Tag Archives: tv-43

Ghoulardifest 2015!

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Yes, it’s that time of year again: Ghoulardifest! It’s hard for me to adequately portray in words just how much I love going to this convention every fall season. I really do anticipate it the whole year round. Seriously, the very next day, I’m already jonesing for the next show. I’ve been to some conventions in my time, but because it’s so tailored to my tastes and my hometown (well, roughly; I’m an Akronite), I can say without exaggeration that Ghoulardifest is my favorite. There’s a reason I’ve made it a point to make it there every year since 2011. It’s like the Bruce Springsteen concert of horror/sci-fi conventions; one ain’t enough, I needs me more!

Besides, after sitting around going through thousand-year old videotape after thousand-year old videotape, it’s nice to get out once in awhile, y’know?

Ghoulardifest is, of course, the annual celebration of any and all things Ernie “Ghoulardi” Anderson. Not only is his pioneering character and show represented (gee, no kidding!), but also his successors, as well as Cleveland TV in general. Beyond that, a lot of it has more to do with the spirit of Ghoulardi, the era he came from, the music, the movies, that sort of thing. Of course, there’s also a lot of stuff that has no real connection to Ghoulardi, but instead would fit in at any typical horror convention. That’s not a complaint on my part; it all adds up to a lot of fun with something for everybody, except it’s all with a heavy Cleveland theme. That’s why I love it so much!

For the third year in a row, the show was held at the plush LaVilla Banquet Center, which is an absolutely terrific venue for the convention. Driving to the LaVilla to see Ghoulardifest around the same time every year (always on a Sunday; November 1 this year), it has really come to symbolize Fall and the end of the Halloween season and the start of the holiday season for me (even on those years where the show falls before or on Halloween). Some people get up early to shop the day after Thanksgiving, I plan around Ghoulardifest. Considering it’s less hectic and I find things I actually want, I dare say I come out on the winning end every year, but that’s just me.

And lest you forget, Ghoulardifest was almost certainly the reason for that Big Chuck & Lil’ John Ghoulardi Special I babbled about in mid-October (unless it wasn’t, in which case never mind). They ran it several times after that as well, and better promotion for Ghoulardifest I cannot think of.

(Also, should the mood strike you, check out my recaps for the 2013 and 2014 conventions, though I fear some redundancy among those two posts and this one.)

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(Click on any of the pictures to, how do you say, enlarge them.)

I was told there was going to be fewer vendors this year, and maybe there weren’t quite as many as previous shows, but there was still a lot going on. Indeed, it took several walks around the entire place to take it all in, and frankly, I seriously doubt I did take it all in. If anything, and this is just me talking, but less vendors gave the entire show this year a more balanced feel. Not that I’m promoting “less stuff,” but everything I look for at Ghoulardifest was well-represented, but not in an overwhelming way (unlike earlier years, where I was struggling to take it all in and afraid I’d miss “somethin’ good.”).

The heart and soul of the place is really the Cleveland stuff: Ghoulardi, of course, and Big Chuck & Lil’ John (don’t forget, the official title is Big Chuck & LIl’ John’s Ghoulardifest), Son of Ghoul (that’s him doin’ his thing above), and some of Cleveland’s newer horror hosts, plus lotsa Cleveland TV (and even some radio) memorabilia in general. For obvious reasons, it’s a very Cleveland-centric convention, as one would expect.

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That said, if someone from out-of-state were to waltz in without knowing what this was all about (just play along with the scenario, okay?), they’d probably be confused by all this Ghoulardi-hoopla, but they’d also still be able to find some stuff they’d want. There’s a lot of ‘general’ stuff there; that is, things that wouldn’t be out-of-place at any horror/sci-fi convention. Posters, lobby cards, toys, Star Wars, Star Trek, DVDs, music (lotsa CDs and vinyl). Heck, one guy even had a ton of Laserdiscs, and his box of Godzilla LDs was enough to elicit an “oh MAN!” reaction from me, though I was burning money so frighteningly fast that I unfortunately wasn’t able to partake of said Laserdiscs. I just know I’m going to regret not buying that Japanese King Kong Vs. Godzilla LD sometime down the road.

What I’m saying is that even if you’re not into Ghoulardi or the whole Northeast Ohio horror hosting thing, if you like vintage horror or science fiction films, odds are you’ll still find plenty to peak your interest anyway.

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There’s even some newer, “craft-y” type stuff, for those so inclined. Since I’m rarely hip to that sort of thing, my brother tells me the product seen in this picture is “pixel art,” which is as it sounds: artwork, keychains and so on, made up pixel-by-pixel, just like the character sprites in 8-bit and 16-bit video games. I generally only buy video game stuff when it’s vintage-from-the-period, but no doubt this new-fangled pixel art thing is cool. I mean, pixelated Mario Kart artwork? Heck yeah!

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See, my brother and I always hit up Ghoulardifest on Sunday, the last day of the show. It just works easiest for us that way. The downside is that we often miss some of the special guests and events they have going. Readings By Robert and stage shows like that, we don’t always get to see those. This year though, they had some good stuff going on the whole time we were there.

Up above is Caesare Belvano, who does a phenomenal Elvis performance. I don’t always go for the fan-tribute thing, but Elvis is one of the few exceptions. Not only because Elvis is dead and thus my chances of seeing him live are, well, nil, but also because Elvis tribute acts have become an art unto themselves. Rest assured, Caesare does a fantastic Elvis. His voice is unbelievable; he was on-stage when we first went in, and before I even actually saw him up there, I heard him, and his singing blew me away. His rendition of “My Way” was just incredible. I’ve seen and heard a lot of Elvis over the years, and Caesare gets my full approval (not that my approval really amounts to all that much, but whatever).

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After Caesare, The ReBeats took the stage. Beatles tribute acts are another exception for me; I love them and the time period of music they generally cover (aside from Springsteen, 1950s & 1960s Rock & Roll is my preference). In the case of The ReBeats, they of course do The Beatles, but not just The Beatles. While we were there, they were busting into The Dave Clark Five (they do a great “Catch Us If You Can”), and though we were on our way out by that point, according to their website they also cover Paul Revere & The Raiders, which automatically grabs my admiration.

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I imagine Friday and almost certainly Saturday were busier, but there was a pretty good turnout for what was the last day of the show, too. Indeed, Big Chuck, Lil’ John and Hoolihan had a pretty steady line the entire time we were there; getting to Hoolie in particular looked like quite a wait!

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Speaking of meeting the celebrities, here I am with my pal Jungle Bob! I’ve been a JB fan ever since he started featuring his animals on The Ghoul waaaay back in, what, 1999? 2000? Jungle Bob is one of the coolest guys you could hope to talk to, and he always has some creatures at Ghoulardifest. I forget what he said the thing was in his hand when this picture was taken, but it had a blue tongue and a little goatee. Turn blue, goatee, sounds pretty Ghoulardi-appropriate to me! Later on, he was walking around with a chinchilla, surefire proof of how cool JB is.

Jungle Bob’s official website.

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Me with Mike & Jan Olszewski, where I was able to pick up their fantastic new book, Cleveland TV Tales Volume 2. As of this writing, it’s not yet available on Amazon, but when it is, y’all should buy it. And if you haven’t got the first one yet, buy that, too. There’s an added incentive to buying Volume 2, but I’ll get to that a bit later in the post.

Lemme tell you my Mike Olszewski story: I first met him in 1999 at a signing for the book he and Ron “The Ghoul” Sweed wrote together. He was very personable then. But, it was when I met him over a year later that he just knocked me out (no, not literally!). The Ghoul was making a personal appearance at B-Ware Video in Lakewood. It’s long gone, but at the time, B-Ware was a haven for all of the hard-to-find, obscure movies that you couldn’t easily locate anywhere else. Anyway, The Ghoul was filming bits for his show, and when the cameras came out, I kinda sorta retreated further back into the store. Mike saw this, and despite not actually knowing me, he came up and implored me to get on camera. Thanks to him, The Ghoul episode that aired with this footage featured me near the front, loafing about and occasionally cheering. I always thought it was amazing that Mike would take the time to do that for a total stranger. ‘Course, I was a goofy lookin’ 14 year old, but I won’t hold that against him.

Nowadays, Mike occasionally pops into Time Traveler Records, and every meeting I’ve had with him since that day in 2000 has only reinforced my opinion that he’s one of the nicest guys in the world.

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Hanging with Cleveland weather legend Dick Goddard. No kidding, Dick Goddard is weather in Northeast Ohio. I’ve met him before, but this is my first picture with him (I would have had one a few years back, but the camera decided it didn’t want to take the shot, which I didn’t realize until well after we had left). Every time I’ve met him, Dick has been very friendly.

What am I holding in my hand? Why, that’s my now-autographed Dick Goddard CD! How, what, when, where? I’ll explain later.

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My buddy, Son of Ghoul! Every single year, if I’m going to buy anything, it’s going to be at SOG’s table. I actually make it a point to buy from him. He gets more of my money than anybody. Considering I usually have so little of it, I hope that says something.

Longtime readers will know what a fan I am of SOG; I’ve been watching him since Halloween ’97, I still write into the show, and, you know, there was that time I interviewed the man himself. He even recognizes me when I walk up to him, which always makes me feel like a big man.

There was some sad news in regards to the show this year that SOG and I talked about: longtime supporter of all this, Jim “The Colonel” Klink passed away a week before Ghoulardifest ’15. Klink was well-known to SOG fans for his rabid support and many packages sent to the show. Before SOG, he was a big Superhost guy (in fact, I *think* some of his Supe artwork can be seen in this old post of mine). I saw him walking around at least once at previous shows, and we were friends on Facebook, but it’s much to my regret that I never actually met him in person. The show of grief for Jim’s passing on Facebook was overwhelming; he touched a lot of people and became a well-known Northeast Ohio personality simply by indulging in his fandom and being a nice guy.

Besides being his Facebook friend, my limited contact with Klink included this very nice comment he left for my SOG interview. I think it shows what a good-hearted, upbeat guy he was, and thus I’d like to present here as a small tribute to him:

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R.I.P, Colonel.

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Is it corny and/or cliche to say that Fox 8 news anchor Tracy McCool was the coolest? Yeah, I bet she hasn’t heard that enough! Well, she was. Seriously, she was about as nice as it gets. Because WJW Fox 8 was sponsoring the show this year (as opposed to WBNX TV-55 in preceding years), a lot of talent from the station made appearances over the three days. I had brushed up a bit on who was going to be there via the official Ghoulardifest website, though by Sunday afternoon I had promptly forgotten most of it. So, it was a bit of a surprise to see Tracy McCool walk in. She was absolutely great.

You know what really impressed me about her? It wasn’t just that she’d take the time to pose for a picture with a goofball like me. No, rather it was what she was telling a young girl ahead of us: she was explaining good starting places to begin a career in broadcasting, and she wasn’t rattling off facts or anything like that, she was actually talking to her. One thing I admire about a celebrity is their ability to genuinely talk and listen to their fans; not that I expected anything less from Tracy McCool, that’s just a general observation, and fortunately, it applies to many, many of these Cleveland TV personalities (frankly, everyone in this post). Tracy McCool was just awesome.

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I met Bill Ward previously, at the 2013 convention. For years he was the voice of WJW, and make no mistake, that voice is instantly recognizable to many Northeast Ohioans. Just like Tracy McCool (and when I met him in ’13), Ward really takes the time to talk with you, and you’d be hard-pressed to find anyone friendlier (I know, I know, I’m repeating the whole “they were nice” thing a lot in this post; hey, everybody was ridiculously nice!). We actually had a conversation about a commercial he did not too long ago for a retirement company, in which he played “Stu,” and he told me some very funny anecdotes related to that ad.

If you ever have the chance to speak with Bill Ward, trust me, you’ll walk away the better for it. An extremely kind and incredibly funny guy.

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Ah, the customary picture with Big Chuck & Lil’ John. I can’t ever leave without one, because even though I’ve got plenty of pictures with them, accumulating more makes me feel important. I wanted to get a picture with Chuck, John and Hoolihan, but Hoolie was so incredibly busy at his end of the table that I wasn’t sure if he’d ever be able to break away for it. Not that I’m complaining, because a picture with Big Chuck & Lil’ John is one of the coolest things anyone could hope to achieve.

This year, they were selling brand new Big Chuck & Lil’ John wine glasses, and Lil’ John had one in front of him complete with some actual wine in it. Every few minutes he’d take a sip and proclaim “work, work, work!” and it just got funnier each time.

I finally got to talk to Chuck about something that’s been on mind for quite awhile: several years ago, I found a locally-released vinyl record by one Scott Read, appropriately titled The Scott Read Show. According to the liner notes, it was a program on WJW produced by Chuck. So, I asked him about it, and Chuck told me it was many one of many shows that he produced, and it didn’t last very long, only about 6 months on the air. I’m thinking next time they’re making an appearance somewhere, I just might bring that LP along to get signed.

Surprisingly, John seemed to remember us from past years; he actually asked if we always came on Sundays (yep). How cool is that? Although, it’s also a little distressing; I had been relying on the idea that if I accidentally did or said something totally stupid in front of Chuck and/or John (and really, it’s only a matter of time), they meet so many people in a year that they’d quickly forget my face and then we could start anew next time. But now, I just don’t know. Oh the agony it is to be me!

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I met Caesare after his set. There were a number of people waiting to get pictures with him, some acting like he was the real Elvis. Of course, he played the part up and was extremely nice to everyone. He was very gracious when I told him what a fantastic show he put on. Great guy!

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Another dream realized! I met The Midnight Movie guys last year, but I missed Dave from the show. As luck would have it, just as we were on our way out, he was in the lobby taking a break, and he was cool enough to take a picture with me. Even better, he told me that they were filming a lot of footage there for a show that should air within the next month or so. I noticed they were filming when I was waiting to take a picture with Chuck & John; indeed, I’m in the background as they were interviewing Tracy McCool. Me? Surprise Midnight Movie cameo? Maybe!

And so, that ended the annual visit to Ghoulardifest. But wait! Before heading home for another year, we had one last stop to make…

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No trip to Ghoulardifest would be complete without the customary visit to the Big Boy restaurant down the street from the LaVilla. A Ghoulardifest excursion just doesn’t feel right without it. In fact, we did skip the Big Boy one year, and by the time we got home, we felt like we had missed out on an essential element of the trip (or at least, I certainly did). And it’s not just because of the whole Manners Big Boy-Ghoulardi connection, either; rather, Big Boy restaurants are rare animals, and there are none near us anymore. So after reveling in all of this once-a-year fandom, it’s only fitting that we revel in some once-a-year food, too.

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I have to give a big shout out to my brother Luke. It’s thanks to him that I’m able to make it to Ghoulardifest every year. He always drives, because if it were up to me to commandeer the car, I’d probably wind up driving it into a ditch or something. Carnage such as that would probably put a real damper on the event.

Luke likes going to these, he digs all this stuff, and he was jazzed for the trip, but he doesn’t get into it all quite as much as I do; I watched a lot of this stuff growing up, but he usually had other interests. Without me, I doubt he’d make the trip, so for him to haul my goofy self up there each and every year is a testament to what a nice guy he is. Luke is a good mang. Plus he paid for lunch.

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I tried looking at the menu to see if there was something different I wanted this year. No go, the Super Big Boy is just too good to pass up. Seriously, it’s one of my favorite burgers on this planet. It’s that good. Look at that beauty! Two patties, cheese, and special sauce. They taste as good as they look. If you ever find yourself in a Big Boy, this is the option on the menu that I heartily endorse.


Okay, that was the show (and lunch), but what about the goods, the loot, the booty I picked up during the trip? I always come home with some good stuff, and this just may be one of my best hauls ever. And even if it’s not, I still feel perfectly justified in blowing through my money at an alarming rate.

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I have the previously-released clear glass “Certain Ethnic Last Supper” mug (you can see it in this post), but when I saw these new white mug versions, I had to get one. Two, actually; my good friend Pete G. helped me out big time by providing me with tickets to the show, allowing me to save some extra precious bucks, so I got him one of these as a thank you. You’re a good man, Pete!

It’s a cool mug, showcasing much of the Northeast Ohio TV talent that has infiltrated the airwaves over the years. There are a lot of mugs/cups/whatever featuring these guys, but this one is easily one of my favorites of the bunch.

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I got this from Son of Ghoul, and man is it cool. It is what it looks like: a picture of Superhost in a wooden frame. Sure, technically I could print out my own Supe picture, get an old frame and make my own, but there was something about this that made me have to buy it as soon as I saw it. It just felt so right.

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Yeah, I bought another. If you go back to my Ghoulardifest post from last year, you’ll see how jazzed I was to get a Superhost shirt from Son of Ghoul. In my weird little world, I decided I needed another one that I could wear around without fear of wearing it out or accidentally staining it. I’m normally a size-large wearer, but I can get away with a medium, which is fortunate, because there were no more larges left. SOG jokingly explaining the sizes sans-large: “You can get an extra-large and throw it in the dryer to shrink it, or you can get a medium and lay off the Whoppers!” I was cracking up!

Like I said before, Son of Ghoul got more of my money than anybody this year. Truth be told, he usually gets more of my money than anyone else every year. I’m fine with that!

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This was a longtime coming, and I’m a little ashamed to admit that it took me this long to get Jungle Bob’s excellent book, BobTails. Naturally he autographed it to me. You’d be well advised to pick one up, it’s good stuff!

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My copy of Mike & Janice Olszewski’s brand new Cleveland TV Tales Volume 2 book. They even autographed it for me! I haven’t had time to read much of it yet (I just got it yesterday!), but the content is directly up my alley. Indeed, it’s already on track to becoming one of my very favorite books of this nature. Why? Because I’m in it, that’s why!

Well, a piece of my interview with Marty “Superhost” Sullivan is, anyway.

A few months back, Mike contacted me asking for my permission to use the bit in the interview where Marty talks about his feelings following the filming of his final episode. Well heck yeah Mike, use away! What a thrill!

When I went up to Mike’s table, he had sample copies of all of his books on display, and I quickly began searching myself out in this newest one. I didn’t have time to find the exact quote (I did when I got home though; this site is mentioned in the body of the section!), but I did find myself listed right at the top of the bibliography. I considered stomping around and shrieking “I is published, I is published!” I decided against it though; having security cart me out for being too obnoxious probably would have put a dark cloud over the day.

But seriously, what a monumental honor for me. This really does feel like some kind of validation, like I’m actually contributing something to something. I mean, okay, most of the time on this blog, I’m just screwing around and posting things that I know only select people are gonna care about. That’s fine, that’s why I do what I do. But, when I do something actually important, and I’d certainly like to think my Superhost interview qualifies, it’s nice to know that the big names (and make no mistake, Mike & Janice Olszewski’s work is VERY well known) take notice. Mike even thanked me again for letting him use the piece and told me what a great interview it was. Hey, if I’m getting Mike Olszewski’s approval, I must be doing something right!

So, thanks again Mike! (And thanks again also to Marty Sullivan for taking the time to speak with me in the first place!)

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Some decidedly cool postcard reproductions of classic Cleveland TV artwork. At a buck apiece, I couldn’t resist. Included: Batguy & Rinaldi, Superhost, The Kielbasy Kid, and Hoolihan & Big Chuck’s good night bumper.

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No, I didn’t buy this CD there, but I was fortunate enough to find it at a thrift store early last week. No kidding, I almost flipped out. The first time I thumbed through the CDs I didn’t even notice it. It wasn’t until my usual second run-through that I saw it. It was placed in backwards, so I was reading the spine upside down, and I thought to myself “wait, am I reading that right?” Obviously I was, and from that moment on it was coming home with me. Quite a few people I told about it thought it was extremely cool as well, and everyone agreed I should get it signed at Ghoulardifest.

It was released in 2002 as a 9/11 tribute, and features vocals by not only Dick Goddard but also fellow WJW 8 talent Tim Taylor and Wilma Smith, along with a few others. There are some standards on it, and some monologues. I like to think of it as Dick Goddard’s attempt at his own The Rising. (How many superfluous Springsteen references in this post does that make? I’m up to three – so far.)

Goddard got a big kick out of it when I presented it to him to be signed. When asked where I got it, I couldn’t lie, so I told him the thrift store. Then, how much did I pay? Well, that was prickly, because I didn’t want to accidentally insult him by telling him the CD was only going for $1.50. I needn’t have worried; he cracked up!

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And finally, my mega-cool Ghoulardifest 2015 promotional poster. Like the Dick Goddard CD, I didn’t get this at the show, but unlike the CD, I didn’t bring it to be signed there. But, I feel I’d be remiss if I didn’t thank my good friend Scott at Time Traveler Records for it. Every year he thinks of me when he gets the promotional Ghoulardifest stuff and gives me the poster after the event. Scott helps me out in so many ways, far beyond keeping me in mind when cool stuff likes this comes along, and I can’t thank him enough. I’m proud to call him amigo.


And with that, my big giant Ghoulardifest 2015 recap comes to a close. From the people there, to the people I met, to the stuff I came home with, to the book with my gol’derned Superhost thing in it, I dare say this was one of the best ones ever. My brother and I had an absolute blast (and a fine, fine lunch). I’ve mentioned this before, but it’s so great to know that Northeast Ohio memories are long; when personalities such as these have meant so much to so many, they never really go away, even if they’re not on the air. Furthermore, the new personalities that come along to take up the torch are not only treated with respect, but also welcomed into the fold, as it were. Ghoulardifest is a celebration of all that, and as a lifelong Northeast Ohioan and TV fan, that’s something I’m absolutely grateful for.

And yes, even though this all took place only yesterday, I’m already starting to itch for the next one!

WUAB TV-43 / Cleveland Indians-Branded Louisville Slugger Baseball Bat.

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Well, I wasn’t expecting to find this. Under normal thrifting-adventure circumstances, my eyes would glaze over and I’d run from sports equipment like so much Kryptonite (my inflated ego tells me that I am indeed the Superman of whatever this hobby is, though Lord knows I’m not). I mean, I love baseball (and football), but aside from vintage mugs and glasses, I generally have little use for sports, um, stuff. However, the particular trip to Goodwill that yielded this find was not exactly fruitful; indeed, I was batting zero (see what I did there?! Haw haw!), and with each passing second was becoming increasingly more distressed at my lack of scores (see what I did again?! Haw haw HAW!). Which is why I even gave a freakin’ baseball bat more than a passing glance. I’m glad I did though, because as unlikely as it may seem, it ended up becoming an interesting Northeast Ohio TV-related find. Plus, I got to menacingly walk to the car holding the bat in one hand, like I was just itching to beat some hoodlum down. Made me feel like a big man.

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It’s a Louisville Slugger bat. I know little to nothing about sports equipment, but I know Louisville Slugger is quality stuff. So, that was neat. But, it was gonna take more than that fact to get me to part with $5. I mean, this was a hot five-buck-bill, man! You want me to part with that kinda dough, you really gotta show me sumpin’!

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Here’s the sumpin’: It’s been branded with WUAB TV-43 and Cleveland Indians graphics! Cool winnins! I won’t pretend that they’re in good shape, though; this thing was obviously used quite a bit, or at least left outside for long periods of time. That’s another thing about sports equipment that really makes me shy away from it: I’m not that big of a germophobe, but anything can happen to this stuff when it’s outside. Kids smashing dog poop with it, canines pissing on it, birds crappin’ on it, children using it to smack around the dead squirrel laying in the backyard, etc. etc. Basically, all of my bizarre mental scenarios regarding “outside things” end with dead animals or some kind of animal’s bodily function winding up all over whatever I’m considering buying. Hey, I once bought some CDs that a cat had, erm, ‘gotten to’ at some point (unbeknownst to me until I got home, of course), so I’m allowed to have my suspicions. Once bitten twice shy or something along those lines.

But, my bat doesn’t smell like anything dead or any kind of excrement, so that’s a good thing. And make no mistake, I really was sniffing this thing; a bigger creep you’ll not soon find, hombre.

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Besides the WUAB and Indians logos, there’s another logo that time has rendered incomprehensible. The general shape of it makes me think it may be Burger King. I know BK did some Indians promotions in the past, so who knows. Of course, the WUAB connection is that 43 broadcast the Indians games at the time. Needless to say, I wish the graphics were in better shape, but since I don’t expect to come across another one of these bats anytime soon, I’ll have to be satisfied with what I got.

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The graphics may be severely worn, but the bat itself seems to be in fairly solid shape. However, as previously stated, I know precious little about this sort of thing, so take that what for it is. That said, I can’t find anything about the bat online. Where did it come from? Was it sold at the ballpark as a souvenir? Was it a special WUAB promotion? Was it given to kids on “Bat Day?” It does seem like it’s a bit lighter, so maybe it was indeed intended for the lil’ baby childrens. I don’t even know what year this thing hails from. The WUAB logo is the same one used around the early-to-mid-1980’s so I can kinda sorta narrow the time-frame to around then, but beyond that…?

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Since I wasn’t prepared to add this sort of item to my collection, I was initially perplexed as to where exactly to put it. But, after many seconds of deliberation, I think the best place for it is in a position where it can be ready to protect my Laserdisc players and, just out of camera range, the Sears Video Arcade II I never play, should the circumstance ever arise. Plus, it makes me look vaguely athletic, which is ostensibly a good thing.

(This post has taught that it’s extremely difficult to get satisfactory pictures of a baseball bat, by the way.)

WAOH TV-29 in Akron / WAX TV-35 in Cleveland (“The Cat”) stuff.

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[UPDATE: This article has turned out to be one of the most popular on this site. As such, I feel it’s worth mentioning that WAOH TV-29 ended its life on October 25, 2017. So, as ’17 drew to a close, I felt the need to not only recognize once again the station that was so, so important to me over the years, but to also take an updated and expanded – not to mention better written – overall look at it. You can see that article right here, and believe me, I think it’s FAR superior to the early effort you’re currently looking at.]

In the late-90’s and early-2000’s, one of the most important channels for me was WAOH TV-29 in Akron / WAX TV-35 in Cleveland, better known as “The Cat” (Cleveland-Akron Television, dig?). Both 29 and 35 were the exact same channel, so I’ll simply identify it as The Cat or WAOH. There’s surprisingly little info about the station on the internet, and someone I was talking to once exhibited some interest at the fact I had recorded a number of programs off the station (believe me when I say I taped a lot of stuff).

What made the channel so special to me was the sheer number of ancient movies, old TV shows and local content they played. Granted, the majority of the movies and TV shows weren’t actually owned by WAOH, but was rather syndicated content from the America One Network, but the fact remains that The Cat ran things you weren’t going to find on ANY other channel. And all of the local programming (which naturally had nothing to do with America One) gave The Cat a terrific Northeast Ohio flavor.

Furthermore, despite the A1 affiliation, this was really an honest-to-goodness independent station, something that (unknown to me at the time) was becoming increasingly rare around the U.S., and while there were still some old and/or local programming on other channels (for example, WJW had Big Chuck & Lil’ John, and WBNX brought The Ghoul back in 1998), none reveled in it like WAOH.

I discovered the station in the summer of 1997. It was nothing earth-shaking, I was just flipping channels, when I came across an airing of a hugely battered old print of the original 1930 version of The Blue Angel. No one else was running things like that, not on local TV at least, and from then on, I was hooked.

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Of course, probably the most popular show then (and now) , and certainly my favorite on the channel, was The Son Of Ghoul Show. Like Ghoulardi and The Ghoul before him, Son Of Ghoul ran old movies, inserted humorous sound effects/drop-ins, performed comedy skits, and read viewer mail. As I’ve mentioned before, SOG started on WOAC TV-67 in 1986, and in 1995 he moved to The Cat.

Those screencaps above are from my two earliest SOG Cat promos. The one on the left is a silent still-card promo that ran for 10 seconds, so what you see is what it was. The one on the right features the standard SOG-pitch: He mentions the show and  the awful movies they run. It’s an all-around promo, and SOG did more than a few for The Cat over the years. Most of them say basically the same thing, but I mean, they’re supposed to.

I actually didn’t discover SOG right away. I mean, I saw the promos, sure (The Cat tended to run the same promos a LOT), and I had seen bits and pieces of the show here and there, mostly in passing, but it was Halloween 1997 that I actually sat down and watched the show. I stumbled across an airing of the original Night Of The Living Dead, which I had never seen before. Even with all of the sound effects and jokes (it took me a minute to realize what they were doing, but I immediately loved it), I seriously dug the movie, and I became an instant SOG fan. I even wrote him a bunch of letters, and his reading them on the air was always a thing of great excitement. Of course, I was only like 11/12 years old, so I never had much to actually say (and watching my old tapes, I can’t help but cringe a bit).

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Today, Son Of Ghoul is still running, and I’m still watching. That screencap above is from the latest promo for the show that I’ve seen. I captured it in 2011, but I think it’s been running since 2009, and I know it’s ran several times since 2011. The reason I say 2009 is because that’s when The Cat became an RTV affiliate, and SOG’s timeslot switched to Saturday evenings at 7:00 PM. The promo is, like the one above, a standard SOG pitch: talking about the awful movies, humorous sound clips, and comedy skits, with the exception that SOG mentions the new timeslot “starting in June,” which was when The Cat became RTV (though I still continue to call it The Cat, and always will). Despite the June mention, this is the only promo I’ve seen the station run for SOG relatively lately. Probably because most of the vast majority of content is RTV’s, and they have their own promos and whatnot. But, you do catch some locally-produced promos here and there. I don’t think they run quite as much as they used to, but there were some WAOH-produced spots for RTV shows, which I’ll get to in a bit.

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Speaking of local promos for syndicated content, that sort of thing isn’t new to the station. The screencap on the left is from 1997, the one on the right from 1999. Both are for the western movies that the channel ran every weekday afternoon (and on Saturday afternoons for awhile, and if I recall correctly, occasionally on Sundays, too). Both promos are more or less the same: various scenes from old westerns, while appropriate music plays.

The afternoon Western flick was actually America One’s “Western Theater,” and I loved it. It’s thanks to these films that I became a fan of  westerns. You didn’t tune into this program to see The Shootist, though; these were all old rickety “B-Westerns”, mostly from the 1930’s and 1940’s. Probably all of them were/are in the public domain. You saw the standards like Roy Rogers, John Wayne’s poverty row films, Hoot Gibson, Ken Maynard, Rex Bell, etc. etc.

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Speaking of films, through America One, The Cat ran a lot of them. This promo is from 1999, and spotlights just how many they play a week. Even back then, the claim of “over 40 films a week” seemed just a bit high to me, but they did play a lot. There was a morning movie that began at 10 or 11 AM, and ran for an hour and a half, the western at 12:30 PM, which also ran for an hour and a half, then the noon movie at 2 PM, which ran for 2 hours. At 8 PM, there was another 2-hour movie. The overnight hours generally featured content from the American Independent Network (AIN), and, if I recall correctly, was two 2-hour films in a row. The weekends were a wildcard. I have a recording of three consecutive westerns from a Saturday afternoon in the late-90’s, but that wasn’t always the case. There could be one, maybe two, or maybe none. Sundays generally had less than that or none altogether, and didn’t necessarily have to be a western (I once taped The Tonto Kid, obviously a western, on a Sunday, but my copies of Goliath And The Vampires and Monster From A Prehistoric Planet, clearly not westerns, also came from Sunday airings).

I don’t know, maybe over 40 films a weeks wasn’t so far off after all.

Most of the films were from America One, but there were a few that the station itself seemed to own itself. Every Halloween, they’d run Night Of The Living Dead, the most scratched up and battered print you’ve ever seen. Since none of the A1 branding was present during these annual airings, I’m guessing the station owned it’s own print. For Christmas Eve, they’d run the 1935 Scrooge and then Beyond Tomorrow back-to-back, commercial-free. I still have a recording of Scrooge, but not Beyond Tomorrow.

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A movie that received some actual promotion was their 1999 airing of the infamous Reefer Madness. I taped it, but later taped over it. I don’t recall if it was an A1 presentation or not. A1 films generally weren’t singled out for promos like this, but I don’t know, maybe they thought there was a specific audience for this? They had various clips on-hand for the promo, and the local announcer that did all of The Cat’s promos did the voiceover here, too. or maybe the clips were provided by A1? Either way, I may not have the actual airing, but at least I managed to capture the original promo.

Sprinkled throughout all of these movies were lots of old TV programs. The early mornings typically had old black and white sitcoms before the morning movie, The Cisco Kid once ran before the afternoon western, and Dobie Gillis followed the 2 PM afternoon movie.

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At one point, there was a fairly big push for the Dobie Gillis reruns (big for The Cat at least). They were all humorous, such as the one above. There were a couple “Dear Maynard” spots, always featuring someone writing in to Maynard ala Dear Abby, and then Maynard’s “advice” (a clip from the show taken out of context, which was really pretty funny since it was essentially a non-sequitur moment). There were also promos playing up Bob Denver’s then-recent arrest for marijuana, Dobie’s father’s strictness, and Dobie’s falling for every girl under the sun.

Dobie ran until about 1999, and since I had grown accustomed to watching the 4:00 PM weekday airings after school, I found myself missing it once it was gone. TV Land ran episodes now and then, and nowadays you can catch it on MeTV, but those old Cat airings probably mean the most to me. Even today, I still really like the show.

Other shows that appeared on The Cat over the years courtesy of America One or other networks:

 

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One Step Beyond I watched a few times, but it never really grabbed me. Sort of a lower-rent version of The Twilight Zone.

While I like old sitcoms, The Adventures Of Ozzie And Harriet was never one of my favorites. WAOH’s promo for it, though, was awesome. This was when V-Chips were first being widely introduced, and the gag was that Ozzie was V-Chip-free TV, but all of the clips had words bleeped out as if there was constant swearing in the show. It was a riot. As you can see from that and the Dobie promos, The Cat often put a lot of humor into their spots.

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Two more I never liked. Bonanza, I know it’s considered a classic, but I’ve always been a Gunsmoke man. Also, The Beverly Hillbillies has always left me cold.

Still, The Cat did a great job of selling these promos, mostly through humor, and if I already didn’t like them, I probably would have tuned in to check them out.

And of course, Enigma Theater With Edward St. Pe’, which I’ve already written about, aired very late Saturday nights/Sunday mornings on WAOH, though it seems very, very few people remember it nowadays.

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I mentioned above the overnight airings being from the American Independent Network. A lot of the same movies as America One were shown, but the print’s weren’t the same. AIN even ran some of genuine “big time” movies once in awhile. Once, they played the original 1939 Stagecoach, which I taped. Despite having never seen the film prior, I could tell huge chunks of the movie were cut out; Stagecoach was just way too disjointed, way more than any film widely considered an American classic would be. I later taped over that airing with a unedited version from AMC, and I kinda wish I hadn’t done that, because in retrospect, film’s of that caliber (i.e. big-time, never-gonna-be-public-domain) weren’t usually shown on The Cat.

This was a fairly minor problem with the daytime programming, but the overnight schedule was notorious (to me, at least) for rarely being correct. It was often a crapshoot whether a scheduled movie would actually be run, or an entirely different film instead. Many times, there was a movie listed that I was seriously stoked for, and I’d set the VCR timer, only to be crushed come the morning when I found out something I had zero interest in was played instead.

Rather, a lot of WAOH’s late night programming was often made up of content from who-knows-where. I mean, nothing ever adult, or actually disturbing, but still, waaaay obscure stuff from the far reaches of the U.S. I haven’t always had the greatest sleep patterns, and I recall sometimes stumbling out of bed and watching The Cat when I couldn’t sleep, and wondering “Where did this come from?” Have you ever heard David Cronenberg’s inspiration for Videodrome? When he was a kid living in Canada, late at night his TV could pick up signals from Buffalo, NY, and he’d worry he’d be able to see something he wasn’t meant to. It was the same sort of thing with late night WAOH.

Of course, at the heart of The Cat was the local programming. Son Of Ghoul, sure, but also a lot of stuff that’s been more or less lost to time. A lot of The Cat’s local programming was simple, live call-in shows, with the host or hosts seated in front of a plain black screen and taking phonecalls. Today, the only show from the old days left besides Son of Ghoul is Steve French Sportstalk and Handy Randy.

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Of boy, two of the dullest shows you could imagine. Back Talk was exactly that, chiropractic talk. And Senior Talk? Well, that was what it sounds like, too. Back Talk I don’t recall running very long, but Senior Talk ran for a number of years, at least until 2006. It may have been a casualty of the 2009 switch to RTV, I don’t know.

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Dining Out With Steve ran for a looong time. I believe it did last until the 2009 switch. Basically, you could call in, talk about local restaurants, and even get gift certificates.

The Hunting And Fishing Show ran for a number of years, and in the summer of 2011 they even tried bringing it back, but it didn’t last very long.

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Big Al was very short-lived. It was essentially people performing in a karaoke bar, and hosted by the show’s namesake. I only caught one episode, which featured a bizarre Elvis impersonator that admittedly did sound a lot like The King, but didn’t look much like him at all (despite Al’s constant insisting the guy was “so real it’s scary!” or something to that effect).

I don’t know when Steve French started hosting his WAOH show, but it’s still on, and apparently still pretty popular. I even tried calling in a few weeks back, but I didn’t get through, which is probably a good thing, since I’m by no means a sports expert and the last thing I need is to make an idiot of myself on local TV.

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While on the subject of the local call-in shows, SOG hosted a live game show from about 2001 to 2004 or so. Unfortunately, this promo is all I have as far as original recordings go (I did buy some DVDs from SOG himself at the last Ghoulardifest convention). Son of Ghoul’s House Of Fun & Games ran at a time when I actually couldn’t watch The Cat. Y’see, the station was so low power that we couldn’t pick it up with the rabbit ears dad decided to use to save money. I wouldn’t even have this promo except I went to grandma’s house one afternoon to tape a movie I particularly wanted back in 2001.

So, that’s my “golden age” of WAOH/WAX, roughly 1997-2001. Like I’ve mentioned, they became an RTV (Retro Television) affiliate in the summer of 2009. Since Son Of Ghoul survived the switch, I was generally okay with it, though I missed some of the old movies or other assorted America One content. Still, RTV was pretty cool. A lot like old school TV Land. A line-up shift in the summer of 2011 took away most of my favorite programs, though there are still a few shows I like, and Wolfman Mac’s Chiller Drive-In on Saturday nights and Off Beat Cinema on Sunday nights is pretty awesome.

To end this post (aka massive article), here’s a few screencaps from locally produced promos for RTV content, which harkens back to the late-90’s era I so findly recall. All of the modern promos are simply scenes/music taken from the opening credits of the respective series, with appropriate logos and voiceover. Unfortunately, no promos for Airwolf or Quincy, M.E. were ever made, and RTV no longer runs them, much to my chagrin.

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Neither of these are run anymore. Knight Rider is legit awesome, and I don’t mind The A-Team in small doses. Knight Rider in particular I really miss.

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You’d better believe Magnum, P.I. gets two screencaps. Of all the shows that left the RTV schedule in the summer of 2011, this is the one I miss most. I’ve mentioned before what I big fan of the show I am, and while I’ve got the DVDs, it’s still nice to see Magnum being actually aired on TV, even if the broadcasts were a loooong way from DVD quality. As of this writing, no one, at least not in my area, is playing the show, and THAT, my friends, is major uncool.

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Highway To Heaven is still being aired on RTV, but Starsky & Hutch is not. I don’t like either show. Starsky & Hutch, in particular, is a show I want to like, I should like, but I really, really don’t like. It’s just never done anything for me.

So, there’s my long, long overview of WAOH TV-29/WAX TV-35. There’s more I could talk about, but man, this post is a beast as it is. It’s not what it used to be, but I’m glad the station is still around, and that they’re still supporting Son of Ghoul. As of this writing, I’m not too big on RTV’s programming line-up (aside from Wolfman Mac & Off Beat Cinema), but if RTV keeps WAOH/WAX alive, I’m all for it.

Better to have some semblance of The Cat than none at all, right?