Tag Archives: horror movie host

A Ghoul Power Journey, 20 Years On…

APRIL 2, 2019 EDIT: It is with a heavy heart that I must report Ron “The Ghoul” Sweed passed away last night, following a massive heart attack he suffered several months ago. Let this article be an enduring tribute to the man that shaped so much of my sense of humor and outlook on life. I could never thank him enough for the many nights he kept me company, even if it was just from the television screen. RIP, Ron; your Ten Star Ghoul Power Generals will never forget you.

CAUTION: Long, drawn out personal memories forthcoming! (Also, it will probably help if you have at least some working knowledge of The Ghoul beforehand.)

The man himself, during a 1999 book signing.

July 10th marked the 20th anniversary of The Ghoul’s return to Cleveland airwaves, courtesy of our WBNX TV-55. (Yes, I’m well aware the majority of August is now over.) 20 years?! It’s almost shocking how quickly time has passed; it (figuratively) seems like only yesterday that I was writing about the 15th anniversary of the occurrence. I don’t know what troubles me more: the fact I’ve kept my silly blog going for five years now, or that I’ve let 20 years slip by without accomplishing anything of lasting importance.

Nevertheless, allow me now to do some reminiscin’ of Ron Sweed’s legendary late night horror host. The time is right, and besides, while I’ve related some of these tales before, it’ll be nice to present them again in an updated (i.e., better written) manner. Bear with me here group, this’ll be a long one…

Backstory:

Ron Sweed was a young associate of the legendary Ernie “Ghoulardi” Anderson (he of Cleveland horror hosting legend) in the 1960s, and it was by Anderson’s permission that Sweed resurrected the character in the 1970s, albeit with a change in name. Sure, with the fright wig, one-lens sunglasses, fake beard and mustache, and button-adorned lab coat, they looked the same. And yes, with declarations of “Stay Sick,” “Turn Blue” and “Ova Dey” and a similar penchant for blowing things up with firecrackers and adding various drops-in, video and audio, to the (admittedly) terrible movies he ran, they even shared some of the same traits. BUT, The Ghoul developed his own manic persona. His was wild, he was wacky, he was destructive, and his sense of humor was decidedly warped. With his declarations of “Ghoul Power!” he was hero to kids and the hip and enemy to those with supposedly “good taste.” The Ghoul was something special.

He first started hosting horror movies in Cleveland in 1971, on the independent WKBF TV-61, and through the magic of syndication also hit in other markets around the country. Indeed, he was just as big in Detroit as he was in Northeast Ohio. Thanks to viewer complaints and a station on the brink, his first run here came to an end in 1975, though he came back on 61’s successor, WCLQ, in 1982 and enjoyed a few more years in the Cleveland market. Add to that various runs outside of Ohio, and you had a host that really got around across the decades.

That was all before my time, however.

Despite having a vague knowledge of Ghoulardi, knowing of Superhost in my formative years, and having occasionally watched Big Chuck & Lil’ John prior, I was really just learning about the fine art of horror hosting in full in 1997, when I was 11 years old. It was actually a nationally broadcast show out of Minneapolis, Mystery Science Theater 3000 on the Sci-Fi Channel, that introduced me proper to the concept of bad-movie-mockin’, and which in turn led me to The Son of Ghoul Show on The CAT 29/35.

Now, the internet was around then, and we had it (ah, the days of slow, clunky, will-it-or-won’t-it-connect dial-up!), but it wasn’t nearly what it is now. As such, I was very much discovering all of this stuff for myself first-hand, as it beamed from the cathode ray tubes of our television and directly into my brain. In other words, if I didn’t see it aired, I may have had, at best, only the most passing knowledge on a given local subject. To think, there was a time when I wasn’t aware of The Ghoul!

Fast forward to the summer of 1998, when a relative passed along a newspaper clipping that she thought I might find interesting…

The Discovery:

My first glimpse, indeed my first knowledge, of The Ghoul came from an Akron Beacon Journal article covering his return to Northeast Ohio TV. This was fascinating stuff! A new (but not really) host for me to check out! As a 12 year old heavily into this sort of thing by then, this was exciting news! I was also curious; obviously I didn’t know what to expect. How could I? Like I said, this was all new to me.

The fateful newspaper article that led me to Ghoul Power…

You know, one of my favorite things in my entire horror host collection is actually that old Akron Beacon article. As you can see here, it’s yellowed a bit; that’s because it hung on the fridge for awhile. And the picture used wasn’t originally in color; I did that myself some time later prior to, obviously, having him sign it at a personal appearance somewhere (more on those later).

No, it’s not in “mint condition,” and it’s not archival quality in the slightest. I tend to be a perfectionist when it comes to collecting this stuff, but here, none of that matters. Why? Because this article and the history that goes with it, that’s all part of my personal Ghoul Power story, that’s why! Today, it proudly resides in a scrapbook I have dedicated to these sorts of things, and there it shall remain.

ANYWAY, thanks to that article I now had some background knowledge on the man, but I still didn’t know how this was going to play out. I was used to a certain way of local horror hosting, so how exactly was this going to work? It was a curious anticipation, to be sure.

A still from WBNX’s original promo spotlighting The Ghoul’s return.

In the days (weeks?) leading up to the July 10 debut, WBNX began running a promo for the return, and this was my first glimpse of The Ghoul “in action.” There he was, hopping down the street on a bouncy ball, waving at cars, all while the expected “I’m back!” type voiceover gave the pertinent details. Okay, this was different!

So Friday, July 10, 11:30 PM rolls around, and I was…well, actually, I can’t remember if I was there watching it live or if, thanks to the magic of VHS, I first checked it all out the next day. Honestly, I’m remembering it both ways, and I’m not sure which scenario is the truth and which is just my mind playing tricks on itself. And I’ve got a pretty good memory, too!

The first episode was 1993’s Ghost in the Machine, not really my kinda movie but a bit of “B” movie fare typical of WBNX’s offerings at the time. The Ghoul’s segments were a mix of old and new material, mainly his new segments introducing old ones. The following week (1983’s Up From the Depths) continued the trend.

Annnnnd that’s kinda where I dropped off. Over the following months, I’d check in occasionally, but the sad fact of the matter is I wasn’t an instant fan of The Ghoul. It was more of a progressive fandom; the more I watched, the more I appreciated. The good news is, when I finally ‘got’ it, man, I really got it!

The Fandom:

It was in the waning months of 1998 that I really started finding my Ghoul Power voice (I even went as him for my grade school’s Halloween party that year), and by early ’99, I was a young-but-dedicated “Ten Star General in the Ghoul Power Army.”

At a time when I was still very much developing my own sense of humor, The Ghoul displayed to me a “chaotic absurdity.” The destructive tendencies, firecracker-induced or otherwise, humor that was often positively non-sequitur-ish, it was all incredibly appealing to a 12/13 year old kid. (More than a few G.I. Joes met their demise in my backyard thanks to the influence of The Ghoul, by the way.) There was a warped sense of humor running throughout the entire show; even something as simple as using a toilet as a regular seat on his set was, to me, fantastic. Still is!

The man himself, staying sick and turning blue on set!

Like Ghoulardi before him, The Ghoul would often mock fellow local television personalities. News anchorwomen Denise Dufala (and her then-recent CD) and Wilma Smith were regular targets, as were Big Chuck & Lil’ John, who were running directly against The Ghoul over on WJW TV-8 at the time. It’s important to note that this was all in good fun; there was no real animosity there.

Some of my favorite moments were the simple ones, when he was merely sitting on the set, ostensibly talking about something but really just goofing around and cracking the crew up. Like Soupy Sales used to do, when The Ghoul had the crew laughing at something he said or did, it just made things all the funnier. And add an almost “familial” touch to the proceedings, too!

Indeed, one of my absolute favorite examples of this was “egg in a bottle,” from March 1999.

Some weeks prior, The Ghoul had demonstrated a trick in which an egg was sucked into a milk bottle by lighting a piece of paper and setting the egg over the opening – and it worked! Well, a few shows later, he revisited the bit, this time with the goal of not only getting the egg in the bottle, but then getting it out as well.

The problem was that nothing went correctly that second time around. The lit paper would be dropped in, and the egg would start to ‘go’ but then stall. Multiple failed attempts soon devolved into throwing the eggs around between him and the crew and lotsa ad-libbing. After several minutes of failing to achieve the first part of the goal, The Ghoul coolly stated “I don’t care if we don’t show the rest of the movie…” which caused the crew to crack up. And when the paper wouldn’t stay lit afterwards, he wondered aloud if they had any lighter fluid, which got another boisterous response.

Finally, he just pushed the egg down into the bottle and then sucked it back out with a straw, which was the purpose of the bit in the first place. It wasn’t so much the activity itself that was funny, but the interplay and goofing around between The Ghoul and his crew that summed up exactly how much fun this show could be. Even today, the whole segment is one of the funniest things I’ve ever seen.

Froggy being bombarded with some “raven residue.”

Oh, and how could I forget The Ghoul’s nemesis, Froggy! A small frog doll with a red coat and bow tie, Froggy was originally a 1940s & 1950s children show character, and who was later appropriated by The Ghoul for any number of destructive purposes. Summoned by being implored to “plunk you magic twanger, ova dey” and continuously spouting “hiya hiya hiya,” over the years Froggy was subject to being fried, chopped, blown up, immolated, thrown, kicked, stomped, and any other number of indignities The Ghoul reveled in bestowing upon him.

(There was also a full-sized Froggy, as in costumed adult, that appeared frequently on the show.)

It’s also to The Ghoul’s credit that, in the more-jaded late-90s/early-2000s, a lot of the stuff that would have raised eyebrows in the 1970s and even 1980s but would seem tame in the 1990s (especially when compared to, say, professional wrestling or whatever was airing on MTV or Comedy Central) still managed to work. Of course, the guy had been doing this sort of thing since 1971, it was probably all second-nature by that point, and The Ghoul went about it all with such a zeal that even some bits that didn’t quite work were still worth watching.

But you know, I fully realize that The Ghoul was/is a phenomenon that not everyone would get. (Same goes for Ghoulardi, Chuck & John, etc. etc. etc.) Unless you’re from Northeast Ohio or one of those areas that ‘got’ the humor (as Detroit wisely did), there’s a chance that if I were to show you an old episode right this moment, you’d watch and then say “okay…?” The declarations of “Boffo Socko,” “Zowie Scowie,” “Turn Blue,” and constant jabs at news anchorwoman Denise Dufala (“The secret word is DUFALA!”) probably would have left most outsiders scratching their heads.

That was the beauty of regional horror hosts though; their humor was aimed at a specific target audience. Someone in L.A. most likely wouldn’t get it, but they weren’t supposed to. This type of programming instilled a connection, and dare I say local pride, with the audience that, outside of nightly newscasts, seems to be a dying art form nowadays. The Ghoul excelled at it though.

And he fit so well into the vibes of late-90s Northeast Ohio, at least from the perspective of a 12/13 year old. Ernie Anderson’s passing in 1997 and The Drew Carey Show being a comedic force on a national scale, there seemed to be a renewed local interest in all of this stuff that made us, well, us. That feeling seemed to subside as the 2000s dawned and television in general went through increasingly radical changes (even Drew, for his last two seasons, was first moved to a terrible Monday night time slot and then burned off during the summers), but it was a wonderful ride while it lasted.

Over my years with The Ghoul, there were lotsa memorable moments. Beyond the surface stuff of anticipating a new old bad movie and seeing what he had in store for a given week, there are particular high points that stick out in my mind, both from back in the day and in retrospect.

When it began, The Ghoul Show had new host bits with the main maniac, but much of the focus was on the old material from the 70s and 80s. The Ghoul would come on in newly-filmed segments, and then introduce a clip from the past. I was entranced by these moments, and my early reluctance towards the show was almost-certainly due to the fact that the new stuff didn’t look like the old stuff. The material from the 1970s and 1980s, to me, it just looked like how a horror host show should look. The new Ghoul stuff (obviously) had a more modern look, with computerized titles and graphics. These graphics have aged well for the most part, but I wasn’t thinking of that at the time. Anyway, luckily, I came to my senses and realized that all Ghoul Power was good Ghoul Power. That’s why we’re here right now!

When new material took precedence, the 1970s & 1980s sketches were relegated to (usually) a single moment during the show: The Ghoul’s Vault of Golden Garbage. The Vault was a feature going back decades, and given its possibility to introduce me to old bits I wasn’t around for the first time, it quickly became one of my most-anticipated moments each week. (As the years went by, newer 1990s/2000s segments could occasionally show up in the Vault feature; that was always disappointing to me, because, hey, I was probably around for them the first time!)

The Vault, both in that early going and later when it was a separate segment, introduced me to the original usage of the “Ghoulzooka,” Chef Curdle, C. Miller, Froggy destruction, The Ghoul’s MDA telethon Jell-O jump, and other assorted bits of wackiness. I loved so much of it. But, being a Japanese giant monster movie fan, I think my favorite examples were the ones in which The Ghoul interacted with Gamera.

The Ghoul with Gamera, on two separate occasions…

Gamera movies were evidently well-known entities on The Ghoul Show in the 1970s, and The Ghoul took it upon himself to give them some extra-skewerin’ at least twice. The first known to me was the top image to your right: some fans sent in a “rocket powered” Gamera model, which The Ghoul and crew then launched across the studio. It was a very funny bit, mainly because it involved more joking around than anything, including The Ghoul losing it when Gamera’s head fell off during a demonstration of what was going to happen prior to launch.

The second occurrence known to me (but apparently happened first, given The Ghoul’s early set) was even ‘bigger’ and is what you’re seeing in the bottom-right shot: The Ghoul “interviewed” Gamera himself! Another very funny moment, mainly because The Ghoul had to tell Gamera how bad his movies were, much to Gamera’s embarrassment. The segment then ended with The Ghoul pulling Gamera around the set on a dolly, as if to mimic his flying. Simple, goofy, and irresistible. I loved (and love) stuff like that.

Ah, but probably the most memorable moment for me was a then-new one. Understandably, it was the time he opened a package I sent him on the air. I later wrote him emails that made it on, but the first was definitely the biggest and best.

The setting was July 23, 1999, the movie Bride of the Gorilla (a new one to me at the time; bonus!), and following one commercial break, I got probably the biggest thrill I ever got watching the show.

This particular life goal? ACHIEVED.

I had loaded this package up. First was what I deemed a “Parma Yo-Yo,” which was just a cut-out from a box of pierogies with a string taped to it, and which you were supposed to lamely bounce up and down. The Ghoul cracked up, seemed to get a big kick out of it (“And if it don’t do that, you got a bad one!”), but surprisingly I never saw it on the show again.

Then, there was a big “Ghoul Power” banner. I found a huge piece of paper somewhere and had decorated it with a whole bunch of phrases from the show. I think my hope was that it would make it onto the permanent set, and while The Ghoul seemed to like it too, I never saw it again, either.

BUT, the piece de resistance came at the end: I had gotten a cheap, terrible Jackie Chan movie from Best Buy’s fabled $2.99 VHS section, and despite two attempts at enjoying it, it was just too awful. So, what better way to dispose of it than by asking the main maniac to blow it up?

The Ghoul happily obliged, and in spectacular fashion.

I was positively flipping out during all of this. I was cracking up, literally jumping and down, I was so excited. (Hey, I was 13.) It, along with the time Letterman read one of my letters on the air, was probably one of my biggest “TV moments,” even if the two aren’t comparable on a viewership scale. It was, and is, certainly among my top favorites anyway.

Lotsa Time Slots:

As noted, The Ghoul debuted on Friday, July 10, 1998 at 11:30 PM, in what was a 2 1/2 hour time slot. For a good part of that first year, that was how long he ran, and let me tell you, by the time the show ended in the wee hours, it almost felt like you had finished running a marathon or something. It was like a bit that had happened at the top of the show felt like it had taken place eons ago by the time it was all over. It was pretty great.

At some point in 1999, I want to say slightly before the 1st anniversary but maybe slightly after, the time slot was shortened to a straight 2 hours (I recall the 1st anniversary special being 2 1/2 hours and thinking that it was a nice throwback). While this sort of took away the aforementioned “marathon” aspect, the truth is it didn’t hurt the program all that much at all. The Ghoul still packed a ton into those 2 hours, and you know, probably the only real difference was more editing to the movies!

The number of running gags, recurring jokes, and general momentum was a lot of fun to watch build and grow week after week, and by September 2000, the amount of things that had been built upon, expanded, and so on was not inconsiderable. But it was all about to take a serious hit.

Announced on September 15, 2000 (the movie was Karloff’s The Ape) and commencing on September 24, WBNX moved The Ghoul to Sunday nights at 12 AM (technically Monday morning). I had lived for those Friday nights, The Ghoul was such a great way to kick off the weekend, and now, it was being taken away from me! Summer and holidays were one thing, but during the school year (when you needed that dose of Ghoul Power the most!), my staying up for the show just wasn’t feasible. I had a hard enough time getting up in the morning as it was! Still, that’s why they invented VCRs. I was unhappy with the situation, but this was livable – I guess.

Until I saw that first Sunday show, anyway. The movie was 1993’s direct-to-video comedy Remote. There were no sound effects, no drop-ins, and The Ghoul’s host segments were severely scaled back. I was crushed. All that momentum, seemingly gone in one fell swoop. I still remember the day I discovered this; I had to run out to the garage for something, and I have this memory of being in there, sun streaming through the windows, and just feeling totally deflated.

An example of The Ghoul’s changing movie fare and time slot when he was moved out of Friday nights.

If you’ve read this old article (and if you haven’t, don’t bother; it sucks), you’d recall I was pretty down on the “Sunday era.” Now of course it wasn’t like it was when The Ghoul was on at 11:30 PM Fridays, but in retrospect, it wasn’t all bad. While a wider-range of movies was the norm (cheapo action flicks, comedies, dramas, more-modern horror and sci-fi, even the occasional animated fare, most of it without his famous during-movie-drop-ins), some of these actually worked pretty well on the show, especially the “B” action flicks from the likes of PM Entertainment and such. And when The Ghoul got a healthy amount of host segments throughout, it was all the better.

And, once in awhile, he’d do an “old style” show. That is, an old cheapie ‘classic’ loaded with drop-ins and plenty of Ghoul segments. Despite the lack of this happening on a regular basis, when it did occur, The Ghoul hadn’t lost a step.

It was in the midst of that Sunday night/Monday morning era that the world forever changed. I very much tend to look at many things as pre-9/11 and post-9/11, especially things (in this case, television) from the few years both immediately preceding and immediately following the travesty. It seems that pre-9/11, there was an undefinable air of innocence, I suppose, that was taken away afterwards. It was in that darkest of times that comfort was found in those aspects of our life that had become, well, almost a part of us, I guess you could say. I wish The Ghoul hadn’t been so inaccessible to me, a freshman in high school, at the time, because it was shows like his that helped bring a temporary comfort to a world gone mad.

I actually dug out one of my old Ghoul tapes recently, and it featured the episode right before 9/11, and what appeared to be the first one after. The first one was normal enough, but then the one after, where there’s the appropriate tributes and shows of solidarity during the commercials, it was and is heartbreaking. How quickly things can change.

The Ghoul on his “Breakfast Club” set.

It was in that post-9/11 world that the “Ghoul Power Good Morning Breakfast Club” experiment began. On October 8, 2001 to be exact, after the show moved to 1 AM Monday mornings the week prior. Technically a worse slot, though my circumstances didn’t really change one way or the other; I still couldn’t stay up to watch it. The movie was Street Crimes, a low budget action flick from PM Entertainment and starring Dennis Farina that was a good example of what made up a good chunk of The Ghoul’s fare during that time period. It actually worked pretty well with the show – though I suppose your viewpoint on that would largely depend on how tolerant you are of “B” action flicks in the first place.

The gag of the “Breakfast Club” was that at 1 AM, it was Cleveland’s earliest morning show, thus starting your day off right before anyone else. Filmed on a different set and with humorous looks at traffic and weather and guests sharing coffee (typically associates and characters that tended to be on anyway), it was an interesting idea that worked far better than it had any right to, but it only lasted for maybe 6-8 months; certainly by the summer of ’02, the show was back to its normal set and structure.

In September of ’02, The Ghoul was finally moved out of the Sunday/Monday hole and back to Friday nights/Saturday mornings…early Saturday mornings; it was slotted at 3:30 AM! I can’t decide if this was more or less accessible than before. On one hand, it didn’t coincide with a weekday, but man, depending on the movie, you’d be finishing up at around 5:30/6:00 AM. Look, I’m a habitual night owl, but even that goes a little too far for me.

(The final “Sunday era” broadcast was on September 2, 2002 with House on Haunted Hill; one of those “old style” Ghoul shows, loaded up with drop-ins and host segments. When he resurfaced in this new, uber-late time slot, the movie was 1996’s Yesterday’s Target.)

Sadly, and I hate to admit this, it was around that time (fall 2002) that I fell away from watching. Well, taping; the sad fact of the matter was that I kept recording for years, but rarely got around to watching the shows. Heck, I rarely got around to even checking/labeling the tapes! They just kept piling up! Teenagers do dumb things, and in hindsight, I’d have stuck with the program till the end (2003 or 2004, depending on the source), but at 16 years old, I guess you’re not that forward-thinking.

I never stopped liking The Ghoul though. Some of my happiest TV-viewin’ memories are of those Friday nights at 11:30 PM, watching him fool around against that black backdrop with the hazy border or goofing off on that junk-laden set. Indeed, I still have this very clear memory: summer of ’99, relaxing to The Ghoul on a Friday night, all alone, the window behind me open, cool breeze filling my nostrils with the scent of nearby bonfires. It was such a great feeling.

I have memories of tuning in on Sunday nights as well, but they’re not as numerous or as, erm, memorable, for obvious reasons.

I really have no idea why WBNX moved The Ghoul out of Friday nights 11:30 PM or why his movie choices were, to a large degree, altered. Was it a ratings-issue, an attempt at giving him the all-around of Big Chuck & Lil’ John, or…? I just don’t know.

The Ghoul in a local Norton Furniture ad.

A fun addendum to The Ghoul’s 1990s/2000s Cleveland revival: in the mid-00s, he appeared in a few local commercials for Norton Furniture, an establishment that specialized (specializes?) in late night advertising. Often of a surreal nature anyway, the two (I think there were only two) spots featuring The Ghoul had him chasing around store owner Marc with the intent of cutting off his ponytail for a new phony beard. (The second spot featured a cameo by Froggy, too!)

Airing around 2004/2005, these Norton Furniture ads were some of the last times, to the best of my knowledge, that The Ghoul appeared on Northeast Ohio television in a regular capacity. (And lest you think commercials shouldn’t qualify as “regular capacity,” bear in mind Norton Furniture ads were all over late night TV in these parts at the time; if you liked staying up late as I did/do, you’d almost have to be trying to not see one!)

The Movies:

Because The Ghoul was on a channel that regularly picked up movie packages (and was affiliated with the WB Network to boot), his movie choices could really run the gamut. Sure, the usual public domain cheapies from the 1930s through the 1970s showed up, as is typical of horror hosted shows, but ‘real’ movies were also part of the regular rotation. A lot of newer, “B” grade flicks popped up on the station, even outside of The Ghoul. Because I was (am) a movie fan as much as I was (am) of the show itself, it was a real trip seeing so many new-to-me flicks week after week, and the announcement of the next week’s movie was a moment of high anticipation for yours truly. The possibilities were (seemingly) endless!

Of course, you didn’t really tune into this show to see a full-fledged movie; the film was just part of the experience. Because The Ghoul would pack so much material into a show, there were times when a movie would be edited beyond comprehension, and indeed, there was so much insanity going on, the movie sometimes seemed almost like an afterthought. Make no mistake though, that was all part of the fun! For 2-2 1/2 hours, it was like you were tuned into an incredibly weird televised circus – and I mean that in the best way possible.

And naturally, one of the main draws as far as the movies were concerned were the various audio and video drop-ins. Inappropriate and/or nonsensical music, sounds effects (who could forget “OW OW OW! when someone got hurt, or the loud BURP whenever a character took a drink?), silly old film clips inserted into the film, and funny “facts” that would pop-up not unlike VH1’s then-popular Pop-Up Video, all were regularly featured throughout a given movie during the earlier years of the show.

My tastes in movies were all over the place around that time. I liked the pioneering silent films in the horror and sci-fi genres (some of them, anyway), the classics and poverty row flicks of the 1930s and 1940s, and the cheesy sci-fi of the 1950s and 1960s; that’s the stuff I ‘started’ with. By the time of The Ghoul, those tastes were expanding to also include the grindhouse and Eurotrash junk of the late-1960s, 1970s and beyond, and even though it wouldn’t peak until the mid-2000s, looking back I guess I had a slight inclination towards the slashers, too. The Ghoul covered them all, in varying degrees of visibility; only one silent I can think of (Metropolis, appropriately the first show of 2000), a healthy dose of 1940s through 1960s stuff, lots of obscure 1970s garbage, and plenty of low-rent 1980s & 1990s fare.

An example of the type of film The Ghoul would show during his stay at 11:30 PM, Fridays…

Nowadays, I pretty much like what I did in the first place: some silents, the classics and the poverty row offerings of the 1930s and 1940s, cornball 1950s/1960s sci-fi and horror, the giant monster flicks out of Japan. My interests wane considerably after Night of the Living Dead, both because NOTLD is a masterpiece and legitimate contender for greatest horror film of all-time (in other words, how y’all gon’ top it?), and more importantly because later, more ‘extreme’ horror films may have been bloodier, nastier, but they didn’t have the brains or heart behind them, barring some exceptions, such as the original Dawn of the Dead (though I still prefer Night…)

Yep, The Ghoul’s movie selections of the late-90s/early-00s were certainly wide-ranging, and I have plenty of favorites from those years. The 1930s and 1940s flicks featured (alliteration), some being staples of these types of shows, are movies I particularly enjoy. Three Bela Lugosi films come to mind: The Devil Bat, Invisible Ghost, and White Zombie. Also, Boris Karloff’s The Ape (a movie I didn’t much care for at the time but have really warmed up to in recent years) and the 1941 Monogram wartime poverty row opus King of the Zombies. 1950s cornball drive-in fare like Indestructible Man, The Screaming Skull and The Giant Gila Monster and ultra-cheap trash like 1966’s Curse of the Swamp Creature also get high marks from yours truly.

There weren’t many Japanese monster movies shown, and those were/are a favorite genre of mine. But, Attack of the Mushroom People made it on, and that was a big, big one (a far darker film than that American title implies). The 1956 Daiei opus Warning From Space (the second anniversary show movie) also stands out.

From later years, Best of the Best 3, Ring of Fire III, and Street Crimes stick out as favorite low budget action flicks; I genuinely enjoyed all three. And, my first full viewings of Deliverance, Cocoon and Poltergeist came via The Ghoul. Even with the appropriate editing-for-television, they made for great Ghoul Power features.

And when it came to Christmas, The Ghoul went all out, especially in 1999, when the entire month of December was dedicated to the holiday. 1964’s Santa Claus Conquers the Martians is my go-to “bad Christmas movie” flick, and that’s the only time I saw him run it. Also, 1935’s Scrooge, my personal favorite movie version of A Christmas Carol.

Oh, my least favorite films featured (alliteration) on the show? Of the “classics,” try as I might, I could never really get into Gorgo, which was the subject of his first anniversary show. The special effects are terrific, granted, but as a whole it’s nowhere near as fun as a comparative Japanese release. Frankly, Gorgo bores me. Also, and this may be anathema to admit, but House on Haunted Hill (which I believe The Ghoul ran at least three times over the course of his run) is a movie that has just never done much for me. I don’t actively dislike it, but I don’t really like it, either. Even when I first saw it at 12/13 years old (after much hype from family members and when I was an easy audience for this sort of movie), I was left severely neutral on the subject. If it wasn’t for Vincent Price, well…

Nowadays, I don’t like slasher movies at all, so the Leprechaun flicks (if they’re even considered slashers; I think of them in the same territory, if nothing else) are in retrospect not to my personal tastes – though I kinda liked them back then. (The Ghoul ran several entries over the course of his run.) And a lot of the newer movies that made it onto the show such as Pumpkinhead II, Hellraiser IV, Pinocchio’s Revenge, Doppelganger, Ghoulies, the 1989 Phantom of the Opera, my views on those range from severe disinterest to outright dislike. 1985’s Eternal Evil is also a terrible, terrible movie – and not in a fun, Ghoul Power way, either.

A lot of 1970s stuff hasn’t worn well for me, though I took an interest in them then. Mainly the European films; Lots of people love ’em, but I’m not one of them, not anymore. Flicks like Lady Frankenstein were/are so covered in depressive grime, forget wanting to take a shower; I feel like I should go soak in some 91% isopropyl for 17 hours after watching that one.

Also, I know he has his fans, but from a strictly personal standpoint, I just don’t get the love for Paul Naschy movies; every one I’ve seen has been essentially unwatchable. The Ghoul ran Werewolf vs. the Vampire Woman, and even he couldn’t save it! And isn’t that considered a top-tier Naschy film? *shudder*

Personal Appearances:

I had the great benefit to meet The Ghoul in person not once but several times. I can tell you, each and every time, he was absolutely phenomenal with the fans. Not only was he energetic and ‘on’ the entire time, but he really spent time with his admirers; he’d talk, he’d joke, he was everything you hope for when you meet a celebrity.

There’s yours truly with the main maniac in 1999; evidently I wasn’t always the suave hepcat I like to imagine myself to be.

My first meeting with him was in 1999, at the Chapel Hill Borders Books where he and Mike Olszewski were signing copies of The Ghoul (S)crapbook, a terrific collection of old photos, information, hate mail and general wackiness. As you’d expect of The Ghoul, basically. (While very informative, it also came off as the warped counterpart to the 1997 Ghoulardi: Inside Cleveland TV’s Wildest Ride book – again, as you’d expect of The Ghoul.)

There was quite a line to meet him that night, and while it wasn’t like I had to stand in it for 8 hours or anything, there was a bit of a wait. When I finally got to meet him, it was obvious why: The Ghoul really gave you his attention, spoke with you, all while staying in character. And you know what? The saying “you can be anything you want to be” is endlessly repeated to us in grade school, but I can tell you from experience that it means so much more when it comes from The Ghoul.

Truth be told, I can’t remember how many times I met The Ghoul. It feels like more than what I’m writing about here, but that might be my memory playing tricks on me – or maybe I really am forgetting an appearance or two. Anyway, the next one that comes to mind is his appearance at B-Ware Video in Lakewood, OH, on April 14, 2000. B-Ware was run by “Sick” Eddie and his wife, both of whom worked on The Ghoul’s show. Man, in those days before anything and everything had been issued (or reissued) on DVD, B-Ware was a haven of weird, out-of-print, obscure horror and science fiction titles on VHS, some for sale, some for rent. Seriously, the only place to get some of this stuff was eBay – and certain titles were selling for mighty dollars at the time. Even though I was only there once, B-Ware was amazing.

In addition to Mike Olszewski, there were even more of The Ghoul’s crew there at this appearance. Froggy, Jungle Bob, Jeff “The Sickie,” even Dinky, the big pink flamingo mascot of Destination, the heavy metal band who did The Ghoul’s opening music at the time (he even gave me a free CD of theirs!). Aside from The Ghoul and Olszewski, it was my first time meeting all these people, and everyone was ridiculously friendly. And The Ghoul, who as I recall it had had not one, not two, but three personal appearances that day, of which this was the third, showed no signs of running out of gas.

I’ll never forget this: he didn’t know me in the least, but when they brought the camera in to film for the show, Olszewski implored me to get up front and get on. I’ll never forget how nice that was of him, and thanks to his insistence, I showed up in the crowd when the bits aired a few weeks later during Indestructible Man (and one of them repeated during the second anniversary special that summer, as well). You don’t get to see a screenshot because I was a goofy lookin’ 14 year old (even goofier than the pic you just saw of me a bit ago), but nevertheless, it was a thrill.

Next: the grand opening of High Point Furniture in the Midway Plaza in Akron, where I met him one night, and then again the next. I could be wrong, but I think it was the fall of 2000; I’m pretty sure this was where I asked him about the whole move to Sunday nights. (His suggestion was a VCR, which, you know, what else could he say?)

[EDIT: This appearance was apparently in the fall of 1999, not 2000, which means I couldn’t have asked him about the Sunday move, as it hadn’t happened yet. I definitely did ask him about it once, and I sure *remember* it as being inside High Point, but unless it was at the appearance you’ll read about after this one, there was another time I met The Ghoul that is otherwise totally slipping my mind.]

This isn’t a pic from that grand opening; I went and snapped it specifically for this article. This Midway Plaza location still stands, but has been closed for a number of years now.

I don’t remember a whole lot about that first night, other than they had free Domino’s Pizza, pop, and a KISS tribute band in the parking lot. I sure remember the second night though, when I went back. (This wasn’t exactly a four hour round trip; Midway Plaza was pretty close by.)

I had a box of stuff for the show that would have been prohibitively expensive to ship (and I had even less money then than I do now), so I brought it all direct to The Ghoul. It really was a bunch of junk, I don’t think any of it made on the show (I wouldn’t blame him if none of it made it beyond the dumpster that night!), although methinks the replica of Rodin’s “The Thinker” mocked up to sorta look like The Ghoul was at least semi-clever.

I wasn’t expecting him to open the box there, but he did, and when he was done sifting through it, he stood up and presented me to the sizable line of people waiting to meet him. Right then and there, he declared me to the crowd as a Ten Star General in the Ghoul Power Army – and they cheered for me! It was an incredible surprise, and to me it sums up just how fantastic The Ghoul was with his fans. He didn’t have to go that extra mile, but he did, and I will always be grateful for it.

The Ghoul promoting Frightvision 2001 on his show.

Finally, there was Frightvision 2001. Now, truth be told, I don’t know if I met him there, I don’t recall doing so, but having been to the previous two Frightvision conventions held in Akron, it was still pretty cool when The Ghoul was announced as host of the third (in Cleveland). Frightvision was my first horror & sci-fi convention in 1999, and by 2001 I had long realized what a bastion of collectibles it was. If I didn’t take advantage of the numerous celebrities in attendance that year (and I didn’t; I don’t think I met any of them at the show), it’s only because I was so focused on netting me some cool winnins from the dealers there.

Speaking of cool winnins…

Memorabilia:

I’m a collector of pop culture, especially as it pertains to broadcasting, television broadcasting specifically. Mugs, glasses, shirts, keychains, assorted promotional memorabilia related to this sort of thing, I’m almost always interested in that – especially when it hails from the 1960s through the 1980s.

While I take an interest in television in general, local broadcasting is a facet that really perks up my ears. I don’t necessarily mean local to me; local TV from across the U.S. is something I find endlessly fascinating. BUT it goes without saying that the area of my greatest interest lies in Northeast Ohio’s television history. And since I’m a big fan of horror movie hosts, that’s the sort of memorabilia I’m always, always after.

That was my long-winded way of saying I’ve amassed a sizable Ghoul collection over the years, both first-hand and online. T-shirts, autographed photos promo flyers, articles, assorted things like that are littered throughout my collection. Here now are just a few of the items that help keep the Ghoul Power burnin’.

Endlessly pushed on the show for much (all?) of his WBNX run, Turn Blue Ghoul Brew was The Ghoul’s very own beverage, and it really turned you blue! Well, your tongue anyway. I got this bottle during the Borders Book appearance, and since he signed it to me, I never had the heart to open and drink it. I did try the stuff though; it was basically blue root beer. Non-alcoholic and pretty tasty, I wish they still made it. They later came out with “Froggy Squeezins,” a green lemon-lime drink. Besides personal appearances, you could only get these at select locations in Northeast Ohio.

Luckily, one of those locations was mere minutes away from me: DeVitis & Sons Italian Market. In fact, during our 8th grade fundraiser for a trip to Washington DC, one of my grade school’s stops was the Acme that was next to DeVitis at the time (it’s a Save-a-Lot now). Ostensibly we were supposed to be selling hots dogs and hamburgers, but I don’t remember really having all that much to do. At one point, I broke away to DeVitis, where I purchased my first bottle of Froggy Squeezins. It was pretty good, but I unfortunately never got another, and I stupidly didn’t keep the bottle. Mistake! I didn’t really like that trip to Washington, but at least I got a bottle of Froggy Squeezins out of the deal.

Turn Blue Ghoul Brew’s bottle went through a couple label variations. Originally it had a simpler label and was in a brown bottle (it looked like a beer), which was then switched to the variant you’re seeing here. (They occasionally sold old “brown bottle” variants, as collectors items, at personal appearances; I’m this sure I got one at Frightvision 2001, but if I did, I can’t find it. EDIT: Of course I found it after this article had been published!) The third label variant (that I know of) switched up the font and added a hypnotic swirl behind the Ghoul caricature.

I really wish they still made this stuff.

Hey, remember how I told you I loved the Vault of Golden Garbage segment on the show? Well, in the late-1990s, The Ghoul released a VHS tape that was nothing but the Vault of Golden Garbage! I had to have it, and as you can see, I did.

I haven’t watched this since probably 2000 and I can’t remember if it was all 1970s material or a mix of 1970s and 1980s, but I do remember it as being terrific. My only complaint? I don’t recall there being any Froggy skits included! I guess I could play it, but knowing my luck, that would be the exact moment my VCR decides to start eating tapes, despite having never shown an inclination for such things prior.

As you can see, I got this signed by the man himself at a personal appearance somewhere. I don’t remember which one, but I’m positive it wasn’t Borders or Frightvision. It might have been B-Ware Video, I know had some stuff with me to get signed, but I’m guessing this was the first night at High Point Furniture. (I take solace in the fact none of this really matters to anyone but me.)

Hey, dig this: an original program and wristband for Frightvision 2001! Yes, as proof that I always saved everything pertaining to this sort of thing (except that Froggy Squeezins bottle apparently), I still have the wristband from this show. Call it hoarder-ish if you like, but since there’s a real possibility that the number of people who still own these number in the single digits and I’m one of them, that means I win. Right?

I’m not going to go through it page-by-page, I don’t think anyone that has stayed with me this whole time (yeah, sure) will care, but I will say they had a pretty great line-up of guests that year. I wish I had taken advantage of that, but I didn’t, and now I have to live with it.

“Hiya gang! Hiya hiya hiya!”

This little (4 or 5 inches in height) Froggy doll isn’t an official Ghoul product, but rather something hailing from 1948! A whopping 70 years old! Yes, this is an original Froggy, made of rubber and fittingly manufactured in (where else?) Akron. Rempel put these out in conjunction with Smilin’ Ed McConnell’s Buster Brown Show, which is what Froggy is originally from. There were two versions of this doll that I know of: this smaller one, and a larger 9″ model. Both were made of rubber and squeaked when you squeezed them, though the squeaky feature of mine is long gone. Not that I really care about that; I just want my own Froggy to plunk his magic twanger whenever I come calling.

My brother actually bought this for himself years ago, and knowing what a Ghoul fan I am, gave it to me for Christmas sometime later. In the years since he first purchased it (it wasn’t cheap, but it wasn’t unreasonable either), these things have really gone up in price, especially if they still squeak and are in decent shape. And if you’ve got the original box, the pricey meal is on you tonight! The larger 9″ one is my new personal chaser; I could pathetically reenact Ghoul skits all by my lonesome with it if I so desired! (Minus the destruction, of course; these guys cost too much!)

This item is something I myself found in an antique store several years ago. They had gotten a load of old magazines, newspapers, and the like. Man, I cleaned up. Music mags with Springsteen on the cover, M*A*S*H final episode tributes, and the big find, this: a 1983 Scene Magazine featuring The Ghoul! This was one of those cases where you find something, and you’re so excited that you immediately become overly-protective of it, as if someone is gonna take it away from you. At least, I tend to get that way. (Is it just me?)

Oddly enough, I still haven’t read the Ghoul article in it; I’ve spent all my time finding a safe, flat place for the issue, with an eye towards getting it framed at some point in the future. Plus, with old newsprint, especially large-sized as in this case, I like to handle with the figurative kid gloves.

I have old promo cards from the WKBF days, but this artifact that popped up on eBay about two years ago is interesting enough to share here. I’ve never seen one before or since, so I had to snap it up. According to the seller, this flyer hails from the Halloween season and the gimmick was for kids to pin them to their costumes while trick-or-treating so they’d be more visible in the dark. Not a bad idea, and since it was The Ghoul, you know, it just fit with the season!

And dig that: “Courtesy of Clarkins.” Talk about a blast from Northeast Ohio’s past! I have no idea what year this flyer is from or how many times The Ghoul appeared at Clarkins (that or any other location), but the WKBF-TV notation is obvious proof it hails from somewhere in the 1970s.

And finally, a small piece of memorabilia, but one that gets more ‘use’ than anything else I’ve just shown you: a 35th anniversary Ghoul keychain, which proudly hangs with my keys. (As you’d expect of a, uh, keychain.) It’s about the size of a quarter, maybe a little larger, and man is it snazzy! (Of course, I have two of them; this one, and one still sealed brand new in its cute lil’ baggie.)

My pic makes it a little hard to see, but these were released in 2006, in conjunction with The Ghoul’s (say it with me) 35th anniversary. He was unfortunately no longer on local airwaves by that point, but nevertheless, he certainly came out with a boffo socko keepsake!

Looking Back:

The Ghoul really exemplified what I like to call “Cleveland Style Horror Hosting.” Sure, there was a general ‘spooky’ look and feel to the proceedings, but unlike many other hosts nationwide who tried to play into the vibes of their look and/or movies they were presenting, here it was all just a vehicle for wacky comedy. Not that comedy was anything new to horror hosting, it goes back to its earliest days, but just like there was a style of Polka music commonly deemed “Cleveland Style” (yes there was), around these parts there was a specific set of ingredients. Yes, there were the sets and the films presented, but underneath it all was a cacophony of (innocent) ethnic jokes, wild behavior and homemade lingo that gave our guys a specific “flavor.”

Sure, that can be leveled at other hosts outside of Ohio, but you know what? We’ve had such a preponderance of them, going back to the revolutionary Ghoulardi, that I’m calling it our own. Your mileage may vary, naturally.

Even though he’s out of Chicago, Rich Koz’s Svengoolie actually does a good job of presenting to a nationwide audience what I’m talking about. Sure, he has the look and movies down (better movies than anyone else, in fact), but comedy is the ultimate goal. It makes sense though; there’s a very real Ghoulardi/Cleveland connection with Sven. The original Svengoolie, Jerry G. Bishop, was a Cleveland disc jockey when Ghoualrdi ruled the town, and when Bishop started Svengoolie in Chicago in the early-1970s, the influence was apparent. He wasn’t a beatnik vampire, he was a hippie vampire. Instead of “Parma,” it was “Berwyn.” And so on and so forth. (I don’t mean to claim Bishop was a copy or rip-off of Ghoulardi in the least, just that Ghoulardi’s influence reached wider than the Northeast Ohio area.)

In fact, while I don’t find much of the current Svengoolie’s humor to my personal tastes, I appreciate that he keeps these ideals in play. Underneath that horrific exterior is a mostly-comedic interior. Also, the fact he keeps things relatively-light (whereas many current internet hosts go for an ‘extreme’ look and feel) recalls the “classic era” of horror hosting, of which he hails from anyway, and that I certainly like.

Anyway, The Ghoul, perhaps more than any other save for Ghoulardi, was a “Cleveland Style” host. At first glance, you’ve got this guy in an appropriately ghoulish get-up, but then you start really watching; he’s wild, he’s wacky, he’s got his own language, his own madcap style, and you realize there’s so much more to him than a “mere horror host.”

I would have loved to have grown up with him in the 1970s and 1980s, when his style of humor wasn’t only hip and dare I say subversive, but also capable of eliciting complaints from certain viewers in that more-staunch time period. When I began watching in the 1990s, no one was going to pitch a fit over blowing up a model car with a firecracker or making a gigantic mess of food as Chef Curdle.

What he instead attained was a level of, as I like to call it, “comforting mania.” It was a welcome respite from the real world, from school life, from more conventional comedy. Tuning in each week was a carnival of fireworks, wacky catchphrases, and terrible movies, and it was irresistible.

I couldn’t be there beforehand, but I’m appreciative of the years I did spend with The Ghoul. He mangled my medulla on a regular basis, and as a Ten Star General in the Ghoul Power Army, I’m grateful for that.

Now if you’ll excuse me, I’ve got some glass to scratch and walls to climb…

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Gene Shalit’s Critic’s Choice VHS Series: 1941’s The Wolf Man (1987)

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You know, I had an entirely different, non-seasonally-themed post in mind for this week, until I realized that next week is Halloween. Next week! October is flying by, a realization that is bittersweet for me; I love this month and this time of year, and I hate to see it all zoom by so quickly. But on the other hand, the big day is at the very end of it all, and at least in my situation, you gotta make it through most of October to get to Ghoulardifest. And then there’s Thanksgiving, and then Christmas, and on and on it all goes. I love this time of year!

Anyway, with the season being in the full swing of things, I figured I may as well stick with a horror theme until the end of month (not so hard to do; barring the Tarzan post and Big Chuck & Lil’ John pre-game one, all of my recent posts are more or less seasonally-appropriate. I didn’t plan things that way, it’s just how it all worked out).

On that front, nothing screams “spirit o’ da season!” quite like Gene Shalit’s mustachioed visage plastered all over a VHS release of The Wolf Man. Behold: from 1987, it’s MCA Home Video’s release of 1941’s The Wolf Man, as part of their Gene Shalit’s Critic’s Choice series! It’s not a particularly rare video, it can be had on eBay for a few mere dollars, but any time Gene Shalit himself shows up out of nowhere to tell me to watch a movie, well, that’s worthy of a post. Plus, The Wolf Man, Halloween, it just fits.

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The movie is a classic for sure, but for this particular post, it’s really all about the cover art this time around. Yeah, we’ll take a brief look at the film itself, but seriously, the cover art makes this one.

First off, you’ve got that great image regarding the movie itself: Lon Chaney Jr. as the titular character, gripping Evelyn Ankers, surrounded by fog, foreboding trees, it’s all just great. Really, you don’t need much more to sell The Wolf Man in my opinion. Later VHS releases, including one that’s an illustrated close-up of Wolfie’s face and one that used the original gol’derned poster art as a template, failed to improve upon the spooky vibes emanating from the cover art of this 1987 release.

Annnnnd then, in waltzes Gene Shalit. And make no mistake, it’s all about the Shalit here. Now granted, there was a whole line of these Critic’s Choice tapes for MCA featuring him, some more befitting his image than others, but in the case of this particular entry, it’s just such an odd combination. You’ve got Gene Shalit, longtime Today Show movie critic, with his big giant mustache and even bigger bow tie, busy mugging for the camera while Lon Chaney Jr. is busy committing wolficide mere inches away. You can almost hear him making a pun. “Now that’s what I call a hairy situation!” That’s the kind of pun he used to make, right?

And I love the film strip at the bottom of the cover, showing what I like to call “The Four Stages Of Gene.” From left to right, you’ve got apprehensive Gene, jokey Gene, spooked Gene, and knowledgeable Gene. It’s any kind of Gene for any kind of movie!

Keep in mind, I’m not criticizing any of this, either. I’ve got nothing but respect for Gene Shalit, I think he’s a cool guy, and he was (and is) such a well-known personality that it makes perfect sense to have him pitch what are, ostensibly, his top-home video picks. But like I said before, when it comes to this particular movie, it’s just such a jarring combination. Heck, when I first stumbled upon this video, that’s precisely what attracted me to it. It’s the kind of tape that really could have only come out in the 1980s, and again, that’s not a criticism.

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I give ’em props for Shalit-izing the back cover, too; supposedly he himself write the synopsis, and even if he didn’t, it gives a pretty good idea of his style. Go ahead and click on the picture for a supersized version. Read that description and then tell me it’s not the greatest synopsis The Wolf Man has ever had or will have.

First off: puns! Gene Shalit loved him some puns, and he gets off some good ones here. He totally makes a “hairy” gag (having only glanced at the description beforehand, I promise you my joke earlier was entirely coincidental or subconscious or some crap like that). And “…all howl breaks loose” alone is almost certainly the greatest thing ever written on the back of a Wolf Man release. This is a statement I comfortably make, despite having not read the descriptive synopsis on the back of each and every one of them.

Beyond the patented Shalit style, however, is the fact that it’s just a really great description: there’s enough humor to keep it from being dry, and just enough information to make it sound interesting without giving too much away. Remember, this tape came out when rental stores were the places to go for movies; while it’s hard to imagine anyone not having some idea of what The Wolf Man was about, the truth is that the description on the back of a box could and often did make the difference between what wound up being a weekend rental and what continued to languish on the shelf. The cover art (which, as I said, this release also has nailed) got the people to pick the tape up, but the description could be the swaying factor in a real, honest-to-goodness rental.

Or maybe I’m just totally full of it, who knows.

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Why’d you write your name all over my collectible VHS tape, Lisa M.?!

The absence of Gene Shalit’s name anywhere on the tape itself leads me to believe there was a ‘regular’ VHS release of this movie, and the same tapes were used both for that and this Gene Shalit-branded-sleeve version. (Come to think of it, I wonder if there’s a ranch anywhere that brands their cattle with Gene Shalit’s face. If there’s not, there should be.) But then, looking at online auctions, most of the ‘early’ releases tend to be this exact one; I’m not seeing any non-Shalit version from the time period. Maybe more people bought this one for the exact same reasons that I’m so enamored with it. Or maybe I’m just totally full of it, who knows.

By the way, do you like the way I snapped the picture with Shalit overlooking the proceedings? Totally intentional, yo. I like to imagine those are the stages of his reaction to Lisa M. writing her name on the label. He starts off irritated and then learns to live with it. Seems plausible.

(If you’re reading this Lisa M., I’m just kidding.)

Okay, Gene Shalit may not be on the tape itself, but he is all over the sleeve; dare I dream that he hosts the actual movie as well? Oh I dare. Hey, if Elvira can host movies for home video, why not Gene Shalit too? (He asked as if there’s any real comparison between Elvira, Mistress Of The Dark and Gene freakin’ Shalit.)

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Aw shucks. Bitter sadness: Gene Shalit appears on the VHS sleeve only. Apparently he said all he had to say about the movie on the back cover.

Of course I kid. I didn’t really expect Gene Shalit to pop up on-screen and intro the movie, although the idea of his providing running commentary not unlike Mystery Science Theater 3000 just popped into my head and bizarrely amuses me.

But then, The Wolf Man is a movie that doesn’t need anything extra. This is a genuine Universal horror classic! It’s a terrific, engrossing film, and coming from me, that’s a telling statement.

Why’s that? Well, It may be anathema to admit this, but I’m going to come right out and say it: I’m not a big werewolf guy. Werewolf movies in general I’ve never much cared for (you probably won’t see Gene Shalit lending his mug to Fury Of The Wolfman anytime soon!), and as far as the Universal classics go, for me personally The Wolf Man generally finds a lukewarm place somewhere in the middle. While I always liked The Wolf Man more than The Mummy, The Invisible Man and The Phantom, he’s still markedly below my favorites of Frankenstein, The Gill Man, and Dracula (in that order). Luckily, many of those other monsters that I am more fond of appeared in the sequels to this movie.

That’s the title screen up above, by the way.

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This original 1941 The Wolf Man is really the exception to all that, though. While I’m not as enamored with the character as others are, this movie is fantastic. Unlike the sequels, in which Universal apparently felt Wolfie couldn’t stand on his own, it all works wonderfully here. It’s not a movie I watch terribly often, but when I do, I enjoy it.

The plot as it is may not sound too revolutionary; this sort of thing has been done over and over so many times throughout the years that some of the bite (see, I can pun too HAW HAW HAW) has been taken out of this original film, but if you can overlook that and just watch this one on its own, it’s great.

Lon Chaney Jr. plays Larry Talbot, who is returning to his family home in Wales. His brother has died and he wants to make amends with his father (Claude “I is the invisible mang” Rains). One night he tangles with a wolf, which turns out to be Bela Lugosi (who somehow I totally forgot was in this movie) in the form of a wolf. Talbot is bitten, and, well, you can see where this is going. Larry is now unwittingly a werewolf (whom you can see above in the handy screencap).

Look, if you haven’t seen it, just go watch it, okay? It’s a great flick.

You know, I spend so much time looking at home recorded tapes or ancient budget videos that I forget how clean some movies can look on VHS, and The Wolf Man is one of them. Sure, it’s an old videotape, it’s a little grainy, but it’s an officially licensed MCA/Universal tape. That is, it’s a clean, nice looking print of the movie, recorded in SP mode. It’s not a remastered DVD, I know, but compared to most of the crap I look at, it might as well be. Plus, you know, Gene Shalit on the cover and everything.

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I was actually pretty happy to add this one to my collection. Sure, I usually prefer my Universal monsters horror hosted (see: here and here), but there’s something to be said for (relatively) quirky older releases such as this. By 1987, home video, VHS in particular, was pretty well entrenched in the public consciousness, and tapes like this were what the people wanted; clean, uncut, commercial-free classic movies they could watch any time they darn well pleased. Nowadays we have the film on DVD and Blu-ray, but for a cool late-1980s/early-1990s throwback, it may not be a bad idea to bust out the ol’ VCR and fire this (or any horror flick of your choice really) up this Halloween. Something about it just seems so right. To me, anyway.

Plus, Gene Shalit. I strongly feel Gene Shalit plastered all over movie covers should totally be an ongoing thing. Heck, why’d they stop at VHS? DVD, Blu-ray, digital downloads (somehow), there’s no format not worthy of the Shalit bow tie guarantee of greatness!

WJW TV-8 – The Big Chuck & Lil’ John Ghoulardi Special (October 10, 2015)

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I usually don’t look at ‘modern’ television broadcasts, especially broadcasts as recent as this past weekend, but this was so unabashedly cool that I can’t resist. Besides, it may be a new broadcast, but it’s a new broadcast of older material which in turn featured even older material. There, wrap your mind around that!

‘Course, the fall-back here is that this is my blog and I’ll write about what I want. I could go in the backyard and describe all the neat-lookin’ rocks I find if I so desire. You keep pushing me and I just might, too.

I was made aware of this special just the night before it aired: on Saturday, October 10, 2015 at 3:30 PM, WJW TV-8 would be airing the 30 minute Big Chuck & Lil’ John Ghoulardi Special. I’m glad I only had to wait less than a day for this, because man, I was stoked. A Big Chuck & Lil’ John special, airing (roughly) in their old Couch Potato Theater time slot, and focusing solely on Ernie “Ghoulardi” Anderson, the man who set this whole thing in motion waaay back in 1963? I was so there.

This is what I love so much about Northeast Ohio TV: for all of the changes it has gone through over the years, the steady erosion of locally-grown programming in favor of syndicated content and whatnot, there’s still a sense of history here; there’s a reason Big Chuck & Lil’ John have been forever in the public eye, Son of Ghoul is still plugging away, and no one bats an eye when a special regarding a character that hasn’t been on Cleveland airwaves since 1966 is allotted a 30 minute time slot. Doesn’t hurt that Ghoulardi had (and continues to have) an incalculable impact on so much of the populace, either.

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The announcement I saw didn’t elaborate, and I automatically assumed this was going to be a half hour edition of their regular skits-only show, tailored solely to Ghoulardi material. As it turned out, this wasn’t actually a new special; as the above screencap attests, this was instead a re-broadcast of Big Chuck & Lil’ John’s tribute to Ernie Anderson following his 1997 death. It’s actually not too far off from what I envisioned, just 18 years older. I guess it makes sense to simply re-run the earlier special; a new version would just cover the same ground and take time to film.

Not that I’m complaining, mind you. Anything that gives Big Chuck & Lil’ John and Ghoulardi airtime is absolutely fine with me. Always. Besides, seeing Chuck & John on that old set with the studio audience gets the nostalgia fired up somethin’ fierce.

(By the way: why the slightly fuzzy reception in this day and age of ultra-clear digital everything? Meh, for old times’ sake I recorded this onto DVD on my downstairs CRT TV, which apparently doesn’t play by the same rules as my cute HDTV upstairs does. I also DVR’d the special upstairs, but what the heck, this DVD is already made and handy for screencaps, so here we are.)

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Being a tribute to Ernie Anderson, in addition to actual Ghoulardi footage there’s also a lot of reminiscing, as you would expect. In addition to a short bio of Anderson and how he wound up as Ghoulardi, among other stories Chuck recounts the famous tale of his stealing a Ghoulardi poster off a bus while Anderson kept the driver distracted. Funny stuff!

Keep in mind, this originally aired some time before the phenomenal Ghoulardi: Inside Cleveland TV’s Wildest Ride book was released, and waaaay before Big Chuck’s terrific autobiography (head on back to that BC & LJ store link for that one), so a lot of the information here hadn’t been widely recounted and available to the masses yet.

(For the record, both of those books are absolutely essential reads, not only for Northeast Ohioans or fans of Horror Hosts, but for television lovers in general; both offer an indelible snapshot of TV history, an era that won’t be repeated, and are ridiculously entertaining to boot.)

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Much of the tribute also consists of Chuck’s one-on-one interview with Anderson himself, obviously conducted some years prior. As I recall it, this interview provided the basis for a previous BC & LJ special show, though integrating the segments into this tribute show makes all the sense in the world, given the circumstances.

After giving up Ghoulardi in 1966, Anderson went to Hollywood and made the mighty dollars doing voiceover work. I have countless commercials/promos featuring his voice, and on a nationwide scale that’s what he’s really known for. At one point during this show, Chuck mentions that when Ernie went to Hollywood and became a millionaire, it didn’t change him a bit; he was still the same guy he was back in Cleveland. You get a real sense of that during these interview segments. There’s no showing off, no posturing or anything like that. It’s just two friends talking about the old times.

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As far as actual Ghoulardi material goes, with only 30 minutes and so much ground to cover, well, you’re only going to see so much. However, the official Ghoulardifest website sells a phenomenal DVD of much (all?) of the remaining footage from Ghoulardi’s show, the only official place to get this stuff. I have it in my collection, and you should have it in yours too.

As for this special though, I personally would have liked to see a few more bits with Ghoulardi on his set doing his thing. As it stands, there are two brief clips, and the skit you’re seeing above, The Pitching Coach.

Y’see, Chuck got his behind-the-camera and, as in this case, his in-front-of-the-camera start on the show, performing in skits and even providing the basis for running gags such as the whole “PARMA?!” thing. In this skit, he plays the new pitching coach for the Cleveland Indians, who proves to be fairly incompetent. My favorite moment comes when Ghoulardi tosses a ball back to him, and it lightly hits Chuck’s arm; Chuck holds his arm in pain and pouts in the corner while Ghoulardi tries to apologize!

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More Chuck, this time in one of the legendary skits from Ghoulardi’s show: Parma Place.

Parma Place was a take-off on the soap opera Peyton Place, and the line of skits basically existed to poke fun at the Cleveland suburb of Parma. The loose idea was that Chuck’s character was always trying to make time with Anderson’s wife behind his back (and often right in front of him), but the more notable aspect of the skits were the stereotypes of Parma they perpetuated: white socks, polka music, and so on.

And this was all in addition to the jokes Anderson would make about the suburb when in character as Ghoulardi. Naturally, some residents of Parma didn’t take too kindly to all this, but it’s all still funny, and the genesis of a running joke that continued (and continues) on through The Ghoul and Hoolihan & Big Chuck (& Lil’ John).

A few different Parma Place entries are spotlighted during the special, and this screencap comes from a moment when Chuck’s character “Jerry” gifts Anderson with a pair of white socks, to which he and his wife marvel at endlessly.

Also, you have no idea how funny I find Chuck’s PARMA shirt.

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A fun bit where Ernie Anderson interviews, well, himself. Using a split screen and some handy pre-filming, Ernie Anderson as Ernie Anderson interviews Ernie Anderson as Ghoulardi (who insists he be called “King”). It actually works pretty well; in fact, for the time period it’s fairly seamless.

My favorite line: “I first got my start as Ghoulardi when they fired me from channel 3 and 5 wouldn’t hire me!

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The whole open-wounds-shock of Anderson’s passing may not be as hard to take today as it was in ’97, which is understandable; it has been nearly 20 years, after all (20 years? I refuse to believe this all happened that long ago!). That’s not to say it isn’t still sad, because of course it is. I don’t mean to downplay anything here, it’s just that after 18 years, (most?) Northeast Ohioans have learned to live with Ghoulardi being gone, really gone.

All that said, there is a moment that still packs an emotional wallop in this tribute: the final scene returns to Chuck interviewing Anderson, and Anderson recounts that he met a lot of great people in Cleveland, and then jokingly says to Chuck “You’re not one of them,” to which they both crack up. After they calm down a bit, he then adds “You are, you’re great,” and then the scene freezes as the copyright info pops up. It stays there a bit before fading out, and in that little moment, the deeper meaning of all this is hammered home: it’s not just about what Anderson accomplished as Ghoulardi and what he meant (means) to Clevelanders, it’s also about the genuine friendship between him and Chuck that was there up until the very end of Ernie’s life. It’s a terrific, honest scene, and an absolute perfect way to end the special.

You know, maybe it’s for the best that they didn’t film an all-new Ghoulardi tribute episode; it would be nearly impossible to improve upon this one. From the recollections to the clips, it’s as concise a definition of the character and what he represented to Clevelanders as you’re likely to get in half an hour.

But wait! In a for-modern-day rarity of rarities (for me), there were some great commercials during this broadcast. ‘Course, they all had to with Ghoulardi and/or Big Chuck & Lil’ John, but frankly, that’s how I prefer things. Behold:

Big Chuck For Empire Windows

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Chuck has been pitching Empire Windows for quite awhile now, often in print ads that come nearly every week in one of those circulars. I haven’t seen a whole lot of TV advertising with him for the company, so I was glad to see this and add it to my collection (y’see, through my massive collection of old videotapes, I have amassed a large “archive” of commercials, promos and whatnot featuring horror hosts, and not just our horror hosts, either; it spans the entire nation).

Chuck gives really a pretty standard pitch, though the commercial is so short (15 seconds) there isn’t a whole lot of time for much else. Chuck says he’s been plugging the company for 29 years at this point; that’s as long as I’ve been alive!

If I ever need new windows, I’ll go to Empire. Why? Big Chuck told me to.

Empire Windows’ official website is here.

WJW TV-8 Big Chuck & Lil’ John Ghoulardi Special Promo

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A mega-quick (5 seconds!) promo for the special itself, which aired less than a minute before the show began. I was really, really happy to capture this one; not only does it give me fond memories of this, but also because I just wasn’t sure if there even was a promo for this special. I don’t care how short it is, either; it’s another one for the collection!

The voiceover: “The Big Chuck & Lil’ John Ghoulardi Special, today at 3:30!” Yeah, yeah, basically the same info that’s printed on-screen.

Ghoulardifest 2015 Commercial

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I’m thinking Ghoulardifest is the reason this special was run in the first place; what better promotion could there be? In prior years, the convention was sponsored by WBNX TV-55, but this year it’s WJW, which means they’ve got carte blanche as far as Ghoulardi footage and whatnot goes. It’s a more involved commercial than what has aired in recent years, which more or less usually amounted to basically Chuck & John standing in front of a green screen and giving their pitch. In this spot, however, lotsa Ghoulardi clips are interspersed with the pertinent information, though perhaps oddly, Chuck & John are nowhere to be seen.

WJW was pushing Ghoulardifest pretty hard during the special (as you’d expect). A full 30 second spot aired twice during the show, and a 15 second version right after it.

Needless to say, I am now even more jazzed for Ghoulardifest, which is saying something since I’m always jonesing for the convention. Yes, I will be attending again this year, and yes, there will be another write-up. In the mean time, check out my 2013 and 2014 reviews! And if you can attend, please do so! It’s always a blast!

The Ghoulardifest website with all the info y’all need is here.

The Big Chuck & Lil’ John Show Promos

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And finally, promos for Big Chuck & Lil’ John’s current 30 minute Sunday night show proper were, for obvious reasons, ran twice during the special. On the left, a spot featuring a brief clip from their Nukey Shoes skit. On the right, the bit where, as part of the opening fanfare for a movie, John gears up to hit a gong but instead accidentally nails Chuck in his, erm, manhood. Yikes!


 

I love the fact that a special so undeniably Cleveland in every facet can still air on local TV here in 2015. The sad fact of the matter is that there’s not always a place for this kind of thing on modern airwaves. Like I said at the start of this post, there’s a very real sense of history in Northeast Ohio television, one that seemingly won’t let people forget the accomplishments of its past.

And I wouldn’t have it any other way.

Ghoulardifest 2014!

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It’s that time of year again! Big Chuck & Lil’ John’s Ghoulardifest! 2014!

I’ve gone to this convention for several years in a row now, and I even wrote extensively about it last year. I always, always have a blast at these shows. Ostensibly, the convention is to celebrate all things Ernie “Ghoulardi” Anderson, and needless to say, you’ll see more Ghoulardi stuff than anything else there. But, it’s also a celebration of Northeast Ohio broadcasting, namely Hoolihan & Big Chuck & Lil’ John, Son of Ghoul, Jungle Bob, and even beyond; this year, Dee Wallace Stone and Arch Hall Jr. were also in attendance. Ghoulardifest isn’t just about Ghoulardi, it’s also about the Ghoulardi ideals, the music and movies and ideas he represented. That is, lotsa horror films, music (you can’t take two steps without running into some Beatles memorabilia – the way it should be), and the like. Trust me, it’s awesome.

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For the second year in a row, the show was held at the LaVilla Banquet Center. I really, really like this place. It’s plush, and big enough to hold a lot of vendors, plus there’s a big ol’ stage for presentations, musical performances, etc. In short, it’s perfect for events like Ghoulardifest. When we (my brother and I) first got there, Frank & Dean were performing, and even though I was currently trying to get my bearings straight and deciding just what to tackle first (there’s a lot to take in!), I could tell they were putting on a heckuva show.

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Every year, the show runs Friday, Saturday and Sunday, and this year those days were October 31 (HALLOWEEN), November 1st, and November 2nd. Also every year, the only feasible day for me to make it up is on Sunday. It’s easiest for me that way, and while I’m always pleased, going there this Sunday did have a few drawbacks: Son of Ghoul played with Arch Hall Jr. and his band on Friday and Saturday only, which I missed out on, as I did meeting Janet Decay, The Daughter Of The Ghoul, who was apparently only there the first two days. Tim Conway was supposed to be there again this year, this time signing autographs on Saturday only, but he had to cancel. Since I wasn’t going to make it up on Saturday anyway, I guess I broke even on that front.

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Still, I was able to knock several items, be they meeting celebrities or items I’ve had a year to mull over purchasing, off my Ghoulardifest bucket list. Here now, are the highlights from said bucket list:

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Hangin’ with my pal Son Of Ghoul! I always make it a point to stop by SOG’s table; a ‘Fest hasn’t gone by that I haven’t bought something (sometimes a lot) from him. Every year, he has these awesome Superhost t-shirts. Last year, I was too late for a large size shirt, and like a dolt I didn’t buy a medium. So, the gameplan was to definitely, absolutely get one this year. Luckily, he had one large size shirt left, which is now mine. I prefer large t-shirts, though mediums work too, and if he hadn’t had a large, that’s what I would have went with; one way or another, I was getting a Supe shirt!

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A dream realized! I babbled last year about how I kept missing out on Bob “Hoolihan” Wells. It kept being either his line was too long or he was doing something on stage. Bottom line was I had never met him…until Ghoulardifest 2014. I had pretty much decided beforehand that this year I was going to meet Hoolihan. And as you can see, I, erm, did. Really cool guy! (Hoolihan, I mean.)

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I met Arch Hall Jr.! I may have missed his band, but no way was I going to miss the man! The star of Eegah!, Wild Guitar and other 1960s flicks, this is a guy I had to meet. And no kidding, he’s just about the nicest guy in the world. Incredibly personable and outgoing, I wish every celebrity out there was like Arch. Just the coolest.

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Chillin’ with Jungle Bob! My buddy! I first met JB waaay back in 2000 (at the long-gone B-Ware Video), and I still have a lot of fun talking with him nowadays. Great guy, and he gets props for always pickin’ up them big damn spiders he has; I couldn’t do it, man.

Jungle Bob’s official website!

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There I am with the cats from The Midnight Movie! The Midnight Movie is a newer discovery of mine. Technically, I’ve known about the show for quite awhile, but I could never find it. Until I did: in Northeast Ohio, if you have Time-Warner Digital Cable, it’s channel 180, Saturdays at midnight. It’s probably been there forever and I’m just a chucklehead. Anyway, I’m really diggin’ the show; they play a lot of movies you don’t see too often on the horror hosting-circuit. Really nice guys, too.

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Finally: the obligatory photo with Big Chuck & Lil’ John. I got one last year, I got one the year before two years before that, and I’ll probably get one next year. Why? Cause it’s Chuck & John, that’s why! Their names are in the title of the whole show! I’ll plaster my walls with photos of me with Big Chuck & Lil’ John if I want to!

That pretty much brought us to the end of the show (just for us, I mean; there were a few hours left). However, there’s one important thing associated with the show that we skipped last year but had to do this year:

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There’s a Big Boy very, very close to the LaVilla, and we almost always make it a point to stop by after leaving the ‘Fest. If I recall correctly, we just ran out of money last year, and since I don’t know of any other locations even remotely close to me, I’ve been jonesin’ for one of their big ol’ burgers, big time.

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That’s a thing of beauty! A big honkin’ “Super Big Boy!” Big Boy after Ghoulardifest just seems so right, and man, their burgers are good.

Real quick: a closer look at my loot. This isn’t quite everything I brought home, but it’s some of the coolest.

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There’s my beloved Superhost shirt. I could put this on with some red shorts and go running around the neighborhood if I so desired. Maybe I’ll just wear it while I read my interview with Supe himself over and over and over.

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My autographed Arch Hall Jr. CD. When I heard he was going to be signing autographs all weekend, I hoped he’d have one of these CDs for purchase by the time I got there, and as luck would have it, this was the last one! Cool winnins! This is packed with Arch’s music; well worth having! It’s now a prized part of my collection.

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Since I finally met Hoolihan, it stands to reason I couldn’t leave without his autograph. I didn’t feel like lugging my American Scary book back to Ghoulardifest for autographs this year, so I instead opted for one of these swanky Hoolihan pictures for autograph purposes.

So, that was Ghoulardifest 2014. My brother and I had a lot fun, as we always do when going to this show. Had a good time, got some cool stuff, and ate a delicious burger. I’d call that a successful trip.

Front Row Entertainment’s Fantasy Mission Force VHS (1996)

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Unlikely as it may seem, I was super stoked to find this sealed VHS copy of the Jackie Chan film Fantasy Mission Force at the Midway Plaza Goodwill recently. And not because I’m a Fantasy Mission Force megafan, either; lots of people love it (albeit for all the wrong reasons), but I can’t count myself among them. It’s a whacked-out flick, and I probably should enjoy it for the complete insanity that endears it to so many others, but I just don’t. And you can’t make me.

Nor am I an especially big kung fu movie fan. I like some of the Bruce Lee films, and I have a special affinity for The Dragon Lives Again (a nutbar “Brucesploitation” film where “Bruce Lee” dies, goes to the underworld, teams up with Popeye, and fights Dracula. Yes, really), but if I have any kind of kung fu fandom in me, it is only of the most casual variety.

(Anyone who has seen both is probably now wondering why I like a film as oddball as The Dragon Lives Again but don’t like the-also-super-weird Fantasy Mission Force. Search me. Also, while on the subject of weird kung fu, I so wanted to love Bruce Lee Strikes Back From The Grave, but man, aside from that opening intro, dude, screw that. Awesome theatrical poster, though.)

Fantasy Mission Force ostensibly stars Jackie Chan (his role basically amounts to a bit part), is ostensibly set during World War II (cars from the 1970’s show up, and references to Abraham Lincoln, James Bond and Rocky are made), and is ostensibly…well, I don’t really know where I was going with that kinda-gag. It’s a crazy flick, though. (To be fair, all of the inconsistencies are intentional.) It starts off with a bizarre singing-drinking party, then later there’s a Scottish soldier and his ultra-annoying sidekick, a tribe of Amazons, and a sojourn to a haunted house. It’s one “what the hell?” moment after another, and I’m not exaggerating, that reaction is pretty much nonstop throughout the whole thing. Oh, and to top it all off, there’s an obnoxiously catchy theme song that bores itself into your head for 97 years at a time.

Actually, when I describe the movie like that, Fantasy Mission Force does sound pretty awesome. I take back all the awful things I said about it? Nah.

So, if I don’t really like the movie, why get so jazzed upon finding a sealed copy at Goodwill? It’s not even remotely rare, and if all I wanted was a sealed copy, I’m sure they’re found easily enough online. No, only nostalgia could get my adrenaline pumping in regards to a film like Fantasy Mission Force. Here’s the ultimate proof:

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That $2.99 price tag. I know it by heart. The image is burnt into my memory. This sticker is proof-positive that this tape originally came from Best Buy’s fabled (in my mind) $2.99 VHS section. Not only did I dearly love this section, where films of an otherwise-doubtful sales-potential resided (silent shorts, b-westerns, spaghetti westerns, cheesy horror/sci-fi; a lot of crap not unlike Fantasy Mission Force, basically), but that also means that this copy of Fantasy Mission Force is as identical in every aspect as possible to the one I had in the late-1990’s. Where did my original copy go? All will be revealed in due time (settle down, I’ll get there.)

Also, don’t you just love that picture above? Jackie seems to be glaring at the price with so much resentment. “I’m only worth three bucks?!

For a short time in the late-1990’s, I was on a kung fu kick, so when I saw this tape (and having seen no other Chan flick beforehand) in Best Buy’s $2.99 section, I snapped it up right quick. I was already well-acquainted with the section, so it’s not like I didn’t know what could reside there, but that didn’t stop me from happily carrying it to the checkout counter like I’d just found a pot of friggin’ gold. It must’ve been the summer of 1998, because I’m positive I didn’t have this the summer before, and because the clerk asked if I was getting it for my Dad for father’s day. No, nosy checkout guy, this one is [was] mines. Further evidence it was summer of ’98? I had my copy of the film for about a year before it left me.

Where, how and why it went, you’ll soon know. But first, a closer look at the tape itself.

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Front Row Entertainment was a budget outfit, and make no mistake, their Fantasy Mission Force sure looks like a budget tape. You’d never see a major studio putting out something looking like that above. That said, it IS a bit more competent than a lot of cheapo videos. At least as far as the packaging goes. I mean, look at it. The pinks, blues and whites make it look like something akin to an ice cream cone. Do I dare take a bite out of it? It’s an aesthetically pleasing sleeve, even if it doesn’t scream “hot kung fu action!” and completely belies the actual product, which as previously mentioned, is NOT a thing of beauty.

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The back of the sleeve is plain-Jane, but adequate enough. I mean, the description is perfectly serviceable, though the final sentence is a massive understatement. Maybe it’s impossible to properly explain a film like Fantasy Mission Force in the space of one VHS back-cover.

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See, sealed. Did you think I was lying? I wasn’t. I can get an opened copy anywhere, so I refuse to crack the seal of my assuredly-from-Best Buy-and-just-like-the-one-I-used-to-have version.

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No, I didn’t succumb to temptation (ha!) and open it. As fortune would have it, I received a totally random and completely sleeve-less copy in a recent tape lot. Why was it in there? Was it a premonition? I don’t have the answer to those burning questions, and you’d better believe I wasn’t even remotely as excited as I was when I found the Best Buy-sealed copy (seriously, what are the odds of that in this day and age?), but if nothing else, it allows me to show you, the reader, what the actual tape looks like. Exciting, isn’t it? Amount of tape used: approximately a foot. High quality it was/is not.

Okay, the preliminaries are out of the way. Now, the real reason I was so excited to find this: my original copy is the subject of one of my fondest Northeast Ohio horror movie host memories. Behold!

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That is absolutely my original copy in The Ghoul’s hand, during the summer of 1999. The Ghoul had been on WBNX TV-55 for roughly a year at that point, and that year had seen me become a big fan of his. I had also watched my copy of Fantasy Mission Force twice in that year, and I just couldn’t stomach a third. I mean, no kidding, it sucks pretty bad. So, my VHS became the subject of the first package I ever sent The Ghoul. The package also included a “Parma Yo-Yo” (which The Ghoul seemed to like a lot but never did anything with again) and a big “Ghoul Power!” banner, but the Fantasy Mission Force tape was a grand finale of sorts. Being a young, 13-year old Ghoul fan, of course I asked him to blow the thing up.

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Being a man of the people, The Ghoul kindly obliged my request (“ask and you shall receive in Ghoul Power land!”), and trust me, there is no more fitting fate for Fantasy Mission Force than one of The Ghoul’s boom-booms. I really was jumping up and down during this whole segment, and the final fate of my awful movie was totally the topper. You have no idea how much I just loved all this. And while it doesn’t translate as well into still-pictures, this was a seriously satisfying blow-up.

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Those final two images are the last looks I ever had of my beloved Fantasy Mission Force tape. I don’t know what kind of firecracker he used, but man, that thing obliterated the video, as you can well see. It was, and is, a beautiful thing.

Keep in mind, not once have I regretted sending The Ghoul that tape. Oh, there are plenty of tapes I had, later got rid of, and ended up regretting, but this wasn’t one of them. The whole segment has become legendary to me. Fantasy Mission Force may not be good for much else, but it was certainly good for this.

And now I have a sealed copy, just like the one I sent to The Ghoul 15 years ago! Has it really been that long? Sure doesn’t seem like it. Maybe if The Ghoul ever comes back to local TV, I’ll send him this copy, too…

Nah, the chances of me coming across another sealed copy from the long-gone Best Buy $2.99 section are just too slim. The only question remains: where to put the tape? It’s stupid sealed Fantasy Mission Force, after all. It’s gotta go somewhere of semi-honor, doesn’t it?

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It’s got action like Commando, and it’s got comedy like Dan Aykroyd. A fitting combination? Hmmmm…

Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

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There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

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The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

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The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

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It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

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Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

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Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

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Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

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It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

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I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

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At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

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The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

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Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

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I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

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The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

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There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

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Ghoulardifest 2013!

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There are plenty of reasons to love this time of year, but one of the big ones, for me, is the annual Big Chuck & Lil’ John Ghoulardifest convention. Ghoulardifest, for those “not in the know,” is the yearly convention celebrating all things Ghoulardi, the legendary Cleveland horror movie host. This year held special meaning, as it commemorated the 50th anniversary of Ernie Anderson’s debut as Ghoulardi, on WJW TV-8 waaaaay back in 1963. Due to a shortage of money (and I tend to spend a lot at these things), initially I wasn’t sure if I was going to be able to make it this year. But, there’s only one 50th anniversary! I had to go! Luckily, my brother came through with the needed dinero, and so, earlier today, Sunday, November 3rd, we made our yearly trip to Ghoulardifest.

(A huge, huge thanks to my good friend Scott “Scottsbury” Shepard, proprietor of Time Traveler Records, which I talked about here: https://neovideohunter.wordpress.com/2013/08/05/a-trip-to-time-traveler-records/ . Scott scored us a pair of complimentary tickets to the ‘Fest from fellow local legend Jim Chenot, which definitely helped make our limited funds go further. It’s for reasons like this that Scott and Jim are, as we in the hepcat profession say, “the dude.” Well, “the dudes,” in this case.)

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For the past several years, the convention has been held at the UAW Local 1005 Hall, a venue and transit I had become accustomed to. So, when it was announced earlier this year that the convention was moving to the La Villa Conference & Banquet Center, I was a bit concerned. Was this going to be farther away? Would the trip become longer and more difficult?! I’m not always adverse to change, but when it comes to the important things (like Ghoulardifest), I can become a bit apprehensive. In this case, however, whatever concerns I may have had were unfounded; since my Brother always does the driving to these sorts of things, I didn’t realize that the trip was nearly the same. La Villa is right by the UAW. Even the Big Boy Restaurant that we usually visit after leaving Ghoulardifest was close-by (we didn’t stop there this year, however; mah Bro was tired, we had eaten beforehand, and besides, we spent quite a bit of money at the ‘Fest. Sorry Big Boy, not this year).

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The La Villa was/is beautiful. Definitely plush, and it’s design actually reminded me of a Frightvision I went to years ago (early-2000’s). That’s my Brother in the pic above, walking ahead of me, as he tends to do. You could be forgiven for perhaps mistaking him for a young Bruce Springsteen upon first glance (it’s the hair, y’see).

One thing I’ll admit I regret missing out on was held yesterday (November 2nd, for those keeping score at home): Tim Conway, Ernie Anderson’s comedy partner and longtime supporter of all this, made an appearance. I would have liked to have met him, or at least seen him, but it having been a Saturday and Tim Conway only appearing that one time only, you have to figure the place was jammed. Now, I am not a fan of big crowds, and that coupled with the fact that there was a family engagement that left my Brother unable to attend yesterday meant that it was just going to be easier all-around to go today. So, sorry Mr. Conway, but it couldn’t have been helped. (Sunday is when we usually go anyway, and despite my uncomfortable-ness around/in crowds, it’s still always pretty busy that day, and this year was no exception.)

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As you may imagine, meeting the local celebrities is one of the big draws of the ‘Fest. So, it stands to reason that Big Chuck & Lil’ John were out in full force, layin’ down the law and takin’ names. Right before (or right after, I can’t remember) this super-exclusive candid photo was taken, Lil’ John was staring at me while I, like a dope, stood there with my big ol’ camera out. I became nervous at the fact that I may have been irritating one of my heroes, so in this moment of potential crisis, what did I do? Point at him and do an Arsenio-style “roo roo” gesture. Yes, really. If I had been irritating him, this was certainly not going to help matters, but luckily, nothing more came of it, besides me making a clown of myself in public (something I admittedly can be exceptionally good at). Lil’ John, if I bothered you, I’m sorry man! Please don’t hate me! Also, we *may* have accidentally cut in line when meeting Chuck & John (oops!), but there was a lull at their table, no one seemed to be making any immediate headway towards them, so what were we supposed to do? At any rate, they were kind enough to sign my American Scary book and take a picture with me (both of which I’ll spotlight in a little bit), so, all is well; I won’t suffer a sleepless night tonight (not due to this, at least).

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I really wanted to meet Bob “Hoolihan” Wells, maybe get his autograph and/or a picture taken with him. But, for a record third year in a row, I missed out! When these super-exclusive candid photos were taken, he was on his way up to the stage for a presentation (as were the rest of the celebrities in attendance). For the record, in the right shot, he was leaning down to take a bite of food before heading to the stage. Your Northeast Ohio Video Hunter captures all of life’s special little moments, doesn’t he?

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While the celebrities and special presentations are a big part of Ghoulardifest, of course there are always a ton of vendors selling cool stuff, and this year didn’t disappoint in that regard. Man, I could, can, and often do drop some serious dough at these things, but I had to temper the urge to buy everything even remotely interesting in sight a bit this year. I still walked out with a bagful of really cool stuff, but man, I had to pass up some pretty amazing things. Nothing I’ll lose sleep over tonight, but trust me, if you’ve never been to a Ghoulardifest, you’re missing out on a lot of neat items.

Notice in the right pic above Son of Ghoul selling some of his fine wares. SOG always has a lot of awesome stuff, and I bought a ridiculously cool Superhost DVD from him. He even had a vintage Frankenstein Laserdisc for sale, something that made my heart swell with joy.

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The place really was (and always is) a feast for the eyes. Often, at least for us, it takes several walk-throughs to fully appreciate everything being sold. No joke, even after going around the room a few times, we were still finding neat things to buy. Near the end of our visit, my Brother got a very cool print of a vintage Beatles photo (from the original photographer) in which they’re in the back of a car, Paul is waving, and Ringo has what definitely appears to be a joint.

With his back to the camera, that’s Jungle Bob, busy being awesome, in the left pic above.

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Someone was even selling the new action figures based on the 1966-1968 Batman series! I’m not that big of a toy collector, but this line is one that has definitely had me excited. Seriously, these things should be put on the list of mankind’s greatest achievements. I already have the Batman & Robin two-pack (the only way to get Robin at this time; exclusivity, yo!), and no joke, it’s a work of art on par with Michelangelo’s David, the Mona Lisa, or that portrait of dogs playing strip poker. While I didn’t buy any of these figs at Ghoulardifest, just seeing the Surf’s Up Batman figure in person was enough to cause me to fall to my knees and weep pure, unadulterated tears of joy, which resulted in the curious stares of passerby, not unlike Lil’ John earlier.

(Did I really fall to my knees and weep at the sight of the figure? Maybe I did, maybe I didn’t. You’ll just never know for sure, will you?)

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Here’s two shots of that stage presentation that kept me from meeting Hoolihan I was talking about. This was at the very tail-end of our visit, and I’m not quite clear on what the purpose of everyone going up on stage was for, but it made for a few very cool pictures.

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There’s a shot of everyone on stage for the presentation that I should’ve stayed to watch but didn’t.

The more I think about it, the more I think I should have bought that Surf’s Up Batman figure. Missed opportunities, people, missed opportunities.

What’s that? Pics with celebrities? Oh, your Northeast Ohio Video Hunter has pics with celebrities!

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There I am with Jim Syzmanski. I know I may end up being redundant saying this, but all of our local guys are always so nice when you talk to them, and Jim was no exception. Years ago, when I first started watching Big Chuck & Lil’ John, I always liked Jim in their skits, and I talked to him a bit last year, but I’m very glad to have gotten a photo with him this year.

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Me with Big Chuck & Lil’ John! I’ve had photos taken with them before, but you have no idea how much I love this shot with their classic King Kong backdrop. Always two of the nicest guys you could hope to meet. I’m dangerously close to making this picture the background on my cellphone.

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Hangin’ with my hero, Son Of Ghoul! SOG is always great to talk to, and after our trend-setting, groundbreaking interview ( https://neovideohunter.wordpress.com/2013/08/12/an-interview-with-son-of-ghoul/ ), as well as all the crap I’ve sent him over the years, he kinda knows me now! Even if the rest of the day was a bust, this moment alone would have made it all worthwhile. SOG’s just about the coolest guy ever, and you’d be well-advised to give him due props. Don’t make me throw down over this.

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Jungle Bob! I’ve been a Jungle Bob fan for years, and it’s always great talking with him. I first met him waaay back in 2000, and he’s always been just great with his fans. He even had a lizard of some sort with him today!

(Jungle Bob’s official site: http://www.junglebob.tv/ )

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Bill Ward, the former voice of WJW TV-8! If you’ve lived in Northeast Ohio for any decent period of time, in all likelihood you’ve heard Bill Ward’s voice. Not only that, but he’s also done a ton of great skits with Big Chuck & Lil’ John. Mr. Ward was mindblowingly friendly. Seriously, he couldn’t have been a nicer guy. And, he even took an interest in this blog! That’s right, your Northeast Ohio Video Hunter talked to Bill Ward about, erm, The Northeast Ohio Video Hunter! Even gave him the address! The very idea of Bill Ward reading my silly little blog is just amazing to me!

But, that’s not all! As previously mentioned, I came home with some cool items! So, what was my booty, my loot, my acquisitions, you ask? I won’t go over everything I picked up, but here’s some of it:

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A beer-scented candle in an official Ghoulardi mug! This thing smells very accurately and very strongly of beer. I’m concerned that passerby may walk past my house, smell the candle from the sidewalk, and assume I’m a microbrewer or something. I really wanted this more as a display piece (I’m not really a candle-lightin’ kinda guy), but I’m serious, the scent is really strong. I’m probably going to have to wrap this in a bag and put it somewhere away from things I don’t want to smell like brew, lest someone presume I partake in large amounts of alcoholic alcohol throughout the day (aside from one or two beers now and then, I don’t drink much at all, really).

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Legendary Northeast Ohio weatherman Dick Goddard was there, and he signed this old promotional picture I bought about 2 years ago. I’m confident this will one day be worth the mighty dollars, but I ain’t ever sellin’ it, no way!

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The official comic book adaption of Batman Forever, a movie only slightly less terrible than Batman & Robin! It doesn’t really take the sting out of passing up Surf’s Up Batman, but I’m a Batfan and the comic was only $1 so screw it.

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Told ya I got my American Scary book signed! Uber-collectors of autographs may balk at the fact these signatures are personalized to me, but baby, this book is mines, and I want to let the world know it! I got Big Chuck & Lil’ John’s, Son Of Ghoul’s, and Jungle Bob’s signatures (Jungle Bob isn’t a horror host, but he does appear in the book, so it counts). I would have liked to add Hoolihan to it, but maybe next year. I actually almost brought this book last year to have signed, but I didn’t feel like lugging it around. While I’m glad I brought it today, I’ll admit it was a pain finagling between the book, my camera, and the increasingly full bags of purchased items. By the end, I have a feeling my Brother was pretty tired of hearing “hey, hold the book for a sec” from me.

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I also got an official Big Chuck & Lil’ John hand stamp! Proof that I had a ticket and wasn’t trying to pull no funny business! Please ignore my somewhat chapped hand. I love this stamp, but it’s a bittersweet love, because I know that in the very near future, it will soon disappear. There are two possible solutions to this, however: 1) I can have it tattooed on, thus ensuring that my lil’ baby grandchilds will know I was once at a Ghoulardifest, or 2) I can just not wash this hand anymore, which may be a more sensible, or at least cheaper, option (he said having already washed his hands several times since coming home from Ghoulardifest earlier today). Well, nothing is forever, and I guess that includes my hand stamp. *sigh*

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I also have my complimentary Ghoulardifest 50th anniversary ticket stub, a memento not only of today’s events, but also of the extreme kindness of Scott Shepard and Jim Chenot. I really appreciate it, compadres!

And so, that’s it for another year of Ghoulardifest. Despite my having left only a few hours ago, I already can’t wait for next year. I always have a blast, and it’s great to be around people that generally like the same stuff as I do. You don’t always get that from your common everyday person on the street, but at Ghoulardifest, I could shout “I loves ya, ‘lardi!” at the top of my lungs and few, if any, would bat an eye. Probably.

If you haven’t been to a Ghoulardifest convention, I can’t recommend it highly enough. Even if you just go in to see the sights and sounds, I tink you’ll be satisfied. Of course, if you’re an out-of-towner, making the trek may prove a bit more difficult, but don’t fret! There’s an official website, where you can get much of the goodstuff sold at the convention! Check that out here: http://theghoulardifest.com/ . But, I’m confident in stating that there’s enough to see and do each year that, if at all possible, it would be worth taking the trip and seeing it all in person.

Until next year…

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(That pic was actually taken as we were first arriving at the convention, but the sentiment it conveys is the same. Right? RIGHT?!)

I think I should have bought that Surf’s Up Batman figure.