Tag Archives: vhs vcr

Magnavox Hi-Fi VHS VCR Model No. VR2072AT01 (Circa-1988)

Well, I wasn’t planning on doing another electronics post so soon after the last one, but this is just too cool to not warrant an update. I can’t promise it will be a long update, but an update it will be nonetheless.

Now at first glance, this may not look all that noteworthy; I mean, it’s a Magnavox 4-Head, Hi-Fi VCR from somewhere in the late-1980s, model number VR2072AT01 – cool, but cool enough to write about? It’s got a fair amount of features, it’s solidly built, and unlike most of the stuff I bring home, it had its original remote included. The fact that the initial testing in the thrift store where I found it seemed to rule out any major problems was just the icing on the cake. At only $5, it was a fine find.

And yet, none of that was quite why the machine blew my mind enough to warrant an article. Oh no; look up above and see if you can spot the really interesting aspect. Upon my first coming across this, my eyes were quickly drawn to the door; it had the audio level gauge printed right on it! That’s something I had never seen before, and I was wondering just how such a thing would operate in action. So, I plugged the thing in, grabbed a random tape lying about, and got to testing. My suspicions were confirmed: During playback, the audio levels are actually displayed on the tape door! Now that’s cool!

When I hunt for old electronics, I’m always on the lookout for things with unique features, that dared to step out of the box in some way. I say this qualifies. Sure, having the audio level meter on VCRs was common among the better models of the time, but to actually render them on the tape door? That’s a new one on me, and it feels just special enough to give this model an extra air of “high-tech-ness.”

Here’s a closer, albeit lower-resolution (because I left the flash on my phone off and it evidently doesn’t like that), shot of the machine in action. The door feels just thick enough to allow for whatever makes putting the audio levels on it happen, so I hesitate to state they’re actually superimposed on there, but with an actual tape right behind them, that’s sure what they feel like.

I did some further token tape testin’ (alliteration) while still at the thrift store, but this was such a neat aspect of the VCR that it was basically already decided it was coming home with me, especially at only $5. It appeared to work perfectly, but by that point that was just gravy for yours truly.

No joke, I had never seen something like this on a VCR before, and after purchasing it, you know what? I still haven’t! I figured a quick online search would tell me more about this model, but oddly enough, aside from an expired Craigslist ad and a few scattered mentions of the model number here and there, info on this particular unit was surprisingly scarce. Even the much-loved Vintage VHS Gallery site left me hangin’ in regards to this Magnavox, though I gleaned some other important knowledge regarding their models from the period.

Such as: Many, maybe even all, were Panasonic-made VCRs, simply rebadged with the Magnavox name (Panasonic made a bunch of machines for other companies around that time), and they were very solidly-built. I assume same goes for this one. And, while I don’t know if this is the case with this VCR, but some such as this machine only featured a single rubber belt inside, which resulted in units that continue to function well even today. That would account for how well this one currently performs (more on that in a bit), unless unbeknownst to me it had been repaired at some point, of course.

Also, these were/are early On-Screen Display VCRs. That is, they brought up a blue-screen that let you program the clock and other functions right from your seat via remote. Also, other pertinent information is displayed on-screen during playback, if the viewer so desired. That’s all something that became incredibly commonplace in the following years, so to see it in its infancy here is pretty interesting.

A close-up of the other side of the front panel. The hours-minutes-seconds counter is infinitely preferable to the older-style four-digit counter that was increasingly out-of-date by then. The expected tape-in, recording speed, and audio info indicators are also nice, and the display here remains nicely bright and sharp, which isn’t always the case nowadays. Indeed, I passed up an otherwise-solid Sony from 1995 the other day simply because the display was a bit too dim for my liking; not that I really cared about the display itself, but rather, from how I understand it, that can be an indicator of power supply issues. I ain’t got time for that noise, yo.

Button-wise, there’s the typical starts and stops and pauses and what have yous, plus buttons to control the counter and whatnot, which would have been helpful for those that lost their remote (a category I’m not included in – for once).

Back in the early-2000s, a relative gave me their old Magnavox VCR. It wasn’t nearly as nice as this one, and a repair job at some point in the past left it without recording capabilities, but it played okay, which was all I cared about with that one. Anyway, it had tiny, hard-plastic, “clicky” buttons just like this VCR, so as it weird as it sounds, these actually do take me back somewhat.

Lest you miss it, there’s a flip-down panel too, with even more options to peruse. This of course was even better for those who may not have had their original remote. The buttons to allow for adjustments to the clock and/or recording timer are everlastingly handy, and look at that: An index write feature! Neato!

Back to the left-side again: A headphone jack, and volume adjustment knob for said headphone jack. Also, tracking knobs, which helped with playback once I got this plugged in at home. How so? This VCR plays exponentially well given its age, but despite using an SP-recorded, Hi-Fi, big budget tape, the picture still had some tracking issues. The adjustments here alleviated that somewhat, though it still wasn’t perfect. (Not that that really bothers me; it’s an old VCR, after all.)

Upon firing the sucker up, you’re presented with the previously-mentioned blue-screen.

Sure, there’s the on-screen information regarding playback, Hi-Fi, stuff like that. That’s all well and good, but what I really got a kick out of here was the clock settings. Not so much merely because they’re here, though they’re certainly helpful and hopefully they put an end to the “I can’t get my VCR to stop blinking 12 O’Clock HAW HAW HAW” joke, but rather because of the date featured.

Look, there’s no year listed on this VCR itself, but I did find an online listing for the original manual, and that was dated 1988. Furthermore, upon trying to set the clock, the default date you’re presented with is January 1st, 1988. So, that’s why the title of the post is notated as “Circa-1988.” I couldn’t find when this particular unit was manufactured, but 1988 or thereabouts seems like a safe guess, right?

If nothing else, it’s cool to see a small example of the era this VCR hails from (beyond the VCR itself, of course). This was apparently a pretty decent model for the time, and it was around that point that VHS had really taken off into the stratosphere. Machines and tapes were becoming more affordable, and increasingly, VCRs were seen as essential parts of any living room. To me, seeing “1988” on the screen brings all that into sharp focus.

As I said, playback here was good, though not perfect. I could happily watched an entire movie on this VCR if needed, but it was showing its age. Some tracking issues, a little jittery, nothing major but still not preferable.

Nevertheless, upon pressing the “X2 Play” button(s), I was happy to discover things were relatively crystal clear. Look to your right if you don’t believe me. (X2 Play, for those not-in-the-know, merely played a tape at, say it with me, twice the speed of regular playback, albeit without sound. The benefits of this are, to me, negligible, but at least it works.)

What you’re seeing here is a scene from Anchors Aweigh, the lavish Frank Sinatra / Gene Kelly musical put out by MGM in 1945. Hey buddy, Frankie can’t see the X2 info when it’s behind his head! Fun Fact: While a cursory glance at this blog will reveal I’m more into classic horror and sci-fi movies, there’s a part of me that doesn’t mind old school musicals such as this. They’re such a great reminder of a bygone, ostensibly more-innocent age in Hollywood. Plus, they really do tend to be entertaining. I guess I’m not just a horror / sci-fi movie buff, I’m a movie buff period.

All that said, when it came time to test this VCR, there were two factors at play: 1) I wanted something big budget, major-studio-released, in SP and Hi-Fi (to better test the capabilities of this machine), and 2) it needed to be something that, should calamity strike and the VCR damaged the tape in some way, I wouldn’t be too irritated by the circumstance. A quick trip to my left, where a big stack of needs-to-be-put-away tapes currently reside, provided me with Anchors Aweigh. And so, here we are. I got a good look at what the VCR can do, and the tape came out of the ordeal no worse for wear. Though, I did discover that while fast-forwarding or rewinding during playback, the picture was pretty jittery. Whether this was an issue of age, the heads, the belt(s), or just how it always was, I couldn’t say. It did what I needed it to, without harming the tape, but it was a cause for concern, though a fairly mild one.

Here’s the remote. It’s always nice when one of those are included, though in this case, the only function on it that I’m not seeing on the VCR itself is a button labeled “calendar.” For all I know, that function is accessed through some other way on the unit.

I didn’t put batteries in the remote, and thus didn’t test it. Look, it’s nice that’s it’s here, but rarely do I ever need the remote. They’re good to have though. In this case, despite having old batteries still left in it, there was only the tiniest amount of corrosion, which 91% isopropyl alcohol removed nicely.

Speaking of alcohol, the remote and VCR itself were both pretty grimy. Indeed, I’m surprised the machine worked as good as it did, given the amount of sticker residue and other, hopefully non-sinister, substances on it. It’s times like that when I bust out the trusty alcohol and give everything a good rub down. I didn’t get the machine or remote spotless, but at least I could afterwards touch both without worrying if I had a bout of dysentery coming my way.

There actually wasn’t a whole lot going on with back of the unit; I’m used to seeing countless inputs and outputs and whatnot that, quite frankly, I don’t always know the purpose of. I’m not sure how I feel about this; simplicity is nice, but so is having option upon option.

Anyway, here’s the little information plate as seen on the back. See, model number VR2072AT01. Did you think I was lying? I wasn’t.

Usually these plates, or at least plates from the era this comes from, feature the date and month that the particular unit was manufactured. Here though, all I get is a bunch of numbers, numbers whose purpose remains a mystery to me. Therefore, “Circa-1988” things shall remain.

Here are the inputs, such as they are, on the back of the VCR. There’s not much to talk about here; you’ve got red-white-yellow inputs and outputs, as should be expected, a channel selector, and antenna inputs and outputs.

This Panasonic VCR, from 1985, had more options around the back, including what continues to be a somewhat-mysterious Pay TV-knob, and as such, this Magnavox comes off a little barren in comparison. I mean, it doesn’t really matter; the bare necessities are here, and it’s not not like there weren’t plenty of options around front – plus, that whole mega-cool audio-levels-on-the-door thing. After that, do you really need anything else? I posit that you do not.

The only thing present on the back of that Panasonic that I especially wish this VCR had its own version of? Something indicating when it was manufactured, man!

Let us take one more gander at the Magnavox VR2072AT01, shall we? It’s a cool VCR, one of the coolest I’ve found in recent months. It looks slick, it’s relatively feature-packed, and it works; what more could you ask for? (Normally, I’d say the remote, but as you can see again above, I done gots the remote too!!)

Oh, I forgot to point out that this VCR has classy-lookin’ feet. Look up above. It’s got feet. You can’t deny it.

Still, it’s those audio levels on the tape door that I keep coming back to; it’s a feature that would almost seem superfluous, except given all that this unit has, isn’t. I mean, where else could they have put them?! It’s a extra, almost “futuristic” touch that gives this model an added layer of coolness. I can’t say I would have picked this up had it not been here, honestly.

Look, the last thing I need is another ancient VCR added to my stack of other ancient VCRs, but I dare say this one was worth the addition. What say you, the reader?

ProScan VHS VCR Model No. PSVR81


It’s all about the contours with this one. I’ve got so many VCRs at this point that anything outside of the mid-1980’s ‘sweet spot’ almost has to be all about the contours (in other words: it’s gotta look cool, or have enough features to make up for not looking cool, which in and of itself is cool. Dig?). And boy, this unit has “style” to burn; the sleek black casing and overall elegant design practically scream “classy product, yo!” Which is why I pretty much flipped when I happened upon this deck at a thrift shop recently. It actually took me a moment to realize it was a VCR; at first glance the design, as well as the fact that the flap-door blends right in with said design, fooled me into thinking this was a stereo receiver or something. The second I realized it was instead a slick-lookin’ VCR, it became mine (well, I held on to it for dear life; it didn’t *technically* become mine until the appropriate amount of cash was thrown down at the register, but you know what I meant).

I have only limited experience with ProScan products, but according to this Wikipedia article, they seem to be on the higher-end of things. The sole ProScan product I had prior is the best Laserdisc player I’ve ever owned: a really terrific unit with auto-flip (i.e., no getting up to flip the disc) and some other snazzy features. This is the player I always have hooked up (yeah, I still watch Laserdiscs from time to time; love ’em) and it has always performed like a champ. So yeah, what experience I have with ProScan has been 100% positive.


I don’t know what year this hails from, but my gut told me around 1995, and this page more-or-less confirms that feeling with a “1994-1995.” It looks like a product of the 1990s, but in a good way. I’ve mentioned time and time again my ambivalent feelings towards the electronics of the era, but there are exceptions, and this unit more than any other qualifies.

(The deck I talked about in this post exemplifies the “cheap 1990s” look I usually avoid; strangely, that post and the VCR it’s about I had both completely forgotten about until it showed up on my WordPress dashboard as having been viewed by someone recently. It took me a moment to even remember where I stored the thing; that’s how forgettable some 90s electronics were/are!)

Eagle eyes will notice that this deck uses the VCR Plus+ get up. I never had any first-hand experience with VCR Plus+, but basically you could input the number codes found next to listings in TV Guide and whatnot into the VCR and it would automatically record the program. I don’t think I ever had a deck that used VCR Plus+ (back in my ‘real’ taping days, I mean), I always manually set the VCR timer, which wound up being a good thing, because I got complete versions of programs that would have been cut-off by running over their timeslot otherwise (VCR Plus+ didn’t adjust for that sorta thing, from how I understand it).

Oddly enough, despite the fact it means fairly little in regards to a VCRs functionality, at least nowadays, I’ve seen units with the VCR Plus+ moniker marked higher than other VCRs at thrift shops and the like. Maybe that’s just skewed perception on my part, but it sure seems like that’s what folks are doing, and if so, it fills me with a burning rage you can’t begin to fathom.


The thing actually says “Hello” when you turn it on. That’s adorable. It’s a small touch, but it adds an even more classy quality to a machine that already looks pretty darn spiffy. Sure, it’s just a small gimmick that doesn’t really mean anything, but it sure doesn’t hurt.


Remember that time I gushed about the audio level readout in this post? Of course you don’t. Anyway, I always get a kick out of it, particularly on newer (relatively speaking) units such as this one. I could be dead wrong on this, but it seems like this was a feature that was by and large phased out on VCRs as the 1990s progressed. Again, I could be dead wrong on that, but I know that I’ve found far fewer 1990s decks that sport audio levels when compared to 1980s VCRs.


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In addition to the usual fast forward/rewind/play/stop buttons, the PSVR81 also features this stylin’ jog wheel, though I still call these “swing shuttles,” which was Sony’s (and others?) name for the feature. It lets you access pause, slow-motion, etc. Admittedly, I never really use the jog wheels, but I also admit that they look really cool to me. Anytime I come across a deck with a jog wheel, it’s almost assuredly a must-purchase (unless preliminary testing proves that the deck doesn’t work correctly).

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The not-immediately-noticed panel along the bottom of the front features a number of other options, including a button that awards the ability to record in all three speeds (SP, LP, SLP), blank search, input select, and a set of AV input jacks. Unfortunately, I’m not seeing tracking control anywhere on the unit, which means it was almost certainly a feature accessed via the remote, which was MIA with this particular VCR.

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On the back: AV inputs and outputs and antenna in-and-out jacks. See, PSVR81. Did you think I was lying? I wasn’t.


As with any thousand-year-old VCR, the million dollar question is “how does it work?” This PSVR81 runs incredibly well. Maybe it was serviced at some point in the past, but I have a feeling it was just well-maintained on top of being high quality in the first place. All of the functions perform like new, and the picture is terrific. Me being me, of course I used an old Magnum, P.I. tape for screencap purposes, because no VCR would dare chew up Magnum (but just in case, I tested tapes I didn’t care as much about beforehand).


This really is a fantastic machine, and it must have looked swanky as all get-out in mid-1990s entertainment centers. While the design isn’t identical, it actually would compliment my aforementioned ProScan Laserdisc player nicely, if I didn’t already have too many things hooked up in that particular center. I don’t know if I’d take take this deck over some feature-packed models from the mid-to-late-1980s, but this is certainly up there as one of the best 1990s VCRs I’ve ever found while out and about. Personally, it’s probably a tie between this and that Goldstar as my favorite *as far as thrift/second-hand store finds go* (a high-end Sony Hi-Fi VHS VCR from 1990 that I bought online is my best and favorite of the decade, period).


Just for fun, there’s my three latest thrift store VCR acquisitions. The Goldstar I talked out before is on the bottom, this ProScan on top (duh!), and in the middle a fairly decent Toshiba I nevertheless couldn’t muster the enthusiasm to write about. It’s a nice machine, but the real reason for my purchasing it? Jog wheel man, jog wheel.



GoldStar GHV-8500M Hi-Fi VHS VCR


I found this absolutely terrific VCR at the State Road Goodwill two days ago. It’s been awhile since I’ve had a really good VCR/electronics find, at least one worth writing about, but boy, I fell in love with this one the instant I laid eyes on it. There was some random guy in the general vicinity of it when I first spotted the beast, and your Northeast Ohio Video Hunter was indeed prepared to do some violent shovin’ if it came to it. It didn’t, though. It never does.

It’s a GoldStar GHV-8500M Hi-Fi VHS VCR, complete with cool flip-front door to protect the precious insides. There doesn’t seem to be a lot about this particular model online. A Northeast Ohio Video Hunter exclusive?! Bonus cool winnins?!?! I’m not pathetic enough to believe THAT, but still, it doesn’t appear that this is an especially well-remembered model.

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The sad fact of the matter is I just don’t have many GoldStar products. As far as VCRs go, most of the GoldStars I come across are newer, cheaper-looking models, and thus are quickly passed up in lieu of other things more befitting my increasingly limited funds. This one though, it just looks classy. I can’t find a date on it anywhere, and online searches turned up only a kinda vague 1990-1991, but the style of it looks early-1990’s to me. I want to guess 1993, because the flip-front door (which is really what attracted this thing to me in the first place) reminds me of the last Betamax ever released in the U.S., the SL-HF2000. Not exact, of course, and nowhere near as cool, but reminiscent nevertheless.

Anyway, my 1993 guesstimate isn’t that far off from 1990-1991. It’s from somewhere around there, at least.

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Boy this thing is slick. It absolutely seems like a higher-end model to me. It’s Hi-Fi, it’s got the cool flippy door, and it’s got extra RCA jacks in the front. SIGNS O’ QUALITY, MAN. The number of options found inside the flip-door isn’t the most extensive ever seen on a VCR, but the few found here is still more than many other units from the same time period (in which you’ll have the standard power-play-rewind-fast forward-pause-eject buttons, the channel select buttons, and not a whole lot else.)

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There’s the back of the unit. More RCA jacks. Helpful power cord. So now you know. See, GHV-8500M. Did you think I was lying? I wasn’t.


The side of the unit, featuring some slick an’ stylish contours. So now you know. The molding on the side ultimately doesn’t mean anything, of course, but it does give the underlying impression that this model is “somethin’ special,” I s’pose.


I absolutely love the fact it has a digital read-out of the audio levels. More evidence it may have been a higher-end unit. The cheapo models I’ve come across don’t have anything even close to that sort of thing. Usually, when I come across VCRs with this feature, the audio levels are found in the form of LEDs. I think I prefer them in the classic green and red LED form, but that’s no knock on the digital version found here.

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Luck o’ the Irish, it works! When I tried the unit out in Goodwill, sans any kind of picture obviously, it seemed that it worked fine except that it acted a little wonky when rewinding. At only $5, I gladly took the chance, because as previously stated, I really like this thing. But now that I’ve had the sucker hooked up, I can see that it was just reacting to the old-school memory counter hitting 0000. I really, really don’t like this type of counter; my feelings towards this style falls somewhere between annoyance and outright rage. I didn’t think anyone was even still using that system by the early-90’s, but hey, there it is. It’s probably the only thing about this VCR I don’t like, but since it’s not like I’ll be using this thing 24/7, it’s not too big of a deal.

Speaking of the counter, I can’t get any kind of related-display to show up on the VCR itself. I’m thinking this was a feature only accessed via the original remote. Since the original remote did not come with this unit, it’s a feature seemingly forever barred to me.

One more thing: when you insert a tape, the VCR practically vacuums it in. This isn’t a fault with the unit, it’s clearly how it was designed to handle tapes, and just like the superfluous molding on the side, it makes you feel like you’re going first-class.


From start to finish, this is a slick unit; it must have displayed terrifically in the home entertainment centers of the early-1990’s. It has just enough late-80’s/early-90’s style to look, erm, stylish, but still fairly simple overall without going the full route to straight-up cheap lookin’ (that is to say, it doesn’t look as low-quality and generally unappealing as many of the VCRs manufactured in the 1990’s tend to, despite the plasticy gray appearance.)

Works good, looks good, this one’s definitely a keeper.