Tag Archives: stereo

Magnavox Hi-Fi VHS VCR Model No. VR2072AT01 (Circa-1988)

Well, I wasn’t planning on doing another electronics post so soon after the last one, but this is just too cool to not warrant an update. I can’t promise it will be a long update, but an update it will be nonetheless.

Now at first glance, this may not look all that noteworthy; I mean, it’s a Magnavox 4-Head, Hi-Fi VCR from somewhere in the late-1980s, model number VR2072AT01 – cool, but cool enough to write about? It’s got a fair amount of features, it’s solidly built, and unlike most of the stuff I bring home, it had its original remote included. The fact that the initial testing in the thrift store where I found it seemed to rule out any major problems was just the icing on the cake. At only $5, it was a fine find.

And yet, none of that was quite why the machine blew my mind enough to warrant an article. Oh no; look up above and see if you can spot the really interesting aspect. Upon my first coming across this, my eyes were quickly drawn to the door; it had the audio level gauge printed right on it! That’s something I had never seen before, and I was wondering just how such a thing would operate in action. So, I plugged the thing in, grabbed a random tape lying about, and got to testing. My suspicions were confirmed: During playback, the audio levels are actually displayed on the tape door! Now that’s cool!

When I hunt for old electronics, I’m always on the lookout for things with unique features, that dared to step out of the box in some way. I say this qualifies. Sure, having the audio level meter on VCRs was common among the better models of the time, but to actually render them on the tape door? That’s a new one on me, and it feels just special enough to give this model an extra air of “high-tech-ness.”

Here’s a closer, albeit lower-resolution (because I left the flash on my phone off and it evidently doesn’t like that), shot of the machine in action. The door feels just thick enough to allow for whatever makes putting the audio levels on it happen, so I hesitate to state they’re actually superimposed on there, but with an actual tape right behind them, that’s sure what they feel like.

I did some further token tape testin’ (alliteration) while still at the thrift store, but this was such a neat aspect of the VCR that it was basically already decided it was coming home with me, especially at only $5. It appeared to work perfectly, but by that point that was just gravy for yours truly.

No joke, I had never seen something like this on a VCR before, and after purchasing it, you know what? I still haven’t! I figured a quick online search would tell me more about this model, but oddly enough, aside from an expired Craigslist ad and a few scattered mentions of the model number here and there, info on this particular unit was surprisingly scarce. Even the much-loved Vintage VHS Gallery site left me hangin’ in regards to this Magnavox, though I gleaned some other important knowledge regarding their models from the period.

Such as: Many, maybe even all, were Panasonic-made VCRs, simply rebadged with the Magnavox name (Panasonic made a bunch of machines for other companies around that time), and they were very solidly-built. I assume same goes for this one. And, while I don’t know if this is the case with this VCR, but some such as this machine only featured a single rubber belt inside, which resulted in units that continue to function well even today. That would account for how well this one currently performs (more on that in a bit), unless unbeknownst to me it had been repaired at some point, of course.

Also, these were/are early On-Screen Display VCRs. That is, they brought up a blue-screen that let you program the clock and other functions right from your seat via remote. Also, other pertinent information is displayed on-screen during playback, if the viewer so desired. That’s all something that became incredibly commonplace in the following years, so to see it in its infancy here is pretty interesting.

A close-up of the other side of the front panel. The hours-minutes-seconds counter is infinitely preferable to the older-style four-digit counter that was increasingly out-of-date by then. The expected tape-in, recording speed, and audio info indicators are also nice, and the display here remains nicely bright and sharp, which isn’t always the case nowadays. Indeed, I passed up an otherwise-solid Sony from 1995 the other day simply because the display was a bit too dim for my liking; not that I really cared about the display itself, but rather, from how I understand it, that can be an indicator of power supply issues. I ain’t got time for that noise, yo.

Button-wise, there’s the typical starts and stops and pauses and what have yous, plus buttons to control the counter and whatnot, which would have been helpful for those that lost their remote (a category I’m not included in – for once).

Back in the early-2000s, a relative gave me their old Magnavox VCR. It wasn’t nearly as nice as this one, and a repair job at some point in the past left it without recording capabilities, but it played okay, which was all I cared about with that one. Anyway, it had tiny, hard-plastic, “clicky” buttons just like this VCR, so as it weird as it sounds, these actually do take me back somewhat.

Lest you miss it, there’s a flip-down panel too, with even more options to peruse. This of course was even better for those who may not have had their original remote. The buttons to allow for adjustments to the clock and/or recording timer are everlastingly handy, and look at that: An index write feature! Neato!

Back to the left-side again: A headphone jack, and volume adjustment knob for said headphone jack. Also, tracking knobs, which helped with playback once I got this plugged in at home. How so? This VCR plays exponentially well given its age, but despite using an SP-recorded, Hi-Fi, big budget tape, the picture still had some tracking issues. The adjustments here alleviated that somewhat, though it still wasn’t perfect. (Not that that really bothers me; it’s an old VCR, after all.)

Upon firing the sucker up, you’re presented with the previously-mentioned blue-screen.

Sure, there’s the on-screen information regarding playback, Hi-Fi, stuff like that. That’s all well and good, but what I really got a kick out of here was the clock settings. Not so much merely because they’re here, though they’re certainly helpful and hopefully they put an end to the “I can’t get my VCR to stop blinking 12 O’Clock HAW HAW HAW” joke, but rather because of the date featured.

Look, there’s no year listed on this VCR itself, but I did find an online listing for the original manual, and that was dated 1988. Furthermore, upon trying to set the clock, the default date you’re presented with is January 1st, 1988. So, that’s why the title of the post is notated as “Circa-1988.” I couldn’t find when this particular unit was manufactured, but 1988 or thereabouts seems like a safe guess, right?

If nothing else, it’s cool to see a small example of the era this VCR hails from (beyond the VCR itself, of course). This was apparently a pretty decent model for the time, and it was around that point that VHS had really taken off into the stratosphere. Machines and tapes were becoming more affordable, and increasingly, VCRs were seen as essential parts of any living room. To me, seeing “1988” on the screen brings all that into sharp focus.

As I said, playback here was good, though not perfect. I could happily watched an entire movie on this VCR if needed, but it was showing its age. Some tracking issues, a little jittery, nothing major but still not preferable.

Nevertheless, upon pressing the “X2 Play” button(s), I was happy to discover things were relatively crystal clear. Look to your right if you don’t believe me. (X2 Play, for those not-in-the-know, merely played a tape at, say it with me, twice the speed of regular playback, albeit without sound. The benefits of this are, to me, negligible, but at least it works.)

What you’re seeing here is a scene from Anchors Aweigh, the lavish Frank Sinatra / Gene Kelly musical put out by MGM in 1945. Hey buddy, Frankie can’t see the X2 info when it’s behind his head! Fun Fact: While a cursory glance at this blog will reveal I’m more into classic horror and sci-fi movies, there’s a part of me that doesn’t mind old school musicals such as this. They’re such a great reminder of a bygone, ostensibly more-innocent age in Hollywood. Plus, they really do tend to be entertaining. I guess I’m not just a horror / sci-fi movie buff, I’m a movie buff period.

All that said, when it came time to test this VCR, there were two factors at play: 1) I wanted something big budget, major-studio-released, in SP and Hi-Fi (to better test the capabilities of this machine), and 2) it needed to be something that, should calamity strike and the VCR damaged the tape in some way, I wouldn’t be too irritated by the circumstance. A quick trip to my left, where a big stack of needs-to-be-put-away tapes currently reside, provided me with Anchors Aweigh. And so, here we are. I got a good look at what the VCR can do, and the tape came out of the ordeal no worse for wear. Though, I did discover that while fast-forwarding or rewinding during playback, the picture was pretty jittery. Whether this was an issue of age, the heads, the belt(s), or just how it always was, I couldn’t say. It did what I needed it to, without harming the tape, but it was a cause for concern, though a fairly mild one.

Here’s the remote. It’s always nice when one of those are included, though in this case, the only function on it that I’m not seeing on the VCR itself is a button labeled “calendar.” For all I know, that function is accessed through some other way on the unit.

I didn’t put batteries in the remote, and thus didn’t test it. Look, it’s nice that’s it’s here, but rarely do I ever need the remote. They’re good to have though. In this case, despite having old batteries still left in it, there was only the tiniest amount of corrosion, which 91% isopropyl alcohol removed nicely.

Speaking of alcohol, the remote and VCR itself were both pretty grimy. Indeed, I’m surprised the machine worked as good as it did, given the amount of sticker residue and other, hopefully non-sinister, substances on it. It’s times like that when I bust out the trusty alcohol and give everything a good rub down. I didn’t get the machine or remote spotless, but at least I could afterwards touch both without worrying if I had a bout of dysentery coming my way.

There actually wasn’t a whole lot going on with back of the unit; I’m used to seeing countless inputs and outputs and whatnot that, quite frankly, I don’t always know the purpose of. I’m not sure how I feel about this; simplicity is nice, but so is having option upon option.

Anyway, here’s the little information plate as seen on the back. See, model number VR2072AT01. Did you think I was lying? I wasn’t.

Usually these plates, or at least plates from the era this comes from, feature the date and month that the particular unit was manufactured. Here though, all I get is a bunch of numbers, numbers whose purpose remains a mystery to me. Therefore, “Circa-1988” things shall remain.

Here are the inputs, such as they are, on the back of the VCR. There’s not much to talk about here; you’ve got red-white-yellow inputs and outputs, as should be expected, a channel selector, and antenna inputs and outputs.

This Panasonic VCR, from 1985, had more options around the back, including what continues to be a somewhat-mysterious Pay TV-knob, and as such, this Magnavox comes off a little barren in comparison. I mean, it doesn’t really matter; the bare necessities are here, and it’s not not like there weren’t plenty of options around front – plus, that whole mega-cool audio-levels-on-the-door thing. After that, do you really need anything else? I posit that you do not.

The only thing present on the back of that Panasonic that I especially wish this VCR had its own version of? Something indicating when it was manufactured, man!

Let us take one more gander at the Magnavox VR2072AT01, shall we? It’s a cool VCR, one of the coolest I’ve found in recent months. It looks slick, it’s relatively feature-packed, and it works; what more could you ask for? (Normally, I’d say the remote, but as you can see again above, I done gots the remote too!!)

Oh, I forgot to point out that this VCR has classy-lookin’ feet. Look up above. It’s got feet. You can’t deny it.

Still, it’s those audio levels on the tape door that I keep coming back to; it’s a feature that would almost seem superfluous, except given all that this unit has, isn’t. I mean, where else could they have put them?! It’s a extra, almost “futuristic” touch that gives this model an added layer of coolness. I can’t say I would have picked this up had it not been here, honestly.

Look, the last thing I need is another ancient VCR added to my stack of other ancient VCRs, but I dare say this one was worth the addition. What say you, the reader?

Panasonic Omnivision Hi-Fi VHS VCR PV-1730 (February 26, 1985)

See, I didn’t take April off. Just most of it.

I’ve been a busy Video Hunter this past month, and the sad fact of the matter is I’ve had neither the time nor, to be quite honest, the inclination to put together a ‘big’ article. The reasons for this are several, though I won’t bother to go in to them. Still, I wanted to get something up before April ended, lest y’all think I abandoned the site and, by extension, you. Never let it be said that I don’t care, because I do, I do care!

Anyway, this isn’t going to be a long post, and truth be told, you can consider it more of a stop-gap entry than anything. BUT, that doesn’t mean I don’t like the subject, because I most certainly do. Dig this: From early 1985 (February 26, as per the back), it’s one of Panasonic’s famous Omnivision VHS VCRs, and boy, is this one technologically advanced – well, it was 32 years ago, anyway. Behold the PV-1730! A slick, feature-packed Hi-Fi stereo deck that had the capability to blow your face off – well, it did 32 years ago, anyway.

The best way I can describe this VCR is “heavy duty.” It just feels like a real product, a high-tech, ostensibly end-all be-all addition to the home entertainment center. And that silver casing that flies in the face of the predominantly-black styles of so, so many other VCRs? Looks sharp, man. Is it wrong that I can see this machine being used as decoration in some episode of Miami Vice? Maybe it was.

However, this deck doesn’t quite work correctly, though it mostly does; it powers up, it registers whatever button I slam my paws against, it fast-forwards, it rewinds. The only problem is it doesn’t like to play. Not consistently, anyway. Sometimes I can get it to go and it will run for a period before stopping, but other times it will play for only a moment or two before it takes a powder. I have several ideas as to what the problem is, but it’s not like this is going to be my daily driver; honestly, I picked this machine up simply because of the supreme mid-1980s-ness it exudes. I didn’t even bother taking a screencaps of something playing on it, because it just doesn’t matter.

(So why even bring it home? I love the the era of electronics it so deftly defines, and besides, even if it doesn’t work 100% right now, I always grab these with an eye towards getting them repaired at some unknown point in the future. But really, it all comes to down to the looks and features – even if none of them really mean anything in this day and age. It’s this same mentality that got me my swanky Sylvania VCR.)

Luckily, I got the thing to play for most of my picture-taking session. The display is pretty nice and bright, and while I hate the old school “counter” system, this machine rectifies that with giving the exact minutes and seconds too, which makes it my friend.

You can barely see it, but there’s a sticker stating this was one of Panasonic’s “Tech 4” models, always a welcome sight to yours truly. Indeed, one of the best VCRs I ever found was a 1986 Omnivision “Tech 4” that works flawlessly and may have even more features than this deck. I keep that one on a figurative pedestal because I’m weird.

See that panel at the bottom? It opens up, and oh what it harbors just beneath the hood…

BOOM.

Here’s your station for “One-Touch Recording,” along with the ability to set the OTR timer, as you’d expect. Also, not one but two tracking-control knobs, nifty left and right audio controls, a switch for recording in all three speeds, and Dolby noise reduction.

Now see, I didn’t grow up with, or at least didn’t grow up using, VCRs with such a now-convoluted recording scheme; I came around, thankfully, when that set-up had been reduced to on-screen displays and programmed with the remote. As such, the thought of setting a timer with this system kinda makes my head swim. I could have mastered it, I could still master it, but luckily, I’ll never have to!

Hold on, there’s more to it!

On top of the unit there’s a flip-up panel with controls for picture sharpness, regular TV or cable TV, display options, and so on. Sorry this pic is alternately too bright and too dark; this was about as satisfactory a picture as I was going to get.

Also, V-Lock for SP and SLP? That’s a new one on me. They’re probably found on some of my other VCRs, but if so, I never paid much attention – what exactly is that? “Vertical Lock?” Is that like the “Vertical Hold” on old TVs?

You know what attracted me most to this unit when I first came across it? That “Hi-Fi Audio HD” declaration above. It may not mean anything anymore, but man does that just sound completely top-of-the-line for the time. For the time? Heck, to me that still sounds cool!

Besides the ‘normal’ controls for playing and recording, you’ve also got plenty of audio features, including audio dub, and needless to say, the audio levels meter I always love seeing on these old models.

Along the back are the expected microphone inputs and whatnot and the television hook-ups, but what I really get a kick out of is the “Pay TV” knob; I’m not even sure what it does, but it almost doesn’t matter, because it’s such a neat mid-1980s throwback. I said the same thing about the previously-linked Sylvania VCR, so anyone with the appropriate knowledge wanna fill me in? Hit the comments section!

More inputs/outputs, including handy ports for a camera. The “Editing” plug has me curious, though the declaration of “See Manual” feels like a diss; I don’t have the manual, VCR! Thrift store finds rarely include them, and as such I’m performing a lot of guesswork (such as it is) with some of these features. There’s probably a PDF of the manual online somewhere, but frankly, searching it out is too much work for a stop-gap post that approximately three people are going to read anyway.

So, just where did I get this beast? I honestly couldn’t remember until I dug the machine out and noticed the “$8.00 Y” price written in marker. “Y” stood for “Yellow,” which means I got this from some Village Thrift somewhere. Evidently I never did much with this machine upon getting it home, since I hadn’t even bothered to clean that off! Nope, it had just been sitting in my stack of VCRs, staring at me, day in, day out, wondering why I shun it so. Until today anyway, when I decided I should probably write a token post for April 2017.

So there it is, a Panasonic VHS VCR, loaded with options and still looking darn cool to boot. This was one of those finds I buy based solely on looks, features and “aura.” I grab things like this all the time, and even though I usually never do all that much with them, I love having them, simply because of the era in electronics that they represent.

There. Gap = Stopped!

Sylvania Hi-Fi Stereo VHS VCR Model No. VC3645GY01 (1985)

sylvania vcr 8 Hey, remember when I used to write about interesting VCRs and whatnot that I had come across? It’s sure been awhile! The reason being that while I have picked up several really good ones in recent months, I just couldn’t get sufficiently fired up enough to write about them. That changes now, because after a fairly long dry spell, I finally, finally came across a ridiculously cool VCR out in the wild that absolutely needs a place of honor (ha!) on my silly blog. Behold: a Sylvania Hi-Fi VHS VCR, model number VC3645GY01, from 1985! And it only set me back $5 last weekend! Cool winnins!

From the picture above, it may not look that interesting. I mean, sure, it has that classy black and silver, heavy duty 1980s design going for it, and it’s a 4-head, Hi-Fi stereo model, but is that really enough to get me to write about it? Plenty of other VCRs from the time period had the same characteristics, after all. Keep reading chief, you’ll see, the real horsepower of this beast is under the hood, so to speak.

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Outside appearances belie the advantages of this deck, because this thing is positively loaded with features. It all comes courtesy of an everlastingly cool fold-down door. Nope, a regular pull-down door just won’t do for the Sylvania; by pressing the appropriately-named “door” button, all the features drop down to your fingertips.

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Just look at ’em all! Besides the standard play-stop-rewind-fast-forward-pause-record options, you’ve got the ability to record in all three speeds, and even cooler, the ability to do freakin’ audio dubbing! You can adjust the audio levels, and/or fiddle around with the audio level meter display. I love the old-school tracking control knob, and even though I’ll never actually use it, the (relatively) easy-set clock/timer feature had to have been a blessing back in ’85.

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And look at that! Even more features! Sharpness control (which is a feature I absolutely love on a lot of these old VCRs), a regular TV or cable TV swich, you can even select normal or thin tape! Since I never really do any audio dubbing, I’m guessing that option was for that particular feature of the VCR?

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Something that’s really cool and which I wasn’t expecting at all is seen in the left picture above: That 1:37 isn’t the tape counter (indeed, this unit uses the old-school, 0000 tape counters, as opposed to the exact hours/minutes/seconds counters of later VCRs). Rather, that seems to indicate how much time is left on the tape. Swanky! That sort of thing was in vogue later on, but I was a surprised to see it used in a 1985 model.

The picture on the right demonstrates the slow-motion feature in action. You know, I’ve got that option on a lot of my VCRs (both VHS and Beta), and while it’s not something I ever really use at all, I still get a kick out of it being included. Go figure.

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And as if all that wasn’t enough, it’s even got an LED audio level meter, in an attractive red-and-blue color scheme to boot!

However, there are some sad failins afoot with this deck: it doesn’t quite work correctly. It seems like until it gets “warmed up,” it won’t really run a tape all that well, and when it finally does get warmed up, you get sound (really terrific sound, in fact), but no picture. Maybe the heads are shot, maybe they just need a good cleaning, I don’t know. I’m actually not too upset about this factor, though. The genuine coolness of this VCR was easily worth the $5 I plunked down for it, and besides, odds are it can be repaired in the future, if need be.

(From how I understand it, Sylvania VCRs were always just re-badged Panasonic machines anyway, which I kinda suspected in the first-place, so some parts swapping probably isn’t out of the question, if it came to that.)

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And yet more features on the back of the unit! You’ll probably have to click on either pic to enlarge them enough to see, but there’s an audio filter switch, camera remote input, right and left microphone inputs, and what really kinda surprised me, a Pay-TV knob. I’ve got a lot of old VCRs lying around, and while there may very well be a similar knob on one of those as well, I just can’t recall seeing a Pay-TV knob on any of them. And truth be told, I’m really not sure how exactly that would work. I’m guessing to record Pay-Per-View and whatnot? Or maybe used in conjunction with those old ‘special channel’ boxes? I have no idea.

And that’s all in addition to the necessary stereo RCA jack inputs and outputs.

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See, model number VC3645GY01, manufactured in late-1985. Did you think I was lying? I wasn’t.

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I can’t even begin to guess how much this model cost back in 1985, and internet searches really aren’t revealing a whole lot of info about it or even any pictures of it, but this sure looks like it was a pretty high-end model back in the day, and high-end models weren’t exactly cheap at the time. It’s funny, a VCR that was undoubtedly several hundred dollars (at least!) back in the 1980s only cost me $5 last week, but hey, that’s the nature of electronics; it doesn’t take long for them to become obsolete. Well, obsolete to the general public, anyway. Me? I get fired up finding things like this just as much as I probably would have had I found it new in the stores back in ’85!

It’s not quite the best VCR I’ve found while out thrifting, but it’s up there, even if it’s not working correctly at the moment. No matter, because I was thrilled to come across this unit. Indeed, I wish I had more finds like it! It’s a welcome addition to my ever-growing mountain of ancient VCRs.

Sony Mega Watchman Model No. FD-555 (1991)

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Lookit this cool beast! It’s Sony’s Mega Watchman FD-555! This is early-1990’s technology at its best. Not only do we have a TV and AM/FM radio, but also a cassette player. The large speakers and the presence of a surround sound button make it clear: this ain’t no regular radio! This sucker is a legit boom box! And if it’s not, it certainly aspires to be!

This guy is kinda sorta similar to the Panasonic Desktop TV/Clock Radio I reviewed back in September. I had this Watchman loooong before I had the Panasonic, but I think I like the Panasonic more: it’s older, it has a cool mirrored clock thing, and fake woodgrain, all aspects that fill me with glee. The Panasonic gives the impression of something a businessperson, college student, or high school kid would keep on his/her desk and turn on during late night whatever sessions. This Sony Watchman, on the other hand, feels like something that should be used in the garage while someone works on a car, which is unfortunate in my case, because me working on a car is recipe for total carnage and/or bloody tragedy. On the other hand, being from the sweet spot of the early-90’s, 1991, this Mega Watchman also seems like it’s well-suited to being carried down the street, blaring the latest smash hit single on cassette tape, while you and your backwards-hat-wearing hoodlum friends look for shenanigans to cause. And when you were done creating a ruckus, you could watch Blossom.

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The flash on my camera illuminates every lil’ thing I thought I had cleaned off. Aside from dust in some of the crevices and sticker residue that refuses to leave the top of the cassette player, this thing is actually pretty clean, honest! I love the sleek look and black coloring, and the presence of the old “It’s a Sony” logo is always the mark of something I want to hold during the night.

Oddly enough, there’s no clock anywhere on it. A digital clock somewhere seems like it couldn’t have been too hard to add, but I guess the ability to tell time had to be sacrificed in order for you to listen to the Too Legit To Quit cassette whenever you damn well pleased.

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The back. I forgot to take a picture with the handle extended, but I’m sure you can imagine how that works. There’s a  few various ports, including one for an external antenna, as well as vertical hold controls. The cord can be unplugged from the unit and eight size-D batteries (a bottom-compartment, which I also forgot to take a picture of) used instead, which is helpful, because otherwise, the whole “portable” motif would fly right into the toilet. There’s also a port for a DC adapter, which seems a bit superfluous since you already have a plug and the ability to take batteries, but I guess they wanted their bases covered.

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Damn dude, August 1991. I was all of five years old! The early-90’s are at the tail-end of my personal preferred electronics-picking period. Don’t get me wrong, I’ll buy anything if I find it interesting (and cheap enough), but I generally want the things from the early-1990’s (1990-1993) on down, and particularly the stuff from the 1980’s or before.

That said, with the rounded curves, big ass speakers and revolutionary surround sound technology, this is certainly a nice example of early-90’s electronics, and it probably wasn’t cheap, either. I’m not saying it would set you back too much, provided you weren’t only relying on allowance or grass-cutting funds, but I’m guessing it wasn’t a budget item, either.

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The TV (and radio) both work perfectly. Since everything is digital now, it goes without saying that I’m not actually picking up any TV channels. I suppose if you took advantage of the external antenna jack, you might be able to rig this thing to play real television, but I really have no idea, and while I like my Sony Watchman, I’m not that interested in going to extreme lengths to make it “go.”

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I’ve had this unit for years, and while I tested the radio and TV functions when I got it (at least I guess I did, it’s been awhile), I had no idea if the cassette player worked until today when I decided to do this review. Now, the old GE clock-radio by my bed has a cassette player, and for quite awhile I liked to fall asleep to certain tapes. Unfortunately, the player died, leaving me at the mercy of the radio. That being as it is, provided this Watchman’s cassette player works (he typed as if he didn’t know the outcome already), I could conceivably haul this thing upstairs and once again fall asleep to The Ghost Of Tom Joad. I probably won’t, but I could.

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I grabbed a few cassettes laying around for testing purposes. The first one I put in was Billy Joel’s The Stranger, not so much because I had a burning desire to listen to an album I also own on other, better formats, but rather because if the Watchman ate the tape, I wouldn’t be pissed. Sorry Billy, I like you, but when it comes to Mega Watchman-testin’, you’re expendable.

To my everlasting joy, the cassette player works! Like a champ! I’m not all that surprised though, Sony has always put out a quality product; it’s one of my more trusted brands when it comes to old crap like this. However, the sound of the cassette was insanely muffled. Had the tape been played into the ground, or was the cassette player itself at fault? Further testing was required.

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Next up: Bruce Springsteen’s The River, which is in my top ten all-time favorite albums. Bruce put my fears to rest (as he so often does), because the sound quality was much better. A little spotty, someone obviously played the tape quite a bit (as well they should), but the difference in sound quality was very evident. This means I can old school party to “Sherry Darling” whenever I like! Or rather, whenever I don’t feel like messing with my turntable. Northeast Ohio Video Hunter top tip: The River sounds best when played via a nice vinyl. In comparison, the CD pressing is in desperate need of a remastering. I’m no audiophile and even I can plainly hear the difference (and I’m far from the first to point that out). But, I digress.

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Still not satisfied, I decided on one last test: The Michael Stanley Band’s You Can’t Fight Fashion. This is an XDR (Expanded Dynanic Range) cassette, and man, the sound quality was terrific, this Watchman is capable of producing some great sound output! One of the benefits of being a Northeast Ohioan is that we’ve got our hometown hero, Michael Stanley, and Fashion is right up there with Heartland as my favorite MSB album. You’d do well to pick up a copy yourself, regardless of format.

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So, how about the surround sound? Upon pressing the button, I expected to have the sound blast me in the face not unlike that old Maxell advertisement, but much to my chagrin, it only made things slightly louder. I have no knowledge of the inner workings of something of this nature, so I’m just guessing that when it’s not on, the speakers are simply not used to their fullest. When it is on, they are. How’s that for deductive reasonin’! I know, I know, “duh!”

Don’t get me wrong, though. This unit has very nice sound for the portable nature & time it came out, and I guess it can be room-filling if you turn the surround sound on and crank the volume & tone dials waaay up, but don’t go in expecting a high end set-up, okay?

mega2

There it is, my Sony Mega Watchman FD-555, from August 1991. It’s a very cool piece of old school electronics. Sure, it doesn’t come off all that impressive nowadays, but back then, this was assuredly “to the max.” I’m seriously thinking about throwing some batteries in it, grabbing my cassette copy of Don Johnson’s Heartbeat, and going rockin’ down the street with “Love Roulette” blasting at top-volume.