Tag Archives: the son of ghoul show

Episode Recap: The Son of Ghoul Show “Mr. Wise Guy” (March 6, 1999)

With Son of Ghoul’s big 31st anniversary show this weekend, and indeed, his actual 31st anniversary today right now yo, what say we take a look back at a vintage episode? I always like doing these. (My wi-fi currently hates me and wants me dead, so if I blaze through this, particularly in the second-half, that’s why.)

31 years is unbelievable for any television personality, but especially so when it’s the endangered-species known as “horror host.” Ironically, 31 almost seems a little, I don’t know, anti-climatic, I guess, after the massive hype that surrounded his big 30th last year. I certainly covered it, and was even present when SOG was fittingly honored at Monsterfestmania.

I thought of a couple different topics to post in honor of his 31st continuous year on Northeast Ohio television. I could’ve covered the earliest episode I taped (The Vampire Bat, in 1997), or his 12th anniversary show, or even the episode featuring the first piece of mail I ever sent in to him. I even briefly considered an article detailing a lot of the SOG memorabilia I’ve amassed over the years. I decided against each one of those, however, for a variety of reasons: I’ll save my earliest taped episode for the 20th anniversary of the broadcast this fall, I didn’t feel like covering Frankenstein’s Daughter during his 12th anniversary, and I’m not ready to detail my cringe worthy (yet nostalgic) first letter to him. As for an article focused on SOG memorabilia, I just couldn’t muster up the moxy to drag all that stuff out for a picture-taking session.

Nope, I decided on our subject today for one very simple reason: I just plain like the movie, 1942’s Mr. Wise Guy. Heck, I just plain like the episode in general, and to me that speaks more about my Son of Ghoul fandom than any ‘special’ occurrence I could dig up. After all, this was how the show usually was (is) to me each weekend: A fun, kick-back-and-chill movie showcase.

So, join me now as I detail The Son of Ghoul Show, as aired on WAOH TV-29 in Akron and WAX TV-35 in Cleveland (“The Cat”) and taped by yours truly waaaay back on March 6, 1999…

(Also, I’ve been on a real kick for The Cat lately, even more so than usual. This comes from that late-90s sweet-spot of the channel, so I’m happy with the choice. And, if that kick keeps up, I may dig something else out from the station to cover. You keep pushing me and I just might, pal.)

I vividly recall this being a surprise episode. Y’see, SOG was on twice-a-week at that point: 8-10 PM, Fridays and Saturdays, same episode. This was handy, because you could sample on Friday, and tape-as-needed on Saturday. But, for whatever reason, he was only on Saturday that week, a fact he briefly mentions in his intro (above).

I think (think) he was preempted totally the night before due to some women’s college basketball tournament The Cat was broadcasting/simulcasting/whatevercasting. So because he was only on Saturday that week, I couldn’t risk missing a must-have episode, especially with no knowledge of what the movie would be. Because said basketball tournament was concluding that Saturday, there was no telling when SOG’s show would actually begin; I had to start the VCR recording waaaaay ahead of time, which was why I wound up with like an hour of that stupid basketball game on the tape before the episode started.

This obsessiveness proved fortuitous. That night, we were at my aunt’s house for some party I was quite probably miserable at, and I flipped to The Cat to see what episode I was capturing. When it finally started and Mr. Wise Guy was revealed, I was pleased as punch. SOG had ran this film, I don’t know, a year or so prior, and I had regretted not capturing it then. I actually liked the movie!

And I wasn’t the only one; SOG himself mentions that he likes it as well during his intro. How often did (does) that happen?!

The reason I initially liked this film so much largely had to do with what it represented: A trip back to a more innocent time in cinema. This is pure, early-1940s matinee entertainment. It’s an East Side Kids (you know, the Bowery Boys, except not) film, so there’s some light hooliganism about, but even with that, an escaped convict, a murder, a death-row sentence, and a real-life war going on, it’s all so light and breezy that it never seems too heavy. I’m hesitant to ascribe the term “innocence” to a film that contains all that, but like I said, this is matinee entertainment; it’s not exactly a weighty, socially-conscious drama.

The idea of an East Side Kids film showing up on a horror hosted program may seem odd, but as SOG states during his intro, Ghoulardi himself used to run these (and fittingly, on Saturdays!). If these were good enough for Ghoulardi, they should be good enough for any other host, too. And somehow, to me they seem to ‘fit’ just fine. Maybe that’s because I grew up with SOG showing them occasionally (still does, in fact), but looked at objectively, they still work. It’s not like a b-western, which unless it shared some horror influence or other odd quirk (Terror of Tiny Town, anyone?), just wouldn’t seem to fit. Look, I can’t really adequately explain why it works so well, it just does.

And, in a trend that continues to this day, SOG doesn’t tamper with these kinds of films; no drop-ins, no sound effects. Just the movie straight. Evidently he has some real appreciation for these flicks, and we’re all the better for it. Even when missing those elements so well-known to SOG fans, it flows perfectly.

The title of the film comes from a moniker given to (and approved by) Leo Gorcey’s character “Muggs” McGinnis (first name: Ethelbert), who is deemed so several times throughout the picture.

The simple synopsis of the plot: The East Side Kids are sent to reform school. There’s a bit more to it than that, though. Unjustly accused of stealing a truck (a truck that, unbeknownst to them, houses an escaped convict), they’re sent to a reformatory run by a kind warden, a cruel guard, and a couple of troublesome inmates that are secretly in cahoots with aforementioned cruel guard. Also on the docket: Bill Collins, older brother of cast member Bobby Jordan’s Danny Collins, is accused of murder and sentenced to death row. Eventually these plotlines unbelievably though perhaps predictably, collide. And since this is from 1942, it all ends on a relatively happy note. ‘Cept for the dude who died, anyway.

Needless to say, much of this is played for laughs. Even while incarcerated, Gorcey’s gang never seems too concerned with their situation. Even as Danny frets over his brother’s predicament back in the real world, the other guys just sort of blow it off – which admittedly does play out a little strange. I can’t imagine that being realistic even back in ’42.

Still, as a whole, the movie is entertaining. Indeed, I wasn’t sure if I’d still get a kick out of it when I sat down to convert my VHS to DVD for this review, but it greatly held my attention throughout. I was even genuinely amused by certain moments, which can’t always be said of semi-comedies of this vintage.

Look, the movie is in the public domain, so don’t just take my word for it; check it out for yourself. Since SOG didn’t add any sound effects, you’ll see it (almost) as it aired here!

(Fun Fact: Some years ago at a thrift store, I stumbled upon a 3-VHS boxset of East Side Kids films. Included were both of their Bela Lugosi collaborations, Spooks Run Wild and Ghosts on the Loose, as well as the title that really spurred the eventual purchase: Mr. Wise Guy. I never watched any of them, don’t think I even played any of the tapes, and subsequently the set became buried in my mound of crap videos. It should still be around here, somewhere, which is good, because unknown to me at the time was that the company who put it out, Passport Productions, was spawned from the ashes of Amvest Video, who we’ve seen here before. Cool winnins!)

Unfortunately, the movie isn’t perfect, and it doesn’t have much to do with plot, but rather stereotypes that were prevalent at the time. Ernest Morrison, often known as “Sunshine Sammy,” is the victim of some unfortunate racial jokes, as his character “Scruno” is the outlet for some now-wildly-inappropriate stereotyping. Look, I don’t claim to be a super-PC-advocate, but man, even I was uncomfortable with some of the gags at his expense.

That said, I am an advocate of not editing things of this nature to reflect current social attitudes. Yes, some of the jokes have aged terribly, but they reflect the time in which the film was made; you can’t rewrite history, only learn from it. And besides, the jokes are incredibly dated, but never really mean-spirited, if that counts for anything.

And with all that said, we now come to the rest of the show…

The first skit proper is actually an old bit from the WOAC TV-67 days, and I love it because it perfectly sums up SOG’s sense of humor, which very often syncs up with mine.

In a parody of the whole “carrying the Olympic torch” thing, here SOG dutifully marches with a plunger triumphantly raised, only to enter the studio bathroom and begin plunging! That’s all there is to it, and it’s great!

Truth be told, SOG doesn’t feature heavily heavily into this episode. I mean, he does, he shows up after each commercial-break, but it’s not new bit after new bit after new bit. His hosting duties, while prominent, maybe aren’t quite as prominent as they usually were, and I think that has much to do with this spot right here.

In a segment that takes up a healthy chunk of running time, SOG and guest Carl Thompson speak extensively on the Frightvision convention, coming later that month. Yes, Frightivision, the SOG-hosted horror convention; we’ve talked about it before! Here, SOG and Thompson thoroughly go over the list of guests and events coming to the show, and it goes on for around 8 minutes, which is pretty much a lifetime in horror-show-time.

That’s not a complaint on my part, though; I could not be happier this segment is present! I talked more extensively on the convention in the piece I just linked to (another SOG episode, Plan 9 From Outer Space, which aired later that same month), but Frightvision was a BIG deal. It was also my very first horror convention of any kind. Long story short: I positively loved it. I got to meet Ben “Gill Man” Chapman, Mark “Lost in Space Guy” Goddard, SOG’s own Fidge (who was great), saw Tom Savini (but didn’t meet him until the following year), and came home with some very cool loot (including a vintage SOG TV-67 promo card, which I still have to this day). All of the fanaticism that manifests itself in me for each and every Ghoulardifest began at the very first Frightvision, and for that I hold the fondest of memories.

So yes, seeing the segment that so aptly demonstrates the swirling hype surrounding Frightvision in the weeks leading up to it, that’s the sort of thing that can take me directly back in time. And movie aside, to me this is the defining moment of this particular episode.

An email segment. More (!) information on Frightvision is presented, and a spider glove that apparently belonged to Fidge is shown. Unless y’all want me to go email by email, there’s not much more I can say about it.

I would love to show the old school, wildly obsolete SOG email address, back when having an email address was still semi-innovative, but in the interest of avoiding confusion, I’ll refrain.

In the second mail segment, the reading of letters devolves into a long, drawn out explosion of fake fart noises, which has SOG and his crew dying with laughter. SOG: “Can you tell we’re so easily amused here?” Like the toilet torch earlier in the show, it’s a juvenile, and therefore riotous, moment. This is the stuff that helped cement my sense of humor, gang. You want someone to blame? Blame SOG.

Because my wi-fi is in a seemingly-perpetual state of precariousness, there were two other bits amidst all this insanity that I’m choosing to skip. One, a “Captain Kanga-Ghoul,” and the other, an on-location interview at a liquor store that happened to be one of Frightvision’s sponsors, were fun, sorta-filler bits, but frankly, I don’t have all that much to say about them. Also, I’d like to punch my wi-fi in the face.

Also, here is the point where I’d usually look at interesting (or so I think) commercials that aired during an original broadcast. I’m going to skip that feature this time around. Why? Because basically all of the ones I would have chosen were already covered in that previously-linked Plan 9 From Outer Space SOG episode recap. And the other, a goofy homegrown promo for a showing of Reefer Madness, was briefly looked at in the The Cat article I linked to way at the start of this post. I love it when I do my own work for me!

It all works out though, because I can end this article in accordance with the way this show itself ends: As the outro opens, SOG is seen jokingly patting his phony beard back into place, along with a “We’re not done yet!”

But, it’s what he says right after that that sums up not only the conclusion to this particular episode, but also the continuing 31 year odyssey his show has been on: “They say you’re not done till the show’s over! Or until you’re out of toilet paper; then you’re done!” I think I can speak on the behalf of SOG’s many fans when I say I hope SOG never runs out of toilet paper.

Boy, that sounded so much more philosophical in my head.

Happy 31st anniversary, Son of Ghoul!

(PS – I’d be remiss if I didn’t link to my legendary, groundbreaking, earth-shattering, trendsetting interview with the man himself!)

(PPS – They may not have been able to repeat this year, but man, I still love the Cleveland Cavaliers. I’ll stick with you guys win or lose! Just thought I should mention that somewhere, since the loss is naturally still on the mind of so many Northeast Ohioans right now.)

WAOH TV-29 & WAX TV-35 – The Son Of Ghoul Show: 1951’s “The Hoodlum” (December 5, 1997)

hoodlum-1

I cannot believe this aired 19 years ago today. I refuse to believe this aired 19 years ago today! Where has the time gone?! (I discovered this information kinda late, which will account for the relative breeziness of this article.)

Recorded by yours truly in the early weeks of his Son of Ghoul fandom, this particular episode has become a personal favorite of mine. Maybe not so much because of anything it does itself (though it’s certainly a fun outing), but more because of where it all falls in my life, when the weekend promised a constant sense of discovery. I mean, not only did I get to indulge in this show that I had only discovered a bit over a month prior, but I also got to see totally new-to-me movies such as this, which, as a young film buff, was just like candy. Add in the Christmas season and the general mood of the time in which it aired, and it’s not too hard to realize I’ve got mad nostalgia for this one. (Further fueled by the fact that my brother and I got a Nintendo 64 for Christmas that year – cool winnins!)

From December 5, 1997, off of WAOH TV-29 / WAX TV-35, here is the low-budget 1951 film noir opus, The Hoodlum, as presented on The Son of Ghoul Show. (This also would have aired December 6, as the same episode ran on both Friday and Saturday evenings at that point, though I’m reasonably sure what I recorded here was the Friday airing.)

Now, there actually is a more-personal slant to this episode, one that ties in with something I brought up in my big huge 30th anniversary tribute article this past summer. We’ll get to that in due time, however.

hoodlum-2

I’ve been a Son of Ghoul fan since November 1, 1997, and yet, in all that time, the introductory segment for this episode may be my all-time favorite; it’s just so perfect.

Apparently they had run The Hoodlum before, and subsequently gotten complaints that their projector wasn’t centered correctly. Not so; the film was just severely cropped. To that end, during the introduction SOG drags out a piece of cardboard and draws a diagram to explain what the deal is.

According to him, the movie was originally 35mm, and much of the picture was cropped when 16mm television prints were made, which was what they had for the show. To demonstrate the differences between the two, he draws a drive-in movie (a poorly-attended one; “There’s one car there!”), gives a rough approximation of what’s now missing in the picture (the film doesn’t pan-and-scan; what’s in the center is it), and then proclaims the movie “The Oodlub,” which is pretty much the on-screen title here. He then finishes with a declaration of not caring whether viewers understand what he’s talking about or not, because he doesn’t really have to watch the movie. “They pay me to be here; what’s your excuse?”

It’s such a fitting intro, very funny but also kinda informative. To my 11-year-old self watching this back in ’97, I got a kick out of it. Still do, obviously.

hoodlum-3

He sure wasn’t kidding, either!

“A film noir on Son of Ghoul? Say what?”

Yep! While most of the offerings on The Son of Ghoul Show are in the expected horror and science fiction genres, he does occasionally branch out. Sometimes the show will feature comedies, mysteries, or, as in this case, crime thrillers. The Hoodlum was really my first glance at his stepping outside of the usual fare. Honestly, it wasn’t quite my cup of tea back then (though, needless to say, I was still smart enough to keep this recording), though in the years since, I’ve grown to really love film noir. Nowadays, this is right up my alley!

“The Oooodlubb—“

hoodlum-4

Elaine’s Dad Lawrence Tierney plays Vincent Lubeck, a convict and legit “bad egg.” Despite apprehensions on the part of the prison staff, an impassioned plea by Lubeck’s mother gets him paroled – and he almost immediately starts back up with the shady business.

Lubeck is an all-around scumbag; he causes his brother’s girlfriend to kill herself (after his brother has given him a job at his own gas station, mind you), but the main plot-point of the film is an armored car hold-up and Lubeck’s gathering of a crew for said hold-up. It doesn’t quite go down peacefully. Like I said, dude’s a bad egg.

Despite the extreme cropping, wasted print quality, and Son of Ghoul’s multiple declarations that the film is “trash,” I actually kinda liked it upon this latest viewing. It’s short and pretty cheap, but Tierney is terrific and the plot held my attention fairly well. The Hoodlum ain’t exactly the de facto film noir, but if you’re a fan of the genre, it’s not all that bad.

I could go on, but look, the movie is in the public domain and only like an hour, so just go watch it for yourself, okay? And, you’ll note the Internet Archive features a print with readable opening credits! Go figure!

hoodlum-5

Funny Son of Ghoul drop-in: Near the beginning, as Lubeck is being the warned the dangers of not staying on the straight-and narrow, a quick shot of ol’ sparky had SOG superimposed sitting in it, laughing like a mad man and actually plugging it in! Notice the door that was inadvertently (?) superimposed to the far-right of the screen; gotta love local TV!

That’s enough about The Hoodlum. I just don’t have all that much to say about it, and besides, it’s time for the important stuff…

hoodlum-7

The first skit of the night was an installment of Burn-Out The Dinosaur. For anyone questioning SOG’s sense of humor, these skits left little room for doubt: WARPED.

That’s exactly what these were, warped takes on Barney the Dinosaur, the big purple 1990s phenom that was second only to Urkel in inexplicable popularity. The premise of the skits was simple; generally, Burn-Out would manically laugh and abuse his co-host Brett. Brett filled the loving, caring, teaching role – one that wouldn’t have been out of place hanging with the actual Barney. Burn-Out was the insane half, and he came complete with a parody of Barney’s theme song, in which it’s proclaimed his mom is a streetwalker, his dad is in a bar, and Burn-Out himself makes a living by, what else, stealing cars.

In this installment, both Burn-Out and Brett are hungry for a late night snack, which leads Burn-Out to ask Brett if he knows what his favorite sandwich is. Why, it’s a knuckle sandwich, of course! The entire skit is basically an excuse for this little dinosaur puppet to pummel a grown man, even after Brett forgives him (because “forgiveness is an important part of life”). High art it ain’t, but then, it wasn’t supposed to be. Silly, funny stuff!

(Full disclosure: I still kinda like Urkel.)

hoodlum-8

Mail time!

When I started writing to SOG (I believe my first letter was read on-air shortly into the new year), these were the segments I anticipated most, for obvious reasons. The man himself, reading correspondence from me, on the air?! What could be better?

I had no such correspondence in the mail for this episode, but that doesn’t mean segment isn’t fun. Among the entries read on-air, SOG got a package from The Beatnik Termites (they’re still around, too), and a letter from someone in Florida that was somehow seeing the show, a comment which lead to the first of several jabs at the station’s power signal – apparently it was coming in pretty weak in some areas of Northeast Ohio.

BUT, it’s the third letter read that I find the most interest in. It’s basically a fan letter, telling SOG how much they love watching him, but the question of how they can find out where SOG is appearing in-person (answer: “WATCH THE SHOW!!!!” – it’s wild to realize this episode is so old, SOG didn’t have an official website or email address yet!) leads to the announcement of his double-feature matinee at the Highland Theatre (more on that in a bit), as well as…

hoodlum-6

The personal slant I mentioned earlier!

Yep, a week from that Sunday, SOG himself was there in-person at JC Comics & Cards! I was there! It was my first time meeting him! I. WAS. THERE. MAN.

JC was a big sponsor of The Son of Ghoul Show at the time, and his commercials were often seen during breaks (we’ll see one in just a bit here, actually). I was well familiar with the establishment already; it was nearby, I loved it, so yeah, I pretty much had to be there on December 14th!

Look, I went into further detail about this visit during the previously-linked 30th anniversary article, and I don’t really want to rehash it all over. Just go to the 30th anniversary post. Here, I’ll link to it again. I even have some photos from the event there! SOG was just the greatest at JCs, and indeed, I even talked about this personal appearance in the first letter I sent to him! See, this all connects, somehow!

(JC Comics & Cards is still at that exact spot; you should go there, because the place is awesome.)

hoodlum-9

Mr. Banjo was up next. Another long-running skit, the premise was supposed to be the titular character (a hillbilly stereotype, basically) presenting old novelty clips. Technically, he did just that. But, what these bits always ended up as was Mr. Banjo constantly yelling (and often threatening) his green-screened dog “Boner,” who would bark incessantly. Trust me, it was hilarious, and even today when SOG runs one of these oldies, they’re crowd pleasers.

This installment doesn’t stray too far from the norm, though a clip of dogs running on spinning wheels provides yet another shot at the station’s power signal (that’s how it’s powered, y’see).

hoodlum-13

Son of Ghoul-Zilla, a claymation bit in which a gigantic SOG rises from the sea and wrecks a city. Obviously a take on Japanese giant monster movies, with the cheesy special effects to match. This has been a popular short over the years; it gets regular airtime even nowadays.

hoodlum-10

An event that was being pitched all night. That coming Sunday, December 7, SOG was appearing at the Highland Theatre for a double-feature matinee. For only $3, you got to see two full-length feature films, though they weren’t exactly Spielberg: 1996’s Dead of Night and 1997’s A Woman Scorned 2 were the features that weekend. As SOG claims later in the show, they’re hard-R flicks, which explains the whole under-18-you-need-a-parent disclaimer spouted several times throughout the broadcast.

I’m pretty sure I saw Space Jam at the Highland, though I don’t think I’ve been back since. It’s really just down the street from Time Traveler Records, I could probably walk there, should I so desire.

hoodlum-11

With Christmas right around the corner, SOG was of course pitching his official t-shirt; at the time of airing, if you wanted one (or more) to get there in time for the big day, you had two weeks left. Afterwards, they were “discontinuing them,” at least for the time being. SOG has an especially-winning line here about getting them for “your offspring, or your fat hubby. Who could resist one of these after a pitch like that?!

It makes sense to promote these during the holidays, but what I find particularly interesting is the apparently limited nature of them at the time. T-shirts are big business for SOG nowadays, but back then, you had to act fast. According to the segment, they were only available in the large and extra large sizes, and again, they were touted as being discontinued for a time after the two weeks were up. Near as I can remember, that never quite came to pass, not for a lengthy period at least, but it’s interesting to look back on.

And no, that info in the screencap above isn’t still valid; you can contact SOG through his official website for current shirt options and prices, however. It’s amazing to realize that back in ’97, the only way to order a shirt was via snail mail, and nowadays it’s at the click of a button!

hoodlum-12

The show finishes with the reiterating of the upcoming personal appearances, and then SOG busts wild moves as the end credits roll, which is really pretty awesome.

Ignoring that whole personal slant thing, it may be hard for some readers to understand why I’m so fond of this episode. After all, it’s solid, but more or less just a regular entry. And, the movie featured won’t raise many eyebrows. But, I think because it’s such a good, solid episode is the reason I’ve grown so fond of it. It’s a great example of how The Son of Ghoul Show was formatted at the time, and for me, so early on in my fandom, when I couldn’t wait to discover more of this stuff each weekend, this recording takes me right back. It’s December 1997, I’m 11-years-old, sitting on the couch, watching Son of Ghoul and anticipating Christmas all over again. A powerful blast of nostalgia this one is, for sure.

Plus, the movie wasn’t too bad, either.


And that brings us to the customary commercials section of the post. As usual, I like to recap some of the more interesting ads that aired during a respective broadcast. In this case, there’s a lot here that further fuels the whole nostalgia trip I’m currently on. Considering SOG is commercial-free nowadays, it’s a bit surprising to look back at a time when his show was pretty jam-packed with advertising.

Anyway, I’m not going to look at a ton of the ads from this broadcast, but I do have a few…

Quaker Square Christmas Village Ad

hoodlum-15

Saaay, wasn’t I just at Quaker Square? I sure was!

Quaker Square Christmas ads were all over this airing. Mostly, their animatronic Christmas village was spotlighted, though time was also given to showcase the Square as the ideal holiday destination station, with places to shop, eat, etc. So, yeah.

I want to say I visited the Christmas showcase around that time. I was somewhere with animated mannequins (or whatever), though I can no longer recall if it was Quaker Square or not. Still, the local Akron Christmassy-ness of this ad hits home for me, so even if I wasn’t there exactly, it still rates pretty high on the nostalgia meter.

Princess Diana Commemorative Stamps Ad

hoodlum-16

With Princess Diana’s death only a few months before, people were obviously still reeling. To that end, what better gift to celebrate her life than a commemorative stamp set and medallion for only $20? Because that’s exactly what this ad was for. Not exactly a solid fit for Son of Ghoul’s comedy, but hey, a sponsor is a sponsor.

This is the kind of collectible that was made to be collectible, and thus it’s probably worth like negative 32 cents nowadays. Or not, I don’t know. I certainly remember the (understandable) media frenzy surrounding her death, and while I don’t know this for sure, I’d imagine there were probably much less classy attempts to commemorate her than this. So, if you had a Diana fan on your Christmas list, I guess this wouldn’t have been a bad choice.

WAOH TV-29 / WAX TV-35 Happy Holidays Bumper

hoodlum-17

One thing I always liked about WAOH / WAX (“The Cat”) was that the station had a strong local flavor. Obviously that was to be expected with them being a local independent station, after all. But, watching The Cat, it just felt like Akron; there weren’t many (any?) other stations at the time, or now, that I can say that about. It’s a thought that makes me miss the late-1990s and early-2000s Cat all the more.

In that local vein was this quick, simple “Happy Holidays” bumper, in which a voiceover wishes the viewer just that, while a stereotypical Christmas scene of Santa in a train resides in the background. I don’t know what it is about this exactly, but it just seems so right, so Christmas 1997 in Northeast Ohio.

WAOH TV-29 / WAX TV-35 WWF Shotgun Promo

hoodlum-18

Professional wrestling was big, big business in the late-1990s, and while I can’t claim to have ever really been on that train (though I liked Hulk Hogan when I was younger – but then, who didn’t?), I certainly remember the massive hype surrounding all things wrestling at the time. Heck, for quite awhile, ECW actually followed Son of Ghoul on, I think, Saturday nights.

So anyway, The Cat managed to get the syndicated WWF Shotgun program on their roster, airing twice a week in an “okay” Tuesday night time slot, and a “screw that” Saturday afternoon time slot. Aside from Shotgun being ostensibly edgier than ‘normal’ WWF, I can’t say a whole lot about it, since, you know, I never watched wrestling. Nevertheless, this edginess is demonstrated via a promo featuring a lot of herky-jerky scenes and punctuated with effects not unlike those of a VCR fast-forwarding. Edgy.

So, The Cat had some WWF (back when it was the WWF) in 1997, and that’s something to be celebrated, right?

JC Comics & Cards Christmas Ad

hoodlum-19

See, told ya we’d see JC Comics & Cards again!

There were several JC ads seen on The Cat, and SOG specifically, over the years. Near as I can tell, this one is the earliest, or at least the earliest I captured. In it, set to the tune of squirrels singing something Christmas-related, a Santa runs around the store, playing with toys, picking out shirts, and other “this is where Santa goes for his gifts” imagery.

Above left: Santa plays with a Millennium Falcon toy, which is fitting, because JCs was the place to go for Star Wars toys in the late-1990s, especially the vintage ones. To an 11-year-old, it was mind-blowing seeing that amount of old, rare Star Wars stuff all in one place. And his box of $3 loose vintage SW figures? I was all over that whenever I went in.

He still has tons of great rare comics, imports, collectibles, and so on. I wasn’t kidding earlier; if you’re anywhere nearby, you owe it to yourself to check JCs out.


Alright, enough.

As I mentioned during my intro to this post, this article is breezier than usual. I had been mulling over a post on this broadcast for awhile anyway, and when I deduced the original air date and realized the 19th anniversary was right around the corner, I just didn’t have a ton of free time to put it together. So, I apologize if this feels like a dash-off. It certainly wasn’t intended to be. It was either that or wait until the 20th anniversary. ‘Course, I didn’t have to post on the actual anniversary date, but that’s something I like to do whenever possible.

Still, I think you can get a pretty good taste of what made up my Friday (and Saturday!) nights at the time. Even though I taped countless episodes (which I still have), and even though Son of Ghoul is still on-the-air, I don’t know, there’s just something about going back in time and reliving when I was first being introduced to all of this. And when it comes to momentarily regaining that feeling, this episode is one of my favorites. For yours truly, it hits all the right bases; boy am I glad I had the foresight to record all this stuff back in the day!

WAOH TV-29 & WAX TV-35 – Son Of Ghoul’s Airing Of 1959’s Plan 9 From Outer Space (March 19, 1999)

son of ghoul plan 9 - 2

From March 19, 1999, here is The Son Of Ghoul Show that introduced me to Ed Wood’s magnum opus (ha!), Plan 9 From Outer Space. Cool winnins! Even better, when it comes to recordings from 29/35 The Cat, this is like the perfect storm of material. A show I love, a terrible movie I love, great local commercials, and a huge dose of nostalgia, which in turn all adds up to an even greater dose of nostalgia, one so great that it continually threatens to make my gol’derned face explode. People, this, this is what a Northeast Ohio horror hosted weekend evening looked like back in the late-1990s.

(I’m going with a Friday, March 19, 1999 date, but back then Son Of Ghoul was on Fridays and Saturdays, 8-10 PM, same episode both nights. It can just as easily have been March 20. I’ve got a pretty good memory, but I no longer recall which night I recorded this. I usually previewed the show Friday and, if need be, taped it Saturday. But this time around, I know for sure there was something exciting I attended that particular Saturday, which you’ll learn about soon enough.)

Settle in gang, this is gonna be a pretty long post…

son of ghoul plan 9 - 23

(I don’t feel like attempting an ostensibly clever transition, so let me remind y’all that I interviewed the man himself, Keven “Son Of Ghoul” Scarpino. It was and is an earth-shaking, precedent-setting interview that has made many a person cry tears of pure, unadulterated joy. Myself included? Just go read it. After this, I mean.)

Obviously, I taped this one personally myself back in the day. I taped a lot of Son Of Ghoul (still do, in fact), but this particular episode is way, way near the top of my favorites. Not only because it introduced me to this awful, awful movie, but also because it ties directly into an event I took part in and is the basis for some very fond memories of mine.

No kidding, you all know by now that I have a ton of tapes. I keep most of my horror host stuff in the same general spot, but recordings I am particularly fond of are kept in a kind of special “da best” section. This tape is absolutely in that section, and in all honesty, it has less to do with the movie at large and more to do with the circumstances surrounding the episode overall.

That said, Son Of Ghoul hosting Plan 9 From Outer Space is, as far as I’m concerned, a shining example of just why I love this sort of thing so much, and even without that personal connection, this would be a total winner.

We’ll get to all of the particulars in due time, but for now, let us look at the movie…

son of ghoul plan 9 - 5

Like I said in that first post (forgive if I repeat myself some between that one and this one, which I know I will), Plan 9 From Outer Space is widely heralded as the worst film ever made. It’s really not; there are infinitely worse movies out there, at least as far as I’m concerned. The worst film of the 1950s? A case could be made, I suppose. The worst film ever, though? Please meet my friend, The Creeping Terror. That’s a much worse movie on pretty much any level. I’m really just speaking from technical standpoints here, though; Plan 9 (and The Creeping Terror, too) is cheap and ridiculous beyond any and all standards, but nevertheless immensely entertaining. “So bad it’s good” is a phrase that gets thrown around a lot, and I don’t always agree with it, but in the case of Plan 9, I certainly do. I’ve seen movies that are far, far inferior while still being technically superior. Am I making any sense at all here?

For a movie released in 1959, the whole “worst thing ever” reputation is actually a bit more recent. It wasn’t really known as such until 1980, when Harry & Michael Medved’s book The Golden Turkey Awards deemed it so. I don’t own nor have I ever read the book, but they apparently came to this conclusion based on votes sent in to them, and it’s a title that has stuck with the film ever since. That’s not necessarily a bad thing, though; it brought a level of popularity to the movie that it wouldn’t have enjoyed otherwise, even if people are really only tuning in to see if it lives up (or down) to the reputation. And beyond the movie itself, it helped usher in a newfound wave of interest, albeit posthumous, in the guy responsible for the movie, Ed Wood…

son of ghoul plan 9 - 6

I actually find myself pretty fascinated by Ed Wood. Not fascinated enough to go see the Tim Burton biopic, but if I came across a good book on him, I’d snap it up right quick. As it stands, Wikipedia is my guide to all things Ed. He had a very weird, up-and-down life and career, which I guess is why so many people have taken such an enormous interest in him.

For a guy that made almost universally terrible movies, I can’t help but respect him. Despite the budgetary limitations and awful writing/producing/directing/etc., you can still see the very real love he had for movie making shine through. I dig that, much more so than the winking, self-awareness of many ostensibly “bad” movies today. I give more credit to an ‘honest’ bad movie than one purposely trying to be awful.

Also, because each and every synopsis regarding Wood has to include this fact, whether it’s pertinent to the actual subject at hand or not, here’s the obligatory “he was a cross dresser” statement. Has nothing to do with Plan 9, really, but I’d like to stave off the inevitable “Hey, you forgot…” comments. Those irritate me.

son of ghoul plan 9 - 7

The plot of Plan 9 From Outer Space is almost secondary to all of the wacky crap that surrounds it otherwise, which is really saying something. It’s best described as The Day The Earth Stood Still gone nutbar. That’s to say, there’s some aliens warning mankind that we’re the ones that are gonna end up blowing the whole joint to bits, and that’s when the movie goes completely off the rails. The aliens’ plan to make Earth listen to them? Reanimating our dead and letting them cause a ruckus.

I just had a thought: what if this was the reason the dead were returning to life in Night Of The Living Dead, and not the radioactive fallout as speculated? I just blew my own mind.

Plan 9 From Outer Space is characterized by mega-cheap (some would say “nonexistent”) special effects, including the iconic saucer in the screencap above, but geez oh man, everything else about the movie is just insane, too. “Absurd” is really the most apt term for it. The plot is ‘out there’ and the dialogue is, well, throwing a bowl of alphabet soup at the wall and seeing what sticks would probably produce comparable results.

In other words, if you haven’t seen it, you really ought to. It’s apparently public domain, so have at it! It’s a film that really does need to be seen to be believed.

I’d say it’d be hard for something this bad to be released today, but then I remembered all the smack people are talking about The Fantastic Four reboot. I haven’t seen it, but I’d probably still enjoy Plan 9 more.

son of ghoul plan 9 - 4

When a movie starts off with Criswell, you know you’re in for some kind of ride. Criswell was a self-proclaimed psychic, one that ended up having a, well, wide range of rather kooky predictions. In other words, he wasn’t all that accurate, unless a ray from space really did turn all metal to rubber and I just wasn’t paying attention.

Lucky for us, he hooked up with Ed Wood, and his appearance in Plan 9 is more than enough to label him a hero to all.

Criswell provides the intro and outro to the movie, as well as narration throughout, but it’s his opening scene that is the true stuff of legend. Not only does he start off speaking of future events before inexplicably deciding all of this happened in the past, but he constantly refers to the viewer as “my friends,” and I do mean over and over. I’d guess this wasn’t in the script, but then, it is an Ed Wood movie, so maybe it was.

Apparently these “future events” are all based on secret, sworn testimony. I could point out that the events in this film wouldn’t be “secret” for very long had they actually happened, but what’s the point? Don’t question it, just revel in it.

Criswell’s opening monologue instantly makes sure no viewer is possibly going to be able to take what’s about to follow seriously. It’s so bad that it’s almost brilliant in its stupidity. Almost.

son of ghoul plan 9 - 12

Swedish wrestler-turned-actor Tor Johnson is also here in all his glory. As per his usual M.O., he plays a big lumbering guy, though for once, one not named “Lobo.”

You gotta hand it to Tor, he managed to star in not one but several candidates for “worst movie ever.” In fact, for anyone claiming Plan 9 is the worst ever, go watch Tor in The Beast Of Yucca Flats; that’s not even a “so bad it’s good” film, it’s just plain BAD. Just like pretty much everything Coleman Francis put his hand to, it’s a vile, depressing mess of a movie. Gimme The Creeping Terror any day.

Apparently in real life, Tor was a ridiculously nice guy, and hey, people are still talking about him today, so I guess he did alright in the long run.

son of ghoul plan 9 - 8

Bela Lugosi! As far as I’m concerned, pretty much anything with Bela Lugosi in it is worth watching. It helps if the movie is actually good, but even when it’s not, Bela is still Bela. In his later years, Lugosi became friends with Ed Wood, and wound up in 1955’s Bride Of The Monster as well as, obviously, this one. (In my opinion, Bride is certainly bad, but not nearly as fun as Plan 9.)

Actually, Bela died well before Plan 9 was released, and he only filmed a few bits, ostensibly for an entirely a different movie. Needless to say, Wood wanted to capitalize on both the draw of Lugosi’s name as well as give him one last film to his credit, so he shoehorned him in as best he could. It counts as a Bela movie, but just barely; Lugosi himself really isn’t in the movie all that much.

So, what do you do when your star isn’t available for additional scenes because he’s dead? In one of the most famous pieces of Plan 9 folklore, a taller, blonder guy who is obviously NOT Lugosi walks around holding his cape over his face, which fooled approximately no one.

son of ghoul plan 9 - 11

Vampira!

That’s right, the person widely considered to be the first horror host is in Plan 9 From Outer Space! Now that’s cool! There seems to be some debate as to whether Maila “Vampira” Nurmi was the very first horror host, but there’s no doubt that she was the first to make horror hosting a real and viable thing. To see her in anything, never mind one of the most iconic (for better or worse) movies ever, it’s a real treat, especially since actual footage of the Vampira character is severely lacking. In Plan 9, she not only plays a reanimated corpse, but one that was Lugosi’s wife prior to death!

So, we’re watching the woman responsible for popularizing horror hosting, in a movie that made up many a night on horror hosted programs, whilst on a horror hosted program that she was indirectly responsible for? How cool is that?! I think I just made my head swim, by the way.

And on that front, it’s time to look at some of our horror host segments…

son of ghoul plan 9 - 1

Prior to the opening theme, the show opens with this: Son Of Ghoul’s take on Mystery Science Theater 3000! Echoing the sentiments of many, SOG can’t stand them talking over the movie while he’s trying to watch, and after repeated warnings to quiet down, he finally gets them to stop the only way he can: with a baseball bat! Look, I’m a huge, huge MST3K fan, and while this bit is technically anti-MST, I did get a laugh out of it. This sorta-meeting of two of my favorite shows is a trip!

‘Course, I’m a bit biased, because I’m reasonably sure that I’m originally responsible for this skit being filmed. Lemme explain: I began watching SOG in 1997, and met him in person at JC Comics & Cards (FORESHADOWING) not long after. Not long after that, I wrote the show for the very first time. Being 11 years old and fairly ignorant of what was national and what as local, I asked him if there was any competition between his show and MST3K. After questioning my sanity, SOG answered with the above bit, which was, needless to say, repeated for this 1999 episode.

As far as I am aware, the skit was initially filmed in response to my stupid letter. Unless it wasn’t and it just made for an appropriate answer that time. I don’t know. Still neat either way.

son of ghoul plan 9 - 3

Son Of Ghoul’s intro to the movie is loaded with info on the film, much more so than usual. Even SOG states he’s a “cavalcade of information!” He makes specific mention of the guy impersonating Bela Lugosi, his imitation of which is the image above.

SOG also talks extensively about an event that was happening right at that very moment, not only during this intro but all throughout the show, during the respective mail segments and whatnot. I’ll get to that in full momentarily, though.

son of ghoul plan 9 - 9

Lotsa clowning during the movie too, thanks to those visual drop-ins that Ghoulardi made popular so many years before. On the left: SOG sweeps Bela’s walk, which he describes as “filthy.” On the right, SOG imbibes in a beverage of some sort, apropos of nothing in particular but funny nevertheless.

son of ghoul plan 9 - 10

More goofing on fake Bela Lugosi!

son of ghoul plan 9 - 13

I’m not sure my brain can process the coolness of Son Of Ghoul and Vampira in the same scene. I don’t care if SOG is just superimposed over the scene, it’s awesome.

In this short bit, SOG pops in to ask Vampira for a date. A rather, erm, “gaseous” sound effect provides her answer!

son of ghoul plan 9 - 14

The Barfaby Show, SOG’s long-running parody of Northeast Ohio’s iconic children show host Barnaby. These are always crowd-pleasers, in which Barfaby torments, either accidentally or, more usually, purposely, his pet invisible vulture “Longdog.” SOG still plays these skits quite often, but the one featured in this episode I actually can’t recall seeing in a long, long time. By the looks of it, it’s one of the earlier installments.

In this one, Longdog asks Barfaby why his mouth always moves when Longdog speaks (SOG provided the voice for the bird too, y’see). Barfaby tells him he doesn’t know why, but he’ll rectify the situation, by means of which you’re seeing in the right screencap above. It’s a skit that’s pretty emblematic of the often twisted humor of the show, and make no mistake, I was cracking up during it.

son of ghoul plan 9 - 15

Fatman & Rotten are some of my favorite skits on the show. Obviously, it’s a parody of, well, you know what it’s a parody of. Just like Barfaby, older installments are played quite frequently nowadays, though also just like the Barfaby, the skit in this episode is one I can’t recall seeing in a looong time.

Which is too bad, because this is a very funny entry. Rotten has gotten him and Fatman captured because, as he explains, he thought the bad guys would just turn themselves in when he rationally explained to them that they were “being bad.” Fatman is not amused. He’s even less amused when Rotten thinks this is good for them to spend time together; Rotten’s suggestion of having a sing-a-long goes unanswered. Fatman is then even less amused when evidence of Rotten’s previously-eaten Mexican meal is made apparent. Annnnd that’s how it ends, Fatman in agony as Rotten cuts loose. Funny stuff!


 

Okay, so, we’ve seen the movie, and we’ve seen some of the SOG host segments. But what about that whole “extra nostalgia” thing I was babbling about at the start of the post?

Behold!

son of ghoul plan 9 - 18

Oh yes, this episode aired the weekend of Frightvision! This was the first of several Frightvision shows, and it was hyped endlessly. Indeed, these Frightvision clips are actually from a commercial for the event, one that aired incessantly during this broadcast. So much so, in fact, that it practically is a part of the episode, which I’m sure it was meant to be.

There were/are episodes of The Son Of Ghoul Show that could be rerun anytime, albeit sometimes with some slight editing. But, there were also episodes that were very time frame specific, and this is one of those. SOG talks extensively about Frightvision in every host segment. Friday, March 19 was kind of a pre-convention deal; it was part of the whole weekend, but then again, not quite. Apparently, a banquet with all of the guests of Frightvision was held at Quaker Square before everything kicked off in full the next day. SOG talks a lot about that, too. March 20 & 21 were the real days of the convention, and I absolutely attended on the 20th.

Indeed, this was my very first horror/sci-fi/TV convention! I wound up going to the next two Frightvision shows before I fell away from it (Frightvision would end altogether a few years later). This first was always the most memorable to me, though. At least until I became addicted to Ghoulardifest some years in the future, anyway.

son of ghoul plan 9 - 21

Having never been to one of these before, I wasn’t quite prepared for the sheer amount of memorabilia that was present. The place was loaded! Being a video collector even then, the VHS tapes were what attracted me more than anything. And geez of man, there were VHS tapes for (figurative) miles! This being a convention, and me not having any real of money of my own, the number I could bring home was limited, but I did come away with the original 1925 The Lost World and a copy of the original 1954 Japanese version of Godzilla (which was unavailable officially in the U.S. at the time).

Also, I’m pretty it was at this show that Son Of Ghoul had a table set up with old WOAC TV-67-era promotional photos, for, if I recall correctly, $3 apiece. A sign on the table stated “When they’re gone, they’re gone!” which only further fired me up for one. I bought what appeared to be the oldest-style photo (it was also the last of that kind there), though a stack of newer 67 pictures remained; I kinda wish I would’ve gotten one of those as well.

Nevertheless, while I didn’t have a big haul, it was, as far as I was (and am) concerned, a great one.

son of ghoul plan 9 - 22

And the celebrities! Even at that young age (I wasn’t even 13 years old yet!), I knew of a lot of these people. Having grown up with Swamp Thing in movie and TV form, Dick Durock seemed like he would’ve been a sure bet to meet. I didn’t, which I now regret (especially since he passed away several years ago).

I did however meet Mark Goddard from Lost In Space, who was ridiculously nice. Tom Savini was also there, though I wound up meeting him the next year (unlike most of the celebrities that charged for their autographs, I don’t recall Savini charging to sign my VHS of Dawn Of The Dead, though I could be wrong).

I believe ’99 was also the year I met longtime Son Of Ghoul sidekick Ron “Fidge” Huffman and got his autograph. Very nice guy that truly loved his fans! RIP, Fidge.

son of ghoul plan 9 - 19

Maybe the most memorable (for me) of the celebrities I met at Frightvision ’99 was Ben Chapman, who played The Gill Man in all of the out-of-water scenes in the original Creature From The Black Lagoon. And no kidding, this guy lived for his fans. He loved to tell behind-the-scenes stories about Creature, and couldn’t have been friendlier while doing so. Ben Chapman was just great, and I am proud to have met him. I was sincerely sorry to hear of his passing in 2008. Such a cool guy.

Looking back, Frightvision was one of my more memorable convention experiences, probably because it was all so ‘new’ to me. I’m sort of used to the whole deal now, but back then, it was like an entirely different world opened up to me. Suddenly, I could meet many of these Hollywood celebrities in person, I could find a lot of movies that just weren’t going to pop up on Best Buy’s shelves, and I could have a blast doing all of it. The following two Frightvision shows were also fun, but in retrospect, they couldn’t live up to that first one. In fact, the only one that has lived up is the aforementioned Ghoulardifest, though without that same initial sense of “whoa!”


 

After my last look at local horror host material and the severe lack of any commercials interesting enough to spotlight, I initially intended on skipping that feature for this post, as well; after Son Of Ghoul, Plan 9, and Frightvision, is anything else even really necessary? This was my plan of action, until I actually dug the tape out and watched/converted it, that is. I should’ve known better; WAOH/WAX always ran quirky, inventive and very, very local commercials. That’s to say, right up my alley. Luckily, this recording was particularly strong in that area. No kidding, I wound up with so many to spotlight here that I had to cut some out, since this article is already pushing the boundaries of even the most patient of readers as it is.

Son Of Ghoul “Japanese Movie Dub” Promo

son of ghoul plan 9 - 17

One of the more-famous SOG promos of the time was found right at the start of the tape, almost two minutes before the episode itself started. 29/35 played this one a lot. It’s a short scene from Ghidrah, The Three-Headed Monster, partially dubbed with the characters on-screen talking about Son Of Ghoul’s time slot and that “he’s too cheap to film a commercial!” I’ve collected a lot of SOG promos over the years, mostly ones from my own tapes, and this one ranks near the top, if only because of its ubiquity on the channel.

 

DMG Cell Phones & Pagers Ad

son of ghoul plan 9 - 24

It may be hard for some to remember, but cell phones, while definitely existing in the late-1990s, weren’t quite what we know as cell phones today. Back then, they didn’t text, they didn’t get on the internet, and they were the size of bricks. Would you believe it, people had to be satisfied with simply being able to send and receive calls?! Whoda thunk it?! Also, there was a thing called “pagers,” which cell phones later made obsolete. Look ’em up, kids.

Back in ’99 though, this was all still state-of-the-art stuff, and DMG had it all. The commercial uses a technique of rapid-fire zooming in/zooming out, so it’s hard to get a satisfactory screencap of their wares. Anyway, there were two shops, one in Kent, one on State Road in Cuyahoga Falls. As near as I can tell, they aren’t open anywhere anymore (if you are, someone speak up in the comments! I’d never begrudge y’all a free plug!).

 

Whole Shop Inc. Ad

son of ghoul plan 9 - 25

Whole Shop Inc. has gotten mentions on this blog before, namely in this old Christmas-post. I had to include this commercial here for a few reasons: first of all, I’ve been there before, and I find the subject of cutting metal and whatnot with super high-pressured water endlessly cool. This ad is straight-to-the-point, mentioning all of the things Whole Shop does.

Whole Shop Inc. is still around, so go patronize them.

 

The Pizza Factory In Kent, OH Ad

son of ghoul plan 9 - 26

Employing a filming technique similar to the DMG ad, it was tough for your pal me to get representative screencaps for this one. Anyway, The Pizza Factory was a then-new pizza establishment in Kent, Ohio. There’s really not a whole lot I can say about it beyond that, except I have a soft-spot for local pizza commercials.

Google searches turn up a lot of similarly-named places, so, also just like DMG, I’m not sure if this Pizza Factory is still open or not. Again, if you guys are out there, speak up in the comments!

 

WNIR “Morning Stooges” Ad

son of ghoul plan 9 - 28

WAOH 29/WAX 35 was and is heavily affiliated with WNIR 100 FM, so advertising for the radio station was very plentiful for years. In this one, the morning show guys (one of whom is Steve French, and I’m sorry fellas, I don’t know the other two, simply because I’ve never much listened to talk radio) expound on the revitalization of Akron, with the exception of one eye-sore…

(Check out WNIR here!)

 

29/35 – The Beverly Hillbillies Promo

son of ghoul plan 9 - 29

29/35 ran a lot of original programming, but like any good indie station, there was also the classic sitcom reruns. The public domain episodes of The Beverly Hillbillies are standard issue for this sort of thing, so it’d be more surprising if 29/35 didn’t run the show.

The promo consists of clips of Granny talking about the various hillbilly-approved foods she prepares, which are, needless to say, not very appetizing to most. The idea behind the ad is that viewers could join The Beverly Hillbillies for lunch at noon and then again for dinner at 7:30 PM!

 

Cool Gear Ad

son of ghoul plan 9 - 30

The concept of “man caves” existed back in the 1990s (and well before, of course), though I don’t think they were known as such yet. Or maybe they were, I’m no expert on man caves. Anyway, Cool Gear was a store catering to that sort of thing. That is, sports memorabilia, beer paraphernalia, and things of that nature, it was all there for the purchasing at Cool Gear.

(It appears Cool Gear is no longer around.)

 

29/35 – Dobie Gillis Promo

son of ghoul plan 9 - 31

Dobie Gillis, believe it or not, was pretty heavily promoted on 29/35 for years. I’m not sure if there was a dedicated segment of Dobie fans among the viewing audience, or 29/35 was trying to create one. Either way, it worked on me, because I wound up loving the show, usually catching the 4:00 PM airing every day after school, following the 2:00 PM movie.

There were a number of Dobie promos on the station, though this may have been the most common one: a compilation of clips of Dobie’s father Herbert complaining about Dobie. Really, that’s all it really is, though it makes sense, since that was a large part of the show, at least in the early seasons.

 

JC Comics & Cards “Anime” Ad

son of ghoul plan 9 - 32

JC Comics & Cards! I love JC Comics & Cards! I’ve been going there since about 1996, and as previously mentioned, met SOG there in ’97. 29/35 didn’t introduce me to the establishment, but I still got a kick out of seeing commercials for the store on the channel!

There were a number of JC commercials on the channel, and in this one, it’s a dubbed scene from some anime, in which two guys in  truck discuss all of the great things to be had at JCs before narrowly avoiding a crash. They ain’t lying, either; to this day there’s a ton of cool stuff at JCs!

(Check out JCs here!)

 


 

What a recording! The Frightvision material, in conjunction with SOG’s constantly talking about the convention during the episode itself, lends this episode of The Son Of Ghoul Show an air of nostalgia for me that few others can. Not only does it bring up memories of my first convention, but the recording as a whole is from what I consider the peak of The Cat’s powers as a crackerjack local independent station (for me, roughly 1997 to mid-1999). Good shows, good commercials, good memories, there’s a reason this is one of favorites.

Seriously, few of my other recordings from the station can so concisely sum up the time period such as this one. And you’ve got Plan 9 From Outer Space! For those watching on Friday night and planning to attend Frightvision Saturday or Sunday, there was no better way to kick off the weekend!

son of ghoul plan 9 - 16

And remember, as per Criswell’s final line, “God help us, in the future!” Words to live by, man.

(By the way – want your own Son Of Ghoul-hosted Plan 9 From Outer Space? The movie is public domain, and thus, SOG sells a copy of the episode on his website! I can’t promise it’ll be exactly the same as this recording, but I’ve long held that a movie is always better when it’s horror hosted. Check out The Official Son Of Ghoul Website to get yours!)

The Son Of Ghoul Show – Now On Saturdays At 8 PM, WAOH TV-29 / WAX TV-35.

sog2015promo

That screencap comes from the latest Son Of Ghoul promo, which duly announces his show’s timeslot change to 8 PM Saturdays on WAOH TV-29 in Akron, WAX TV-35 in Cleveland, a move that began this past weekend.

(Look closely at that picture above; it’s a little tough to make out, but to the left, that thing the stuffed animal is sitting on appears to be the custom SOG Bar Sign that I myself sent in awhile back, and which has been part of the set for the last couple of years. That’s right, one of my contributions has been immortalized in a SOG promo! Cool winnins!)

Prior to last weekend, SOG had been on at 7 PM Saturdays since summer 2009, when 29/35 became our Retro TV affiliate. However, RTV’s acquisition of Mystery Science Theater 3000 this past summer was causing (I’m guessing) some timeslot confusion. Y’see, RTV has been running two MST3K episodes a week: one at 8 PM Saturday, and one at 5 PM Sunday. Sunday wasn’t an issue, but the thing with Saturday was that with SOG starting at 7, running for two hours, and then 29/35 switching back to the RTV feed afterwards, it was leaving a displaced final hour of MST3K. While I most certainly loves me some MST3K, this move does make for a cleaner, more sensible timeslot. And anything that keeps SOG in prime-time is aces with me.

So, write it down: The Son Of Ghoul Show, 8 PM, Saturday, WAOH TV-29 in Akron, WAX TV-35 in Cleveland.

Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

ChristmasTape

There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

ChristmasTape1

The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

ChristmasTape3 ChristmasTape6

The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

ChristmasTape2

It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

ChristmasTape4 ChristmasTape5

Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

ChristmasTape8

Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

ChristmasTape9 ChristmasTape15

Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

ChristmasTape7

It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

ChristmasTape11 ChristmasTape12

I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

ChristmasTape10

At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

ChristmasTape24

The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

ChristmasTape22

Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

ChristmasTape17

I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

ChristmasTape18 ChristmasTape23

The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

ChristmasTape20 ChristmasTape21

There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

ChristmasTape14

WAOH TV-29/WAX TV-35′s Annual Christmas Eve Broadcasts of Scrooge & Beyond Tomorrow (1999)

Remember my article detailing WAOH/WAX‘s annual Halloween broadcast of the original Night Of The Living Dead? Well, “The Cat” didn’t just go the extra mile for Halloween. Nope, they loved them some Christmas, too. Relatively speaking, they went all out. For years, every Christmas Eve they would play the 1935 version of Scrooge and 1940’s Beyond Tomorrow. And to make it all feel that much more special, both movies were commercial-free. Considering The Cat just loved to play cheapo mail-order CD ads over and over during the day and dirty, dirty phone chat line commercials ad infinitum during the night, them running not one but TWO movies commercial-free was a pretty big deal. I guess. ‘Course, a highly suggestive phone chat commercial would have really put a damper on the ostensibly family-friendly holiday spirit had it aired during Scrooge; them cats at The Cat were clearly usin’ their noodles when they decided to go the commercial-free route.

Much to my chagrin, I don’t have an actual promo for this Christmas Eve event; if I did, that’s what you’d be reading about right now. I’m pretty sure they ran them, though, and truth be told, I have so many recordings from The Cat that I may actually have one somewhere after all, but for the time being, no promos. I do, however, have the intros to Scrooge and Beyond Tomorrow. I recorded Scrooge in it’s entirety, but only the start of Beyond Tomorrow is on my tape. That being as it is, this post will be pretty Scrooge-centric. I sincerely hope that’s the only time I ever have to write something that stupid again.

scrooge1

As the screencap above attests, the entire commercial-free evening was sponsored by Whole Shop Inc., who are still around, and I’ve even been to their place of business before. Indeed, most of the intro is taken up by a pitch for Whole Shop, but since they were gracious enough to sponsor the whole thing, you could and should be courteous enough to listen up. Well, in this case, visit their website.

Scrooge and Beyond Tomorrow are both incredibly, unbelievably, undoubtedly public domain, and thus probably quite easy for The Cat to obtain (this event was done by the station itself, rather than being syndicated content from America One, which The Cat relied on much of the time otherwise). Indeed, their PD-status has allowed them to be released over and over and over again on any number of budget VHS or DVD releases. I could go out and buy a ‘legit’ copy of either righnah aswespeak if I so desired, but I’m more than satisfied with my Cat broadcast of Scrooge, and nothing you say can change that.

scrooge2 scrooge3

Following the Whole Shop Inc. pitch is the most hype we’re gonna get for Scrooge during this intro: “Now, gather up your family and enjoy our special, commercial-free presentation of Scrooge! Here on The Cat, channels 35 and 29!” Somehow, I have a hard time seeing anyone gathering up the kids and sitting down together on the couch to watch a scratchy, black & white British creaker from 1935 on a low-power independent station that probably isn’t even picked up in large parts of the area, but hey, it’s a nice sentiment.

In all fairness though, I do have fond memories tied to this/these Christmas Eve broadcasts. Scrooge itself, sure, but more because of the atmosphere it was part of rather than the actual movie. Back then, Mom would turn off all the lamps, and the living room would be illuminated only by the lights on the Christmas tree, and Scrooge played hazily in the background while any final preparations for the following big day were made. I was long past the “Santa is COMING I’llneverfallasleep!” age, but there was of course still anticipation for Christmas, while conversely the atmosphere was also relaxed. I don’t know, maybe it’s impossible to put into words my feelings of nostalgia for the time period, but nevertheless it’s a time period I do indeed hold fond memories for. And Seymour Hicks was a part of it all.

scrooge4

It’s quite possibly the most trashed print of Scrooge ever! The whole film doesn’t look at bad as the opening moments do, but no one would have ever mistook this for archival quality material.

This recording was of the “third time’s the charm variety” for me. I first saw this Christmas Eve broadcast during the 1997 season; I wasn’t taping it that particular time, and in the days before DVRs, if you weren’t taping then and there, baby, you was outta luck. The next year, I did record it, or at least tried to. We were using a remote that handled both the TV and VCR, and I think my Dad hit something while trying to turn the channel, because the recording cut-out-and-then-back-in shortly after starting. I wasn’t real pleased about that. Luckily, 1999 went off without a hitch, and this whole stupid post is brought to you courtesy of that recording (fittingly, the tape this is on also features The Ghoul’s 1999 broadcast of, say it with me, Scrooge! The very same 1935 version, albeit a print in slightly better shape).

scrooge5 scrooge6

This version of Scrooge is also host to the world’s biggest lint-in-the-projector moment. Lookit that fella makin’ his way up the right side of the frame like a champ! I really have no idea why I’m wasting space on this insignificant aspect of the broadcast. I think this is what they in the industry call “filler.”

Beyond Tomorrow immediately followed the conclusion of Scrooge:

scrooge7 scrooge8

The intro was almost identical to Scrooge‘s, albeit with the obvious footage difference. “Now, gather up your family and enjoy our special, commercial-free presentation of Beyond Tomorrow! Here on The Cat, channels 35 and 29!” I have a feeling even more people ignored the family invitation for Beyond Tomorrow than they did Scrooge. I mean, I guess in theory I could see parents wanting their kids to see an old classic version of A Christmas Carol, but I’m guessing a significantly fewer number would have cared about Beyond Tomorrow. I mean, people know of it, but it’s not exactly up there with It’s A Wonderful life in popularity.

As for me, I’m casually familiar with the film, but I’ve just never had much interest in watching it. Maybe that’s unfair to the movie, I know, but I’m not going to lie to you; I just don’t really care about Beyond Tomorrow, which is why I never bothered to record the whole thing like I did Scrooge (also, I think I have at least the opening credits still on tape, but that would require back-breakin’ tape-diggin’ in order to unearth, and considering only three people are going to care about this post anyway, I’m going to risk the ire of those three and skip the Beyond Tomorrow screencaps. I know, I know, bah humbug).

WAOH/WAX ran these Christmas Eve broadcasts for years, though I don’t know when then began or ended. Maybe they ended with the affiliate-switch to RTV in 2009. Nevertheless, in their own small way, these airings became a kind of part of my yearly Christmas holiday. Not that I ever sat there hardly daring to blink in anticipation for them, but they were indeed a comforting little something ‘extra’ each holiday season. Maybe that’s all they were intended to be, and if they weren’t, maybe that was enough anyway.

Have a great Christmas Eve and a wonderful tomorrow (I’ve got a Christmas Day surprise lined up for y’all, as well.)

An Interview With Keven “Son Of Ghoul” Scarpino

an interview with son of ghoul 1

Having nearly 30 continuous years on the air under his belt, Keven “Son of Ghoul” Scarpino is quite possibly the nation’s longest-running-without-a-break horror movie host, and for good reason: the man puts on a very funny, very entertaining show every week, bringing Northeast Ohioan’s (and now others!) the terrible sci-fi & horror movies and edgy attitude they’ve craved ever since Ghoulardi burst on the scene way back in 1963. From 1986 to 1995, Son Of Ghoul ran on WOAC TV-67, and when the station was sold, without missing a beat he jumped to WAOH TV-29 in Akron / WAX TV-35 in Cleveland, where he remains to this day. At one point, he even hosted a live local call-in game show, titled Son Of Ghoul’s House Of Fun And Games!

Mystery Science Theater 3000 may have introduced me to the movie-mocking world first, and I was casually familiar with Big Chuck & Lil’ John at the time, but the guy more responsible than anyone else for introducing me not only to the legacy of our Northeast Ohio horror movie hosts but to horror movie hosts in general is without a doubt Son Of Ghoul. I discovered his show during a Halloween, 1997 broadcast of Night Of The Living Dead, and I became a huge fan instantly. That image above is all too familiar to me: Son Of Ghoul in the dungeon, introducing us to that week’s terrible movie, it’s something that kicked off countless weekends for me. And you know what? 16 years later, I’m still a huge fan. I still get a charge finding out what each episode’s terrible movie is going to be. A lot of local TV has come and gone over the years, but Son Of Ghoul is still on and plugging away, and I couldn’t be more grateful for that.

So, when I had the opportunity to interview the man himself, it was incredible to realize that I was conversing with the guy largely responsible for not only shaping my hobby, but even my sense of humor. I’ve met SOG many times over the years, and he’s never been anything but generous to his fans. It’s one thing I really admire about our local celebrities, the fact that I’ve never seen an air of superiority or “I’m doing you a favor by talking to you” attitude when you speak with them. I remember the first time I met SOG: It was shortly after discovering the show in ’97, and he was making an appearance at a local comic book store. I was clearly nervous talking to him (hey, I was 11 years old), but he was completely personable and friendly. Heck, he even checked out a comic book I was buying with me! There aren’t many celebrities, local or otherwise, that would go that extra mile for their fans.

For those unfamiliar with Son of Ghoul (or, as we in the hepcat profession call him, “SOG”), he has an official website with a ton of really terrific episodes of his show on DVD for sale (One of my personal favorites? The Brain That Wouldn’t Die). You can check all that out here: http://www.sonofghoul.net/ . The quality of SOG’s DVDs are always mighty fine and well worth a purchase.

So, all that said, without further ado here is my interview with Keven “Son of Ghoul” Scarpino, horror movie host and badass extraordinaire.

*****

an interview with son of ghoul 2

Me: Thanks again for doing this!

Son Of Ghoul: Oh, no problem!

Me: I really appreciate it! It’s blowing my mind right now!

SOG: Don’t blow your mind out! You still gotta ask questions!

Me: Okay! Well, first off, 27 years as a horror host, continuous, is pretty impressive. I don’t think there’s too many that managed to hang in there that long without taking a break or anything.

SOG: Well, there were a lot of guys, plenty of ‘em, that started before me, such as Svengoolie from Chicago, I believe he started a few years before I did. But, I think he had a 10 year absence, he was gone from the air. Now, I believe I might be, now I’m not sure about this, but I might be the longest continuous-running costumed horror host in the country at this point.

Me: Yep, I think you’re right!

SOG: Now, [Big] Chuck’s been on definitely longer than me, but he doesn’t wear a costume. Or maybe that face of his is a costume, I don’t know! [Laughs]

Me: Yeah, I guess technically they were horror hosts [Hoolihan & Big Chuck & Lil’ John], but they didn’t really do the scary thing. It’s a little bit different.

SOG: Yeah, they kinda moved into just regular movies hosts, and now, their show’s cut down to just skits, which is cool, I’m glad they’re still on. Very cool.

Me: But how’s that feel to basically be the longest one?

SOG: Well, you know, it’s cool. I’m pretty proud of it. You know, it’s no big deal, nobody really cares. [Laughs] It’s one of those non-celebrated factors. And here in Ohio, I think they have a Broadcaster’s Hall Of Fame, and I think one of the thing’s is you have to be on 20 years, 25 years something like that. They will NEVER recognize my existence in the Broadcasters Hall of Fame! Which, I think’s kinda funny, but that’s okay.

Me: Well, you never know.

SOG: No, I don’t believe that’ll ever happen! [Laughs] I think I’m well beyond qualifications! Maybe I just don’t look the part!

Me: Well, sort of going back, there’s a lot of guys that would be on and then sort of, you know, drop out for a few years, come back, drop out, that sort of thing, and you’ve just been going steadily the entire time. Was there ever a point, either at [WOAC] channel 67 or now on WAOH where you thought the show might end or they might cancel you, or…?

SOG: Well, I think that every day!

Me: [Laughs]

SOG: That’s true, I do think that every day. I do, at least. You never know. I’ve learned one thing: Nobody is, NOBODY is sacred to the screen. I feel very privileged to have been on this long. I know one day it’ll be over, I don’t know when that’ll be. One of the things everybody keeps on telling me when I go out doing appearances, they all say “Please don’t stop.” So, as long as I get a good timeslot, I guess I’ll stick around for awhile! I’m not really in a hurry to go anywhere any time soon.

Me: Well Saturday at 7’s not bad.

SOG: For the first 9 years I was on at a typical 11:30, 11 o’clock timeslot, and I didn’t know if it would work primetime. But, I found that I prefer to be on early. A lot of people my age can’t stay up that late anymore! [Laughs]

Son Of Ghoul during his 25th Anniversary show in the summer of 2011.

Son Of Ghoul during his 25th Anniversary show in the summer of 2011.

Me: I wish that WAOH, I still call it “The Cat”, I know it’s not technically The Cat anymore but I still call it that, I wish that they would still air you two nights in a row like they used to.

SOG: Well, everybody used to say “I watched it the first night and if I didn’t like it I’d think why catch the movie the next night?!” Well, it was fun being on two nights, and for awhile there I was on three days in a row.

Me: Oh yeah?

SOG: When I was doing the game show.

Me: Right, right.

SOG: We did a live game show Wednesday night, and Thursday they would show the movie show, and repeat it again of Friday. Now since they’ve hooked-up with RTV, now it’s Saturdays at 7, so you know that’s not too bad, that’s okay.

The quality is terrible, but this is and promo for Son Of Ghoul's run at WOAC TV-67. With him is "Zippy."

The quality is terrible, but this is a 1987 promo from Son Of Ghoul’s run at WOAC TV-67. With him is “Zippy.”

Me: Going back to the channel 67 stuff, I know a lot of guys even as late as the 1980’s, other horror hosts, the stations they were on would wipe their shows, record over them, things like that. Do you still have everything you did from both channels?

SOG: Yeah, I have all my shows.

Me: So there’s no worry about something ever becoming “lost”?

SOG: Well, yeah there is: Deterioration from poor storage. All of my shows were produced, back in those days, on U-Matic ¾” videotape, which was a giant cartridge with wider tape. That was 67’s major broadcast output, ¾” tape. All of my shows were produced on that. The trouble with those tapes is they don’t store very well over the years, and we’re talking now 27 years later of poor storage, and they’d really have to be in an air-controlled climate all year round. And, just like any videotape, if it sits on the shelf, it doesn’t move, it deteriorates. Tapes are meant to play. Everybody should fast forward their tapes  and rewind them every once in awhile if they want to keep them longer. The trouble is, some of the oxide has fallen off some of my early shows, like my 1st Christmas show, the New Years show, those are trashed, they won’t even play. You put the tapes in the player, it clogs the heads in about 30 seconds. So, I lost a number of shows through deterioration. I’m in the very, very slow process of transferring the old shows. The old shows, all I have is my segments, I don’t have the movies that go along with them because in those days we actually paid for movie packages and we only had so many runs on each title. That’s the way it worked back then. Unlike now, where I can dip into the public domain library, which is free gratis, and which is “What you see is what you get!” [Laughs]

Me: Were you allowed to do sound effects and things during the channel 67 shows?

SOG: Yeah, we did. And I actually did them live, as the movie was running over the air, for awhile. Then we had about 5 or 6 people that complained to the general manager of the station, who was kind of a panty-waist…

Me: [Laughs]

SOG: …So he stopped me from having sound effects because he didn’t want to have anybody complain. Then, it ended up to be that I’d be able to do it once in awhile, which, I didn’t care, because it was a lot less work for me. Back in those days of 67, I also worked a 40-hour week at the station doing other jobs.

Me: I’m surprised people would complain about it, because anyone watching you would know you were doing the Ghoulardi thing, Ernie Anderson used to do that.

SOG: Well, everybody had something to say about it. “Too much sound effects!” “Not enough sound effects!” “You ruin the movies!”. So, what I do is put sound effects in the movies we’ve seen a thousand times, most of the horror classics. If I run a comedy classic like the East Side Kids or even a thriller classic or suspense like Sherlock Holmes, Basil Rathbone, I’ll leave those movies alone as-is, because I figure they’re pretty good.

Me: I think that’s great you do the East Side Kids, the Bowery Boys, because there’s really nowhere else to see them. I don’t think anyone plays them.

SOG: It’s funny, because people complain about that, “You’re running East Side Kids? I don’t even watch those!” and then other people tell me, just like you, they tell me they like the East Side Kids. So, I learned over 27 years that it’s impossible to please everybody, so what I ended up doing was doing what *I* wanted to do!

Me: [Laughs] That’s the way to do it!

SOG: It saves a lot of headache!

Son Of Ghoul in Stow's 1991 4th of July parade.

Son Of Ghoul in Stow’s 1991 4th of July parade.

Me: How about when you were working with The Cool Ghoul, George Cavender? What was that like?

SOG: When I came in, I was an outsider, George had his production crew in place, and he had his little clique of people that kinda hung around and he did his skits with them. I was an  outsider and kinda came in the side-door. And, slowly, kinda weaseled my way in. I can’t even say that I was part of the crew, I was in a way, and I wasn’t. I wasn’t an official crew member, but I would do different jobs. If one week the camera guy didn’t show, then I might be a camera guy. And another week I might be the hand coming out of the box, or just standing off to the side, or doing a bit part in a skit or something like that. And, then I landed a job at the station as a board-operator, and when Cavender quit, I just slid into place. The thing about having a horror movie package was that they obviously had an audience watching the show. And I went in the office, said “What are you gonna do?” And, a couple other people were up for the job, they inquired about it. This one comedy troupe, they wanted to do skits, and this one person who made a lot of costumes wanted to do some skits. Fortunately for me, I was already an employee at the station, so I kind of had the little bit of the edge on the rest of them as far as that goes. And, my general manager was a native Northeastern Ohioan who grew up and remembered the days of Ghoulardi and The Ghoul and Superhost. Chuck & John and Hoolihan and all that. He was way hip to it. So, that helped, too.

Me: That’s very cool. I mean, 27 years later, he made the right choice.

SOG: It’s a labor of love. And now, the show’s basically into reruns. I’ll shoot something new occasionally and put something new together. I’m not saying we’re as regular as we used to, but, we still do. I’m just keeping the show on the air, and now, I’m on in Lake Tahoe, and also on at The University Of Tennessee.

Me: Well, I think even if a lot of it’s old stuff, it’s still better than not being on at all.

SOG: For new eyes, you never know who’s watching it. People come up to me all the time and say “I’d seen this skit you did!” and I’ll say “Oh yeah, that’s an old skit” and they’ll say “Well I never seen that one before” so you never know who’s watching on what night. I mean, look, Chuck & John have been running these old skits for 50 years.

Me: Yep. And you’ve got such a wealth of material that you could probably do that for quite awhile and still not get to everything you have.

SOG: Oh yeah, there’s stuff I’ve probably never shown. Like I said, I’m slowly transferring the old 67 shows, and a lot of them didn’t have run sheets to them, or it was lost over the years, so I’m always finding new little things.

Me: Are you the only one that has any copies? Like those ones you said deteriorated, unless someone finds a VHS tape somewhere, that’s it, or…?

SOG: The early stuff, who knows who has that. I’ve had tapes sent to me over the years, people say to me “Hey, I bought one of your tapes at a convention!” and the quality looks like 120th generation, just really looked bad. I don’t know, as far as I know, I’m the only one that has the old stuff. Unless, like you people out there with a collection of old VHS, if you have any old stuff, come through! Let me know! I’ll take it!

Me: Between WOAC and WAOH, which one do you think has “run the smoothest”? Do you have any preferences? I’m sure there’s good and bad with both. Obvously with WAOH you’ve been on so long that something’s working.

SOG: WOAC was a whole different gig. We were an active TV station with a news department, a sports department. There were salesmen and secretaries and engineers on the ground. It was an everyday thing. All cable systems had saturation at the time. I don’t know, it just seemed like it was a little bit more busy, a bit more exciting. To me, at least. By the time I got to 29/35, I didn’t produce the show any longer, at 67 I produced the show on the property, in their studios, with their equipment. So, that was kinda cool too. Once I moved to 29, then I started producing the show away from the station in different production facilities. That alone was a major, major headache. I went from a manageable catastrophe to broken down equipment, to broken down cables, to moving a number of times. From having to buy all of the equipment myself to completely taking over the production myself. Which probably actually saved the show the last almost 15 years. I bought all the equipment and did everything myself. I still have a small crew, like I said, we’re not getting together like we used to. So basically, these movies, I do all of the sound effects, all the edits. Put the show together. It keeps me kinda busy!

Me: So it was much more expensive for you when you moved to WAOH? You had to take care of a lot of stuff that channel 67 provided?

SOG: Exactly. Everything that I thought was a hassle at channel 67, I wish I had that again, I didn’t know how good I had it till it was gone. There, if a camera broke down or someone snapped a microphone cord or something broke, you just wrote up a repair slip and the engineer fixed it the next day. And now, if I broke a mic cord, then I’d fix it myself, or go buy a new mic. If a tape machine goes down, you have to take it into a repair shop, which is $150 before the repairman turns the first screw. So, it was quite costly.

Me: Was it a shock when channel 67 closed down? What were they, sold to some infomercial thing in ‘95?

SOG: They were sold, they had always been for sale, they were sold to a commercial company and ended up, I think, selling out to a religion company.

Me: Was it surprising when it happened, or were you always kind of expecting it, or…?

SOG: The station was always for sale the whole time I worked there. We were told that the new owners were gonna dump a bunch of money into it and everybody’s jobs were gonna be secure. And it was absolutely the opposite of that. They came in one day and fired the entire station, except for the board operators and a few people in the offices! I had a contract that stated that I had three weeks in writing, and they said “Okay, you got three weeks.” So, in those three weeks, I made the deal with 29, and so I made the transition without missing a week.

Me: So you were never actually off-the-air.

SOG: No, I did that last show on channel 67 on a Saturday, and then the following Friday night, I was on at 29.

Son Of Ghoul with sidekick Fidge during a promo

Son Of Ghoul with sidekick Ron “Fidge” Huffman during a promo.

Me: Of your 27 years, what would say was the roughest time period?

SOG: A couple different things. That was definitely rough, that was real rough. When that transition took place, I felt that the production quality of the show was just horrible. The cameras were not even a step above home equipment. Yeah, that was tough, that was real tough. And of course when Fidge passed away.

Me: That was ridiculously surprising.

SOG: The people he was with didn’t look after him real well that night I suspect, so, what can I tell you.

Me: I met him at a Frightvision once, and he was just the nicest guy, he was such a cool guy. I got his autograph and everything And then, just a couple years later, he passed, and I just could not believe it. It just came out of nowhere.

SOG: Yeah, it was a tough transition. But, personally, I went 9 ½ years without him, and I had to become the buffoon again. Now the joke’s on me! [Laughs]

Me: How about Zippy? What happened to Zippy?

SOG: Zippy was a guy that worked at channel 67 and had that mask. He was really tall and when he put that mask on he looked crazy. His name was Terry Zimmerman, and now he lives in Oregon, I think Portland. He was a board operator for awhile and an old friend of mine actually. For a couple years there, he’d put on that Zippy mask once in awhile and did a number of stunts on the show, which was always kinda cool, it’s always fun to see those old bits.

Me: The first time I saw Zippy, it kinda weirded me out. I mean, that’s a crazy mask.

SOG: I don’t know where he got it, and I don’t know if he even has it anymore. I don’t know if it got lost, or actually, it was just real thin rubber, so it might have just kinda disintegrated. Not sure.

Son Of Ghoul and Fidge during a promo for the game show.

Son Of Ghoul and Fidge during a promo for the game show.

Me: What did you think about doing that game show? Was it your idea? Did the station manager’s bring it up?

SOG: The game show came about because at the time Who Wants To Be A Millionaire? was the hot new game show and the whole country was crazy about game shows. And [station managers] the Klauses’ thought “Hey, let’s get on the bandwagon” so that was their idea to do the game show. We tried three trial nights of it, and on the 3rd night, I just took Fidge with me just for the heck of it, and everybody liked me beating him up! So, he became the score keeper.

Me: Would you do the live call-in game show again?

SOG: Yeah, it was fun. But, it was fun until they put a time delay on the game. All of a sudden, Janet Jackson exposed herself on national television, and the whole country was now freaked out and afraid to do anything that crossed the line. They even gave me a bunch of rules, “Don’t do this anymore, don’t say that anymore.” And, I just sort of ignored all of them…

Me: [Laughs] Did anything ever happen before the delay came in, where someone said something on the air?

SOG: Oh absolutely! People would curse and stuff all the time, and all I could do was just, I’d just look at the camera and cut everybody off. I’d have to hang up on everybody! Sometimes it would be right down to the last minute of the game and people who actually played the game, did it correctly, they’d get cut off and lost being a winner because somebody would say something foul. We’d go to commercial and just die laughing! Once the delay happened it just took away the spontaneity of the game, because the people that were on, it was no longer fun for them at all. If you’ve ever called a radio show and you have to turn down your radio and all that, it just wasn’t fun for the people at home, I think.

Me: What was the reason for the game show ending? Budgetary reasons?

SOG: The reason was the station took a big hit and lost some money, and they just couldn’t afford to produce it anymore, to pay camera people to come in. They lost a few of their big informercial buyers who bought from them on a yearly basis. And they also lost some overnight home shopping that went on off a satellite, and those big buyers didn’t re-up. That was a big revenue loss for them, and at that point, they just pulled the plug. And in reality, the game show wasn’t pulling in money, we weren’t sold-out, we didn’t have sponsors for it. So that’s really the reason they cancelled that.

Me: It’s probably pretty hard to do pretty much anything without sponsors. That’s pretty much what drives the whole thing.

SOG: Yeah, and I always had to go out and be the salesman, be the sales guy, on-air talent, get all that stuff together at the same, and it was tough, really tough.

Me: When the channel switched over to an RTV affiliate in the summer of 2009, what were your thoughts on that? Were you ever worried about that? A lot of the local shows The Cat had on didn’t make the switch. I think it was basically you, Handy Randy and Steve French. Were you ever worried about not making the switch?

SOG: I didn’t even know they were gonna do it until they already did it. Like I say, every week I expect to hear a phone call, “Well thanks a lot, it’s been a nice long time.” But, I don’t know what’s next around the corner. Nobody’s sacred to the screen. Nobody.

Son Of Ghoul "dropping in" during a movie.

Son Of Ghoul “dropping in” during a movie.

Me: You were mentioning how you like to switch back-and-forth between old horror & sci-fi films and East Side Kids & Sherlock Holmes, which I think is great. I know a lot of horror hosts, they really only have access to the public domain stuff, and they sort of stick to the same couple of horror & sci-fi films. You’ve kinda realized that you don’t have to do just that.

SOG: Well, it’s my show. For me being a horror host, I’m pretty non-scary. I mean, I’ve got skulls laying around and stuff, but I really don’t go for the Dracula-type. My whole thing was always comedy. I was a big fan of The Stooges, Laurel & Hardy and The Marx Brothers and all that. So, I just throw on what I like. Like I said, I do what I wanna do! It’s my show!

Me: Isn’t that basically what Ernie Anderson did? I mean, he had ‘the look‘, but he was basically just going out there and doing whatever he wanted.

SOG: He wasn’t a very scary guy. He didn’t come off like a, a lot of these horror hosts try to be a Dracula-character or whatever, and I just didn’t find that to be believable.

Me: I know you’ve got a lot of movies from different genres, what is your favorite to show?

SOG: I don’t know, something like, there’s so many of them, like House On Haunted Hill, that’s pretty classic. I like doing Plan 9, that’s always funny. Some of those classics are really good. I really don’t have a favorite. My favorite’s the Universal classics that Svengoolie shows. I wish I could show Bride Of Frankenstein and Frankenstein and stuff like that. I’d love to be able to show that. If I had that package, I wouldn’t put sound effects in those classics.

Me: So those would probably be your “most wanted” ones to show, if you could?

SOG: Oh sure! I think every horror host dreams of showing those classics. You get these new guys, they show these new movies with a bunch of gore, blood & guts, and it’s just a little bit over the edge, they don’t leave anything to the imagination.

Son Of Ghoul with a custom album cover, sent in by yours truly!

Son Of Ghoul with a custom album cover, sent in by yours truly!

Me: After 27 years, what is your biggest thrill as a host? Is there a particular moment that stands out?

SOG: Wow. Different things at different times. It was a great honor to be a co-host of the Jerry Lewis telethon back in the say, for 9 years I was a local co-host, that was an honor. It was an honor to do interviews and get backstage to meet people like Paul McCartney and Stevie Ray Vaughan. That was a big honor over the years. I was really knocked out to be able to do that. And it was an honor to be featured in a Hollywood movie, it was honor to be flown out to the West Coast to do appearances. Yeah, I’ve had a lot of ups-and-downs, it’s been one big roller coaster ride. “Big tall ups, big bad downs!” A lot of big ups, a lot of big downs.

Me: Now, after all that, all the things you’ve done, I know there’s the Ghoulardi book, Big Chuck has done a book, would you ever do a book?

SOG: I don’t think anybody would be interested!

Me: [Laughs] I would read a Son Of Ghoul book!

SOG: I’d sell one! I’d sell about one, you’d be the only one to get it!

Me: [Laughs] You think?

SOG: I don’t know, I’ve toyed with idea, I thought about it, and I don’t know. The stories I’d like to put in the book, I couldn’t tell, because I’d get too many people in trouble!

Me: [Laughs]

SOG: Those are all the good stories!

Me: So you’d have to sanitize it a bit?

SOG: Oh, that would be no fun! I’m not candy-assing the book if I do one! I mean, if I put this out, people’d be getting divorced, all kinds of trouble!

Me: [Laughs] But you know what, I think there’d be a market for it! I’ve seen the people at Ghoulardifest! You sell some stuff at Ghoulardifest!

SOG: You know what? I’ve never seen a larger gathering of homeless people in all my life!

A promo featuring Son Of Ghoul's channel & current timeslot in Northeast Ohio.

A promo featuring Son Of Ghoul’s channel & current timeslot in Northeast Ohio.

Me: [Laughs] Alright, where to see your show. Some of the people reading this, I know they’re not from around here.

SOG: Channel 29/35 in Northeastern Ohio, and then you can see it on TNTV, Lake Tahoe, California, and they stream on the internet if you’ve got Firefox. I don’t know what they’re doing out there, you can get it over the internet.

Me: But it’s an actual channel out there besides the internet thing?

SOG: Yeah, it’s an actual channel and they also stream over the internet. That’s one of the reasons I did it, kind of like a webcast. If you’ve got Firefox, you can get that over the internet every week for free. And they show, also, my cartoon show. I produced 14 hours of me hosting classic old cartoons. Also, if you’re down along the University Of Tennessee, you can us on a volunteer channel down there, it’s an on-campus, closed-circuit TV channel, Plus, I believe, it’s on the cable system that surrounds the University. So, Tennessee, Lake Tahoe, and here in Northeastern Ohio! And of course, www.sonofghoul.net , my big website! Click on that for everything you didn’t want to know about me! You can order the DVDs, get information about where I’m gonna be, and much, much more. And, don’t forget my band, The Peacework Band. August 24th, we’ll be at Nelson Ledges.

Me: I wanted to ask you about the band. You do originals? Is it cover tunes?

SOG: We’re kinda cover tunes. We’re kinda like in a Jimi Hendrix-vein.

Me: So some bluesy rock?

SOG: Bluesy, acid rock kinda stuff. Jimi Hendrix, we do Old Cactus, some classic rock from the ‘60’s. Three-piece power trio. Come check us out, we’re The Peacework Band. I also play in another band called The Bluesrockers, from Canton. Coming up we’re gonna be at a club in Akron called “Benders”.

Son Of Ghoul with a "custom bar sign," sent in by yours truly!

Son Of Ghoul with a “custom bar sign,” sent in by yours truly!

Me: Alright, one more: After 27 years, is there anyone you would like to work with again? Whether it was a celebrity or a special crew member? Is there anyone you got along so well with you’d like to get in touch with them again?

SOG: I’m pretty much in touch with practically everybody I’ve worked with. There was a director in the early days, his name was John Case. If I had to work with somebody, I’d work with John Case, because he was probably the single most talented person that ever worked on the show.

Me: That is very cool! That is great! I can’t thank you enough for talking with me. My mind is blown!

SOG: [Singing] My mind is blown!

Me: [Laughs] This is just terrific, I can’t thank you enough for talking to me!

SOG: Anytime!

*****

How do you describe a conversation with a guy you’re a huge, huge fan of? I think “awesome” works pretty well. During the entire (roughly 49 minute) interview, SOG was never anything but completely friendly and generous with his answers. And what an absolute wealth of information! I don’t know gang, I don’t think it gets much cooler than this!

Once again, many fine products are available at www.sonofghoul.net , including terrific DVDs and swanky t-shirts, one of which I’m wearing right now as I type this (gotta dress the part, right?). And fellas, remember, a genuine SOG t-shirt can only help you with the ladies! Seriously, there’s a lot of good stuff there, including some very cool old promo pics in the scrapbook section.

Once again I’d like to extend my thanks to Keven “Son of Ghoul” Scarpino for his generosity in granting me this interview and his time. The man is a legit badass.

Your NEO Video Hunter with the man himself at Ghoulardifest 2011. Sorry the picture's a little blurry, blame my brother's camera.

Your NEO Video Hunter with the man himself at Ghoulardifest 2011. Sorry the picture’s a little blurry, blame my brother’s camera.