Tag Archives: the cat

Episode Recap: The Son of Ghoul Show “Mr. Wise Guy” (March 6, 1999)

With Son of Ghoul’s big 31st anniversary show this weekend, and indeed, his actual 31st anniversary today right now yo, what say we take a look back at a vintage episode? I always like doing these. (My wi-fi currently hates me and wants me dead, so if I blaze through this, particularly in the second-half, that’s why.)

31 years is unbelievable for any television personality, but especially so when it’s the endangered-species known as “horror host.” Ironically, 31 almost seems a little, I don’t know, anti-climatic, I guess, after the massive hype that surrounded his big 30th last year. I certainly covered it, and was even present when SOG was fittingly honored at Monsterfestmania.

I thought of a couple different topics to post in honor of his 31st continuous year on Northeast Ohio television. I could’ve covered the earliest episode I taped (The Vampire Bat, in 1997), or his 12th anniversary show, or even the episode featuring the first piece of mail I ever sent in to him. I even briefly considered an article detailing a lot of the SOG memorabilia I’ve amassed over the years. I decided against each one of those, however, for a variety of reasons: I’ll save my earliest taped episode for the 20th anniversary of the broadcast this fall, I didn’t feel like covering Frankenstein’s Daughter during his 12th anniversary, and I’m not ready to detail my cringe worthy (yet nostalgic) first letter to him. As for an article focused on SOG memorabilia, I just couldn’t muster up the moxy to drag all that stuff out for a picture-taking session.

Nope, I decided on our subject today for one very simple reason: I just plain like the movie, 1942’s Mr. Wise Guy. Heck, I just plain like the episode in general, and to me that speaks more about my Son of Ghoul fandom than any ‘special’ occurrence I could dig up. After all, this was how the show usually was (is) to me each weekend: A fun, kick-back-and-chill movie showcase.

So, join me now as I detail The Son of Ghoul Show, as aired on WAOH TV-29 in Akron and WAX TV-35 in Cleveland (“The Cat”) and taped by yours truly waaaay back on March 6, 1999…

(Also, I’ve been on a real kick for The Cat lately, even more so than usual. This comes from that late-90s sweet-spot of the channel, so I’m happy with the choice. And, if that kick keeps up, I may dig something else out from the station to cover. You keep pushing me and I just might, pal.)

I vividly recall this being a surprise episode. Y’see, SOG was on twice-a-week at that point: 8-10 PM, Fridays and Saturdays, same episode. This was handy, because you could sample on Friday, and tape-as-needed on Saturday. But, for whatever reason, he was only on Saturday that week, a fact he briefly mentions in his intro (above).

I think (think) he was preempted totally the night before due to some women’s college basketball tournament The Cat was broadcasting/simulcasting/whatevercasting. So because he was only on Saturday that week, I couldn’t risk missing a must-have episode, especially with no knowledge of what the movie would be. Because said basketball tournament was concluding that Saturday, there was no telling when SOG’s show would actually begin; I had to start the VCR recording waaaaay ahead of time, which was why I wound up with like an hour of that stupid basketball game on the tape before the episode started.

This obsessiveness proved fortuitous. That night, we were at my aunt’s house for some party I was quite probably miserable at, and I flipped to The Cat to see what episode I was capturing. When it finally started and Mr. Wise Guy was revealed, I was pleased as punch. SOG had ran this film, I don’t know, a year or so prior, and I had regretted not capturing it then. I actually liked the movie!

And I wasn’t the only one; SOG himself mentions that he likes it as well during his intro. How often did (does) that happen?!

The reason I initially liked this film so much largely had to do with what it represented: A trip back to a more innocent time in cinema. This is pure, early-1940s matinee entertainment. It’s an East Side Kids (you know, the Bowery Boys, except not) film, so there’s some light hooliganism about, but even with that, an escaped convict, a murder, a death-row sentence, and a real-life war going on, it’s all so light and breezy that it never seems too heavy. I’m hesitant to ascribe the term “innocence” to a film that contains all that, but like I said, this is matinee entertainment; it’s not exactly a weighty, socially-conscious drama.

The idea of an East Side Kids film showing up on a horror hosted program may seem odd, but as SOG states during his intro, Ghoulardi himself used to run these (and fittingly, on Saturdays!). If these were good enough for Ghoulardi, they should be good enough for any other host, too. And somehow, to me they seem to ‘fit’ just fine. Maybe that’s because I grew up with SOG showing them occasionally (still does, in fact), but looked at objectively, they still work. It’s not like a b-western, which unless it shared some horror influence or other odd quirk (Terror of Tiny Town, anyone?), just wouldn’t seem to fit. Look, I can’t really adequately explain why it works so well, it just does.

And, in a trend that continues to this day, SOG doesn’t tamper with these kinds of films; no drop-ins, no sound effects. Just the movie straight. Evidently he has some real appreciation for these flicks, and we’re all the better for it. Even when missing those elements so well-known to SOG fans, it flows perfectly.

The title of the film comes from a moniker given to (and approved by) Leo Gorcey’s character “Muggs” McGinnis (first name: Ethelbert), who is deemed so several times throughout the picture.

The simple synopsis of the plot: The East Side Kids are sent to reform school. There’s a bit more to it than that, though. Unjustly accused of stealing a truck (a truck that, unbeknownst to them, houses an escaped convict), they’re sent to a reformatory run by a kind warden, a cruel guard, and a couple of troublesome inmates that are secretly in cahoots with aforementioned cruel guard. Also on the docket: Bill Collins, older brother of cast member Bobby Jordan’s Danny Collins, is accused of murder and sentenced to death row. Eventually these plotlines unbelievably though perhaps predictably, collide. And since this is from 1942, it all ends on a relatively happy note. ‘Cept for the dude who died, anyway.

Needless to say, much of this is played for laughs. Even while incarcerated, Gorcey’s gang never seems too concerned with their situation. Even as Danny frets over his brother’s predicament back in the real world, the other guys just sort of blow it off – which admittedly does play out a little strange. I can’t imagine that being realistic even back in ’42.

Still, as a whole, the movie is entertaining. Indeed, I wasn’t sure if I’d still get a kick out of it when I sat down to convert my VHS to DVD for this review, but it greatly held my attention throughout. I was even genuinely amused by certain moments, which can’t always be said of semi-comedies of this vintage.

Look, the movie is in the public domain, so don’t just take my word for it; check it out for yourself. Since SOG didn’t add any sound effects, you’ll see it (almost) as it aired here!

(Fun Fact: Some years ago at a thrift store, I stumbled upon a 3-VHS boxset of East Side Kids films. Included were both of their Bela Lugosi collaborations, Spooks Run Wild and Ghosts on the Loose, as well as the title that really spurred the eventual purchase: Mr. Wise Guy. I never watched any of them, don’t think I even played any of the tapes, and subsequently the set became buried in my mound of crap videos. It should still be around here, somewhere, which is good, because unknown to me at the time was that the company who put it out, Passport Productions, was spawned from the ashes of Amvest Video, who we’ve seen here before. Cool winnins!)

Unfortunately, the movie isn’t perfect, and it doesn’t have much to do with plot, but rather stereotypes that were prevalent at the time. Ernest Morrison, often known as “Sunshine Sammy,” is the victim of some unfortunate racial jokes, as his character “Scruno” is the outlet for some now-wildly-inappropriate stereotyping. Look, I don’t claim to be a super-PC-advocate, but man, even I was uncomfortable with some of the gags at his expense.

That said, I am an advocate of not editing things of this nature to reflect current social attitudes. Yes, some of the jokes have aged terribly, but they reflect the time in which the film was made; you can’t rewrite history, only learn from it. And besides, the jokes are incredibly dated, but never really mean-spirited, if that counts for anything.

And with all that said, we now come to the rest of the show…

The first skit proper is actually an old bit from the WOAC TV-67 days, and I love it because it perfectly sums up SOG’s sense of humor, which very often syncs up with mine.

In a parody of the whole “carrying the Olympic torch” thing, here SOG dutifully marches with a plunger triumphantly raised, only to enter the studio bathroom and begin plunging! That’s all there is to it, and it’s great!

Truth be told, SOG doesn’t feature heavily heavily into this episode. I mean, he does, he shows up after each commercial-break, but it’s not new bit after new bit after new bit. His hosting duties, while prominent, maybe aren’t quite as prominent as they usually were, and I think that has much to do with this spot right here.

In a segment that takes up a healthy chunk of running time, SOG and guest Carl Thompson speak extensively on the Frightvision convention, coming later that month. Yes, Frightivision, the SOG-hosted horror convention; we’ve talked about it before! Here, SOG and Thompson thoroughly go over the list of guests and events coming to the show, and it goes on for around 8 minutes, which is pretty much a lifetime in horror-show-time.

That’s not a complaint on my part, though; I could not be happier this segment is present! I talked more extensively on the convention in the piece I just linked to (another SOG episode, Plan 9 From Outer Space, which aired later that same month), but Frightvision was a BIG deal. It was also my very first horror convention of any kind. Long story short: I positively loved it. I got to meet Ben “Gill Man” Chapman, Mark “Lost in Space Guy” Goddard, SOG’s own Fidge (who was great), saw Tom Savini (but didn’t meet him until the following year), and came home with some very cool loot (including a vintage SOG TV-67 promo card, which I still have to this day). All of the fanaticism that manifests itself in me for each and every Ghoulardifest began at the very first Frightvision, and for that I hold the fondest of memories.

So yes, seeing the segment that so aptly demonstrates the swirling hype surrounding Frightvision in the weeks leading up to it, that’s the sort of thing that can take me directly back in time. And movie aside, to me this is the defining moment of this particular episode.

An email segment. More (!) information on Frightvision is presented, and a spider glove that apparently belonged to Fidge is shown. Unless y’all want me to go email by email, there’s not much more I can say about it.

I would love to show the old school, wildly obsolete SOG email address, back when having an email address was still semi-innovative, but in the interest of avoiding confusion, I’ll refrain.

In the second mail segment, the reading of letters devolves into a long, drawn out explosion of fake fart noises, which has SOG and his crew dying with laughter. SOG: “Can you tell we’re so easily amused here?” Like the toilet torch earlier in the show, it’s a juvenile, and therefore riotous, moment. This is the stuff that helped cement my sense of humor, gang. You want someone to blame? Blame SOG.

Because my wi-fi is in a seemingly-perpetual state of precariousness, there were two other bits amidst all this insanity that I’m choosing to skip. One, a “Captain Kanga-Ghoul,” and the other, an on-location interview at a liquor store that happened to be one of Frightvision’s sponsors, were fun, sorta-filler bits, but frankly, I don’t have all that much to say about them. Also, I’d like to punch my wi-fi in the face.

Also, here is the point where I’d usually look at interesting (or so I think) commercials that aired during an original broadcast. I’m going to skip that feature this time around. Why? Because basically all of the ones I would have chosen were already covered in that previously-linked Plan 9 From Outer Space SOG episode recap. And the other, a goofy homegrown promo for a showing of Reefer Madness, was briefly looked at in the The Cat article I linked to way at the start of this post. I love it when I do my own work for me!

It all works out though, because I can end this article in accordance with the way this show itself ends: As the outro opens, SOG is seen jokingly patting his phony beard back into place, along with a “We’re not done yet!”

But, it’s what he says right after that that sums up not only the conclusion to this particular episode, but also the continuing 31 year odyssey his show has been on: “They say you’re not done till the show’s over! Or until you’re out of toilet paper; then you’re done!” I think I can speak on the behalf of SOG’s many fans when I say I hope SOG never runs out of toilet paper.

Boy, that sounded so much more philosophical in my head.

Happy 31st anniversary, Son of Ghoul!

(PS – I’d be remiss if I didn’t link to my legendary, groundbreaking, earth-shattering, trendsetting interview with the man himself!)

(PPS – They may not have been able to repeat this year, but man, I still love the Cleveland Cavaliers. I’ll stick with you guys win or lose! Just thought I should mention that somewhere, since the loss is naturally still on the mind of so many Northeast Ohioans right now.)

WAOH TV-29 & WAX TV-35 – The Son Of Ghoul Show: 1951’s “The Hoodlum” (December 5, 1997)

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I cannot believe this aired 19 years ago today. I refuse to believe this aired 19 years ago today! Where has the time gone?! (I discovered this information kinda late, which will account for the relative breeziness of this article.)

Recorded by yours truly in the early weeks of his Son of Ghoul fandom, this particular episode has become a personal favorite of mine. Maybe not so much because of anything it does itself (though it’s certainly a fun outing), but more because of where it all falls in my life, when the weekend promised a constant sense of discovery. I mean, not only did I get to indulge in this show that I had only discovered a bit over a month prior, but I also got to see totally new-to-me movies such as this, which, as a young film buff, was just like candy. Add in the Christmas season and the general mood of the time in which it aired, and it’s not too hard to realize I’ve got mad nostalgia for this one. (Further fueled by the fact that my brother and I got a Nintendo 64 for Christmas that year – cool winnins!)

From December 5, 1997, off of WAOH TV-29 / WAX TV-35, here is the low-budget 1951 film noir opus, The Hoodlum, as presented on The Son of Ghoul Show. (This also would have aired December 6, as the same episode ran on both Friday and Saturday evenings at that point, though I’m reasonably sure what I recorded here was the Friday airing.)

Now, there actually is a more-personal slant to this episode, one that ties in with something I brought up in my big huge 30th anniversary tribute article this past summer. We’ll get to that in due time, however.

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I’ve been a Son of Ghoul fan since November 1, 1997, and yet, in all that time, the introductory segment for this episode may be my all-time favorite; it’s just so perfect.

Apparently they had run The Hoodlum before, and subsequently gotten complaints that their projector wasn’t centered correctly. Not so; the film was just severely cropped. To that end, during the introduction SOG drags out a piece of cardboard and draws a diagram to explain what the deal is.

According to him, the movie was originally 35mm, and much of the picture was cropped when 16mm television prints were made, which was what they had for the show. To demonstrate the differences between the two, he draws a drive-in movie (a poorly-attended one; “There’s one car there!”), gives a rough approximation of what’s now missing in the picture (the film doesn’t pan-and-scan; what’s in the center is it), and then proclaims the movie “The Oodlub,” which is pretty much the on-screen title here. He then finishes with a declaration of not caring whether viewers understand what he’s talking about or not, because he doesn’t really have to watch the movie. “They pay me to be here; what’s your excuse?”

It’s such a fitting intro, very funny but also kinda informative. To my 11-year-old self watching this back in ’97, I got a kick out of it. Still do, obviously.

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He sure wasn’t kidding, either!

“A film noir on Son of Ghoul? Say what?”

Yep! While most of the offerings on The Son of Ghoul Show are in the expected horror and science fiction genres, he does occasionally branch out. Sometimes the show will feature comedies, mysteries, or, as in this case, crime thrillers. The Hoodlum was really my first glance at his stepping outside of the usual fare. Honestly, it wasn’t quite my cup of tea back then (though, needless to say, I was still smart enough to keep this recording), though in the years since, I’ve grown to really love film noir. Nowadays, this is right up my alley!

“The Oooodlubb—“

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Elaine’s Dad Lawrence Tierney plays Vincent Lubeck, a convict and legit “bad egg.” Despite apprehensions on the part of the prison staff, an impassioned plea by Lubeck’s mother gets him paroled – and he almost immediately starts back up with the shady business.

Lubeck is an all-around scumbag; he causes his brother’s girlfriend to kill herself (after his brother has given him a job at his own gas station, mind you), but the main plot-point of the film is an armored car hold-up and Lubeck’s gathering of a crew for said hold-up. It doesn’t quite go down peacefully. Like I said, dude’s a bad egg.

Despite the extreme cropping, wasted print quality, and Son of Ghoul’s multiple declarations that the film is “trash,” I actually kinda liked it upon this latest viewing. It’s short and pretty cheap, but Tierney is terrific and the plot held my attention fairly well. The Hoodlum ain’t exactly the de facto film noir, but if you’re a fan of the genre, it’s not all that bad.

I could go on, but look, the movie is in the public domain and only like an hour, so just go watch it for yourself, okay? And, you’ll note the Internet Archive features a print with readable opening credits! Go figure!

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Funny Son of Ghoul drop-in: Near the beginning, as Lubeck is being the warned the dangers of not staying on the straight-and narrow, a quick shot of ol’ sparky had SOG superimposed sitting in it, laughing like a mad man and actually plugging it in! Notice the door that was inadvertently (?) superimposed to the far-right of the screen; gotta love local TV!

That’s enough about The Hoodlum. I just don’t have all that much to say about it, and besides, it’s time for the important stuff…

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The first skit of the night was an installment of Burn-Out The Dinosaur. For anyone questioning SOG’s sense of humor, these skits left little room for doubt: WARPED.

That’s exactly what these were, warped takes on Barney the Dinosaur, the big purple 1990s phenom that was second only to Urkel in inexplicable popularity. The premise of the skits was simple; generally, Burn-Out would manically laugh and abuse his co-host Brett. Brett filled the loving, caring, teaching role – one that wouldn’t have been out of place hanging with the actual Barney. Burn-Out was the insane half, and he came complete with a parody of Barney’s theme song, in which it’s proclaimed his mom is a streetwalker, his dad is in a bar, and Burn-Out himself makes a living by, what else, stealing cars.

In this installment, both Burn-Out and Brett are hungry for a late night snack, which leads Burn-Out to ask Brett if he knows what his favorite sandwich is. Why, it’s a knuckle sandwich, of course! The entire skit is basically an excuse for this little dinosaur puppet to pummel a grown man, even after Brett forgives him (because “forgiveness is an important part of life”). High art it ain’t, but then, it wasn’t supposed to be. Silly, funny stuff!

(Full disclosure: I still kinda like Urkel.)

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Mail time!

When I started writing to SOG (I believe my first letter was read on-air shortly into the new year), these were the segments I anticipated most, for obvious reasons. The man himself, reading correspondence from me, on the air?! What could be better?

I had no such correspondence in the mail for this episode, but that doesn’t mean segment isn’t fun. Among the entries read on-air, SOG got a package from The Beatnik Termites (they’re still around, too), and a letter from someone in Florida that was somehow seeing the show, a comment which lead to the first of several jabs at the station’s power signal – apparently it was coming in pretty weak in some areas of Northeast Ohio.

BUT, it’s the third letter read that I find the most interest in. It’s basically a fan letter, telling SOG how much they love watching him, but the question of how they can find out where SOG is appearing in-person (answer: “WATCH THE SHOW!!!!” – it’s wild to realize this episode is so old, SOG didn’t have an official website or email address yet!) leads to the announcement of his double-feature matinee at the Highland Theatre (more on that in a bit), as well as…

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The personal slant I mentioned earlier!

Yep, a week from that Sunday, SOG himself was there in-person at JC Comics & Cards! I was there! It was my first time meeting him! I. WAS. THERE. MAN.

JC was a big sponsor of The Son of Ghoul Show at the time, and his commercials were often seen during breaks (we’ll see one in just a bit here, actually). I was well familiar with the establishment already; it was nearby, I loved it, so yeah, I pretty much had to be there on December 14th!

Look, I went into further detail about this visit during the previously-linked 30th anniversary article, and I don’t really want to rehash it all over. Just go to the 30th anniversary post. Here, I’ll link to it again. I even have some photos from the event there! SOG was just the greatest at JCs, and indeed, I even talked about this personal appearance in the first letter I sent to him! See, this all connects, somehow!

(JC Comics & Cards is still at that exact spot; you should go there, because the place is awesome.)

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Mr. Banjo was up next. Another long-running skit, the premise was supposed to be the titular character (a hillbilly stereotype, basically) presenting old novelty clips. Technically, he did just that. But, what these bits always ended up as was Mr. Banjo constantly yelling (and often threatening) his green-screened dog “Boner,” who would bark incessantly. Trust me, it was hilarious, and even today when SOG runs one of these oldies, they’re crowd pleasers.

This installment doesn’t stray too far from the norm, though a clip of dogs running on spinning wheels provides yet another shot at the station’s power signal (that’s how it’s powered, y’see).

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Son of Ghoul-Zilla, a claymation bit in which a gigantic SOG rises from the sea and wrecks a city. Obviously a take on Japanese giant monster movies, with the cheesy special effects to match. This has been a popular short over the years; it gets regular airtime even nowadays.

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An event that was being pitched all night. That coming Sunday, December 7, SOG was appearing at the Highland Theatre for a double-feature matinee. For only $3, you got to see two full-length feature films, though they weren’t exactly Spielberg: 1996’s Dead of Night and 1997’s A Woman Scorned 2 were the features that weekend. As SOG claims later in the show, they’re hard-R flicks, which explains the whole under-18-you-need-a-parent disclaimer spouted several times throughout the broadcast.

I’m pretty sure I saw Space Jam at the Highland, though I don’t think I’ve been back since. It’s really just down the street from Time Traveler Records, I could probably walk there, should I so desire.

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With Christmas right around the corner, SOG was of course pitching his official t-shirt; at the time of airing, if you wanted one (or more) to get there in time for the big day, you had two weeks left. Afterwards, they were “discontinuing them,” at least for the time being. SOG has an especially-winning line here about getting them for “your offspring, or your fat hubby. Who could resist one of these after a pitch like that?!

It makes sense to promote these during the holidays, but what I find particularly interesting is the apparently limited nature of them at the time. T-shirts are big business for SOG nowadays, but back then, you had to act fast. According to the segment, they were only available in the large and extra large sizes, and again, they were touted as being discontinued for a time after the two weeks were up. Near as I can remember, that never quite came to pass, not for a lengthy period at least, but it’s interesting to look back on.

And no, that info in the screencap above isn’t still valid; you can contact SOG through his official website for current shirt options and prices, however. It’s amazing to realize that back in ’97, the only way to order a shirt was via snail mail, and nowadays it’s at the click of a button!

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The show finishes with the reiterating of the upcoming personal appearances, and then SOG busts wild moves as the end credits roll, which is really pretty awesome.

Ignoring that whole personal slant thing, it may be hard for some readers to understand why I’m so fond of this episode. After all, it’s solid, but more or less just a regular entry. And, the movie featured won’t raise many eyebrows. But, I think because it’s such a good, solid episode is the reason I’ve grown so fond of it. It’s a great example of how The Son of Ghoul Show was formatted at the time, and for me, so early on in my fandom, when I couldn’t wait to discover more of this stuff each weekend, this recording takes me right back. It’s December 1997, I’m 11-years-old, sitting on the couch, watching Son of Ghoul and anticipating Christmas all over again. A powerful blast of nostalgia this one is, for sure.

Plus, the movie wasn’t too bad, either.


And that brings us to the customary commercials section of the post. As usual, I like to recap some of the more interesting ads that aired during a respective broadcast. In this case, there’s a lot here that further fuels the whole nostalgia trip I’m currently on. Considering SOG is commercial-free nowadays, it’s a bit surprising to look back at a time when his show was pretty jam-packed with advertising.

Anyway, I’m not going to look at a ton of the ads from this broadcast, but I do have a few…

Quaker Square Christmas Village Ad

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Saaay, wasn’t I just at Quaker Square? I sure was!

Quaker Square Christmas ads were all over this airing. Mostly, their animatronic Christmas village was spotlighted, though time was also given to showcase the Square as the ideal holiday destination station, with places to shop, eat, etc. So, yeah.

I want to say I visited the Christmas showcase around that time. I was somewhere with animated mannequins (or whatever), though I can no longer recall if it was Quaker Square or not. Still, the local Akron Christmassy-ness of this ad hits home for me, so even if I wasn’t there exactly, it still rates pretty high on the nostalgia meter.

Princess Diana Commemorative Stamps Ad

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With Princess Diana’s death only a few months before, people were obviously still reeling. To that end, what better gift to celebrate her life than a commemorative stamp set and medallion for only $20? Because that’s exactly what this ad was for. Not exactly a solid fit for Son of Ghoul’s comedy, but hey, a sponsor is a sponsor.

This is the kind of collectible that was made to be collectible, and thus it’s probably worth like negative 32 cents nowadays. Or not, I don’t know. I certainly remember the (understandable) media frenzy surrounding her death, and while I don’t know this for sure, I’d imagine there were probably much less classy attempts to commemorate her than this. So, if you had a Diana fan on your Christmas list, I guess this wouldn’t have been a bad choice.

WAOH TV-29 / WAX TV-35 Happy Holidays Bumper

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One thing I always liked about WAOH / WAX (“The Cat”) was that the station had a strong local flavor. Obviously that was to be expected with them being a local independent station, after all. But, watching The Cat, it just felt like Akron; there weren’t many (any?) other stations at the time, or now, that I can say that about. It’s a thought that makes me miss the late-1990s and early-2000s Cat all the more.

In that local vein was this quick, simple “Happy Holidays” bumper, in which a voiceover wishes the viewer just that, while a stereotypical Christmas scene of Santa in a train resides in the background. I don’t know what it is about this exactly, but it just seems so right, so Christmas 1997 in Northeast Ohio.

WAOH TV-29 / WAX TV-35 WWF Shotgun Promo

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Professional wrestling was big, big business in the late-1990s, and while I can’t claim to have ever really been on that train (though I liked Hulk Hogan when I was younger – but then, who didn’t?), I certainly remember the massive hype surrounding all things wrestling at the time. Heck, for quite awhile, ECW actually followed Son of Ghoul on, I think, Saturday nights.

So anyway, The Cat managed to get the syndicated WWF Shotgun program on their roster, airing twice a week in an “okay” Tuesday night time slot, and a “screw that” Saturday afternoon time slot. Aside from Shotgun being ostensibly edgier than ‘normal’ WWF, I can’t say a whole lot about it, since, you know, I never watched wrestling. Nevertheless, this edginess is demonstrated via a promo featuring a lot of herky-jerky scenes and punctuated with effects not unlike those of a VCR fast-forwarding. Edgy.

So, The Cat had some WWF (back when it was the WWF) in 1997, and that’s something to be celebrated, right?

JC Comics & Cards Christmas Ad

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See, told ya we’d see JC Comics & Cards again!

There were several JC ads seen on The Cat, and SOG specifically, over the years. Near as I can tell, this one is the earliest, or at least the earliest I captured. In it, set to the tune of squirrels singing something Christmas-related, a Santa runs around the store, playing with toys, picking out shirts, and other “this is where Santa goes for his gifts” imagery.

Above left: Santa plays with a Millennium Falcon toy, which is fitting, because JCs was the place to go for Star Wars toys in the late-1990s, especially the vintage ones. To an 11-year-old, it was mind-blowing seeing that amount of old, rare Star Wars stuff all in one place. And his box of $3 loose vintage SW figures? I was all over that whenever I went in.

He still has tons of great rare comics, imports, collectibles, and so on. I wasn’t kidding earlier; if you’re anywhere nearby, you owe it to yourself to check JCs out.


Alright, enough.

As I mentioned during my intro to this post, this article is breezier than usual. I had been mulling over a post on this broadcast for awhile anyway, and when I deduced the original air date and realized the 19th anniversary was right around the corner, I just didn’t have a ton of free time to put it together. So, I apologize if this feels like a dash-off. It certainly wasn’t intended to be. It was either that or wait until the 20th anniversary. ‘Course, I didn’t have to post on the actual anniversary date, but that’s something I like to do whenever possible.

Still, I think you can get a pretty good taste of what made up my Friday (and Saturday!) nights at the time. Even though I taped countless episodes (which I still have), and even though Son of Ghoul is still on-the-air, I don’t know, there’s just something about going back in time and reliving when I was first being introduced to all of this. And when it comes to momentarily regaining that feeling, this episode is one of my favorites. For yours truly, it hits all the right bases; boy am I glad I had the foresight to record all this stuff back in the day!

Son of Ghoul 30th Anniversary Tribute!

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That screenshot above was taken nearly five years ago, during Son of Ghoul’s 25th anniversary special. (Has it really been five years? I refuse to believe five years passed that quickly!) A momentous occasion for sure, and a marvelously entertaining episode to boot. Interviews with past crew members, historic clips and bits, and an honest-to-goodness movie (The Most Dangerous Game), it was a fantastic show that stayed on my DVR for, no joke, around 6 or 7 months. It was like the perfect summation of what made Son of Ghoul, well, Son of Ghoul. (And you can get a copy of that show or any show from SOG’s official website here!)

However, something SOG said, not during that episode but during a later show, has stuck in the back of my mind ever since it was uttered: when describing his 20th and 25th anniversaries, he made an off-hand comment about a potential 30th, essentially stating he had no idea if he’d even make it to 30. It was something along the lines of “Can I make it that long?” It was a throwaway line, not even really a joke, but it did bring up an interesting question: in this day and age of waning local television, where horror hosts in particular are an increasingly endangered species, could SOG hold in there for the big 3-0? How long can a good thing last?

I don’t know where today falls in the ultimate larger picture of The Son of Ghoul Show, but I do know that Keven “Son of Ghoul” Scarpino has accomplished the nearly impossible: a horror hosted movie showcase that has continuously run weekly since June 13, 1986 – 30 years ago today!

Make no mistake, this is a monumental achievement. Any television personality doing what they do for an uninterrupted 30 years is something to be celebrated, but a horror host? It’s not unheard of for one to run for a number of years, leave the airwaves (for one reason or another), and then come back some time later. But, to stay on for three decades, simply by doing what they do best? All while facing station changes, shifting television landscapes, and the decline of horror hosts on over-the-air TV stations nationwide? Just how does that happen?!

In fact, he is easily one of the longest continually-running horror hosts in the nation! Indeed, it seems he is THE longest running! That just makes this achievement all the more amazing!

It’s times like this that I count myself especially fortunate to be a Northeast Ohioan, or at least a TV-watchin’ Northeast Ohioan. It seems like if a local television personality has had an impact on us, they never really go away. I mean, Ghoulardi was only on from 1963 to 1966, and yet, Ernie Anderson’s iconic host is still instantly recognizable around here. And Big Chuck & Lil’ John? Even when they ‘retired’ back in 2007, they were still all over the place, and then they came back to TV in 2011. My point is, if you can make it around here, there will always be a place for you, somehow, somewhere.

Throughout all the changes in television in general, never mind locally, over the last 30 years, SOG has been there, doing what he does best: hosting a movie, performing in some skits, interacting with the viewers. It’s perfect “sit back and chill” weekend entertainment, and SOG has it down to a science. I simply can’t imagine a weekend without his show, a fact that made his uncertainty in regards to reaching 30 years a bit unsettling. Northeast Ohioans have long memories, but I suppose nothing and no one is immune to the sands of time.

But for now, SOG is still here, still plugging away, and I couldn’t be happier about it. I go way back with the show. Indeed, quite a few of my weekends have featured The Son of Ghoul Show, starting all the way back to the fall of 1997. In many ways, my love of local broadcasting can be traced back to The Son of Ghoul Show. That’s not a small statement I make, either.

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The man himself, via an exclusive shot taken at his 1997 personal appearance at JC Comics & Cards. Check out the SOG cake to the right!

Anyone taking even a cursory glance at this blog has undoubtedly seen the presence SOG has had; I’m blatantly and unabashedly a longtime fan. We’ve looked at an episode or two, he’s gotten specific shout-outs during all three of my Ghoulardifest write-ups, and heck, I even took the time to post an update when his time slot was shifted back in February 2015. ‘Course, it was the big extensive interview with the man himself nearly two years ago (as of this writing) that was the ultimate example of SOG on this BLOG. (See what I did there?)

So yes, SOG reaching 30 years on the air is a big deal in general, but especially for me. Why? Because I’ve been around for 19 of those 30 years. I had seen Big Chuck & Lil’ John first, and was aware of Superhost in my formative years, but truthfully, it was SOG that introduced me to this whole Northeast Ohio horror host deal. And therein lies some nostalgia…

(I know I’ve related some, or all, of this before, so please, bear with me…)

I first discovered the show in the fall of 1997. At the time, I was looking for a Mystery Science Theater 3000 surrogate. I had become (and remain to this day) a die-hard fan of MST3K, but at the end of summer ’97, it was too expensive to keep the premium cable box needed to access the Sci-Fi Channel, and thus, MST3K (the network later became part of our basic cable package, but that was a few years away). Being only 11 years old, I didn’t have much say in the matter, and so, as summer came to a close, it became increasingly obvious I needed something to satisfy my bad movie-mocking needs.

Also during that same summer, I had become aware of “The Cat,” TV-29 in Akron, TV-35 in Cleveland. While I was primarily a horror and sci-fi fan (albeit a still-burgeoning one), The Cat introduced me to a wider range of older, sometimes wildly obscure, flicks. B-westerns, silents, foreign films and so on, I quickly found a growing interest in all of them.

By the time fall came around, I was jonesing for MST3K, or something similar, and I was jonesing bad. In retrospect, it’s a bit odd that it took me several months to actually discover The Son of Ghoul Show, but the fact is that some idle channel-surfing one Saturday night landed me upon SOG’s annual Halloween show. He was on Friday and Saturday at that point, same episode both nights, so I guess this would have been November 1, 1997 (since an online calendar tells me Friday was October 31st).

The movie was the original Night of the Living Dead, a flick he runs each Halloween. My brother Luke was watching with me, and as I recall it, we turned the channel on just as SOG’s introductory segment was coming to a close. The movie started shortly thereafter, and man, that was all it took. Before long, I was hooked. It took me a minute to realize that SOG was dropping in sound effects and music into the movie, but I loved it. I loved the film too, which was my first time seeing it.

But it was the host segments and skits that really got me. SOG was something entirely new to me. A genuine horror host, a concept I only had a vague notion of prior (I never thought of Chuck & John as horror hosts until later, and besides, it took me a few more years to really appreciate them). He was witty, he was acerbic, he was silly, he read mail. In short, it was everything I had been craving. In that single two-hour block that Saturday night, an entire new world of television, of comedy, was opened to me. Baby, I was done.

And he was ours! This was all local! SOG is the kind of entertainer anyone from anywhere can enjoy, but his program takes on a whole new dimension if you’re from the area. I doubt I was cognizant of all that when I watched for the first time (in fact, I’m sure I wasn’t), but it’s a factor that became increasingly important to me the more I watched and the bigger a fan I became.

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Another exclusive shot taken at JC Comics & Cards. Here SOG autographs a promotional picture, for either my brother or myself. We both still have our signed pictures to this day, either way.

Even though it was only until the following week, it was a long, long wait for the next episode. I was in 5th grade, and while (as I recall it), the other kids were into wrestling and/or MTV and whatnot, I personally could not wait to see more of this new thing I found.

Finally it was there; the movie was The Vampire Bat, and I knew I had made the right decision in jumping on this bandwagon. (I also learned it was the same movie, same episode both Friday and Saturday nights, but this wound up being beyond helpful. If I particularly liked a movie or bit, or one of the letters I later started sending in was on, I could sample Friday night and record Saturday night.)

From there on out, it was a constant sense of discovery. Nearly every single week, I was seeing a movie completely new to me. Okay, sure, they weren’t good movies, but they weren’t supposed to be! I can’t say this is where my love of watching bad movies because they’re so awful began, but the selections SOG ran certainly helped fuel the ongoing desire for a good baddie. The Hoodlum, The Corpse Vanishes, Santa Claus Conquers The Martians, Colossus and the Amazon Queen, all of those (and many more!) were introduced to me via SOG. I can’t say I ‘love’ the films, but they hold a nostalgic place in my heart nevertheless, simply because of how and where they fall in my lifetime.

And it was all so funny! I loved the mail segments, where SOG’s acerbic, sarcastic wit was on full-display. He had no problem goofing on the letter writers, and really, that was part of the fun, even if you were the one who had written in! And the skits! Barfaby, Mr. Banjo, Fatman and Rotten, Zero, Eat At Joe’s, and even the one-offs, so much of it had a hip, edgy, oftentimes “warped” tone that made the whole experience irresistible. I mean, “Genie of the John,” in which SOG played the titular character, one who emerges from a toilet? Stuff like that appealed (and appeals) endlessly to me.

‘Course, when I began watching, I didn’t really know about the first home of the show (Canton’s WOAC TV-67, from 1986 to 1995), and thus what bits were new and what bits old. Nor did I have a full understanding of the Ghoulardi lineage, only a vague knowledge of the tradition. (Ah, the days before the internet presented every last drop of information at the touch of a button!) This was almost all totally new to me, but I loved it.

Within just a few weeks of my becoming an instant mega-fan, SOG announced on the air that he was going to be making a personal appearance at JC Comics & Cards on State Road in Cuyahoga Falls. JCs?! I knew right where that was! It was practically just down the street from me! Dare I go and meet my newfound hero? Of course! (By the way, JC Comics & Cards is still at the same location; you’d be well-advised to stop in and buy some stuff – there’s a lot of great things there!)

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That’s my brother Luke on the left. I’m the one on the right. A rare shot of me not being a total badass? I think I’ve aged for the better.

Looking back, his personal appearance at JC Comics & Cards was probably my first real celebrity meeting. Okay, my school had a Cleveland Indian (don’t remember his name) appear and sign autographs once, and I had gotten baseballs autographed outside of (then) Jacob’s Field before, but as far as being a fan and specifically seeking out a meet-and-greet, SOG was the pretty much the first.

There was only one hindrance: I was a fairly shy 11 year old. It’s something I’ve long since grown out of, and nowadays I have no qualms with walking right up to a celebrity and bugging meeting them. But back then? It was totally uncharted territory for me. I didn’t quite know what to expect.

So, the big day arrived. My brother, mom and I waltzed into JCs, and there he was: Son of Ghoul, in person! I was excited and insanely nervous at the same time. I needn’t have worried though; as has been proven time and time again over the years, SOG is absolutely fantastic with his fans. He was personable, he was funny, he answered all questions posed to him, he took pictures, he signed autographs. Even if I did lock-up once after asking him a question (shy and all, remember), it was a great experience.

In fact, here’s something about the visit that I’ll never forget: after we had met him, got our pictures and so on, I was browsing the comics, and I found that 1988 reprint issue of Action Comics #1, for $3. Without prompting, SOG came up and actually looked at it with me, marveling at the price and the 1938 date in the corner. I thought (and think) that was just the coolest. When a personality goes that extra mile to interact with a fan, it shows how genuine they are. In the years since, talking with SOG or watching him talk with other fans, I know my impression of him back in ’97 at JCs was spot-on.

It really is hard to put in words the influence SOG had on me growing up. His show helped shape how I look at movies, at comedy, at broadcasting, everything. And I’m not the only one; There were other kids my age that were just as enthralled with it as I was.

In fact, this blog has introduced me to one: Brett Van Wagner. He discovered this site due to the SOG content, he messaged me, and we’ve been chatting ever since. Even though he lives out-of-state and we’ve never met in person, I’m proud to call him friend. We’ve even had shockingly similar experiences with The Son of Ghoul Show, and we’ve both been fans for nearly the same amount of time. I’m going to turn things over to him for a moment here; I’ve known for awhile now how important his recollections of “SOG history” are, and when I came up with the idea for this post, he was the first one I asked to contribute. Here he is now in his own words…

Brett:

Where to start? First off, a huge thank you to the Northeast Ohio Video Hunter for letting me be a part of an article about such a historic moment in Northeast Ohio television! Although we have never met, I have enjoyed emailing the author of this blog and sharing memories and stories of Son of Ghoul for probably close to a year now. Our SOG stories are actually quite similar, and it makes me wonder how many other kids our age were watching the show at that time. While I live in Florida now, I make it home to NE Ohio from time to time and perhaps one day we will meet up at a convention or SOG appearance. But, thank you for allowing me to be a part of this!

I was first introduced to the Son of Ghoul Show sometime in 1997. My dad would occasionally have the show on, although it seems like my mom would always make him turn it off. My dad grew up watching both Ghoulardi and The Ghoul, and would talk about watching those shows when he was young. After months of catching a few minutes here or there, I remember the first episode I ever watched from start to finish. It was Friday, August 29, 1997 and it was the first week of 6th grade for me. After a week of realizing that middle school was now my life, I realized I needed something to take the edge off. The movie that night was Godzilla vs. Megalon and I only recently realized it was actually a rerun of the very first show to ever air on the CAT. Going back and watching that episode again, it makes quite a bit of sense, as SOG refers to the fact that we are now seeing him in prime time and actually in Cleveland quite a bit. A great episode to officially start watching. The episode also featured what would quickly become, and still is, my favorite SOG sketch, Mr. Banjo. I’m not quite sure what it was about that green-screened dog, but no matter how many times I hear the opening rifts of that song and hear SOG start to talk in that ridiculous accent, I truly laugh out loud every time.

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This is the Mr. Banjo character Brett is referring to. Coincidentally (as you’re about to read), this is from a promo for The Brain That Wouldn’t Die!

In all of the years, my favorite SOG movie is The Brain That Wouldn’t Die. Fittingly, my very first fan letter was read during a show that featured this movie on October 10, 1997. Honorable mentions for other movies that I have a soft spot for go to favorites such as The Giant Gila Monster, Alice Sweet Alice (the only SOG movie that actually scared me as a kid – love it now though) Phantom from Space, Plan Nine from Outer Space, Killers from Space, (I’m noticing a space theme here) White Zombie, and the lost but still survives on VHS collections somewhere, Lethal Justice.

Despite the dungeon and skulls the faux scary vibe of the show, what I took away from the show more than anything was a love of comedy. From all of the drops in the movies (yeah, I know Bill Cosby has kind of fallen out of grace in society in the last year, and rightfully so.. but those old comedy albums of his are pure gold and the way SOG would incorporate drop pieces from those albums into the movies and show were fantastic) to the incredibly dry and witty sense of humor SOG would posses during mail breaks and show segments, the show for me was comedy first and foremost. SOG never fails to make me laugh with one of his one liners or observations during a skit or mail break. In addition to helping me with my love and appreciation for comedy, SOG always reinforced my love of The Beatles. While most kids grew up listening to their sing-a-long tapes, I remember listening to our old Beatles LP’s as young as 3 or 4, and my love for the band is still just as strong all these years later. Knowing SOG shared that love and appreciation for the band and incorporated them so heavily on his show was the icing on the cake.

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Another exclusive shot of SOG at that fateful JC Comics & Cards appearance!

Just like the Northeast Ohio Video Hunter, the first time I ventured out to meet SOG at a personal appearance was in December 1997 at JC Comics and Cards in Cuyahoga Falls. Heck, maybe I have met him after all. What I do remember is how friendly and kind SOG has always been to his fans. He remembered me from letters I had written, talked to my dad and I, and was just such a nice guy. I would again go to many personal appearances, including the 1999 FrightVision where I would spent lots of time talking to my horror host idol and also had the chance to meet, according to the headshot, the one…the only…Fidge! Fidge was also the nicest guy in the world, and the years he and SOG spent together are the best years of the show for me. The last time I saw SOG (and Fidge) in person was in October 2002 when they had the stage show during Fright Fest at what was then Six Flags Worlds of Adventure amusement park. (Sidenote, I am also a HUGE amusement park and roller coaster buff. Geauga Lake Amusement Park, which was a Northeast Ohio institution that spent a few years as a Six Flags park before becoming Geauga Lake again under the same owners of Cedar Point, Cedar Fair, is a place that I miss more than anything and am super sad about losing) Back on track, even though I haven’t seen SOG in person since 2002, I have stayed in touch with him via e-mail and he is nothing but kind and helpful to his fans. Questions I have had regarding episodes, etc, always are answered and he is just the nicest guy in the world, despite what he may want us to think from his on air persona.

It was so sad to hear of the passing of Fidge, especially because of the circumstances, in 2003, and SOG handled it with such class and respect in the tribute episode. Between that at the recent Colonel Klink tribute episodes, SOG has proven that even in the worst situations, he is the ultimate professional and is able to bring the audience together to celebrate the lives of two great men who were so influential on the show.

As the years went on, I went off to college and then moved to Florida eight years ago. I’ve experienced several jobs, a few serious girlfriends, and the usual ups and downs of life. Still, I always caught SOG any time I was home in Ohio on a Saturday night. In the more recent years, I have purchased over 20 episodes of the show from the SOG website and as time continues to go on, I’m sure I will purchase 20 more. Any time I am feeling a bit homesick, or just at the end of a long week, the excitement and comfort of popping in a Son of Ghoul DVD is just as strong as when I first discovered the show nearly 19 years ago. There have been countless horror hosts that have come and gone, but for one host to be on for 30 consecutive years is truly an amazing feat, especially in today’s constantly changing broadcast world. Hats off to the Son of Ghoul. I can only hope he appreciates not only the accomplishment of 30 years on the air, but how influential he was for kids like me who didn’t really have a place to fit in. Thanks for everything, SOG. Here’s to a happy 30th anniversary, and hope for many, many more.

Brett Van Wagner

It really is wild how close our experiences with the show are. I think we would have become fast friends back in the day, and I’m certainly happy to know him now. His contribution is invaluable to this article and I can’t thank him enough for providing it. You is good people, Brett!

Brett also touched on a great point: it hasn’t always been smooth sailing for the show. The fact that it has continued to survive though every seemingly-insurmountable obstacle shows not only how durable the show is, but how good SOG is at what he does.

The Son of Ghoul Show has survived a nasty lawsuit in the late-1980s, time changes, station changes, the switch to digital TV in ’09, the eroding of local TV in general and the presence of horror hosts in particular, even actual deaths…

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The passing of Ron “Fidge” Huffman in 2003 was an absolute shocker. Fidge was SOG’s sidekick, and in the late-90s/early-2000s, he was ever present. He took a lot of abuse on the show, but I think he knew it was all in fun; his presence gave the program something of a “warped” Big Chuck & Lil’ John quality.

I had the fortune to meet Fidge at FrightVision ’99, where that autographed picture above comes from. He couldn’t have been any nicer; it truly seemed like he got a kick out of the whole thing, and it showed when meeting his fans. I’m truly sorry that he passed; I’m glad I got to meet him when I did.

Something else Brett mentioned was the more-recent death of Jim “The Colonel” Klink. Klink went way back with our local horror hosts, sending tons of his artwork to Superhost and later SOG. Not only that, but at least as far as SOG went, he’d send in packages of random items, always decorated with a variety of stickers on the outside (as SOG said once, he couldn’t believe the post office accepted them!). Needless to say, SOG ragged on Klink quite a bit too, but again, it was all in fun.

I never met Klink, though I did see him walking around at Ghoulardifest once or twice. I wish I would have went up and spoken to him now. Still, he did leave this nice comment on my interview with SOG page, and it’s worth sharing here:

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The outpouring of grief online for Klink was quite large, and reading that comment, it’s easy to see why. He was a genuinely nice, enthusiastic fan, as his note above makes abundantly clear.

As Brett mentioned, SOG’s tribute shows to both Fidge and Klink are fantastic. Genuine, honest, funny, they were perfect in honoring both guys.

Their passing was tragic, and the unfortunate fact of the matter is when a show reaches such longevity, it’s almost inevitable that you’ll run into something like that. It comes with the territory of being on for so many years, I suppose.

Indeed, when something like that happens, it only serves to remind you of how far back this all goes, and how quickly it can all go away. By this point, SOG has become a veritable staple of Northeast Ohio television. It’s simply impossible to imagine a time when he’s not on the air in some fashion. But obviously, all good things come to an end, which makes treasuring them while they’re here all the more important. I’ve made that mistake with some other shows, but luckily, I won’t make it here. I’m grateful for each week SOG is on the air.

So, that’s my history with SOG, but it’s not a finished history by any means; it continues to this very day. His current shows, of course I’m there, and just like when I was 11, I still get a sense of anticipation in hearing what movie will be shown on a given night, or seeing if some letter or package I sent in is going to be presented. Stuff like that I don’t think will ever change.

And of course, given the theme of this blog, I place a premium on anything SOG-related I can dig up. Remember just a few weeks ago when he appeared during an old A-Team via WOAC broadcast we were looking at? Stuff like that makes this whole “job” (HA!) worth it. Like I said, it’s a continuing history, one I’m always trying to build upon.


So, my thoughts, and Brett’s up above obviously, on this big 30th anniversary are now known. But, I also reached out online for some other contributions to this big ol’ tribute, to help show what an impact SOG has had on other viewers and collaborators. Some wonderful additions were gathered, which I’d like to share now.

From famous fellow horror host “Wolfman Mac” Kelly (who for years shared Saturday nights with SOG on our local RTV affiliate; SOG 7 PM-9PM, Mac 10 PM-12 AM):

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Son of Ghoul with Wolfman Mac, as they appeared together during an episode of Wolfman Mac’s Chiller Drive-In.

Hey Son Of Ghoul, happy 30th anniversary to you my fellow horror host! You have such an awesome talent and your fans are truly fortunate to have YOU keeping the genre alive. Er…undead…

I had the honor of meeting you a few years ago at Wasteland. You’re not only a great horror host, you’re also a really good guy. All the best to you. Stay Creepy!! – Wolfman Mac

Mac, like SOG, is one of the coolest, nicest guys you could ever hope to talk to, which is not something that can be said for every television personality.

From longtime SOG-friend and genuine good guy Jungle Bob Tuma (check out his official website!) comes this hilarious recollection:

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

Jungle Bob, longtime buddy of Son of Ghoul and all-around good egg. Photo used with permission.

I remember the time that the Son of Ghoul & I went out to eat after Cinema Wasteland at an all you can eat Chinese Restaurant (his favorite place to eat). He had been there the week before & ” spoke up” when somebody tried to leave without paying their bill. This made him a hero to the girls who worked there…while we were there, we noticed them smiling, they even brought over a plate of crab legs for him.

He went to go wash his hands & I took my pen & drew a heart & wrote “I love you” on his napkin & when he returned I told him that the Chinese waitress wrote it…I had no idea that SOG would call the waitress over & ask her name & flirt with her…I even tried to stop him but when she came over she let him know that it was not her who wrote that …she also told him that she actually saw me write it while he was away from the table…

He looked at me & said..”OMG Jung, what is wrong with you…I am so embarrassed!” I thought about it & said to myself…”See, we even have fun when we are not on TV…Whether we are on & off the air, Keven (SOG) & I always seem to have a good time & that’s why we have been friends for so long… Happy 30th buddy & looking forward to our next Chinese dinner, LOL.

Anyone that has seen Jung on SOG’s show or watched them interact together in-person knows they have an incredible rapport that is absolutely hilarious, as his story demonstrates!

JB is not only ridiculously friendly, but he knows pretty much everything about every animal ever. You’d be well-advised to book him for any event.

From my buddy Matt Brassfield over at Rotten Ink (he was also kind enough to contribute to this post here):

Son of Ghoul with Dayton's Baron Von Porkchop. Photo used with permission.

Son of Ghoul with Dayton’s Baron Von Porkchop. Photo used with permission.

Hometown Horror Hosts mean a lot to viewers, and Cleveland has had their share of iconic hosts from Ghoulardi to Superhost in the golden age of broadcast TV hosting to modern late night ghoulies like Janet Decay…but for over 30 years The Son Of Ghoul has entertained viewers with his silly antics and zany sidekicks like the Fidge (R.I.P.) and has truly became a staple for the Cleveland area.

I have had the honor to have met and chatted with Son Of Ghoul many times during his convention appearances and he has always taken the time to shoot the breeze and even was the first to introduce me to footage of Superhost as well as Woodrow The Woodsman! Son Of Ghoul is a Horror Host Hall Of Famer, a Musician, a Comedian and from Rotten Ink as well as from the cast of Baron Von Porkchop’s Terrifying Tales Of The Macabre, we want to wish Son Of Ghoul a Happy 30th Anniversary and wish him many more years of TV goodness.

Matt’s also the producer of Baron Von Porkchop’s Terrifying Tales of the Macabre; check it out!

My Facebook pal John Walch had this photo of SOG with his son Lil’ Kong to share, along with the following comment:

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Photo courtesy John Walch.

The highlight of April’s Cinema Wasteland show was when my son met Kevin. Such a great guy.

Yes he is!

From another Facebook pal, Danny Harasyn:

I live in Lake County and Time Warner won’t give me the station SOG is on …..so I had a friend I worked with who lived in the area Time Warner carried the show record it for me each week…

I know what he means; there was a time in the earlier-2000s in which we were using rabbit ears, and you could NOT pick up SOG’s show to save your life.

From Facebook’s Gary Smith:

Photo courtesy Gary Smith.

Photo courtesy Gary Smith.

Several years ago. it seemed like every week, I would see him at Jamie’s Flea Market in Amherst. On top of that, getting a chance to see and chat with him at Ghoulardifest and Monster Bash conventions the past few years. Looking forward to seeing him again at this year’s fests and congratulations on his 30 year milestone.

Thanks Gary!


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One final personal story before I close this tribute out. This one means as much to me as the nostalgia of discovering and watching SOG back in the late-90s does.

Back in November of 2011, I had a serious hand injury at where I then-worked. This was my first (and thus far only) real injury. Sure, I had sprained my ankle before, pinched a nerve in my neck, relatively little things like that, but this was a biggie. I eventually clocked three separate surgeries, a five-day hospital stay, several weeks of a home IV, and a whole lotta physical therapy. It was a mess.

I was blessed with some legitimately great doctors and nurses that helped me through the ordeal. I am thankful every day for that. Today, while there is some remaining evidence that a severe accident occurred, you probably wouldn’t notice unless I pointed it out to you. It could have been much, much worse, so yes, I’m most definitely grateful to those that made sure it wasn’t.

But anyway, back in December 2011, much of what I eventually had to go through was still ahead of me. All I knew was that I was injured, I was off work until after the new year, and I was severely bummed.

Meanwhile, prior to all that, after being a regular writer-in’r to the show in the late-90s, I had begun sending packages to SOG again in 2010 or so. Shortly before my injury, I had mocked up a SOG-album cover in a parody of Bruce Springsteen’s Born To Run cover, titled Born To Be Awesome. (See above.)

So, Saturday, December 24, 2011, it was SOG’s annual Christmas showing, appropriately airing on Christmas Eve. At a time when I was in critical need of a morale boost, SOG presented the album cover on the air. Not only that, but he really seemed to get a kick out of it! And that was in addition to all the older holiday-themed bits and cartoons, which all made for a wonderfully entertaining episode.

Obviously, SOG didn’t know what I had been going through at the time, this was all business-as-usual for him, but this was absolutely the pick-me-up I needed at that moment. I’ll always be grateful for that.

I think that points to an often-unrecognized aspect of not only The Son of Ghoul Show but any program people may turn to during those times when they just need to escape: they become more than just a television series to us, something deeper, though perhaps indefinable. And when they reach a historic milestone, like SOG has today, you feel, in some small way, a part of it, even if it was just by tuning in for so many years. And by now, I think it’s safe to say I’ll hang in there with him till the very end.

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Your Northeast Ohio Video Hunter hangin’ with the man himself! Ghoulardifest 2013.

There’s no better way to finish this article than with some words from the man himself, Keven Scarpino, aka Son of Ghoul. I reached out to him for a closing comment, and in true SOG-fashion, he first gave me Yeah, I would give a comment if I thought anybody actually reads your posts. LOL” Of course he was kidding (?), and immediately followed that up with this statement, directed towards all his fans:

Thanks for hanging with me all these 30 years. The viewers are the reason I’m still here – plus nobody else is willing to work as cheap as I do. Stay Sick! SOG.

Kinda says it all, doesn’t it?

Happy 30th anniversary Son of Ghoul! Here’s to the next 30!

WAOH TV-29 & WAX TV-35 – Son Of Ghoul’s Airing Of 1959’s Plan 9 From Outer Space (March 19, 1999)

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From March 19, 1999, here is The Son Of Ghoul Show that introduced me to Ed Wood’s magnum opus (ha!), Plan 9 From Outer Space. Cool winnins! Even better, when it comes to recordings from 29/35 The Cat, this is like the perfect storm of material. A show I love, a terrible movie I love, great local commercials, and a huge dose of nostalgia, which in turn all adds up to an even greater dose of nostalgia, one so great that it continually threatens to make my gol’derned face explode. People, this, this is what a Northeast Ohio horror hosted weekend evening looked like back in the late-1990s.

(I’m going with a Friday, March 19, 1999 date, but back then Son Of Ghoul was on Fridays and Saturdays, 8-10 PM, same episode both nights. It can just as easily have been March 20. I’ve got a pretty good memory, but I no longer recall which night I recorded this. I usually previewed the show Friday and, if need be, taped it Saturday. But this time around, I know for sure there was something exciting I attended that particular Saturday, which you’ll learn about soon enough.)

Settle in gang, this is gonna be a pretty long post…

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(I don’t feel like attempting an ostensibly clever transition, so let me remind y’all that I interviewed the man himself, Keven “Son Of Ghoul” Scarpino. It was and is an earth-shaking, precedent-setting interview that has made many a person cry tears of pure, unadulterated joy. Myself included? Just go read it. After this, I mean.)

Obviously, I taped this one personally myself back in the day. I taped a lot of Son Of Ghoul (still do, in fact), but this particular episode is way, way near the top of my favorites. Not only because it introduced me to this awful, awful movie, but also because it ties directly into an event I took part in and is the basis for some very fond memories of mine.

No kidding, you all know by now that I have a ton of tapes. I keep most of my horror host stuff in the same general spot, but recordings I am particularly fond of are kept in a kind of special “da best” section. This tape is absolutely in that section, and in all honesty, it has less to do with the movie at large and more to do with the circumstances surrounding the episode overall.

That said, Son Of Ghoul hosting Plan 9 From Outer Space is, as far as I’m concerned, a shining example of just why I love this sort of thing so much, and even without that personal connection, this would be a total winner.

We’ll get to all of the particulars in due time, but for now, let us look at the movie…

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Like I said in that first post (forgive if I repeat myself some between that one and this one, which I know I will), Plan 9 From Outer Space is widely heralded as the worst film ever made. It’s really not; there are infinitely worse movies out there, at least as far as I’m concerned. The worst film of the 1950s? A case could be made, I suppose. The worst film ever, though? Please meet my friend, The Creeping Terror. That’s a much worse movie on pretty much any level. I’m really just speaking from technical standpoints here, though; Plan 9 (and The Creeping Terror, too) is cheap and ridiculous beyond any and all standards, but nevertheless immensely entertaining. “So bad it’s good” is a phrase that gets thrown around a lot, and I don’t always agree with it, but in the case of Plan 9, I certainly do. I’ve seen movies that are far, far inferior while still being technically superior. Am I making any sense at all here?

For a movie released in 1959, the whole “worst thing ever” reputation is actually a bit more recent. It wasn’t really known as such until 1980, when Harry & Michael Medved’s book The Golden Turkey Awards deemed it so. I don’t own nor have I ever read the book, but they apparently came to this conclusion based on votes sent in to them, and it’s a title that has stuck with the film ever since. That’s not necessarily a bad thing, though; it brought a level of popularity to the movie that it wouldn’t have enjoyed otherwise, even if people are really only tuning in to see if it lives up (or down) to the reputation. And beyond the movie itself, it helped usher in a newfound wave of interest, albeit posthumous, in the guy responsible for the movie, Ed Wood…

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I actually find myself pretty fascinated by Ed Wood. Not fascinated enough to go see the Tim Burton biopic, but if I came across a good book on him, I’d snap it up right quick. As it stands, Wikipedia is my guide to all things Ed. He had a very weird, up-and-down life and career, which I guess is why so many people have taken such an enormous interest in him.

For a guy that made almost universally terrible movies, I can’t help but respect him. Despite the budgetary limitations and awful writing/producing/directing/etc., you can still see the very real love he had for movie making shine through. I dig that, much more so than the winking, self-awareness of many ostensibly “bad” movies today. I give more credit to an ‘honest’ bad movie than one purposely trying to be awful.

Also, because each and every synopsis regarding Wood has to include this fact, whether it’s pertinent to the actual subject at hand or not, here’s the obligatory “he was a cross dresser” statement. Has nothing to do with Plan 9, really, but I’d like to stave off the inevitable “Hey, you forgot…” comments. Those irritate me.

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The plot of Plan 9 From Outer Space is almost secondary to all of the wacky crap that surrounds it otherwise, which is really saying something. It’s best described as The Day The Earth Stood Still gone nutbar. That’s to say, there’s some aliens warning mankind that we’re the ones that are gonna end up blowing the whole joint to bits, and that’s when the movie goes completely off the rails. The aliens’ plan to make Earth listen to them? Reanimating our dead and letting them cause a ruckus.

I just had a thought: what if this was the reason the dead were returning to life in Night Of The Living Dead, and not the radioactive fallout as speculated? I just blew my own mind.

Plan 9 From Outer Space is characterized by mega-cheap (some would say “nonexistent”) special effects, including the iconic saucer in the screencap above, but geez oh man, everything else about the movie is just insane, too. “Absurd” is really the most apt term for it. The plot is ‘out there’ and the dialogue is, well, throwing a bowl of alphabet soup at the wall and seeing what sticks would probably produce comparable results.

In other words, if you haven’t seen it, you really ought to. It’s apparently public domain, so have at it! It’s a film that really does need to be seen to be believed.

I’d say it’d be hard for something this bad to be released today, but then I remembered all the smack people are talking about The Fantastic Four reboot. I haven’t seen it, but I’d probably still enjoy Plan 9 more.

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When a movie starts off with Criswell, you know you’re in for some kind of ride. Criswell was a self-proclaimed psychic, one that ended up having a, well, wide range of rather kooky predictions. In other words, he wasn’t all that accurate, unless a ray from space really did turn all metal to rubber and I just wasn’t paying attention.

Lucky for us, he hooked up with Ed Wood, and his appearance in Plan 9 is more than enough to label him a hero to all.

Criswell provides the intro and outro to the movie, as well as narration throughout, but it’s his opening scene that is the true stuff of legend. Not only does he start off speaking of future events before inexplicably deciding all of this happened in the past, but he constantly refers to the viewer as “my friends,” and I do mean over and over. I’d guess this wasn’t in the script, but then, it is an Ed Wood movie, so maybe it was.

Apparently these “future events” are all based on secret, sworn testimony. I could point out that the events in this film wouldn’t be “secret” for very long had they actually happened, but what’s the point? Don’t question it, just revel in it.

Criswell’s opening monologue instantly makes sure no viewer is possibly going to be able to take what’s about to follow seriously. It’s so bad that it’s almost brilliant in its stupidity. Almost.

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Swedish wrestler-turned-actor Tor Johnson is also here in all his glory. As per his usual M.O., he plays a big lumbering guy, though for once, one not named “Lobo.”

You gotta hand it to Tor, he managed to star in not one but several candidates for “worst movie ever.” In fact, for anyone claiming Plan 9 is the worst ever, go watch Tor in The Beast Of Yucca Flats; that’s not even a “so bad it’s good” film, it’s just plain BAD. Just like pretty much everything Coleman Francis put his hand to, it’s a vile, depressing mess of a movie. Gimme The Creeping Terror any day.

Apparently in real life, Tor was a ridiculously nice guy, and hey, people are still talking about him today, so I guess he did alright in the long run.

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Bela Lugosi! As far as I’m concerned, pretty much anything with Bela Lugosi in it is worth watching. It helps if the movie is actually good, but even when it’s not, Bela is still Bela. In his later years, Lugosi became friends with Ed Wood, and wound up in 1955’s Bride Of The Monster as well as, obviously, this one. (In my opinion, Bride is certainly bad, but not nearly as fun as Plan 9.)

Actually, Bela died well before Plan 9 was released, and he only filmed a few bits, ostensibly for an entirely a different movie. Needless to say, Wood wanted to capitalize on both the draw of Lugosi’s name as well as give him one last film to his credit, so he shoehorned him in as best he could. It counts as a Bela movie, but just barely; Lugosi himself really isn’t in the movie all that much.

So, what do you do when your star isn’t available for additional scenes because he’s dead? In one of the most famous pieces of Plan 9 folklore, a taller, blonder guy who is obviously NOT Lugosi walks around holding his cape over his face, which fooled approximately no one.

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Vampira!

That’s right, the person widely considered to be the first horror host is in Plan 9 From Outer Space! Now that’s cool! There seems to be some debate as to whether Maila “Vampira” Nurmi was the very first horror host, but there’s no doubt that she was the first to make horror hosting a real and viable thing. To see her in anything, never mind one of the most iconic (for better or worse) movies ever, it’s a real treat, especially since actual footage of the Vampira character is severely lacking. In Plan 9, she not only plays a reanimated corpse, but one that was Lugosi’s wife prior to death!

So, we’re watching the woman responsible for popularizing horror hosting, in a movie that made up many a night on horror hosted programs, whilst on a horror hosted program that she was indirectly responsible for? How cool is that?! I think I just made my head swim, by the way.

And on that front, it’s time to look at some of our horror host segments…

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Prior to the opening theme, the show opens with this: Son Of Ghoul’s take on Mystery Science Theater 3000! Echoing the sentiments of many, SOG can’t stand them talking over the movie while he’s trying to watch, and after repeated warnings to quiet down, he finally gets them to stop the only way he can: with a baseball bat! Look, I’m a huge, huge MST3K fan, and while this bit is technically anti-MST, I did get a laugh out of it. This sorta-meeting of two of my favorite shows is a trip!

‘Course, I’m a bit biased, because I’m reasonably sure that I’m originally responsible for this skit being filmed. Lemme explain: I began watching SOG in 1997, and met him in person at JC Comics & Cards (FORESHADOWING) not long after. Not long after that, I wrote the show for the very first time. Being 11 years old and fairly ignorant of what was national and what as local, I asked him if there was any competition between his show and MST3K. After questioning my sanity, SOG answered with the above bit, which was, needless to say, repeated for this 1999 episode.

As far as I am aware, the skit was initially filmed in response to my stupid letter. Unless it wasn’t and it just made for an appropriate answer that time. I don’t know. Still neat either way.

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Son Of Ghoul’s intro to the movie is loaded with info on the film, much more so than usual. Even SOG states he’s a “cavalcade of information!” He makes specific mention of the guy impersonating Bela Lugosi, his imitation of which is the image above.

SOG also talks extensively about an event that was happening right at that very moment, not only during this intro but all throughout the show, during the respective mail segments and whatnot. I’ll get to that in full momentarily, though.

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Lotsa clowning during the movie too, thanks to those visual drop-ins that Ghoulardi made popular so many years before. On the left: SOG sweeps Bela’s walk, which he describes as “filthy.” On the right, SOG imbibes in a beverage of some sort, apropos of nothing in particular but funny nevertheless.

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More goofing on fake Bela Lugosi!

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I’m not sure my brain can process the coolness of Son Of Ghoul and Vampira in the same scene. I don’t care if SOG is just superimposed over the scene, it’s awesome.

In this short bit, SOG pops in to ask Vampira for a date. A rather, erm, “gaseous” sound effect provides her answer!

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The Barfaby Show, SOG’s long-running parody of Northeast Ohio’s iconic children show host Barnaby. These are always crowd-pleasers, in which Barfaby torments, either accidentally or, more usually, purposely, his pet invisible vulture “Longdog.” SOG still plays these skits quite often, but the one featured in this episode I actually can’t recall seeing in a long, long time. By the looks of it, it’s one of the earlier installments.

In this one, Longdog asks Barfaby why his mouth always moves when Longdog speaks (SOG provided the voice for the bird too, y’see). Barfaby tells him he doesn’t know why, but he’ll rectify the situation, by means of which you’re seeing in the right screencap above. It’s a skit that’s pretty emblematic of the often twisted humor of the show, and make no mistake, I was cracking up during it.

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Fatman & Rotten are some of my favorite skits on the show. Obviously, it’s a parody of, well, you know what it’s a parody of. Just like Barfaby, older installments are played quite frequently nowadays, though also just like the Barfaby, the skit in this episode is one I can’t recall seeing in a looong time.

Which is too bad, because this is a very funny entry. Rotten has gotten him and Fatman captured because, as he explains, he thought the bad guys would just turn themselves in when he rationally explained to them that they were “being bad.” Fatman is not amused. He’s even less amused when Rotten thinks this is good for them to spend time together; Rotten’s suggestion of having a sing-a-long goes unanswered. Fatman is then even less amused when evidence of Rotten’s previously-eaten Mexican meal is made apparent. Annnnd that’s how it ends, Fatman in agony as Rotten cuts loose. Funny stuff!


 

Okay, so, we’ve seen the movie, and we’ve seen some of the SOG host segments. But what about that whole “extra nostalgia” thing I was babbling about at the start of the post?

Behold!

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Oh yes, this episode aired the weekend of Frightvision! This was the first of several Frightvision shows, and it was hyped endlessly. Indeed, these Frightvision clips are actually from a commercial for the event, one that aired incessantly during this broadcast. So much so, in fact, that it practically is a part of the episode, which I’m sure it was meant to be.

There were/are episodes of The Son Of Ghoul Show that could be rerun anytime, albeit sometimes with some slight editing. But, there were also episodes that were very time frame specific, and this is one of those. SOG talks extensively about Frightvision in every host segment. Friday, March 19 was kind of a pre-convention deal; it was part of the whole weekend, but then again, not quite. Apparently, a banquet with all of the guests of Frightvision was held at Quaker Square before everything kicked off in full the next day. SOG talks a lot about that, too. March 20 & 21 were the real days of the convention, and I absolutely attended on the 20th.

Indeed, this was my very first horror/sci-fi/TV convention! I wound up going to the next two Frightvision shows before I fell away from it (Frightvision would end altogether a few years later). This first was always the most memorable to me, though. At least until I became addicted to Ghoulardifest some years in the future, anyway.

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Having never been to one of these before, I wasn’t quite prepared for the sheer amount of memorabilia that was present. The place was loaded! Being a video collector even then, the VHS tapes were what attracted me more than anything. And geez of man, there were VHS tapes for (figurative) miles! This being a convention, and me not having any real of money of my own, the number I could bring home was limited, but I did come away with the original 1925 The Lost World and a copy of the original 1954 Japanese version of Godzilla (which was unavailable officially in the U.S. at the time).

Also, I’m pretty it was at this show that Son Of Ghoul had a table set up with old WOAC TV-67-era promotional photos, for, if I recall correctly, $3 apiece. A sign on the table stated “When they’re gone, they’re gone!” which only further fired me up for one. I bought what appeared to be the oldest-style photo (it was also the last of that kind there), though a stack of newer 67 pictures remained; I kinda wish I would’ve gotten one of those as well.

Nevertheless, while I didn’t have a big haul, it was, as far as I was (and am) concerned, a great one.

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And the celebrities! Even at that young age (I wasn’t even 13 years old yet!), I knew of a lot of these people. Having grown up with Swamp Thing in movie and TV form, Dick Durock seemed like he would’ve been a sure bet to meet. I didn’t, which I now regret (especially since he passed away several years ago).

I did however meet Mark Goddard from Lost In Space, who was ridiculously nice. Tom Savini was also there, though I wound up meeting him the next year (unlike most of the celebrities that charged for their autographs, I don’t recall Savini charging to sign my VHS of Dawn Of The Dead, though I could be wrong).

I believe ’99 was also the year I met longtime Son Of Ghoul sidekick Ron “Fidge” Huffman and got his autograph. Very nice guy that truly loved his fans! RIP, Fidge.

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Maybe the most memorable (for me) of the celebrities I met at Frightvision ’99 was Ben Chapman, who played The Gill Man in all of the out-of-water scenes in the original Creature From The Black Lagoon. And no kidding, this guy lived for his fans. He loved to tell behind-the-scenes stories about Creature, and couldn’t have been friendlier while doing so. Ben Chapman was just great, and I am proud to have met him. I was sincerely sorry to hear of his passing in 2008. Such a cool guy.

Looking back, Frightvision was one of my more memorable convention experiences, probably because it was all so ‘new’ to me. I’m sort of used to the whole deal now, but back then, it was like an entirely different world opened up to me. Suddenly, I could meet many of these Hollywood celebrities in person, I could find a lot of movies that just weren’t going to pop up on Best Buy’s shelves, and I could have a blast doing all of it. The following two Frightvision shows were also fun, but in retrospect, they couldn’t live up to that first one. In fact, the only one that has lived up is the aforementioned Ghoulardifest, though without that same initial sense of “whoa!”


 

After my last look at local horror host material and the severe lack of any commercials interesting enough to spotlight, I initially intended on skipping that feature for this post, as well; after Son Of Ghoul, Plan 9, and Frightvision, is anything else even really necessary? This was my plan of action, until I actually dug the tape out and watched/converted it, that is. I should’ve known better; WAOH/WAX always ran quirky, inventive and very, very local commercials. That’s to say, right up my alley. Luckily, this recording was particularly strong in that area. No kidding, I wound up with so many to spotlight here that I had to cut some out, since this article is already pushing the boundaries of even the most patient of readers as it is.

Son Of Ghoul “Japanese Movie Dub” Promo

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One of the more-famous SOG promos of the time was found right at the start of the tape, almost two minutes before the episode itself started. 29/35 played this one a lot. It’s a short scene from Ghidrah, The Three-Headed Monster, partially dubbed with the characters on-screen talking about Son Of Ghoul’s time slot and that “he’s too cheap to film a commercial!” I’ve collected a lot of SOG promos over the years, mostly ones from my own tapes, and this one ranks near the top, if only because of its ubiquity on the channel.

 

DMG Cell Phones & Pagers Ad

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It may be hard for some to remember, but cell phones, while definitely existing in the late-1990s, weren’t quite what we know as cell phones today. Back then, they didn’t text, they didn’t get on the internet, and they were the size of bricks. Would you believe it, people had to be satisfied with simply being able to send and receive calls?! Whoda thunk it?! Also, there was a thing called “pagers,” which cell phones later made obsolete. Look ’em up, kids.

Back in ’99 though, this was all still state-of-the-art stuff, and DMG had it all. The commercial uses a technique of rapid-fire zooming in/zooming out, so it’s hard to get a satisfactory screencap of their wares. Anyway, there were two shops, one in Kent, one on State Road in Cuyahoga Falls. As near as I can tell, they aren’t open anywhere anymore (if you are, someone speak up in the comments! I’d never begrudge y’all a free plug!).

 

Whole Shop Inc. Ad

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Whole Shop Inc. has gotten mentions on this blog before, namely in this old Christmas-post. I had to include this commercial here for a few reasons: first of all, I’ve been there before, and I find the subject of cutting metal and whatnot with super high-pressured water endlessly cool. This ad is straight-to-the-point, mentioning all of the things Whole Shop does.

Whole Shop Inc. is still around, so go patronize them.

 

The Pizza Factory In Kent, OH Ad

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Employing a filming technique similar to the DMG ad, it was tough for your pal me to get representative screencaps for this one. Anyway, The Pizza Factory was a then-new pizza establishment in Kent, Ohio. There’s really not a whole lot I can say about it beyond that, except I have a soft-spot for local pizza commercials.

Google searches turn up a lot of similarly-named places, so, also just like DMG, I’m not sure if this Pizza Factory is still open or not. Again, if you guys are out there, speak up in the comments!

 

WNIR “Morning Stooges” Ad

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WAOH 29/WAX 35 was and is heavily affiliated with WNIR 100 FM, so advertising for the radio station was very plentiful for years. In this one, the morning show guys (one of whom is Steve French, and I’m sorry fellas, I don’t know the other two, simply because I’ve never much listened to talk radio) expound on the revitalization of Akron, with the exception of one eye-sore…

(Check out WNIR here!)

 

29/35 – The Beverly Hillbillies Promo

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29/35 ran a lot of original programming, but like any good indie station, there was also the classic sitcom reruns. The public domain episodes of The Beverly Hillbillies are standard issue for this sort of thing, so it’d be more surprising if 29/35 didn’t run the show.

The promo consists of clips of Granny talking about the various hillbilly-approved foods she prepares, which are, needless to say, not very appetizing to most. The idea behind the ad is that viewers could join The Beverly Hillbillies for lunch at noon and then again for dinner at 7:30 PM!

 

Cool Gear Ad

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The concept of “man caves” existed back in the 1990s (and well before, of course), though I don’t think they were known as such yet. Or maybe they were, I’m no expert on man caves. Anyway, Cool Gear was a store catering to that sort of thing. That is, sports memorabilia, beer paraphernalia, and things of that nature, it was all there for the purchasing at Cool Gear.

(It appears Cool Gear is no longer around.)

 

29/35 – Dobie Gillis Promo

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Dobie Gillis, believe it or not, was pretty heavily promoted on 29/35 for years. I’m not sure if there was a dedicated segment of Dobie fans among the viewing audience, or 29/35 was trying to create one. Either way, it worked on me, because I wound up loving the show, usually catching the 4:00 PM airing every day after school, following the 2:00 PM movie.

There were a number of Dobie promos on the station, though this may have been the most common one: a compilation of clips of Dobie’s father Herbert complaining about Dobie. Really, that’s all it really is, though it makes sense, since that was a large part of the show, at least in the early seasons.

 

JC Comics & Cards “Anime” Ad

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JC Comics & Cards! I love JC Comics & Cards! I’ve been going there since about 1996, and as previously mentioned, met SOG there in ’97. 29/35 didn’t introduce me to the establishment, but I still got a kick out of seeing commercials for the store on the channel!

There were a number of JC commercials on the channel, and in this one, it’s a dubbed scene from some anime, in which two guys in  truck discuss all of the great things to be had at JCs before narrowly avoiding a crash. They ain’t lying, either; to this day there’s a ton of cool stuff at JCs!

(Check out JCs here!)

 


 

What a recording! The Frightvision material, in conjunction with SOG’s constantly talking about the convention during the episode itself, lends this episode of The Son Of Ghoul Show an air of nostalgia for me that few others can. Not only does it bring up memories of my first convention, but the recording as a whole is from what I consider the peak of The Cat’s powers as a crackerjack local independent station (for me, roughly 1997 to mid-1999). Good shows, good commercials, good memories, there’s a reason this is one of favorites.

Seriously, few of my other recordings from the station can so concisely sum up the time period such as this one. And you’ve got Plan 9 From Outer Space! For those watching on Friday night and planning to attend Frightvision Saturday or Sunday, there was no better way to kick off the weekend!

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And remember, as per Criswell’s final line, “God help us, in the future!” Words to live by, man.

(By the way – want your own Son Of Ghoul-hosted Plan 9 From Outer Space? The movie is public domain, and thus, SOG sells a copy of the episode on his website! I can’t promise it’ll be exactly the same as this recording, but I’ve long held that a movie is always better when it’s horror hosted. Check out The Official Son Of Ghoul Website to get yours!)

The Son Of Ghoul Show – Now On Saturdays At 8 PM, WAOH TV-29 / WAX TV-35.

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That screencap comes from the latest Son Of Ghoul promo, which duly announces his show’s timeslot change to 8 PM Saturdays on WAOH TV-29 in Akron, WAX TV-35 in Cleveland, a move that began this past weekend.

(Look closely at that picture above; it’s a little tough to make out, but to the left, that thing the stuffed animal is sitting on appears to be the custom SOG Bar Sign that I myself sent in awhile back, and which has been part of the set for the last couple of years. That’s right, one of my contributions has been immortalized in a SOG promo! Cool winnins!)

Prior to last weekend, SOG had been on at 7 PM Saturdays since summer 2009, when 29/35 became our Retro TV affiliate. However, RTV’s acquisition of Mystery Science Theater 3000 this past summer was causing (I’m guessing) some timeslot confusion. Y’see, RTV has been running two MST3K episodes a week: one at 8 PM Saturday, and one at 5 PM Sunday. Sunday wasn’t an issue, but the thing with Saturday was that with SOG starting at 7, running for two hours, and then 29/35 switching back to the RTV feed afterwards, it was leaving a displaced final hour of MST3K. While I most certainly loves me some MST3K, this move does make for a cleaner, more sensible timeslot. And anything that keeps SOG in prime-time is aces with me.

So, write it down: The Son Of Ghoul Show, 8 PM, Saturday, WAOH TV-29 in Akron, WAX TV-35 in Cleveland.

Mystery Science Theater 3000’s Retro TV Debut This Past Weekend (Also: The Musings Of A Lifelong MSTie On His Early Fandom.)

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*Standby for shameless gushing.*

This past weekend, Mystery Science Theater 3000 made its Retro TV debut. I don’t want to say that all is now right with the world, but there’s little doubt that it’s just a little bit better place to live nevertheless.

I talked about this right after the announcement that MST3K reruns would be returning to TV via the Retro TV network, which in Northeast Ohio, is WAOH TV-29 in Akron, WAX TV-35 in Cleveland (the station formerly known as “The Cat.”) I’ve been counting the days (sometimes literally, sometimes figuratively) to July 5, and now that the “big event” (as I have deemed it) has occurred, well, I’m ecstatic. Lemme ‘splain a bit…

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Mystery Science Theater 3000. The show with the robots and the theater seats and the so much ripping on the bad movies. I could go into more specific details, but for the sake of whatever, let’s condense the summation to this: A guy and his two robots are stuck in outer space and forced to watch terrible movies as part of a mind-monitoring experiment, ostensibly in the hopes of ultimately ruling the world with “the worst movie ever made.”  Their only defense? Mocking (or “riffing”) the movies mercilessly.

Of all the shows I love or have loved, of all the shows I am or was an admitted fanatic of, in my own bizarre little world of personal mythologies, MST3K is and always be the “big one.” So much of what makes me, well, me started with MST3K. If I’m being honest with myself, perhaps not so much my initial fascination with movies or my need to continuously collect more of them; that had begun about a year before I discovered MST3K. But, there is little doubt that MST3K launched that fascination into the stratosphere (figuratively speaking, I mean; using the term in a literal sense would probably mean death or at least serious maiming on my part). After MST3K had the hooks in me, I was never the same.

Mystery Science Theater 3000 first started at a local TV station in Minneapolis in 1988, went national in 1989 on what would eventually become Comedy Central, and moved to the Sci-Fi Channel in 1997, which is where I, at 10/11 years old, came in. Since I had a growing interest in old horror and sci-fi films already, it stands to reason that I was far more familiar with the Sci-Fi Channel than I was Comedy Central. When the initial promos proclaiming the series was moving to the channel began airing, I was already tuned into Sci-Fi. Indeed, prior to those advertisements, I was wholly unfamiliar with MST3K. I may have passed it while channel surfing, but that would have been the extent of my familiarity with the show.

An added bonus following my discovery of MST3K was that I began actively searching out the oddball titles, the weird, forgotten flicks, even films that evoked a certain time period I wasn’t around for (I’m looking at you, downbeat 1970’s movies! Relay my well-wishes to Keenan Wynn!) BUT, that was just a side-effect of MST3K fandom. The real benefit of becoming a fan was that it absolutely introduced me to a world of sharper, funnier comedy. It became (and remains) my first, biggest, and longest-lasting TV obsession.

Readers of this sad blog will no doubt have seen my numerous long, blabbering soliloquies of love posts regarding our Northeast Ohio movie hosts: Ghoulardi, Hoolihan & Big Chuck & Lil’ John, The Ghoul, Son Of Ghoul, Superhost, and so on and so on. The fact of the matter is that my love of them initially began with MST3K, which as previously mentioned isn’t even a local product. I remember Superhost from his waning days on WUAB TV-43, I had caught Big Chuck & Lil’ John a few times before & during 1997 (and I certainly knew them as local personalities from all their local endorsements and whatnot) and I was probably vaguely aware of Ghoulardi, But MST3K was really the genesis of my whole movie-hosting fascination (even if I don’t necessarily consider MST3K quite the same thing, though I’d be hard-pressed to explain why exactly I don’t.) After MST3K, there was a new appreciation for this sort of thing, which in turn lead to fandom for, respectively, Son Of Ghoul and The Ghoul, which continues to this day (and at points has reached the same fevered heights.)

Unlike some, I didn’t quite get hooked on MST3K right away; rather, it was kind of slow burn, a gradually building fandom. Initially, I was more interested in the movies, and the running commentary courtesy of the silhouettes at the bottom of the screen was an amusing bonus. But, the more I watched the show, the more I found myself digging it for more than just the featured movie of a given episode, though in all honesty the movie still did, and does, have a lot to do with how a particular episode “strikes” me (again, figuratively speaking. I’d hate to think of an episode physically punching me in the face!) The first half of the initial Sci-Fi season (in actuality the show’s 8th season on national TV, though finer points such as that were unbeknownst to me at the time) featured black & white films from the Universal library. That was the “slow burn” period of my fandom. Some of the movies I liked (The Deadly Mantis), others left me kinda cold (The Undead).

It wasn’t until the spring/summer of 1997 that things hit the fan for me (figuratively I mean, because…aw forget it, I’m tired of that gag.) It began with the May 31st airing of The Giant Spider Invasion, which I tuned into due to my burgeoning but not-quite-solidified fanaticism. After the initial shock of discovering that they were even allowed to run color movies wore off (remember, I was 11 years old, I had no real prior knowledge of the series, and in general never really knew what the hell I was talking about anyway,) things clicked into place, the stars aligned, and I finally, completely “got it.”

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The next week, MST3K was absolutely appointment television for me. The movie was Parts; The Clonus Horror, and the fire from the previous week turned into a full-out inferno. There was no turning back now. I was hooked, absolutely, and I’ve remained hooked ever since. Was it The Giant Spider Invasion episode or the Parts: The Clonus Horror episode that’s really responsible for turning me into a full-blown MSTie? It could go either way, and I tend to go back and forth. Spider was first, but Clonus had the bigger effect and is the episode that I hold more memories for and really feels more like the first. Plus, I think Parts: The Clonus Horror is a genuinely interesting, though not without faults, film. I guess in the end it doesn’t really matter.

All throughout the rest of summer 1997, I watched Mystery Science Theater 3000 every chance I got, but alas, my ability to actually view the show was temporarily halted. At the time, the Sci-Fi Channel was a premium cable channel. I guess “premium” is the right term for it. You needed the cable box to pick the channel up, anyway. At the end of summer ’97, Dad decided he no longer wanted to pay for said cable box, and considering I was only 11 years old, had little say in the matter. So, out went the cable box, and with it, access to my favorite show. I had a few episodes recorded, I was able to get a far-away Aunt with Sci-Fi-access to tape a few more for me, and several episodes had been released on VHS by Rhino by that point, so I wasn’t completely Bot-deprived, but nevertheless, I had no *ordinary* access to my show, and this, needless to say, troubled me greatly.

Over the next several years, more and more episodes were made available on VHS and later DVD, I discovered the numerous tape-trading sites out in internet land, and even Sci-Fi joined the basic cable line-up, which allowed me to walk over to a much-nearer Aunt’s house to record episodes on Saturday mornings, something I took advantage of until January 31st 2004, when the final MST3K (The Screaming Skull) aired on Sci-Fi and thus TV in general…until now.

So, maybe now you’ve got some understanding as to why I treated the show’s Retro TV debut to something akin to the Super Bowl. I’m sure many people, fellow MSTies included, probably saw it as something neat but not necessary. Not me, though. It wasn’t for lack of MST3K, either; I’ve got a lot of episodes, and I think the majority of the series has been officially released on DVD by this point. Unlike 1997 me, I really have no shortage of the show.

No, my excitement stems from the fact that, frankly, I think a show as great as Mystery Science Theater 3000 needs to be on ‘real’ TV. Pristine DVD copies are terrific, of course, but there’s just something about knowing it’s out there, being broadcast over the airwaves. Furthermore, as mentioned waaaay at the top of this post, our Retro TV affiliate is WAOH/WAX. This is the same station that Son Of Ghoul airs on! After my ability to watch MST3K ended with the summer of ’97, I desperately searched for something like it to fill the void, which eventually lead to my discovering Son Of Ghoul. It wasn’t a “well, I guess it’s good enough” replacement either; SOG provided a somewhat different but nevertheless intensely fanatical, erm, fandom in me that continues to this day. Both shows airing on the same station is something I could have only dreamt of so many years ago, and the fact that it is now happening is, I don’t know, poetic justice? That doesn’t apply here at all, does it? It’s fitting to me, is what I’m tryin’ to say.

Plus, I haven’t been able to watch MST3K over the air in “real time” since 1-31-2004, and not in my own home since that summer of 1997. So, that’s nice.

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Following the initial announcement, my fervor was further stoked with a “coming soon” promo on Retro TV, which began airing soon after. It kept me more excited than any 10-second promo that consisted of a more-or-less static image and some sound bytes has a right to. More importantly, the fact it was airing several months in advance showed (to me, at least) that Retro TV was going to go the extra mile for the show. The commercial for Rifftrax’s live Sharknado only bolstered that feeling; if it weren’t for MST3K’s impending Retro TV arrival, I just couldn’t see that promo airing on the station otherwise.

Further proof that Retro TV was going to treat MST3K as something special was the later announcement that it would be airing twice on the weekends: Saturday at 8 PM EST, with an encore on Sundays at 5 PM EST.

This, however, presented a problem for your Northeast Ohio Video Hunter: Son Of Ghoul airs every Saturday from 7 PM to 9 PM. Usually, whatever was on Retro TV at 9 PM wouldn’t be preempted by local programming, so I figured we’d get at the very least one hour of MST3K before Off Beat Cinema at 10 PM. Prior to the 8 PM announcement, I had been presuming that MST3K wouldn’t be replacing the Saturday Off Beat Cinema, which in turn had replaced Wolfman Mac’s Chiller Drive-In (the normal Sunday Off Beat Cinema has continued before and since.)

Oddly enough, for as fanatic as I can be about this sort of thing, if the last hour of MST3K following SOG was all we Northeast Ohioans were going to get, I actually could have lived with that. I wouldn’t have preferred that situation, but some is better than none. And as it turned out, the un-preempted last hour after SOG is exactly what happened. Something about it just seemed so right for me: The show that MST3K lead me to, followed by the show that lead me to it…or something like that. It’s an entertaining three hours, is what I’m getting at.

Luckily, the Sunday 5 PM encore saved things for me, as that aired complete and uninterrupted. I was seriously concerned that infomercials would take MST3K’s place, but come Sunday, all was well.

The fact that MST3K was coming back to TV, even if only through reruns (running the gamut of the entire national run of the series, seasons 1-10,) was such a source of excitement for me that the actual episode that was premiering became sort of an afterthought…

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Retro TV kicked things off with the third episode of the first season, the 1942 PRC cheapie The Mad Monster. It’s a mega-low budget werewolf film, and needless to say, it ain’t very good (a bad movie on this show?! Go figure!) Here’s the deal with the first season: like any good show, there was a period of groove-finding. That is, it’s a hit-or-miss episode at best. I’m not a big fan of the first season anyway; I mean, sure, I generally like it, but after seeing the heights the show reached in the following seasons, it can be tough to go backwards. Add to that an installment of the Radar Men From The Moon serial they covered, which I’ve traditionally been pretty lukewarm at best on, and well, it’s a case where you’ve really got to look at the bigger picture.

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Keep in mind, I’m not looking a gift horse in the mouth; I understand Retro TV logically has to start at the beginning, and it’s probably better to get these weaker episodes out of the way first rather than throwing them in the middle of a run of strong episodes, and rest assured, the vast majority of the Retro TV line-up is downright killer (the list has been modified a bit since the initial announcement. You can read the current retro TV package courtesy of Satellite News here.)

It’s also easy to forget in this day and age of rampant DVD releases and/or otherwise easy access, that for years the season one episodes were scarce. At a certain point, as per request of The Brains (the affectionate MSTie name for the showrunners) the early episodes just weren’t shown on Comedy Central. Eventually some were ran again, but bottom line is that they were greatly downplayed in comparison to episodes from the rest of the series. SO, the fact that some of them (only two at the moment – The Corpse Vanishes is the next episode coming up before they head, briefly, into season two) are running at all, well, they still have that “hey these are kinda rare!” aura, even if they’re really not anymore. I wasn’t even watching the show during the Comedy Central days, and they still sort of feel that way to me.

My main concern here is that someone that has heard of MST3K and may be familiar with the Rifftrax/Cinematic Titanic projects will tune in, not be impressed, and come away thinking the show is wildly overrated. Give it a few weeks guys! Things get good with season two and great with season three on up! Don’t judge until you’ve seen Pod People!

To the episode’s credit, despite my general feelings toward the season (particularly the earlier half of the season,) I did find myself laughing or at least chuckling more than I expected to. I wouldn’t say any part of the episodes amounts to “home run” status, but if nothing else, it’s enjoyable.

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And there are a few nice bits, host segment-wise. The bit where Tom Servo hits on a food processor is particularly memorable, at least as far as the first season is concerned (it’s also a remake of a skit originally done at KTMA.) The show got much better in following seasons, but there are always moments, always the flashes of brilliance, that made MST3K so, erm, brilliant.

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From previous experience, I knew that our feed of Retro TV isn’t always the clearest. Not compared to the local broadcasting that airs on the channel, and certainly not compared to things broadcast on most other stations, and that holds true for MST3K in Northeast Ohio. It’s really my biggest and only actual complaint about being able to watch my favorite show on ‘real’ TV again. Even then, it’s a fairly minor quibble. That said, when I tuned in following SOG on Saturday night, initially I couldn’t tell if they were even playing MST3K. The quality was so dark (which wasn’t helped by the terrible print of the movie in the first place) that I wasn’t sure until I heard the riffs being thrown at the film. When things are light onscreen, it’s not so bad, but for large stretches of the episode, it was difficult, even impossible, to see the theater seats (see above.)

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Those were my observations at least, and mileage may vary in other markets or even elsewhere in Northeast Ohio. But, at the end of the day, none of that really changes the fact that it feels damn good to see images like the one above playing on my TV screen. Mystery Science Theater 3000 is back on the air, where it should be. And for me, I can watch it on the same station as Son Of Ghoul. You have no idea how beyond cool I find that. Most of the episodes being broadcast feature movies in the public domain, so I hold no illusions of some of my all-time favorites such as Agent For H.A.R.M. or the aforementioned Parts: The Clonus Horror eventually showing up.

But that’s okay. I’ll watch this stuff endlessly no matter what they air, because I love the show just that much. I guess when it comes right down to it, I’m not that far removed from my 11 year old self, watching the show all throughout that summer 17 years ago.

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Gee, that was a swell movie!” Wait, wrong show.

Christmas & New Year’s with The Ghoul, Son of Ghoul and Big Chuck & Lil’ John (1998/1999)

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There it is. Not the most-heralded of my many late-90’s/early-2000’s tapes, but certainly one of the more-heralded ones. Please ignore my sloppy, 12-year old handwriting (I’ve kinda sorta improved in that area), and while we’re at it, please ignore The Avenger (a 1961 Steve Reeves film) and the vague “TV Land Programs” descriptive line; those recordings are not conducive to our ultimate goal today (indeed, the TV Land stuff was recorded later, in the summer of ’99). Nope, we’re focusing on the ‘big three’ of Northeast Ohio horror hosts today, all on one powerhouse of a tape, all recorded during or around the holiday season of 1998/99, and all part of some serious nostalgia for me.

1997-1999 was probably the time period most responsible for making me, well, me. Not completely, of course; I continued to refine my goofy self (whatever that means) in the years following, but there’s little doubt that some of the things I’m a still a huge, huge fan of first took hold of me in the era this tape hails from. I had discovered Mystery Science Theater 3000 and Son Of Ghoul in ’97, The Ghoul came back to Cleveland TV in ’98, and despite first watching them in ’96, I really started to appreciate Big Chuck & Lil’ John around ’99. Except for the absence of MST3K and the now-head scratching inclusion of The Avenger, the tape seen above is really a pretty great description of your Northeast Ohio Video Hunter’s interests in the late-90’s. Even the old TV Land programming is a sight-for-sore-eyes.

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The lead-off recording was The Ghoul’s first Christmas special of his WBNX TV-55 run. It’s also one of the earliest episodes I have from those WBNX years. I recorded the first couple episodes (which I still have), and a few select later ones (which I don’t), but as it stands, this is one of the earliest to survive. In lieu of any other opening credits or theme music, the specialized “Ghoul’s Christmas Special” title makes it clear that this is a ‘big deal’ in the Ghoul Power world. Also a big deal: according to a quick internet calendar search, this aired on Christmas ’98, a Friday, which was obviously December 25th (at the very tail-end of the day, 11:30 PM, but hey, it counts).

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The Ghoul loved the Christmas season and would go all out to celebrate it, including the special Christmas-themed border and groups of kids in attendance, as seen above. It’s clear he loved the holiday season, and the next year, he would even have, roughly, a month-long celebration, running the 1935 Scrooge as well as Santa Claus In Mother Goose Land (which was actually The Magic Land Of Mother Goose and was, if I recall correctly, only vaguely Christmassy) in addition to the film that was also shown that first year…

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It’s the 1959 Mexican film Santa Claus. A the time, I was only familiar with this movie via what was printed in the Mystery Science Theater 3000 Amazing Colossal Episode Guide, and since it wasn’t listed in Leonard Maltin’s guide nor had I discovered IMDb yet, I had no idea what year it was even released in, which is why, if you scroll back up, you’ll see I have only “Mexican” listed in brackets next to the title on the tape sleeve. I wouldn’t have known even that if the opening credits didn’t mention Mexico.

The Ghoul loved running this movie during Christmastime, and I have four separate Christmas airings of it: this first one from 1998, plus 1999, 2000 and 2001. And for all I know, he ran it again and again during the rest of his WBNX run.

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Truth be told though, I’ve never much cared for the movie. If it weren’t for the fact that it was then a (to me) obscure foreign film, and one that had been MST’d at that, I’m not sure it would have survived all these years, let alone the three other airings I have. Don’t get me wrong, I’m glad I have all of them, the more Ghoul the better, but I’m not as enamored of this flick as others are. In fact, for a movie that’s gained a pretty impressive cult following, I really can’t stand it at all. Oh, I should love it for the incredible weirdness it presents (Santa battling the forces of evil, wind-up mechanical reindeer, Merlin, and a bizarre pair of moving red lips that are the very definition of “terrifying”), but I don’t know, it’s a movie that has always left me cold.

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Not so with the second recording on the tape, which would have aired on Saturday, December 26th. It’s Son of Ghoul’s Christmas special! At the time, SOG was on both Friday and Saturdays, 8-10 PM, so an identical episode would have been aired the day before on Christmas Day as well. It’s interesting that both The Ghoul’s and Son of Ghoul’s shows were/are so different, yet they both really went the extra mile for Christmas.

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Oooh, I’m diggin’ that swanky green border! Unlike usual episodes, SOG read the mail on the main dungeon set, as seen in that left screencap. On the right, the screencap comes from the very close of the show. As you can see, they even had a guy in a reindeer costume, and fake reindeer poop on the floor to go with him/it! Tis the season?

SOG’s annual Christmas show has become one of my favorite ‘extra’ parts of the season. Nowadays he’s only on Saturdays, and every weekend before Christmas, there’s a yearly show dedicated to the holiday. More than once (twice, to be exact, including this year), stuff I’ve sent in has been presented on the Christmas show, and it’s always a nice addition to my holiday season. I was regularly writing SOG by 1998, but nothing of mine was presented during his ’98 special. Considering I never really had anything particularly interesting and/or important to say back then, that was probably for the best.

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It hasn’t been shown for a few years, but Santa Claus Conquers The Martians (see, I told you my UAV tape wasn’t the last you’d see of it this holiday season!) was once a yearly tradition, not unlike SOG’s running of Night Of The Living Dead every Halloween. I like this movie waaaay more than Santa Claus. It’s weird, it’s goofy, it’s idiotic, but all in a good way. Some may argue that the other movie was all of that and more, but the fact remains that Santa Claus Conquers The Martians is my preferred bad movie for the Christmas season. Even the MST3K version was, in my opinion, superior to their take on Santa Claus.

Speaking of the MST3K version, when they riffed the film, their print didn’t include the title card as seen above. Apparently, because of that, many people were unaware that the film circulated/circulates with a title card. which was odd to me, because by the time I saw the MST3K episode, every print of Santa Claus Conquers The Martians I had seen up to that point had a title as you’d expect.

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I first saw this movie when SOG ran it during the Christmas season of 1997, and then right after, I got my copy of the Mystery Science Theater 3000 Amazing Colossal Episode Guide for Christmas 1997, and learned they did the film, too. It’s a pretty weird movie, clearly aimed at the lil’ baby childrens, in which martians kidnap Santa in order liven the martian children up. It includes Pia Zadora (who, contrary to my UAV tape’s description, is not especially precocious – yes, I’m still irritated by that line), and a guy that looks a lot like Jamie Farr but isn’t Jamie Farr (much to my chagrin).

That left screencap above is either the embodiment of the Christmas season, or a truly nightmarish visage, I can’t decide. Maybe it’s both.

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At one point, SOG superimposed himself into the movie, and tried to light Santa’s pipe. I thought that was pretty funny.

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The last (applicable) recording on the tape is the New Years portion referred to in the title. It didn’t air on New Year’s Eve or Day, nearest I can figure is it was broadcast in the first half of January, but nevertheless, this episode of Big Chuck & Lil’ John’s Couch Potato Theater has some pretty strong memories attached to it (not the least of which is the image above, well familiar to me from so many Saturday afternoons).

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Ah, Big Chuck & Lil’ John on their old King Kong set. It was the same set as their usual Friday night Big Chuck & Lil’ John Show, except Couch Potato Theater was always broadcast Saturday afternoon and was called, you know, Couch Potato Theater. Couch Potato Theater was a bit of a wild-card: sometimes a full-length movie would be shown, other times old Three Stooges shorts or episodes of The Abbott And Costello Show, even skits-only if time was an issue (similar to what the revived Big Chuck & Lil’ John Show is now). In this case, though, old silent short comedies were the day’s subject.

My recording of this almost didn’t happen. At the time, I was a big, big fan of silent comedy films (still am, actually, though not quite as fervent), and trying to catch and tape some of them when they were run as unscheduled-between-programming-filler on WAOH/WAX was a common thing with me. Somehow, though, I missed the TV Guide listing for this episode of Couch Potato Theater, in which several old silent comedies were run over the course of the afternoon. To make matters worse, we had to leave soon because my brother had a basketball game. So, I grabbed the only available tape, cued it up after The Avenger, and hit record. Better than nothing, right?

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I began taping in the middle of some Keystone film, the title of which I no longer remember, but was able to capture the entire last subject of the day: Charlie Chaplin’s The Champion, a 1915 Essanay film, which was from the period when Chaplin’s movies started to get really good. From how I understand it, this particular short has been the subject of much editing and whatnot over the years, but the version Big Chuck & LIl’ John ran was the Blackhawk Films print, apparently one of the better ones. Certainly lengthier, if nothing else.

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The Champion, as the name and screenshots kinda sorta show, detail Chaplin’s Little Tramp character becoming a boxer. The subject of boxing is one I’ve always liked (having grown up on the Rocky movies), and the addition of an English Bulldog is always a plus, so yeah, I like this short. I’m sure I have many of them on cheap, public domain DVDs, but I’m not as familiar with Chaplin’s Essanay films as I am with his Mutual work, which I consider my favorite of his.

At the time, I was just then starting to appreciate Big Chuck & Lil’ John, something that would be more fully-realized when I began watching The Abbott And Costello Show on their Saturday afternoon program. Still, I recall having made a habit of at least checking the listing for their Friday night show, so I’m not sure how I missed the listing for these old silents. I can’t remember if I discovered the broadcast while flipping channels or if I came across it that day in TV Guide, but either way, I came in when most of it was over. It was one of those feelings, unfortunately well-familiar to me as a heavy-taper by then, of “Oh man, I’m missing this!” Of course, the follow-up “Well, at least I got some of it” took a bit of the sting away.

(If you go way back to the top and look at the tape’s label, you’ll see that the listing for this is off to the side and not where it should be, right after The Avenger. That’s because, for years, this broadcast was unlisted on the tape. I don’t know if it was due to the haphazard nature of the recording or what, but for whatever reason, I never labeled it properly. Oh sure, I took the time to label “TV Land Programs” later that summer, but Chuck & John got shorted on that front. It wasn’t until 2011 when I was making a concerted effort to label a lot of my tapes that had suffered in obscurity for years that this was duly notarized. It took a bit of searching, I could only remember it was on a tape with a purple Sony tape, but finally I found it, labeled it, and it is now given the proper respect it so deserves.)

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There’s just under an hour of Chuck & John action on the tape, but even so, several skits were captured. My favorite of them (tied with “The Lil’ Flash,” at least) was Cuyahoga Jones, their Indiana Jones parody. This was the first time I had ever seen one of these skits, which were part of a continuing storyline in which Cuyahoga tries to steal the “Kapusta Diamond.” Big Chuck played Cuyahoga, and Lil’ John played Shortstuff. In this one, they tried to earn $20 in order to buy supplies to help them carry the safe containing the diamond out of the castle. Pretty funny stuff!

Believe it or not, there’s a lot of memories tied into this tape, more than I could ever hope to accurately describe in print. The video itself, yeah, I fondly recall all of this stuff from that winter season, but it also brings to mind that general period in my life. All of the things/shows/etc. I was and am into, sure, but also other memories, like going to the mall with my Mom for Christmas shopping, come to mind when thinking of the era this tape comes from. As much as I love the actual recordings, I think those memories are even more important to me. Maybe I’m doing a sloppy job of getting across what I’m trying to say, but hopefully you know what I’m getting at. I’m sure you can all relate in one way or another.

And so, with that, this Christmas post nears an end. I sincerely hope all of you have a fantastic Christmas and New Years. Thank you to all that have taken the time to read this blog, and in some cases, even pass the link around. Have a wonderful holiday season and be safe in the new year.

Stay tuned, more goofy stuff to come!

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