Tag Archives: 43

WUAB TV-43 / Cleveland Indians-Branded Louisville Slugger Baseball Bat.

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Well, I wasn’t expecting to find this. Under normal thrifting-adventure circumstances, my eyes would glaze over and I’d run from sports equipment like so much Kryptonite (my inflated ego tells me that I am indeed the Superman of whatever this hobby is, though Lord knows I’m not). I mean, I love baseball (and football), but aside from vintage mugs and glasses, I generally have little use for sports, um, stuff. However, the particular trip to Goodwill that yielded this find was not exactly fruitful; indeed, I was batting zero (see what I did there?! Haw haw!), and with each passing second was becoming increasingly more distressed at my lack of scores (see what I did again?! Haw haw HAW!). Which is why I even gave a freakin’ baseball bat more than a passing glance. I’m glad I did though, because as unlikely as it may seem, it ended up becoming an interesting Northeast Ohio TV-related find. Plus, I got to menacingly walk to the car holding the bat in one hand, like I was just itching to beat some hoodlum down. Made me feel like a big man.

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It’s a Louisville Slugger bat. I know little to nothing about sports equipment, but I know Louisville Slugger is quality stuff. So, that was neat. But, it was gonna take more than that fact to get me to part with $5. I mean, this was a hot five-buck-bill, man! You want me to part with that kinda dough, you really gotta show me sumpin’!

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Here’s the sumpin’: It’s been branded with WUAB TV-43 and Cleveland Indians graphics! Cool winnins! I won’t pretend that they’re in good shape, though; this thing was obviously used quite a bit, or at least left outside for long periods of time. That’s another thing about sports equipment that really makes me shy away from it: I’m not that big of a germophobe, but anything can happen to this stuff when it’s outside. Kids smashing dog poop with it, canines pissing on it, birds crappin’ on it, children using it to smack around the dead squirrel laying in the backyard, etc. etc. Basically, all of my bizarre mental scenarios regarding “outside things” end with dead animals or some kind of animal’s bodily function winding up all over whatever I’m considering buying. Hey, I once bought some CDs that a cat had, erm, ‘gotten to’ at some point (unbeknownst to me until I got home, of course), so I’m allowed to have my suspicions. Once bitten twice shy or something along those lines.

But, my bat doesn’t smell like anything dead or any kind of excrement, so that’s a good thing. And make no mistake, I really was sniffing this thing; a bigger creep you’ll not soon find, hombre.

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Besides the WUAB and Indians logos, there’s another logo that time has rendered incomprehensible. The general shape of it makes me think it may be Burger King. I know BK did some Indians promotions in the past, so who knows. Of course, the WUAB connection is that 43 broadcast the Indians games at the time. Needless to say, I wish the graphics were in better shape, but since I don’t expect to come across another one of these bats anytime soon, I’ll have to be satisfied with what I got.

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The graphics may be severely worn, but the bat itself seems to be in fairly solid shape. However, as previously stated, I know precious little about this sort of thing, so take that what for it is. That said, I can’t find anything about the bat online. Where did it come from? Was it sold at the ballpark as a souvenir? Was it a special WUAB promotion? Was it given to kids on “Bat Day?” It does seem like it’s a bit lighter, so maybe it was indeed intended for the lil’ baby childrens. I don’t even know what year this thing hails from. The WUAB logo is the same one used around the early-to-mid-1980’s so I can kinda sorta narrow the time-frame to around then, but beyond that…?

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Since I wasn’t prepared to add this sort of item to my collection, I was initially perplexed as to where exactly to put it. But, after many seconds of deliberation, I think the best place for it is in a position where it can be ready to protect my Laserdisc players and, just out of camera range, the Sears Video Arcade II I never play, should the circumstance ever arise. Plus, it makes me look vaguely athletic, which is ostensibly a good thing.

(This post has taught that it’s extremely difficult to get satisfactory pictures of a baseball bat, by the way.)

An Interview With Marty “Superhost” Sullivan.

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Ah, Superhost. Portrayed by Marty Sullivan, he was a bonafide institution on Northeast Ohio television for 20 years. From 1969 to 1989, Mr. Sullivan hosted Saturday afternoons on WUAB Channel 43. Through his program, untold numbers of kids were introduced to The Three Stooges, as well as classic (and maybe some not-so-classic) horror and sci-fi movies. Even those viewers already familiar with the films found an additional reason to watch in Superhost himself. Indeed, my very first glimpse of the Northeast Ohio movie-hosting tradition was through Superhost, specifically the promos featuring him doing “The Curly Shuffle” that aired during the kids’ programming on WUAB. Even if I was a bit too young to “get it” then, the memories of Supe stayed with me, and found a natural place in my heart when I was old enough to “get it.” And the show has really held up. Unlike some similar programs that show their age or are otherwise “had to be there” viewing, I find myself constantly and consistently laughing out loud at Supe.

I recently had the honor and privilege of interviewing Mr. Sullivan for this blog. He couldn’t have been more gracious with his time or more forthcoming with his stories. A true class-act all the way (it’s obvious why he was and is so beloved by Northeast Ohioans). Here, now, is my interview with Marty “Superhost” Sullivan.

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Me: First off, thanks again for allowing me to talk with you.

Marty Sullivan: No problem!

Me: It is a huge, huge thrill for me.

MS: Well I’m glad! Thank you!

Me: When did you first become interested in becoming a broadcaster?

MS: Oh, that’s a question! I was always interested in radio as a youngster. It was the year of The Lone Ranger and all those dramatic radio shows. Inner Sanctum and Lights Out and all those radio shows. And I used to listen to those as a child, and the interest just kept on. I don’t know when I actually wanted to become an announcer, but I think it was not until I was in college. I worked in a little theater group in college, and I didn’t have a lot of nerve to get up in front of people! So…

Me: [Laughs] So, who would you say were your early influences that sort of pushed you into becoming a broadcaster?

MS: I took some psychological tests when I graduated from high school, and they indicated I was not really sure of myself. I was kind of a quiet kid, and they advised taking some public speaking courses to build-up my self-confidence. So, I did. I took a course that was run in Detroit by two local broadcasters, two big time announcers in Detroit. I went to their school and I learned about radio broadcasting from them. So that’s how that happened.

Me: When did you first actually go into broadcasting?

MS: Actually, I finished the broadcasting course, and I was going, also at the same time, to the Meinzinger School Of Commercial Art in Detroit. I had some ability as a draftsman, so I was taking a course in commercial art. And the commercial arts school went belly-up! I had only been there through the latter part of the summer, and one day I went in to attend class, and there was a note on the board that said “Don’t bother coming in anymore!” So, then I didn’t know what to do, so I figured I’d finish the broadcasting course, “maybe there’s somebody that needs a pronouncer!” Somebody at the school told me that this little station down in Indiana might be needing a disc jockey or announcer or something. So, I sent them a tape, and they said “Come on down! You’re hired!” And that’s actually how I got started in broadcasting, it was a little station in Peru, Indiana, WARU, a little AM station. But it was just a daytime station. At night they had to go off the air, because radio waves traveled further at night. So they went off the air at local sunset.

Me: So how did it end up that you came to Northeast Ohio?

MS: I went back and got into Detroit radio, and had a couple stints there. I was working for WJR, the Goodwill station in Detroit at that point in time. And, I got myself fired at WJR! Then one of the chaps I used to work with at WJR, one of the newsmen, had moved to Cleveland as a newsman. And he called me up and asked me if I wanted to be a newsman down in Cleveland. So, I figured “Well, sure, why not!”

Me: Was that WUAB?

MS: WGAR in Cleveland was where I first started as a newsman. Then George left, the guy who hired me in, was news director. He was unhappy there, so he moved to New York, got a job in New York as a newsman. I think it was WNEW New York. And I thought since he left, he was the one who hired me in, I’d be thrown out! Then, I was hired into an advertising agency in Cleveland. It was Ritchie and Sattler, and they specialized in industrial advertising. One of their clients was RicWil, it was a pipe making company down in Akron, I think it was. I stayed with them about a year, but then that’s when WUAB opened up. Somebody told me it was open. So, again, I was canned at the advertising agency, because they knew of a chap who had a client, a big electronics company, that they wanted to get in the office. So they moved me out to move him in, along with his client. That’s when I got in touch with WUAB, the program manager; sent him a tape and he told me to come on in. Put me to work!

Me: You started there as a newsman?

MS: Announcer, newsman, audio man, camera man…

Me: [Laughs] So pretty much everything!

MS: And nighttime switchboard operator!

Me: So how did it come about that they wanted you to host a Saturday afternoon show? What were the origins of Superhost?

MS: This one I know! I’ve recited it several times! I was doing what they call floor directing. That’s where I was wearing a headset, and was talking to the director in the control room. I was out in the studio to impart those directions to people out there. It was kind of like a Dick Clark Show, called Big Beat Dance Party, and they were taping it on a Saturday. I was floor directing, and The Four Lads were coming in to sing “Standing On a Corner.” So, naturally we had a ‘corner’ set there. And they asked me to stand in four different places so they could adjust the lighting, since the Lads weren’t there yet, we were just getting ready. So I’m standing there and the director is shouting at me over the headsets that I’m unzipped! I must have looked very uncomfortable trying to cover up THAT! So Ted Bays, the program manager, happened to be in the control room when all this is going on, and everybody in the control room is laughing uproariously; I can hear them on the headset! After the show was over, Ted Bays came up and asked me if I wanted to come up with an idea for a show for a character to host a movie. And, that’s what I came up with!

Me: Was it a runaway hit? Did you know what early reactions were or how popular it was at the start?

MS: [Laughs] Yeah, it wasn’t popular at all! It took quite awhile for people to discover – back in those days there weren’t any UHF television stations, very few of them. It was TransAmerica that put it on the air, they were taking a big chance with the new technology, the ultra high-frequency television station. Their signal was a little tricky to get around, it didn’t have the coverage that the VHF stations had. So it took awhile for people to discover UHF. And when they did, they discovered the show! A lot of kids liked watching the old science fiction movies on Saturdays.

Me: You said it wasn’t very popular at first. Did WUAB give you any static? Were they complaining?

MS: No, they were selling commercials, so they were relatively happy with it. They were always after me for more ratings, but I did the best I could. But, it just took awhile for people to discover where it was and the fact they liked these old movies!

Me: Did you ever hear from viewers that just didn’t “get it” or that were complaining?

MS: I was doing a public appearance at a store in Cleveland, at that time called Uncle Bill’s. It was like a Home Depot kind of store. So I did a public appearance there signing autographs, and I’m all dressed up in my little super suit, and I’m in the middle of the store. Kids are coming up, signing autographs, and a couple young-ish men, like in their 20’s or so, were walking by. The one guy pokes the other guy, points to me and says “Oh look, there’s the guy that’s on the TV!” and the other guy looked back and said to his friend “Oh, that a-hole!” So that put everything in perspective!

Me: [Laughing] Did you say anything? I don’t know if I’d know what to say in a situation like that!

MS: Well they weren’t talking to me, I just overheard them!

Me: I’d assume that sort of thing was kept to a minimum?

MS: Yeah, that was the only time I ever heard anybody overtly describe me that way!

Me: You showed a lot of the science fiction and horror movies, did you have a favorite? I know the station probably controlled what you played, but…?

MS: They did, the program manager picked all the movies – usually on the basis of how cheap they were! Let me see, there were a lot of good movies. Forbidden Planet, I liked, where The Krell were the monsters. Who was in that? I can’t think of the name of the man now. The comic actor, did a lot of comedy. Anne Francis was the girl in that, I remember her name! Walter Pidgeon was her father in that movie. It was a good movie.

Me: Are there any other films that you particularly like?

MS: There’s been several new ones that I like. One was called The Red Planet. I like Alien and all the modern films, I like them a lot. In fact, I signed up for Netflix so I could watch them without all the commercials!

Me: How about skits? Everyone knows you’ve done some pretty famous skits like “Convoy” and “The Moronic Woman.” Are there any favorite skits you have?

MS: Well, I remember a little background story: I decided to do a little take-off on The Bionic Woman, and I was talking about it to some of the people at the station at night, and one of the cleaning ladies came up with the idea of the long arms. That was the first one, where The Moronic Woman grabbed the bumper and the guy took off in the car and stretched her arms out 20 feet! That was thought up by one of the cleaning ladies!

Me: Would you say that’s your favorite?

MS: I think my favorite bit was The Moronic Woman where she kicked the football and her leg went up over the goal posts!

Me: I was watching the “Convoy” skit not too long ago, and the part I found funniest the last time I watched it was the three guys kicking their feet during the chorus.

MS: [Those guys] all became directors, ultimately. Where they wound up, I have no idea, but they all became directors. The guy that directed the pilot show I did, the station wanted to see a pilot show before they decided whether to put me on the air or not. So we got together one Sunday night and taped it, and the guy was a man named Harry Kooperstein. Harry went on to Hollywood and became one of the biggest directors out there. He directed a lot of the Los Angeles symphony broadcasts and also directed all the Christmas parades out there. So, Harry became a big deal in Hollywood.

Me: Is his name where you got the alter-ego name [Henry Brookerstein] for Superhost?

MS: Well, we had three directors at channel 43: Henry Briggs was one, Harry Kooperstein was the other, and Brooke Spectorsky was the third.

Me: So you just put them all together?

MS: Mashed ‘em all together!

Me: I know you did a couple Big Chuck & Hoolihan/Lil’ John skits. Were you guys friends off-camera?

MS: Oh yeah, they were good guys. We weren’t direct-competition, anyway. They were on Friday night and I wasn’t on till Saturday, so we weren’t at loggerheads. And they’re nice guys; they came over to the station once to do a commercial for their show because it was too busy there at [WJW] 8. And they stole my phone booth as a gag!

Me: [Laughing]

MS: And I think it’s probably still over at channel 8!

Me: Did you ever do commercials for companies/products?

MS: I did one for some boat company in Cleveland. They sold fishing boats and pleasure boats, and I did a few for that guy, but I don’t remember what the name of the outfit was.

Me: Were you in costume?

MS: I’m not sure now. It’s been so long ago! I think I was, but I don’t have a clear memory of it.

Me: Okay, maybe not necessarily a “favorite” moment, but do you have a most-memorable moment from the whole 20 year run?

MS: Well, probably when I finished the last show. Taping the last show, I thought I’d get emotional, and I was doing pretty good. And then we were breaking down the set and I’m walking out and one of the crew members said “How you doing?” and that kinda got to me. Then it all came to me in a rush: this was the end.

Me: I came around sort of at the end of Superhost, I was just a little guy at the end. And actually, the most endearing memory for me, because they would play the commercial during all the cartoons I’d watch, it’s the promo of you doing “The Curly Shuffle.”

MS: Oh, yeah!

Me: I still have it on my old tapes from when I was little, but I guess that was really my introduction to the whole Northeast Ohio movie hosting thing.

MS: Well that’s great, I’m glad you liked it! We always had fun doing the commercials. I remember right in the middle of that I had to go and have triple bypass surgery.

Me: Oh geez!

MS: St. Vincent’s. And of course it took awhile to recupe from that. I remember the first show I did [after that], I made up a great big band-aid out of colored paper and pasted it on me! Everybody was fussing about the surgery, so I had to put them at ease!

Me: The show’s timeslot: The most famous was an hour of Three Stooges and two movies?

MS: Yeah, originally it was two movies and some other stuff. Sometimes it was Stooges, sometimes it was Superman, the live-action Superman with Steve Reeves or George Reeves or whatever his name was. It changed around over the years, but for the first, I don’t know, 7 or 8 years, 10 years, it was like two movies and short subjects on Saturday.

Me: I read that you ended up showing the Adam West Batman series at one point.

MS: Yeah.

[NOTE: And so, a new video hunting obsession is born. Recordings of Adam West Batman hosted by Superhost are now waaaaay at the top of my “really, really want” list!]

Me: What did you think of those programming changes?

MS: Well, ultimately, when my ratings started sagging, just because people were used to it and all the little kids who used to watch grew up and got a job. They couldn’t spend all day watching the movies! So, that was fine with me.

Me: Was it your decision to end Superhost, or was it WUAB’s?

MS: Well, it was kinda mutual in a sense. We had a new station manager who was brought in from the sales department, and he decided that he‘d do away with Superhost because he could do better with putting wrestling on Saturday. So that was what ultimately caused the end of Supe. And I had told the new program manager that I had rather just kill of Superhost than have him die a slow miserable death. So, he agreed.

Me: I was watching that last one not too long ago and it really does have a, I’d guess you’d say, bittersweet ending. You know how it says “Good Luck, Supe!” at the end.

MS: Yeah. That was the director, his name was Paul Nickerson, who added Thanks” or “Goodbye” or “Good Luck” or whatever it was they put on. I haven’t watched that show in a long time. I’ve got it somewhere on a disc, I think.

Me: what did you do after Superhost ended? You stayed in broadcasting for a few more years, right?

MS: I did, yeah. I stayed at channel 43 still doing the announcing. It was about that time that they put in a whole evening news thing at 10 O’clock on channel 43. I was the only newsman they had for years; I would just change out of the super suit and go out there and do 5 minutes of headline news at 10 O‘clock at night. But then they decided to put in a news department – that took about 35 people to replace me! So that made me kinda smile!

Me: You retired in, 1993, was it?

MS: Right, 1993 and moved over here to Oregon.

Me: Can you still do the Superhost voice?

MS: Yeah, sure! “Hello dere! This is Supe!”

Me: [Laughing] Can you do “Gimme dat shoe?”

MS: Sure! “Gimme dat shoe, y’know!”

[NOTE: I don’t mind telling you I was dying with laughter at this point.]

Me: Would you ever consider coming back and doing a one-off special, or is that sort of…?

MS: No, I don’t think I want to bother with that. Besides, the super suit is getting a little tight around the middle!

Me: Is there anything you miss about broadcasting or Northeast Ohio?

MS: Well, I miss Northeast Ohio. I don’t really miss broadcasting. It was a great run while I had it, but that’s over with. I do miss the people in Northeast Ohio. I mean, they’re just the salt of the earth. They were very faithful to me the whole 20 years I was on television. They were supportive, and friendly, and that applies to everybody in Northeast Ohio.

Me: Well, there’s lots of people that still admire you. You’ve still got a ton of fans here that are grateful, thankful for everything that you did. You’re still very much admired!

MS: Well thank you very much! That’s very kind of you!

Me: Well, thank you very, very much. I can’t tell you how really amazing it has been to talk with you. What a huge, huge thrill it was for me!

MS: Well God Bless you! Thank you!

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What an honor it was to speak with a genuine Northeast Ohio television legend. I can’t thank Mr. Sullivan enough for taking the time to speak with me. I know I speak for countless other Northeast Ohioans when I say “Thanks for all the laughs, Supe!”

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WAOH TV-29 in Akron / WAX TV-35 in Cleveland (“The Cat”) stuff.

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[UPDATE: This article has turned out to be one of the most popular on this site. As such, I feel it’s worth mentioning that WAOH TV-29 ended its life on October 25, 2017. So, as ’17 drew to a close, I felt the need to not only recognize once again the station that was so, so important to me over the years, but to also take an updated and expanded – not to mention better written – overall look at it. You can see that article right here, and believe me, I think it’s FAR superior to the early effort you’re currently looking at.]

In the late-90’s and early-2000’s, one of the most important channels for me was WAOH TV-29 in Akron / WAX TV-35 in Cleveland, better known as “The Cat” (Cleveland-Akron Television, dig?). Both 29 and 35 were the exact same channel, so I’ll simply identify it as The Cat or WAOH. There’s surprisingly little info about the station on the internet, and someone I was talking to once exhibited some interest at the fact I had recorded a number of programs off the station (believe me when I say I taped a lot of stuff).

What made the channel so special to me was the sheer number of ancient movies, old TV shows and local content they played. Granted, the majority of the movies and TV shows weren’t actually owned by WAOH, but was rather syndicated content from the America One Network, but the fact remains that The Cat ran things you weren’t going to find on ANY other channel. And all of the local programming (which naturally had nothing to do with America One) gave The Cat a terrific Northeast Ohio flavor.

Furthermore, despite the A1 affiliation, this was really an honest-to-goodness independent station, something that (unknown to me at the time) was becoming increasingly rare around the U.S., and while there were still some old and/or local programming on other channels (for example, WJW had Big Chuck & Lil’ John, and WBNX brought The Ghoul back in 1998), none reveled in it like WAOH.

I discovered the station in the summer of 1997. It was nothing earth-shaking, I was just flipping channels, when I came across an airing of a hugely battered old print of the original 1930 version of The Blue Angel. No one else was running things like that, not on local TV at least, and from then on, I was hooked.

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Of course, probably the most popular show then (and now) , and certainly my favorite on the channel, was The Son Of Ghoul Show. Like Ghoulardi and The Ghoul before him, Son Of Ghoul ran old movies, inserted humorous sound effects/drop-ins, performed comedy skits, and read viewer mail. As I’ve mentioned before, SOG started on WOAC TV-67 in 1986, and in 1995 he moved to The Cat.

Those screencaps above are from my two earliest SOG Cat promos. The one on the left is a silent still-card promo that ran for 10 seconds, so what you see is what it was. The one on the right features the standard SOG-pitch: He mentions the show and  the awful movies they run. It’s an all-around promo, and SOG did more than a few for The Cat over the years. Most of them say basically the same thing, but I mean, they’re supposed to.

I actually didn’t discover SOG right away. I mean, I saw the promos, sure (The Cat tended to run the same promos a LOT), and I had seen bits and pieces of the show here and there, mostly in passing, but it was Halloween 1997 that I actually sat down and watched the show. I stumbled across an airing of the original Night Of The Living Dead, which I had never seen before. Even with all of the sound effects and jokes (it took me a minute to realize what they were doing, but I immediately loved it), I seriously dug the movie, and I became an instant SOG fan. I even wrote him a bunch of letters, and his reading them on the air was always a thing of great excitement. Of course, I was only like 11/12 years old, so I never had much to actually say (and watching my old tapes, I can’t help but cringe a bit).

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Today, Son Of Ghoul is still running, and I’m still watching. That screencap above is from the latest promo for the show that I’ve seen. I captured it in 2011, but I think it’s been running since 2009, and I know it’s ran several times since 2011. The reason I say 2009 is because that’s when The Cat became an RTV affiliate, and SOG’s timeslot switched to Saturday evenings at 7:00 PM. The promo is, like the one above, a standard SOG pitch: talking about the awful movies, humorous sound clips, and comedy skits, with the exception that SOG mentions the new timeslot “starting in June,” which was when The Cat became RTV (though I still continue to call it The Cat, and always will). Despite the June mention, this is the only promo I’ve seen the station run for SOG relatively lately. Probably because most of the vast majority of content is RTV’s, and they have their own promos and whatnot. But, you do catch some locally-produced promos here and there. I don’t think they run quite as much as they used to, but there were some WAOH-produced spots for RTV shows, which I’ll get to in a bit.

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Speaking of local promos for syndicated content, that sort of thing isn’t new to the station. The screencap on the left is from 1997, the one on the right from 1999. Both are for the western movies that the channel ran every weekday afternoon (and on Saturday afternoons for awhile, and if I recall correctly, occasionally on Sundays, too). Both promos are more or less the same: various scenes from old westerns, while appropriate music plays.

The afternoon Western flick was actually America One’s “Western Theater,” and I loved it. It’s thanks to these films that I became a fan of  westerns. You didn’t tune into this program to see The Shootist, though; these were all old rickety “B-Westerns”, mostly from the 1930’s and 1940’s. Probably all of them were/are in the public domain. You saw the standards like Roy Rogers, John Wayne’s poverty row films, Hoot Gibson, Ken Maynard, Rex Bell, etc. etc.

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Speaking of films, through America One, The Cat ran a lot of them. This promo is from 1999, and spotlights just how many they play a week. Even back then, the claim of “over 40 films a week” seemed just a bit high to me, but they did play a lot. There was a morning movie that began at 10 or 11 AM, and ran for an hour and a half, the western at 12:30 PM, which also ran for an hour and a half, then the noon movie at 2 PM, which ran for 2 hours. At 8 PM, there was another 2-hour movie. The overnight hours generally featured content from the American Independent Network (AIN), and, if I recall correctly, was two 2-hour films in a row. The weekends were a wildcard. I have a recording of three consecutive westerns from a Saturday afternoon in the late-90’s, but that wasn’t always the case. There could be one, maybe two, or maybe none. Sundays generally had less than that or none altogether, and didn’t necessarily have to be a western (I once taped The Tonto Kid, obviously a western, on a Sunday, but my copies of Goliath And The Vampires and Monster From A Prehistoric Planet, clearly not westerns, also came from Sunday airings).

I don’t know, maybe over 40 films a weeks wasn’t so far off after all.

Most of the films were from America One, but there were a few that the station itself seemed to own itself. Every Halloween, they’d run Night Of The Living Dead, the most scratched up and battered print you’ve ever seen. Since none of the A1 branding was present during these annual airings, I’m guessing the station owned it’s own print. For Christmas Eve, they’d run the 1935 Scrooge and then Beyond Tomorrow back-to-back, commercial-free. I still have a recording of Scrooge, but not Beyond Tomorrow.

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A movie that received some actual promotion was their 1999 airing of the infamous Reefer Madness. I taped it, but later taped over it. I don’t recall if it was an A1 presentation or not. A1 films generally weren’t singled out for promos like this, but I don’t know, maybe they thought there was a specific audience for this? They had various clips on-hand for the promo, and the local announcer that did all of The Cat’s promos did the voiceover here, too. or maybe the clips were provided by A1? Either way, I may not have the actual airing, but at least I managed to capture the original promo.

Sprinkled throughout all of these movies were lots of old TV programs. The early mornings typically had old black and white sitcoms before the morning movie, The Cisco Kid once ran before the afternoon western, and Dobie Gillis followed the 2 PM afternoon movie.

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At one point, there was a fairly big push for the Dobie Gillis reruns (big for The Cat at least). They were all humorous, such as the one above. There were a couple “Dear Maynard” spots, always featuring someone writing in to Maynard ala Dear Abby, and then Maynard’s “advice” (a clip from the show taken out of context, which was really pretty funny since it was essentially a non-sequitur moment). There were also promos playing up Bob Denver’s then-recent arrest for marijuana, Dobie’s father’s strictness, and Dobie’s falling for every girl under the sun.

Dobie ran until about 1999, and since I had grown accustomed to watching the 4:00 PM weekday airings after school, I found myself missing it once it was gone. TV Land ran episodes now and then, and nowadays you can catch it on MeTV, but those old Cat airings probably mean the most to me. Even today, I still really like the show.

Other shows that appeared on The Cat over the years courtesy of America One or other networks:

 

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One Step Beyond I watched a few times, but it never really grabbed me. Sort of a lower-rent version of The Twilight Zone.

While I like old sitcoms, The Adventures Of Ozzie And Harriet was never one of my favorites. WAOH’s promo for it, though, was awesome. This was when V-Chips were first being widely introduced, and the gag was that Ozzie was V-Chip-free TV, but all of the clips had words bleeped out as if there was constant swearing in the show. It was a riot. As you can see from that and the Dobie promos, The Cat often put a lot of humor into their spots.

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Two more I never liked. Bonanza, I know it’s considered a classic, but I’ve always been a Gunsmoke man. Also, The Beverly Hillbillies has always left me cold.

Still, The Cat did a great job of selling these promos, mostly through humor, and if I already didn’t like them, I probably would have tuned in to check them out.

And of course, Enigma Theater With Edward St. Pe’, which I’ve already written about, aired very late Saturday nights/Sunday mornings on WAOH, though it seems very, very few people remember it nowadays.

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I mentioned above the overnight airings being from the American Independent Network. A lot of the same movies as America One were shown, but the print’s weren’t the same. AIN even ran some of genuine “big time” movies once in awhile. Once, they played the original 1939 Stagecoach, which I taped. Despite having never seen the film prior, I could tell huge chunks of the movie were cut out; Stagecoach was just way too disjointed, way more than any film widely considered an American classic would be. I later taped over that airing with a unedited version from AMC, and I kinda wish I hadn’t done that, because in retrospect, film’s of that caliber (i.e. big-time, never-gonna-be-public-domain) weren’t usually shown on The Cat.

This was a fairly minor problem with the daytime programming, but the overnight schedule was notorious (to me, at least) for rarely being correct. It was often a crapshoot whether a scheduled movie would actually be run, or an entirely different film instead. Many times, there was a movie listed that I was seriously stoked for, and I’d set the VCR timer, only to be crushed come the morning when I found out something I had zero interest in was played instead.

Rather, a lot of WAOH’s late night programming was often made up of content from who-knows-where. I mean, nothing ever adult, or actually disturbing, but still, waaaay obscure stuff from the far reaches of the U.S. I haven’t always had the greatest sleep patterns, and I recall sometimes stumbling out of bed and watching The Cat when I couldn’t sleep, and wondering “Where did this come from?” Have you ever heard David Cronenberg’s inspiration for Videodrome? When he was a kid living in Canada, late at night his TV could pick up signals from Buffalo, NY, and he’d worry he’d be able to see something he wasn’t meant to. It was the same sort of thing with late night WAOH.

Of course, at the heart of The Cat was the local programming. Son Of Ghoul, sure, but also a lot of stuff that’s been more or less lost to time. A lot of The Cat’s local programming was simple, live call-in shows, with the host or hosts seated in front of a plain black screen and taking phonecalls. Today, the only show from the old days left besides Son of Ghoul is Steve French Sportstalk and Handy Randy.

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Of boy, two of the dullest shows you could imagine. Back Talk was exactly that, chiropractic talk. And Senior Talk? Well, that was what it sounds like, too. Back Talk I don’t recall running very long, but Senior Talk ran for a number of years, at least until 2006. It may have been a casualty of the 2009 switch to RTV, I don’t know.

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Dining Out With Steve ran for a looong time. I believe it did last until the 2009 switch. Basically, you could call in, talk about local restaurants, and even get gift certificates.

The Hunting And Fishing Show ran for a number of years, and in the summer of 2011 they even tried bringing it back, but it didn’t last very long.

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Big Al was very short-lived. It was essentially people performing in a karaoke bar, and hosted by the show’s namesake. I only caught one episode, which featured a bizarre Elvis impersonator that admittedly did sound a lot like The King, but didn’t look much like him at all (despite Al’s constant insisting the guy was “so real it’s scary!” or something to that effect).

I don’t know when Steve French started hosting his WAOH show, but it’s still on, and apparently still pretty popular. I even tried calling in a few weeks back, but I didn’t get through, which is probably a good thing, since I’m by no means a sports expert and the last thing I need is to make an idiot of myself on local TV.

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While on the subject of the local call-in shows, SOG hosted a live game show from about 2001 to 2004 or so. Unfortunately, this promo is all I have as far as original recordings go (I did buy some DVDs from SOG himself at the last Ghoulardifest convention). Son of Ghoul’s House Of Fun & Games ran at a time when I actually couldn’t watch The Cat. Y’see, the station was so low power that we couldn’t pick it up with the rabbit ears dad decided to use to save money. I wouldn’t even have this promo except I went to grandma’s house one afternoon to tape a movie I particularly wanted back in 2001.

So, that’s my “golden age” of WAOH/WAX, roughly 1997-2001. Like I’ve mentioned, they became an RTV (Retro Television) affiliate in the summer of 2009. Since Son Of Ghoul survived the switch, I was generally okay with it, though I missed some of the old movies or other assorted America One content. Still, RTV was pretty cool. A lot like old school TV Land. A line-up shift in the summer of 2011 took away most of my favorite programs, though there are still a few shows I like, and Wolfman Mac’s Chiller Drive-In on Saturday nights and Off Beat Cinema on Sunday nights is pretty awesome.

To end this post (aka massive article), here’s a few screencaps from locally produced promos for RTV content, which harkens back to the late-90’s era I so findly recall. All of the modern promos are simply scenes/music taken from the opening credits of the respective series, with appropriate logos and voiceover. Unfortunately, no promos for Airwolf or Quincy, M.E. were ever made, and RTV no longer runs them, much to my chagrin.

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Neither of these are run anymore. Knight Rider is legit awesome, and I don’t mind The A-Team in small doses. Knight Rider in particular I really miss.

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You’d better believe Magnum, P.I. gets two screencaps. Of all the shows that left the RTV schedule in the summer of 2011, this is the one I miss most. I’ve mentioned before what I big fan of the show I am, and while I’ve got the DVDs, it’s still nice to see Magnum being actually aired on TV, even if the broadcasts were a loooong way from DVD quality. As of this writing, no one, at least not in my area, is playing the show, and THAT, my friends, is major uncool.

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Highway To Heaven is still being aired on RTV, but Starsky & Hutch is not. I don’t like either show. Starsky & Hutch, in particular, is a show I want to like, I should like, but I really, really don’t like. It’s just never done anything for me.

So, there’s my long, long overview of WAOH TV-29/WAX TV-35. There’s more I could talk about, but man, this post is a beast as it is. It’s not what it used to be, but I’m glad the station is still around, and that they’re still supporting Son of Ghoul. As of this writing, I’m not too big on RTV’s programming line-up (aside from Wolfman Mac & Off Beat Cinema), but if RTV keeps WAOH/WAX alive, I’m all for it.

Better to have some semblance of The Cat than none at all, right?