Tag Archives: Saturday

WJW TV-8’s The Big Chuck & Lil’ John Show – “The War of the Gargantuas” (March 29, 1997)

March 29, 1997. 20 years ago this very day. Let me set the scene: I was not yet even 11-years-old, Easter was the very next day, and as such an Easter Egg-hunt at a nearby park occupied a portion of the afternoon. It was overcast as I recall it, but not rainy. As a young Star Wars nut, I was reveling in the burgeoning new action figure line (at the tail-end of what is probably socially acceptable, age-wise, to still play with toys) and the special edition re-releases of the trilogy, though I only saw the first film in the theater. A trip to the grocery store with my mom and brother following the egg hunt yielded me a Star Wars-themed issue of Cracked, though the whole situation had a damper put on it by a tabloid that promised late-1990s end-of-the-world predictions by Gandhi, which freaked out stupid naive 10-year-old me. Kinda funny that I can look back in nostalgia at something that caused me so much consternation 20 years ago, probably because I’ve got real problems to worry about now.

Anyway, it was against this backdrop that I myself recorded Big Chuck & Lil’ John’s Couch Potato Theater, their Saturday afternoon installment of their popular WJW TV-8 program. This wasn’t a spur-of-the-moment taping; I wasn’t doing that so much yet. Rather, as a growing fan of giant monster movies, the revelation of The War of the Gargantuas listed in TV Guide that week made this can’t-miss-television for yours truly. I had never heard of the film, but as per the synopsis in TV Guide, it was big ol’ monsters, and it was Japanese, so naturally it was right up my alley. Needless to say, I had to tape it, which also needless to say, is why we’re here now.

Couch Potato Theater wasn’t all that different from Chuck & John’s normative (by their mid/late-1990s standards) Friday night show, except it was generally shorter (typically a strict two hour time slot, as compared to the two and a half, or more, hours of the Friday installment), and with a more eclectic range of features presented. Don’t get me wrong, just like their normal show, the movies shown on Couch Potato Theater ran the gamut of all genres; I mean, the first Big Chuck & Lil’ John I ever taped was a Couch Potato Theater presentation of The Karate Kid, and that was in 1996. But, Couch Potato Theater could also delve into more “traditional Saturday afternoon” fare; Superhost type stuff. That is, vintage short comedies and, of course, old school sci-fi and horror. I certainly didn’t realize it at the time, but this was at the very end of the era when you could catch flicks like this on Saturday afternoons with any kind of regularity (and I’m stretching the term “regularity” here; I direct you back to the aforementioned Karate Kid).

We’ve seen a lot of Big Chuck & Lil’ John on this blog, most recently via a broadcast of Terror of Mechagodzilla that I taped later in 1997. But, except for a brief excursion in this old article and a possible exception with this “Pregame Show” post, Couch Potato Theater has sadly been neglected here, which is a shame, because it was more responsible than anything for making me a BC & LJ fan. (More so a few years after this broadcast, when I began watching old Abbott & Costello episodes on the program and consequently really ‘getting’ Chuck & John; when I taped this, it was pretty much all about the movie.) Seriously, you have no idea how nostalgic that bumper above makes me; it perfectly encapsulates the “lazy Saturday noon movie” vibes of local television at that time.

We’ll get to the Big Chuck & Lil’ John stuff in a moment. But first, the movie.

I was all prepared to say this flick hadn’t yet had an official video release when this aired back in ’97, but I was failing to recall the 1992 Paramount VHS (which, in my defense, I was not aware of until years later). Of course there’s been some official DVD releases in more recent times, but the fact remains that Gargantuas was not all that easily found by the late-1990s. Heck, it doesn’t look like it’s all that easily found now; unless you wanna stream it via Amazon, it’s apparently out-of-print on DVD.

Released in Japan in 1966 (don’t let the copyright date in the screencap above fool you; 1970 was the year of the American theatrical release), The War of the Gargantuas is a Toho kaiju (aka, big huge monster) film, in the vein of Godzilla and the like. That is, lotsa city-crushin’ and whatnot, though this time with American actor Russ Tamblyn starring (and really starring; this wasn’t a cut-and-paste job like Raymond Burr in Godzilla, King of the Monsters). It’s not a particularly well-regarded entry in the genre. Not critically, anyway; Leonard Maltin gave it a BOMB rating, I seem to recall TV Guide only allowing it one star out of a possible four, and even Lil’ John, at one point late in this broadcast, diplomatically states “Not the best movie we’ve ever had on…”

I can’t agree with any of that; I have always loved this movie. I loved it upon first viewing, and I’ve loved it in the years since. In fact, and I know this is anathema to admit, I love it more than the far more highly-regarded Rodan and Mothra. Indeed, I’ve traditionally had a hard time getting into Toho’s non-‘Zilla kaijus, and that isn’t a retroactive repositioning of my stance, either; this goes back to when I was seeing all this stuff for the first time, and thus, an easy audience. (Mothra in particular has just never done anything for me, and the theatrical Rifftrax Live presentation of it some months back did little to change my mind – though Mike, Bill & Kevin were terrific, as usual.)

But The War of the Gargantuas? Something about it has always clicked for me. No, it’s not high art, and even I won’t argue that it’s Toho’s finest hour, but still, it just works. I’m not even sure if I can accurately state why it works for me, it just does. It’s silly, sure, but in a good way; it’s entertaining, and it’s fun. In other words, perfect Saturday afternoon fare, even if magazines were claiming Gandhi said I was a goner at the same time. It’s impossible for me to separate it from my personal memories now, but even years ago, when those would have been less of a nostalgic factor, Gargantuas did (does) everything right in my eyes.

It’s also a sequel of sorts to 1965’s Frankenstein Conquers the World (released in the US in ’66). Much to my regret, I still haven’t seen that movie, but this hasn’t hurt my enjoyment of Gargantuas any, and it shouldn’t yours, either. There’s apparently a vague reference to the first film, but the US version omits any direct references – from how I understand it. Point is, don’t hold off on seeing Gargantuas if you haven’t seen Conquers.

Spawned from the skin cells of the Frankenstein monster in Conquers, Gargantuas (as you may surmise from the title, and if not, at least the screenshot above) details two “humanoid creatures,” the appropriately deemed “Gargantuas.” One, a “Green Gargantua,” is a disagreeable sort; he smashes up boats and causes havoc in general. You know, as you would expect in a movie such as this. This creature comes from the sea, and has an appropriate, seaweed-like appearance. (That’s him to the right above.)

At the same time, there’s also a “Brown Gargantua,” who is much more amiable. This one lives in the mountains, and was actually in the possession of Dr. Paul Stewart (Tamblyn!) and his assistant years ago, before he escaped. (The creature I mean, not Tamblyn.) Because of his upbringing with humans, Brown Gargantua is much more gentle, and provides the heroic role of the movie. (That’s him with his back to you on the left above; aren’t I helpful?)

Eventually the two creatures meet up, and while there is initially a kind of brotherly connection between them, Brown Gargantua soon sees what a complete cad Green Gargantua is, and that’s where our title begins to make sense. With Green Gargantua trying to destroy mankind, and Brown Gargantua trying to protect it, the stage is set for some city-smashin’, and that’s exactly what the film provides. Also, some cool laser effects and an underwater volcano that (SPOILER!!) ends the film on an ambiguous note.

Fans of monster-induced destruction will dig all this. It moves at a decent pace, there’s plenty of action, even a few pathos, and personally, I like that there are no alien-based threats to be found, something that would soon become increasingly commonplace in Toho kaijus. (Though ironically, when Gargantuas was first released in the US in 1970, it was on a double-bill with Godzilla vs. Monster Zero, then called just Monster Zero, which happens to be one of my favorite “bad ol’ aliens” Japanese giant monster flicks. Go figure!)

One final comment on the movie before we get to the Big Chuck & Lil’ John segments: “The Words Get Stuck In My Throat.”

No, that’s not me being cute (and pretty nonsensical, if you think about it) about writer’s block. Rather, it’s the subject of one of the most memorable scenes in the film. In it, Kipp Hamilton (who somehow gets “Special Guest Star” billing in the opening credits) sings a song by that title. I hate to say this, especially since Mrs. Hamilton passed away in 1981, but it’s a pretty terrible song. Nevertheless, she gets to perform it at a nightclub, and upon her finishing, Green Gargantua sneaks up behind her, snatches her up, and then drops her! Guess he didn’t like the song! (Unless it’s in the uncut version, whether Kipp dies from the fall or not is never revealed.)

This scene is often brought up when the subject of The War of the Gargantuas comes about, and it’s solely due to how bad the song is. There’s no arguing that, but you know, there’s something about it that has rung a bell for me ever since I first saw/heard it. Some vague, dusty recollection in the back of my mind that was triggered upon initially hearing it. I hadn’t seen Gargantuas prior, and I highly, highly doubt it stuck in my mind due to some random channel-flippin’ at some unknown point in the past. Nevertheless, something about Kipp’s voice and the lyrics sounds familiar. I can’t explain it, and I sure can’t place it, not then or now. My conclusion is the same today as it was back in 1997: I probably heard a song on Sesame Street or some such program in my early, formative years (which I really wasn’t that far removed from at the time) that subsequently reminded me of it. That’s the best explanation I can come up with, anyway.

And that brings us to the rest of the show.

With only two hours allotted and the need for commercials, never mind the movie, the Big Chuck & Lil’ John segments are somewhat limited here; I’ve been so used to watching old episodes of their Friday night show that I totally forgot how (relatively) scaled back Couch Potato Theater could be. Oh, don’t get me wrong, this wasn’t exactly Sunday-era Ghoul, the guys are still all over this broadcast, there could be no mistaking what you were watching, it’s just that it all moves faster than their ‘regular’ program. Again, perfect for a Saturday afternoon.

Anyway, the first host segment proper included an announcement that I could not be happier to have saved to tape, even though it took me years to realize it: Ghoulardifest! Yep, the very first Ghoulardifest is announced as a “go,” with several guests (including The Ghoul!) already booked. That inaugural Ghoulardifest, as of this broadcast, was going to be one day, August 16, at a Holiday Inn in Independence, OH, though I wasn’t there, so that may have changed/expanded closer to showtime. Nevertheless, it’s wild to look back on the opening salvo of what has become a three-day, annual extravaganza. I, of course, have written about Ghoulardifest some 70,000 (approximate estimate) times by this point; here’s just one of them. (It’s also weird to realize that Ernie “Ghoulardi” Anderson had only passed away the month before when this aired.)

Also, Chuck mispronounces “Gargantuas” as “Gargantuons” and gets bopped in the head by John with a styrofoam hammer.

The skit immediately following that segment feels like something I’ve written about before. Maybe I have, maybe I haven’t; I did only the briefest of searches before deciding it doesn’t really matter. It’s the “Certain Ethnic Alarm Clock,” in which a wife’s clock goes off at 7 AM, giving the expected digital readout. The husband’s (Chuck’s “Stash” character) goes off soon after, and gives a literal digital reading of a ‘normal’ clock. A simple premise, but I’ve always really liked this one.

Another simple one, and very brief, too. A man (John) absorbed in reading his paper as he enters the “Parma Skydiving School” gets a rude surprise – too late! Let the pictures do the talking above. Gotta love aerial footage and green screens!

Trivia time. I’ve mentioned my semi-frustration with these audience trivia-quizzes before, because more often than not I knew the answer, yet was never there in-person to collect the sweet, sweet rewards. This may be the most egregious of that lot: winner had to guess the name of the movie poster presented. It’s The Amazing Colossal Man. Of course it’s The Amazing Colossal Man. What’d they win? A coupon for a free 12-pack of any Pepsi product. That’d be like a day’s supply for me! (Now, not back then.)

(A “Bus Driver” skit, in which Chuck asks passengers to move to the back of a public bus and floors it when they don’t, followed this trivia segment. In a misguided effort to speed things along here, I didn’t take any appropriate screencaps.)

It really feels like I’ve written about this one before, though I like it enough to give a brief go again (plus, I don’t feel like digging through old articles for something that, again, doesn’t matter).

Here, John is a “Lucky Charms” salesman (as in little trinkets, not the cereal), who convinces Chuck to buy one of his products. As it turns out, it was the last in stock, and just as John is packing up to go home and get some more, a safe falls on him!

More trivia. Winner this time got a $20 comic shop gift certificate. The poster art is of course Attack of the 50 Foot Woman. Too easy! Not fair!!

A genuine classic skit, and one of my favorites. If *I* were in charge of a top-however many skits compilation, I’m pretty sure this would make the final cut.

John plays the much-verbally-abused husband of Carmella (I can’t remember her last name), working six and a half days a week, tired, and just wanting to take a load-off after a long day by watching some TV. I think we can all relate. This, of course, is not good enough for the wife, who endlessly berates him over the length of time it’s been since they’ve been out to eat, gone dancing, and had her hair done. She even throws in a variation on the old “mother warned me about you” line.

The tide of nagging is momentarily stemmed when John announces they’re playing “their song” on TV – only to then turn up the volume and reveal that’s it the old “Hefty Hefty Hefty – Wimpy, Wimpy Wimpy” commercial jingle! This, naturally, results in him being chased around the kitchen by his now really mad wife!

I sometimes wonder what theoretically happened after these skits faded out. Did they make up? Was John able to calm her? Or was the homicide squad eventually called in? I’m probably thinking too much about this.

You can’t say Chuck & John weren’t masters of the green screen.

Here, Chuck’s Stash character is a balloon salesman, and John plays a little kid (he usually did), who eagerly wants one specific balloon. He eventually gets it, only to reveal that it’s a string attached Stash’s head, which floats away with John as he leaves. Stash seems apprehensive with the situation.

Did this effectively end Stash’s life? Was his head eventually returned to his body? Or did both entities continue, somehow, living independent of each other? I’m probably thinking too much about this.

Some brief announcements before heading into another skit. That next Saturday night, Chuck & John would be appearing at a local sports bar, and the next Sunday afternoon they’d be at a Parma Heights library benefit. BC & LJ did (do) so many of these types of appearances, they almost have to all blend together for them by now, but that doesn’t mean it’s not fun seeing the various places they’d be back in the day.

The kind of topical (though it was almost certainly several years old by then anyway) skit that still holds up.

John and another “gringo” find themselves on the execution line of a Hispanic country of some sort, and are given a last request. The unnamed “gringo” (who is given a good ol’ boy appearance) just wants to hear his favorite song one last time. What is it? “Achy Breaky Heart.”

John’s last request? They shoot him first! It’s a funny moment, made all the better by the knowing nod of the dictator (?) in charge of the execution.

A brief skit that’s actually more clever than I initially gave it credit for.

Chuck is a pharmacist who finds himself being held up by an obviously old woman with a bag over her head (Mary Allen, who was great in everything). She doesn’t want money; she wants Retin-A! Retin-A is a skin-revitalizing treatment, which makes the whole bag-on-head thing not only a disguise, but a commentary on aging. Funny!

Annnnd, that finished the show up. Next week on Couch Potato Theater? Eddie & The Cruisers! Had I been the age I am now back then, I’d have definitely taped that one, too. (Plus, sensationalist tabloids in the check-out line at the grocery store wouldn’t have been cause for concern, because my brain eventually formed enough to realize they’re fake). The show next Friday night was Lord of the Flies, which really isn’t my cup of tea (enjoyed the book, though). John’s loud and enthusiastic “BYEE!” he always used and a shot of the Boy Scout attendance-heavy audience closes the episode out.

(Oddly enough, I didn’t catch any references to Easter being the next day, and there sure weren’t any especially-Easter-ish skits, but I looked it up, it’s true.)

You know, after my latest revisit of this recording, it’s amazing how much of it is ingrained in my memory. Okay, yeah, not a big surprise considering I grew up with this tape, but there really are several moments burnt into my consciousness that I, quite honestly, didn’t expect. I mean, sure, “The Words Get Stuck In My Throat” and other parts of the movie itself, definitely, but also quite a bit of the show as a whole; skits, bits of dialog, the trivia, stuff like that.

Usually at this point, I would look at interesting commercials that aired during this broadcast. I’m going to skip that portion this time around; there weren’t really any particularly notable ones (unless you consider a promo for The Gladys Knight Show and an ad for Handi-Snacks notable, and I don’t). But they really aren’t important here. Nope, this subject is one that’s heavily, heavily tied to my personal memories; as such, it may be hard for some readers to ‘get it,’ but I trust everyone can relate in some way to what I mean. In that regard, there was the program itself; my first exposure to what has become a personal favorite Toho movie of mine, and of course there’s the Big Chuck & Lil’ John material, which I only came to appreciate more and more as time went by.

But beyond all that, it’s where this falls in my lifetime. There’s an “aura” about this recording that will (probably) be all but impossible for someone else to accurately understand, but is something that I can never extricate from the proceedings. The events of that day, my age, my interests, all things I look back on now with a wistful fondness. I think it goes back to that weird tabloid scare I’ve referenced several times; a silly fear now, of course, but it points to an innocent naivete that was, quite frankly, probably preferable to the worldly cynicism I often exhibit nowadays.

And that, my friends, is the magic of videotape technology in a nutshell right there. Not just the capturing of a program to view again and again in the future, but also the capturing of a specific time and place, which can also be relived once more. Your childhood can come back alive, if even for only 2 hours.

WJW TV-8 – The Big Chuck & Lil’ John Ghoulardi Special (October 10, 2015)

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I usually don’t look at ‘modern’ television broadcasts, especially broadcasts as recent as this past weekend, but this was so unabashedly cool that I can’t resist. Besides, it may be a new broadcast, but it’s a new broadcast of older material which in turn featured even older material. There, wrap your mind around that!

‘Course, the fall-back here is that this is my blog and I’ll write about what I want. I could go in the backyard and describe all the neat-lookin’ rocks I find if I so desire. You keep pushing me and I just might, too.

I was made aware of this special just the night before it aired: on Saturday, October 10, 2015 at 3:30 PM, WJW TV-8 would be airing the 30 minute Big Chuck & Lil’ John Ghoulardi Special. I’m glad I only had to wait less than a day for this, because man, I was stoked. A Big Chuck & Lil’ John special, airing (roughly) in their old Couch Potato Theater time slot, and focusing solely on Ernie “Ghoulardi” Anderson, the man who set this whole thing in motion waaay back in 1963? I was so there.

This is what I love so much about Northeast Ohio TV: for all of the changes it has gone through over the years, the steady erosion of locally-grown programming in favor of syndicated content and whatnot, there’s still a sense of history here; there’s a reason Big Chuck & Lil’ John have been forever in the public eye, Son of Ghoul is still plugging away, and no one bats an eye when a special regarding a character that hasn’t been on Cleveland airwaves since 1966 is allotted a 30 minute time slot. Doesn’t hurt that Ghoulardi had (and continues to have) an incalculable impact on so much of the populace, either.

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The announcement I saw didn’t elaborate, and I automatically assumed this was going to be a half hour edition of their regular skits-only show, tailored solely to Ghoulardi material. As it turned out, this wasn’t actually a new special; as the above screencap attests, this was instead a re-broadcast of Big Chuck & Lil’ John’s tribute to Ernie Anderson following his 1997 death. It’s actually not too far off from what I envisioned, just 18 years older. I guess it makes sense to simply re-run the earlier special; a new version would just cover the same ground and take time to film.

Not that I’m complaining, mind you. Anything that gives Big Chuck & Lil’ John and Ghoulardi airtime is absolutely fine with me. Always. Besides, seeing Chuck & John on that old set with the studio audience gets the nostalgia fired up somethin’ fierce.

(By the way: why the slightly fuzzy reception in this day and age of ultra-clear digital everything? Meh, for old times’ sake I recorded this onto DVD on my downstairs CRT TV, which apparently doesn’t play by the same rules as my cute HDTV upstairs does. I also DVR’d the special upstairs, but what the heck, this DVD is already made and handy for screencaps, so here we are.)

Before I go any further, yes you can get an official DVD release of the original 1997 special, straight from the official Big Chuck & Lil’ John website, right here. It’s near the bottom of the order form, the DVD titled 44 Years of Cleveland Comic Champions. There’s a lot of great stuff available in that store too, so hey buddy check it out!

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Being a tribute to Ernie Anderson, in addition to actual Ghoulardi footage there’s also a lot of reminiscing, as you would expect. In addition to a short bio of Anderson and how he wound up as Ghoulardi, among other stories Chuck recounts the famous tale of his stealing a Ghoulardi poster off a bus while Anderson kept the driver distracted. Funny stuff!

Keep in mind, this originally aired some time before the phenomenal Ghoulardi: Inside Cleveland TV’s Wildest Ride book was released, and waaaay before Big Chuck’s terrific autobiography (head on back to that BC & LJ store link for that one), so a lot of the information here hadn’t been widely recounted and available to the masses yet.

(For the record, both of those books are absolutely essential reads, not only for Northeast Ohioans or fans of Horror Hosts, but for television lovers in general; both offer an indelible snapshot of TV history, an era that won’t be repeated, and are ridiculously entertaining to boot.)

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Much of the tribute also consists of Chuck’s one-on-one interview with Anderson himself, obviously conducted some years prior. As I recall it, this interview provided the basis for a previous BC & LJ special show, though integrating the segments into this tribute show makes all the sense in the world, given the circumstances.

After giving up Ghoulardi in 1966, Anderson went to Hollywood and made the mighty dollars doing voiceover work. I have countless commercials/promos featuring his voice, and on a nationwide scale that’s what he’s really known for. At one point during this show, Chuck mentions that when Ernie went to Hollywood and became a millionaire, it didn’t change him a bit; he was still the same guy he was back in Cleveland. You get a real sense of that during these interview segments. There’s no showing off, no posturing or anything like that. It’s just two friends talking about the old times.

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As far as actual Ghoulardi material goes, with only 30 minutes and so much ground to cover, well, you’re only going to see so much. However, the official Ghoulardifest website sells a phenomenal DVD of much (all?) of the remaining footage from Ghoulardi’s show, the only official place to get this stuff. I have it in my collection, and you should have it in yours too.

As for this special though, I personally would have liked to see a few more bits with Ghoulardi on his set doing his thing. As it stands, there are two brief clips, and the skit you’re seeing above, The Pitching Coach.

Y’see, Chuck got his behind-the-camera and, as in this case, his in-front-of-the-camera start on the show, performing in skits and even providing the basis for running gags such as the whole “PARMA?!” thing. In this skit, he plays the new pitching coach for the Cleveland Indians, who proves to be fairly incompetent. My favorite moment comes when Ghoulardi tosses a ball back to him, and it lightly hits Chuck’s arm; Chuck holds his arm in pain and pouts in the corner while Ghoulardi tries to apologize!

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More Chuck, this time in one of the legendary skits from Ghoulardi’s show: Parma Place.

Parma Place was a take-off on the soap opera Peyton Place, and the line of skits basically existed to poke fun at the Cleveland suburb of Parma. The loose idea was that Chuck’s character was always trying to make time with Anderson’s wife behind his back (and often right in front of him), but the more notable aspect of the skits were the stereotypes of Parma they perpetuated: white socks, polka music, and so on.

And this was all in addition to the jokes Anderson would make about the suburb when in character as Ghoulardi. Naturally, some residents of Parma didn’t take too kindly to all this, but it’s all still funny, and the genesis of a running joke that continued (and continues) on through The Ghoul and Hoolihan & Big Chuck (& Lil’ John).

A few different Parma Place entries are spotlighted during the special, and this screencap comes from a moment when Chuck’s character “Jerry” gifts Anderson with a pair of white socks, to which he and his wife marvel at endlessly.

Also, you have no idea how funny I find Chuck’s PARMA shirt.

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A fun bit where Ernie Anderson interviews, well, himself. Using a split screen and some handy pre-filming, Ernie Anderson as Ernie Anderson interviews Ernie Anderson as Ghoulardi (who insists he be called “King”). It actually works pretty well; in fact, for the time period it’s fairly seamless.

My favorite line: “I first got my start as Ghoulardi when they fired me from channel 3 and 5 wouldn’t hire me!

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The whole open-wounds-shock of Anderson’s passing may not be as hard to take today as it was in ’97, which is understandable; it has been nearly 20 years, after all (20 years? I refuse to believe this all happened that long ago!). That’s not to say it isn’t still sad, because of course it is. I don’t mean to downplay anything here, it’s just that after 18 years, (most?) Northeast Ohioans have learned to live with Ghoulardi being gone, really gone.

All that said, there is a moment that still packs an emotional wallop in this tribute: the final scene returns to Chuck interviewing Anderson, and Anderson recounts that he met a lot of great people in Cleveland, and then jokingly says to Chuck “You’re not one of them,” to which they both crack up. After they calm down a bit, he then adds “You are, you’re great,” and then the scene freezes as the copyright info pops up. It stays there a bit before fading out, and in that little moment, the deeper meaning of all this is hammered home: it’s not just about what Anderson accomplished as Ghoulardi and what he meant (means) to Clevelanders, it’s also about the genuine friendship between him and Chuck that was there up until the very end of Ernie’s life. It’s a terrific, honest scene, and an absolute perfect way to end the special.

You know, maybe it’s for the best that they didn’t film an all-new Ghoulardi tribute episode; it would be nearly impossible to improve upon this one. From the recollections to the clips, it’s as concise a definition of the character and what he represented to Clevelanders as you’re likely to get in half an hour.

But wait! In a for-modern-day rarity of rarities (for me), there were some great commercials during this broadcast. ‘Course, they all had to with Ghoulardi and/or Big Chuck & Lil’ John, but frankly, that’s how I prefer things. Behold:

Big Chuck For Empire Windows

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Chuck has been pitching Empire Windows for quite awhile now, often in print ads that come nearly every week in one of those circulars. I haven’t seen a whole lot of TV advertising with him for the company, so I was glad to see this and add it to my collection (y’see, through my massive collection of old videotapes, I have amassed a large “archive” of commercials, promos and whatnot featuring horror hosts, and not just our horror hosts, either; it spans the entire nation).

Chuck gives really a pretty standard pitch, though the commercial is so short (15 seconds) there isn’t a whole lot of time for much else. Chuck says he’s been plugging the company for 29 years at this point; that’s as long as I’ve been alive!

If I ever need new windows, I’ll go to Empire. Why? Big Chuck told me to. (He also told me who to go to for waterproofing, should I need it.)

Empire Windows’ official website is here.

WJW TV-8 Big Chuck & Lil’ John Ghoulardi Special Promo

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A mega-quick (5 seconds!) promo for the special itself, which aired less than a minute before the show began. I was really, really happy to capture this one; not only does it give me fond memories of this, but also because I just wasn’t sure if there even was a promo for this special. I don’t care how short it is, either; it’s another one for the collection!

The voiceover: “The Big Chuck & Lil’ John Ghoulardi Special, today at 3:30!” Yeah, yeah, basically the same info that’s printed on-screen.

Ghoulardifest 2015 Commercial

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I’m thinking Ghoulardifest is the reason this special was run in the first place; what better promotion could there be? In prior years, the convention was sponsored by WBNX TV-55, but this year it’s WJW, which means they’ve got carte blanche as far as Ghoulardi footage and whatnot goes. It’s a more involved commercial than what has aired in recent years, which more or less usually amounted to basically Chuck & John standing in front of a green screen and giving their pitch. In this spot, however, lotsa Ghoulardi clips are interspersed with the pertinent information, though perhaps oddly, Chuck & John are nowhere to be seen.

WJW was pushing Ghoulardifest pretty hard during the special (as you’d expect). A full 30 second spot aired twice during the show, and a 15 second version right after it.

Needless to say, I am now even more jazzed for Ghoulardifest, which is saying something since I’m always jonesing for the convention. Yes, I will be attending again this year, and yes, there will be another write-up. In the mean time, check out my 2013 and 2014 reviews! And if you can attend, please do so! It’s always a blast!

The Ghoulardifest website with all the info y’all need is here.

The Big Chuck & Lil’ John Show Promos

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And finally, promos for Big Chuck & Lil’ John’s current 30 minute Sunday night show proper were, for obvious reasons, ran twice during the special. On the left, a spot featuring a brief clip from their Nukey Shoes skit. On the right, the bit where, as part of the opening fanfare for a movie, John gears up to hit a gong but instead accidentally nails Chuck in his, erm, manhood. Yikes!

Big Chuck & Lil’ John’s official website is here.


 

I love the fact that a special so undeniably Cleveland in every facet can still air on local TV here in 2015. The sad fact of the matter is that there’s not always a place for this kind of thing on modern airwaves. Like I said at the start of this post, there’s a very real sense of history in Northeast Ohio television, one that seemingly won’t let people forget the accomplishments of its past.

And I wouldn’t have it any other way.

Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

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There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

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The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

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The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

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It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

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Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

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Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

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Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

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It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

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I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

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At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

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The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

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Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

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I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

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The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

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There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

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