Tag Archives: presentation

Monsterfestmania 2016!

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This past weekend, July 29 & 30, 2016, marked the first Monsterfestmania convention, with hopefully many more to come. Held at Quaker Square in downtown Akron, this was practically a hop, skip and jump away from me. I mean, if I was feeling particularly adventurous, I could have walked there, had the mood struck me. I didn’t go that far, but I did make it to the show for both days.

“Oh boy, a big ol’ convention recap post! I love these!”

I naively believe everyone is saying those exact words right at this very moment. And indeed, there’s a precedence for these here at the blog; we’ve visited the annual Ghoulardifest convention not once, not twice, but three times at this point, and yes, there’s plans for a fourth one come October.

This post, however, is not just another Ghoulardifest recap under a different name. Oh sure, there are the pictures with celebrities, and I got some cool loot I’ll show off with so much bravado, but this time around, it was all accompanied by a level of nervousness on my part that, quite frankly, is unprecedented. I don’t really get nervous in anticipation of meeting big-time famous people and whatnot anymore, but I sure did this time.

Why’s that? Because this time, I was actually a part of the show.

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Yep, I was a panel presenter! That’s me to the far-left above, doing my thing in my best Sonny Crockett jacket and stubble. Hey, if I’m gonna be in front of people, I’m gonna look like I just rolled off the set of Miami Vice, by golly!

But why get nervous? I don’t really have a problem with being in front of large groups of people; on the contrary, I relish it. No, any anxiety on my part was due solely to the fact that, frankly, I had just never done anything like this before. This was an entirely new experience for me. And furthermore, at any other convention, I skip the panels; I prefer to meet celebrities face-to-face, and besides, I’m usually too busy blowing my frighteningly limited funds on things I probably don’t need. So, I had descriptive accounts of what would take place, but I had no first-hand knowledge of how all this would play out.

Also, even though I don’t mind being in front of a crowd, I was concerned about what I would say. I’ve seen enough thousand-year-old broadcasts to know that stumbling over words, or worse yet, falling into silence, can be the kiss of death for this sort of thing. There’s no better way to look like a total amateur and lose a crowd right quick. Now, I did have notes with me as a guide, and in most cases I had enough knowledge about the subjects to where I didn’t really need them. Still, with this being my first foray into the world of panels, I neither wanted to appear too unprepared, nor appear too cocky.

Everyone I talked to told me I was just fine, and I was generally pretty happy with my performance (which is actually a telling statement, since I tend to be my own worst critic), though my sense of humor didn’t really fly with the audience (more on that in due time). If I am fortunate enough to be asked back next year, now that I’ve got a little experience under my belt, I feel I’d do even better.

You know what’s really cool about being asked to introduce the panels? It’s basically all because of this blog. Okay, I’ve known two of the guys behind the show itself for years (we’ll see them in a bit) via Time Traveler Records, but it took more than just acquaintances to be invited to do something like this. My high-level of interest in Northeast Ohio horror movie hosts, and my ability to babble about them online, has paid off yet again!

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Hey, dig this: I made the official website! Cool winnins! Stuff like this makes me feel like a big man. I sure hoped I lived up to the promises made in that first paragraph! I did a short intro and outro to each panel, but they really sort of ran themselves; these were all pros I was dealing with here, so there wasn’t much actual ‘moderation’ needed on my part, aside from making sure one panel ended in time for the following panel to begin.

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We’ll get to the panel aspects in just a moment, but for now, first things first: Monsterfestmania as a whole.

You know, I don’t think I’ve been to Quaker Square since, man, probably 2000. That was the last time the Frightvision convention was held there. I had my memories of the place, but I had forgotten just how nice it is inside. Lots and lots of room for vendors, and the two “side rooms” were big enough to fit plenty of people, but not so large that people in the back would be lost. (One room was used for panels, the other for screening films.)

The above picture (as well as the next two) was taken early on the first day, and right from the start, it was obvious a LOT of people had gotten tables. There was stuff for sale as far as the eye could see! And of course, there were the celebrity tables, too; look close and you’ll see Felix “Cousin Itt” Silla (we’ll see more of him in a bit) was captured in the shot above! This was by accident, but it was a happy accident; Felix is a cool guy!

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Another shot of the main convention area, obviously. This was to the far-left when viewed coming from the main entrance. To the left of the picture you can see Dale Kay, and towards the right, internet horror hosts Tarr & Fether. Jungle Bob, with his back unknowingly to the camera, is in the middle. We’ll see more of all of them in a bit, too.

Odd side note: approximately three people are going to get this reference, but the carpeting absolutely reminds me of the floor in the last section of Double Dragon II. Look here if you don’t believe me. I kept looking around for a Big Boss Willy to pummel, but he never showed.

My mind works in really, really weird ways, doesn’t it?

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A shot more towards the back, in the middle of the main space. CW was the sponsor for the show, and not only were they running a swanky commercial for it in the weeks leading up to the big day(s), but they also had displays for CW programming (Supergirl, above) and a cool spinny wheel that yielded sweet, sweet free prizes. My brother, who was also helping out both days, won a copy of Goosebumps on DVD/Blu-ray the first day and a pack of King of Queens playing cards the second. Not realizing I was eligible, I only spun on the second day. I got a see-through tote bag.

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So anyway, my panel presentations. That’s where I spent about 75% of my time at Monsterfestmania. And you know, the fact that I got to hobnob with some genuinely big names in the field in such a ‘close’ way, it still blows my mind. Sure, I already knew Mike & Jan Olszewski, Jungle Bob and Keven “Son of Ghoul” Scarpino, but I had never interacted with them like this. It’s a great honor to be up in front of a crowd with people like that. Just like the official website announcement, it makes me feel like a big man.

Above is the first panel of the first day, and my first panel of any kind in any sort of capacity. And it featured big-time author and horror host-expert Michael Monahan! What a way to start!

When it comes to horror hosts, Monahan is basically the final word on the subject; he’s a legitimate font of information on the genre. Ever read the American Scary book, or see the American Scary documentary? Then you’re familiar with Michael Monahan’s expertise. Indeed, I *love* my copy of American Scary; if it’s not the end-all, be-all of horror host books, it’s certainly in the running. Don’t have it? Pick up a copy today!

(Michael Monahan is a prolific author, and he’s certainly written more than just that – check his work out on Amazon!)

Monahan’s panel consisted of his relating the early years of horror hosting, how it came to be a ‘thing,’ and how it played out over the decades. It was a fascinating talk, and about mid-way through the presentation, he brought out David Ivey, who did artwork and cartoons for The Ghoul Show back in the day – how cool is that?! Ivey related stories of working on the show, which were also fascinating.

(Above, Michael Monahan is the one seated on the right, David Ivey standing on the left.)

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Next up: Jungle Bob’s animal show! Jung! My buddy!

It’s funny; I basically grew up watching Jungle Bob present animals on The Ghoul Show, and then later The Son of Ghoul Show, but I had never actually seen him “in action,” putting on one of his animal presentations. Man, he has it down. I mean, he’s been doing this sort of thing for nearly 30 years, so of course he does. It goes without saying that his animal shows are immensely entertaining; really, they’re a lot of fun. If you’ve been looking for a special guest for that birthday party, JB is a great choice! (Check out his official website here. Buy his terrific book while you’re at it.)

There were a lot of kids in attendance for JB’s show, and boy, is he great with them. I guess you don’t do this sort of thing for 30 years without being good with kids though, huh? He kept them engaged, he was funny, he was informative, he told stories. In short, vintage classic Jungle Bob.

These panels only had about 50 minute allotments, give or take, so JB didn’t have time for a ton of animals, but he did bring a couple cockroaches (including one that hissed), a ball python, and my favorite, a young alligator snapping turtle that kept his mouth menacingly open most of the time. Good stuff!

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My last panel of the first day was “Horror Hosts Reborn,” with Dale Kay of Eerie House (formerly of Kreepy Kastle) heading up a group of online hosts, discussing what opportunities, detriments, and so on that the internet brings the genre. That’s Kay to the far right. Next to him are hosts Tarr & Fether, Fritz the Nite Owl and his producer, and at the end, Mike Mace of The Weirdness Really Bad Movie. The other host of Weirdness, Dave Binkley, was actually at the other end of the table, next to Kay. You saw him earlier in that other shot I used from this panel, and you’ll see him again in a bit, but it looks like I goofed and accidentally cut him out of this shot. I’m sorry Dave!

It was a pretty neat discussion, and since this was the last panel of the day, I let it run well beyond the allotted 50 minutes – it had gained so much momentum by that point that cutting in and ending it would have been incredibly awkward, and besides, I was into it. Internet hosts don’t always get the props they deserve, but there’s a lot that goes into those shows; it was nice to hear all about them from the people that regularly make them happen.

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The next day. You’ll notice I am now wearing my official Monsterfestmania shirt under my Sonny Crockett jacket. Update your diaries accordingly.

Mike Olszewski kicked off the day with a talk on the early days of local television, which, if you’re familiar with him, you know he’s pretty much the authority on the subject, and the stories he tells are nothing short of enthralling. That’s not an exaggeration on my part, either; if you have an interest in this sort of thing, you owe it to yourself to pick up something, anything, written by him.

Mike spent nearly as much time in the panel room as I did Saturday. There were four panels that day, and he was there for four of them. For this first one, his wife Jan (who is also just the greatest) did a funny bit where she stood in the crowd and said she’d only interject to correct Mike!

Speaking of humor, yeah, my jokes didn’t really fly with the crowd. Not that I went up there and did stand-up or anything, but I did want to keep things light, you know? For this panel, I mentioned the two books Mike & Jan wrote (Cleveland TV Tales, volumes 1 & 2), and quickly noted that a piece of my Superhost interview was included in the second book. According to me, I said this “puts it up there with Tom Sawyer as the greatest literary work of mankind” or something along those lines. It got like one laugh – from my brother.

The day prior, as I was introducing Michael Monahan, I briefly stated who I was and why I was up there, and when talking about the blog here, I said something like “Google me, check me out, and you’ll come away feeling better about your life!” Yeah, zero reaction. Okay, the crowd ain’t gonna get my humor, gotcha!

(I wasn’t really embarrassed by my failure to elicit Johnny Carson-style laughs during my intros; if anything, *I* found it really, really funny! Though, my planned rip-off of Carnac for next year, should I be invited back, is now effectively nixed.)

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Next up: The Ghoulardi Tribute panel, with Michael Monahan, Son of Ghoul, Mike Olszewski, and comics legend Tony Isabella. I wish I actually had a working knowledge of comic books so that I could have had a conversation with Tony, but aside from liking Batman and Superman, I, uh, don’t.

It was a fun panel, talking about the influence Ghoulardi had on anything and everything ever. Much of it was familiar to me already, but hearing it from the authorities on the subject, that’s awesome.

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And so, that brought me to the panel I was perhaps most nervous about: The Addams Family presentation, hosted by Ivonna Cadaver (of Youtoo America’s Macabre Theater). You see, I had more than a passing knowledge on everything up to this point, and while I was familiar with Ivonna and her show, my knowledge on The Addams Family is relatively lacking. No knock on the show whatsoever, but I was always, uh, sorta in the Grampa camp.

I needn’t have worried; as I had discovered already, these panels basically run themselves. Those are pros up there onstage, after all. And boy, this one was a LOT of fun, not only because of who was involved, but because this time around, I was really learning things I hadn’t known prior.

And listen to this power line-up: Ivonna Cadaver herself, leading a discussion with Lisa Loring (“Wednesday Addams”) and Felix Silla (“Cousin Itt”). It was funny, entertaining, informative, just a fantastic presentation all around. This one ran a bit shorter than the others, but you know what? The pacing turned out to be perfect. They covered a lot of ground and even got to audience questions, and it never felt rushed or forced or anything other than natural reminiscing. It was great.

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One thing about Monsterfestmania that was heavily promoted in the lead-up to the actual show was Son of Ghoul’s 30th anniversary. Certainly you’ll recall my contribution to the celebration back in June. Well, much of Monsterfestmania was focused on that. Indeed, the fourth panel on the last day (and the last real panel; there was a costume contest held in the room afterwards, but that, needless to say, wasn’t quite the same thing) was a “grand finale” of sorts, focusing entirely on Son of Ghoul’s 30 continuous years as a horror host.

This panel was, man, it was just perfect. It was a wonderful summation of just why SOG is so beloved by Northeast Ohioans. And, if it turns out to be the last real “30th anniversary bang,” what a terrific capper it was. Headed up by Michael Monahan (who told a few jokes as he kicked the panel off following my intro – of course everyone laughed at him) and Mike Olszewski, with the man himself as guest of honor, it was just a wonderful 1+ hour presentation.

For the most part, it didn’t stray too far from the format of the other panels: some video clips, a discussion on SOG’s achievement, some reminiscing, even some great stories about Fidge. It was all very entertaining and a worthy tribute to SOG.

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But, it was the ‘climax’ of the panel that just put it over the top, taking it from great and putting it solidly into unforgettable territory. Michael Savene, one of the guys behind Monsterfestmania as a whole, joined the panel and, along with Monahan and Olszewski, presented SOG with some truly remarkable gifts: 1) A letter of congratulations, on White House stationary, signed by the President. 2) A letter from Senator Sherrod Brown. 3) A proclamation from Akron Mayor Daniel Horrigan proclaiming June 30, 2016 “Son of Ghoul Day.” 4) A classy lifetime achievement plaque from Monsterfestmania. How great is that?!

I think SOG was genuinely touched to be honored in such a way. How could someone not be? It was just a fantastic, momentous, once-in-a-lifetime event, perfectly commemorating a 30-years-and-counting run that, in all likelihood, will never be equaled – or topped. And to be a part of this tribute in some way, it’s something I am extremely proud of. Even if I had done nothing else this past weekend, this moment alone was worth any anxiety on my part.

(The panel culminated in a special SOG 30th cake, which I stupidly didn’t think to get a picture of.)


So, that was basically how my weekend was spent, hobnobbing with people that actually know what they’re talking about. Truth be told, I didn’t have a whole lot of time to spend on the floor, for the most part. I made some rounds before the doors opened on Friday, and for a bit after my last panel that night, and a few points in-between. But, I didn’t really get to go around, meet people, and take pictures with the ‘lebrities until after my last panel on Saturday. Who’d I meet? Read on!

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This picture was taken Friday night, a decision that proved to be extremely fortunate. I’ll explain further when I get to the “my stuff” section of this post.

I met Fritz the Nite Owl! When the guests were being announced for Monsterfestmania, this was one of the major draws for me. Longtime readers (or at least longer time readers) will recall I’ve talked about Fritz a bit before here (more on that momentarily). Even though I didn’t grow up watching him (he hails from the Columbus, Ohio market, and I, uh, don’t), I’ve loved everything I’ve seen regarding him. He’s a legitimate horror hosting legend, so if nothing else, I was going to meet him!

And boy oh boy, he was just great! Extremely giving with his time, free with signing autographs, and he told absolutely wonderful stories. Not just quick brush-off stories, either; nope, these were detailed, entertaining stories. And he was the nicest guy during all of it.

As if I couldn’t be any more impressed by him, something he did that I thought was ridiculously cool was his showing up to panels, and then just sitting in the audience, taking it all in. Even though he would eventually be pointed out (and given a round of applause – deservedly so), he wasn’t there for that; he was there to see the presentations. Fritz was just the coolest.

He’s still going, too. Check out his official website for more details!

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Also taken Friday night, here I am with the Weirdness Really Bad Movie guys: Dave Binkley on the left, Mike Mace on the right. Really great, super friendly guys. Their talks during the “Horror Hosts Reborn” panel were beyond enlightening.

My doing the panel presentations wasn’t a new development; Michael Savene came to me about a year and a half ago, asking me if I’d like to be involved with the show. Of course I instantly said yes. I had plenty of time to prepare, at least mentally, for that. However, something I was asked to do the first day came out of the blue: make announcements for the charity auctions, panels and movie showings over the loudspeaker. I had no problem with that, but just like the panel presentations, this was all entirely new to me. Mike Mace gave me some pointers, showed me how to use the most ear-grabbing techniques, excellent things to know. Mike’s a good egg.

Check out the official Weirdness Really Bad Movie website here.

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Jungle Bob was only there the first day, and in a stunningly goofballed oversight on my part, I neglected to get a picture with him. I mean, sure, I’ve got pictures of myself hangin’ with JB before, but this was Monsterfestmania #1! And I messed up!

So, to make up for that blunder, here’s a zoomed, cropped, overly- blurry shot of the man himself holding a really angry snapping turtle. It was a young alligator snapper, and boy did it act like it!

If you ever have the chance to talk, I mean really talk with JB, he has some absolutely fantastic stories of his years in the business. I won’t divulge his Rock Hall tale here, that’s his turf, but it’s just great. JB is, without a doubt, “the dude.”

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The Yess Man!

Jesse Vance was/is not only one of the masterminds behind Monsterfestmania, but also a very good friend of mine. Popularly known as “The Yess Man” (he’s got the juice), Jesse is largely to thank for this this post and this post, as well as tons of great material that hasn’t even been hinted at on this blog yet. Seriously, he’s always helping me out with the cool winnins, and even if he didn’t, he’d still be one of the best friends I’ve got. One of the funniest, coolest guys I’ve ever known. He was also a huge help to me in the time leading up to the show, and even during the show itself. Thanks, Yess Man!

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Look who I did done runned into! My buddy Steve from high school!

Let me be frank, there’s really only a handful of people I’d care to run into from high school, and make no mistake, Steve is one of them. He was one of the coolest guys then, and he’s one of the coolest guys now. Even back then, we could sit and discuss movies, especially horror & sci-fi movies, for great lengths of time. Also, I refuse to believe anyone knows more about Batman than Steve. Dude’s even got a legit Adam West Batman costume!

I won’t divulge too much, but chances are we’ll be seeing Steve again on the blog; we’ve already come up with some great ideas for post-collaboratin’!

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I wonder if it was deflating for Son of Ghoul to get a letter from the president and a plaque and a big ol’ cake, and then almost immediately afterwards have to take pictures like this with me?

I had a lot of fun and some great conversations with SOG both days. Because of my white jacket, and because he knows me, he liked to shout “Waiter! Water!” whenever I walked by. I got a kick out of it, and eventually I decided it would be pretty funny if I actually brought him some water. I had this big long comedy routine worked out in my head for when I did, too. When I gave him the cup though, he seemed a little confused and admitted he “was just joking!” That, of course, kind of put an end to any ostensibly-hilarious bit I had planned before it even got started.

My sense of humor was really batting zippo with the masses…

(Remember that time I interviewed SOG? It happened, and it was earth-shattering.)

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Hanging with the guys from the last panel of the first day on, uh, the last day. On the left: internet hosts Tarr & Fether. On the right: Dale Kay. In the middle: my really cool official Monsterfestmania t-shirt. (They let us keep ’em, too!)

Had some great talks with Dale; when all was said and done, panel-wise, we chatted a bit outside on Saturday (finally had time to get some food!). I admit it took me a second to recognize him without the hat (I was pretty beat by that point, y’see). Dale mentioned the old Ghoul skit where a stuffed Gamera was sent zooming across the studio – anyone who loves that bit as much as I do is automatically my friend.

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On the left, Michael Monahan. On the right, Dave Ivey. It was awesome meeting Dave; so much of his work was familiar to me, except I didn’t know it was his. A great artist and a great guy.

Had some terrific conversations with Michael Monahan. We both agreed Dr. Paul Bearer was one of the absolute greats, and we discussed our obtaining of various horror host material. I even showed him the clip of Renfield on my phone; it was a new one on him, so the mystery of the show continues – if it’s unfamiliar to Michael Monahan, it must be mega-obscure!

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I met Ivonna Cadaver!

Ivonna Cadaver hosts Macabre Theater on Youtoo America every Saturday night at 10 PM. It’s tough for any host to make it on local TV, never mind national TV, and to be doing it since 2002? That’s beyond impressive. I told her myself how awesome an achievement it was to make it on national TV, too.

And boy, she was just absolutely the nicest. She even told me a couple of times how well I did presenting her panel. She even stopped in to watch the SOG 30th presentation from the audience, completely unannounced, just taking it all in. I think that’s such a cool thing for a fellow host to do. I’m extremely glad I had a chance to talk with her and get a photo.

I met Ivonna Cadaver!

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Hangin’ with my Facebook pal, Dr. Dark aka Justin Thomas Ord! Great, great guy – very friendly and a lot of fun to talk to. He was there the first day, and I was looking for him – but being out of costume, I completely missed him! That was obviously rectified the second day, and I’m glad it was; I would have been bummed otherwise.

Also, is it just me or does his costume recall The Shroud? That alone makes him “the man!”

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I had, had, to get a picture with, I’m convinced, two of the nicest people in the whole wide world: Mike & Jan Olszewski! Who’s that curly-headed guy? That’s my brother Luke! No, I don’t think we look alike, but tis true nevertheless. Also, that’s a lot of Monsterfestmania shirts in one picture.

Mike paid me a wildly high compliment early on the first day: he told me I was like a 60-year-old in the body of a 20-year-old, because of what I generally write about. Could’ve knocked me over with a feather!

The reason I found that especially complimentary? Doing what I do, and being as old (or young) as I am, I’ve naturally run into some people that, right off the bat, don’t take me seriously, or worse yet, don’t think I actually know what I’m talking about. I’m generally an easygoing guy, but that mindset can and does irritate me really, really fast, because it’s based on a preconceived notion without any evidence on their part to back it up. So, to hear such a compliment from someone that knows more about TV than, well, pretty much anyone, it’s both insanely flattering and a kind of validation.

Mike & Jan really are just wonderful. Y’all should go and buy both volumes of their Cleveland TV Tales, if you haven’t done so yet. I’m not just saying that because I’m so fond of the authors, either; these are genuine must-reads! Plus, if you think about it, the bits from my Superhost interview in Volume 2 really do elevate the book to Tom Sawyer-status, whether the audience recognizes it or not. [Insert winky emoticon here.]

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And finally, things wouldn’t be complete without a picture of myself with fearless leader, Michael Savene! Michael is one of the main-brains behind not only Monsterfestmania but also Akron Comicon, and make no mistake, he and the other folks behind these shows know how to run a convention. They did a phenomenal job; the first-ever Monsterfestmania was a total blast. I can’t thank him enough for allowing me to be a part of all this!

Also, eagle-eyes will notice we were photobombed by The Yess Man!


Just for fun:

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The Yess Man and I messing around with some zombie-thing. I’m not sure why, but I was pretty tired and probably fairly slap-happy by that point. Looks like we’re helping him get up off the ground or something.

More just for fun:

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Son of Ghoul at his most Batman-ish. It looks like he just rolled in off the set of Batman Returns. I’m not sure why my mind heads towards Batman Returns and not, say, the ’89 Batman, but whatever. In his hand, SOG holds a plastic cup of punch. I capture all of the special little moments in life, don’t I?

Last just for fun:

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A wildly blurry and off-center photo of me with Fritz the Nite Owl. I’m not sure why my brother snapped this, but to tell you the truth, I kinda like it. It’s avant garde or artsy or something like that.


I usually wrap these convention recap posts up with a look at my loot, my booty, my haul. That is, the cool stuff I picked up at the show. I actually didn’t buy much there, mainly because I didn’t have a whole lot of time. Well, that’s not quite true; I didn’t buy anything. That doesn’t mean I didn’t come home with some cool stuff though. Besides the everlastingly-awesome convention t-shirt, check these goods out…

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Because I used my bean and got a picture with Fritz at the end of the first night, that meant I had time to get an 8×10 glossy of the occurrence printed out and subsequently signed the next day! A pic with Fritz and his autograph? It doesn’t get much cooler than that! Also, a post, the one I alluded to earlier, featured an image from his run on WBNS TV-10, spotlighting Taxi and his Double Chiller Nite Owl Theater program. I’ve got several Fritz promos, but this was the only one specifically horror-related. So, I figured why not get a glossy print-out of that sceencap, too. Fritz was gracious enough to sign it as well (and he told me quite a bit about some of his other station duties around that time period).

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In the same arena, a couple of SOG screencaps from promos I’ve found, printed out as glossies and graciously signed by the man himself. The one on top is a clip from his 7th anniversary special promo (WOAC TV-67, 1993), and the one below is a shot from his 2015 promo announcing his timeslot change (as far as I know, this is the newest promo he has). We actually saw that one here before, when I was trying to spread the word of the change.

I like getting these sorts of things signed because, frankly, I’ve already got much of the ‘normal’ stuff; I like to have something unique added to my collection, something not everyone else has. Methinks these fit the bill.

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Last but certainly not least: a Son of Ghoul commemorative 30th anniversary Monsterfestmania mug! Still new in the plastic! This was a complimentary gift, given to me when I got my t-shirt before the doors opened on the first day. (My brother got a mug and shirt to call his own as well.) I THIS LOVE MUG. It’s an exclusive thing, celebrating both SOG’s 30th and the convention I was proud to be a part of. It will probably stay new in the plastic, because if I were ever to try using it, I know I’d be freaking out over it, worried I’d break it or chip it or what have you.

I LOVE THIS MUG!


I do believe that about wraps this recap up. I had a fantastic two days at Monsterfestmania #1. Not only was it a learning experience, but it was a fun learning experience. I met some great people, got some awesome pictures, brought home some cool memorabilia, and helped get my silly little blog out there a bit more (some guy even asked me for my card; never thinking anyone would care enough to want a card, I instead wrote down the web address on a sad piece of notepad paper).

My sincerest thanks again to Michael Savene, Jesse Vance and everyone else that helped make this happen. It was and is a honor and pleasure to be a part of the show, and should you want me back for the next one, hey, I’m there!

(Here is the official Monsterfestmania website. Check it out, and if you didn’t make it to the show this year, try to come out next year!)

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Batclips DVD Review

The $1 DVDs you sometimes find in the checkout aisle of grocery stores or in forlorn sections of major retail joints are often hit-and-miss. After all, there’s only so many public domain movies, TV shows and cartoons that can be released over and over again. Often, the companies presenting the umpteenth release of a given film to the public have to rely on creative cover art to trick unsuspecting passerby into thinking a particular DVD they’ve got collecting dust on the shelf is in actuality the feel-good, must-have hit of the holiday season. My favorite examples? Releases of John Wayne’s public domain 1930’s B-movies that feature cover art made to look like it’s for ‘real’ John Wayne movies. Why, certain people could very well be tricked into thinking Randy Rides Alone is of the same cinematic quality as The Searchers!

That’s not to say I don’t love the $1 DVD section at stores, though. In all honesty, I will happily rummage through the budget titles before I even think about glancing towards the ‘real’ big-time DVD releases. I know what I’ll find there, but the $1 section can be like a neverending grab-bag of surprises. You can find some truly awesome titles if you’re willing to dig past a lot of junk discs. An example of budget DVD greatness? Batclips.

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This one seemingly came out of nowhere when it showed up in $1 racks a few years ago, but don’t let the cheap price fool you. This is an awesome DVD and absolutely worth the dollar (it’s hard to beat a buck anyway, but given some of the material presented, I can easily see them charging a bit more and not being called out on it). The cartoonish artwork and rather odd tagline on the front cover may lead some to think this is a cut-rate documentary on the origins of the Batman character, but it’s actually about 30 minutes worth of material pertaining to the 1966-1968 Batman TV series starring Adam West (as well as the 1966 film based on said series and starring said badass). Let me clarify that this is often listed as Bat Clips, with a space between the two words, but the spine and description on my copy both call it Batclips, no space, so that’s what I’m calling it, too (I only mention this because while doing my research on this DVD, the spacing issue did indeed mess with my search results).

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Due to legal problems, the actual 1966-1968 TV series has, thus far, not been officially released in any format (though the 1966 movie has). But believe it or not, for those craving some 60’s Batman, this DVD actually holds some genuinely interesting tidbits. According to the back of the packaging, this was put out by Treasure Box Collection, which is one of those companies that has released a ton of movies, TV shows, etc. out as dollar DVDs. Or were they one of those companies? I heard they went out of business, and the single website link I found was dead, so…? Come to think of it, I haven’t seen any DVDs put out by them lately. Is it just my area, or have they closed up shop?

Either way, their products usually (always?) featured the “Platinum Collection” band across the top of the artwork, ostensibly meant to give the package a more “collectible” aura. And I’ll tell you right now that unless “Digitally Remastered” is just a fancy term for “transferred to a digital format,” well, lets just say this isn’t exactly Criterion Collection quality here. In fact, it appears the entire contents of the disc come transferred straight from a VHS source, complete with the video imperfections that are inherent to the format. That said, everything here is entirely watchable, and “Digitally Remastered” is a term thrown around so often regarding budget DVDs that it really doesn’t mean anything anymore. Just don’t go in thinking this to be comparable to something Kino had a hand in, okay? As you’ll see in a bit, the picture could be sharper, sure, but why nitpick the picture quality of a $1 DVD? There’s some really terrific, really unexpected stuff here, and damn dude, it was a dollar.

Also, my copy is in a regular plastic snap DVD keep case, but apparently Batclips was later reissued in a thin cardboard sleeve, albeit with the same artwork (that version apparently has a running time of “Approximately 60 Minutes” listed, though no mention of a running time is anywhere on my copy, and besides, the DVD is only about half that length). I haven’t seen that “edition” in person, however, and indeed, I haven’t seen Batclips available locally since, well, since around the time this copy was in stores. Does that mean the sealed Batclips I have stored away will one day be worth $1000?! Or MORE?!?!

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“An inside look at a superhero phenomenon?” is, to me, a bit of an odd tagline. At first, I thought the question mark at the end was a typo (typos being fairly common with $1 DVDs), but considering it’s found on the front and back of the case and on the disc face itself, it seems they were trying to give the impression this DVD would dig down and deep into what makes Batguy tick. Alternately, it also makes it sound like the DVD is going to be some kind of dirty laundry tell-all documentary, though of course it’s not.

The description on the back cover actually isn’t too far off. Aside from the mention of “posters” (which I don’t understand since there’s no picture gallery or anything on the disc, unless they’re talking about the covert art, which is found on the case, disc, and menu screen) and the phrase “…more Batmania than has ever been assembled in on [sic] DVD before” which I’m guessing is a bit of an exaggeration (unless we’re talking budget DVDs only, in which case they’re probably right), the description is really pretty accurate. Honestly, I was expecting much of it to be BS, but the DVD does indeed live up to the promises made on the back, more or less.

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There’s the front and back of the DVD itself. Thankfully, it’s a factory pressed silver disc, as opposed to a DVD-R or something, thus ensuring years of Batclips lovin’.

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The real jewel of Batclips is found right at the beginning of the DVD: the 7 minute, unaired Batgirl promo used to sell ABC on a third season of Batman. Not only is this completely unexpected, but it’s also a step closer to the actual episodes of the series that have so far been barred from official release. The pilot is set up like a mini-episode of the series, complete with narration and “Pow!” exclamations during fight scenes. The story goes that the ratings for Batman had fallen so much during the second season that ABC was questioning whether they wanted to bring it back for a third. So, the producers made this short pilot introducing Yvonne Craig as Batgirl. ABC was impressed enough with the pilot to give season three a go, and Batgirl became a regular castmember and fellow crimefighter to Batman and Robin.

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For a seven minute “episode” that was never intended to be seen outside of wherever this was shown to ABC execs in 1967, it’s pretty entertaining. Then again, 60’s Batman can do little wrong in my eyes. The gist of the pilot is that bad guy The Killer Moth and his henchmen are hanging out at the library, where Commissioner Gordon’s daughter Barbara (BATGIRL) works. Batman and Robin show up to kick some Moth ass, and quickly wind up in a predicament. Batgirl lends a hand. One funny scene, during a brawl with The Killer Moth’s henchmen, has Batman chatting with Batgirl, occasionally turning to punch out a bad guy, and then casually turning back to the conversation.

This pilot is the sort of thing you wouldn’t be surprised finding at a fan convention or something, but it showing up on a commercial DVD is definitely eyebrow raising. Where did it come from? How did Treasure Box Collection get it? How were they allowed to release it? Has Batgirl lapsed into the public domain, or is it a grey area legally? Batclips wasn’t exactly sold under the counter, and while it’s not really seen on shelves nowadays (not around here, at least), it was pretty widely available at the time (dollar DVDs tend to get around, y’know?). The only copyright found on the package is one credited to “Dan Dalton Productions.” So, I take it Mr. Dalton is one of the chosen few in the position to release this stuff? I mean, God bless him for making this DVD happen either way, but I’d hate for anyone to get into any trouble. Maybe that’s why Batclips is seemingly so scarce on DVD nowadays, or worse yet, why Treasure Box Collection appears to be incommunicado? Did Warner Bros. or DC Comics or whoever the hell owns all this stuff put their foot down?!?! Tune in next week, same Bat time, same…oh, never mind.

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From there the DVD swings into a 1972 public service announcement by the U.S. Department Of Labor Wage & Hour Division. The subject? Batgirl hasn’t been getting equal pay because she’s a girl, and thus isn’t sure if she wants to save Batman and Robin from being all blowed up. The PSA features Batman series stars Burt Ward as Robin and Yvonne Craig as Batgirl, as well as NOT Adam West as Batman (Bats is instead portrayed by Dick Gautier, though he adequately looks and sounds enough like West to keep the mega-fans at bay). Batgirl claims she’s been working for Batman “a long time,” but is paid less than Robin for the same job. I never really thought Batgirl worked for Batman, but was rather a separate but kindred crimefighter, right? Then again, they needed something to set the PSA in motion, in which case I’m all for some inaccuracies if it means getting Bats into it. Batman’s response when Batgirl states men and women are to be paid equally for the same job by the same employer? “No time for jokes, Batgirl!” Damn!

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Next, we’re presented with not one but several trailers for the 1966 Batman feature film. One of them is even partially in Spanish. They vary in length, and while they’re certainly neat to see, the “samey” nature of them quickly wears a bit thin. Featuring Adam West and Burt Ward in their respective characters announcing the upcoming film and the benefits to humanity it features, the stable of villains in it, as well as the required action shots, it’s all very cool, but some would say a little would have went a long way here. I guess Treasure Box Collection or whoever initially put this thing together was determined to use everything they had?

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There had been some movie serials in the 1940’s, but 1966’s Batman was the first full-length, color Batman film. It retained a lot of the campy fun of the series, albeit with a higher budget, allowing for some additonal Batgadgets and whatnot (which were then used in the series). An all-star assembly of villains (The Joker, Catwoman, The Penguin and The Riddler) also made this, in theory, the Batman movie to end all Batman movies. Frankly, I love it, but as previously stated, 60’s Batman, in TV or movie form, can do little wrong in my eyes. Obviously, this film is a quantum leap away from the 1989 Tim Burton film and it’s 1992 sequel, not to mention the Christopher Nolan films of recent years. If you’re not a fan of the 1966-1968 Adam West series, the feature film version probably isn’t going to do much to change your mind.

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After finishing up with the movie trailers, a 30-second promo for the series is seen. There’s no station I.D., date, timeslot or voiceover, so I can’t tell if this was meant for the original airings of the TV series or for later syndicated broadcasts. It features Commissioner Gordon calling Bruce Wayne on the Bat Phone, and then Batman and Robin swinging into action. There’s plenty of room for a local voiceover, station I.D. or timeslot to be inserted, so, I don’t know. I’m guessing this was for local airings after the series ended, but I could very well be wrong. I do know that in the early/mid-2000’s, before your NEO Video Hunter had wholly begun to collect his own material (something I now do absolutely exclusively), this promo was making the rounds on the internet, and if I recall correctly, it was listed as a 60’s spot. Which brings up an interesting point: I have a feeling that all or at least most of the material on Batclips was probably circulating (perhaps together, perhaps individually) in one form or another before Batclips collected it all into one convenient package. Maybe it was all the turf of fan-made comps available exclusively at conventions and the like, or maybe there was an official (or semi-official) VHS release at some point in the past. I don’t know, I have no proof, I’m only speculating.

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And that brings us to the most oddball section of Batclips: the personal appearances portion. First up: Adam West, in character as Batman, making a personal appearance at what seems to be a car show or the like somewhere. From the looks of the fashions seen in the crowd, this was maybe the late-80’s or early-90’s, and there seems to be a date on the banner hanging behind West that might say 1992, but the video quality is so soft that it’s really hard to tell. This was very clearly filmed with a home camcorder, a fact made all the more obvious by the picture and sound quality.

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It would be easy to make jokes about this, but the fact of the matter is that Adam West, Burt Ward and Yvonne Craig were all severely typecast by their roles in Batman, and whenever film or TV work was scarce, making personal appearances at conventions, car shows, store openings, etc. was a good way to pay the bills. Furthermore, West is never anything less than completely engaging and personable. He stays in character as Batman, makes jokes, speaks freely with audience members, and perhaps what impresses me most, clearly states that he’s not going to leave until every member of the audience that wants an autograph gets one. See that book he’s holding above? He tries to get the lady who brought it to read a scene with him, which she declines. I actually own a copy of that same book (a collection of older comic stories put together in the 1960’s to capitalize on the then-hot TV series), and I think if I’m ever fortunate enough to meet Adam West in person, I’d like to bring my copy to be autographed. Or, I could always bring, you know, Batclips.

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Next up, more camcorder action from the sidelines of some talk show that was apparently hosting a Batman cast reunion, complete with a recreation of the set. As evidenced by the crewmembers often obstructing the view, this was probably not an official outtake of whatever show this was.

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This part of Batclips works as a curiosity piece, but unlike the Adam West appearance prior, much of the sound is unintelligible, the camera is often moving, crewmembers are sometimes in the way, and there’s just no real rhyme or reason to any of it. I can safely say this is the least watchable part of the entire DVD. Don’t get me wrong, it’s interesting to have, if for no other reason than to have the cast all together on one stage, but it’s not something most people will want to watch over and over.

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The DVD ends with a 17-second kinda-animated sequence intended for…well, I don’t know what the hell this was intended for,

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The sequence starts off with the stick of dynamite (or is it just a firecracker?) blowing up, and then several Batman-esque action cards being shown before cutting to that probably-not-professional-drawing of Batman, who for whatever reason is thinking of his own logo (or possibly just a regular ol’ bat). it’s a real non-sequiter of a sequence, and I have no idea what it was meant to be a part of. The clip has some age to it, that’s for sure, so maybe it was meant for the movie theater and/or drive-in circuit, perhaps from some point in the 1970’s? I have absolutely no basis for that guess, just a gut-feeling, and just like that promo I was talking about earlier, I could very well be wrong.

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So there you have it, Treasure Box Collection’s DVD release of Batclips. It may look like an unassuming budget DVD, but man, it’s waaay cooler than you’d expect it to be, especially for only a buck. When this was purchased, multiple copies of Batclips were easily found at the same grocery store this copy came from, but since then, the DVD has apparently become scarce. At the time of the writing, there are only three used copies on Ebay, and one used copy on Amazon, and, get this, they’re all priced around $30! Granted, sellers can ask any price they want, but the point is that if this were still in some kind of wide-release (relatively speaking, I mean), both sites would in all likelihood be littered with both new and used copies at a much wider-range of prices. So, I wonder if legal actions were quietly taken when word of this release reached the respective copyright owners? Or, maybe because the film elements aren’t as widely available as other public domain movies on dollar DVDs, when Treasure Box Collection went under (*if* they went under), releasing a similar collection just isn’t as easy for other companies, especially since Dan Dalton Productions is supposedly in charge of the content. Of course, I have zero evidence that any of this is true, once again I’m just speculating, but it’s sure interesting to think about.

No matter, because I can say that as someone with some experience in budget DVDs (dubious honor that may be), I’ve never seen anything like Batclips, before or since. You can find some neat releases in the $1 DVD section, but from my viewpoint, Batclips is honestly the best disc I’ve ever found at that area. It just goes to show you, don’t pass up those cheap DVDs, because you never know what you’ll find!