturday. Well, ostensibly; I did find one thing to check off my list, but came up empty for everyone else. Well, except for me. I did find a few things for me.

I wasn’t trying to – really! This was a mission to get Christmas shopping done, and since I don’t have that many people to buy for, theoretically it could have been completed during this one outing. Several locations were visited over the course of several hours, and where I myself was concerned, I dutifully passed up on some things I considered merely “neato,” because unless something practically jumped out and punched me in the face with awesomeness, I wasn’t going to get anything for my personal collection. It wasn’t an issue of cost either; this was about principle. I was on a specific mission, man!

I made it safely through the day – until the last place I visited. There, as I perused small display boxes made up of compartments filled with various knick knacks, my eyes fell upon the baggie you’re seeing right here. This was one of those cases where I got so immediately excited, so incredibly stoked, that I dropped what I was doing and instantly began extricating it. I knew, I knew, that as long as the price wasn’t prohibitive (and it wasn’t in the slightest), it was coming home with me. And so it did.

I hadn’t been to this antique store in several months (as it has been operating on reduced hours lately), so this must have been a fairly new addition to their wares, because I’d really hate to think my normally-fairly-astute eyes passed over this time and time again. Dig this: two pairs of vintage Northeast Ohio television-branded golf markers, WUAB-43 and WAKR TV-23! Cool winnins!

And Golf markers! If there’s one thing my collection lacks, it’s golf stuff. Not that I have anything against the sport; it’s just that aside from some old school video games and Happy Gilmore, I have little experience with it. Heck, I wouldn’t have even known what these markers were if not for the handy sticker affixed to the baggie notating the contents. This was an entirely unexpected find, but this was also exactly the sort of random TV-related thing I’m always hoping to come across.

(Also picked up for myself at the same time? I rarely drink alcohol, but a vintage Bud Man patch for only a buck was just too cool to pass up.)

It was the old WUAB logo here that first caught my eye, and because I have such an ongoing-affinity for the station, those markers were the ‘biggies’ for me. As you can see, one is pink and one is white, but otherwise they’re identical with the black “half-moon” 43 logo. (“Half-moon” is how *I* refer to this particular iteration of the station I.D., but as far as I know, I’m the only one to do so. Maybe that is the ‘official’ term for it though, I dunno.)

The WAKR markers are less logos and more mere station identifications. Unlike the two WUAB markers, they’re both completely identical to each other. Besides WAKR, WAEZ is also featured; I can only guess that this refers to what later became WONE 97.5 FM, which was WAEZ prior and WAKR-FM before that. There was some kind of connection there, is what I’m sayin’.

I have no idea what the actual age of these markers are. I’m assuming both pair hail from the same general era, but they could have just as easily been, erm, paired up later. WUAB only used that style of logo from, roughly, 1980 to 1986, before going to a full-circular version. WAKR TV-23 became WAKC TV-23 in 1986, and WAEZ became WONE on January 1, 1985. So yeah, I’m sticking with what I used in the title of this update: “circa 1984.” That seems to be a safe guess. At any rate, the WUAB ones have to hail from 1986 or earlier, and the WAKR/WAEZ ones from before January 1, 1985.

Regardless of the actual date(s) that brought these markers forth, they both demonstrate a terrific time in Northeast Ohio television, when quirky local programming and an eclectic line-up of movies and shows was the order of the day. I love that!

Hey, know what I discovered when it came time for a picture-taking session of these earlier today? Golf ball markers aren’t the easiest things in the world to photograph! Not these ones, anyway. Because they’re rounded, they tend to roll ll over when I don’t want them to. Indeed, I had to poke them through a disposable styrofoam plate for the main shots, and to your left here is the best I could come up with as far as a side-view goes. See, they done got lil’ pegs, perfect for plunkin’ down into the ground! These aren’t especially big markers, they’re all the same size, which is roughly that of a regular shirt button (a bit bigger actually, but not by much). They seem to be bright enough to show up on the ground during a golf outing, but I’d have thought they’d be a bit bigger for easier visibility. But then, I’m not a golfer; far be it for me to go tellin’ ’em their business.

The last remaining question for me is: how did someone go about acquiring these originally? They almost seem too niche to be widely-spread promotional items. I have seen golf balls with station logos/I.D, emblazoned on them, so this sort of thing was (is?) not unheard of. Perhaps they were from some industry event? A friendly game between the staffs of 43 and 23? These are things I do not know, and perhaps the finer details of which have become lost to time. (If you’ve got some additional information on them, by all means share it in the comments!)

So, as it stands right now, I’ve still got some Christmas shopping to do, but when I come home with cool promo items such as these to add to the ever-growing collection, well, how can that ever be considered a wasted trip? Like I said earlier, TV-related things like this are what I always hope to come across during my travels; sadly, it doesn’t happen often enough for my liking, but when it does, it’s usually worth the dry spells. Given the last update, I seem to be on some kind of streak right now – hopefully it lasts a bit longer!

Vintage McDonald’s / WAKR 1590 AM “Adam and Bob in the Morning” Coffee Mug

My friend Jesse found this for me several weeks back. His alert came via text message, with a simple caption of “need?” Yes, Jesse, need. Need now. (Or maybe the caption was “want?” Either way, my response was highly in the affirmative.) Jesse knows I collect broadcasting memorabilia and promotional items, and indeed, some months back it was he that found me an old WVIZ mug that was subsequently covered here. (Would you believe he picked me up another one of those later, too? No foolin’!)

‘Course, if you have thus far callously neglected to scan the title of this post, and still refuse despite my vaguely passive-aggressive reminder right here, you may be looking at this picture and thinking to yourself “broadcasting?” True, the face you’re seeing is just the famous McDonald’s logo. But that font! Those arches! Coupled with the color scheme and design of this plastic coffee mug, the nostalgic vibes emanating forth are still enough to make me unacceptably giddy even without an added attraction. I think we pretty much all grew up with McDonald’s, and If this is as old as I’ll momentarily surmise it to be, well, I can already hear the appropriate jingles of yesteryear ringing in my head. This thing just looks like breakfast at McDonald’s! Fast food or otherwise, I generally skip the first meal of the day, but this has me wanting one of their sausage biscuit things. Or maybe some eggs, provided they served them to me in an old school styrofoam container. (Wait, the eggs did come in styrofoam at one point, didn’t they?)

Ah, but it’s the other side of the mug that not only gives this a broadcasting connection, but a local broadcasting connection to boot. Dig this: the other side is a promo for Akron’s WAKR 1590 AM, specifically their morning show of the 1970s to the 1990s, The Adam and Bob Show. Cool winnins!

No, seriously, this is really, really neato. I’m into radio memorabilia quite a bit less than I am television, but even so, this is legitimately awesome.

Adam and Bob were Adam Jones and Bob Allen. Sadly, Bob Allen passed away in April, 2017. They had a long running show on the station, starting in 1978 and running until either 1991 or 1995. (I’m seeing both years listed online; can anyone confirm which is correct?)

I really don’t think this mug hails from the extreme of the 1990s though, or even the late-1980s. Given the size and shape of it, I’m guessing early-1980s; even though the show started in 1978, I’m not sure they would have been producing mugs of this nature that early on. I mean, maybe they were, but I’m getting the notion (basically just a gut-feeling on my part) that it’s from about 1980. No later than 1984, anyway. That’s my best guess.

(I did a search for the specific WAKR logo seen here to help narrow things down even further, but nothing doing on that front.)

To top it all off, despite some (minimal) wear to the graphics and outer mug in general, I don’t think it was ever used. A little slip of paper was still inside, giving the company info as Whirley Industries of Warren, PA. (I’ve seen/got a few other mugs of similar shape by them, and each one appeared/appears to be of notable vintage.) I just can’t see someone using this, washing it, and then replacing this slip of paper afterwards each and every time. So yeah, I’m guessing it’s technically “new.”

Though, as the instructions make clear, it’s not quite complete; these Whirley travel mugs (officially deemed the “Easy Rider Travel Mug,” as per the pic here) originally came with a ‘holder’ that would be affixed via tape to a flat surface, ostensibly in that of a moving vehicle of some sort, and which would then allow the owner to slide the mug in and out for easy usage and then safe, hands-free holding.

Mine does not include said holder, so maybe the original owner intended to use this only as a “breakfast table” item? Maybe? Or perhaps it was just simply lost over the years? Oh the mysteries this mug presents!

Anyway, the last big question remaining is: how did someone go about obtaining this mug back in the day? The obvious answer is McDonald’s, but I mean how? Did you have to order breakfast and then pay a nominal fee for your collectible local mug? Could you just walk in and buy one alone? Was it included free when you ordered coffee? Oh the mysteries this mug presents!

Or perhaps it was a giveaway from The Adam and Bob Show direct? A call-in trivia prize? Something given away at personal appearances? I just don’t know, but if anyone does, please hit up the comments section and share!

However it was originally obtained, it was certainly put “out there” somehow, much to my eventual intrigue and delight. What a cool mug! It just feels like McDonald’s in that late-1970s/early-1980s era, and the local connection just makes it all the more irresistible. You could drink out of it while perusing the newspaper in the morning, or at work, or maybe even on the drive to work (perhaps all while listening The Adam and Bob Show, even!).

For this lifelong Akronite, that all makes it an indelible addition to the collection. (Thanks Jesse!)

A Ghoul Power Journey, 20 Years On…

APRIL 2, 2019 EDIT: It is with a heavy heart that I must report Ron “The Ghoul” Sweed passed away last night, following a massive heart attack he suffered several months ago. Let this article be an enduring tribute to the man that shaped so much of my sense of humor and outlook on life. I could never thank him enough for the many nights he kept me company, even if it was just from the television screen. RIP, Ron; your Ten Star Ghoul Power Generals will never forget you.

CAUTION: Long, drawn out personal memories forthcoming! (Also, it will probably help if you have at least some working knowledge of The Ghoul beforehand.)

The man himself, during a 1999 book signing.

July 10th marked the 20th anniversary of The Ghoul’s return to Cleveland airwaves, courtesy of our WBNX TV-55. (Yes, I’m well aware the majority of August is now over.) 20 years?! It’s almost shocking how quickly time has passed; it (figuratively) seems like only yesterday that I was writing about the 15th anniversary of the occurrence. I don’t know what troubles me more: the fact I’ve kept my silly blog going for five years now, or that I’ve let 20 years slip by without accomplishing anything of lasting importance.

Nevertheless, allow me now to do some reminiscin’ of Ron Sweed’s legendary late night horror host. The time is right, and besides, while I’ve related some of these tales before, it’ll be nice to present them again in an updated (i.e., better written) manner. Bear with me here group, this’ll be a long one…

Backstory:

Ron Sweed was a young associate of the legendary Ernie “Ghoulardi” Anderson (he of Cleveland horror hosting legend) in the 1960s, and it was by Anderson’s permission that Sweed resurrected the character in the 1970s, albeit with a change in name. Sure, with the fright wig, one-lens sunglasses, fake beard and mustache, and button-adorned lab coat, they looked the same. And yes, with declarations of “Stay Sick,” “Turn Blue” and “Ova Dey” and a similar penchant for blowing things up with firecrackers and adding various drops-in, video and audio, to the (admittedly) terrible movies he ran, they even shared some of the same traits. BUT, The Ghoul developed his own manic persona. His was wild, he was wacky, he was destructive, and his sense of humor was decidedly warped. With his declarations of “Ghoul Power!” he was hero to kids and the hip and enemy to those with supposedly “good taste.” The Ghoul was something special.

He first started hosting horror movies in Cleveland in 1971, on the independent WKBF TV-61, and through the magic of syndication also hit in other markets around the country. Indeed, he was just as big in Detroit as he was in Northeast Ohio. Thanks to viewer complaints and a station on the brink, his first run here came to an end in 1975, though he came back on 61’s successor, WCLQ, in 1982 and enjoyed a few more years in the Cleveland market. Add to that various runs outside of Ohio, and you had a host that really got around across the decades.

That was all before my time, however.

Despite having a vague knowledge of Ghoulardi, knowing of Superhost in my formative years, and having occasionally watched Big Chuck & Lil’ John prior, I was really just learning about the fine art of horror hosting in full in 1997, when I was 11 years old. It was actually a nationally broadcast show out of Minneapolis, Mystery Science Theater 3000 on the Sci-Fi Channel, that introduced me proper to the concept of bad-movie-mockin’, and which in turn led me to The Son of Ghoul Show on The CAT 29/35.

Now, the internet was around then, and we had it (ah, the days of slow, clunky, will-it-or-won’t-it-connect dial-up!), but it wasn’t nearly what it is now. As such, I was very much discovering all of this stuff for myself first-hand, as it beamed from the cathode ray tubes of our television and directly into my brain. In other words, if I didn’t see it aired, I may have had, at best, only the most passing knowledge on a given local subject. To think, there was a time when I wasn’t aware of The Ghoul!

Fast forward to the summer of 1998, when a relative passed along a newspaper clipping that she thought I might find interesting…

The Discovery:

My first glimpse, indeed my first knowledge, of The Ghoul came from an Akron Beacon Journal article covering his return to Northeast Ohio TV. This was fascinating stuff! A new (but not really) host for me to check out! As a 12 year old heavily into this sort of thing by then, this was exciting news! I was also curious; obviously I didn’t know what to expect. How could I? Like I said, this was all new to me.

The fateful newspaper article that led me to Ghoul Power…

You know, one of my favorite things in my entire horror host collection is actually that old Akron Beacon article. As you can see here, it’s yellowed a bit; that’s because it hung on the fridge for awhile. And the picture used wasn’t originally in color; I did that myself some time later prior to, obviously, having him sign it at a personal appearance somewhere (more on those later).

No, it’s not in “mint condition,” and it’s not archival quality in the slightest. I tend to be a perfectionist when it comes to collecting this stuff, but here, none of that matters. Why? Because this article and the history that goes with it, that’s all part of my personal Ghoul Power story, that’s why! Today, it proudly resides in a scrapbook I have dedicated to these sorts of things, and there it shall remain.

ANYWAY, thanks to that article I now had some background knowledge on the man, but I still didn’t know how this was going to play out. I was used to a certain way of local horror hosting, so how exactly was this going to work? It was a curious anticipation, to be sure.

A still from WBNX’s original promo spotlighting The Ghoul’s return.

In the days (weeks?) leading up to the July 10 debut, WBNX began running a promo for the return, and this was my first glimpse of The Ghoul “in action.” There he was, hopping down the street on a bouncy ball, waving at cars, all while the expected “I’m back!” type voiceover gave the pertinent details. Okay, this was different!

So Friday, July 10, 11:30 PM rolls around, and I was…well, actually, I can’t remember if I was there watching it live or if, thanks to the magic of VHS, I first checked it all out the next day. Honestly, I’m remembering it both ways, and I’m not sure which scenario is the truth and which is just my mind playing tricks on itself. And I’ve got a pretty good memory, too!

The first episode was 1993’s Ghost in the Machine, not really my kinda movie but a bit of “B” movie fare typical of WBNX’s offerings at the time. The Ghoul’s segments were a mix of old and new material, mainly his new segments introducing old ones. The following week (1983’s Up From the Depths) continued the trend.

Annnnnd that’s kinda where I dropped off. Over the following months, I’d check in occasionally, but the sad fact of the matter is I wasn’t an instant fan of The Ghoul. It was more of a progressive fandom; the more I watched, the more I appreciated. The good news is, when I finally ‘got’ it, man, I really got it!

The Fandom:

It was in the waning months of 1998 that I really started finding my Ghoul Power voice (I even went as him for my grade school’s Halloween party that year), and by early ’99, I was a young-but-dedicated “Ten Star General in the Ghoul Power Army.”

At a time when I was still very much developing my own sense of humor, The Ghoul displayed to me a “chaotic absurdity.” The destructive tendencies, firecracker-induced or otherwise, humor that was often positively non-sequitur-ish, it was all incredibly appealing to a 12/13 year old kid. (More than a few G.I. Joes met their demise in my backyard thanks to the influence of The Ghoul, by the way.) There was a warped sense of humor running throughout the entire show; even something as simple as using a toilet as a regular seat on his set was, to me, fantastic. Still is!

The man himself, staying sick and turning blue on set!

Like Ghoulardi before him, The Ghoul would often mock fellow local television personalities. News anchorwomen Denise Dufala (and her then-recent CD) and Wilma Smith were regular targets, as were Big Chuck & Lil’ John, who were running directly against The Ghoul over on WJW TV-8 at the time. It’s important to note that this was all in good fun; there was no real animosity there.

Some of my favorite moments were the simple ones, when he was merely sitting on the set, ostensibly talking about something but really just goofing around and cracking the crew up. Like Soupy Sales used to do, when The Ghoul had the crew laughing at something he said or did, it just made things all the funnier. And add an almost “familial” touch to the proceedings, too!

Indeed, one of my absolute favorite examples of this was “egg in a bottle,” from March 1999.

Some weeks prior, The Ghoul had demonstrated a trick in which an egg was sucked into a milk bottle by lighting a piece of paper and setting the egg over the opening – and it worked! Well, a few shows later, he revisited the bit, this time with the goal of not only getting the egg in the bottle, but then getting it out as well.

The problem was that nothing went correctly that second time around. The lit paper would be dropped in, and the egg would start to ‘go’ but then stall. Multiple failed attempts soon devolved into throwing the eggs around between him and the crew and lotsa ad-libbing. After several minutes of failing to achieve the first part of the goal, The Ghoul coolly stated “I don’t care if we don’t show the rest of the movie…” which caused the crew to crack up. And when the paper wouldn’t stay lit afterwards, he wondered aloud if they had any lighter fluid, which got another boisterous response.

Finally, he just pushed the egg down into the bottle and then sucked it back out with a straw, which was the purpose of the bit in the first place. It wasn’t so much the activity itself that was funny, but the interplay and goofing around between The Ghoul and his crew that summed up exactly how much fun this show could be. Even today, the whole segment is one of the funniest things I’ve ever seen.

Froggy being bombarded with some “raven residue.”

Oh, and how could I forget The Ghoul’s nemesis, Froggy! A small frog doll with a red coat and bow tie, Froggy was originally a 1940s & 1950s children show character, and who was later appropriated by The Ghoul for any number of destructive purposes. Summoned by being implored to “plunk you magic twanger, ova dey” and continuously spouting “hiya hiya hiya,” over the years Froggy was subject to being fried, chopped, blown up, immolated, thrown, kicked, stomped, and any other number of indignities The Ghoul reveled in bestowing upon him.

(There was also a full-sized Froggy, as in costumed adult, that appeared frequently on the show.)

It’s also to The Ghoul’s credit that, in the more-jaded late-90s/early-2000s, a lot of the stuff that would have raised eyebrows in the 1970s and even 1980s but would seem tame in the 1990s (especially when compared to, say, professional wrestling or whatever was airing on MTV or Comedy Central) still managed to work. Of course, the guy had been doing this sort of thing since 1971, it was probably all second-nature by that point, and The Ghoul went about it all with such a zeal that even some bits that didn’t quite work were still worth watching.

But you know, I fully realize that The Ghoul was/is a phenomenon that not everyone would get. (Same goes for Ghoulardi, Chuck & John, etc. etc. etc.) Unless you’re from Northeast Ohio or one of those areas that ‘got’ the humor (as Detroit wisely did), there’s a chance that if I were to show you an old episode right this moment, you’d watch and then say “okay…?” The declarations of “Boffo Socko,” “Zowie Scowie,” “Turn Blue,” and constant jabs at news anchorwoman Denise Dufala (“The secret word is DUFALA!”) probably would have left most outsiders scratching their heads.

That was the beauty of regional horror hosts though; their humor was aimed at a specific target audience. Someone in L.A. most likely wouldn’t get it, but they weren’t supposed to. This type of programming instilled a connection, and dare I say local pride, with the audience that, outside of nightly newscasts, seems to be a dying art form nowadays. The Ghoul excelled at it though.

And he fit so well into the vibes of late-90s Northeast Ohio, at least from the perspective of a 12/13 year old. Ernie Anderson’s passing in 1997 and The Drew Carey Show being a comedic force on a national scale, there seemed to be a renewed local interest in all of this stuff that made us, well, us. That feeling seemed to subside as the 2000s dawned and television in general went through increasingly radical changes (even Drew, for his last two seasons, was first moved to a terrible Monday night time slot and then burned off during the summers), but it was a wonderful ride while it lasted.

Over my years with The Ghoul, there were lotsa memorable moments. Beyond the surface stuff of anticipating a new old bad movie and seeing what he had in store for a given week, there are particular high points that stick out in my mind, both from back in the day and in retrospect.

When it began, The Ghoul Show had new host bits with the main maniac, but much of the focus was on the old material from the 70s and 80s. The Ghoul would come on in newly-filmed segments, and then introduce a clip from the past. I was entranced by these moments, and my early reluctance towards the show was almost-certainly due to the fact that the new stuff didn’t look like the old stuff. The material from the 1970s and 1980s, to me, it just looked like how a horror host show should look. The new Ghoul stuff (obviously) had a more modern look, with computerized titles and graphics. These graphics have aged well for the most part, but I wasn’t thinking of that at the time. Anyway, luckily, I came to my senses and realized that all Ghoul Power was good Ghoul Power. That’s why we’re here right now!

When new material took precedence, the 1970s & 1980s sketches were relegated to (usually) a single moment during the show: The Ghoul’s Vault of Golden Garbage. The Vault was a feature going back decades, and given its possibility to introduce me to old bits I wasn’t around for the first time, it quickly became one of my most-anticipated moments each week. (As the years went by, newer 1990s/2000s segments could occasionally show up in the Vault feature; that was always disappointing to me, because, hey, I was probably around for them the first time!)

The Vault, both in that early going and later when it was a separate segment, introduced me to the original usage of the “Ghoulzooka,” Chef Curdle, C. Miller, Froggy destruction, The Ghoul’s MDA telethon Jell-O jump, and other assorted bits of wackiness. I loved so much of it. But, being a Japanese giant monster movie fan, I think my favorite examples were the ones in which The Ghoul interacted with Gamera.

The Ghoul with Gamera, on two separate occasions…

Gamera movies were evidently well-known entities on The Ghoul Show in the 1970s, and The Ghoul took it upon himself to give them some extra-skewerin’ at least twice. The first known to me was the top image to your right: some fans sent in a “rocket powered” Gamera model, which The Ghoul and crew then launched across the studio. It was a very funny bit, mainly because it involved more joking around than anything, including The Ghoul losing it when Gamera’s head fell off during a demonstration of what was going to happen prior to launch.

The second occurrence known to me (but apparently happened first, given The Ghoul’s early set) was even ‘bigger’ and is what you’re seeing in the bottom-right shot: The Ghoul “interviewed” Gamera himself! Another very funny moment, mainly because The Ghoul had to tell Gamera how bad his movies were, much to Gamera’s embarrassment. The segment then ended with The Ghoul pulling Gamera around the set on a dolly, as if to mimic his flying. Simple, goofy, and irresistible. I loved (and love) stuff like that.

Ah, but probably the most memorable moment for me was a then-new one. Understandably, it was the time he opened a package I sent him on the air. I later wrote him emails that made it on, but the first was definitely the biggest and best.

The setting was July 23, 1999, the movie Bride of the Gorilla (a new one to me at the time; bonus!), and following one commercial break, I got probably the biggest thrill I ever got watching the show.

This particular life goal? ACHIEVED.

I had loaded this package up. First was what I deemed a “Parma Yo-Yo,” which was just a cut-out from a box of pierogies with a string taped to it, and which you were supposed to lamely bounce up and down. The Ghoul cracked up, seemed to get a big kick out of it (“And if it don’t do that, you got a bad one!”), but surprisingly I never saw it on the show again.

Then, there was a big “Ghoul Power” banner. I found a huge piece of paper somewhere and had decorated it with a whole bunch of phrases from the show. I think my hope was that it would make it onto the permanent set, and while The Ghoul seemed to like it too, I never saw it again, either.

BUT, the piece de resistance came at the end: I had gotten a cheap, terrible Jackie Chan movie from Best Buy’s fabled $2.99 VHS section, and despite two attempts at enjoying it, it was just too awful. So, what better way to dispose of it than by asking the main maniac to blow it up?

The Ghoul happily obliged, and in spectacular fashion.

I was positively flipping out during all of this. I was cracking up, literally jumping and down, I was so excited. (Hey, I was 13.) It, along with the time Letterman read one of my letters on the air, was probably one of my biggest “TV moments,” even if the two aren’t comparable on a viewership scale. It was, and is, certainly among my top favorites anyway.

Lotsa Time Slots:

As noted, The Ghoul debuted on Friday, July 10, 1998 at 11:30 PM, in what was a 2 1/2 hour time slot. For a good part of that first year, that was how long he ran, and let me tell you, by the time the show ended in the wee hours, it almost felt like you had finished running a marathon or something. It was like a bit that had happened at the top of the show felt like it had taken place eons ago by the time it was all over. It was pretty great.

At some point in 1999, I want to say slightly before the 1st anniversary but maybe slightly after, the time slot was shortened to a straight 2 hours (I recall the 1st anniversary special being 2 1/2 hours and thinking that it was a nice throwback). While this sort of took away the aforementioned “marathon” aspect, the truth is it didn’t hurt the program all that much at all. The Ghoul still packed a ton into those 2 hours, and you know, probably the only real difference was more editing to the movies!

The number of running gags, recurring jokes, and general momentum was a lot of fun to watch build and grow week after week, and by September 2000, the amount of things that had been built upon, expanded, and so on was not inconsiderable. But it was all about to take a serious hit.

Announced on September 15, 2000 (the movie was Karloff’s The Ape) and commencing on September 24, WBNX moved The Ghoul to Sunday nights at 12 AM (technically Monday morning). I had lived for those Friday nights, The Ghoul was such a great way to kick off the weekend, and now, it was being taken away from me! Summer and holidays were one thing, but during the school year (when you needed that dose of Ghoul Power the most!), my staying up for the show just wasn’t feasible. I had a hard enough time getting up in the morning as it was! Still, that’s why they invented VCRs. I was unhappy with the situation, but this was livable – I guess.

Until I saw that first Sunday show, anyway. The movie was 1993’s direct-to-video comedy Remote. There were no sound effects, no drop-ins, and The Ghoul’s host segments were severely scaled back. I was crushed. All that momentum, seemingly gone in one fell swoop. I still remember the day I discovered this; I had to run out to the garage for something, and I have this memory of being in there, sun streaming through the windows, and just feeling totally deflated.

An example of The Ghoul’s changing movie fare and time slot when he was moved out of Friday nights.

If you’ve read this old article (and if you haven’t, don’t bother; it sucks), you’d recall I was pretty down on the “Sunday era.” Now of course it wasn’t like it was when The Ghoul was on at 11:30 PM Fridays, but in retrospect, it wasn’t all bad. While a wider-range of movies was the norm (cheapo action flicks, comedies, dramas, more-modern horror and sci-fi, even the occasional animated fare, most of it without his famous during-movie-drop-ins), some of these actually worked pretty well on the show, especially the “B” action flicks from the likes of PM Entertainment and such. And when The Ghoul got a healthy amount of host segments throughout, it was all the better.

And, once in awhile, he’d do an “old style” show. That is, an old cheapie ‘classic’ loaded with drop-ins and plenty of Ghoul segments. Despite the lack of this happening on a regular basis, when it did occur, The Ghoul hadn’t lost a step.

It was in the midst of that Sunday night/Monday morning era that the world forever changed. I very much tend to look at many things as pre-9/11 and post-9/11, especially things (in this case, television) from the few years both immediately preceding and immediately following the travesty. It seems that pre-9/11, there was an undefinable air of innocence, I suppose, that was taken away afterwards. It was in that darkest of times that comfort was found in those aspects of our life that had become, well, almost a part of us, I guess you could say. I wish The Ghoul hadn’t been so inaccessible to me, a freshman in high school, at the time, because it was shows like his that helped bring a temporary comfort to a world gone mad.

I actually dug out one of my old Ghoul tapes recently, and it featured the episode right before 9/11, and what appeared to be the first one after. The first one was normal enough, but then the one after, where there’s the appropriate tributes and shows of solidarity during the commercials, it was and is heartbreaking. How quickly things can change.

The Ghoul on his “Breakfast Club” set.

It was in that post-9/11 world that the “Ghoul Power Good Morning Breakfast Club” experiment began. On October 8, 2001 to be exact, after the show moved to 1 AM Monday mornings the week prior. Technically a worse slot, though my circumstances didn’t really change one way or the other; I still couldn’t stay up to watch it. The movie was Street Crimes, a low budget action flick from PM Entertainment and starring Dennis Farina that was a good example of what made up a good chunk of The Ghoul’s fare during that time period. It actually worked pretty well with the show – though I suppose your viewpoint on that would largely depend on how tolerant you are of “B” action flicks in the first place.

The gag of the “Breakfast Club” was that at 1 AM, it was Cleveland’s earliest morning show, thus starting your day off right before anyone else. Filmed on a different set and with humorous looks at traffic and weather and guests sharing coffee (typically associates and characters that tended to be on anyway), it was an interesting idea that worked far better than it had any right to, but it only lasted for maybe 6-8 months; certainly by the summer of ’02, the show was back to its normal set and structure.

In September of ’02, The Ghoul was finally moved out of the Sunday/Monday hole and back to Friday nights/Saturday mornings…early Saturday mornings; it was slotted at 3:30 AM! I can’t decide if this was more or less accessible than before. On one hand, it didn’t coincide with a weekday, but man, depending on the movie, you’d be finishing up at around 5:30/6:00 AM. Look, I’m a habitual night owl, but even that goes a little too far for me.

(The final “Sunday era” broadcast was on September 2, 2002 with House on Haunted Hill; one of those “old style” Ghoul shows, loaded up with drop-ins and host segments. When he resurfaced in this new, uber-late time slot, the movie was 1996’s Yesterday’s Target.)

Sadly, and I hate to admit this, it was around that time (fall 2002) that I fell away from watching. Well, taping; the sad fact of the matter was that I kept recording for years, but rarely got around to watching the shows. Heck, I rarely got around to even checking/labeling the tapes! They just kept piling up! Teenagers do dumb things, and in hindsight, I’d have stuck with the program till the end (2003 or 2004, depending on the source), but at 16 years old, I guess you’re not that forward-thinking.

I never stopped liking The Ghoul though. Some of my happiest TV-viewin’ memories are of those Friday nights at 11:30 PM, watching him fool around against that black backdrop with the hazy border or goofing off on that junk-laden set. Indeed, I still have this very clear memory: summer of ’99, relaxing to The Ghoul on a Friday night, all alone, the window behind me open, cool breeze filling my nostrils with the scent of nearby bonfires. It was such a great feeling.

I have memories of tuning in on Sunday nights as well, but they’re not as numerous or as, erm, memorable, for obvious reasons.

I really have no idea why WBNX moved The Ghoul out of Friday nights 11:30 PM or why his movie choices were, to a large degree, altered. Was it a ratings-issue, an attempt at giving him the all-around of Big Chuck & Lil’ John, or…? I just don’t know.

The Ghoul in a local Norton Furniture ad.

A fun addendum to The Ghoul’s 1990s/2000s Cleveland revival: in the mid-00s, he appeared in a few local commercials for Norton Furniture, an establishment that specialized (specializes?) in late night advertising. Often of a surreal nature anyway, the two (I think there were only two) spots featuring The Ghoul had him chasing around store owner Marc with the intent of cutting off his ponytail for a new phony beard. (The second spot featured a cameo by Froggy, too!)

Airing around 2004/2005, these Norton Furniture ads were some of the last times, to the best of my knowledge, that The Ghoul appeared on Northeast Ohio television in a regular capacity. (And lest you think commercials shouldn’t qualify as “regular capacity,” bear in mind Norton Furniture ads were all over late night TV in these parts at the time; if you liked staying up late as I did/do, you’d almost have to be trying to not see one!)

The Movies:

Because The Ghoul was on a channel that regularly picked up movie packages (and was affiliated with the WB Network to boot), his movie choices could really run the gamut. Sure, the usual public domain cheapies from the 1930s through the 1970s showed up, as is typical of horror hosted shows, but ‘real’ movies were also part of the regular rotation. A lot of newer, “B” grade flicks popped up on the station, even outside of The Ghoul. Because I was (am) a movie fan as much as I was (am) of the show itself, it was a real trip seeing so many new-to-me flicks week after week, and the announcement of the next week’s movie was a moment of high anticipation for yours truly. The possibilities were (seemingly) endless!

Of course, you didn’t really tune into this show to see a full-fledged movie; the film was just part of the experience. Because The Ghoul would pack so much material into a show, there were times when a movie would be edited beyond comprehension, and indeed, there was so much insanity going on, the movie sometimes seemed almost like an afterthought. Make no mistake though, that was all part of the fun! For 2-2 1/2 hours, it was like you were tuned into an incredibly weird televised circus – and I mean that in the best way possible.

And naturally, one of the main draws as far as the movies were concerned were the various audio and video drop-ins. Inappropriate and/or nonsensical music, sounds effects (who could forget “OW OW OW! when someone got hurt, or the loud BURP whenever a character took a drink?), silly old film clips inserted into the film, and funny “facts” that would pop-up not unlike VH1’s then-popular Pop-Up Video, all were regularly featured throughout a given movie during the earlier years of the show.

My tastes in movies were all over the place around that time. I liked the pioneering silent films in the horror and sci-fi genres (some of them, anyway), the classics and poverty row flicks of the 1930s and 1940s, and the cheesy sci-fi of the 1950s and 1960s; that’s the stuff I ‘started’ with. By the time of The Ghoul, those tastes were expanding to also include the grindhouse and Eurotrash junk of the late-1960s, 1970s and beyond, and even though it wouldn’t peak until the mid-2000s, looking back I guess I had a slight inclination towards the slashers, too. The Ghoul covered them all, in varying degrees of visibility; only one silent I can think of (Metropolis, appropriately the first show of 2000), a healthy dose of 1940s through 1960s stuff, lots of obscure 1970s garbage, and plenty of low-rent 1980s & 1990s fare.

An example of the type of film The Ghoul would show during his stay at 11:30 PM, Fridays…

Nowadays, I pretty much like what I did in the first place: some silents, the classics and the poverty row offerings of the 1930s and 1940s, cornball 1950s/1960s sci-fi and horror, the giant monster flicks out of Japan. My interests wane considerably after Night of the Living Dead, both because NOTLD is a masterpiece and legitimate contender for greatest horror film of all-time (in other words, how y’all gon’ top it?), and more importantly because later, more ‘extreme’ horror films may have been bloodier, nastier, but they didn’t have the brains or heart behind them, barring some exceptions, such as the original Dawn of the Dead (though I still prefer Night…)

Yep, The Ghoul’s movie selections of the late-90s/early-00s were certainly wide-ranging, and I have plenty of favorites from those years. The 1930s and 1940s flicks featured (alliteration), some being staples of these types of shows, are movies I particularly enjoy. Three Bela Lugosi films come to mind: The Devil Bat, Invisible Ghost, and White Zombie. Also, Boris Karloff’s The Ape (a movie I didn’t much care for at the time but have really warmed up to in recent years) and the 1941 Monogram wartime poverty row opus King of the Zombies. 1950s cornball drive-in fare like Indestructible Man, The Screaming Skull and The Giant Gila Monster and ultra-cheap trash like 1966’s Curse of the Swamp Creature also get high marks from yours truly.

There weren’t many Japanese monster movies shown, and those were/are a favorite genre of mine. But, Attack of the Mushroom People made it on, and that was a big, big one (a far darker film than that American title implies). The 1956 Daiei opus Warning From Space (the second anniversary show movie) also stands out.

From later years, Best of the Best 3, Ring of Fire III, and Street Crimes stick out as favorite low budget action flicks; I genuinely enjoyed all three. And, my first full viewings of Deliverance, Cocoon and Poltergeist came via The Ghoul. Even with the appropriate editing-for-television, they made for great Ghoul Power features.

And when it came to Christmas, The Ghoul went all out, especially in 1999, when the entire month of December was dedicated to the holiday. 1964’s Santa Claus Conquers the Martians is my go-to “bad Christmas movie” flick, and that’s the only time I saw him run it. Also, 1935’s Scrooge, my personal favorite movie version of A Christmas Carol.

Oh, my least favorite films featured (alliteration) on the show? Of the “classics,” try as I might, I could never really get into Gorgo, which was the subject of his first anniversary show. The special effects are terrific, granted, but as a whole it’s nowhere near as fun as a comparative Japanese release. Frankly, Gorgo bores me. Also, and this may be anathema to admit, but House on Haunted Hill (which I believe The Ghoul ran at least three times over the course of his run) is a movie that has just never done much for me. I don’t actively dislike it, but I don’t really like it, either. Even when I first saw it at 12/13 years old (after much hype from family members and when I was an easy audience for this sort of movie), I was left severely neutral on the subject. If it wasn’t for Vincent Price, well…

Nowadays, I don’t like slasher movies at all, so the Leprechaun flicks (if they’re even considered slashers; I think of them in the same territory, if nothing else) are in retrospect not to my personal tastes – though I kinda liked them back then. (The Ghoul ran several entries over the course of his run.) And a lot of the newer movies that made it onto the show such as Pumpkinhead II, Hellraiser IV, Pinocchio’s Revenge, Doppelganger, Ghoulies, the 1989 Phantom of the Opera, my views on those range from severe disinterest to outright dislike. 1985’s Eternal Evil is also a terrible, terrible movie – and not in a fun, Ghoul Power way, either.

A lot of 1970s stuff hasn’t worn well for me, though I took an interest in them then. Mainly the European films; Lots of people love ’em, but I’m not one of them, not anymore. Flicks like Lady Frankenstein were/are so covered in depressive grime, forget wanting to take a shower; I feel like I should go soak in some 91% isopropyl for 17 hours after watching that one.

Also, I know he has his fans, but from a strictly personal standpoint, I just don’t get the love for Paul Naschy movies; every one I’ve seen has been essentially unwatchable. The Ghoul ran Werewolf vs. the Vampire Woman, and even he couldn’t save it! And isn’t that considered a top-tier Naschy film? *shudder*

Personal Appearances:

I had the great benefit to meet The Ghoul in person not once but several times. I can tell you, each and every time, he was absolutely phenomenal with the fans. Not only was he energetic and ‘on’ the entire time, but he really spent time with his admirers; he’d talk, he’d joke, he was everything you hope for when you meet a celebrity.

There’s yours truly with the main maniac in 1999; evidently I wasn’t always the suave hepcat I like to imagine myself to be.

My first meeting with him was in 1999, at the Chapel Hill Borders Books where he and Mike Olszewski were signing copies of The Ghoul (S)crapbook, a terrific collection of old photos, information, hate mail and general wackiness. As you’d expect of The Ghoul, basically. (While very informative, it also came off as the warped counterpart to the 1997 Ghoulardi: Inside Cleveland TV’s Wildest Ride book – again, as you’d expect of The Ghoul.)

There was quite a line to meet him that night, and while it wasn’t like I had to stand in it for 8 hours or anything, there was a bit of a wait. When I finally got to meet him, it was obvious why: The Ghoul really gave you his attention, spoke with you, all while staying in character. And you know what? The saying “you can be anything you want to be” is endlessly repeated to us in grade school, but I can tell you from experience that it means so much more when it comes from The Ghoul.

Truth be told, I can’t remember how many times I met The Ghoul. It feels like more than what I’m writing about here, but that might be my memory playing tricks on me – or maybe I really am forgetting an appearance or two. Anyway, the next one that comes to mind is his appearance at B-Ware Video in Lakewood, OH, on April 14, 2000. B-Ware was run by “Sick” Eddie and his wife, both of whom worked on The Ghoul’s show. Man, in those days before anything and everything had been issued (or reissued) on DVD, B-Ware was a haven of weird, out-of-print, obscure horror and science fiction titles on VHS, some for sale, some for rent. Seriously, the only place to get some of this stuff was eBay – and certain titles were selling for mighty dollars at the time. Even though I was only there once, B-Ware was amazing.

In addition to Mike Olszewski, there were even more of The Ghoul’s crew there at this appearance. Froggy, Jungle Bob, Jeff “The Sickie,” even Dinky, the big pink flamingo mascot of Destination, the heavy metal band who did The Ghoul’s opening music at the time (he even gave me a free CD of theirs!). Aside from The Ghoul and Olszewski, it was my first time meeting all these people, and everyone was ridiculously friendly. And The Ghoul, who as I recall it had had not one, not two, but three personal appearances that day, of which this was the third, showed no signs of running out of gas.

I’ll never forget this: he didn’t know me in the least, but when they brought the camera in to film for the show, Olszewski implored me to get up front and get on. I’ll never forget how nice that was of him, and thanks to his insistence, I showed up in the crowd when the bits aired a few weeks later during Indestructible Man (and one of them repeated during the second anniversary special that summer, as well). You don’t get to see a screenshot because I was a goofy lookin’ 14 year old (even goofier than the pic you just saw of me a bit ago), but nevertheless, it was a thrill.

Next: the grand opening of High Point Furniture in the Midway Plaza in Akron, where I met him one night, and then again the next. I could be wrong, but I think it was the fall of 2000; I’m pretty sure this was where I asked him about the whole move to Sunday nights. (His suggestion was a VCR, which, you know, what else could he say?)

[EDIT: This appearance was apparently in the fall of 1999, not 2000, which means I couldn’t have asked him about the Sunday move, as it hadn’t happened yet. I definitely did ask him about it once, and I sure *remember* it as being inside High Point, but unless it was at the appearance you’ll read about after this one, there was another time I met The Ghoul that is otherwise totally slipping my mind.]

This isn’t a pic from that grand opening; I went and snapped it specifically for this article. This Midway Plaza location still stands, but has been closed for a number of years now.

I don’t remember a whole lot about that first night, other than they had free Domino’s Pizza, pop, and a KISS tribute band in the parking lot. I sure remember the second night though, when I went back. (This wasn’t exactly a four hour round trip; Midway Plaza was pretty close by.)

I had a box of stuff for the show that would have been prohibitively expensive to ship (and I had even less money then than I do now), so I brought it all direct to The Ghoul. It really was a bunch of junk, I don’t think any of it made on the show (I wouldn’t blame him if none of it made it beyond the dumpster that night!), although methinks the replica of Rodin’s “The Thinker” mocked up to sorta look like The Ghoul was at least semi-clever.

I wasn’t expecting him to open the box there, but he did, and when he was done sifting through it, he stood up and presented me to the sizable line of people waiting to meet him. Right then and there, he declared me to the crowd as a Ten Star General in the Ghoul Power Army – and they cheered for me! It was an incredible surprise, and to me it sums up just how fantastic The Ghoul was with his fans. He didn’t have to go that extra mile, but he did, and I will always be grateful for it.

The Ghoul promoting Frightvision 2001 on his show.

Finally, there was Frightvision 2001. Now, truth be told, I don’t know if I met him there, I don’t recall doing so, but having been to the previous two Frightvision conventions held in Akron, it was still pretty cool when The Ghoul was announced as host of the third (in Cleveland). Frightvision was my first horror & sci-fi convention in 1999, and by 2001 I had long realized what a bastion of collectibles it was. If I didn’t take advantage of the numerous celebrities in attendance that year (and I didn’t; I don’t think I met any of them at the show), it’s only because I was so focused on netting me some cool winnins from the dealers there.

Speaking of cool winnins…

Memorabilia:

I’m a collector of pop culture, especially as it pertains to broadcasting, television broadcasting specifically. Mugs, glasses, shirts, keychains, assorted promotional memorabilia related to this sort of thing, I’m almost always interested in that – especially when it hails from the 1960s through the 1980s.

While I take an interest in television in general, local broadcasting is a facet that really perks up my ears. I don’t necessarily mean local to me; local TV from across the U.S. is something I find endlessly fascinating. BUT it goes without saying that the area of my greatest interest lies in Northeast Ohio’s television history. And since I’m a big fan of horror movie hosts, that’s the sort of memorabilia I’m always, always after.

That was my long-winded way of saying I’ve amassed a sizable Ghoul collection over the years, both first-hand and online. T-shirts, autographed photos promo flyers, articles, assorted things like that are littered throughout my collection. Here now are just a few of the items that help keep the Ghoul Power burnin’.

Endlessly pushed on the show for much (all?) of his WBNX run, Turn Blue Ghoul Brew was The Ghoul’s very own beverage, and it really turned you blue! Well, your tongue anyway. I got this bottle during the Borders Book appearance, and since he signed it to me, I never had the heart to open and drink it. I did try the stuff though; it was basically blue root beer. Non-alcoholic and pretty tasty, I wish they still made it. They later came out with “Froggy Squeezins,” a green lemon-lime drink. Besides personal appearances, you could only get these at select locations in Northeast Ohio.

Luckily, one of those locations was mere minutes away from me: DeVitis & Sons Italian Market. In fact, during our 8th grade fundraiser for a trip to Washington DC, one of my grade school’s stops was the Acme that was next to DeVitis at the time (it’s a Save-a-Lot now). Ostensibly we were supposed to be selling hots dogs and hamburgers, but I don’t remember really having all that much to do. At one point, I broke away to DeVitis, where I purchased my first bottle of Froggy Squeezins. It was pretty good, but I unfortunately never got another, and I stupidly didn’t keep the bottle. Mistake! I didn’t really like that trip to Washington, but at least I got a bottle of Froggy Squeezins out of the deal.

Turn Blue Ghoul Brew’s bottle went through a couple label variations. Originally it had a simpler label and was in a brown bottle (it looked like a beer), which was then switched to the variant you’re seeing here. (They occasionally sold old “brown bottle” variants, as collectors items, at personal appearances; I’m this sure I got one at Frightvision 2001, but if I did, I can’t find it. EDIT: Of course I found it after this article had been published!) The third label variant (that I know of) switched up the font and added a hypnotic swirl behind the Ghoul caricature.

I really wish they still made this stuff.

Hey, remember how I told you I loved the Vault of Golden Garbage segment on the show? Well, in the late-1990s, The Ghoul released a VHS tape that was nothing but the Vault of Golden Garbage! I had to have it, and as you can see, I did.

I haven’t watched this since probably 2000 and I can’t remember if it was all 1970s material or a mix of 1970s and 1980s, but I do remember it as being terrific. My only complaint? I don’t recall there being any Froggy skits included! I guess I could play it, but knowing my luck, that would be the exact moment my VCR decides to start eating tapes, despite having never shown an inclination for such things prior.

As you can see, I got this signed by the man himself at a personal appearance somewhere. I don’t remember which one, but I’m positive it wasn’t Borders or Frightvision. It might have been B-Ware Video, I know had some stuff with me to get signed, but I’m guessing this was the first night at High Point Furniture. (I take solace in the fact none of this really matters to anyone but me.)

Hey, dig this: an original program and wristband for Frightvision 2001! Yes, as proof that I always saved everything pertaining to this sort of thing (except that Froggy Squeezins bottle apparently), I still have the wristband from this show. Call it hoarder-ish if you like, but since there’s a real possibility that the number of people who still own these number in the single digits and I’m one of them, that means I win. Right?

I’m not going to go through it page-by-page, I don’t think anyone that has stayed with me this whole time (yeah, sure) will care, but I will say they had a pretty great line-up of guests that year. I wish I had taken advantage of that, but I didn’t, and now I have to live with it.

“Hiya gang! Hiya hiya hiya!”

This little (4 or 5 inches in height) Froggy doll isn’t an official Ghoul product, but rather something hailing from 1948! A whopping 70 years old! Yes, this is an original Froggy, made of rubber and fittingly manufactured in (where else?) Akron. Rempel put these out in conjunction with Smilin’ Ed McConnell’s Buster Brown Show, which is what Froggy is originally from. There were two versions of this doll that I know of: this smaller one, and a larger 9″ model. Both were made of rubber and squeaked when you squeezed them, though the squeaky feature of mine is long gone. Not that I really care about that; I just want my own Froggy to plunk his magic twanger whenever I come calling.

My brother actually bought this for himself years ago, and knowing what a Ghoul fan I am, gave it to me for Christmas sometime later. In the years since he first purchased it (it wasn’t cheap, but it wasn’t unreasonable either), these things have really gone up in price, especially if they still squeak and are in decent shape. And if you’ve got the original box, the pricey meal is on you tonight! The larger 9″ one is my new personal chaser; I could pathetically reenact Ghoul skits all by my lonesome with it if I so desired! (Minus the destruction, of course; these guys cost too much!)

This item is something I myself found in an antique store several years ago. They had gotten a load of old magazines, newspapers, and the like. Man, I cleaned up. Music mags with Springsteen on the cover, M*A*S*H final episode tributes, and the big find, this: a 1983 Scene Magazine featuring The Ghoul! This was one of those cases where you find something, and you’re so excited that you immediately become overly-protective of it, as if someone is gonna take it away from you. At least, I tend to get that way. (Is it just me?)

Oddly enough, I still haven’t read the Ghoul article in it; I’ve spent all my time finding a safe, flat place for the issue, with an eye towards getting it framed at some point in the future. Plus, with old newsprint, especially large-sized as in this case, I like to handle with the figurative kid gloves.

I have old promo cards from the WKBF days, but this artifact that popped up on eBay about two years ago is interesting enough to share here. I’ve never seen one before or since, so I had to snap it up. According to the seller, this flyer hails from the Halloween season and the gimmick was for kids to pin them to their costumes while trick-or-treating so they’d be more visible in the dark. Not a bad idea, and since it was The Ghoul, you know, it just fit with the season!

And dig that: “Courtesy of Clarkins.” Talk about a blast from Northeast Ohio’s past! I have no idea what year this flyer is from or how many times The Ghoul appeared at Clarkins (that or any other location), but the WKBF-TV notation is obvious proof it hails from somewhere in the 1970s.

And finally, a small piece of memorabilia, but one that gets more ‘use’ than anything else I’ve just shown you: a 35th anniversary Ghoul keychain, which proudly hangs with my keys. (As you’d expect of a, uh, keychain.) It’s about the size of a quarter, maybe a little larger, and man is it snazzy! (Of course, I have two of them; this one, and one still sealed brand new in its cute lil’ baggie.)

My pic makes it a little hard to see, but these were released in 2006, in conjunction with The Ghoul’s (say it with me) 35th anniversary. He was unfortunately no longer on local airwaves by that point, but nevertheless, he certainly came out with a boffo socko keepsake!

Looking Back:

The Ghoul really exemplified what I like to call “Cleveland Style Horror Hosting.” Sure, there was a general ‘spooky’ look and feel to the proceedings, but unlike many other hosts nationwide who tried to play into the vibes of their look and/or movies they were presenting, here it was all just a vehicle for wacky comedy. Not that comedy was anything new to horror hosting, it goes back to its earliest days, but just like there was a style of Polka music commonly deemed “Cleveland Style” (yes there was), around these parts there was a specific set of ingredients. Yes, there were the sets and the films presented, but underneath it all was a cacophony of (innocent) ethnic jokes, wild behavior and homemade lingo that gave our guys a specific “flavor.”

Sure, that can be leveled at other hosts outside of Ohio, but you know what? We’ve had such a preponderance of them, going back to the revolutionary Ghoulardi, that I’m calling it our own. Your mileage may vary, naturally.

Even though he’s out of Chicago, Rich Koz’s Svengoolie actually does a good job of presenting to a nationwide audience what I’m talking about. Sure, he has the look and movies down (better movies than anyone else, in fact), but comedy is the ultimate goal. It makes sense though; there’s a very real Ghoulardi/Cleveland connection with Sven. The original Svengoolie, Jerry G. Bishop, was a Cleveland disc jockey when Ghoualrdi ruled the town, and when Bishop started Svengoolie in Chicago in the early-1970s, the influence was apparent. He wasn’t a beatnik vampire, he was a hippie vampire. Instead of “Parma,” it was “Berwyn.” And so on and so forth. (I don’t mean to claim Bishop was a copy or rip-off of Ghoulardi in the least, just that Ghoulardi’s influence reached wider than the Northeast Ohio area.)

In fact, while I don’t find much of the current Svengoolie’s humor to my personal tastes, I appreciate that he keeps these ideals in play. Underneath that horrific exterior is a mostly-comedic interior. Also, the fact he keeps things relatively-light (whereas many current internet hosts go for an ‘extreme’ look and feel) recalls the “classic era” of horror hosting, of which he hails from anyway, and that I certainly like.

Anyway, The Ghoul, perhaps more than any other save for Ghoulardi, was a “Cleveland Style” host. At first glance, you’ve got this guy in an appropriately ghoulish get-up, but then you start really watching; he’s wild, he’s wacky, he’s got his own language, his own madcap style, and you realize there’s so much more to him than a “mere horror host.”

I would have loved to have grown up with him in the 1970s and 1980s, when his style of humor wasn’t only hip and dare I say subversive, but also capable of eliciting complaints from certain viewers in that more-staunch time period. When I began watching in the 1990s, no one was going to pitch a fit over blowing up a model car with a firecracker or making a gigantic mess of food as Chef Curdle.

What he instead attained was a level of, as I like to call it, “comforting mania.” It was a welcome respite from the real world, from school life, from more conventional comedy. Tuning in each week was a carnival of fireworks, wacky catchphrases, and terrible movies, and it was irresistible.

I couldn’t be there beforehand, but I’m appreciative of the years I did spend with The Ghoul. He mangled my medulla on a regular basis, and as a Ten Star General in the Ghoul Power Army, I’m grateful for that.

Now if you’ll excuse me, I’ve got some glass to scratch and walls to climb…

Vintage WVIZ TV-25 Mug

I spent this past weekend dogsitting for my brother. Since I love dogs, especially these dogs, this was no inconvenience, but my wonderful generosity meant that the typical thrift store adventures weren’t going to happen. Since my main hobby is digging through stuff people couldn’t see fit to hold onto, well, let’s just say I don’t like being taken out of my comfort-zone.

Also, my cellphone is apparently not right in the head; I discovered that the only way to charge it without it constantly resetting/freezing/angering me to the point of violence is to shut it down completely and charge it that way.

It was immediately following one such charge-session that my reawakened phone alerted me to a text from my good friend Jesse. Jesse knows that I collect broadcasting memorabilia, and helpfully keeps an eye for me, which I certainly appreciate – especially when other duties keep me from hitting up stores myself, as was the case in this particular instance.

And boy, he found me a doozy: a vintage plastic mug for Cleveland & Akron PBS affiliate WVIZ TV-25! Cool winnins! Thanks Jesse!

My eyes were immediately drawn to the logo used. Logopedia sez this style was used from 1978 all the way up to 2000, but the exact variation of it as seen here (solid color, font of the call letters, etc.), coupled with the styling of the mug itself, methinks it almost certainly has to come from, if not the late-1970s then at least the early-1980s.

An online search, both via Google and eBay, told me nothing. In fact, besides the logo info and gut feelings on my part, I really don’t know much more about this mug than what I’ve already shared. It doesn’t take a giant leap to assume it was part of an annual pledge drive, though. I mean, that slogan “I’m part of the picture,” how could that not be pledge-related? Since PBS is, you know, funded by the public, this mug was (presumably) proof that the one using it made up a piece of the fabric that was public television in the Cleveland / Akron market at the time. Or something like that.

When it comes to PBS in the Northeast Ohio, there were, and are, two choices: WVIZ of course, but also WNEO-45/WEAO-49, which serves Cleveland, Akron and Youngstown – and more? Go read about it yourself on that Wikipedia link.

Anyway, from where I’m situated, I can’t remember a time when I couldn’t pull in both affiliates. Sure, much of the programming was identical, but just like the WEWS/WAKC ABC situation here up through the mid-1990s, we got both. I didn’t really understand it growing up, but looking back, it’s sorta neat.

Of the two, I prefer WVIZ, but that’s not an opinion being swayed by this mug; it’s just the one I’m more used to, though there are points in my history where it’s been an even-split.

Still, my fondness for 25 increased my happiness with this mug, absolutely.

Like any other Northeast Ohio kid, a good portion of my formative years were spent with PBS. Sure, every kid watched Sesame Street, but for me, there was also Bob Ross, The Frugal Gourmet, and This Old House, all of which also colored my childhood. Or course, nowadays I can’t paint to save my life, asking me to cook anything but the most basic of meals is an exercise in frustration, and attempting to build anything beyond a paper airplane is just asking for a trip to the emergency room, but still, it was nice growing up with all that.

And believe it or not, it’s all running through my mind when I look at this mug, even though it’s (probably) a bit before my time and I never actually saw an example of it until this last Saturday. Go figure!