Tag Archives: 8

WJW TV-8 – Big Chuck & Lil’ John’s Pregame Show (September 20, 2003)

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Man, I used to tape a lot of stuff, so much so that it’s not uncommon for me to come across something I recorded myself back in the day and yet have NO recollection of ever doing so. (See: this post.) When it came to all of the crap things I taped, I like to think that I have a pretty good memory, but I’ve been genuinely surprised by what I recorded years ago enough times to realize that my mental synapses aren’t always untouchable when it comes to this sort of thing.

While this particular broadcast isn’t one I had completely and totally forgotten about capturing, I only retained the vaguest memories of taping it. For obvious reasons, I’m sure glad I did, though. Behold: from WJW 8, it’s Big Chuck & Lil John’s Saturday afternoon “Pregame Show,” from 2003. Has it really been 12 years since this first aired? I refuse to believe it’s been 12 years. I was 17 years old! A junior in high school!

Truth be told, I’m really not sure what drove me to record this. I was of course a full-fledged Big Chuck & Lil’ John fan by 2003, but, aside from a few scattered instances (such as the one seen in this post), I didn’t really tape their show(s) that often. Thanks to those aforementioned super-vague memories, I seem to recall there being something ostensibly special about this broadcast. Maybe I thought it would be a one-off kinda thing?

No matter, because I taped it, I saved it, and thus, here we are.

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Even though the branding is never used here, make no mistake, this is really an installment of Couch Potato Theater, Big Chuck & Lil’ John’s long-running Saturday afternoon showcase, which was always in addition to their regular late night program (they had moved to Saturday nights after MadTV by this point). The features shown during Couch Potato Theater varied from week-to-week; could be a movie, could be old comedy shorts, could be episodes of The Abbott And Costello Show. Or, as in this case, it could be just be skits.

As implied by the whole “Pregame” thing, this episode preceded baseball on WJW 8 that day (actually, it precedes a local special on football and an episode of Buffy The Vampire Slayer before the game, a difference of scheduling that is noted during the show). As such, it’s a half-hour show made up entirely of skits.

Actually, one thing I really like about this broadcast is just how much it reminds me of Big Chuck & Lil’ John’s current show: 30 minutes of skits with the occasional host segment. One major difference between now and then, besides the set and live audience of the old days I mean, is how ‘current’ they were back in the day; references and reminders of what was going on around Northeast Ohio, including where they would be appearing in person (indeed, as per an announcement from Chuck, they were appearing somewhere following this very episode), was a constant part of their hosting duties. Not so hard to understand, since they were (I’m guessing) in the studio quite a bit back then. It’s a much simpler affair nowadays, though anything that keeps Big Chuck & Lil’ John on the air is fine by me.

(Speaking of on the air: up until a few months ago, WJW was running Big Chuck & Lil’ John’s new show in a Saturday11:30 AM time slot, which reminded me even more of the old Couch Potato Theater days. They’ve since moved them to 11;30 PM, Sundays. I DVR the show no matter what, so the time change doesn’t impact me all that much, but I preferred Saturday mornings solely due to that nostalgia element it presented. There was just something about kicking off your Saturday with Chuck & John!)

Being only 30 minutes in length (or, if you want to be really anal, about 28 minutes; the next show didn’t start immediately after this one, dig?), I naturally don’t have a whole lot to work with here, even if I do find it incredibly cool and undeniably nostalgic. But, I’ll give it a shot.

First up, the skits themselves:

Muldoon’s Bar

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One of my all-time favorites, though I’m pretty sure it’s just a filmed version of an old joke. “Resident Irishman” Tom Bush plays Paddy, who every week or so enters Muldoon’s Bar for two shots of Irish whiskey: one for him, and one to drink for his brother back in Ireland (“To his health!”). One week, he stops at the bar, but only orders a single shot. The bartender is understandably concerned about Paddy’s brother back in Ireland, but when questioned, Paddy reveals the truth: his brother is fine, and in fact, the one shot he drinks is for him. So why not the second shot? Because Paddy gave up drinking for Lent! I love it!

 

The Amazing Stanley

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You can almost see where this one is going from the start. it’s the classic “sawing a woman in half” magic routine, which “The Amazing Stanley” performs to the satisfaction of the crowd. It’s only backstage that the “magic” of the illusion is seen: it’s been two little people curled up in the individual sections of the box! It’s a trip seeing John in high heels, and as per the host segment following the skit, the woman is played by John’s real-life sister.

 

Rockhead

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The Rockhead skits were never my favorites, though I think there were only a few of them. It’s a parody of Rocky, obviously. In this one, Rockhead is training for his big fight with “Alonzo,” while fake Adrian continuously nags him to give up boxing and instead take a steady job as a delivery boy for Rego’s Supermarket. Rockhead always gives the idea the brush off, until he disturbs Alonzo during his training; Alonzo angrily crashing through the wall is enough for Rockhead to immediately change his plans for the future. Fun fact: Chuck’s Rockhead wears a Ghoul sweatshirt throughout the entire skit!

 

Art Modell’s Back!

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Even though he passed away three years ago, Art Modell still isn’t the most popular guy in Northeast Ohio. But back in 2003, the hate for him was pretty venomous. He took away our Browns, man! This sketch plays into that sentiment. In it, Modell is seen talking on the phone and snickering; turns out Cleveland wants him back! We just couldn’t live without him! The pay-off to the skit is that he is indeed brought back to Cleveland…selling hot dogs! And to further insult him, he’s seen calling after people asking if the men’s toilets are backed up while holding up a plunger!

Obviously, there’s no way the real Art Modell was going to come back to Cleveland just to film a skit ragging on him. Instead, “Art” is either seen from behind or, using the same technology as Clutch Cargo and Conan O’Brien, with a pair of live-action, talking lips superimposed over a still image of his head.

It’s a very, very Cleveland sketch, needless to say.

 

$10 Magic Wands

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A pretty well-known skit. A sidewalk salesman tries to sucker John’s character into buying a magic wand for the low, low price of $10. The prospective customer is apprehensive until he sees the magic wand instantaneously produce a beautiful girl right before his very eyes! He quickly buys a wand, and the salesman sneaks off. The Purchaser’s attempt at using the wand produces a woman alright, albeit one of a rather more robust variety, who then proceeds chase him around as the skit ends.

 

Madame Mary

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Another skit I’m pretty sure is just a filmed version of an old joke. In fact, I know it is; variations of the gag are really pretty common. In this version, an old man goes to visit fortune teller “Madame Mary,” and asks her if there is pro football in Heaven. The good news? Yes, there is indeed pro football in heaven. The bad news? He has box seats for the next game!

 

Ben Crazy

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A classic. The Ben Crazy skits are always welcome, and this is a particularly good entry. The scene opens on a group of doctors drawing lots. One Dr. White wins, much to the chagrin of everyone else. He then enters a hospital room and informs a “Ms. Goodbody” that it’s time for her morning shot. Obviously, this is not a shot in the arm! So that’s why they were drawing lots!

 

The Certain Ethnic Artist

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Another really good one. Chuck’s classic Stash character is the “certain ethnic artist.” He’s seen painting a portrait of John, the results of which, well, you can see above.

Okay, so that does it for the skits themselves, but what about the host segments? I’m so used to Chuck & John only appearing intermittently during the new show that I had forgotten just how many there were back then; they follow every single skit! For the most part, I like the batch of skits seen in this episode, but as far as I’m concerned, the real heart lies in the host segments. Just seeing Chuck & John on that classic set takes me back like you wouldn’t believe.

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Did you notice the pizza box on the table in the host segment screencap way at the start of this post? That was your first clue that quite a bit of the host segments are dedicated to pitching Pizza Pan pizza (alliteration). Pizza Pan was a big sponsor of Big Chuck & Lil’ John at the time. The fellas even did a number of commercials for the company (I’ve got a few). Chuck & John make a point of showing off the pizza box and mentioning the company numerous times during the episode. This is borderline The Pizza Pan Big Chuck & Lil’ John Show!

The gimmick of Pizza Pan was this: order a pizza and have it delivered, you got an extra pizza free. Even better, order a pizza and pick it up yourself, you got two free pizzas! Obviously, a deal like that is going to attract some attention, and for a time, Pizza Pan was pretty ubiquitous in Northeast Ohio. I certainly partook of the ‘Pan more than once. Why? Chuck & John told me to. (Also, free pizza is always nice.)

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At one point during the show, the owner of Pizza Pan himself joins Chuck & John onstage to further promote the company. Not only is a special deal mentioned (free ribs when a pizza is ordered – at the Mentor location only), but also the then-recent expansion of the company to more areas. I wasn’t kidding, there was a time in the early-to-mid-2000s when Pizza Pan was a pretty big local chain.

And then, it just sort of seemed to fade away. I seem to recall, though don’t quote me on this because my memory isn’t that clear on the matter, that after awhile the free pizza deal was done away with. If that is indeed what happened, I guess I can understand it; the whole free pizza thing was what the company built its success on!

There are a few locations still around though. As to whether the free pizza deal was brought back or not, I couldn’t say (the official website seems to only give me the current locations and the ability to order online). Check the official website out to see if there’s one near you.

See, now I’m plugging Pizza Pan! Why? Chuck & John, man, Chuck & John.

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Finally, the pregame show ends with a mention of their feature for their normal, late night program: Rocky II! They both seem quite excited by this, not only because they had run the original Rocky the week before, but also because this is apparently the third good movie they’ve had in a row, though what entailed the third movie in that line-up isn’t stated.

Now is as good a time as any to mention that I love the old movie bumpers Big Chuck & Lil’ John used for their films. The Rocky II one above is a good example. There’s something just so right about them, though my nostalgia obviously plays a part in that feeling.

(By the way: I didn’t notate on the tape when this originally aired, but Bob “Hoolihan” Wells’ 70th birthday is mentioned as coming up on September 27th, and this episode followed my recording of Conan O’Brien’s 10th anniversary show and preceded Saturday Night Live‘s 29th season premiere. Those aired September 14th and October 4th, respectively, and with the help of this calendar, it pretty much has to be September 20, 2003. I can’t see a way that it’s not!)

Anyway, during these broadcast recaps, I usually look at some of the interesting (to me) commercials found during the respective airing. Being only half an hour, again, I’ve only got so much to work with, and frankly, there wasn’t a whole lot that stood out to me. BUT, there were two I couldn’t end the article without taking a quick look at:

 

Buddy’s Carpet Ad

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Buddy’s Carpet! At one time, it was pretty difficult to watch local TV in Northeast Ohio without seeing at least one Buddy’s Carpet ad. Initially, Buddy himself pitched the company in these commercials, though later on a woman (his daughter, I guess?) took over those duties. As evidenced above, this is one of those later commercials. No matter, because it still gives me a far bigger nostalgic charge than any carpet commercial has a right to.

Buddy’s Carpet is still around, though like Pizza Pan, it seems the locations are more limited now. Check them out here.

 

Regency Windows Ad

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I’m slightly embarrassed to admit that up until fairly recently, I didn’t realize I hadn’t seen a Regency Windows ad on TV in a long, long time. Just like Buddy’s Carpet, their commercials were nearly omnipresent on Northeast Ohio TV. Most of them featured owner and spokesman Mikey (that’s him above) screaming “I’m gonna save you a lotttttttta money!” This ad is (probably) one of the few where he doesn’t give his famous line, but he’s still there, and he’s still excitable, so it’s not a total loss.

Turns out Regency Windows closed some years ago, though what remained of the company was purchased by Window Nation. That official website is here.


 

For what is only a 30 minute recording, this one actually packs quite a nostalgic wallop for me. Besides the whole Big Chuck & Lil’ John Saturday afternoon thing (which is more than enough by itself), there’s also Pizza Pan, Buddy’s Carpet, Regency Windows (and more specifically, Regency’s Mikey), and of course, the skits.

Also, It’s amazing to realize that in 2003, in four years Chuck would retire and they’d be off the air entirely, but in less than 10 years, they’d be back hosting a show that is very reminiscent of this (and other, I’m sure) pregame episodes, a show which continues to this day. If there’s one thing I love about Northeast Ohio, it’s that more than once, our movie hosts have not gone quietly into the figurative night. One way or another, they find their way back!

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WAOH TV-29 in Akron / WAX TV-35 in Cleveland (“The Cat”) stuff.

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In the late-90’s and early-2000’s, one of the most important channels for me was WAOH TV-29 in Akron / WAX TV-35 in Cleveland, better known as “The Cat” (Cleveland-Akron Television, dig?). Both 29 and 35 were the exact same channel, so I’ll simply identify it as The Cat or WAOH. There’s surprisingly little info about the station on the internet, and someone I was talking to once exhibited some interest at the fact I had recorded a number of programs off the station (believe me when I say I taped a lot of stuff).

What made the channel so special to me was the sheer number of ancient movies, old TV shows and local content they played. Granted, the majority of the movies and TV shows weren’t actually owned by WAOH, but was rather syndicated content from the America One Network, but the fact remains that The Cat ran things you weren’t going to find on ANY other channel. And all of the local programming (which naturally had nothing to do with America One) gave The Cat a terrific Northeast Ohio flavor.

Furthermore, despite the A1 affiliation, this was really an honest-to-goodness independent station, something that (unknown to me at the time) was becoming increasingly rare around the U.S., and while there were still some old and/or local programming on other channels (for example, WJW had Big Chuck & Lil’ John, and WBNX brought The Ghoul back in 1998), none reveled in it like WAOH.

I discovered the station in the summer of 1997. It was nothing earth-shaking, I was just flipping channels, when I came across an airing of a hugely battered old print of the original 1930 version of The Blue Angel. No one else was running things like that, not on local TV at least, and from then on, I was hooked.

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Of course, probably the most popular show then (and now) , and certainly my favorite on the channel, was The Son Of Ghoul Show. Like Ghoulardi and The Ghoul before him, Son Of Ghoul ran old movies, inserted humorous sound effects/drop-ins, performed comedy skits, and read viewer mail. As I’ve mentioned before, SOG started on WOAC TV-67 in 1986, and in 1995 he moved to The Cat.

Those screencaps above are from my two earliest SOG Cat promos. The one on the left is a silent still-card promo that ran for 10 seconds, so what you see is what it was. The one on the right features the standard SOG-pitch: He mentions the show and  the awful movies they run. It’s an all-around promo, and SOG did more than a few for The Cat over the years. Most of them say basically the same thing, but I mean, they’re supposed to.

I actually didn’t discover SOG right away. I mean, I saw the promos, sure (The Cat tended to run the same promos a LOT), and I had seen bits and pieces of the show here and there, mostly in passing, but it was Halloween 1997 that I actually sat down and watched the show. I stumbled across an airing of the original Night Of The Living Dead, which I had never seen before. Even with all of the sound effects and jokes (it took me a minute to realize what they were doing, but I immediately loved it), I seriously dug the movie, and I became an instant SOG fan. I even wrote him a bunch of letters, and his reading them on the air was always a thing of great excitement. Of course, I was only like 11/12 years old, so I never had much to actually say (and watching my old tapes, I can’t help but cringe a bit).

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Today, Son Of Ghoul is still running, and I’m still watching. That screencap above is from the latest promo for the show that I’ve seen. I captured it in 2011, but I think it’s been running since 2009, and I know it’s ran several times since 2011. The reason I say 2009 is because that’s when The Cat became an RTV affiliate, and SOG’s timeslot switched to Saturday evenings at 7:00 PM. The promo is, like the one above, a standard SOG pitch: talking about the awful movies, humorous sound clips, and comedy skits, with the exception that SOG mentions the new timeslot “starting in June,” which was when The Cat became RTV (though I still continue to call it The Cat, and always will). Despite the June mention, this is the only promo I’ve seen the station run for SOG relatively lately. Probably because most of the vast majority of content is RTV’s, and they have their own promos and whatnot. But, you do catch some locally-produced promos here and there. I don’t think they run quite as much as they used to, but there were some WAOH-produced spots for RTV shows, which I’ll get to in a bit.

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Speaking of local promos for syndicated content, that sort of thing isn’t new to the station. The screencap on the left is from 1997, the one on the right from 1999. Both are for the western movies that the channel ran every weekday afternoon (and on Saturday afternoons for awhile, and if I recall correctly, occasionally on Sundays, too). Both promos are more or less the same: various scenes from old westerns, while appropriate music plays. In the ’97 spot, it’s “Happy Trails.” The other features “Where Have All The Cowboy’s Gone?”

The afternoon Western flick was actually America One’s “Western Theater,” and I loved it. It’s thanks to these films that I became a fan of  westerns. You didn’t tune into this program to see The Shootist, though; these were all old rickety “B-Westerns”, mostly from the 1930’s and 1940’s. Probably all of them were/are in the public domain. You saw the standards like Roy Rogers, John Wayne’s poverty row films, Hoot Gibson, Ken Maynard, Rex Bell, etc. etc.

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Speaking of films, through America One, The Cat ran a lot of them. This promo is from 1999, and spotlights just how many they play a week. Even back then, the claim of “over 40 films a week” seemed just a bit high to me, but they did play a lot. There was a morning movie that began at 10 or 11 AM, and ran for an hour and a half, the western at 12:30 PM, which also ran for an hour and a half, then the noon movie at 2 PM, which ran for 2 hours. At 8 PM, there was another 2-hour movie. The overnight hours generally featured content from the American Independent Network (AIN), and, if I recall correctly, was two 2-hour films in a row. The weekends were a wildcard. I have a recording of three consecutive westerns from a Saturday afternoon in the late-90’s, but that wasn’t always the case. There could be one, maybe two, or maybe none. Sundays generally had less than that or none altogether, and didn’t necessarily have to be a western (I once taped The Tonto Kid, obviously a western, on a Sunday, but my copies of Goliath And The Vampires and Monster From A Prehistoric Planet, clearly not westerns, also came from Sunday airings).

I don’t know, maybe over 40 films a weeks wasn’t so far off after all.

Most of the films were from America One, but there were a few that the station itself seemed to own itself. Every Halloween, they’d run Night Of The Living Dead, the most scratched up and battered print you’ve ever seen. Since none of the A1 branding was present during these annual airings, I’m guessing the station owned it’s own print. For Christmas Eve, they’d run the 1935 Scrooge and then Beyond Tomorrow back-to-back, commercial-free. I still have a recording of Scrooge, but not Beyond Tomorrow.

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A movie that received some actual promotion was their 1999 airing of the infamous Reefer Madness. I taped it, but later taped over it. I don’t recall if it was an A1 presentation or not. A1 films generally weren’t singled out for promos like this, but I don’t know, maybe they thought there was a specific audience for this? They had various clips on-hand for the promo, and the local announcer that did all of The Cat’s promos did the voiceover here, too. or maybe the clips were provided by A1? Either way, I may not have the actual airing, but at least I managed to capture the original promo.

Sprinkled throughout all of these movies were lots of old TV programs. The early mornings typically had old black and white sitcoms before the morning movie, The Cisco Kid once ran before the afternoon western, and Dobie Gillis followed the 2 PM afternoon movie.

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At one point, there was a fairly big push for the Dobie Gillis reruns (big for The Cat at least). They were all humorous, such as the one above. There were a couple “Dear Maynard” spots, always featuring someone writing in to Maynard ala Dear Abby, and then Maynard’s “advice” (a clip from the show taken out of context, which was really pretty funny since it was essentially a non-sequitur moment). There were also promos playing up Bob Denver’s then-recent arrest for marijuana, Dobie’s father’s strictness, and Dobie’s falling for every girl under the sun.

Dobie ran until about 1999, and since I had grown accustomed to watching the 4:00 PM weekday airings after school, I found myself missing it once it was gone. TV Land ran episodes now and then, and nowadays you can catch it on MeTV, but those old Cat airings probably mean the most to me. Even today, I still really like the show.

Other shows that appeared on The Cat over the years courtesy of America One or other networks:

 

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One Step Beyond I watched a few times, but it never really grabbed me. Sort of a lower-rent version of The Twilight Zone.

While I like old sitcoms, The Adventures Of Ozzie And Harriet was never one of my favorites. WAOH’s promo for it, though, was awesome. This was when V-Chips were first being widely introduced, and the gag was that Ozzie was V-Chip-free TV, but all of the clips had words bleeped out as if there was constant swearing in the show. It was a riot. As you can see from that and the Dobie promos, The Cat often put a lot of humor into their spots.

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Two more I never liked. Bonanza, I know it’s considered a classic, but I’ve always been a Gunsmoke man. Also, The Beverly Hillbillies has always left me cold.

Still, The Cat did a great job of selling these promos, mostly through humor, and if I already didn’t like them, I probably would have tuned in to check them out.

And of course, Enigma Theater With Edward St. Pe’, which I’ve already written about, aired very late Saturday nights/Sunday mornings on WAOH, though it seems very, very few people remember it nowadays.

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I mentioned above the overnight airings being from the American Independent Network. A lot of the same movies as America One were shown, but the print’s weren’t the same. AIN even ran some of genuine “big time” movies once in awhile. Once, they played the original 1939 Stagecoach, which I taped. Despite having never seen the film prior, I could tell huge chunks of the movie were cut out; Stagecoach was just way too disjointed, way more than any film widely considered an American classic would be. I later taped over that airing with a unedited version from AMC, and I kinda wish I hadn’t done that, because in retrospect, film’s of that caliber (i.e. big-time, never-gonna-be-public-domain) weren’t usually shown on The Cat.

This was a fairly minor problem with the daytime programming, but the overnight schedule was notorious (to me, at least) for rarely being correct. It was often a crapshoot whether a scheduled movie would actually be run, or an entirely different film instead. Many times, there was a movie listed that I was seriously stoked for, and I’d set the VCR timer, only to be crushed come the morning when I found out something I had zero interest in was played instead.

Rather, a lot of WAOH’s late night programming was often made up of content from who-knows-where. I mean, nothing ever adult, or actually disturbing, but still, waaaay obscure stuff from the far reaches of the U.S. I haven’t always had the greatest sleep patterns, and I recall sometimes stumbling out of bed and watching The Cat when I couldn’t sleep, and wondering “Where did this come from?” Have you ever heard David Cronenberg’s inspiration for Videodrome? When he was a kid living in Canada, late at night his TV could pick up signals from Buffalo, NY, and he’d worry he’d be able to see something he wasn’t meant to. It was the same sort of thing with late night WAOH.

Of course, at the heart of The Cat was the local programming. Son Of Ghoul, sure, but also a lot of stuff that’s been more or less lost to time. A lot of The Cat’s local programming was simple, live call-in shows, with the host or hosts seated in front of a plain black screen and taking phonecalls. Today, the only show from the old days left besides Son of Ghoul is Steve French Sportstalk and Handy Randy.

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Of boy, two of the dullest shows you could imagine. Back Talk was exactly that, chiropractic talk. And Senior Talk? Well, that was what it sounds like, too. Back Talk I don’t recall running very long, but Senior Talk ran for a number of years, at least until 2006. It may have been a casualty of the 2009 switch to RTV, I don’t know.

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Dining Out With Steve ran for a looong time. I believe it did last until the 2009 switch. Basically, you could call in, talk about local restaurants, and even get gift certificates.

The Hunting And Fishing Show ran for a number of years, and in the summer of 2011 they even tried bringing it back, but it didn’t last very long.

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Big Al was very short-lived. It was essentially people performing in a karaoke bar, and hosted by the show’s namesake. I only caught one episode, which featured a bizarre Elvis impersonator that admittedly did sound a lot like The King, but didn’t look much like him at all (despite Al’s constant insisting the guy was “so real it’s scary!” or something to that effect).

I don’t know when Steve French started hosting his WAOH show, but it’s still on, and apparently still pretty popular. I even tried calling in a few weeks back, but I didn’t get through, which is probably a good thing, since I’m by no means a sports expert and the last thing I need is to make an idiot of myself on local TV.

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While on the subject of the local call-in shows, SOG hosted a live game show from about 2001 to 2004 or so. Unfortunately, this promo is all I have as far as original recordings go (I did buy some DVDs from SOG himself at the last Ghoulardifest convention). Son of Ghoul’s House Of Fun & Games ran at a time when I actually couldn’t watch The Cat. Y’see, the station was so low power that we couldn’t pick it up with the rabbit ears dad decided to use to save money. I wouldn’t even have this promo except I went to grandma’s house one afternoon to tape a movie I particularly wanted back in 2001.

So, that’s my “golden age” of WAOH/WAX, roughly 1997-2001. Like I’ve mentioned, they became an RTV (Retro Television) affiliate in the summer of 2009. Since Son Of Ghoul survived the switch, I was generally okay with it, though I missed some of the old movies or other assorted America One content. Still, RTV was pretty cool. A lot like old school TV Land. A line-up shift in the summer of 2011 took away most of my favorite programs, though there are still a few shows I like, and Wolfman Mac’s Chiller Drive-In on Saturday nights and Off Beat Cinema on Sunday nights is pretty awesome.

To end this post (aka massive article), here’s a few screencaps from locally produced promos for RTV content, which harkens back to the late-90’s era I so findly recall. All of the modern promos are simply scenes/music taken from the opening credits of the respective series, with appropriate logos and voiceover. Unfortunately, no promos for Airwolf or Quincy, M.E. were ever made, and RTV no longer runs them, much to my chagrin.

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Neither of these are run anymore. Knight Rider is legit awesome, and I don’t mind The A-Team in small doses. Knight Rider in particular I really miss.

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You’d better believe Magnum, P.I. gets two screencaps. Of all the shows that left the RTV schedule in the summer of 2011, this is the one I miss most. I’ve mentioned before what I big fan of the show I am, and while I’ve got the DVDs, it’s still nice to see Magnum being actually aired on TV, even if the broadcasts were a loooong way from DVD quality. As of this writing, no one, at least not in my area, is playing the show, and THAT, my friends, is major uncool.

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Highway To Heaven is still being aired on RTV, but Starsky & Hutch is not. I don’t like either show. Starsky & Hutch, in particular, is a show I want to like, I should like, but I really, really don’t like. It’s just never done anything for me.

So, there’s my long, long overview of WAOH TV-29/WAX TV-35. There’s more I could talk about, but man, this post is a beast as it is. It’s not what it used to be, but I’m glad the station is still around, and that they’re still supporting Son of Ghoul. As of this writing, I’m not too big on RTV’s programming line-up (aside from Wolfman Mac & Off Beat Cinema), but if RTV keeps WAOH/WAX alive, I’m all for it.

Better to have some semblance of The Cat than none at all, right?