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EPISODE REVIEW: The Ghoul’s Presentation of THE TERROR (September 8, 2000)

Happy Halloween!

*sigh* But Halloween this year comes with a caveat; it’s our first without Ron “The Ghoul” Sweed. As is well known by now, the horror hosting legend passed away on April 1st of this year. For countless fans, including yours truly, it was of course an incredibly sad event; I’ve sorta gotten used to it by now, but for months, it was so hard to realize, and sometimes still is, that he’s really gone. It’s a strange feeling; even though we’re now over 20 years for much of his WBNX TV-55 run, time has passed by so fast, and by and large those shows don’t feel that old to me, that yeah, sometimes it feels like “but he was just on TV, he can’t be gone!”

Our Main Maniac (and nemesis Froggy)!

So, as a final tribute to the host that colored the lives of so many in Northeast Ohio and Detroit, let’s do one more Ghoul Power post before the year is out. Is there a more appropriate time than October 31st? I posit that there is not.

You may be looking at that header and wondering “why do an episode from September 8 for a Halloween post?” A fair question, to which I have two answers: 1) I strongly feel that horror host material from any date on the calendar works for a Halloween post because, uh, it’s a horror host. 2) Even though this originally aired in early September, there’s a strong Halloween vibe to the proceedings, even beyond what there would normally be, which we’ll see as we go along through this episode recap.

There’s an additional reason, too: there was no proper Halloween episode for the show that year. Indeed, this was the penultimate show of his ‘prime’ run on 55; from his debut on the channel on July 10, 1998, The Ghoul ran at 11:30 PM Fridays. At the time of this airing, that would continue for exactly one more week, and then starting on September 24, he’d be moved to Sundays at midnight (technically Monday mornings, so September 25 if y’all wanna get technical), and his movie selections greatly (but not always) altered drastically. As such, this was one of the last times Northeast Ohioans would be able to see him on the day/time that was a natural fit for him. (I could review his final show at 11:30 PM Fridays on September 15 for this article, but I’ll save that for a theoretical 20th anniversary post next year. No promises though; there’s always the chance I’ll have tired of this blog by then.)

You wanna know what The Ghoul got to run for Halloween 2000? Alice in Wonderland. As in, the Disney movie. No sound effects, no drop-ins, just the movie straight; obviously it was in 55’s movie package and subsequently foisted upon the Main Maniac. Even though there were some Halloweeny host segments, they still didn’t really make the episode feel ‘right’.

That was all in the future however; for the time being, all we knew at home was that The Ghoul was where he belonged, running the kind of movie that belonged, and all of it marinating in the vibes that was and is Northeast Ohio in the fall. (Okay, okay, technically it wasn’t fall yet. It wasn’t officially fall until September 22, 2000; yes, I looked it up. But c’mon, August was over, schools were back in, for all intents and purposes that’s fall!)

So anyway, this episode. After the show’s opening theme, the episode started with a computer animated sequence in which a Ghoul-shaped spaceship…flied through a black hole? I’m really not sure how to describe it, and screencaps won’t be of any help. So instead, let’s first talk about the movie: 1963’s The Terror. We’ll get to The Ghoul stuff afterwards.

THE TERROR’s title screen, obviously.

The Terror has long been a public domain staple. Over the decades, there have been countless home video releases, and needless to say, numerous television airings. With a big name cast and crew and colorful Gothic scenery, it’s a natural fit for horror hosting. A Roger Corman product, the movie was hastily filmed to take advantage of the still-standing sets from The Raven (the story goes they were basically being torn down *during* filming), so it sure looks better than it has any right to. The plot leaves something to be desired, but there’s something oddly entrancing about the movie nevertheless.

Jack Hill and Francis Ford Coppola (!) were apparently among the uncredited directors for the flick, but it’s the two stars that really raise the figurative eyebrows (and make this a natural for releasing/televising over and over and over…not to mention that whole public domain thing): Boris Karloff and Jack Nicholson! Easily the most immediately visible aspect of the film, the two big name stars (well, later-to-be big name star, in Jack’s case) basically carry a film whose plot is kinda awful.

Nicholson and Karloff, in the roles they were born to play?

Set in the 1800s, the movie concerns Napoleonic officer Andre Duvalier (Jack, in a role I like to imagine he’s pretty proud of), who, while following a mysterious girl, happens upon the mansion of one Baron Von Leppe (Karloff). It seems the girl Duvalier was following is some sort of apparition, the consequence of the Baron’s murdered wife 20 years prior…or something like that. Also the Baron isn’t really the Baron, and then there’s a flood in the mansion’s crypt, a witch that gets struck by lightning, and…and… Look, just go and read the the summary in that Wikipedia link, okay? It explains things better than I ever could. (Luckily, since the movie’s public domain, I don’t have to fret too much about fair use and details here!)

For years I hated The Terror, for the simple fact that it was seemingly everywhere. Too many TV airings, enough VHS releases to trip me as I walked down the street, and a movie I didn’t like enough to make me okay with any of that. The Terror was an ever-present thorn in your Northeast Ohio Video Hunter’s side, man.

But you know, in more recent times I’ve come to gain some kind of appreciation for the film. No, it’s not very good technically, but somehow, it manages to be entertaining nevertheless. The plot is what it is, but that sumptuous early-60s color, terrific Gothic scenery, generally ‘spooky’ atmosphere, and of course Boris Karloff and Jack Nicholson, it all combines to create a film that just works, inexplicable as that may sound. To me it’s more of a flick that you let ‘wash over’ you than one you seriously sit down to watch (if that makes any sense), but that’s to its benefit, not detriment.

(And besides, no matter how bad you think The Terror may be, Karloff made worse. Seriously, I watched House of Evil – one of those U.S./Mexican productions released after his death – a few months back, and bluntly put, that film is unwatchable crap. The Terror manages to attain a weird level of endearment, if for no other reason than because of who it stars, how it looks and the fun backstory behind it. House of Evil has no such qualities; even Karloff couldn’t save it, and that’s not a statement I make lightly. The Terror is a five star tour de force compared to that garbage.)

Whatever plot issues The Terror may have had in the first place were only exacerbated when this film showed up on The Ghoul Show. I’ve said this before, but at that time, you didn’t really tune into The Ghoul to watch a full-fledged horror flick. With all of the editing that could hit a given movie, and with numerous (and often quite lengthy) host segments littering the breaks, the film sometimes seemed like an afterthought. Add in all the sound effects and drop-ins and such that The Ghoul employed, and frequently you got less of a movie and more of a random patchwork of scenes – and rest assured, that was part of the fun!

The Terror certainly didn’t make it through unscathed, either. Why would this film be an

One of The Ghoul’s many “fact bubble” gags from his 55 run.

exception? The plot, or what there was of a plot, was made even more incomprehensible with all the cutting to fit more Ghoul stuff in. (Good!) One sequence, a somewhat-disturbing falcon attack, was excised entirely, for example.

But like I said, that was part of the fun. And, things were made all the better with the sound effects, music, and as you can see here, humorous “fact bubbles” (not unlike Pop-Up Video; remember that show?) that The Ghoul would throw at a given feature. That was also, needless to say, part of the fun, too!

The Terror isn’t exactly Night of the Living Dead when people think of “classic Halloween movies.” At least, I don’t think of it as one. And yet, it somehow still ‘fits’, even beyond the genre it’s a member of. The look, the feel, heck, even the title, it just seems like the kind of flick you’d have playing in the background of a Halloween party, or as you wind down the night in front of the TV, or what have you. Like I said before, this episode aired on September 8, 2000, but given this film and some of the Ghoul material we’re about to look at, it feels like a good match for today. Well, it does to me, anyway.

Okay, now it’s time for The Ghoul stuff!

Cooling it wit da boom booms!

All though they could be mixed in at any time in the show, typically the first commercial break lead-out sketch was a blow-up segment – one of the chief hallmarks of The Ghoul. Going back to the Ghoulardi days, people would send in models and the like to be blown up on-the-air. I wasn’t around for Ghoulardi, but in The Ghoul’s case, usage of “the boom-booms” was practically an art form. A noisy, destructive, funny art form.

This time around, someone sent in a werewolf riding in what appeared to be a hot rod (and complete with a cool full moon back drop to boot). As would occasionally happen, the first boom boom was a dud, leading The Ghoul to come back in the shot to try again. The second one worked, obliterating the wolf, but the rod seemed relatively unscathed. I always kinda preferred it when every part of whatever was being blown up was, erm, blown up (i.e., leave no piece un-destroyed!), but the werewolf was obviously the main attraction here, so mission accomplished.

This shot just screams “fall in Northeast Ohio” to me.

The first proper host segment was an example of my favorite kind of Ghoul bit; there was an actual purpose behind it, but mainly The Ghoul was just messing around. I always like it when a host is more ad libbing and shooting the breeze with the crew than ‘doing’ something, and, well, The Ghoul was pretty good at that sort of thing. Here, he takes the opportunity to superfluously throw a (lit) boom boom on the floor, dance around, take some good-natured digs at Wilma Smith (the channel 8 anchorwoman was a favorite target of The Ghoul), mention an article on Jungle Bob, comment on the bottle caps used for bottles of Ghoul Brew (evidently they weren’t all twist-offs!), all before getting to the real point of the segment: that coming October 7th, The Ghoul would be appearing at the 3rd annual “Pumpkin Chuckin'” event in Madison, Ohio, in which pumpkins were catapulted high into the air to the delight of all. Evidently this is a real, nationwide thing, which I honestly did not know until I went looking to see if this Madison, OH event still happens. (I couldn’t tell. I don’t think so?) In addition to showing some footage of the chuckin’ from the previous year, The Ghoul mentions he and the crew would be there all day, there would be a Ghoul lookalike contest for the kids, and a pumpkin eating contest. I imagine a general air of frivolity, too. Honestly, it sounds pretty awesome and something I’d actually consider going to. As you can plainly see, despite the September air date of this episode, the Halloween festivities were already in motion.

Footage from The Ghoul’s appearance at this Pumpkin Chuckin’ event would air on the show that October…after it had been moved to Sunday nights. What was the movie that night, you ask? A 1990 made-for-TV drama starring Rue McClanahan and Patrick Duffy titled Children of the Bride. Yes, really. If you read my 20 year Ghoul Power tribute article (linked at the start of this article), you’d know the Sunday/Monday era of the show could hold some surprises, some of them pleasant, but then, there were other times when movies like that had to be shown. No sound effects or drop-ins either. Suddenly Alice in Wonderland don’t seem so bad no more!

An impromptu (?) basement sale visit…

Even though this episode is more of an autumnal piece, because it took place so soon after summer, there’s a lot of looks at places The Ghoul went and things he did during that time. (It was also a reminder that the school year had just started, not an ideal situation for kids like me!) Much of this footage is interesting, if for no other reason than to see The Ghoul out and about – something that sadly can’t happen anymore – but it’s not very conducive to an episode recap. So, I’ll probably power through much of it.

First off, The Ghoul and crew stopped at a basement sale, which appeared to be not unlike your common yard or garage sales…except in a basement. From sounds of it, this was a genuine surprise to (I surmise) the home owner, who nevertheless got a kick out of it. The Ghoul also carried the big giant “Kielbasi of Wisdom” (a big plush kielbasi) around for much of this on-location stuff, which is just such a Ghoul thing to do. They got a big kick out of the home owner’s ecstatic declarations that this is “the real Ghoulardi,” so much so that they repeated the audio as the segment fades to break.

Having fun with a pair of wax lips.

The next segment found The Ghoul fiddling with a pair of wax vampire lips, because according to him, “Halloween comes and goes so fast, you better start celebrating while you can. So that’s why we’re doing it now!” (See, told you this review was a fit for today!)

That’s followed by declarations of “Osaka!” which then led into them playing of “Who Stole the Kishka?” not unlike whenever “Parma?!” was yelled. (Something else that went back to the Ghoulardi days.) According to The Ghoul, this was for the benefit of their new viewers that were now seeing the show in Japan; I forget the genesis of this but methinks this was just a running gag. I mean, unless there was some wacky satellite hookup or something, could they really get the show in Japan? I don’t think the show reached outside of Northeast Ohio, let alone Japan! (Still, the “Osaka!” declarations are funny, and again, such a Ghoul thing to do.)

There’s some footage of The Ghoul performing on-stage at some event (I’m a little unclear on where, but it looks like an actual house party that The Ghoul & Mr. Classic (of WNCX’s Saturday Night House Party program) showed up to. The Ghoul did a little emceeing and performing, and it’s fun but not really conducive to screencapping.

No kidding, I *love* this idea!

HOWEVER, the next bit of personal appearance footage, from the Parma location Daffy Dan’s, has a really great moment that I wish I could have simulated. Someone actually asked The Ghoul to sign their car! Now that’s awesome! I wonder what happened to the car? Do they still have it? Did they put a protective coating over the signature? I’d hope that if they got rid of the vehicle later, they at least kept the door!

Froggy pummelin’!

There was more fun to be had at Daffy Dan’s too, this time at the Lakewood location. (There used to be several Daffy Dan stores, though near as I can tell there’s only one left, which is a shame considering what a Cleveland institution it was/is. The only one left seems to be in Lakewood; same as this one here?)

It seems like this appearance is where he first got the giant “Kielbasi of Wisdom,” so of course he took the opportunity to pummel Froggy with it. (Footage of The Ghoul tossing the kielbasi at Froggy and knocking him down was later used in the intro to the Sunday/Monday shows, later in 2001 if I recall correctly.)

The Froggy abuse is fun, but what I’ve really got my eye on here is in the top screencap: lookit all that Ghoul merch! Daffy Dan’s was one of the local places they got to regularly stock his stuff back then, and just from this clip alone I’m seeing bottles of Turn Blue Ghoul Brew and Froggy Squeezin’s, plastic travel mugs, and t-shirts. *sigh* If I could only go back in time…

(No kidding, I collect broadcasting-related mugs and glassware and such, as you well know, so my failure to get one of those plastic travel mugs, or swanky glass mugs they also sold around that time, was a serious mistake on my part.)

A new stool and bumper stickers.

Next segment had The Ghoul with the kielbasi on the set, waxing on the possibilities it opens up. “It just sort of, uh, creates a plethora of adventures to do stuff with!” Funny!

Also on the docket: The Ghoul got a new stool. “It swivels?!” He seemed pleased by the addition.

There was also a very brief look at the then-new Ghoul Power bumper sticker, which I believe was still available up until maybe a year ago or so? Again, if I could only go back in time…

(This is all followed by more on-location footage, including some at the start of the next commercial break, that quite frankly I don’t have much to say about. It’s neat, it’s interesting, but out of context, I’m sort of at a loss for words. The abundance of location shots is, I’m guessing, why some of the regular features of the show at the time, the vintage clips via The Vault of Golden Garbage and Jungle Bob’s animals segments in particular, weren’t present in this episode. The Vault would occasionally be skipped when there was a lot of extra material, but Jungle Bob rarely was. Or maybe JB was just busy that week, I don’t know, it’s not like I was there.)

I so wish they still made Ghoul Brew…

Interspersed throughout all of the personal appearance bits is one more legit host segment, including a reminder for Pumpkin Chuckin’ (I wonder if they knew the show was heading towards Sunday nights, and that’s why they were pushing the event so much, even though it was just under a month in the future? Take advantage of the more visible slot while they could?). Also something that’s really, really cool, despite being beyond common at the time: The Ghoul showing off Turn Blue Ghoul Brew. Not one, but two this time. The Ghoul: “Drinkin’ in stereo, boys and girls!”

(For those unaware, Turn Blue Ghoul Brew was, obviously, The Ghoul’s very own beverage, a non-alcoholic concoction that was basically blue root beer. It was tasty, and it really turned your tongue blue! I still have some unopened bottles, which I liken to expensive wines but far cooler, cause, uh, blue. Later, Froggy Squeezin’s were released, which was a green lemon-line drink, also non-alcoholic, and also tasty, though I only had it one time. The story behind that is in my 20 years tribute article that was linked to earlier.)

Bouncin’ on out of the studio for the week.

And finally, the outro segment. It’s a pretty long one, over 8 minutes, and after showing off the giant sub the crew had for after the show, some random goodies, and yet another reminder for Pumpkin Chuckin’, it was time for The Ghoul to bounce on out of there for the week, as he customarily did at the end of each show.

It was never fun seeing the show end, but it takes on an added, bittersweet air now. Not just because The Ghoul has since passed, but also because, frankly, we just wouldn’t be able to watch the show like this for much longer. Next week was it. (The following week’s movie was 1940’s The Ape, also starring Karloff, but unlike The Terror is a film I genuinely love – though it took me years to warm up to it, as well.) While there were definitely some highs to the Sunday/Monday era (and, though I had stupidly checked out for virtually all of it, I assume the Friday night/Saturday morning 3:30 AM era that started in fall 2002, too), this was pretty much it for ‘prime’ Ghoul Power. Despite having the longest run of any of his stints on Cleveland television (about 5 1/2 years), The Ghoul’s stay on WBNX as people think about it was just about over here.

I didn’t know about the move to Sundays beforehand; it was announced the following week, almost casually, though The Ghoul obviously wasn’t happy with it. Did they know about the slot move, was it something they were hoping could be resolved in time, or was it sprung on them like it was the viewers? I just don’t know. I was gutted when it happened, though time and nostalgia and an objective mind has allowed me to greater appreciate much of what came after, much more than I did back then. Nevertheless, something special was in the process of passing on September 8, 2000, whether anyone knew it or not.

All that said, this was a good, ‘solid’ episode. Maybe it didn’t do anything earthshaking in the context of the series as a whole, but the on-location footage was a nice reminder of when The Ghoul really got around town. Furthermore, the in-studio stuff was, as always, entertaining. I’m guessing there was a loose framework to what he wanted to talk about, but it seems that The Ghoul would just ad lib most of his material, which of course was a big part of the atmosphere. Add to that a classic (well, “classic”) movie that lent itself well to the program, despite the butchering it received, and yeah, a real solid example of Ghoul Power. There’s an additional note of sadness: just over a year later, the world would go mad, and that indefinable aura of innocence we had beforehand would be gone forever. But that was in the future; for the time being, no such worries haunted the general populace. Or at least, they didn’t haunt the grade school kids like me who rabidly looked forward to these Friday night sojourns into lunacy.

And with that, our big Halloween post comes to a close. Have a happy and safe holiday everybody! Depending on how industrious I feel in the future, well, I’ll see you when I see you!

EPISODE REVIEW: The Ghoul’s airing of 1935’s SCROOGE (December 17, 1999)

I have no idea what’s happening the rest of the month, so consider this your de facto Christmas and New Year post.  I suppose I could wait till Monday and post this on the 19th anniversary of the original air date, but I’m, uh, not.

But hey, if I’m gonna jump the gun, what a way to do it!

Under normal circumstances, I wouldn’t do another “Ghoul post” so soon after the last one, even if the last one was in actuality back in August. Not that I couldn’t babble about Ghoul Power every single day if I wanted to; it’s just that I worry about over-saturating all four of my regular readers or something like that.

At any rate, in the months since that August update, some sad and shocking news dropped: Ron “The Ghoul” Sweed suffered a massive heart attack. I don’t know all of the details, other than it happened and that triple-bypass surgery was needed. As far as I know, and hope, he’s had the surgery and is recovering now. Scary, scary stuff; I sincerely pray he makes it through with flying colors and comes out stronger than ever.

Well before that news (and also well before that August post), and certainly continuing afterwards, I had made a habit of revisiting a lot of the old Ghoul shows I recorded off WBNX TV-55 in the late-1990s and early-2000s. For the most part they don’t feel that old to me, and yet it’s been so long since I had watched some of them (or in some cases, taped but never watched at all), that they’ve essentially become ‘new’ to me all over again. I have greatly enjoyed having a regular (sometimes every single night) dose of Ghoul Power!

So, to talk about a horror host in December, it may seem a little strange, until you realize (or at least read the title of this update) that every Christmas season, The Ghoul went all-out in celebration, and he perhaps never went more all-out than he did in December of 1999, when the entire month was dedicated to Christmas-appropriate films. Not only was it intensely festive, but The Ghoul was probably at his peak in both material and visibility on the station.

Over the course of the month, not one but two films that would become personal Christmastime favorites of mine were presented: 1964’s Santa Claus Conquers the Martians (for me it has become a tradition to watch this movie at some point in December each year), and our subject today, 1935’s Scrooge, which also happens to be my go-to film adaptation of Charles Dickens’ A Christmas Carol. The Ghoul tackled it on December 17, 1999, one whole week before Christmas Eve! The anticipation was running high, and Santa Ghoul was running rampant!

The episode opens with a really cool intro: old footage of “Santa Ghoul” from the WKBF TV-61 days (i.e., the 1970s) being pulled by a reindeer, and then transitioning to the modern day Santa Ghoul on his set, before transitioning back to the old footage to close the intro out. Neato!

During the ‘current’ portion of his intro, The Ghoul promises not just a movie, but all kinds of “eclectic Christmas vignettes,” and boy, he wasn’t lying! During the Friday 11:30 PM era of his WBNX run, man, there would be a ton material packed into any given show, and this installment was no exception. Some vintage bits, some trips around Cleveland (including visits to the WOIO and WNCX studios), some ice skating, all in addition to his on-set antics and a genuinely good Christmas movie! When it comes to local holiday celebrations, this was a terrific, jam packed example – and there was still a week to go before his actual Christmas special!

Before we get to all of The Ghoul stuff though, let’s look at Scrooge. Look, I wanted to do some kind of tribute to The Ghoul before the year was out, but I also really, really wanted to talk about this movie. I love this movie; not that I’m terribly familiar with the others, but it’s still my favorite film version of A Christmas Carol. Some of that’s nostalgia; for years, WAOH TV-29/WAX TV-35 (“The CAT”) annually ran a commercial-free presentation of it each Christmas Eve (I talked about it before, though don’t bother visiting that link; the article is old and terrible). But even beyond the fond memories, I just think it’s a genuinely good film.

Released in 1935, this is not only one of the more underrated adaptations of the story, it’s also one of the more obscure. Both the 1938 and 1951 versions tend to eclipse it, though I admittedly have no real experience with those (they may very well be, and apparently are, better movies).

Still, when you’ve got the foundation of stellar source material, it’s probably all relative (to a point, anyway). The classic tale of Ebenezer Scrooge, miserly and anti-Christmas-lovin’, getting a verbal beat-down by the tortured spirit of former business partner Jacob Marley and then put in check by ghosts of Christmas past, present and future in order to make him not only get Christmas but get Christmas all year long, hey, it’s legendary stuff. No joke, calling it “legendary” actually seems to downplay the whole thing; A Christmas Carol has become one of the most recognizable, enduring ‘extras’ associated with Christmas.

(In other words, do I really need to explain any more of the plot? Doesn’t everyone know it by now? I’m pretty sure there are kids that are born automatically knowing this story.)

Great source material or not, I’d imagine any filmed version of A Christmas Carol ultimately hinges on the guy in the lead role, and let me tell you, Sir Seymour Hicks makes for an excellent Scrooge. From the onset, he’s not just cranky; he’s downright unpleasant. You’re not supposed to initially like Scrooge of course, and Hick’s rendition is so filled with vitriol, so angry at anything approaching cheer, that you really don’t.

Of course, that just makes his eventual redemption all the more joyful, and Hicks is terrific in demonstrating the transition. He really comes off as a changed man! And his looks of sadness at what he has and is missing out on, as well as his fear at what will be, are all nicely portrayed as well.

1935’s Scrooge also has something going for it that I find continuously appealing: a feeling of authenticity. Sure, the movie is old (duh!), black and white (duh duh!) and a little creaky (duh duh duh!). But it somehow feels like Britain in 1843, as if it was really filmed back then. Sure, there’s probably some time period inconsistencies, but for your average fella such as myself, the vibes are overwhelmingly old fashioned, I guess you could say. It feels like you’re there during an old timey English Christmas, or at least it feels that way to me.

The movie also does a good job of presenting the deeper aspects of Christmas, as you’d expect. Sure there’s the parties and merriment and so on, but ultimately it’s about a generosity and happiness of spirit, with obviously the birth of Christ at the center of it all, even if only by implication. (I should mention now I haven’t actually read the original book, unless you count the mega-abridged and rewritten edition I read when I was in like 3rd grade – which I don’t.)

In its original British incarnation, Scrooge was 70+ minutes long, but for the U.S. it was edited down to around an hour, and it’s those truncated prints that made the rounds on American television and home video for decades. (And the fact that it’s apparently public domain in the U.S. only exacerbated matters.) Obviously it was a common hour-long version that The Ghoul was running, but unlike a good many flicks featured on the show, it wasn’t chopped to ribbons. The only bit I really noticed missing was the “Lord mayor of London celebration” scene, but its exclusion didn’t hurt the plot any. Indeed, by and large, the ‘meat’ of the story is here and is completely coherent.

And of course, since this was The Ghoul after all, there was a bevy of sound effects, music and what have you dropped into the film, including the humorous “fact bubbles” that were a staple of the show at the time, as you can see here to your right.

So, when you’ve got a movie that’s not only fitting for the season but also actually good and whose plot you can easily follow, hey, that’s always something that can get you in the holiday mood. But of course, being only an hour long originally, even after commercials were taken into consideration, there was plenty of time for wacky Ghoul material, and that’s just what viewers got that night of December 17, 1999…

(Indeed, there was so much material, I’m only going to focus on a few of the personal highlights here.)

The Ghoul liked to take little digs at Big Chuck & Lil’ John, albeit digs that were always good-natured in spirit. Given the shared Northeast Ohio-history between the two shows, never mind that both aired at the same time on Friday nights back then, it was only natural. Here, because it was in the thick of the Christmas season, The Ghoul wanted to wish good will to men, all men, even Chuck & John…which was demonstrated by him holding up a Big (wood) Chuck and a Lil’ John (toilet)! This was followed by a “call” to Chuck in which The Ghoul had to remind him not only who he was (“Not Ghoulardi; The Ghoul!”), but also who Lil’ John was!

Immediately following that little bit was footage of The Ghoul, in full Santa regalia, and Froggy visiting the offices of WOIO/WUAB, traipsing around the lobby, talking to some of the staff, and culminating in The Ghoul pulling his beard and mustache off and putting them on a hanging portrait of Denise Dufala, and then making a hasty exit!

Dufala was another local personality that The Ghoul had a good-natured “feud” going with at the time, and the shot of her picture with the beard and mustache on it was repeated for the longest time afterwards, with the declaration that she was a “bad mamma jamma” later grafted on.

Ahh, a blow up! What would The Ghoul Show be without a little juvenile destruction? It was a tradition going all the way back to the Ghoulardi days of the 1960s, and a show never quite felt complete without one ‘splosion to set the mood.

This time around, it was a model car that got the explosive nod, and it did indeed blow up real nice! Quick, silly, simple, and a lot of fun.

You know, it’s amazing how big of a destructive influence The Ghoul had on both me and my brother. We never really had legit fireworks in which to destroy things, but fire, smashing, what have you, that sort of stuff was within our reach. In fact, I have two related stories that can be directly attributed to the influence of The Ghoul…

1) Once, at a computer swap meet-type convention (of all places), my brother bought a box of already-assembled model cars from a guy. They weren’t particularly old, nor were they particularly intricate pieces (snap-on plastic, maybe some glue, decal stickers), but the dude had obviously spent some time putting them together. You can see where I’m going with this, can’t you? Over time, all of those cars met destructive ends, mostly by crushing/smashing, I’d imagine. I almost feel bad about it now, because I can just imagine the guy feeling like he was passing these cars, cars he spent time with and enjoyed assembling, on to someone who would (supposedly) appreciate them, and that was the end they met instead. Actually, it’s kinda (darkly?) funny when you think about it.

2) At one point, again in lieu of fireworks, I combined by Ghoul-fueled destructive tendencies with my love of Japanese giant monster movies and created a game imaginatively titled “Gamera.” “Gamera” took place in our backyard, in the circular dirt “arena” in which our old pool once stood, and involved a thick plastic sea turtle I got at SeaWorld or some place being tied to a rope and swung around in the air before attempting to slam it down upon G.I. Joe figures that weren’t deemed important enough to keep. (Since I collect that early-1980s to mid-1990s G.I. Joe line nowadays, this decision was eventually revealed to be a mistake.)

Obviously it wasn’t a very precise game, so a (relatively rare) direct hit was certainly cause for celebration. Since the toy turtle wasn’t exactly indestructible, his limbs began to wear down and break off from the abuse after awhile, plus I got a nasty blister on the inside of my thumb from the constant swinging of the rope. (Those Joes were pretty durable and put up a good fight, too!)

Look, my brother and I were young enough to be amused by things like this, and it was pretty much all thanks to The Ghoul. Anyway…

A short, funny bit in which The Ghoul greets carolers at (ostensibly) his front door, only to then be regaled with loud, out-of-tune, and mismatched Christmas carols. Eventually, he just goes back inside, only to have the carolers continue singing (and even peeking in his windows)!

I recognize some of the Ghoul crew as the carolers; I’m guessing the rest were family members? Oh to be one of those lucky few in a Ghoul skit!

In addition to the opening WKBF material, there was another nice holiday-themed surprise from the past presented on the show, this one from his WCLQ TV-61 run in the 1980s. Here, The Ghoul narrates some of the annual traditions that take place during the Christmas season, including an unlucky-in-love couple but mostly focusing on a big giant brawl (“What Christmas is complete without the traditional holiday fistucuffs?”), which The Ghoul passes through without trying to stop. (This piece appeared to be part of a larger bit that was truncated somewhat for this particular broadcast.)

Now this is really cool: during one host segment, The Ghoul holds up a shirt for the then-new Ghoulardi’s Bar & Grille, a local establishment named (obviously) after the Cleveland horror host who set all this in motion so many years prior. The Ghoul promises to visit there sometime in the “very near future.

That would turn out to be true, as there were multiple instances of footage from Ghoul appearances there run in the following years. And why not? The two were a natural fit!

I never had the chance to visit Ghoulardi’s, and the place has evidently since closed, so that’s something I’m just going to have to live with. (Also, with all of the old local restaurant glassware and such that I come across during my travels, I have yet to stumble upon some Ghoulardi’s memorabilia in-person, and that’s something else I’m just going to have to live with, apparently.)

Ah, my buddy, Jungle Bob! Yep, JB was a regular guest on The Ghoul Show at the time, for awhile there having a weekly segment.

This time around, he had some parrots with him, including “Booger,” the green one from the Amazon, and “Orion,” the African grey parrot. Both were only a few years old at the time, which means it’s a safe guess that they’re still alive. (Parrots, as JB points out in the segment, are pretty long-lived creatures!)

That’s the recently-retired (*sniff*) Mr. Classic of WNCX holding “Orion.” At the time, The Ghoul would join him during his weekly Saturday night request show on the station.

As I said earlier, there was a lot packed into this show, and more than what I’ve described happened during it. Other shenanigans included some ice skating, visits around Cleveland, chats with citizens, and even an interview with Michael Stanley during a trip to the WNCX studios. And through it all, The Ghoul was in his Santa suit, keeping things in the Christmas spirit.

But, I’m going to close out this article with the image above: Santa Ghoul, hopping out on his bouncy ball as the show drew to a close, Ghoul Power just about done for the night. It was one week till Christmas Eve, or, if y’all wanna get technical, a week till Christmas proper, since it was well after midnight by that point.

(A funny email moment before The Ghoul exited: someone wrote in asking if he was interested in getting some audio copies of his late-1970s WXON TV-20 shows from Detroit. The Ghoul declined, because as he himself bluntly put it, those shows “sucked.“)

So, like The Ghoul, I’m gonna hop on out of here (figuratively), because that just about wraps up the big Christmas update; a more fitting post I could not think of. A terrific Christmas movie, a generous helping of Christmas cheer throughout the skits and host segments, and what I hope is a fitting tribute to Ron “The Ghoul” Sweed as he faces his health crisis. My prayers, thoughts and best wishes are with him, and I’m sure it’s the same for countless other 10 Star Generals in the Ghoul Power Army.

I truly hope you all have a blessed Christmas and a happy, safe new year. Ignore the constant drive for more and more gifts and instead remember the true meaning of the holiday, what it’s all about and what’s really important. That is my hope for you all.