Tag Archives: 1980

VHS Review: THE BLUES BROTHERS (1980 MCA Videocassette Inc. ‘Two Part’ Version)

Hey, do you like The Blues Brothers? Sure you do! I mean, who doesn’t? Movie’s a legit classic, yo. I certainly love the film; a random weekend broadcast years and years ago introduced me proper to it, and I’ve been a fan ever since. To me, it’s the gold standard of SNL-based movies, and – unless you’re counting something like Ghostbusters which featured more than one SNL alumni but wasn’t based on an actual SNL skit – man, it’s not even close.

Which makes this random find from last week so mind blowing to yours truly. While looking over rows of used VHS at a thrift store, my eyes feel upon, say it with me, The Blues Brothers. Upon first glance it appeared to be just another relatively-early copy of the film; I may love the movie, but earlier pressings are practically a dime-a-dozen.

That is, until I noticed the copyright of 1980 at the top of the sleeve spine (reason enough alone to snap it up; earlier copies may be common, but not necessarily the earliest) and, perhaps more interestingly, the notation of “Part II.”

The historical aspects of this find were immediately evident: this was almost-certainly the very first home video issue of the film (it’s from 1980; it can’t go any earlier than that, cause that’s the same year the movie came out, man!), and as such, because it was a fairly lengthy film (2 hours 13 minutes), it had to be split over two VHS tapes.

In the interest of full disclosure, I must specify that I only have Part II here. I certainly looked at the thrift, but Part I was MIA. Either someone didn’t realize what was up and bought tape #1 before I got there, or (what seems more likely) Part I was loooong gone before Part II ever set foot in the store. Either way this was mildly irritating for yours truly, but I can’t complain too much; I had zero idea that The Blues Brothers was split over two tapes for its initial video release, or truthfully, that the movie even had a video release the same year it hit theaters.

It makes sense that they’d have to split the movie into two parts that early on though; that sort of thing was not uncommon in the early years of VHS for longer flicks such as this. The first video release of the 1976 King Kong remake went the same route, for example. Just a few years later, companies figured out how to get the entire film all in one package. Indeed, by 1983 The Blue Brothers was seemingly all on one tape, but apparently the technology wasn’t there yet in 1980.

From initial appearances, the front cover here doesn’t look too different from the common VHS releases of the films seen throughout the rest of the 1980s and probably into the 1990s. Visit that just-linked page and you’ll see that the 1983 edition looks pretty close front-cover-wise to this one – except that for this initial issue they colored Jake & Elwood’s sunglasses green. I don’t know why they colored the sunglasses green, but it seems to be unique to this first release.

Other than that though, the cover looks extremely similar to that 1983 edition, and barring just a few further changes, even the 1985 release looks pretty much the same. It’s all about those green glasses and, you know, two-part thing here. (Also, I just noticed John Candy didn’t get a credit at the very top; say what?!)

If you go back up and check out that link to the 1983 edition of this film, you’ll see that by and large it looks very, very similar as far as the back cover goes, too. In fact, except for that whole “Part II” notation here and the missing credits and “Dolby” info seen in ’83, it looks pretty identical. Even the synopsis is the same.

The summary on the back is fine, and it’s not like there’s room for a novel back there, but even so, some pertinent info was left out. Namely, that Jake & Elwood are in a race against time to raise some (honest) money in order to save their childhood orphanage. Remember, they’re “on a mission from God.”

To do this, they have to get their old band back together, do some playin’ and make some money fast – all while causing a lot of destruction and creating a buncha enemies.

It’s a very, very funny movie, endlessly quotable (“I hate Illinois nazis”) and featuring some terrific musical numbers. Despite being rated R (which, oddly enough, I don’t see mentioned anywhere on this release), it’s not a particularly objectionable movie. Some salty language and a few other things that warrant the rating, but the main plot is overwhelmingly positive in nature.

A weird aside: I always kinda get a kick out of the old school “MCA Videocassette Inc.” logo. It’s ‘early home video’ in the best way, and a sure sign of interest whenever I’m out spending more money than I should at thrift stores and the like.

(The back of the sleeve is much brighter than my picture here shows – I took the shot in a darker spot than I did the others in this post. Also, the ancient tape residue in evidence points to Part I originally being fixed to this here Part II – so where’d it go???)

The tape itself. Obviously it was a former rental, from some place called Video Ventures. I have no idea what paths this tape took to find itself in mah grubby mitts here in Northeast Ohio, but according to that sticker, it evidently spent some time in Bremerton, Washington!

I’m not sure how well my pic shows it, but the sad fact of the matter is this tape has gotten a little moldy in the nearly 40 years since release. I noticed this upon finding the thing, and generally such maladies are enough to make me avoid a buy, but in this case this tape was coming home with me regardless.

I know not who scratched out the running time and wrote “7 min” above it or why, I’m guessing the video store, but the actual running time is more like 28 minutes; seems like a pretty uneven split between two tapes to me. Maybe there’s more and the mold is just keeping the hardened tape from rewinding further – it’s tough to tell because that sticker is in the way, but removing it is not an option.

No, no in-movie screencaps to round out this review; I had to clean my VCR heads after running this one as it is. I doubt there’s anything here unique to this release in comparison to slightly later issues anyway. Except for, you know, that whole “split in two parts” thing.

I can find virtually no references to this particular VHS of The Blues Brothers out there in internet land, except for this Amazon page, in which a used copy (copies?) is presented sans sleeves. Like I said before, this was a release I was completely unaware of beforehand. Given the super early release date, I’m guessing it definitely falls on the rarer side of things.

For a Blues Brothers fan such as myself, it’s an incredibly cool discovery. I hold no illusions of stumbling upon Part I, though you never know. I imagine I’ll come across that 1983 edition at some point though, and that’d make for a nice consolation prize.

I still can’t figure out why they made their sunglasses green on the front cover of this one, though.

VHS Review: Frankenstein (1931; MCA Videocassette Inc., 1980)

Happy Halloween!

Once again we come to the big day! This entire month (well, most of it), I’ve tried to keep things adequately “spooky,” and it has all been leading up to this showstopper. We’re gonna throw things waaay back with what is quite possibly the very first home video release of what is also quite possibly the greatest horror film ever made: 1931’s Frankenstein! If it’s not the first release, it’s at least certainly among the earliest, not counting home super 8mm copies and whatnot. (I’m talkin’ VHS and Betamax here, man.)

In the realm of horror movie royalty, Frankenstein resides way, way near the top; if it’s not #1, it’s at least a top ten’r, maybe five’r. And even if its ability to scare has almost-certainly diminished in this more-jaded movie-going age, it still easily and aptly holds up as a genuinely great, great film, one that supports more than a few iconic moments and has basically become the veritable symbol of Halloween (you know, today).

This was put out my MCA Home Video (then billed as MCA Videocassette Inc.) in 1980, and while Frankenstein was by no means a ‘new’ film even then, it’s wild to realize it hadn’t even hit 50 years old by that point. It’s now 86 years old, and this tape itself is closer to 40 than it isn’t. I’m not sure where I’m going with all this. It’s an old VHS of an old movie that wasn’t quite as old 37 years ago as it is today, okay? There, wrap your mind around that!

When this was released, home video was still very much in its infancy. These tapes weren’t exactly cheap, never mind the VCRs required to play them. As such, rentals were the main order of the day, but even so, don’t underestimate what a revolution in movie-viewin’-at-home this was. No longer did someone have to wait for their favorite flick to show up on TV, if or when it ever did; nope, all it took was a quick trip to the video store to net them a rental, or ownership if they felt like really prying open the wallet. (Full disclosure: I have no idea how much this tape originally retailed for.)

Although they’re a more-protected species nowadays, at the time these Universal classics were still widely seen on local stations, regional horror hosted programs, and so on and so forth. But to actually own an official copy of the film, to pull it off the shelf whenever you darn well felt like it? That’s something we totally take for granted nowadays, but for classic horror fans in the early years of home video, I’m just not sure it got much cooler than that!

‘Course, while there are some differences in the print here, which we’ll get to, it’s not like this movie was unique to one specific era of home video; nowadays, you can get the film itself or the entire series on DVD or Blu-ray. I find it hard to believe that anyone reading this post hasn’t seen Frankenstein, but if by some chance you haven’t, you really owe it to yourself to pick up a minty fresh new copy right quick.

Anyway, this tape. Anyone familiar with the later video releases of not only this movie but the other Universal classics will recall how elaborate and striking their covers often were, sometimes even utilizing original poster art. Gene Shalit could even show up, too. As such, the relative sparseness of this release is a little striking; it’s the kind of tape that really could have only come out in those first few years of home video.

Not that it’s bad, mind you. The mostly-purple & black color scheme is attractive and gives off the appropriate vibes one would associate with a movie of this nature. Ditto for the tinted close-up of Frank’s mug. I like the semi-Gothic (?) font used for the title, and I’m by no means a “font guy.” It’s just, like I said, the whole thing feels a little sparse compared to what was to come, though that’s no one’s fault; video covers would soon become increasingly eye-catching – the simpler, earlier days of the format soon gave way to big ol’ boxes and legitimately striking artwork, all in an effort to entice prospective buyers/renters (obviously). I guess what I’m saying is that this release could have only come out in those first few years of video. Wait, I already said that! Well, it still holds true.

If not the film as a whole, then at least the actual character of Frankenstein (or “Frankenstein’s Monster,” for all you technical types) has become, arguably, the most famous of Universal’s many many monster movie (alliteration) creations. It stands to reason this original flick (along with fellow-perennial-favorite Dracula) was among the first released on home video by MCA. Frankenstein‘s sequels had to wait a bit longer to come to VHS, however; for example, The Ghost of Frankenstein didn’t show up until 1993!

The back cover continues the color scheme, along with two shots from the movie and the expected description. Be happy there even was a description; some early video releases used the back cover primarily to hawk other titles from the company. The description here is pretty good, giving just enough exposition to draw the buyer-renter/whoever in and nailing the hype without ruining the movie. And look! Says right there: “The greatest horror film of all time!” Told ya!

Here’s what the back cover doesn’t tell you, though its not at fault by any means: Frankenstein is a movie that has been released numerous times on numerous formats – but not quite this version. I’m a little unclear whether certain scenes were excised before the original theatrical release or upon a subsequent re-release (I’ve heard both), but either way, Frankenstein was seen for years in a (slightly) truncated form. Perhaps the most famous example of this was Frank’s inadvertent drowning of little Maria; an edit to the print made the monster seem much more sinister than the original cut intended, and that’s all viewers knew for decades. The missing scene was rediscovered and rightfully added back to the film in the mid-1980s (video releases from the time notated this fact right on the front cover), and that ‘fixed’ Frankenstein is what we’ve had on home video for years. (There were a few other fixes, but unlike the King Kong I linked to a bit ago, the film wasn’t extensively chopped up.)

HOWEVER, since the footage hadn’t been rediscovered (or at least added back in) yet, of course the first few video releases were of the older, non-restored print, and needless to say, that’s what we have here. Now, naturally I’d never argue that Frankenstein should definitively be seen in this form, but it’s absolutely fascinating to see the version that was it for decades, and which is now, you know, not.

While on the subject of the print, Frankenstein has been restored and remastered over the years, and the result is that the version we have today looks pretty stunning; Universal has treated these films well! Even if you just watch one of them on Svengoolie, you’ll usually see something pretty crisp and clean – Universal does good work, and as far as Sven goes, they often provide upgraded prints as they come along, too.

But for a 1980 VHS release of Frankenstein, well, what could you really expect? The print is good, it’s certainly watchable, and probably better than what would have been airing on TV around that time. But, there’s an amount wear, dust, etc. to the print that just wouldn’t fly nowadays. Maybe it’s not that surprising; it is an early video release of a movie from 1931, after all. Don’t get me wrong; this Frankenstein doesn’t look ‘bad’ by any stretch of the imagination (I mean, you can’t even tell from the title screen screencap there), It’s just that, frankly, I’m so used to these Universal horror films looking so…so clean. But hey, you gotta start somewhere, huh? And yes, I know the remastering technology wasn’t then what it is now. (By the way, for a VHS tape that’s closing in on 40 years old, it looks and plays quite well on that particular front.)

So, do I really even need to describe Frankenstein? Even if someone hasn’t seen it (yeah, uh huh), they know the basic storyline. Even though this film was adapted from Mary Shelley’s 1818 book, this Universal adaptation, which deviates wildly from the source, has become the iteration burned into the synapses of the public. When people think “Frankenstein,” 99.9% of them think of Boris Karloff’s immortal portrayal here. And the plot? The story has become a horror staple; people know the background and the monster even if they haven’t seen this 1931 masterpiece.

The plot concerns one Henry Frankenstein, a scientist who believes he has discovered the secret to reanimating life. As such, he, along with his hunchbacked assistant, go about stealing dead bodies and piecing them together. You know, an arm here, a leg there. (As I said before, we live in a more-jaded age, but worded like that, it still sounds pretty grisly.) Things take a wrong turn when, as the final piece of the puzzle, the assistant steals an abnormal brain. (You’re thinking of the Young Frankenstein gag right now, aren’t you?) Henry, via lightning storm, succeeds in giving the mass of body parts life, bad brain and all. If there’s one image from this movie that can be considered the most iconic in a film full of iconic moments, it has to be Henry’s exclaiming “IT’S ALIVE!” when the creature begins to stir. Trouble, of course, soon follows.

And that brings us…Boris Karloff. His portrayal of the monster is an absolute marvel; a creature capable of death, destruction and vengeance, but at the same time, also humanity. The fact he does this with no real dialogue is amazing. Yes, the monster has a deranged mind, he kills, but there’s also a real gentleness about him; watch early on, soon after he’s first reanimated, and sunlight is let in through the roof – the creature futilely reaches up towards it, and it’s just an incredible moment. Indeed, one of the great tragedies of this older print is that some of that humanity is obscured – the scene where he accidentally drowns Maria is a chief example, and though only a very small moment in the overall film, it’s a very important one, which is why the later, restored versions of Frankenstein are such a triumph.

And how about that make-up! There have been numerous depictions of Frankenstein’s monster over the years, but only one that continually sticks in the mind of the people, and that’s Karloff’s portrayal here. Sunken cheeks, flat head, bolts in the neck, the whole shtick; c’mon, you already know how he goes!

Many people point to 1935’s Bride of Frankenstein as topping the original. I can understand that thought, but I still gravitate to this first film, though the monster’s newfound power of speech in Bride makes for some iconic screen moments. At any rate, the first three movies in the series (this, Bride, and 1939’s Son of Frankenstein) feature Karloff as the monster, and he’s fantastic in each one. Those are terrific movies in general, though I love this series as a whole (and have a particular soft spot for 1942’s The Ghost of Frankenstein).

Still, it all comes down to this original Frankenstein. This is the kind of movie horror films are built upon. No joke, it’s quite possibly the perfect Halloween movie, rivaled only by Night of the Living Dead. But whereas Dead is a gritty, nihilistic late-1960s social commentary, Frankenstein is, in my mind, the definitive horror film of Hollywood’s golden age. Both are great, but for pretty different reasons, even if they do both share the whole “reanimated corpse” theme.

Frankenstein, to me, is the horror film of that era in Hollywood; evocative sets, a fantastic storyline, unforgettable acting, a budget. Everything about it is just right. It draws you in from the first scene and never lets you go. How can anyone not love it?

So, to have the movie here in what is probably the first edition released on VHS, it’s not just a cool collectible, nor is it just a cool relic of home video’s past. I mean, it is all that, but it’s also a piece of horror movie history; the first time consumers could own the movie for home use, authorized and officially. As I said before, I’m not sure it got much cooler than that!

And with that, our big Halloween update comes to a close. Have a happy and safe holiday, everybody! And hey, why not throw 1931’s Frankenstein on at some point, whatever version you may have?

Two Nice Finds at Goodwill Tonight.

Finally, finally, after a semi-long hiatus, some Goodwill finds that warrant a special post, on the same night I found them, no less. A trip to the State Road Goodwill tonight resulted in one “great” find and one “oh hell yes” find. Now, I have better luck at this particular Goodwill than I do at the Midway Plaza one (though to be fair, I visit that one less frequently), and I almost always find at least one thing, be it a book or a VHS tape I don’t mind throwing a dollar away on. Unfortunately, it’s been several months since I’ve found a really decent VCR or other electronic device there to spotlight, though my recent purchase of a Kodak 8000 Disc camera is a candidate for a future post. As much as I love that obsolete camera, though, it just can’t compare to tonight’s finds.

Read the last paragraph of this post, and perhaps you’ll understand why I was so jazzed to come across this first item. Please ignore the fact I chose to photograph it in the messiest spot in the universe.

goodwill3

A 60th anniversary roaring box edition of King Kong! Only cost $1! I’ve been hoping to come across one of these “in the wild” for years! And even better, it’s the more-scarce colorized edition! I came close, several times, to pulling the trigger on Ebay for regular black & white editions, but for whatever reason, didn’t. Fears of the now-ancient battery that powers the chest leaking certainly played a part in that. Anyway, I’m not sure why it’s taken me so long to find a roaring box King Kong in person, they’re apparently not particularly rare, but no joke, this is the first one I’ve ever come across while out and about. Anyone watching me as I snapped it off the shelf was probably like “really?” but I don’t care.

goodwill2

Yep, colorized, from when that dubious enhancement was seen as a necessary alternative to the ‘real’ black & white version. Unless they just announced something I wasn’t paying attention to, outside of pirated versions made from old Laserdiscs or what have you, this edition of King Kong isn’t available on DVD in the U.S. It goes without saying I prefer seeing the film in black & white as intended, but I will say as far as the colorization of King Kong goes, well, I’ve seen worse.

goodwill1

Now over 20 years old and against all odds, the roaring feature actually still works! Maybe not all that well; it seems fairly quiet, but it’s more than I would have expected. I would have bought this tape even if it didn’t roar, but it still functioning is a nice bonus.

As much as a I love my King Kong thing, the real winner of Goodwill tonight is what’s coming up next. It seems that someone donated a whole lot of mid-1970’s to early-1980’s toys, and believe me when I say these are the kinds of things you just don’t see at Goodwill on a regular basis. Certainly not at the ones around me. Nearly as soon as I walked in, I was seeing all kinds of ancient stuff: kiddie pinball machines, any number of race car toys/tracks, board games, even some kind of space station thing. And just when I thought I had seen it all, I’d come across something else I’d missed.

It’s the kind of thing that can lead to massive impulse buying, and you’d better believe I was scooping up so many items that my cart was overflowing. I never intended on buying every single one of them, but no one would dare violate the unspoken rule of taken something out of someone’s cart. (Would they?) I just had to safeguard them until I had a chance to go through the lot and see what was worth buying and what wasn’t.

Unfortunately, pretty much everything was incomplete, sometimes seriously so. The ones that used batteries and whatnot may or may not have worked. In the end, I ended up buying only one thing, something I knew I was going home with the second my eyes fell on it. You know how I sometimes state that I’d fight someone for ____________ should I come across ____________ at a yard sale/thrift store/etc.? This is one of those items:

goodwill4

The Mini Monster Play Case from Remco’s 1980 line of Universal Monster figures?! Oh I’m buying it and you can’t stop me. I may have snapped King Kong up fast, but my grabbing of this was something more akin to Bruce Lee. We’re talking lightnin’ quick moves here. Keep going lady, this one’s mines. I’m not sure if everyone (anyone?) can relate to this, but this was one of those times where you’re so excited about finding something, that immediately you get insanely protective of it, as if someone will try to take it away from you. I’m not kidding, I think the last time I got like that in this Goodwill was when I found an incomplete M*A*S*H Vodka dispenser a couple summers ago.

I knew when I looked inside that it wasn’t remotely complete. Honestly, I didn’t care. Even if this was the case alone, nothing inside, no accessories whatsoever, I was buying it, because I love the Universal Monsters just that much. The case may not have been complete, but there was something even better inside…

goodwill5

Four of the six Universal Monster figures from this line! There’s The Gill Man, Dracula, The Mummy, and The Phantom Of The Opera, all in really nice shape. Only Frankenstein and The Wolf Man are missing.

goodwill6

Actually, when I found all this, The Phantom was laying outside of the case and with his cape off. Since the chances of him being in this Goodwill and not coming with this set are less than zilch, I returned him to his rightful place with the other three, but it’s clear someone must have been looking at this before I got there. I wonder if there were Frankenstein and Wolf Man figs that someone bought separately? Keep in mind, the case originally didn’t come with any figures back in 1980, so the original owner may have had only the ones seen above. I certainly looked all over for any further displaced figures, but no luck. Not that I’m complaining, because I didn’t have any of them, and I totally would have been happy with just The Gill Man and/or Dracula. As far as I’m concerned, The Phantom and The Mummy are just nice bonuses.

Just like King Kong, there were times in the past where I came close to buying some of these figures on Ebay, but backed off because the price was just a bit too high for my tastes. I sure can’t complain about the price here, because the entire set cost me three big dollars! The figures alone, especially in this nice of shape, are worth waaay more than $3 apiece, never mind four of them together in a very good condition (albeit incomplete) Monster case.

Yep, miracles can still happen at Goodwill, you just gotta be in the right place at the right time. I don’t know when all this stuff went out on the floor or what was bought before I walked in the door, but damn dude, I couldn’t be happier with what I did get.

All that and Son of Ghoul was brand new tonight. Today has been a good day.