Tag Archives: adaption

WAOH TV-29/WAX TV-35′s Annual Christmas Eve Broadcasts of Scrooge & Beyond Tomorrow (1999)

Remember my article detailing WAOH/WAX‘s annual Halloween broadcast of the original Night Of The Living Dead? Well, “The Cat” didn’t just go the extra mile for Halloween. Nope, they loved them some Christmas, too. Relatively speaking, they went all out. For years, every Christmas Eve they would play the 1935 version of Scrooge and 1940’s Beyond Tomorrow. And to make it all feel that much more special, both movies were commercial-free. Considering The Cat just loved to play cheapo mail-order CD ads over and over throughout the day, them running not one but TWO movies commercial-free was a pretty big deal.

Much to my chagrin, I don’t have an actual promo for this Christmas Eve event; if I did, that’s what you’d be reading about right now. I’m pretty sure they ran them, though, and truth be told, I have so many recordings from The Cat that I may actually have one somewhere after all, but for the time being, no promos. I do, however, have the intros to Scrooge and Beyond Tomorrow. I recorded Scrooge in it’s entirety, but only the start of Beyond Tomorrow is on my tape. That being as it is, this post will be pretty Scrooge-centric. I sincerely hope that’s the only time I ever have to write something that stupid again.

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As the screencap above attests, the entire commercial-free evening was sponsored by Whole Shop Inc., who are still around, and I’ve even been to their place of business before. Indeed, most of the intro is taken up by a pitch for Whole Shop, but since they were gracious enough to sponsor the whole thing, you could and should be courteous enough to listen up. Well, in this case, visit their website.

Scrooge and Beyond Tomorrow are both incredibly, unbelievably, undoubtedly public domain, and thus probably quite easy for The Cat to obtain (this event was done by the station itself, rather than being syndicated content from America One, which The Cat relied on much of the time otherwise). Indeed, their PD-status has allowed them to be released over and over and over again on any number of budget VHS or DVD releases. I could go out and buy a ‘legit’ copy of either righnah aswespeak if I so desired, but I’m more than satisfied with my Cat broadcast of Scrooge, and nothing you say can change that.

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Following the Whole Shop Inc. pitch is the most hype we’re gonna get for Scrooge during this intro: “Now, gather up your family and enjoy our special, commercial-free presentation of Scrooge! Here on The Cat, channels 35 and 29!” Somehow, I have a hard time seeing anyone gathering up the kids and sitting down together on the couch to watch a scratchy, black & white British creaker from 1935 on a low-power independent station that probably isn’t even picked up in large parts of the area, but hey, it’s a nice sentiment.

In all fairness though, I do have fond memories tied to this/these Christmas Eve broadcasts. Scrooge itself, sure, but more because of the atmosphere it was part of rather than the actual movie. Back then, Mom would turn off all the lamps, and the living room would be illuminated only by the lights on the Christmas tree, and Scrooge played hazily in the background while any final preparations for the following big day were made. I was long past the “Santa is COMING I’llneverfallasleep!” age, but there was of course still anticipation for Christmas, while conversely the atmosphere was also relaxed. I don’t know, maybe it’s impossible to put into words my feelings of nostalgia for the time period, but nevertheless it’s a time period I do indeed hold fond memories for. And Seymour Hicks was a part of it all.

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It’s quite possibly the most trashed print of Scrooge ever! The whole film doesn’t look at bad as the opening moments do, but no one would have ever mistook this for archival quality material.

This recording was of the “third time’s the charm variety” for me. I first saw this Christmas Eve broadcast during the 1997 season; I wasn’t taping it that particular time, and in the days before DVRs, if you weren’t taping then and there, baby, you was outta luck. The next year, I did record it, or at least tried to. We were using a remote that handled both the TV and VCR, and I think my Dad hit something while trying to turn the channel, because the recording cut-out-and-then-back-in shortly after starting. I wasn’t real pleased about that. Luckily, 1999 went off without a hitch, and this whole stupid post is brought to you courtesy of that recording (fittingly, the tape this is on also features The Ghoul’s 1999 broadcast of, say it with me, Scrooge! The very same 1935 version, albeit a print in slightly better shape).

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This version of Scrooge is also host to the world’s biggest lint-in-the-projector moment. Lookit that fella makin’ his way up the right side of the frame like a champ! I really have no idea why I’m wasting space on this insignificant aspect of the broadcast. I think this is what they in the industry call “filler.”

Beyond Tomorrow immediately followed the conclusion of Scrooge:

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The intro was almost identical to Scrooge‘s, albeit with the obvious footage difference. “Now, gather up your family and enjoy our special, commercial-free presentation of Beyond Tomorrow! Here on The Cat, channels 35 and 29!” I have a feeling even more people ignored the family invitation for Beyond Tomorrow than they did Scrooge. I mean, I guess in theory I could see parents wanting their kids to see an old classic version of A Christmas Carol, but I’m guessing a significantly fewer number would have cared about Beyond Tomorrow. I mean, people know of it, but it’s not exactly up there with It’s A Wonderful life in popularity.

As for me, I’m casually familiar with the film, but I’ve just never had much interest in watching it. Maybe that’s unfair to the movie, I know, but I’m not going to lie to you; I just don’t really care about Beyond Tomorrow, which is why I never bothered to record the whole thing like I did Scrooge (also, I think I have at least the opening credits still on tape, but that would require back-breakin’ tape-diggin’ in order to unearth, and considering only three people are going to care about this post anyway, I’m going to risk the ire of those three and skip the Beyond Tomorrow screencaps. I know, I know, bah humbug).

WAOH/WAX ran these Christmas Eve broadcasts for years, though I don’t know when then began or ended. Maybe they ended with the affiliate-switch to RTV in 2009. Nevertheless, in their own small way, these airings became a kind of part of my yearly Christmas holiday. Not that I ever sat there hardly daring to blink in anticipation for them, but they were indeed a comforting little something ‘extra’ each holiday season. Maybe that’s all they were intended to be, and if they weren’t, maybe that was enough anyway.

Have a great Christmas Eve and a wonderful tomorrow (I’ve got a Christmas Day surprise lined up for y’all, as well.)

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UAV’s Santa Claus Conquers The Martians 1987 VHS Release

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Tis the season? For one of the worst movies ever made it certainly is. If I’m gonna get a post out of this one, baby, the time is now. It’s 1964’s Santa Claus Conquers The Martians, a movie that not only lives up to the promise of awfulness delivered in the title, but actually surpasses it. It’s widely considered one of the worst movies ever made, and make no mistake, that ranking is justified. It’s not so much an ‘offensive’ bad though; don’t get me wrong, it’s probably capable of killing a few brain cells, but you probably won’t feel like taking a shower afterwards, like you would if this were Manos: The Hands Of Fate or something.

Back in the good old days of late-1990’s Ebay, before films like this were reissued on DVD, I remember this (and other) copies of the movie going for some good dollars. Maybe not mighty dollars, but definitely mightier dollars. It was the same deal with any number of old then-long-out-of-print videos, such as Giorgio Moroder’s Metropolis, and the VHS release of the M*A*S*H series finale (and Heaven help you if you wanted a Laserdisc copy of any of those, because then you would need to spend the mighty dollars). Nowadays, you’d be lucky to get even a few bucks for VHS copies of those, but back then, you’d have to pry open the wallet a bit. I know I certainly did, particularly in the case of Moroder’s Metropolis.

When I found this particular copy at Goodwill for the low, low bargain price of $1, those days were long gone, but I still received a residual thrill when I came across it. And what makes it even better is that this copy is sealed, all new and minty fresh-like. This post won’t be the last time you see me talk about Santa Claus Conquers The Martians this holiday season (and I know just saying that now obligates me to a future post that at this point is still only a half-formed idea, but sometimes I need that extra incentive), so I don’t really want to open & play it to take screencaps; how many new sealed copies can still be out there nowadays? Plus, it’s out on DVD (I have a budget copy with the title Santa Claus Defeats The Aliens), and it’s public domain, so you can even download it without fear of the authorities kicking down your door and beating the hell out of you, which is always preferable. My point is, the actual movie is readily available if you want to see it, so lets just look at the finer points of this stupid tape.

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Ignoring the gaudy cover photo, which, if the title somehow didn’t tip you off, points definitively to the fact that this is an awful, awful movie, my favorite part of the cover is actually the Christmas banner at the top. As if this is a heartwarming tape you’d want to bust out every Christmas Eve and watch with the kids or something. Theoretically meant to be a treasured part of your Christmas library, suitable for placement next to Rudolph and Chuck Brown, if you will. There’s also the declaration of “Christmas Videos,” which is just awkward as all hell; is that the best they could come up with? I get it was probably a budget line of seasonal tapes or something, but geez, say “Treasury Of Christmas Classics,” or “Holiday Film Favorites,” or even a quirky “Santa’s Top Flix Pix” (I should be getting a million dollars a week for these ideas). As it stands, the horribly generic “Christmas Videos” works more as a lame descriptive device than it does as a vehicle to get you to add this tape to yer videa library (didn’t stop me from buying it, obviously).

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Of course, ragging on the front cover is really just me being a nitpicky bastard. The back of the box, though, they make it too easy. The description reeks of half-assery. “A bunch of aliens,” huh? That’s the best they could kick things off with? My high school English teacher would have punched me in the face if I turned in a paper that included a line like that. I guess you shouldn’t expect much out of a description that is five sentences long and wastes one of them on Pia Zadora. I get that her name is almost always a big selling-point for releases of this film, and it’s not so much the inclusion of it that bothers me. Rather, it’s the whole “precocious” remark that I find particularly irritating. Never mind that her character isn’t really any more precocious than any of the other kids in the movie (maybe even less so, when compared to the Earth kids), it’s just an odd comment in general. “Oh, Pia Zadora is precocious in this? Well, I had my doubts, but now I’ve gotta buy it!” Seriously, why even bother including that? On the plus side, the first part of the description sums up the film aptly, which is good, because it saves me time trying to explain this crap.

But, maybe I’m being a little harsh on a thousand year old budget tape. It was meant for the lil’ baby childrens, after all. And when you’ve got a movie titled Santa Claus Conquers The Martians, you have to do what you can to make the sale. Maybe it was easier back then, before the innernets, when all you had was Leonard Maltin and his cronies to tell you about ancient movies such as this. Something tells me most parents weren’t consulting Mr. Maltin’s annual movie guide prior to heading to K-Mart where tapes such as this were inevitably found.

“A must for your Christmas video library.” Ha! Told you that’s what they were going for! The best thing about that whole “Christmas Library” ideal actually isn’t even part of this particular video. Rather, there were other VHS releases of Santa Claus Kicks Martian Ass Conquers The Martians that really took the theme to new heights. I don’t have ’em, and thus can’t post photos (I refuse to nab another person’s pics), but some of them went all-out. Ribbons & bows, Santa on his sleigh, and so on. I feel a little cheated on that front, but screw it, mine’s sealed.

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I did done told you it was sealed! Would I lie to you? Never! The fear remains that this could have been opened and re-shrinkwrapped at some point in the past, a revelation that would cause me to lose sleep for several weeks days. But, I doubt it. The box is in too nice of shape.

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That be it, Santa Claus Conquers The Martians, via UAV’s 1987 VHS release. For all of my joking, the film has become a perennial holiday favorite. Not for the reasons the producers probably would have intended, mind you. This isn’t It’s A Wonderful Life Part II. Rather, it has instead become the choice of bad movie lovers the world over, having gained a cult following that’s really quite impressive, especially for a film that isn’t the original Night Of The Living Dead. Mystery Science Theater 3000 once tackled it, and for years it was the movie featured in Son of Ghoul’s annual Christmas show. Only the 1959 Mexican Santa Claus holds a similar dubious honor, conversely The Ghoul’s annual Christmas movie choice (and MST3K riffed that one, too). Of the two, I prefer …Martians, if for no other reason than I find it less freakish, but suitably oddball nevertheless. Plus, the persistent rumor that Jamie Farr is in it makes the film all the more endearing to me (no, Klinger’s not really in Santa Claus Conquers The Martians, but I sure wish he was; such is my love of M*A*S*H).

Ghoulardifest 2013!

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There are plenty of reasons to love this time of year, but one of the big ones, for me, is the annual Big Chuck & Lil’ John Ghoulardifest convention. Ghoulardifest, for those “not in the know,” is the yearly convention celebrating all things Ghoulardi, the legendary Cleveland horror movie host. This year held special meaning, as it commemorated the 50th anniversary of Ernie Anderson’s debut as Ghoulardi, on WJW TV-8 waaaaay back in 1963. Due to a shortage of money (and I tend to spend a lot at these things), initially I wasn’t sure if I was going to be able to make it this year. But, there’s only one 50th anniversary! I had to go! Luckily, my brother came through with the needed dinero, and so, earlier today, Sunday, November 3rd, we made our yearly trip to Ghoulardifest.

(A huge, huge thanks to my good friend Scott “Scottsbury” Shepard, proprietor of Time Traveler Records, which I talked about here: https://neovideohunter.wordpress.com/2013/08/05/a-trip-to-time-traveler-records/ . Scott scored us a pair of complimentary tickets to the ‘Fest from fellow local legend Jim Chenot, which definitely helped make our limited funds go further. It’s for reasons like this that Scott and Jim are, as we in the hepcat profession say, “the dude.” Well, “the dudes,” in this case.)

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For the past several years, the convention has been held at the UAW Local 1005 Hall, a venue and transit I had become accustomed to. So, when it was announced earlier this year that the convention was moving to the La Villa Conference & Banquet Center, I was a bit concerned. Was this going to be farther away? Would the trip become longer and more difficult?! I’m not always adverse to change, but when it comes to the important things (like Ghoulardifest), I can become a bit apprehensive. In this case, however, whatever concerns I may have had were unfounded; since my Brother always does the driving to these sorts of things, I didn’t realize that the trip was nearly the same. La Villa is right by the UAW. Even the Big Boy Restaurant that we usually visit after leaving Ghoulardifest was close-by (we didn’t stop there this year, however; mah Bro was tired, we had eaten beforehand, and besides, we spent quite a bit of money at the ‘Fest. Sorry Big Boy, not this year).

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The La Villa was/is beautiful. Definitely plush, and it’s design actually reminded me of a Frightvision I went to years ago (early-2000’s). That’s my Brother in the pic above, walking ahead of me, as he tends to do. You could be forgiven for perhaps mistaking him for a young Bruce Springsteen upon first glance (it’s the hair, y’see).

One thing I’ll admit I regret missing out on was held yesterday (November 2nd, for those keeping score at home): Tim Conway, Ernie Anderson’s comedy partner and longtime supporter of all this, made an appearance. I would have liked to have met him, or at least seen him, but it having been a Saturday and Tim Conway only appearing that one time only, you have to figure the place was jammed. Now, I am not a fan of big crowds, and that coupled with the fact that there was a family engagement that left my Brother unable to attend yesterday meant that it was just going to be easier all-around to go today. So, sorry Mr. Conway, but it couldn’t have been helped. (Sunday is when we usually go anyway, and despite my uncomfortable-ness around/in crowds, it’s still always pretty busy that day, and this year was no exception.)

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As you may imagine, meeting the local celebrities is one of the big draws of the ‘Fest. So, it stands to reason that Big Chuck & Lil’ John were out in full force, layin’ down the law and takin’ names. Right before (or right after, I can’t remember) this super-exclusive candid photo was taken, Lil’ John was staring at me while I, like a dope, stood there with my big ol’ camera out. I became nervous at the fact that I may have been irritating one of my heroes, so in this moment of potential crisis, what did I do? Point at him and do an Arsenio-style “roo roo” gesture. Yes, really. If I had been irritating him, this was certainly not going to help matters, but luckily, nothing more came of it, besides me making a clown of myself in public (something I admittedly can be exceptionally good at). Lil’ John, if I bothered you, I’m sorry man! Please don’t hate me! Also, we *may* have accidentally cut in line when meeting Chuck & John (oops!), but there was a lull at their table, no one seemed to be making any immediate headway towards them, so what were we supposed to do? At any rate, they were kind enough to sign my American Scary book and take a picture with me (both of which I’ll spotlight in a little bit), so, all is well; I won’t suffer a sleepless night tonight (not due to this, at least).

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I really wanted to meet Bob “Hoolihan” Wells, maybe get his autograph and/or a picture taken with him. But, for a record third year in a row, I missed out! When these super-exclusive candid photos were taken, he was on his way up to the stage for a presentation (as were the rest of the celebrities in attendance). For the record, in the right shot, he was leaning down to take a bite of food before heading to the stage. Your Northeast Ohio Video Hunter captures all of life’s special little moments, doesn’t he?

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While the celebrities and special presentations are a big part of Ghoulardifest, of course there are always a ton of vendors selling cool stuff, and this year didn’t disappoint in that regard. Man, I could, can, and often do drop some serious dough at these things, but I had to temper the urge to buy everything even remotely interesting in sight a bit this year. I still walked out with a bagful of really cool stuff, but man, I had to pass up some pretty amazing things. Nothing I’ll lose sleep over tonight, but trust me, if you’ve never been to a Ghoulardifest, you’re missing out on a lot of neat items.

Notice in the right pic above Son of Ghoul selling some of his fine wares. SOG always has a lot of awesome stuff, and I bought a ridiculously cool Superhost DVD from him. He even had a vintage Frankenstein Laserdisc for sale, something that made my heart swell with joy.

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The place really was (and always is) a feast for the eyes. Often, at least for us, it takes several walk-throughs to fully appreciate everything being sold. No joke, even after going around the room a few times, we were still finding neat things to buy. Near the end of our visit, my Brother got a very cool print of a vintage Beatles photo (from the original photographer) in which they’re in the back of a car, Paul is waving, and Ringo has what definitely appears to be a joint.

With his back to the camera, that’s Jungle Bob, busy being awesome, in the left pic above.

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A few more vendor photos. In the right pic is a shot of our newest horror host’s table. Well, hostess’ table: The Daughter Of Ghoul! I wasn’t able to meet her, but I can’t tell you how awesome it is to know that we’ve got another person out there keeping the tradition alive! Unfortunately, I don’t think I get any of the channels that carry her show at the moment, but hopefully I will at some point in the future.

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Someone was even selling the new action figures based on the 1966-1968 Batman series! I’m not that big of a toy collector, but this line is one that has definitely had me excited. Seriously, these things should be put on the list of mankind’s greatest achievements. I already have the Batman & Robin two-pack (the only way to get Robin at this time; exclusivity, yo!), and no joke, it’s a work of art on par with Michelangelo’s David, the Mona Lisa, or that portrait of dogs playing strip poker. While I didn’t buy any of these figs at Ghoulardifest, just seeing the Surf’s Up Batman figure in person was enough to cause me to fall to my knees and weep pure, unadulterated tears of joy, which resulted in the curious stares of passerby, not unlike Lil’ John earlier.

(Did I really fall to my knees and weep at the sight of the figure? Maybe I did, maybe I didn’t. You’ll just never know for sure, will you?)

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Here’s two shots of that stage presentation that kept me from meeting Hoolihan I was talking about. This was at the very tail-end of our visit, and I’m not quite clear on what the purpose of everyone going up on stage was for, but it made for a few very cool pictures.

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There’s a shot of everyone on stage for the presentation that I should’ve stayed to watch but didn’t.

The more I think about it, the more I think I should have bought that Surf’s Up Batman figure. Missed opportunities, people, missed opportunities.

What’s that? Pics with celebrities? Oh, your Northeast Ohio Video Hunter has pics with celebrities!

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There I am with Jim Syzmanski. I know I may end up being redundant saying this, but all of our local guys are always so nice when you talk to them, and Jim was no exception. Years ago, when I first started watching Big Chuck & Lil’ John, I always liked Jim in their skits, and I talked to him a bit last year, but I’m very glad to have gotten a photo with him this year.

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Me with Big Chuck & Lil’ John! I’ve had photos taken with them before, but you have no idea how much I love this shot with their classic King Kong backdrop. Always two of the nicest guys you could hope to meet. I’m dangerously close to making this picture the background on my cellphone.

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Hangin’ with my hero, Son Of Ghoul! SOG is always great to talk to, and after our trend-setting, groundbreaking interview ( https://neovideohunter.wordpress.com/2013/08/12/an-interview-with-son-of-ghoul/ ), as well as all the crap I’ve sent him over the years, he kinda knows me now! Even if the rest of the day was a bust, this moment alone would have made it all worthwhile. SOG’s just about the coolest guy ever, and you’d be well-advised to give him due props. Don’t make me throw down over this.

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Jungle Bob! I’ve been a Jungle Bob fan for years, and it’s always great talking with him. I first met him waaay back in 2000, and he’s always been just great with his fans. He even had a lizard of some sort with him today!

(Jungle Bob’s official site: http://www.junglebob.tv/ )

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Bill Ward, the former voice of WJW TV-8! If you’ve lived in Northeast Ohio for any decent period of time, in all likelihood you’ve heard Bill Ward’s voice. Not only that, but he’s also done a ton of great skits with Big Chuck & Lil’ John. Mr. Ward was mindblowingly friendly. Seriously, he couldn’t have been a nicer guy. And, he even took an interest in this blog! That’s right, your Northeast Ohio Video Hunter talked to Bill Ward about, erm, The Northeast Ohio Video Hunter! Even gave him the address! The very idea of Bill Ward reading my silly little blog is just amazing to me!

But, that’s not all! As previously mentioned, I came home with some cool items! So, what was my booty, my loot, my acquisitions, you ask? I won’t go over everything I picked up, but here’s some of it:

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A beer-scented candle in an official Ghoulardi mug! This thing smells very accurately and very strongly of beer. I’m concerned that passerby may walk past my house, smell the candle from the sidewalk, and assume I’m a microbrewer or something. I really wanted this more as a display piece (I’m not really a candle-lightin’ kinda guy), but I’m serious, the scent is really strong. I’m probably going to have to wrap this in a bag and put it somewhere away from things I don’t want to smell like brew, lest someone presume I partake in large amounts of alcoholic alcohol throughout the day (aside from one or two beers now and then, I don’t drink much at all, really).

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Legendary Northeast Ohio weatherman Dick Goddard was there, and he signed this old promotional picture I bought about 2 years ago. I’m confident this will one day be worth the mighty dollars, but I ain’t ever sellin’ it, no way!

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The official comic book adaption of Batman Forever, a movie only slightly less terrible than Batman & Robin! It doesn’t really take the sting out of passing up Surf’s Up Batman, but I’m a Batfan and the comic was only $1 so screw it.

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Told ya I got my American Scary book signed! Uber-collectors of autographs may balk at the fact these signatures are personalized to me, but baby, this book is mines, and I want to let the world know it! I got Big Chuck & Lil’ John’s, Son Of Ghoul’s, and Jungle Bob’s signatures (Jungle Bob isn’t a horror host, but he does appear in the book, so it counts). I would have liked to add Hoolihan to it, but maybe next year. I actually almost brought this book last year to have signed, but I didn’t feel like lugging it around. While I’m glad I brought it today, I’ll admit it was a pain finagling between the book, my camera, and the increasingly full bags of purchased items. By the end, I have a feeling my Brother was pretty tired of hearing “hey, hold the book for a sec” from me.

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I also got an official Big Chuck & Lil’ John hand stamp! Proof that I had a ticket and wasn’t trying to pull no funny business! Please ignore my somewhat chapped hand. I love this stamp, but it’s a bittersweet love, because I know that in the very near future, it will soon disappear. There are two possible solutions to this, however: 1) I can have it tattooed on, thus ensuring that my lil’ baby grandchilds will know I was once at a Ghoulardifest, or 2) I can just not wash this hand anymore, which may be a more sensible, or at least cheaper, option (he said having already washed his hands several times since coming home from Ghoulardifest earlier today). Well, nothing is forever, and I guess that includes my hand stamp. *sigh*

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I also have my complimentary Ghoulardifest 50th anniversary ticket stub, a memento not only of today’s events, but also of the extreme kindness of Scott Shepard and Jim Chenot. I really appreciate it, compadres!

And so, that’s it for another year of Ghoulardifest. Despite my having left only a few hours ago, I already can’t wait for next year. I always have a blast, and it’s great to be around people that generally like the same stuff as I do. You don’t always get that from your common everyday person on the street, but at Ghoulardifest, I could shout “I loves ya, ‘lardi!” at the top of my lungs and few, if any, would bat an eye. Probably.

If you haven’t been to a Ghoulardifest convention, I can’t recommend it highly enough. Even if you just go in to see the sights and sounds, I tink you’ll be satisfied. Of course, if you’re an out-of-towner, making the trek may prove a bit more difficult, but don’t fret! There’s an official website, where you can get much of the goodstuff sold at the convention! Check that out here: http://theghoulardifest.com/ . But, I’m confident in stating that there’s enough to see and do each year that, if at all possible, it would be worth taking the trip and seeing it all in person.

Until next year…

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(That pic was actually taken as we were first arriving at the convention, but the sentiment it conveys is the same. Right? RIGHT?!)

I think I should have bought that Surf’s Up Batman figure.

Batclips DVD Review

The $1 DVDs you sometimes find in the checkout aisle of grocery stores or in forlorn sections of major retail joints are often hit-and-miss. After all, there’s only so many public domain movies, TV shows and cartoons that can be released over and over again. Often, the companies presenting the umpteenth release of a given film to the public have to rely on creative cover art to trick unsuspecting passerby into thinking a particular DVD they’ve got collecting dust on the shelf is in actuality the feel-good, must-have hit of the holiday season. My favorite examples? Releases of John Wayne’s public domain 1930’s B-movies that feature cover art made to look like it’s for ‘real’ John Wayne movies. Why, certain people could very well be tricked into thinking Randy Rides Alone is of the same cinematic quality as The Searchers!

That’s not to say I don’t love the $1 DVD section at stores, though. In all honesty, I will happily rummage through the budget titles before I even think about glancing towards the ‘real’ big-time DVD releases. I know what I’ll find there, but the $1 section can be like a neverending grab-bag of surprises. You can find some truly awesome titles if you’re willing to dig past a lot of junk discs. An example of budget DVD greatness? Batclips.

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This one seemingly came out of nowhere when it showed up in $1 racks a few years ago, but don’t let the cheap price fool you. This is an awesome DVD and absolutely worth the dollar (it’s hard to beat a buck anyway, but given some of the material presented, I can easily see them charging a bit more and not being called out on it). The cartoonish artwork and rather odd tagline on the front cover may lead some to think this is a cut-rate documentary on the origins of the Batman character, but it’s actually about 30 minutes worth of material pertaining to the 1966-1968 Batman TV series starring Adam West (as well as the 1966 film based on said series and starring said badass). Let me clarify that this is often listed as Bat Clips, with a space between the two words, but the spine and description on my copy both call it Batclips, no space, so that’s what I’m calling it, too (I only mention this because while doing my research on this DVD, the spacing issue did indeed mess with my search results).

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Due to legal problems, the actual 1966-1968 TV series has, thus far, not been officially released in any format (though the 1966 movie has). But believe it or not, for those craving some 60’s Batman, this DVD actually holds some genuinely interesting tidbits. According to the back of the packaging, this was put out by Treasure Box Collection, which is one of those companies that has released a ton of movies, TV shows, etc. out as dollar DVDs. Or were they one of those companies? I heard they went out of business, and the single website link I found was dead, so…? Come to think of it, I haven’t seen any DVDs put out by them lately. Is it just my area, or have they closed up shop?

Either way, their products usually (always?) featured the “Platinum Collection” band across the top of the artwork, ostensibly meant to give the package a more “collectible” aura. And I’ll tell you right now that unless “Digitally Remastered” is just a fancy term for “transferred to a digital format,” well, lets just say this isn’t exactly Criterion Collection quality here. In fact, it appears the entire contents of the disc come transferred straight from a VHS source, complete with the video imperfections that are inherent to the format. That said, everything here is entirely watchable, and “Digitally Remastered” is a term thrown around so often regarding budget DVDs that it really doesn’t mean anything anymore. Just don’t go in thinking this to be comparable to something Kino had a hand in, okay? As you’ll see in a bit, the picture could be sharper, sure, but why nitpick the picture quality of a $1 DVD? There’s some really terrific, really unexpected stuff here, and damn dude, it was a dollar.

Also, my copy is in a regular plastic snap DVD keep case, but apparently Batclips was later reissued in a thin cardboard sleeve, albeit with the same artwork (that version apparently has a running time of “Approximately 60 Minutes” listed, though no mention of a running time is anywhere on my copy, and besides, the DVD is only about half that length). I haven’t seen that “edition” in person, however, and indeed, I haven’t seen Batclips available locally since, well, since around the time this copy was in stores. Does that mean the sealed Batclips I have stored away will one day be worth $1000?! Or MORE?!?!

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“An inside look at a superhero phenomenon?” is, to me, a bit of an odd tagline. At first, I thought the question mark at the end was a typo (typos being fairly common with $1 DVDs), but considering it’s found on the front and back of the case and on the disc face itself, it seems they were trying to give the impression this DVD would dig down and deep into what makes Batguy tick. Alternately, it also makes it sound like the DVD is going to be some kind of dirty laundry tell-all documentary, though of course it’s not.

The description on the back cover actually isn’t too far off. Aside from the mention of “posters” (which I don’t understand since there’s no picture gallery or anything on the disc, unless they’re talking about the covert art, which is found on the case, disc, and menu screen) and the phrase “…more Batmania than has ever been assembled in on [sic] DVD before” which I’m guessing is a bit of an exaggeration (unless we’re talking budget DVDs only, in which case they’re probably right), the description is really pretty accurate. Honestly, I was expecting much of it to be BS, but the DVD does indeed live up to the promises made on the back, more or less.

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There’s the front and back of the DVD itself. Thankfully, it’s a factory pressed silver disc, as opposed to a DVD-R or something, thus ensuring years of Batclips lovin’.

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The real jewel of Batclips is found right at the beginning of the DVD: the 7 minute, unaired Batgirl promo used to sell ABC on a third season of Batman. Not only is this completely unexpected, but it’s also a step closer to the actual episodes of the series that have so far been barred from official release. The pilot is set up like a mini-episode of the series, complete with narration and “Pow!” exclamations during fight scenes. The story goes that the ratings for Batman had fallen so much during the second season that ABC was questioning whether they wanted to bring it back for a third. So, the producers made this short pilot introducing Yvonne Craig as Batgirl. ABC was impressed enough with the pilot to give season three a go, and Batgirl became a regular castmember and fellow crimefighter to Batman and Robin.

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For a seven minute “episode” that was never intended to be seen outside of wherever this was shown to ABC execs in 1967, it’s pretty entertaining. Then again, 60’s Batman can do little wrong in my eyes. The gist of the pilot is that bad guy The Killer Moth and his henchmen are hanging out at the library, where Commissioner Gordon’s daughter Barbara (BATGIRL) works. Batman and Robin show up to kick some Moth ass, and quickly wind up in a predicament. Batgirl lends a hand. One funny scene, during a brawl with The Killer Moth’s henchmen, has Batman chatting with Batgirl, occasionally turning to punch out a bad guy, and then casually turning back to the conversation.

This pilot is the sort of thing you wouldn’t be surprised finding at a fan convention or something, but it showing up on a commercial DVD is definitely eyebrow raising. Where did it come from? How did Treasure Box Collection get it? How were they allowed to release it? Has Batgirl lapsed into the public domain, or is it a grey area legally? Batclips wasn’t exactly sold under the counter, and while it’s not really seen on shelves nowadays (not around here, at least), it was pretty widely available at the time (dollar DVDs tend to get around, y’know?). The only copyright found on the package is one credited to “Dan Dalton Productions.” So, I take it Mr. Dalton is one of the chosen few in the position to release this stuff? I mean, God bless him for making this DVD happen either way, but I’d hate for anyone to get into any trouble. Maybe that’s why Batclips is seemingly so scarce on DVD nowadays, or worse yet, why Treasure Box Collection appears to be incommunicado? Did Warner Bros. or DC Comics or whoever the hell owns all this stuff put their foot down?!?! Tune in next week, same Bat time, same…oh, never mind.

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From there the DVD swings into a 1972 public service announcement by the U.S. Department Of Labor Wage & Hour Division. The subject? Batgirl hasn’t been getting equal pay because she’s a girl, and thus isn’t sure if she wants to save Batman and Robin from being all blowed up. The PSA features Batman series stars Burt Ward as Robin and Yvonne Craig as Batgirl, as well as NOT Adam West as Batman (Bats is instead portrayed by Dick Gautier, though he adequately looks and sounds enough like West to keep the mega-fans at bay). Batgirl claims she’s been working for Batman “a long time,” but is paid less than Robin for the same job. I never really thought Batgirl worked for Batman, but was rather a separate but kindred crimefighter, right? Then again, they needed something to set the PSA in motion, in which case I’m all for some inaccuracies if it means getting Bats into it. Batman’s response when Batgirl states men and women are to be paid equally for the same job by the same employer? “No time for jokes, Batgirl!” Damn!

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Next, we’re presented with not one but several trailers for the 1966 Batman feature film. One of them is even partially in Spanish. They vary in length, and while they’re certainly neat to see, the “samey” nature of them quickly wears a bit thin. Featuring Adam West and Burt Ward in their respective characters announcing the upcoming film and the benefits to humanity it features, the stable of villains in it, as well as the required action shots, it’s all very cool, but some would say a little would have went a long way here. I guess Treasure Box Collection or whoever initially put this thing together was determined to use everything they had?

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There had been some movie serials in the 1940’s, but 1966’s Batman was the first full-length, color Batman film. It retained a lot of the campy fun of the series, albeit with a higher budget, allowing for some additonal Batgadgets and whatnot (which were then used in the series). An all-star assembly of villains (The Joker, Catwoman, The Penguin and The Riddler) also made this, in theory, the Batman movie to end all Batman movies. Frankly, I love it, but as previously stated, 60’s Batman, in TV or movie form, can do little wrong in my eyes. Obviously, this film is a quantum leap away from the 1989 Tim Burton film and it’s 1992 sequel, not to mention the Christopher Nolan films of recent years. If you’re not a fan of the 1966-1968 Adam West series, the feature film version probably isn’t going to do much to change your mind.

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After finishing up with the movie trailers, a 30-second promo for the series is seen. There’s no station I.D., date, timeslot or voiceover, so I can’t tell if this was meant for the original airings of the TV series or for later syndicated broadcasts. It features Commissioner Gordon calling Bruce Wayne on the Bat Phone, and then Batman and Robin swinging into action. There’s plenty of room for a local voiceover, station I.D. or timeslot to be inserted, so, I don’t know. I’m guessing this was for local airings after the series ended, but I could very well be wrong. I do know that in the early/mid-2000’s, before your NEO Video Hunter had wholly begun to collect his own material (something I now do absolutely exclusively), this promo was making the rounds on the internet, and if I recall correctly, it was listed as a 60’s spot. Which brings up an interesting point: I have a feeling that all or at least most of the material on Batclips was probably circulating (perhaps together, perhaps individually) in one form or another before Batclips collected it all into one convenient package. Maybe it was all the turf of fan-made comps available exclusively at conventions and the like, or maybe there was an official (or semi-official) VHS release at some point in the past. I don’t know, I have no proof, I’m only speculating.

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And that brings us to the most oddball section of Batclips: the personal appearances portion. First up: Adam West, in character as Batman, making a personal appearance at what seems to be a car show or the like somewhere. From the looks of the fashions seen in the crowd, this was maybe the late-80’s or early-90’s, and there seems to be a date on the banner hanging behind West that might say 1992, but the video quality is so soft that it’s really hard to tell. This was very clearly filmed with a home camcorder, a fact made all the more obvious by the picture and sound quality.

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It would be easy to make jokes about this, but the fact of the matter is that Adam West, Burt Ward and Yvonne Craig were all severely typecast by their roles in Batman, and whenever film or TV work was scarce, making personal appearances at conventions, car shows, store openings, etc. was a good way to pay the bills. Furthermore, West is never anything less than completely engaging and personable. He stays in character as Batman, makes jokes, speaks freely with audience members, and perhaps what impresses me most, clearly states that he’s not going to leave until every member of the audience that wants an autograph gets one. See that book he’s holding above? He tries to get the lady who brought it to read a scene with him, which she declines. I actually own a copy of that same book (a collection of older comic stories put together in the 1960’s to capitalize on the then-hot TV series), and I think if I’m ever fortunate enough to meet Adam West in person, I’d like to bring my copy to be autographed. Or, I could always bring, you know, Batclips.

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Next up, more camcorder action from the sidelines of some talk show that was apparently hosting a Batman cast reunion, complete with a recreation of the set. As evidenced by the crewmembers often obstructing the view, this was probably not an official outtake of whatever show this was.

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This part of Batclips works as a curiosity piece, but unlike the Adam West appearance prior, much of the sound is unintelligible, the camera is often moving, crewmembers are sometimes in the way, and there’s just no real rhyme or reason to any of it. I can safely say this is the least watchable part of the entire DVD. Don’t get me wrong, it’s interesting to have, if for no other reason than to have the cast all together on one stage, but it’s not something most people will want to watch over and over.

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The DVD ends with a 17-second kinda-animated sequence intended for…well, I don’t know what the hell this was intended for,

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The sequence starts off with the stick of dynamite (or is it just a firecracker?) blowing up, and then several Batman-esque action cards being shown before cutting to that probably-not-professional-drawing of Batman, who for whatever reason is thinking of his own logo (or possibly just a regular ol’ bat). it’s a real non-sequiter of a sequence, and I have no idea what it was meant to be a part of. The clip has some age to it, that’s for sure, so maybe it was meant for the movie theater and/or drive-in circuit, perhaps from some point in the 1970’s? I have absolutely no basis for that guess, just a gut-feeling, and just like that promo I was talking about earlier, I could very well be wrong.

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So there you have it, Treasure Box Collection’s DVD release of Batclips. It may look like an unassuming budget DVD, but man, it’s waaay cooler than you’d expect it to be, especially for only a buck. When this was purchased, multiple copies of Batclips were easily found at the same grocery store this copy came from, but since then, the DVD has apparently become scarce. At the time of the writing, there are only three used copies on Ebay, and one used copy on Amazon, and, get this, they’re all priced around $30! Granted, sellers can ask any price they want, but the point is that if this were still in some kind of wide-release (relatively speaking, I mean), both sites would in all likelihood be littered with both new and used copies at a much wider-range of prices. So, I wonder if legal actions were quietly taken when word of this release reached the respective copyright owners? Or, maybe because the film elements aren’t as widely available as other public domain movies on dollar DVDs, when Treasure Box Collection went under (*if* they went under), releasing a similar collection just isn’t as easy for other companies, especially since Dan Dalton Productions is supposedly in charge of the content. Of course, I have zero evidence that any of this is true, once again I’m just speculating, but it’s sure interesting to think about.

No matter, because I can say that as someone with some experience in budget DVDs (dubious honor that may be), I’ve never seen anything like Batclips, before or since. You can find some neat releases in the $1 DVD section, but from my viewpoint, Batclips is honestly the best disc I’ve ever found at that area. It just goes to show you, don’t pass up those cheap DVDs, because you never know what you’ll find!