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Episode Recap: The Son of Ghoul Show “Mr. Wise Guy” (March 6, 1999)

With Son of Ghoul’s big 31st anniversary show this weekend, and indeed, his actual 31st anniversary today right now yo, what say we take a look back at a vintage episode? I always like doing these. (My wi-fi currently hates me and wants me dead, so if I blaze through this, particularly in the second-half, that’s why.)

31 years is unbelievable for any television personality, but especially so when it’s the endangered-species known as “horror host.” Ironically, 31 almost seems a little, I don’t know, anti-climatic, I guess, after the massive hype that surrounded his big 30th last year. I certainly covered it, and was even present when SOG was fittingly honored at Monsterfestmania.

I thought of a couple different topics to post in honor of his 31st continuous year on Northeast Ohio television. I could’ve covered the earliest episode I taped (The Vampire Bat, in 1997), or his 12th anniversary show, or even the episode featuring the first piece of mail I ever sent in to him. I even briefly considered an article detailing a lot of the SOG memorabilia I’ve amassed over the years. I decided against each one of those, however, for a variety of reasons: I’ll save my earliest taped episode for the 20th anniversary of the broadcast this fall, I didn’t feel like covering Frankenstein’s Daughter during his 12th anniversary, and I’m not ready to detail my cringe worthy (yet nostalgic) first letter to him. As for an article focused on SOG memorabilia, I just couldn’t muster up the moxy to drag all that stuff out for a picture-taking session.

Nope, I decided on our subject today for one very simple reason: I just plain like the movie, 1942’s Mr. Wise Guy. Heck, I just plain like the episode in general, and to me that speaks more about my Son of Ghoul fandom than any ‘special’ occurrence I could dig up. After all, this was how the show usually was (is) to me each weekend: A fun, kick-back-and-chill movie showcase.

So, join me now as I detail The Son of Ghoul Show, as aired on WAOH TV-29 in Akron and WAX TV-35 in Cleveland (“The Cat”) and taped by yours truly waaaay back on March 6, 1999…

(Also, I’ve been on a real kick for The Cat lately, even more so than usual. This comes from that late-90s sweet-spot of the channel, so I’m happy with the choice. And, if that kick keeps up, I may dig something else out from the station to cover. You keep pushing me and I just might, pal.)

I vividly recall this being a surprise episode. Y’see, SOG was on twice-a-week at that point: 8-10 PM, Fridays and Saturdays, same episode. This was handy, because you could sample on Friday, and tape-as-needed on Saturday. But, for whatever reason, he was only on Saturday that week, a fact he briefly mentions in his intro (above).

I think (think) he was preempted totally the night before due to some women’s college basketball tournament The Cat was broadcasting/simulcasting/whatevercasting. So because he was only on Saturday that week, I couldn’t risk missing a must-have episode, especially with no knowledge of what the movie would be. Because said basketball tournament was concluding that Saturday, there was no telling when SOG’s show would actually begin; I had to start the VCR recording waaaaay ahead of time, which was why I wound up with like an hour of that stupid basketball game on the tape before the episode started.

This obsessiveness proved fortuitous. That night, we were at my aunt’s house for some party I was quite probably miserable at, and I flipped to The Cat to see what episode I was capturing. When it finally started and Mr. Wise Guy was revealed, I was pleased as punch. SOG had ran this film, I don’t know, a year or so prior, and I had regretted not capturing it then. I actually liked the movie!

And I wasn’t the only one; SOG himself mentions that he likes it as well during his intro. How often did (does) that happen?!

The reason I initially liked this film so much largely had to do with what it represented: A trip back to a more innocent time in cinema. This is pure, early-1940s matinee entertainment. It’s an East Side Kids (you know, the Bowery Boys, except not) film, so there’s some light hooliganism about, but even with that, an escaped convict, a murder, a death-row sentence, and a real-life war going on, it’s all so light and breezy that it never seems too heavy. I’m hesitant to ascribe the term “innocence” to a film that contains all that, but like I said, this is matinee entertainment; it’s not exactly a weighty, socially-conscious drama.

The idea of an East Side Kids film showing up on a horror hosted program may seem odd, but as SOG states during his intro, Ghoulardi himself used to run these (and fittingly, on Saturdays!). If these were good enough for Ghoulardi, they should be good enough for any other host, too. And somehow, to me they seem to ‘fit’ just fine. Maybe that’s because I grew up with SOG showing them occasionally (still does, in fact), but looked at objectively, they still work. It’s not like a b-western, which unless it shared some horror influence or other odd quirk (Terror of Tiny Town, anyone?), just wouldn’t seem to fit. Look, I can’t really adequately explain why it works so well, it just does.

And, in a trend that continues to this day, SOG doesn’t tamper with these kinds of films; no drop-ins, no sound effects. Just the movie straight. Evidently he has some real appreciation for these flicks, and we’re all the better for it. Even when missing those elements so well-known to SOG fans, it flows perfectly.

The title of the film comes from a moniker given to (and approved by) Leo Gorcey’s character “Muggs” McGinnis (first name: Ethelbert), who is deemed so several times throughout the picture.

The simple synopsis of the plot: The East Side Kids are sent to reform school. There’s a bit more to it than that, though. Unjustly accused of stealing a truck (a truck that, unbeknownst to them, houses an escaped convict), they’re sent to a reformatory run by a kind warden, a cruel guard, and a couple of troublesome inmates that are secretly in cahoots with aforementioned cruel guard. Also on the docket: Bill Collins, older brother of cast member Bobby Jordan’s Danny Collins, is accused of murder and sentenced to death row. Eventually these plotlines unbelievably though perhaps predictably, collide. And since this is from 1942, it all ends on a relatively happy note. ‘Cept for the dude who died, anyway.

Needless to say, much of this is played for laughs. Even while incarcerated, Gorcey’s gang never seems too concerned with their situation. Even as Danny frets over his brother’s predicament back in the real world, the other guys just sort of blow it off – which admittedly does play out a little strange. I can’t imagine that being realistic even back in ’42.

Still, as a whole, the movie is entertaining. Indeed, I wasn’t sure if I’d still get a kick out of it when I sat down to convert my VHS to DVD for this review, but it greatly held my attention throughout. I was even genuinely amused by certain moments, which can’t always be said of semi-comedies of this vintage.

Look, the movie is in the public domain, so don’t just take my word for it; check it out for yourself. Since SOG didn’t add any sound effects, you’ll see it (almost) as it aired here!

(Fun Fact: Some years ago at a thrift store, I stumbled upon a 3-VHS boxset of East Side Kids films. Included were both of their Bela Lugosi collaborations, Spooks Run Wild and Ghosts on the Loose, as well as the title that really spurred the eventual purchase: Mr. Wise Guy. I never watched any of them, don’t think I even played any of the tapes, and subsequently the set became buried in my mound of crap videos. It should still be around here, somewhere, which is good, because unknown to me at the time was that the company who put it out, Passport Productions, was spawned from the ashes of Amvest Video, who we’ve seen here before. Cool winnins!)

Unfortunately, the movie isn’t perfect, and it doesn’t have much to do with plot, but rather stereotypes that were prevalent at the time. Ernest Morrison, often known as “Sunshine Sammy,” is the victim of some unfortunate racial jokes, as his character “Scruno” is the outlet for some now-wildly-inappropriate stereotyping. Look, I don’t claim to be a super-PC-advocate, but man, even I was uncomfortable with some of the gags at his expense.

That said, I am an advocate of not editing things of this nature to reflect current social attitudes. Yes, some of the jokes have aged terribly, but they reflect the time in which the film was made; you can’t rewrite history, only learn from it. And besides, the jokes are incredibly dated, but never really mean-spirited, if that counts for anything.

And with all that said, we now come to the rest of the show…

The first skit proper is actually an old bit from the WOAC TV-67 days, and I love it because it perfectly sums up SOG’s sense of humor, which very often syncs up with mine.

In a parody of the whole “carrying the Olympic torch” thing, here SOG dutifully marches with a plunger triumphantly raised, only to enter the studio bathroom and begin plunging! That’s all there is to it, and it’s great!

Truth be told, SOG doesn’t feature heavily heavily into this episode. I mean, he does, he shows up after each commercial-break, but it’s not new bit after new bit after new bit. His hosting duties, while prominent, maybe aren’t quite as prominent as they usually were, and I think that has much to do with this spot right here.

In a segment that takes up a healthy chunk of running time, SOG and guest Carl Thompson speak extensively on the Frightvision convention, coming later that month. Yes, Frightivision, the SOG-hosted horror convention; we’ve talked about it before! Here, SOG and Thompson thoroughly go over the list of guests and events coming to the show, and it goes on for around 8 minutes, which is pretty much a lifetime in horror-show-time.

That’s not a complaint on my part, though; I could not be happier this segment is present! I talked more extensively on the convention in the piece I just linked to (another SOG episode, Plan 9 From Outer Space, which aired later that same month), but Frightvision was a BIG deal. It was also my very first horror convention of any kind. Long story short: I positively loved it. I got to meet Ben “Gill Man” Chapman, Mark “Lost in Space Guy” Goddard, SOG’s own Fidge (who was great), saw Tom Savini (but didn’t meet him until the following year), and came home with some very cool loot (including a vintage SOG TV-67 promo card, which I still have to this day). All of the fanaticism that manifests itself in me for each and every Ghoulardifest began at the very first Frightvision, and for that I hold the fondest of memories.

So yes, seeing the segment that so aptly demonstrates the swirling hype surrounding Frightvision in the weeks leading up to it, that’s the sort of thing that can take me directly back in time. And movie aside, to me this is the defining moment of this particular episode.

An email segment. More (!) information on Frightvision is presented, and a spider glove that apparently belonged to Fidge is shown. Unless y’all want me to go email by email, there’s not much more I can say about it.

I would love to show the old school, wildly obsolete SOG email address, back when having an email address was still semi-innovative, but in the interest of avoiding confusion, I’ll refrain.

In the second mail segment, the reading of letters devolves into a long, drawn out explosion of fake fart noises, which has SOG and his crew dying with laughter. SOG: “Can you tell we’re so easily amused here?” Like the toilet torch earlier in the show, it’s a juvenile, and therefore riotous, moment. This is the stuff that helped cement my sense of humor, gang. You want someone to blame? Blame SOG.

Because my wi-fi is in a seemingly-perpetual state of precariousness, there were two other bits amidst all this insanity that I’m choosing to skip. One, a “Captain Kanga-Ghoul,” and the other, an on-location interview at a liquor store that happened to be one of Frightvision’s sponsors, were fun, sorta-filler bits, but frankly, I don’t have all that much to say about them. Also, I’d like to punch my wi-fi in the face.

Also, here is the point where I’d usually look at interesting (or so I think) commercials that aired during an original broadcast. I’m going to skip that feature this time around. Why? Because basically all of the ones I would have chosen were already covered in that previously-linked Plan 9 From Outer Space SOG episode recap. And the other, a goofy homegrown promo for a showing of Reefer Madness, was briefly looked at in the The Cat article I linked to way at the start of this post. I love it when I do my own work for me!

It all works out though, because I can end this article in accordance with the way this show itself ends: As the outro opens, SOG is seen jokingly patting his phony beard back into place, along with a “We’re not done yet!”

But, it’s what he says right after that that sums up not only the conclusion to this particular episode, but also the continuing 31 year odyssey his show has been on: “They say you’re not done till the show’s over! Or until you’re out of toilet paper; then you’re done!” I think I can speak on the behalf of SOG’s many fans when I say I hope SOG never runs out of toilet paper.

Boy, that sounded so much more philosophical in my head.

Happy 31st anniversary, Son of Ghoul!

(PS – I’d be remiss if I didn’t link to my legendary, groundbreaking, earth-shattering, trendsetting interview with the man himself!)

(PPS – They may not have been able to repeat this year, but man, I still love the Cleveland Cavaliers. I’ll stick with you guys win or lose! Just thought I should mention that somewhere, since the loss is naturally still on the mind of so many Northeast Ohioans right now.)

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WAOH TV-29 & WAX TV-35 – The Son Of Ghoul Show: 1951’s “The Hoodlum” (December 5, 1997)

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I cannot believe this aired 19 years ago today. I refuse to believe this aired 19 years ago today! Where has the time gone?! (I discovered this information kinda late, which will account for the relative breeziness of this article.)

Recorded by yours truly in the early weeks of his Son of Ghoul fandom, this particular episode has become a personal favorite of mine. Maybe not so much because of anything it does itself (though it’s certainly a fun outing), but more because of where it all falls in my life, when the weekend promised a constant sense of discovery. I mean, not only did I get to indulge in this show that I had only discovered a bit over a month prior, but I also got to see totally new-to-me movies such as this, which, as a young film buff, was just like candy. Add in the Christmas season and the general mood of the time in which it aired, and it’s not too hard to realize I’ve got mad nostalgia for this one. (Further fueled by the fact that my brother and I got a Nintendo 64 for Christmas that year – cool winnins!)

From December 5, 1997, off of WAOH TV-29 / WAX TV-35, here is the low-budget 1951 film noir opus, The Hoodlum, as presented on The Son of Ghoul Show. (This also would have aired December 6, as the same episode ran on both Friday and Saturday evenings at that point, though I’m reasonably sure what I recorded here was the Friday airing.)

Now, there actually is a more-personal slant to this episode, one that ties in with something I brought up in my big huge 30th anniversary tribute article this past summer. We’ll get to that in due time, however.

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I’ve been a Son of Ghoul fan since November 1, 1997, and yet, in all that time, the introductory segment for this episode may be my all-time favorite; it’s just so perfect.

Apparently they had run The Hoodlum before, and subsequently gotten complaints that their projector wasn’t centered correctly. Not so; the film was just severely cropped. To that end, during the introduction SOG drags out a piece of cardboard and draws a diagram to explain what the deal is.

According to him, the movie was originally 35mm, and much of the picture was cropped when 16mm television prints were made, which was what they had for the show. To demonstrate the differences between the two, he draws a drive-in movie (a poorly-attended one; “There’s one car there!”), gives a rough approximation of what’s now missing in the picture (the film doesn’t pan-and-scan; what’s in the center is it), and then proclaims the movie “The Oodlub,” which is pretty much the on-screen title here. He then finishes with a declaration of not caring whether viewers understand what he’s talking about or not, because he doesn’t really have to watch the movie. “They pay me to be here; what’s your excuse?”

It’s such a fitting intro, very funny but also kinda informative. To my 11-year-old self watching this back in ’97, I got a kick out of it. Still do, obviously.

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He sure wasn’t kidding, either!

“A film noir on Son of Ghoul? Say what?”

Yep! While most of the offerings on The Son of Ghoul Show are in the expected horror and science fiction genres, he does occasionally branch out. Sometimes the show will feature comedies, mysteries, or, as in this case, crime thrillers. The Hoodlum was really my first glance at his stepping outside of the usual fare. Honestly, it wasn’t quite my cup of tea back then (though, needless to say, I was still smart enough to keep this recording), though in the years since, I’ve grown to really love film noir. Nowadays, this is right up my alley!

“The Oooodlubb—“

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Elaine’s Dad Lawrence Tierney plays Vincent Lubeck, a convict and legit “bad egg.” Despite apprehensions on the part of the prison staff, an impassioned plea by Lubeck’s mother gets him paroled – and he almost immediately starts back up with the shady business.

Lubeck is an all-around scumbag; he causes his brother’s girlfriend to kill herself (after his brother has given him a job at his own gas station, mind you), but the main plot-point of the film is an armored car hold-up and Lubeck’s gathering of a crew for said hold-up. It doesn’t quite go down peacefully. Like I said, dude’s a bad egg.

Despite the extreme cropping, wasted print quality, and Son of Ghoul’s multiple declarations that the film is “trash,” I actually kinda liked it upon this latest viewing. It’s short and pretty cheap, but Tierney is terrific and the plot held my attention fairly well. The Hoodlum ain’t exactly the de facto film noir, but if you’re a fan of the genre, it’s not all that bad.

I could go on, but look, the movie is in the public domain and only like an hour, so just go watch it for yourself, okay? And, you’ll note the Internet Archive features a print with readable opening credits! Go figure!

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Funny Son of Ghoul drop-in: Near the beginning, as Lubeck is being the warned the dangers of not staying on the straight-and narrow, a quick shot of ol’ sparky had SOG superimposed sitting in it, laughing like a mad man and actually plugging it in! Notice the door that was inadvertently (?) superimposed to the far-right of the screen; gotta love local TV!

That’s enough about The Hoodlum. I just don’t have all that much to say about it, and besides, it’s time for the important stuff…

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The first skit of the night was an installment of Burn-Out The Dinosaur. For anyone questioning SOG’s sense of humor, these skits left little room for doubt: WARPED.

That’s exactly what these were, warped takes on Barney the Dinosaur, the big purple 1990s phenom that was second only to Urkel in inexplicable popularity. The premise of the skits was simple; generally, Burn-Out would manically laugh and abuse his co-host Brett. Brett filled the loving, caring, teaching role – one that wouldn’t have been out of place hanging with the actual Barney. Burn-Out was the insane half, and he came complete with a parody of Barney’s theme song, in which it’s proclaimed his mom is a streetwalker, his dad is in a bar, and Burn-Out himself makes a living by, what else, stealing cars.

In this installment, both Burn-Out and Brett are hungry for a late night snack, which leads Burn-Out to ask Brett if he knows what his favorite sandwich is. Why, it’s a knuckle sandwich, of course! The entire skit is basically an excuse for this little dinosaur puppet to pummel a grown man, even after Brett forgives him (because “forgiveness is an important part of life”). High art it ain’t, but then, it wasn’t supposed to be. Silly, funny stuff!

(Full disclosure: I still kinda like Urkel.)

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Mail time!

When I started writing to SOG (I believe my first letter was read on-air shortly into the new year), these were the segments I anticipated most, for obvious reasons. The man himself, reading correspondence from me, on the air?! What could be better?

I had no such correspondence in the mail for this episode, but that doesn’t mean segment isn’t fun. Among the entries read on-air, SOG got a package from The Beatnik Termites band, and a letter from someone in Florida that was somehow seeing the show, a comment which lead to the first of several jabs at the station’s power signal – apparently it was coming in pretty weak in some areas of Northeast Ohio.

BUT, it’s the third letter read that I find the most interest in. It’s basically a fan letter, telling SOG how much they love watching him, but the question of how they can find out where SOG is appearing in-person (answer: “WATCH THE SHOW!!!!”) leads to the announcement of his double-feature matinee at the Highland Theatre (more on that in a bit), as well as…

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The personal slant I mentioned earlier!

Yep, a week from that Sunday, SOG himself was there in-person at JC Comics & Cards! I was there! It was my first time meeting him! I. WAS. THERE. MAN.

JC was a big sponsor of The Son of Ghoul Show at the time, and his commercials were often seen during breaks (we’ll see one in just a bit here, actually). I was well familiar with the establishment already; it was nearby, I loved it, so yeah, I pretty much had to be there on December 14th!

Look, I went into further detail about this visit during the previously-linked 30th anniversary article, and I don’t really want to rehash it all over. Just go to the 30th anniversary post. I even have some photos from the event there! SOG was just the greatest at JCs, and indeed, I even talked about this personal appearance in the first letter I sent to him! See, this all connects, somehow!

(JC Comics & Cards is still at that exact spot; you should go there, because the place is awesome.)

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Mr. Banjo was up next. Another long-running skit, the premise was supposed to be the titular character (a hillbilly stereotype, basically) presenting old novelty clips. Technically, he did just that. But, what these bits always ended up as was Mr. Banjo constantly yelling (and often threatening) his green-screened dog “Boner,” who would bark incessantly. Trust me, it was hilarious, and even today when SOG runs one of these oldies, they’re crowd pleasers.

This installment doesn’t stray too far from the norm, though a clip of dogs running on spinning wheels provides yet another shot at the station’s power signal (that’s how it’s powered, y’see).

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Son of Ghoul-Zilla, a claymation bit in which a gigantic SOG rises from the sea and wrecks a city. Obviously a take on Japanese giant monster movies, with the cheesy special effects to match. This has been a popular short over the years; it gets regular airtime even nowadays.

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An event that was being pitched all night. That coming Sunday, December 7, SOG was appearing at the Highland Theatre for a double-feature matinee. For only $3, you got to see two full-length feature films, though they weren’t exactly Spielberg: 1996’s Dead of Night and 1997’s A Woman Scorned 2 were the features that weekend. As SOG claims later in the show, they’re hard-R flicks, which explains the whole under-18-you-need-a-parent disclaimer spouted several times throughout the broadcast.

I’m pretty sure I saw Space Jam at the Highland, though I don’t think I’ve been back since.

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With Christmas right around the corner, SOG was of course pitching his official t-shirt; at the time of airing, if you wanted one (or more) to get there in time for the big day, you had two weeks left. Afterwards, they were “discontinuing them,” at least for the time being. SOG has an especially-winning line here about getting them for “your offspring, or your fat hubby. Who could resist one of these after a pitch like that?!

It makes sense to promote these during the holidays, but what I find particularly interesting is the apparently limited nature of them at the time. T-shirts are big business for SOG nowadays, but back then, you had to act fast. According to the segment, they were only available in the large and extra large sizes, and again, they were touted as being discontinued for a time after the two weeks were up. Near as I can remember, that never quite came to pass, not for a lengthy period at least, but it’s interesting to look back on.

And no, that info in the screencap above isn’t still valid.

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The show finishes with the reiterating of the upcoming personal appearances, and then SOG busts wild moves as the end credits roll, which is really pretty awesome.

Ignoring that whole personal slant thing, it may be hard for some readers to understand why I’m so fond of this episode. After all, it’s solid, but more or less just a regular entry. And, the movie featured won’t raise many eyebrows. But, I think because it’s such a good, solid episode is the reason I’ve grown so fond of it. It’s a great example of how The Son of Ghoul Show was formatted at the time, and for me, so early on in my fandom, when I couldn’t wait to discover more of this stuff each weekend, this recording takes me right back. It’s December 1997, I’m 11-years-old, sitting on the couch, watching Son of Ghoul and anticipating Christmas all over again. A powerful blast of nostalgia this one is, for sure.

Plus, the movie wasn’t too bad, either.


And that brings us to the customary commercials section of the post. As usual, I like to recap some of the more interesting ads that aired during a respective broadcast. In this case, there’s a lot here that further fuels the whole nostalgia trip I’m currently on. Considering SOG is commercial-free nowadays, it’s a bit surprising to look back at a time when his show was pretty jam-packed with advertising.

Anyway, I’m not going to look at a ton of the ads from this broadcast, but I do have a few…

Quaker Square Christmas Village Ad

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Saaay, wasn’t I just at Quaker Square? I sure was!

Quaker Square Christmas ads were all over this airing. Mostly, their animatronic Christmas village was spotlighted, though time was also given to showcase the Square as the ideal holiday destination station, with places to shop, eat, etc. So, yeah.

I want to say I visited the Christmas showcase around that time. I was somewhere with animated mannequins (or whatever), though I can no longer recall if it was Quaker Square or not. Still, the local Akron Christmassy-ness of this ad hits home for me, so even if I wasn’t there exactly, it still rates pretty high on the nostalgia meter.

Princess Diana Commemorative Stamps Ad

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With Princess Diana’s death only a few months before, people were obviously still reeling. To that end, what better gift to celebrate her life than a commemorative stamp set and medallion for only $20? Because that’s exactly what this ad was for. Not exactly a solid fit for Son of Ghoul’s comedy, but hey, a sponsor is a sponsor.

This is the kind of collectible that was made to be collectible, and thus it’s probably worth like negative 32 cents nowadays. Or not, I don’t know. I certainly remember the (understandable) media frenzy surrounding her death, and while I don’t know this for sure, I’d imagine there were probably much less classy attempts to commemorate her than this. So, if you had a Diana fan on your Christmas list, I guess this wouldn’t have been a bad choice.

WAOH TV-29 / WAX TV-35 Happy Holidays Bumper

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One thing I always liked about WAOH / WAX (“The Cat”) was that the station had a strong local flavor. Obviously that was to be expected with them being a local independent station, after all. But, watching The Cat, it just felt like Akron; there weren’t many (any?) other stations at the time, or now, that I can say that about. It’s a thought that makes me miss the late-1990s and early-2000s Cat all the more.

In that local vein was this quick, simple “Happy Holidays” bumper, in which a voiceover wishes the viewer just that, while a stereotypical Christmas scene of Santa in a train resides in the background. I don’t know what it is about this exactly, but it just seems so right, so Christmas 1997 in Northeast Ohio.

WAOH TV-29 / WAX TV-35 WWF Shotgun Promo

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Professional wrestling was big, big business in the late-1990s, and while I can’t claim to have ever really been on that train (though I liked Hulk Hogan when I was younger – but then, who didn’t?), I certainly remember the massive hype surrounding all things wrestling at the time. Heck, for quite awhile, ECW actually followed Son of Ghoul on, I think, Saturday nights.

So anyway, The Cat managed to get the syndicated WWF Shotgun program on their roster, airing twice a week in an “okay” Tuesday night time slot, and a “screw that” Saturday afternoon time slot. Aside from Shotgun being ostensibly edgier than ‘normal’ WWF, I can’t say a whole lot about it, since, you know, I never watched wrestling. Nevertheless, this edginess is demonstrated via a promo featuring a lot of herky-jerky scenes and punctuated with effects not unlike those of a VCR fast-forwarding. Edgy.

So, The Cat had some WWF (back when it was the WWF) in 1997, and that’s something to be celebrated, right?

JC Comics & Cards Christmas Ad

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See, told ya we’d see JC Comics & Cards again!

There were several JC ads seen on The Cat, and SOG specifically, over the years. Near as I can tell, this one is the earliest, or at least the earliest I captured. In it, set to the tune of squirrels singing something Christmas-related, a Santa runs around the store, playing with toys, picking out shirts, and other “this is where Santa goes for his gifts” imagery.

Above left: Santa plays with a Millennium Falcon toy, which is fitting, because JCs was the place to go for Star Wars toys in the late-1990s, especially the vintage ones. To an 11-year-old, it was mind-blowing seeing that amount of old, rare Star Wars stuff all in one place. And his box of $3 loose vintage SW figures? I was all over that whenever I went in.

He still has tons of great rare comics, imports, collectibles, and so on. I wasn’t kidding earlier; if you’re anywhere nearby, you owe it to yourself to check JCs out.


Alright, enough.

As I mentioned during my intro to this post, this article is breezier than usual. I had been mulling over a post on this broadcast for awhile anyway, and when I deduced the original air date and realized the 19th anniversary was right around the corner, I just didn’t have a ton of free time to put it together. So, I apologize if this feels like a dash-off. It certainly wasn’t intended to be. It was either that or wait until the 20th anniversary. ‘Course, I didn’t have to post on the actual anniversary date, but that’s something I like to do whenever possible.

Still, I think you can get a pretty good taste of what made up my Friday (and Saturday!) nights at the time. Even though I taped countless episodes (which I still have), and even though Son of Ghoul is still on-the-air, I don’t know, there’s just something about going back in time and reliving when I was first being introduced to all of this. And when it comes to momentarily regaining that feeling, this episode is one of my favorites. For yours truly, it hits all the right bases; boy am I glad I had the foresight to record all this stuff back in the day!

Monsterfestmania 2016!

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This past weekend, July 29 & 30, 2016, marked the first Monsterfestmania convention, with hopefully many more to come. Held at Quaker Square in downtown Akron, this was practically a hop, skip and jump away from me. I mean, if I was feeling particularly adventurous, I could have walked there, had the mood struck me. I didn’t go that far, but I did make it to the show for both days.

“Oh boy, a big ol’ convention recap post! I love these!”

I naively believe everyone is saying those exact words right at this very moment. And indeed, there’s a precedence for these here at the blog; we’ve visited the annual Ghoulardifest convention not once, not twice, but three times at this point, and yes, there’s plans for a fourth one come October.

This post, however, is not just another Ghoulardifest recap under a different name. Oh sure, there are the pictures with celebrities, and I got some cool loot I’ll show off with so much bravado, but this time around, it was all accompanied by a level of nervousness on my part that, quite frankly, is unprecedented. I don’t really get nervous in anticipation of meeting big-time famous people and whatnot anymore, but I sure did this time.

Why’s that? Because this time, I was actually a part of the show.

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Yep, I was a panel presenter! That’s me to the far-left above, doing my thing in my best Sonny Crockett jacket and stubble. Hey, if I’m gonna be in front of people, I’m gonna look like I just rolled off the set of Miami Vice, by golly!

But why get nervous? I don’t really have a problem with being in front of large groups of people; on the contrary, I relish it. No, any anxiety on my part was due solely to the fact that, frankly, I had just never done anything like this before. This was an entirely new experience for me. And furthermore, at any other convention, I skip the panels; I prefer to meet celebrities face-to-face, and besides, I’m usually too busy blowing my frighteningly limited funds on things I probably don’t need. So, I had descriptive accounts of what would take place, but I had no first-hand knowledge of how all this would play out.

Also, even though I don’t mind being in front of a crowd, I was concerned about what I would say. I’ve seen enough thousand-year-old broadcasts to know that stumbling over words, or worse yet, falling into silence, can be the kiss of death for this sort of thing. There’s no better way to look like a total amateur and lose a crowd right quick. Now, I did have notes with me as a guide, and in most cases I had enough knowledge about the subjects to where I didn’t really need them. Still, with this being my first foray into the world of panels, I neither wanted to appear too unprepared, nor appear too cocky.

Everyone I talked to told me I was just fine, and I was generally pretty happy with my performance (which is actually a telling statement, since I tend to be my own worst critic), though my sense of humor didn’t really fly with the audience (more on that in due time). If I am fortunate enough to be asked back next year, now that I’ve got a little experience under my belt, I feel I’d do even better.

You know what’s really cool about being asked to introduce the panels? It’s basically all because of this blog. Okay, I’ve known two of the guys behind the show itself for years (we’ll see them in a bit) via Time Traveler Records, but it took more than just acquaintances to be invited to do something like this. My high-level of interest in Northeast Ohio horror movie hosts, and my ability to babble about them online, has paid off yet again!

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Hey, dig this: I made the official website! Cool winnins! Stuff like this makes me feel like a big man. I sure hoped I lived up to the promises made in that first paragraph! I did a short intro and outro to each panel, but they really sort of ran themselves; these were all pros I was dealing with here, so there wasn’t much actual ‘moderation’ needed on my part, aside from making sure one panel ended in time for the following panel to begin.

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We’ll get to the panel aspects in just a moment, but for now, first things first: Monsterfestmania as a whole.

You know, I don’t think I’ve been to Quaker Square since, man, probably 2000. That was the last time the Frightvision convention was held there. I had my memories of the place, but I had forgotten just how nice it is inside. Lots and lots of room for vendors, and the two “side rooms” were big enough to fit plenty of people, but not so large that people in the back would be lost. (One room was used for panels, the other for screening films.)

The above picture (as well as the next two) was taken early on the first day, and right from the start, it was obvious a LOT of people had gotten tables. There was stuff for sale as far as the eye could see! And of course, there were the celebrity tables, too; look close and you’ll see Felix “Cousin Itt” Silla (we’ll see more of him in a bit) was captured in the shot above! This was by accident, but it was a happy accident; Felix is a cool guy!

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Another shot of the main convention area, obviously. This was to the far-left when viewed coming from the main entrance. To the left of the picture you can see Dale Kay, and towards the right, internet horror hosts Tarr & Fether. Jungle Bob, with his back unknowingly to the camera, is in the middle. We’ll see more of all of them in a bit, too.

Odd side note: approximately three people are going to get this reference, but the carpeting absolutely reminds me of the floor in the last section of Double Dragon II. Look here if you don’t believe me. I kept looking around for a Big Boss Willy to pummel, but he never showed.

My mind works in really, really weird ways, doesn’t it?

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A shot more towards the back, in the middle of the main space. CW was the sponsor for the show, and not only were they running a swanky commercial for it in the weeks leading up to the big day(s), but they also had displays for CW programming (Supergirl, above) and a cool spinny wheel that yielded sweet, sweet free prizes. My brother, who was also helping out both days, won a copy of Goosebumps on DVD/Blu-ray the first day and a pack of King of Queens playing cards the second. Not realizing I was eligible, I only spun on the second day. I got a see-through tote bag.

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So anyway, my panel presentations. That’s where I spent about 75% of my time at Monsterfestmania. And you know, the fact that I got to hobnob with some genuinely big names in the field in such a ‘close’ way, it still blows my mind. Sure, I already knew Mike & Jan Olszewski, Jungle Bob and Keven “Son of Ghoul” Scarpino, but I had never interacted with them like this. It’s a great honor to be up in front of a crowd with people like that. Just like the official website announcement, it makes me feel like a big man.

Above is the first panel of the first day, and my first panel of any kind in any sort of capacity. And it featured big-time author and horror host-expert Michael Monahan! What a way to start!

When it comes to horror hosts, Monahan is basically the final word on the subject; he’s a legitimate font of information on the genre. Ever read the American Scary book, or see the American Scary documentary? Then you’re familiar with Michael Monahan’s expertise. Indeed, I *love* my copy of American Scary; if it’s not the end-all, be-all of horror host books, it’s certainly in the running. Don’t have it? Pick up a copy today!

(Michael Monahan is a prolific author, and he’s certainly written more than just that – check his work out on Amazon!)

Monahan’s panel consisted of his relating the early years of horror hosting, how it came to be a ‘thing,’ and how it played out over the decades. It was a fascinating talk, and about mid-way through the presentation, he brought out David Ivey, who did artwork and cartoons for The Ghoul Show back in the day – how cool is that?! Ivey related stories of working on the show, which were also fascinating.

(Above, Michael Monahan is the one seated on the right, David Ivey standing on the left.)

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Next up: Jungle Bob’s animal show! Jung! My buddy!

It’s funny; I basically grew up watching Jungle Bob present animals on The Ghoul Show, and then later The Son of Ghoul Show, but I had never actually seen him “in action,” putting on one of his animal presentations. Man, he has it down. I mean, he’s been doing this sort of thing for nearly 30 years, so of course he does. It goes without saying that his animal shows are immensely entertaining; really, they’re a lot of fun. If you’ve been looking for a special guest for that birthday party, JB is a great choice! (Check out his official website here. Buy his terrific book while you’re at it.)

There were a lot of kids in attendance for JB’s show, and boy, is he great with them. I guess you don’t do this sort of thing for 30 years without being good with kids though, huh? He kept them engaged, he was funny, he was informative, he told stories. In short, vintage classic Jungle Bob.

These panels only had about 50 minute allotments, give or take, so JB didn’t have time for a ton of animals, but he did bring a couple cockroaches (including one that hissed), a ball python, and my favorite, a young alligator snapping turtle that kept his mouth menacingly open most of the time. Good stuff!

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My last panel of the first day was “Horror Hosts Reborn,” with Dale Kay of Eerie House (formerly of Kreepy Kastle) heading up a group of online hosts, discussing what opportunities, detriments, and so on that the internet brings the genre. That’s Kay to the far right. Next to him are hosts Tarr & Fether, Fritz the Nite Owl and his producer, and at the end, Mike Mace of The Weirdness Really Bad Movie. The other host of Weirdness, Dave Binkley, was actually at the other end of the table, next to Kay. You saw him earlier in that other shot I used from this panel, and you’ll see him again in a bit, but it looks like I goofed and accidentally cut him out of this shot. I’m sorry Dave!

It was a pretty neat discussion, and since this was the last panel of the day, I let it run well beyond the allotted 50 minutes – it had gained so much momentum by that point that cutting in and ending it would have been incredibly awkward, and besides, I was into it. Internet hosts don’t always get the props they deserve, but there’s a lot that goes into those shows; it was nice to hear all about them from the people that regularly make them happen.

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The next day. You’ll notice I am now wearing my official Monsterfestmania shirt under my Sonny Crockett jacket. Update your diaries accordingly.

Mike Olszewski kicked off the day with a talk on the early days of local television, which, if you’re familiar with him, you know he’s pretty much the authority on the subject, and the stories he tells are nothing short of enthralling. That’s not an exaggeration on my part, either; if you have an interest in this sort of thing, you owe it to yourself to pick up something, anything, written by him.

Mike spent nearly as much time in the panel room as I did Saturday. There were four panels that day, and he was there for four of them. For this first one, his wife Jan (who is also just the greatest) did a funny bit where she stood in the crowd and said she’d only interject to correct Mike!

Speaking of humor, yeah, my jokes didn’t really fly with the crowd. Not that I went up there and did stand-up or anything, but I did want to keep things light, you know? For this panel, I mentioned the two books Mike & Jan wrote (Cleveland TV Tales, volumes 1 & 2), and quickly noted that a piece of my Superhost interview was included in the second book. According to me, I said this “puts it up there with Tom Sawyer as the greatest literary work of mankind” or something along those lines. It got like one laugh – from my brother.

The day prior, as I was introducing Michael Monahan, I briefly stated who I was and why I was up there, and when talking about the blog here, I said something like “Google me, check me out, and you’ll come away feeling better about your life!” Yeah, zero reaction. Okay, the crowd ain’t gonna get my humor, gotcha!

(I wasn’t really embarrassed by my failure to elicit Johnny Carson-style laughs during my intros; if anything, *I* found it really, really funny! Though, my planned rip-off of Carnac for next year, should I be invited back, is now effectively nixed.)

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Next up: The Ghoulardi Tribute panel, with Michael Monahan, Son of Ghoul, Mike Olszewski, and comics legend Tony Isabella. I wish I actually had a working knowledge of comic books so that I could have had a conversation with Tony, but aside from liking Batman and Superman, I, uh, don’t.

It was a fun panel, talking about the influence Ghoulardi had on anything and everything ever. Much of it was familiar to me already, but hearing it from the authorities on the subject, that’s awesome.

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And so, that brought me to the panel I was perhaps most nervous about: The Addams Family presentation, hosted by Ivonna Cadaver (of Youtoo America’s Macabre Theater). You see, I had more than a passing knowledge on everything up to this point, and while I was familiar with Ivonna and her show, my knowledge on The Addams Family is relatively lacking. No knock on the show whatsoever, but I was always, uh, sorta in the Grampa camp.

I needn’t have worried; as I had discovered already, these panels basically run themselves. Those are pros up there onstage, after all. And boy, this one was a LOT of fun, not only because of who was involved, but because this time around, I was really learning things I hadn’t known prior.

And listen to this power line-up: Ivonna Cadaver herself, leading a discussion with Lisa Loring (“Wednesday Addams”) and Felix Silla (“Cousin Itt”). It was funny, entertaining, informative, just a fantastic presentation all around. This one ran a bit shorter than the others, but you know what? The pacing turned out to be perfect. They covered a lot of ground and even got to audience questions, and it never felt rushed or forced or anything other than natural reminiscing. It was great.

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One thing about Monsterfestmania that was heavily promoted in the lead-up to the actual show was Son of Ghoul’s 30th anniversary. Certainly you’ll recall my contribution to the celebration back in June. Well, much of Monsterfestmania was focused on that. Indeed, the fourth panel on the last day (and the last real panel; there was a costume contest held in the room afterwards, but that, needless to say, wasn’t quite the same thing) was a “grand finale” of sorts, focusing entirely on Son of Ghoul’s 30 continuous years as a horror host.

This panel was, man, it was just perfect. It was a wonderful summation of just why SOG is so beloved by Northeast Ohioans. And, if it turns out to be the last real “30th anniversary bang,” what a terrific capper it was. Headed up by Michael Monahan (who told a few jokes as he kicked the panel off following my intro – of course everyone laughed at him) and Mike Olszewski, with the man himself as guest of honor, it was just a wonderful 1+ hour presentation.

For the most part, it didn’t stray too far from the format of the other panels: some video clips, a discussion on SOG’s achievement, some reminiscing, even some great stories about Fidge. It was all very entertaining and a worthy tribute to SOG.

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But, it was the ‘climax’ of the panel that just put it over the top, taking it from great and putting it solidly into unforgettable territory. Michael Savene, one of the guys behind Monsterfestmania as a whole, joined the panel and, along with Monahan and Olszewski, presented SOG with some truly remarkable gifts: 1) A letter of congratulations, on White House stationary, signed by the President. 2) A letter from Senator Sherrod Brown. 3) A proclamation from Akron Mayor Daniel Horrigan proclaiming June 30, 2016 “Son of Ghoul Day.” 4) A classy lifetime achievement plaque from Monsterfestmania. How great is that?!

I think SOG was genuinely touched to be honored in such a way. How could someone not be? It was just a fantastic, momentous, once-in-a-lifetime event, perfectly commemorating a 30-years-and-counting run that, in all likelihood, will never be equaled – or topped. And to be a part of this tribute in some way, it’s something I am extremely proud of. Even if I had done nothing else this past weekend, this moment alone was worth any anxiety on my part.

(The panel culminated in a special SOG 30th cake, which I stupidly didn’t think to get a picture of.)


So, that was basically how my weekend was spent, hobnobbing with people that actually know what they’re talking about. Truth be told, I didn’t have a whole lot of time to spend on the floor, for the most part. I made some rounds before the doors opened on Friday, and for a bit after my last panel that night, and a few points in-between. But, I didn’t really get to go around, meet people, and take pictures with the ‘lebrities until after my last panel on Saturday. Who’d I meet? Read on!

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This picture was taken Friday night, a decision that proved to be extremely fortunate. I’ll explain further when I get to the “my stuff” section of this post.

I met Fritz the Nite Owl! When the guests were being announced for Monsterfestmania, this was one of the major draws for me. Longtime readers (or at least longer time readers) will recall I’ve talked about Fritz a bit before here (more on that momentarily). Even though I didn’t grow up watching him (he hails from the Columbus, Ohio market, and I, uh, don’t), I’ve loved everything I’ve seen regarding him. He’s a legitimate horror hosting legend, so if nothing else, I was going to meet him!

And boy oh boy, he was just great! Extremely giving with his time, free with signing autographs, and he told absolutely wonderful stories. Not just quick brush-off stories, either; nope, these were detailed, entertaining stories. And he was the nicest guy during all of it.

As if I couldn’t be any more impressed by him, something he did that I thought was ridiculously cool was his showing up to panels, and then just sitting in the audience, taking it all in. Even though he would eventually be pointed out (and given a round of applause – deservedly so), he wasn’t there for that; he was there to see the presentations. Fritz was just the coolest.

He’s still going, too. Check out his official website for more details!

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Also taken Friday night, here I am with the Weirdness Really Bad Movie guys: Dave Binkley on the left, Mike Mace on the right. Really great, super friendly guys. Their talks during the “Horror Hosts Reborn” panel were beyond enlightening.

My doing the panel presentations wasn’t a new development; Michael Savene came to me about a year and a half ago, asking me if I’d like to be involved with the show. Of course I instantly said yes. I had plenty of time to prepare, at least mentally, for that. However, something I was asked to do the first day came out of the blue: make announcements for the charity auctions, panels and movie showings over the loudspeaker. I had no problem with that, but just like the panel presentations, this was all entirely new to me. Mike Mace gave me some pointers, showed me how to use the most ear-grabbing techniques, excellent things to know. Mike’s a good egg.

Check out the official Weirdness Really Bad Movie website here.

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Jungle Bob was only there the first day, and in a stunningly goofballed oversight on my part, I neglected to get a picture with him. I mean, sure, I’ve got pictures of myself hangin’ with JB before, but this was Monsterfestmania #1! And I messed up!

So, to make up for that blunder, here’s a zoomed, cropped, overly- blurry shot of the man himself holding a really angry snapping turtle. It was a young alligator snapper, and boy did it act like it!

If you ever have the chance to talk, I mean really talk with JB, he has some absolutely fantastic stories of his years in the business. I won’t divulge his Rock Hall tale here, that’s his turf, but it’s just great. JB is, without a doubt, “the dude.”

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The Yess Man!

Jesse Vance was/is not only one of the masterminds behind Monsterfestmania, but also a very good friend of mine. Popularly known as “The Yess Man” (he’s got the juice), Jesse is largely to thank for this this post and this post, as well as tons of great material that hasn’t even been hinted at on this blog yet. Seriously, he’s always helping me out with the cool winnins, and even if he didn’t, he’d still be one of the best friends I’ve got. One of the funniest, coolest guys I’ve ever known. He was also a huge help to me in the time leading up to the show, and even during the show itself. Thanks, Yess Man!

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Look who I did done runned into! My buddy Steve from high school!

Let me be frank, there’s really only a handful of people I’d care to run into from high school, and make no mistake, Steve is one of them. He was one of the coolest guys then, and he’s one of the coolest guys now. Even back then, we could sit and discuss movies, especially horror & sci-fi movies, for great lengths of time. Also, I refuse to believe anyone knows more about Batman than Steve. Dude’s even got a legit Adam West Batman costume!

I won’t divulge too much, but chances are we’ll be seeing Steve again on the blog; we’ve already come up with some great ideas for post-collaboratin’!

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I wonder if it was deflating for Son of Ghoul to get a letter from the president and a plaque and a big ol’ cake, and then almost immediately afterwards have to take pictures like this with me?

I had a lot of fun and some great conversations with SOG both days. Because of my white jacket, and because he knows me, he liked to shout “Waiter! Water!” whenever I walked by. I got a kick out of it, and eventually I decided it would be pretty funny if I actually brought him some water. I had this big long comedy routine worked out in my head for when I did, too. When I gave him the cup though, he seemed a little confused and admitted he “was just joking!” That, of course, kind of put an end to any ostensibly-hilarious bit I had planned before it even got started.

My sense of humor was really batting zippo with the masses…

(Remember that time I interviewed SOG? It happened, and it was earth-shattering.)

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Hanging with the guys from the last panel of the first day on, uh, the last day. On the left: internet hosts Tarr & Fether. On the right: Dale Kay. In the middle: my really cool official Monsterfestmania t-shirt. (They let us keep ’em, too!)

Had some great talks with Dale; when all was said and done, panel-wise, we chatted a bit outside on Saturday (finally had time to get some food!). I admit it took me a second to recognize him without the hat (I was pretty beat by that point, y’see). Dale mentioned the old Ghoul skit where a stuffed Gamera was sent zooming across the studio – anyone who loves that bit as much as I do is automatically my friend.

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On the left, Michael Monahan. On the right, Dave Ivey. It was awesome meeting Dave; so much of his work was familiar to me, except I didn’t know it was his. A great artist and a great guy.

Had some terrific conversations with Michael Monahan. We both agreed Dr. Paul Bearer was one of the absolute greats, and we discussed our obtaining of various horror host material. I even showed him the clip of Renfield on my phone; it was a new one on him, so the mystery of the show continues – if it’s unfamiliar to Michael Monahan, it must be mega-obscure!

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I met Ivonna Cadaver!

Ivonna Cadaver hosts Macabre Theater on Youtoo America every Saturday night at 10 PM. It’s tough for any host to make it on local TV, never mind national TV, and to be doing it since 2002? That’s beyond impressive. I told her myself how awesome an achievement it was to make it on national TV, too.

And boy, she was just absolutely the nicest. She even told me a couple of times how well I did presenting her panel. She even stopped in to watch the SOG 30th presentation from the audience, completely unannounced, just taking it all in. I think that’s such a cool thing for a fellow host to do. I’m extremely glad I had a chance to talk with her and get a photo.

I met Ivonna Cadaver!

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Hangin’ with my Facebook pal, Dr. Dark aka Justin Thomas Ord! Great, great guy – very friendly and a lot of fun to talk to. He was there the first day, and I was looking for him – but being out of costume, I completely missed him! That was obviously rectified the second day, and I’m glad it was; I would have been bummed otherwise.

Also, is it just me or does his costume recall The Shroud? That alone makes him “the man!”

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I had, had, to get a picture with, I’m convinced, two of the nicest people in the whole wide world: Mike & Jan Olszewski! Who’s that curly-headed guy? That’s my brother Luke! No, I don’t think we look alike, but tis true nevertheless. Also, that’s a lot of Monsterfestmania shirts in one picture.

Mike paid me a wildly high compliment early on the first day: he told me I was like a 60-year-old in the body of a 20-year-old, because of what I generally write about. Could’ve knocked me over with a feather!

The reason I found that especially complimentary? Doing what I do, and being as old (or young) as I am, I’ve naturally run into some people that, right off the bat, don’t take me seriously, or worse yet, don’t think I actually know what I’m talking about. I’m generally an easygoing guy, but that mindset can and does irritate me really, really fast, because it’s based on a preconceived notion without any evidence on their part to back it up. So, to hear such a compliment from someone that knows more about TV than, well, pretty much anyone, it’s both insanely flattering and a kind of validation.

Mike & Jan really are just wonderful. Y’all should go and buy both volumes of their Cleveland TV Tales, if you haven’t done so yet. I’m not just saying that because I’m so fond of the authors, either; these are genuine must-reads! Plus, if you think about it, the bits from my Superhost interview in Volume 2 really do elevate the book to Tom Sawyer-status, whether the audience recognizes it or not. [Insert winky emoticon here.]

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And finally, things wouldn’t be complete without a picture of myself with fearless leader, Michael Savene! Michael is one of the main-brains behind not only Monsterfestmania but also Akron Comicon, and make no mistake, he and the other folks behind these shows know how to run a convention. They did a phenomenal job; the first-ever Monsterfestmania was a total blast. I can’t thank him enough for allowing me to be a part of all this!

Also, eagle-eyes will notice we were photobombed by The Yess Man!


Just for fun:

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The Yess Man and I messing around with some zombie-thing. I’m not sure why, but I was pretty tired and probably fairly slap-happy by that point. Looks like we’re helping him get up off the ground or something.

More just for fun:

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Son of Ghoul at his most Batman-ish. It looks like he just rolled in off the set of Batman Returns. I’m not sure why my mind heads towards Batman Returns and not, say, the ’89 Batman, but whatever. In his hand, SOG holds a plastic cup of punch. I capture all of the special little moments in life, don’t I?

Last just for fun:

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A wildly blurry and off-center photo of me with Fritz the Nite Owl. I’m not sure why my brother snapped this, but to tell you the truth, I kinda like it. It’s avant garde or artsy or something like that.


I usually wrap these convention recap posts up with a look at my loot, my booty, my haul. That is, the cool stuff I picked up at the show. I actually didn’t buy much there, mainly because I didn’t have a whole lot of time. Well, that’s not quite true; I didn’t buy anything. That doesn’t mean I didn’t come home with some cool stuff though. Besides the everlastingly-awesome convention t-shirt, check these goods out…

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Because I used my bean and got a picture with Fritz at the end of the first night, that meant I had time to get an 8×10 glossy of the occurrence printed out and subsequently signed the next day! A pic with Fritz and his autograph? It doesn’t get much cooler than that! Also, a post, the one I alluded to earlier, featured an image from his run on WBNS TV-10, spotlighting Taxi and his Double Chiller Nite Owl Theater program. I’ve got several Fritz promos, but this was the only one specifically horror-related. So, I figured why not get a glossy print-out of that sceencap, too. Fritz was gracious enough to sign it as well (and he told me quite a bit about some of his other station duties around that time period).

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In the same arena, a couple of SOG screencaps from promos I’ve found, printed out as glossies and graciously signed by the man himself. The one on top is a clip from his 7th anniversary special promo (WOAC TV-67, 1993), and the one below is a shot from his 2015 promo announcing his timeslot change (as far as I know, this is the newest promo he has). We actually saw that one here before, when I was trying to spread the word of the change.

I like getting these sorts of things signed because, frankly, I’ve already got much of the ‘normal’ stuff; I like to have something unique added to my collection, something not everyone else has. Methinks these fit the bill.

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Last but certainly not least: a Son of Ghoul commemorative 30th anniversary Monsterfestmania mug! Still new in the plastic! This was a complimentary gift, given to me when I got my t-shirt before the doors opened on the first day. (My brother got a mug and shirt to call his own as well.) I THIS LOVE MUG. It’s an exclusive thing, celebrating both SOG’s 30th and the convention I was proud to be a part of. It will probably stay new in the plastic, because if I were ever to try using it, I know I’d be freaking out over it, worried I’d break it or chip it or what have you.

I LOVE THIS MUG!


I do believe that about wraps this recap up. I had a fantastic two days at Monsterfestmania #1. Not only was it a learning experience, but it was a fun learning experience. I met some great people, got some awesome pictures, brought home some cool memorabilia, and helped get my silly little blog out there a bit more (some guy even asked me for my card; never thinking anyone would care enough to want a card, I instead wrote down the web address on a sad piece of notepad paper).

My sincerest thanks again to Michael Savene, Jesse Vance and everyone else that helped make this happen. It was and is a honor and pleasure to be a part of the show, and should you want me back for the next one, hey, I’m there!

(Here is the official Monsterfestmania website. Check it out, and if you didn’t make it to the show this year, try to come out next year!)

Son of Ghoul 30th Anniversary Tribute!

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That screenshot above was taken nearly five years ago, during Son of Ghoul’s 25th anniversary special. (Has it really been five years? I refuse to believe five years passed that quickly!) A momentous occasion for sure, and a marvelously entertaining episode to boot. Interviews with past crew members, historic clips and bits, and an honest-to-goodness movie (The Most Dangerous Game), it was a fantastic show that stayed on my DVR for, no joke, around 6 or 7 months. It was like the perfect summation of what made Son of Ghoul, well, Son of Ghoul.

However, something SOG said, not during that episode but during a later show, has stuck in the back of my mind ever since it was uttered: when describing his 20th and 25th anniversaries, he made an off-hand comment about a potential 30th, essentially stating he had no idea if he’d even make it to 30. It was something along the lines of “Can I make it that long?” It was a throwaway line, not even really a joke, but it did bring up an interesting question: in this day and age of waning local television, where horror hosts in particular are an increasingly endangered species, could SOG hold in there for the big 3-0? How long can a good thing last?

I don’t know where today falls in the ultimate larger picture of The Son of Ghoul Show, but I do know that Keven “Son of Ghoul” Scarpino has accomplished the nearly impossible: a horror hosted movie showcase that has continuously run weekly since June 13, 1986 – 30 years ago today!

Make no mistake, this is a monumental achievement. Any television personality doing what they do for an uninterrupted 30 years is something to be celebrated, but a horror host? It’s not unheard of for one to run for a number of years, leave the airwaves (for one reason or another), and then come back some time later. But, to stay on for three decades, simply by doing what they do best? All while facing station changes, shifting television landscapes, and the decline of horror hosts on over-the-air TV stations nationwide? Just how does that happen?!

In fact, he is easily one of the longest continually-running horror hosts in the nation! Indeed, it seems he is THE longest running! That just makes this achievement all the more amazing!

It’s times like this that I count myself especially fortunate to be a Northeast Ohioan, or at least a TV-watchin’ Northeast Ohioan. It seems like if a local television personality has had an impact on us, they never really go away. I mean, Ghoulardi was only on from 1963 to 1966, and yet, Ernie Anderson’s iconic host is still instantly recognizable around here. And Big Chuck & Lil’ John? Even when they ‘retired’ back in 2007, they were still all over the place, and then they came back to TV in 2011. My point is, if you can make it around here, there will always be a place for you, somehow, somewhere.

Throughout all the changes in television in general, never mind locally, over the last 30 years, SOG has been there, doing what he does best: hosting a movie, performing in some skits, interacting with the viewers. It’s perfect “sit back and chill” weekend entertainment, and SOG has it down to a science. I simply can’t imagine a weekend without his show, a fact that made his uncertainty in regards to reaching 30 years a bit unsettling. Northeast Ohioans have long memories, but I suppose nothing and no one is immune to the sands of time.

But for now, SOG is still here, still plugging away, and I couldn’t be happier about it. I go way back with the show. Indeed, quite a few of my weekends have featured The Son of Ghoul Show, starting all the way back to the fall of 1997. In many ways, my love of local broadcasting can be traced back to The Son of Ghoul Show. That’s not a small statement I make, either.

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The man himself, via an exclusive shot taken at his 1997 personal appearance at JC Comics & Cards. Check out the SOG cake to the right!

Anyone taking even a cursory glance at this blog has undoubtedly seen the presence SOG has had; I’m blatantly and unabashedly a longtime fan. We’ve looked at an episode or two, he’s gotten specific shout-outs during all three of my Ghoulardifest write-ups, and heck, I even took the time to post an update when his time slot was shifted back in February 2015. ‘Course, it was the big extensive interview with the man himself nearly two years ago (as of this writing) that was the ultimate example of SOG on this BLOG. (See what I did there?)

So yes, SOG reaching 30 years on the air is a big deal in general, but especially for me. Why? Because I’ve been around for 19 of those 30 years. I had seen Big Chuck & Lil’ John first, and was aware of Superhost in my formative years, but truthfully, it was SOG that introduced me to this whole Northeast Ohio horror host deal. And therein lies some nostalgia…

(I know I’ve related some, or all, of this before, so please, bear with me…)

I first discovered the show in the fall of 1997. At the time, I was looking for a Mystery Science Theater 3000 surrogate. I had become (and remain to this day) a die-hard fan of MST3K, but at the end of summer ’97, it was too expensive to keep the premium cable box needed to access the Sci-Fi Channel, and thus, MST3K (the network later became part of our basic cable package, but that was a few years away). Being only 11 years old, I didn’t have much say in the matter, and so, as summer came to a close, it became increasingly obvious I needed something to satisfy my bad movie-mocking needs.

Also during that same summer, I had become aware of “The Cat,” TV-29 in Akron, TV-35 in Cleveland. While I was primarily a horror and sci-fi fan (albeit a still-burgeoning one), The Cat introduced me to a wider range of older, sometimes wildly obscure, flicks. B-westerns, silents, foreign films and so on, I quickly found a growing interest in all of them.

By the time fall came around, I was jonesing for MST3K, or something similar, and I was jonesing bad. In retrospect, it’s a bit odd that it took me several months to actually discover The Son of Ghoul Show, but the fact is that some idle channel-surfing one Saturday night landed me upon SOG’s annual Halloween show. He was on Friday and Saturday at that point, same episode both nights, so I guess this would have been November 1, 1997 (since an online calendar tells me Friday was October 31st).

The movie was the original Night of the Living Dead, a flick he runs each Halloween. My brother Luke was watching with me, and as I recall it, we turned the channel on just as SOG’s introductory segment was coming to a close. The movie started shortly thereafter, and man, that was all it took. Before long, I was hooked. It took me a minute to realize that SOG was dropping in sound effects and music into the movie, but I loved it. I loved the film too, which was my first time seeing it.

But it was the host segments and skits that really got me. SOG was something entirely new to me. A genuine horror host, a concept I only had a vague notion of prior (I never thought of Chuck & John as horror hosts until later, and besides, it took me a few more years to really appreciate them). He was witty, he was acerbic, he was silly, he read mail. In short, it was everything I had been craving. In that single two-hour block that Saturday night, an entire new world of television, of comedy, was opened to me. Baby, I was done.

And he was ours! This was all local! SOG is the kind of entertainer anyone from anywhere can enjoy, but his program takes on a whole new dimension if you’re from the area. I doubt I was cognizant of all that when I watched for the first time (in fact, I’m sure I wasn’t), but it’s a factor that became increasingly important to me the more I watched and the bigger a fan I became.

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Another exclusive shot taken at JC Comics & Cards. Here SOG autographs a promotional picture, for either my brother or myself. We both still have our signed pictures to this day, either way.

Even though it was only until the following week, it was a long, long wait for the next episode. I was in 5th grade, and while (as I recall it), the other kids were into wrestling and/or MTV and whatnot, I personally could not wait to see more of this new thing I found.

Finally it was there; the movie was The Vampire Bat, and I knew I had made the right decision in jumping on this bandwagon. (I also learned it was the same movie, same episode both Friday and Saturday nights, but this wound up being beyond helpful. If I particularly liked a movie or bit, or one of the letters I later started sending in was on, I could sample Friday night and record Saturday night.)

From there on out, it was a constant sense of discovery. Nearly every single week, I was seeing a movie completely new to me. Okay, sure, they weren’t good movies, but they weren’t supposed to be! I can’t say this is where my love of watching bad movies because they’re so awful began, but the selections SOG ran certainly helped fuel the ongoing desire for a good baddie. The Hoodlum, The Corpse Vanishes, Santa Claus Conquers The Martians, Colossus and the Amazon Queen, all of those (and many more!) were introduced to me via SOG. I can’t say I ‘love’ the films, but they hold a nostalgic place in my heart nevertheless, simply because of how and where they fall in my lifetime.

And it was all so funny! I loved the mail segments, where SOG’s acerbic, sarcastic wit was on full-display. He had no problem goofing on the letter writers, and really, that was part of the fun, even if you were the one who had written in! And the skits! Barfaby, Mr. Banjo, Fatman and Rotten, Zero, Eat At Joe’s, and even the one-offs, so much of it had a hip, edgy, oftentimes “warped” tone that made the whole experience irresistible. I mean, “Genie of the John,” in which SOG played the titular character, one who emerges from a toilet? Stuff like that appealed (and appeals) endlessly to me.

‘Course, when I began watching, I didn’t really know about the first home of the show (Canton’s WOAC TV-67, from 1986 to 1995), and thus what bits were new and what bits old. Nor did I have a full understanding of the Ghoulardi lineage, only a vague knowledge of the tradition. (Ah, the days before the internet presented every last drop of information at the touch of a button!) This was almost all totally new to me, but I loved it.

Within just a few weeks of my becoming an instant mega-fan, SOG announced on the air that he was going to be making a personal appearance at JC Comics & Cards on State Road in Cuyahoga Falls. JCs?! I knew right where that was! It was practically just down the street from me! Dare I go and meet my newfound hero? Of course! (By the way, JC Comics & Cards is still at the same location; you’d be well-advised to stop in and buy some stuff – there’s a lot of great things there!)

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That’s my brother Luke on the left. I’m the one on the right. A rare shot of me not being a total badass? I think I’ve aged for the better.

Looking back, his personal appearance at JC Comics & Cards was probably my first real celebrity meeting. Okay, my school had a Cleveland Indian (don’t remember his name) appear and sign autographs once, and I had gotten baseballs autographed outside of (then) Jacob’s Field before, but as far as being a fan and specifically seeking out a meet-and-greet, SOG was the pretty much the first.

There was only one hindrance: I was a fairly shy 11 year old. It’s something I’ve long since grown out of, and nowadays I have no qualms with walking right up to a celebrity and bugging meeting them. But back then? It was totally uncharted territory for me. I didn’t quite know what to expect.

So, the big day arrived. My brother, mom and I waltzed into JCs, and there he was: Son of Ghoul, in person! I was excited and insanely nervous at the same time. I needn’t have worried though; as has been proven time and time again over the years, SOG is absolutely fantastic with his fans. He was personable, he was funny, he answered all questions posed to him, he took pictures, he signed autographs. Even if I did lock-up once after asking him a question (shy and all, remember), it was a great experience.

In fact, here’s something about the visit that I’ll never forget: after we had met him, got our pictures and so on, I was browsing the comics, and I found that 1988 reprint issue of Action Comics #1, for $3. Without prompting, SOG came up and actually looked at it with me, marveling at the price and the 1938 date in the corner. I thought (and think) that was just the coolest. When a personality goes that extra mile to interact with a fan, it shows how genuine they are. In the years since, talking with SOG or watching him talk with other fans, I know my impression of him back in ’97 at JCs was spot-on.

It really is hard to put in words the influence SOG had on me growing up. His show helped shape how I look at movies, at comedy, at broadcasting, everything. And I’m not the only one; There were other kids my age that were just as enthralled with it as I was.

In fact, this blog has introduced me to one: Brett Van Wagner. He discovered this site due to the SOG content, he messaged me, and we’ve been chatting ever since. Even though he lives out-of-state and we’ve never met in person, I’m proud to call him friend. We’ve even had shockingly similar experiences with The Son of Ghoul Show, and we’ve both been fans for nearly the same amount of time. I’m going to turn things over to him for a moment here; I’ve known for awhile now how important his recollections of “SOG history” are, and when I came up with the idea for this post, he was the first one I asked to contribute. Here he is now in his own words…

Brett:

Where to start? First off, a huge thank you to the Northeast Ohio Video Hunter for letting me be a part of an article about such a historic moment in Northeast Ohio television! Although we have never met, I have enjoyed emailing the author of this blog and sharing memories and stories of Son of Ghoul for probably close to a year now. Our SOG stories are actually quite similar, and it makes me wonder how many other kids our age were watching the show at that time. While I live in Florida now, I make it home to NE Ohio from time to time and perhaps one day we will meet up at a convention or SOG appearance. But, thank you for allowing me to be a part of this!

I was first introduced to the Son of Ghoul Show sometime in 1997. My dad would occasionally have the show on, although it seems like my mom would always make him turn it off. My dad grew up watching both Ghoulardi and The Ghoul, and would talk about watching those shows when he was young. After months of catching a few minutes here or there, I remember the first episode I ever watched from start to finish. It was Friday, August 29, 1997 and it was the first week of 6th grade for me. After a week of realizing that middle school was now my life, I realized I needed something to take the edge off. The movie that night was Godzilla vs. Megalon and I only recently realized it was actually a rerun of the very first show to ever air on the CAT. Going back and watching that episode again, it makes quite a bit of sense, as SOG refers to the fact that we are now seeing him in prime time and actually in Cleveland quite a bit. A great episode to officially start watching. The episode also featured what would quickly become, and still is, my favorite SOG sketch, Mr. Banjo. I’m not quite sure what it was about that green-screened dog, but no matter how many times I hear the opening rifts of that song and hear SOG start to talk in that ridiculous accent, I truly laugh out loud every time.

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This is the Mr. Banjo character Brett is referring to. Coincidentally (as you’re about to read), this is from a promo for The Brain That Wouldn’t Die!

In all of the years, my favorite SOG movie is The Brain That Wouldn’t Die. Fittingly, my very first fan letter was read during a show that featured this movie on October 10, 1997. Honorable mentions for other movies that I have a soft spot for go to favorites such as The Giant Gila Monster, Alice Sweet Alice (the only SOG movie that actually scared me as a kid – love it now though) Phantom from Space, Plan Nine from Outer Space, Killers from Space, (I’m noticing a space theme here) White Zombie, and the lost but still survives on VHS collections somewhere, Lethal Justice.

Despite the dungeon and skulls the faux scary vibe of the show, what I took away from the show more than anything was a love of comedy. From all of the drops in the movies (yeah, I know Bill Cosby has kind of fallen out of grace in society in the last year, and rightfully so.. but those old comedy albums of his are pure gold and the way SOG would incorporate drop pieces from those albums into the movies and show were fantastic) to the incredibly dry and witty sense of humor SOG would posses during mail breaks and show segments, the show for me was comedy first and foremost. SOG never fails to make me laugh with one of his one liners or observations during a skit or mail break. In addition to helping me with my love and appreciation for comedy, SOG always reinforced my love of The Beatles. While most kids grew up listening to their sing-a-long tapes, I remember listening to our old Beatles LP’s as young as 3 or 4, and my love for the band is still just as strong all these years later. Knowing SOG shared that love and appreciation for the band and incorporated them so heavily on his show was the icing on the cake.

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Another exclusive shot of SOG at that fateful JC Comics & Cards appearance!

Just like the Northeast Ohio Video Hunter, the first time I ventured out to meet SOG at a personal appearance was in December 1997 at JC Comics and Cards in Cuyahoga Falls. Heck, maybe I have met him after all. What I do remember is how friendly and kind SOG has always been to his fans. He remembered me from letters I had written, talked to my dad and I, and was just such a nice guy. I would again go to many personal appearances, including the 1999 FrightVision where I would spent lots of time talking to my horror host idol and also had the chance to meet, according to the headshot, the one…the only…Fidge! Fidge was also the nicest guy in the world, and the years he and SOG spent together are the best years of the show for me. The last time I saw SOG (and Fidge) in person was in October 2002 when they had the stage show during Fright Fest at what was then Six Flags Worlds of Adventure amusement park. (Sidenote, I am also a HUGE amusement park and roller coaster buff. Geauga Lake Amusement Park, which was a Northeast Ohio institution that spent a few years as a Six Flags park before becoming Geauga Lake again under the same owners of Cedar Point, Cedar Fair, is a place that I miss more than anything and am super sad about losing) Back on track, even though I haven’t seen SOG in person since 2002, I have stayed in touch with him via e-mail and he is nothing but kind and helpful to his fans. Questions I have had regarding episodes, etc, always are answered and he is just the nicest guy in the world, despite what he may want us to think from his on air persona.

It was so sad to hear of the passing of Fidge, especially because of the circumstances, in 2003, and SOG handled it with such class and respect in the tribute episode. Between that at the recent Colonel Klink tribute episodes, SOG has proven that even in the worst situations, he is the ultimate professional and is able to bring the audience together to celebrate the lives of two great men who were so influential on the show.

As the years went on, I went off to college and then moved to Florida eight years ago. I’ve experienced several jobs, a few serious girlfriends, and the usual ups and downs of life. Still, I always caught SOG any time I was home in Ohio on a Saturday night. In the more recent years, I have purchased over 20 episodes of the show from the SOG website and as time continues to go on, I’m sure I will purchase 20 more. Any time I am feeling a bit homesick, or just at the end of a long week, the excitement and comfort of popping in a Son of Ghoul DVD is just as strong as when I first discovered the show nearly 19 years ago. There have been countless horror hosts that have come and gone, but for one host to be on for 30 consecutive years is truly an amazing feat, especially in today’s constantly changing broadcast world. Hats off to the Son of Ghoul. I can only hope he appreciates not only the accomplishment of 30 years on the air, but how influential he was for kids like me who didn’t really have a place to fit in. Thanks for everything, SOG. Here’s to a happy 30th anniversary, and hope for many, many more.

Brett Van Wagner

It really is wild how close our experiences with the show are. I think we would have become fast friends back in the day, and I’m certainly happy to know him now. His contribution is invaluable to this article and I can’t thank him enough for providing it. You is good people, Brett!

Brett also touched on a great point: it hasn’t always been smooth sailing for the show. The fact that it has continued to survive though every seemingly-insurmountable obstacle shows not only how durable the show is, but how good SOG is at what he does.

The Son of Ghoul Show has survived a nasty lawsuit in the late-1980s, time changes, station changes, the switch to digital TV in ’09, the eroding of local TV in general and the presence of horror hosts in particular, even actual deaths…

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The passing of Ron “Fidge” Huffman in 2003 was an absolute shocker. Fidge was SOG’s sidekick, and in the late-90s/early-2000s, he was ever present. He took a lot of abuse on the show, but I think he knew it was all in fun; his presence gave the program something of a “warped” Big Chuck & Lil’ John quality.

I had the fortune to meet Fidge at FrightVision ’99, where that autographed picture above comes from. He couldn’t have been any nicer; it truly seemed like he got a kick out of the whole thing, and it showed when meeting his fans. I’m truly sorry that he passed; I’m glad I got to meet him when I did.

Something else Brett mentioned was the more-recent death of Jim “The Colonel” Klink. Klink went way back with our local horror hosts, sending tons of his artwork to Superhost and later SOG. Not only that, but at least as far as SOG went, he’d send in packages of random items, always decorated with a variety of stickers on the outside (as SOG said once, he couldn’t believe the post office accepted them!). Needless to say, SOG ragged on Klink quite a bit too, but again, it was all in fun.

I never met Klink, though I did see him walking around at Ghoulardifest once or twice. I wish I would have went up and spoken to him now. Still, he did leave this nice comment on my interview with SOG page, and it’s worth sharing here:

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The outpouring of grief online for Klink was quite large, and reading that comment, it’s easy to see why. He was a genuinely nice, enthusiastic fan, as his note above makes abundantly clear.

As Brett mentioned, SOG’s tribute shows to both Fidge and Klink are fantastic. Genuine, honest, funny, they were perfect in honoring both guys.

Their passing was tragic, and the unfortunate fact of the matter is when a show reaches such longevity, it’s almost inevitable that you’ll run into something like that. It comes with the territory of being on for so many years, I suppose.

Indeed, when something like that happens, it only serves to remind you of how far back this all goes, and how quickly it can all go away. By this point, SOG has become a veritable staple of Northeast Ohio television. It’s simply impossible to imagine a time when he’s not on the air in some fashion. But obviously, all good things come to an end, which makes treasuring them while they’re here all the more important. I’ve made that mistake with some other shows, but luckily, I won’t make it here. I’m grateful for each week SOG is on the air.

So, that’s my history with SOG, but it’s not a finished history by any means; it continues to this very day. His current shows, of course I’m there, and just like when I was 11, I still get a sense of anticipation in hearing what movie will be shown on a given night, or seeing if some letter or package I sent in is going to be presented. Stuff like that I don’t think will ever change.


So, my thoughts, and Brett’s up above obviously, on this big 30th anniversary are now known. But, I also reached out online for some other contributions to this big ol’ tribute, to help show what an impact SOG has had on other viewers and collaborators. Some wonderful additions were gathered, which I’d like to share now.

From famous fellow horror host “Wolfman Mac” Kelly (who for years shared Saturday nights with SOG on our local RTV affiliate; SOG 7 PM-9PM, Mac 10 PM-12 AM):

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Son of Ghoul with Wolfman Mac, as they appeared together during an episode of Wolfman Mac’s Chiller Drive-In.

Hey Son Of Ghoul, happy 30th anniversary to you my fellow horror host! You have such an awesome talent and your fans are truly fortunate to have YOU keeping the genre alive. Er…undead…

I had the honor of meeting you a few years ago at Wasteland. You’re not only a great horror host, you’re also a really good guy. All the best to you. Stay Creepy!! – Wolfman Mac

Mac, like SOG, is one of the coolest, nicest guys you could ever hope to talk to, which is not something that can be said for every television personality.

From longtime SOG-friend and genuine good guy Jungle Bob Tuma (check out his official website!) comes this hilarious recollection:

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

I remember the time that the Son of Ghoul & I went out to eat after Cinema Wasteland at an all you can eat Chinese Restaurant (his favorite place to eat). He had been there the week before & ” spoke up” when somebody tried to leave without paying their bill. This made him a hero to the girls who worked there…while we were there, we noticed them smiling, they even brought over a plate of crab legs for him.

He went to go wash his hands & I took my pen & drew a heart & wrote “I love you” on his napkin & when he returned I told him that the Chinese waitress wrote it…I had no idea that SOG would call the waitress over & ask her name & flirt with her…I even tried to stop him but when she came over she let him know that it was not her who wrote that …she also told him that she actually saw me write it while he was away from the table…

He looked at me & said..”OMG Jung, what is wrong with you…I am so embarrassed!” I thought about it & said to myself…”See, we even have fun when we are not on TV…Whether we are on & off the air, Keven (SOG) & I always seem to have a good time & that’s why we have been friends for so long… Happy 30th buddy & looking forward to our next Chinese dinner, LOL.

Anyone that has seen Jung on SOG’s show or watched them interact together in-person knows they have an incredible rapport that is absolutely hilarious, as his story demonstrates!

JB is not only ridiculously friendly, but he knows pretty much everything about every animal ever. You’d be well-advised to book him for any event.

From my buddy Matt Brassfield over at Rotten Ink:

Son of Ghoul with Dayton's Baron Von Porkchop. Photo used with permission.

Son of Ghoul with Dayton’s Baron Von Porkchop. Photo used with permission.

Hometown Horror Hosts mean a lot to viewers, and Cleveland has had their share of iconic hosts from Ghoulardi to Superhost in the golden age of broadcast TV hosting to modern late night ghoulies…but for over 30 years The Son Of Ghoul has entertained viewers with his silly antics and zany sidekicks like the Fidge (R.I.P.) and has truly became a staple for the Cleveland area.

I have had the honor to have met and chatted with Son Of Ghoul many times during his convention appearances and he has always taken the time to shoot the breeze and even was the first to introduce me to footage of Superhost as well as Woodrow The Woodsman! Son Of Ghoul is a Horror Host Hall Of Famer, a Musician, a Comedian and from Rotten Ink as well as from the cast of Baron Von Porkchop’s Terrifying Tales Of The Macabre, we want to wish Son Of Ghoul a Happy 30th Anniversary and wish him many more years of TV goodness.

Matt’s also the producer of Baron Von Porkchop’s Terrifying Tales of the Macabre; check it out!

My Facebook pal John Walch had this photo of SOG with his son Lil’ Kong to share, along with the following comment:

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Photo courtesy John Walch.

The highlight of April’s Cinema Wasteland show was when my son met Kevin. Such a great guy.

Yes he is!

From another Facebook pal, Danny Harasyn:

I live in Lake County and Time Warner won’t give me the station SOG is on …..so I had a friend I worked with who lived in the area Time Warner carried the show record it for me each week…

I know what he means; there was a time in the earlier-2000s in which we were using rabbit ears, and you could NOT pick up SOG’s show to save your life.

From Facebook’s Gary Smith:

Photo courtesy Gary Smith.

Photo courtesy Gary Smith.

Several years ago. it seemed like every week, I would see him at Jamie’s Flea Market in Amherst. On top of that, getting a chance to see and chat with him at Ghoulardifest and Monster Bash conventions the past few years. Looking forward to seeing him again at this year’s fests and congratulations on his 30 year milestone.

Thanks Gary!


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One final personal story before I close this tribute out. This one means as much to me as the nostalgia of discovering and watching SOG back in the late-90s does.

Back in November of 2011, I had a serious hand injury at where I then-worked. This was my first (and thus far only) real injury. Sure, I had sprained my ankle before, pinched a nerve in my neck, relatively little things like that, but this was a biggie. I eventually clocked three separate surgeries, a five-day hospital stay, several weeks of a home IV, and a whole lotta physical therapy. It was a mess.

I was blessed with some legitimately great doctors and nurses that helped me through the ordeal. I am thankful every day for that. Today, while there is some remaining evidence that a severe accident occurred, you probably wouldn’t notice unless I pointed it out to you. It could have been much, much worse, so yes, I’m most definitely grateful to those that made sure it wasn’t.

But anyway, back in December 2011, much of what I eventually had to go through was still ahead of me. All I knew was that I was injured, I was off work until after the new year, and I was severely bummed.

Meanwhile, prior to all that, after being a regular writer-in’r to the show in the late-90s, I had begun sending packages to SOG again in 2010 or so. Shortly before my injury, I had mocked up a SOG-album cover in a parody of Bruce Springsteen’s Born To Run cover, titled Born To Be Awesome. (See above.)

So, Saturday, December 24, 2011, it was SOG’s annual Christmas showing, appropriately airing on Christmas Eve. At a time when I was in critical need of a morale boost, SOG presented the album cover on the air. Not only that, but he really seemed to get a kick out of it! And that was in addition to all the older holiday-themed bits and cartoons, which all made for a wonderfully entertaining episode.

Obviously, SOG didn’t know what I had been going through at the time, this was all business-as-usual for him, but this was absolutely the pick-me-up I needed at that moment. I’ll always be grateful for that.

I think that points to an often-unrecognized aspect of not only The Son of Ghoul Show but any program people may turn to during those times when they just need to escape: they become more than just a television series to us, something deeper, though perhaps indefinable. And when they reach a historic milestone, like SOG has today, you feel, in some small way, a part of it, even if it was just by tuning in for so many years. And by now, I think it’s safe to say I’ll hang in there with him till the very end.

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Your Northeast Ohio Video Hunter hangin’ with the man himself! Ghoulardifest 2013.

There’s no better way to finish this article than with some words from the man himself, Keven Scarpino, aka Son of Ghoul. I reached out to him for a closing comment, and in true SOG-fashion, he first gave me Yeah, I would give a comment if I thought anybody actually reads your posts. LOL” Of course he was kidding (?), and immediately followed that up with this statement, directed towards all his fans:

Thanks for hanging with me all these 30 years. The viewers are the reason I’m still here – plus nobody else is willing to work as cheap as I do. Stay Sick! SOG.

Kinda says it all, doesn’t it?

Happy 30th anniversary Son of Ghoul! Here’s to the next 30!

Ghoulardifest 2015!

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Yes, it’s that time of year again: Ghoulardifest! It’s hard for me to adequately portray in words just how much I love going to this convention every fall season. I really do anticipate it the whole year round. Seriously, the very next day, I’m already jonesing for the next show. I’ve been to some conventions in my time, but because it’s so tailored to my tastes and my hometown (well, roughly; I’m an Akronite), I can say without exaggeration that Ghoulardifest is my favorite. There’s a reason I’ve made it a point to make it there every year since 2011. It’s like the Bruce Springsteen concert of horror/sci-fi conventions; one ain’t enough, I needs me more!

Besides, after sitting around going through thousand-year old videotape after thousand-year old videotape, it’s nice to get out once in awhile, y’know?

Ghoulardifest is, of course, the annual celebration of any and all things Ernie “Ghoulardi” Anderson. Not only is his pioneering character and show represented (gee, no kidding!), but also his successors, as well as Cleveland TV in general. Beyond that, a lot of it has more to do with the spirit of Ghoulardi, the era he came from, the music, the movies, that sort of thing. Of course, there’s also a lot of stuff that has no real connection to Ghoulardi, but instead would fit in at any typical horror convention. That’s not a complaint on my part; it all adds up to a lot of fun with something for everybody, except it’s all with a heavy Cleveland theme. That’s why I love it so much!

For the third year in a row, the show was held at the plush LaVilla Banquet Center, which is an absolutely terrific venue for the convention. Driving to the LaVilla to see Ghoulardifest around the same time every year (always on a Sunday; November 1 this year), it has really come to symbolize Fall and the end of the Halloween season and the start of the holiday season for me (even on those years where the show falls before or on Halloween). Some people get up early to shop the day after Thanksgiving, I plan around Ghoulardifest. Considering it’s less hectic and I find things I actually want, I dare say I come out on the winning end every year, but that’s just me.

And lest you forget, Ghoulardifest was almost certainly the reason for that Big Chuck & Lil’ John Ghoulardi Special I babbled about in mid-October (unless it wasn’t, in which case never mind). They ran it several times after that as well, and better promotion for Ghoulardifest I cannot think of.

(Also, should the mood strike you, check out my recaps for the 2013 and 2014 conventions, though I fear some redundancy among those two posts and this one.)

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(Click on any of the pictures to, how do you say, enlarge them.)

I was told there was going to be fewer vendors this year, and maybe there weren’t quite as many as previous shows, but there was still a lot going on. Indeed, it took several walks around the entire place to take it all in, and frankly, I seriously doubt I did take it all in. If anything, and this is just me talking, but less vendors gave the entire show this year a more balanced feel. Not that I’m promoting “less stuff,” but everything I look for at Ghoulardifest was well-represented, but not in an overwhelming way (unlike earlier years, where I was struggling to take it all in and afraid I’d miss “somethin’ good.”).

The heart and soul of the place is really the Cleveland stuff: Ghoulardi, of course, and Big Chuck & Lil’ John (don’t forget, the official title is Big Chuck & LIl’ John’s Ghoulardifest), Son of Ghoul (that’s him doin’ his thing above), and some of Cleveland’s newer horror hosts, plus lotsa Cleveland TV (and even some radio) memorabilia in general. For obvious reasons, it’s a very Cleveland-centric convention, as one would expect.

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That said, if someone from out-of-state were to waltz in without knowing what this was all about (just play along with the scenario, okay?), they’d probably be confused by all this Ghoulardi-hoopla, but they’d also still be able to find some stuff they’d want. There’s a lot of ‘general’ stuff there; that is, things that wouldn’t be out-of-place at any horror/sci-fi convention. Posters, lobby cards, toys, Star Wars, Star Trek, DVDs, music (lotsa CDs and vinyl). Heck, one guy even had a ton of Laserdiscs, and his box of Godzilla LDs was enough to elicit an “oh MAN!” reaction from me, though I was burning money so frighteningly fast that I unfortunately wasn’t able to partake of said Laserdiscs. I just know I’m going to regret not buying that Japanese King Kong Vs. Godzilla LD sometime down the road.

What I’m saying is that even if you’re not into Ghoulardi or the whole Northeast Ohio horror hosting thing, if you like vintage horror or science fiction films, odds are you’ll still find plenty to peak your interest anyway.

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There’s even some newer, “craft-y” type stuff, for those so inclined. Since I’m rarely hip to that sort of thing, my brother tells me the product seen in this picture is “pixel art,” which is as it sounds: artwork, keychains and so on, made up pixel-by-pixel, just like the character sprites in 8-bit and 16-bit video games. I generally only buy video game stuff when it’s vintage-from-the-period, but no doubt this new-fangled pixel art thing is cool. I mean, pixelated Mario Kart artwork? Heck yeah!

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See, my brother and I always hit up Ghoulardifest on Sunday, the last day of the show. It just works easiest for us that way. The downside is that we often miss some of the special guests and events they have going. Readings By Robert and stage shows like that, we don’t always get to see those. This year though, they had some good stuff going on the whole time we were there.

Up above is Caesare Belvano, who does a phenomenal Elvis performance. I don’t always go for the fan-tribute thing, but Elvis is one of the few exceptions. Not only because Elvis is dead and thus my chances of seeing him live are, well, nil, but also because Elvis tribute acts have become an art unto themselves. Rest assured, Caesare does a fantastic Elvis. His voice is unbelievable; he was on-stage when we first went in, and before I even actually saw him up there, I heard him, and his singing blew me away. His rendition of “My Way” was just incredible. I’ve seen and heard a lot of Elvis over the years, and Caesare gets my full approval (not that my approval really amounts to all that much, but whatever).

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After Caesare, The ReBeats took the stage. Beatles tribute acts are another exception for me; I love them and the time period of music they generally cover (aside from Springsteen, 1950s & 1960s Rock & Roll is my preference). In the case of The ReBeats, they of course do The Beatles, but not just The Beatles. While we were there, they were busting into The Dave Clark Five (they do a great “Catch Us If You Can”), and though we were on our way out by that point, according to their website they also cover Paul Revere & The Raiders, which automatically grabs my admiration.

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I imagine Friday and almost certainly Saturday were busier, but there was a pretty good turnout for what was the last day of the show, too. Indeed, Big Chuck, Lil’ John and Hoolihan had a pretty steady line the entire time we were there; getting to Hoolie in particular looked like quite a wait!

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Speaking of meeting the celebrities, here I am with my pal Jungle Bob! I’ve been a JB fan ever since he started featuring his animals on The Ghoul waaaay back in, what, 1999? 2000? Jungle Bob is one of the coolest guys you could hope to talk to, and he always has some creatures at Ghoulardifest. I forget what he said the thing was in his hand when this picture was taken, but it had a blue tongue and a little goatee. Turn blue, goatee, sounds pretty Ghoulardi-appropriate to me! Later on, he was walking around with a chinchilla, surefire proof of how cool JB is.

Jungle Bob’s official website.

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Me with Mike & Jan Olszewski, where I was able to pick up their fantastic new book, Cleveland TV Tales Volume 2. As of this writing, it’s not yet available on Amazon, but when it is, y’all should buy it. And if you haven’t got the first one yet, buy that, too. There’s an added incentive to buying Volume 2, but I’ll get to that a bit later in the post.

Lemme tell you my Mike Olszewski story: I first met him in 1999 at a signing for the book he and Ron “The Ghoul” Sweed wrote together. He was very personable then. But, it was when I met him over a year later that he just knocked me out (no, not literally!). The Ghoul was making a personal appearance at B-Ware Video in Lakewood. It’s long gone, but at the time, B-Ware was a haven for all of the hard-to-find, obscure movies that you couldn’t easily locate anywhere else. Anyway, The Ghoul was filming bits for his show, and when the cameras came out, I kinda sorta retreated further back into the store. Mike saw this, and despite not actually knowing me, he came up and implored me to get on camera. Thanks to him, The Ghoul episode that aired with this footage featured me near the front, loafing about and occasionally cheering. I always thought it was amazing that Mike would take the time to do that for a total stranger. ‘Course, I was a goofy lookin’ 14 year old, but I won’t hold that against him.

Nowadays, Mike occasionally pops into Time Traveler Records, and every meeting I’ve had with him since that day in 2000 has only reinforced my opinion that he’s one of the nicest guys in the world.

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Hanging with Cleveland weather legend Dick Goddard. No kidding, Dick Goddard is weather in Northeast Ohio. I’ve met him before, but this is my first picture with him (I would have had one a few years back, but the camera decided it didn’t want to take the shot, which I didn’t realize until well after we had left). Every time I’ve met him, Dick has been very friendly.

What am I holding in my hand? Why, that’s my now-autographed Dick Goddard CD! How, what, when, where? I’ll explain later.

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My buddy, Son of Ghoul! Every single year, if I’m going to buy anything, it’s going to be at SOG’s table. I actually make it a point to buy from him. He gets more of my money than anybody. Considering I usually have so little of it, I hope that says something.

Longtime readers will know what a fan I am of SOG; I’ve been watching him since Halloween ’97, I still write into the show, and, you know, there was that time I interviewed the man himself. He even recognizes me when I walk up to him, which always makes me feel like a big man.

There was some sad news in regards to the show this year that SOG and I talked about: longtime supporter of all this, Jim “The Colonel” Klink passed away a week before Ghoulardifest ’15. Klink was well-known to SOG fans for his rabid support and many packages sent to the show. Before SOG, he was a big Superhost guy (in fact, I *think* some of his Supe artwork can be seen in this old post of mine). I saw him walking around at least once at previous shows, and we were friends on Facebook, but it’s much to my regret that I never actually met him in person. The show of grief for Jim’s passing on Facebook was overwhelming; he touched a lot of people and became a well-known Northeast Ohio personality simply by indulging in his fandom and being a nice guy.

Besides being his Facebook friend, my limited contact with Klink included this very nice comment he left for my SOG interview. I think it shows what a good-hearted, upbeat guy he was, and thus I’d like to present here as a small tribute to him:

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R.I.P, Colonel.

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A dream realized! I wanted to meet Janet Decay (aka The Daughter Of The Ghoul, aka Janet Jay) last year, but she was either off doing something or I missed her completely. So, I definitely wanted to meet her this year.

She’s doing a new show with Grimm “James Harmon” Gorri titled The Mummy and the Monkey. When they asked me if I had seen it yet, I had to sheepishly sputter in the negative. D’oh! I had seen The Daughter Of The Ghoul Show before though, which I liked, so I had no problem buying a DVD of their new show. They even gave me a cute lil’ free button; cool winnins! They were both incredibly friendly; I foresee great things in their future.

One thing I noticed when the guest list was announced (and this has been pointed out by others) this year was the lack of national celebrities. For example, last year Arch Hall Jr. and Dee Wallace Stone were in attendance. While I would have liked to talk with Arch Hall again, and I had my concerns when no one like that was included in the show this year, I think it’s cool that the guests were overwhelmingly Cleveland-centric AND that the turnout was so good. It shows that our guys can hold their own and still make for a successful show, and Janet Decay & Grimm Gorri are prime examples of that; their table was very busy!

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Is it corny and/or cliche to say that Fox 8 news anchor Tracy McCool was the coolest? Yeah, I bet she hasn’t heard that enough! Well, she was. Seriously, she was about as nice as it gets. Because WJW Fox 8 was sponsoring the show this year (as opposed to WBNX TV-55 in preceding years), a lot of talent from the station made appearances over the three days. I had brushed up a bit on who was going to be there via the official Ghoulardifest website, though by Sunday afternoon I had promptly forgotten most of it. So, it was a bit of a surprise to see Tracy McCool walk in. She was absolutely great.

You know what really impressed me about her? It wasn’t just that she’d take the time to pose for a picture with a goofball like me. No, rather it was what she was telling a young girl ahead of us: she was explaining good starting places to begin a career in broadcasting, and she wasn’t rattling off facts or anything like that, she was actually talking to her. One thing I admire about a celebrity is their ability to genuinely talk and listen to their fans; not that I expected anything less from Tracy McCool, that’s just a general observation, and fortunately, it applies to many, many of these Cleveland TV personalities (frankly, everyone in this post). Tracy McCool was just awesome.

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I met Bill Ward previously, at the 2013 convention. For years he was the voice of WJW, and make no mistake, that voice is instantly recognizable to many Northeast Ohioans. Just like Tracy McCool (and when I met him in ’13), Ward really takes the time to talk with you, and you’d be hard-pressed to find anyone friendlier (I know, I know, I’m repeating the whole “they were nice” thing a lot in this post; hey, everybody was ridiculously nice!). We actually had a conversation about a commercial he did not too long ago for a retirement company, in which he played “Stu,” and he told me some very funny anecdotes related to that ad.

If you ever have the chance to speak with Bill Ward, trust me, you’ll walk away the better for it. An extremely kind and incredibly funny guy.

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Ah, the customary picture with Big Chuck & Lil’ John. I can’t ever leave without one, because even though I’ve got plenty of pictures with them, accumulating more makes me feel important. I wanted to get a picture with Chuck, John and Hoolihan, but Hoolie was so incredibly busy at his end of the table that I wasn’t sure if he’d ever be able to break away for it. Not that I’m complaining, because a picture with Big Chuck & Lil’ John is one of the coolest things anyone could hope to achieve.

This year, they were selling brand new Big Chuck & Lil’ John wine glasses, and Lil’ John had one in front of him complete with some actual wine in it. Every few minutes he’d take a sip and proclaim “work, work, work!” and it just got funnier each time.

I finally got to talk to Chuck about something that’s been on mind for quite awhile: several years ago, I found a locally-released vinyl record by one Scott Read, appropriately titled The Scott Read Show. According to the liner notes, it was a program on WJW produced by Chuck. So, I asked him about it, and Chuck told me it was many one of many shows that he produced, and it didn’t last very long, only about 6 months on the air. I’m thinking next time they’re making an appearance somewhere, I just might bring that LP along to get signed.

Surprisingly, John seemed to remember us from past years; he actually asked if we always came on Sundays (yep). How cool is that? Although, it’s also a little distressing; I had been relying on the idea that if I accidentally did or said something totally stupid in front of Chuck and/or John (and really, it’s only a matter of time), they meet so many people in a year that they’d quickly forget my face and then we could start anew next time. But now, I just don’t know. Oh the agony it is to be me!

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I met Caesare after his set. There were a number of people waiting to get pictures with him, some acting like he was the real Elvis. Of course, he played the part up and was extremely nice to everyone. He was very gracious when I told him what a fantastic show he put on. Great guy!

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Another dream realized! I met The Midnight Movie guys last year, but I missed Dave from the show. As luck would have it, just as we were on our way out, he was in the lobby taking a break, and he was cool enough to take a picture with me. Even better, he told me that they were filming a lot of footage there for a show that should air within the next month or so. I noticed they were filming when I was waiting to take a picture with Chuck & John; indeed, I’m in the background as they were interviewing Tracy McCool. Me? Surprise Midnight Movie cameo? Maybe!

And so, that ended the annual visit to Ghoulardifest. But wait! Before heading home for another year, we had one last stop to make…

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No trip to Ghoulardifest would be complete without the customary visit to the Big Boy restaurant down the street from the LaVilla. A Ghoulardifest excursion just doesn’t feel right without it. In fact, we did skip the Big Boy one year, and by the time we got home, we felt like we had missed out on an essential element of the trip (or at least, I certainly did). And it’s not just because of the whole Manners Big Boy-Ghoulardi connection, either; rather, Big Boy restaurants are rare animals, and there are none near us anymore. So after reveling in all of this once-a-year fandom, it’s only fitting that we revel in some once-a-year food, too.

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I have to give a big shout out to my brother Luke. It’s thanks to him that I’m able to make it to Ghoulardifest every year. He always drives, because if it were up to me to commandeer the car, I’d probably wind up driving it into a ditch or something. Carnage such as that would probably put a real damper on the event.

Luke likes going to these, he digs all this stuff, and he was jazzed for the trip, but he doesn’t get into it all quite as much as I do; I watched a lot of this stuff growing up, but he usually had other interests. Without me, I doubt he’d make the trip, so for him to haul my goofy self up there each and every year is a testament to what a nice guy he is. Luke is a good mang. Plus he paid for lunch.

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I tried looking at the menu to see if there was something different I wanted this year. No go, the Super Big Boy is just too good to pass up. Seriously, it’s one of my favorite burgers on this planet. It’s that good. Look at that beauty! Two patties, cheese, and special sauce. They taste as good as they look. If you ever find yourself in a Big Boy, this is the option on the menu that I heartily endorse.


Okay, that was the show (and lunch), but what about the goods, the loot, the booty I picked up during the trip? I always come home with some good stuff, and this just may be one of my best hauls ever. And even if it’s not, I still feel perfectly justified in blowing through my money at an alarming rate.

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I have the previously-released clear glass “Certain Ethnic Last Supper” mug (you can see it in this post), but when I saw these new white mug versions, I had to get one. Two, actually; my good friend Pete G. helped me out big time by providing me with tickets to the show, allowing me to save some extra precious bucks, so I got him one of these as a thank you. You’re a good man, Pete!

It’s a cool mug, showcasing much of the Northeast Ohio TV talent that has infiltrated the airwaves over the years. There are a lot of mugs/cups/whatever featuring these guys, but this one is easily one of my favorites of the bunch.

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I got this from Son of Ghoul, and man is it cool. It is what it looks like: a picture of Superhost in a wooden frame. Sure, technically I could print out my own Supe picture, get an old frame and make my own, but there was something about this that made me have to buy it as soon as I saw it. It just felt so right.

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Yeah, I bought another. If you go back to my Ghoulardifest post from last year, you’ll see how jazzed I was to get a Superhost shirt from Son of Ghoul. In my weird little world, I decided I needed another one that I could wear around without fear of wearing it out or accidentally staining it. I’m normally a size-large wearer, but I can get away with a medium, which is fortunate, because there were no more larges left. SOG jokingly explaining the sizes sans-large: “You can get an extra-large and throw it in the dryer to shrink it, or you can get a medium and lay off the Whoppers!” I was cracking up!

Like I said before, Son of Ghoul got more of my money than anybody this year. Truth be told, he usually gets more of my money than anyone else every year. I’m fine with that!

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This was a longtime coming, and I’m a little ashamed to admit that it took me this long to get Jungle Bob’s excellent book, BobTails. Naturally he autographed it to me. You’d be well advised to pick one up, it’s good stuff!

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My official The Mummy and the Monkey DVD of the original Little Shop of Horrors, a swanky flyer, and that aforementioned official button. I pinned the button to my jacket when we took the photo, and promptly forgot it was there for most of the day, and that’s not a bad thing!

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My copy of Mike & Janice Olszewski’s brand new Cleveland TV Tales Volume 2 book. They even autographed it for me! I haven’t had time to read much of it yet (I just got it yesterday!), but the content is directly up my alley. Indeed, it’s already on track to becoming one of my very favorite books of this nature. Why? Because I’m in it, that’s why!

Well, a piece of my interview with Marty “Superhost” Sullivan is, anyway.

A few months back, Mike contacted me asking for my permission to use the bit in the interview where Marty talks about his feelings following the filming of his final episode. Well heck yeah Mike, use away! What a thrill!

When I went up to Mike’s table, he had sample copies of all of his books on display, and I quickly began searching myself out in this newest one. I didn’t have time to find the exact quote (I did when I got home though; this site is mentioned in the body of the section!), but I did find myself listed right at the top of the bibliography. I considered stomping around and shrieking “I is published, I is published!” I decided against it though; having security cart me out for being too obnoxious probably would have put a dark cloud over the day.

But seriously, what a monumental honor for me. This really does feel like some kind of validation, like I’m actually contributing something to something. I mean, okay, most of the time on this blog, I’m just screwing around and posting things that I know only select people are gonna care about. That’s fine, that’s why I do what I do. But, when I do something actually important, and I’d certainly like to think my Superhost interview qualifies, it’s nice to know that the big names (and make no mistake, Mike & Janice Olszewski’s work is VERY well known) take notice. Mike even thanked me again for letting him use the piece and told me what a great interview it was. Hey, if I’m getting Mike Olszewski’s approval, I must be doing something right!

So, thanks again Mike! (And thanks again also to Marty Sullivan for taking the time to speak with me in the first place!)

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Some decidedly cool postcard reproductions of classic Cleveland TV artwork. At a buck apiece, I couldn’t resist. Included: Batguy & Rinaldi, Superhost, The Kielbasy Kid, and Hoolihan & Big Chuck’s good night bumper.

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No, I didn’t buy this CD there, but I was fortunate enough to find it at a thrift store early last week. No kidding, I almost flipped out. The first time I thumbed through the CDs I didn’t even notice it. It wasn’t until my usual second run-through that I saw it. It was placed in backwards, so I was reading the spine upside down, and I thought to myself “wait, am I reading that right?” Obviously I was, and from that moment on it was coming home with me. Quite a few people I told about it thought it was extremely cool as well, and everyone agreed I should get it signed at Ghoulardifest.

It was released in 2002 as a 9/11 tribute, and features vocals by not only Dick Goddard but also fellow WJW 8 talent Tim Taylor and Wilma Smith, along with a few others. There are some standards on it, and some monologues. I like to think of it as Dick Goddard’s attempt at his own The Rising. (How many superfluous Springsteen references in this post does that make? I’m up to three – so far.)

Goddard got a big kick out of it when I presented it to him to be signed. When asked where I got it, I couldn’t lie, so I told him the thrift store. Then, how much did I pay? Well, that was prickly, because I didn’t want to accidentally insult him by telling him the CD was only going for $1.50. I needn’t have worried; he cracked up!

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And finally, my mega-cool Ghoulardifest 2015 promotional poster. Like the Dick Goddard CD, I didn’t get this at the show, but unlike the CD, I didn’t bring it to be signed there. But, I feel I’d be remiss if I didn’t thank my good friend Scott at Time Traveler Records for it. Every year he thinks of me when he gets the promotional Ghoulardifest stuff and gives me the poster after the event. Scott helps me out in so many ways, far beyond keeping me in mind when cool stuff likes this comes along, and I can’t thank him enough. I’m proud to call him amigo.


And with that, my big giant Ghoulardifest 2015 recap comes to a close. From the people there, to the people I met, to the stuff I came home with, to the book with my gol’derned Superhost thing in it, I dare say this was one of the best ones ever. My brother and I had an absolute blast (and a fine, fine lunch). I’ve mentioned this before, but it’s so great to know that Northeast Ohio memories are long; when personalities such as these have meant so much to so many, they never really go away, even if they’re not on the air. Furthermore, the new personalities that come along to take up the torch are not only treated with respect, but also welcomed into the fold, as it were. Ghoulardifest is a celebration of all that, and as a lifelong Northeast Ohioan and TV fan, that’s something I’m absolutely grateful for.

And yes, even though this all took place only yesterday, I’m already starting to itch for the next one!

WJW TV-8 – The Big Chuck & Lil’ John Ghoulardi Special (October 10, 2015)

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I usually don’t look at ‘modern’ television broadcasts, especially broadcasts as recent as this past weekend, but this was so unabashedly cool that I can’t resist. Besides, it may be a new broadcast, but it’s a new broadcast of older material which in turn featured even older material. There, wrap your mind around that!

‘Course, the fall-back here is that this is my blog and I’ll write about what I want. I could go in the backyard and describe all the neat-lookin’ rocks I find if I so desire. You keep pushing me and I just might, too.

I was made aware of this special just the night before it aired: on Saturday, October 10, 2015 at 3:30 PM, WJW TV-8 would be airing the 30 minute Big Chuck & Lil’ John Ghoulardi Special. I’m glad I only had to wait less than a day for this, because man, I was stoked. A Big Chuck & Lil’ John special, airing (roughly) in their old Couch Potato Theater time slot, and focusing solely on Ernie “Ghoulardi” Anderson, the man who set this whole thing in motion waaay back in 1963? I was so there.

This is what I love so much about Northeast Ohio TV: for all of the changes it has gone through over the years, the steady erosion of locally-grown programming in favor of syndicated content and whatnot, there’s still a sense of history here; there’s a reason Big Chuck & Lil’ John have been forever in the public eye, Son of Ghoul is still plugging away, and no one bats an eye when a special regarding a character that hasn’t been on Cleveland airwaves since 1966 is allotted a 30 minute time slot. Doesn’t hurt that Ghoulardi had (and continues to have) an incalculable impact on so much of the populace, either.

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The announcement I saw didn’t elaborate, and I automatically assumed this was going to be a half hour edition of their regular skits-only show, tailored solely to Ghoulardi material. As it turned out, this wasn’t actually a new special; as the above screencap attests, this was instead a re-broadcast of Big Chuck & Lil’ John’s tribute to Ernie Anderson following his 1997 death. It’s actually not too far off from what I envisioned, just 18 years older. I guess it makes sense to simply re-run the earlier special; a new version would just cover the same ground and take time to film.

Not that I’m complaining, mind you. Anything that gives Big Chuck & Lil’ John and Ghoulardi airtime is absolutely fine with me. Always. Besides, seeing Chuck & John on that old set with the studio audience gets the nostalgia fired up somethin’ fierce.

(By the way: why the slightly fuzzy reception in this day and age of ultra-clear digital everything? Meh, for old times’ sake I recorded this onto DVD on my downstairs CRT TV, which apparently doesn’t play by the same rules as my cute HDTV upstairs does. I also DVR’d the special upstairs, but what the heck, this DVD is already made and handy for screencaps, so here we are.)

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Being a tribute to Ernie Anderson, in addition to actual Ghoulardi footage there’s also a lot of reminiscing, as you would expect. In addition to a short bio of Anderson and how he wound up as Ghoulardi, among other stories Chuck recounts the famous tale of his stealing a Ghoulardi poster off a bus while Anderson kept the driver distracted. Funny stuff!

Keep in mind, this originally aired some time before the phenomenal Ghoulardi: Inside Cleveland TV’s Wildest Ride book was released, and waaaay before Big Chuck’s terrific autobiography (head on back to that BC & LJ store link for that one), so a lot of the information here hadn’t been widely recounted and available to the masses yet.

(For the record, both of those books are absolutely essential reads, not only for Northeast Ohioans or fans of Horror Hosts, but for television lovers in general; both offer an indelible snapshot of TV history, an era that won’t be repeated, and are ridiculously entertaining to boot.)

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Much of the tribute also consists of Chuck’s one-on-one interview with Anderson himself, obviously conducted some years prior. As I recall it, this interview provided the basis for a previous BC & LJ special show, though integrating the segments into this tribute show makes all the sense in the world, given the circumstances.

After giving up Ghoulardi in 1966, Anderson went to Hollywood and made the mighty dollars doing voiceover work. I have countless commercials/promos featuring his voice, and on a nationwide scale that’s what he’s really known for. At one point during this show, Chuck mentions that when Ernie went to Hollywood and became a millionaire, it didn’t change him a bit; he was still the same guy he was back in Cleveland. You get a real sense of that during these interview segments. There’s no showing off, no posturing or anything like that. It’s just two friends talking about the old times.

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As far as actual Ghoulardi material goes, with only 30 minutes and so much ground to cover, well, you’re only going to see so much. However, the official Ghoulardifest website sells a phenomenal DVD of much (all?) of the remaining footage from Ghoulardi’s show, the only official place to get this stuff. I have it in my collection, and you should have it in yours too.

As for this special though, I personally would have liked to see a few more bits with Ghoulardi on his set doing his thing. As it stands, there are two brief clips, and the skit you’re seeing above, The Pitching Coach.

Y’see, Chuck got his behind-the-camera and, as in this case, his in-front-of-the-camera start on the show, performing in skits and even providing the basis for running gags such as the whole “PARMA?!” thing. In this skit, he plays the new pitching coach for the Cleveland Indians, who proves to be fairly incompetent. My favorite moment comes when Ghoulardi tosses a ball back to him, and it lightly hits Chuck’s arm; Chuck holds his arm in pain and pouts in the corner while Ghoulardi tries to apologize!

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More Chuck, this time in one of the legendary skits from Ghoulardi’s show: Parma Place.

Parma Place was a take-off on the soap opera Peyton Place, and the line of skits basically existed to poke fun at the Cleveland suburb of Parma. The loose idea was that Chuck’s character was always trying to make time with Anderson’s wife behind his back (and often right in front of him), but the more notable aspect of the skits were the stereotypes of Parma they perpetuated: white socks, polka music, and so on.

And this was all in addition to the jokes Anderson would make about the suburb when in character as Ghoulardi. Naturally, some residents of Parma didn’t take too kindly to all this, but it’s all still funny, and the genesis of a running joke that continued (and continues) on through The Ghoul and Hoolihan & Big Chuck (& Lil’ John).

A few different Parma Place entries are spotlighted during the special, and this screencap comes from a moment when Chuck’s character “Jerry” gifts Anderson with a pair of white socks, to which he and his wife marvel at endlessly.

Also, you have no idea how funny I find Chuck’s PARMA shirt.

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A fun bit where Ernie Anderson interviews, well, himself. Using a split screen and some handy pre-filming, Ernie Anderson as Ernie Anderson interviews Ernie Anderson as Ghoulardi (who insists he be called “King”). It actually works pretty well; in fact, for the time period it’s fairly seamless.

My favorite line: “I first got my start as Ghoulardi when they fired me from channel 3 and 5 wouldn’t hire me!

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The whole open-wounds-shock of Anderson’s passing may not be as hard to take today as it was in ’97, which is understandable; it has been nearly 20 years, after all (20 years? I refuse to believe this all happened that long ago!). That’s not to say it isn’t still sad, because of course it is. I don’t mean to downplay anything here, it’s just that after 18 years, (most?) Northeast Ohioans have learned to live with Ghoulardi being gone, really gone.

All that said, there is a moment that still packs an emotional wallop in this tribute: the final scene returns to Chuck interviewing Anderson, and Anderson recounts that he met a lot of great people in Cleveland, and then jokingly says to Chuck “You’re not one of them,” to which they both crack up. After they calm down a bit, he then adds “You are, you’re great,” and then the scene freezes as the copyright info pops up. It stays there a bit before fading out, and in that little moment, the deeper meaning of all this is hammered home: it’s not just about what Anderson accomplished as Ghoulardi and what he meant (means) to Clevelanders, it’s also about the genuine friendship between him and Chuck that was there up until the very end of Ernie’s life. It’s a terrific, honest scene, and an absolute perfect way to end the special.

You know, maybe it’s for the best that they didn’t film an all-new Ghoulardi tribute episode; it would be nearly impossible to improve upon this one. From the recollections to the clips, it’s as concise a definition of the character and what he represented to Clevelanders as you’re likely to get in half an hour.

But wait! In a for-modern-day rarity of rarities (for me), there were some great commercials during this broadcast. ‘Course, they all had to with Ghoulardi and/or Big Chuck & Lil’ John, but frankly, that’s how I prefer things. Behold:

Big Chuck For Empire Windows

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Chuck has been pitching Empire Windows for quite awhile now, often in print ads that come nearly every week in one of those circulars. I haven’t seen a whole lot of TV advertising with him for the company, so I was glad to see this and add it to my collection (y’see, through my massive collection of old videotapes, I have amassed a large “archive” of commercials, promos and whatnot featuring horror hosts, and not just our horror hosts, either; it spans the entire nation).

Chuck gives really a pretty standard pitch, though the commercial is so short (15 seconds) there isn’t a whole lot of time for much else. Chuck says he’s been plugging the company for 29 years at this point; that’s as long as I’ve been alive!

If I ever need new windows, I’ll go to Empire. Why? Big Chuck told me to.

Empire Windows’ official website is here.

WJW TV-8 Big Chuck & Lil’ John Ghoulardi Special Promo

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A mega-quick (5 seconds!) promo for the special itself, which aired less than a minute before the show began. I was really, really happy to capture this one; not only does it give me fond memories of this, but also because I just wasn’t sure if there even was a promo for this special. I don’t care how short it is, either; it’s another one for the collection!

The voiceover: “The Big Chuck & Lil’ John Ghoulardi Special, today at 3:30!” Yeah, yeah, basically the same info that’s printed on-screen.

Ghoulardifest 2015 Commercial

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I’m thinking Ghoulardifest is the reason this special was run in the first place; what better promotion could there be? In prior years, the convention was sponsored by WBNX TV-55, but this year it’s WJW, which means they’ve got carte blanche as far as Ghoulardi footage and whatnot goes. It’s a more involved commercial than what has aired in recent years, which more or less usually amounted to basically Chuck & John standing in front of a green screen and giving their pitch. In this spot, however, lotsa Ghoulardi clips are interspersed with the pertinent information, though perhaps oddly, Chuck & John are nowhere to be seen.

WJW was pushing Ghoulardifest pretty hard during the special (as you’d expect). A full 30 second spot aired twice during the show, and a 15 second version right after it.

Needless to say, I am now even more jazzed for Ghoulardifest, which is saying something since I’m always jonesing for the convention. Yes, I will be attending again this year, and yes, there will be another write-up. In the mean time, check out my 2013 and 2014 reviews! And if you can attend, please do so! It’s always a blast!

The Ghoulardifest website with all the info y’all need is here.

The Big Chuck & Lil’ John Show Promos

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And finally, promos for Big Chuck & Lil’ John’s current 30 minute Sunday night show proper were, for obvious reasons, ran twice during the special. On the left, a spot featuring a brief clip from their Nukey Shoes skit. On the right, the bit where, as part of the opening fanfare for a movie, John gears up to hit a gong but instead accidentally nails Chuck in his, erm, manhood. Yikes!


 

I love the fact that a special so undeniably Cleveland in every facet can still air on local TV here in 2015. The sad fact of the matter is that there’s not always a place for this kind of thing on modern airwaves. Like I said at the start of this post, there’s a very real sense of history in Northeast Ohio television, one that seemingly won’t let people forget the accomplishments of its past.

And I wouldn’t have it any other way.

WJW TV-8 – Big Chuck & Lil’ John’s Pregame Show (September 20, 2003)

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Man, I used to tape a lot of stuff, so much so that it’s not uncommon for me to come across something I recorded myself back in the day and yet have NO recollection of ever doing so. (See: this post.) When it came to all of the crap things I taped, I like to think that I have a pretty good memory, but I’ve been genuinely surprised by what I recorded years ago enough times to realize that my mental synapses aren’t always untouchable when it comes to this sort of thing.

While this particular broadcast isn’t one I had completely and totally forgotten about capturing, I only retained the vaguest memories of taping it. For obvious reasons, I’m sure glad I did, though. Behold: from WJW 8, it’s Big Chuck & Lil John’s Saturday afternoon “Pregame Show,” from 2003. Has it really been 12 years since this first aired? I refuse to believe it’s been 12 years. I was 17 years old! A junior in high school!

Truth be told, I’m really not sure what drove me to record this. I was of course a full-fledged Big Chuck & Lil’ John fan by 2003, but, aside from a few scattered instances (such as the one seen in this post), I didn’t really tape their show(s) that often. Thanks to those aforementioned super-vague memories, I seem to recall there being something ostensibly special about this broadcast. Maybe I thought it would be a one-off kinda thing?

No matter, because I taped it, I saved it, and thus, here we are.

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Even though the branding is never used here, make no mistake, this is really an installment of Couch Potato Theater, Big Chuck & Lil’ John’s long-running Saturday afternoon showcase, which was always in addition to their regular late night program (they had moved to Saturday nights after MadTV by this point). The features shown during Couch Potato Theater varied from week-to-week; could be a movie, could be old comedy shorts, could be episodes of The Abbott And Costello Show. Or, as in this case, it could be just be skits.

As implied by the whole “Pregame” thing, this episode preceded baseball on WJW 8 that day (actually, it precedes a local special on football and an episode of Buffy The Vampire Slayer before the game, a difference of scheduling that is noted during the show). As such, it’s a half-hour show made up entirely of skits.

Actually, one thing I really like about this broadcast is just how much it reminds me of Big Chuck & Lil’ John’s current show: 30 minutes of skits with the occasional host segment. One major difference between now and then, besides the set and live audience of the old days I mean, is how ‘current’ they were back in the day; references and reminders of what was going on around Northeast Ohio, including where they would be appearing in person (indeed, as per an announcement from Chuck, they were appearing somewhere following this very episode), was a constant part of their hosting duties. Not so hard to understand, since they were (I’m guessing) in the studio quite a bit back then. It’s a much simpler affair nowadays, though anything that keeps Big Chuck & Lil’ John on the air is fine by me.

(Speaking of on the air: up until a few months ago, WJW was running Big Chuck & Lil’ John’s new show in a Saturday11:30 AM time slot, which reminded me even more of the old Couch Potato Theater days. They’ve since moved them to 11;30 PM, Sundays. I DVR the show no matter what, so the time change doesn’t impact me all that much, but I preferred Saturday mornings solely due to that nostalgia element it presented. There was just something about kicking off your Saturday with Chuck & John!)

Being only 30 minutes in length (or, if you want to be really anal, about 28 minutes; the next show didn’t start immediately after this one, dig?), I naturally don’t have a whole lot to work with here, even if I do find it incredibly cool and undeniably nostalgic. But, I’ll give it a shot.

First up, the skits themselves:

Muldoon’s Bar

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One of my all-time favorites, though I’m pretty sure it’s just a filmed version of an old joke. “Resident Irishman” Tom Bush plays Paddy, who every week or so enters Muldoon’s Bar for two shots of Irish whiskey: one for him, and one to drink for his brother back in Ireland (“To his health!”). One week, he stops at the bar, but only orders a single shot. The bartender is understandably concerned about Paddy’s brother back in Ireland, but when questioned, Paddy reveals the truth: his brother is fine, and in fact, the one shot he drinks is for him. So why not the second shot? Because Paddy gave up drinking for Lent! I love it!

 

The Amazing Stanley

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You can almost see where this one is going from the start. it’s the classic “sawing a woman in half” magic routine, which “The Amazing Stanley” performs to the satisfaction of the crowd. It’s only backstage that the “magic” of the illusion is seen: it’s been two little people curled up in the individual sections of the box! It’s a trip seeing John in high heels, and as per the host segment following the skit, the woman is played by John’s real-life sister.

 

Rockhead

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The Rockhead skits were never my favorites, though I think there were only a few of them. It’s a parody of Rocky, obviously. In this one, Rockhead is training for his big fight with “Alonzo,” while fake Adrian continuously nags him to give up boxing and instead take a steady job as a delivery boy for Rego’s Supermarket. Rockhead always gives the idea the brush off, until he disturbs Alonzo during his training; Alonzo angrily crashing through the wall is enough for Rockhead to immediately change his plans for the future. Fun fact: Chuck’s Rockhead wears a Ghoul sweatshirt throughout the entire skit!

 

Art Modell’s Back!

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Even though he passed away three years ago, Art Modell still isn’t the most popular guy in Northeast Ohio. But back in 2003, the hate for him was pretty venomous. He took away our Browns, man! This sketch plays into that sentiment. In it, Modell is seen talking on the phone and snickering; turns out Cleveland wants him back! We just couldn’t live without him! The pay-off to the skit is that he is indeed brought back to Cleveland…selling hot dogs! And to further insult him, he’s seen calling after people asking if the men’s toilets are backed up while holding up a plunger!

Obviously, there’s no way the real Art Modell was going to come back to Cleveland just to film a skit ragging on him. Instead, “Art” is either seen from behind or, using the same technology as Clutch Cargo and Conan O’Brien, with a pair of live-action, talking lips superimposed over a still image of his head.

It’s a very, very Cleveland sketch, needless to say.

 

$10 Magic Wands

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A pretty well-known skit. A sidewalk salesman tries to sucker John’s character into buying a magic wand for the low, low price of $10. The prospective customer is apprehensive until he sees the magic wand instantaneously produce a beautiful girl right before his very eyes! He quickly buys a wand, and the salesman sneaks off. The Purchaser’s attempt at using the wand produces a woman alright, albeit one of a rather more robust variety, who then proceeds chase him around as the skit ends.

 

Madame Mary

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Another skit I’m pretty sure is just a filmed version of an old joke. In fact, I know it is; variations of the gag are really pretty common. In this version, an old man goes to visit fortune teller “Madame Mary,” and asks her if there is pro football in Heaven. The good news? Yes, there is indeed pro football in heaven. The bad news? He has box seats for the next game!

 

Ben Crazy

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A classic. The Ben Crazy skits are always welcome, and this is a particularly good entry. The scene opens on a group of doctors drawing lots. One Dr. White wins, much to the chagrin of everyone else. He then enters a hospital room and informs a “Ms. Goodbody” that it’s time for her morning shot. Obviously, this is not a shot in the arm! So that’s why they were drawing lots!

 

The Certain Ethnic Artist

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Another really good one. Chuck’s classic Stash character is the “certain ethnic artist.” He’s seen painting a portrait of John, the results of which, well, you can see above.

Okay, so that does it for the skits themselves, but what about the host segments? I’m so used to Chuck & John only appearing intermittently during the new show that I had forgotten just how many there were back then; they follow every single skit! For the most part, I like the batch of skits seen in this episode, but as far as I’m concerned, the real heart lies in the host segments. Just seeing Chuck & John on that classic set takes me back like you wouldn’t believe.

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Did you notice the pizza box on the table in the host segment screencap way at the start of this post? That was your first clue that quite a bit of the host segments are dedicated to pitching Pizza Pan pizza (alliteration). Pizza Pan was a big sponsor of Big Chuck & Lil’ John at the time. The fellas even did a number of commercials for the company (I’ve got a few). Chuck & John make a point of showing off the pizza box and mentioning the company numerous times during the episode. This is borderline The Pizza Pan Big Chuck & Lil’ John Show!

The gimmick of Pizza Pan was this: order a pizza and have it delivered, you got an extra pizza free. Even better, order a pizza and pick it up yourself, you got two free pizzas! Obviously, a deal like that is going to attract some attention, and for a time, Pizza Pan was pretty ubiquitous in Northeast Ohio. I certainly partook of the ‘Pan more than once. Why? Chuck & John told me to. (Also, free pizza is always nice.)

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At one point during the show, the owner of Pizza Pan himself joins Chuck & John onstage to further promote the company. Not only is a special deal mentioned (free ribs when a pizza is ordered – at the Mentor location only), but also the then-recent expansion of the company to more areas. I wasn’t kidding, there was a time in the early-to-mid-2000s when Pizza Pan was a pretty big local chain.

And then, it just sort of seemed to fade away. I seem to recall, though don’t quote me on this because my memory isn’t that clear on the matter, that after awhile the free pizza deal was done away with. If that is indeed what happened, I guess I can understand it; the whole free pizza thing was what the company built its success on!

There are a few locations still around though. As to whether the free pizza deal was brought back or not, I couldn’t say (the official website seems to only give me the current locations and the ability to order online). Check the official website out to see if there’s one near you.

See, now I’m plugging Pizza Pan! Why? Chuck & John, man, Chuck & John.

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Finally, the pregame show ends with a mention of their feature for their normal, late night program: Rocky II! They both seem quite excited by this, not only because they had run the original Rocky the week before, but also because this is apparently the third good movie they’ve had in a row, though what entailed the third movie in that line-up isn’t stated.

Now is as good a time as any to mention that I love the old movie bumpers Big Chuck & Lil’ John used for their films. The Rocky II one above is a good example. There’s something just so right about them, though my nostalgia obviously plays a part in that feeling.

(By the way: I didn’t notate on the tape when this originally aired, but Bob “Hoolihan” Wells’ 70th birthday is mentioned as coming up on September 27th, and this episode followed my recording of Conan O’Brien’s 10th anniversary show and preceded Saturday Night Live‘s 29th season premiere. Those aired September 14th and October 4th, respectively, and with the help of this calendar, it pretty much has to be September 20, 2003. I can’t see a way that it’s not!)

Anyway, during these broadcast recaps, I usually look at some of the interesting (to me) commercials found during the respective airing. Being only half an hour, again, I’ve only got so much to work with, and frankly, there wasn’t a whole lot that stood out to me. BUT, there were two I couldn’t end the article without taking a quick look at:

 

Buddy’s Carpet Ad

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Buddy’s Carpet! At one time, it was pretty difficult to watch local TV in Northeast Ohio without seeing at least one Buddy’s Carpet ad. Initially, Buddy himself pitched the company in these commercials, though later on a woman (his daughter, I guess?) took over those duties. As evidenced above, this is one of those later commercials. No matter, because it still gives me a far bigger nostalgic charge than any carpet commercial has a right to.

Buddy’s Carpet is still around, though like Pizza Pan, it seems the locations are more limited now. Check them out here.

 

Regency Windows Ad

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I’m slightly embarrassed to admit that up until fairly recently, I didn’t realize I hadn’t seen a Regency Windows ad on TV in a long, long time. Just like Buddy’s Carpet, their commercials were nearly omnipresent on Northeast Ohio TV. Most of them featured owner and spokesman Mikey (that’s him above) screaming “I’m gonna save you a lotttttttta money!” This ad is (probably) one of the few where he doesn’t give his famous line, but he’s still there, and he’s still excitable, so it’s not a total loss.

Turns out Regency Windows closed some years ago, though what remained of the company was purchased by Window Nation. That official website is here.


 

For what is only a 30 minute recording, this one actually packs quite a nostalgic wallop for me. Besides the whole Big Chuck & Lil’ John Saturday afternoon thing (which is more than enough by itself), there’s also Pizza Pan, Buddy’s Carpet, Regency Windows (and more specifically, Regency’s Mikey), and of course, the skits.

Also, It’s amazing to realize that in 2003, in four years Chuck would retire and they’d be off the air entirely, but in less than 10 years, they’d be back hosting a show that is very reminiscent of this (and other, I’m sure) pregame episodes, a show which continues to this day. If there’s one thing I love about Northeast Ohio, it’s that more than once, our movie hosts have not gone quietly into the figurative night. One way or another, they find their way back!