Tag Archives: ernie anderson ghoulardi

Ghoulardifest 2015!

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Yes, it’s that time of year again: Ghoulardifest! It’s hard for me to adequately portray in words just how much I love going to this convention every fall season. I really do anticipate it the whole year round. Seriously, the very next day, I’m already jonesing for the next show. I’ve been to some conventions in my time, but because it’s so tailored to my tastes and my hometown (well, roughly; I’m an Akronite), I can say without exaggeration that Ghoulardifest is my favorite. There’s a reason I’ve made it a point to make it there every year since 2011. It’s like the Bruce Springsteen concert of horror/sci-fi conventions; one ain’t enough, I needs me more!

Besides, after sitting around going through thousand-year old videotape after thousand-year old videotape, it’s nice to get out once in awhile, y’know?

Ghoulardifest is, of course, the annual celebration of any and all things Ernie “Ghoulardi” Anderson. Not only is his pioneering character and show represented (gee, no kidding!), but also his successors, as well as Cleveland TV in general. Beyond that, a lot of it has more to do with the spirit of Ghoulardi, the era he came from, the music, the movies, that sort of thing. Of course, there’s also a lot of stuff that has no real connection to Ghoulardi, but instead would fit in at any typical horror convention. That’s not a complaint on my part; it all adds up to a lot of fun with something for everybody, except it’s all with a heavy Cleveland theme. That’s why I love it so much!

For the third year in a row, the show was held at the plush LaVilla Banquet Center, which is an absolutely terrific venue for the convention. Driving to the LaVilla to see Ghoulardifest around the same time every year (always on a Sunday; November 1 this year), it has really come to symbolize Fall and the end of the Halloween season and the start of the holiday season for me (even on those years where the show falls before or on Halloween). Some people get up early to shop the day after Thanksgiving, I plan around Ghoulardifest. Considering it’s less hectic and I find things I actually want, I dare say I come out on the winning end every year, but that’s just me.

And lest you forget, Ghoulardifest was almost certainly the reason for that Big Chuck & Lil’ John Ghoulardi Special I babbled about in mid-October (unless it wasn’t, in which case never mind). They ran it several times after that as well, and better promotion for Ghoulardifest I cannot think of.

(Also, should the mood strike you, check out my recaps for the 2013 and 2014 conventions, though I fear some redundancy among those two posts and this one.)

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(Click on any of the pictures to, how do you say, enlarge them.)

I was told there was going to be fewer vendors this year, and maybe there weren’t quite as many as previous shows, but there was still a lot going on. Indeed, it took several walks around the entire place to take it all in, and frankly, I seriously doubt I did take it all in. If anything, and this is just me talking, but less vendors gave the entire show this year a more balanced feel. Not that I’m promoting “less stuff,” but everything I look for at Ghoulardifest was well-represented, but not in an overwhelming way (unlike earlier years, where I was struggling to take it all in and afraid I’d miss “somethin’ good.”).

The heart and soul of the place is really the Cleveland stuff: Ghoulardi, of course, and Big Chuck & Lil’ John (don’t forget, the official title is Big Chuck & LIl’ John’s Ghoulardifest), Son of Ghoul (that’s him doin’ his thing above), and some of Cleveland’s newer horror hosts, plus lotsa Cleveland TV (and even some radio) memorabilia in general. For obvious reasons, it’s a very Cleveland-centric convention, as one would expect.

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That said, if someone from out-of-state were to waltz in without knowing what this was all about (just play along with the scenario, okay?), they’d probably be confused by all this Ghoulardi-hoopla, but they’d also still be able to find some stuff they’d want. There’s a lot of ‘general’ stuff there; that is, things that wouldn’t be out-of-place at any horror/sci-fi convention. Posters, lobby cards, toys, Star Wars, Star Trek, DVDs, music (lotsa CDs and vinyl). Heck, one guy even had a ton of Laserdiscs, and his box of Godzilla LDs was enough to elicit an “oh MAN!” reaction from me, though I was burning money so frighteningly fast that I unfortunately wasn’t able to partake of said Laserdiscs. I just know I’m going to regret not buying that Japanese King Kong Vs. Godzilla LD sometime down the road.

What I’m saying is that even if you’re not into Ghoulardi or the whole Northeast Ohio horror hosting thing, if you like vintage horror or science fiction films, odds are you’ll still find plenty to peak your interest anyway.

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There’s even some newer, “craft-y” type stuff, for those so inclined. Since I’m rarely hip to that sort of thing, my brother tells me the product seen in this picture is “pixel art,” which is as it sounds: artwork, keychains and so on, made up pixel-by-pixel, just like the character sprites in 8-bit and 16-bit video games. I generally only buy video game stuff when it’s vintage-from-the-period, but no doubt this new-fangled pixel art thing is cool. I mean, pixelated Mario Kart artwork? Heck yeah!

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See, my brother and I always hit up Ghoulardifest on Sunday, the last day of the show. It just works easiest for us that way. The downside is that we often miss some of the special guests and events they have going. Readings By Robert and stage shows like that, we don’t always get to see those. This year though, they had some good stuff going on the whole time we were there.

Up above is Caesare Belvano, who does a phenomenal Elvis performance. I don’t always go for the fan-tribute thing, but Elvis is one of the few exceptions. Not only because Elvis is dead and thus my chances of seeing him live are, well, nil, but also because Elvis tribute acts have become an art unto themselves. Rest assured, Caesare does a fantastic Elvis. His voice is unbelievable; he was on-stage when we first went in, and before I even actually saw him up there, I heard him, and his singing blew me away. His rendition of “My Way” was just incredible. I’ve seen and heard a lot of Elvis over the years, and Caesare gets my full approval (not that my approval really amounts to all that much, but whatever).

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After Caesare, The ReBeats took the stage. Beatles tribute acts are another exception for me; I love them and the time period of music they generally cover (aside from Springsteen, 1950s & 1960s Rock & Roll is my preference). In the case of The ReBeats, they of course do The Beatles, but not just The Beatles. While we were there, they were busting into The Dave Clark Five (they do a great “Catch Us If You Can”), and though we were on our way out by that point, according to their website they also cover Paul Revere & The Raiders, which automatically grabs my admiration.

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I imagine Friday and almost certainly Saturday were busier, but there was a pretty good turnout for what was the last day of the show, too. Indeed, Big Chuck, Lil’ John and Hoolihan had a pretty steady line the entire time we were there; getting to Hoolie in particular looked like quite a wait!

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Speaking of meeting the celebrities, here I am with my pal Jungle Bob! I’ve been a JB fan ever since he started featuring his animals on The Ghoul waaaay back in, what, 1999? 2000? Jungle Bob is one of the coolest guys you could hope to talk to, and he always has some creatures at Ghoulardifest. I forget what he said the thing was in his hand when this picture was taken, but it had a blue tongue and a little goatee. Turn blue, goatee, sounds pretty Ghoulardi-appropriate to me! Later on, he was walking around with a chinchilla, surefire proof of how cool JB is.

Jungle Bob’s official website.

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Me with Mike & Jan Olszewski, where I was able to pick up their fantastic new book, Cleveland TV Tales Volume 2. As of this writing, it’s not yet available on Amazon, but when it is, y’all should buy it. And if you haven’t got the first one yet, buy that, too. There’s an added incentive to buying Volume 2, but I’ll get to that a bit later in the post.

Lemme tell you my Mike Olszewski story: I first met him in 1999 at a signing for the book he and Ron “The Ghoul” Sweed wrote together. He was very personable then. But, it was when I met him over a year later that he just knocked me out (no, not literally!). The Ghoul was making a personal appearance at B-Ware Video in Lakewood. It’s long gone, but at the time, B-Ware was a haven for all of the hard-to-find, obscure movies that you couldn’t easily locate anywhere else. Anyway, The Ghoul was filming bits for his show, and when the cameras came out, I kinda sorta retreated further back into the store. Mike saw this, and despite not actually knowing me, he came up and implored me to get on camera. Thanks to him, The Ghoul episode that aired with this footage featured me near the front, loafing about and occasionally cheering. I always thought it was amazing that Mike would take the time to do that for a total stranger. ‘Course, I was a goofy lookin’ 14 year old, but I won’t hold that against him.

Nowadays, Mike occasionally pops into Time Traveler Records, and every meeting I’ve had with him since that day in 2000 has only reinforced my opinion that he’s one of the nicest guys in the world.

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Hanging with Cleveland weather legend Dick Goddard. No kidding, Dick Goddard is weather in Northeast Ohio. I’ve met him before, but this is my first picture with him (I would have had one a few years back, but the camera decided it didn’t want to take the shot, which I didn’t realize until well after we had left). Every time I’ve met him, Dick has been very friendly.

What am I holding in my hand? Why, that’s my now-autographed Dick Goddard CD! How, what, when, where? I’ll explain later.

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My buddy, Son of Ghoul! Every single year, if I’m going to buy anything, it’s going to be at SOG’s table. I actually make it a point to buy from him. He gets more of my money than anybody. Considering I usually have so little of it, I hope that says something.

Longtime readers will know what a fan I am of SOG; I’ve been watching him since Halloween ’97, I still write into the show, and, you know, there was that time I interviewed the man himself. He even recognizes me when I walk up to him, which always makes me feel like a big man.

There was some sad news in regards to the show this year that SOG and I talked about: longtime supporter of all this, Jim “The Colonel” Klink passed away a week before Ghoulardifest ’15. Klink was well-known to SOG fans for his rabid support and many packages sent to the show. Before SOG, he was a big Superhost guy (in fact, I *think* some of his Supe artwork can be seen in this old post of mine). I saw him walking around at least once at previous shows, and we were friends on Facebook, but it’s much to my regret that I never actually met him in person. The show of grief for Jim’s passing on Facebook was overwhelming; he touched a lot of people and became a well-known Northeast Ohio personality simply by indulging in his fandom and being a nice guy.

Besides being his Facebook friend, my limited contact with Klink included this very nice comment he left for my SOG interview. I think it shows what a good-hearted, upbeat guy he was, and thus I’d like to present here as a small tribute to him:

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R.I.P, Colonel.

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A dream realized! I wanted to meet Janet Decay (aka The Daughter Of The Ghoul, aka Janet Jay) last year, but she was either off doing something or I missed her completely. So, I definitely wanted to meet her this year.

She’s doing a new show with Grimm “James Harmon” Gorri titled The Mummy and the Monkey. When they asked me if I had seen it yet, I had to sheepishly sputter in the negative. D’oh! I had seen The Daughter Of The Ghoul Show before though, which I liked, so I had no problem buying a DVD of their new show. They even gave me a cute lil’ free button; cool winnins! They were both incredibly friendly; I foresee great things in their future.

One thing I noticed when the guest list was announced (and this has been pointed out by others) this year was the lack of national celebrities. For example, last year Arch Hall Jr. and Dee Wallace Stone were in attendance. While I would have liked to talk with Arch Hall again, and I had my concerns when no one like that was included in the show this year, I think it’s cool that the guests were overwhelmingly Cleveland-centric AND that the turnout was so good. It shows that our guys can hold their own and still make for a successful show, and Janet Decay & Grimm Gorri are prime examples of that; their table was very busy!

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Is it corny and/or cliche to say that Fox 8 news anchor Tracy McCool was the coolest? Yeah, I bet she hasn’t heard that enough! Well, she was. Seriously, she was about as nice as it gets. Because WJW Fox 8 was sponsoring the show this year (as opposed to WBNX TV-55 in preceding years), a lot of talent from the station made appearances over the three days. I had brushed up a bit on who was going to be there via the official Ghoulardifest website, though by Sunday afternoon I had promptly forgotten most of it. So, it was a bit of a surprise to see Tracy McCool walk in. She was absolutely great.

You know what really impressed me about her? It wasn’t just that she’d take the time to pose for a picture with a goofball like me. No, rather it was what she was telling a young girl ahead of us: she was explaining good starting places to begin a career in broadcasting, and she wasn’t rattling off facts or anything like that, she was actually talking to her. One thing I admire about a celebrity is their ability to genuinely talk and listen to their fans; not that I expected anything less from Tracy McCool, that’s just a general observation, and fortunately, it applies to many, many of these Cleveland TV personalities (frankly, everyone in this post). Tracy McCool was just awesome.

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I met Bill Ward previously, at the 2013 convention. For years he was the voice of WJW, and make no mistake, that voice is instantly recognizable to many Northeast Ohioans. Just like Tracy McCool (and when I met him in ’13), Ward really takes the time to talk with you, and you’d be hard-pressed to find anyone friendlier (I know, I know, I’m repeating the whole “they were nice” thing a lot in this post; hey, everybody was ridiculously nice!). We actually had a conversation about a commercial he did not too long ago for a retirement company, in which he played “Stu,” and he told me some very funny anecdotes related to that ad.

If you ever have the chance to speak with Bill Ward, trust me, you’ll walk away the better for it. An extremely kind and incredibly funny guy.

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Ah, the customary picture with Big Chuck & Lil’ John. I can’t ever leave without one, because even though I’ve got plenty of pictures with them, accumulating more makes me feel important. I wanted to get a picture with Chuck, John and Hoolihan, but Hoolie was so incredibly busy at his end of the table that I wasn’t sure if he’d ever be able to break away for it. Not that I’m complaining, because a picture with Big Chuck & Lil’ John is one of the coolest things anyone could hope to achieve.

This year, they were selling brand new Big Chuck & Lil’ John wine glasses, and Lil’ John had one in front of him complete with some actual wine in it. Every few minutes he’d take a sip and proclaim “work, work, work!” and it just got funnier each time.

I finally got to talk to Chuck about something that’s been on mind for quite awhile: several years ago, I found a locally-released vinyl record by one Scott Read, appropriately titled The Scott Read Show. According to the liner notes, it was a program on WJW produced by Chuck. So, I asked him about it, and Chuck told me it was many one of many shows that he produced, and it didn’t last very long, only about 6 months on the air. I’m thinking next time they’re making an appearance somewhere, I just might bring that LP along to get signed.

Surprisingly, John seemed to remember us from past years; he actually asked if we always came on Sundays (yep). How cool is that? Although, it’s also a little distressing; I had been relying on the idea that if I accidentally did or said something totally stupid in front of Chuck and/or John (and really, it’s only a matter of time), they meet so many people in a year that they’d quickly forget my face and then we could start anew next time. But now, I just don’t know. Oh the agony it is to be me!

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I met Caesare after his set. There were a number of people waiting to get pictures with him, some acting like he was the real Elvis. Of course, he played the part up and was extremely nice to everyone. He was very gracious when I told him what a fantastic show he put on. Great guy!

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Another dream realized! I met The Midnight Movie guys last year, but I missed Dave from the show. As luck would have it, just as we were on our way out, he was in the lobby taking a break, and he was cool enough to take a picture with me. Even better, he told me that they were filming a lot of footage there for a show that should air within the next month or so. I noticed they were filming when I was waiting to take a picture with Chuck & John; indeed, I’m in the background as they were interviewing Tracy McCool. Me? Surprise Midnight Movie cameo? Maybe!

And so, that ended the annual visit to Ghoulardifest. But wait! Before heading home for another year, we had one last stop to make…

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No trip to Ghoulardifest would be complete without the customary visit to the Big Boy restaurant down the street from the LaVilla. A Ghoulardifest excursion just doesn’t feel right without it. In fact, we did skip the Big Boy one year, and by the time we got home, we felt like we had missed out on an essential element of the trip (or at least, I certainly did). And it’s not just because of the whole Manners Big Boy-Ghoulardi connection, either; rather, Big Boy restaurants are rare animals, and there are none near us anymore. So after reveling in all of this once-a-year fandom, it’s only fitting that we revel in some once-a-year food, too.

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I have to give a big shout out to my brother Luke. It’s thanks to him that I’m able to make it to Ghoulardifest every year. He always drives, because if it were up to me to commandeer the car, I’d probably wind up driving it into a ditch or something. Carnage such as that would probably put a real damper on the event.

Luke likes going to these, he digs all this stuff, and he was jazzed for the trip, but he doesn’t get into it all quite as much as I do; I watched a lot of this stuff growing up, but he usually had other interests. Without me, I doubt he’d make the trip, so for him to haul my goofy self up there each and every year is a testament to what a nice guy he is. Luke is a good mang. Plus he paid for lunch.

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I tried looking at the menu to see if there was something different I wanted this year. No go, the Super Big Boy is just too good to pass up. Seriously, it’s one of my favorite burgers on this planet. It’s that good. Look at that beauty! Two patties, cheese, and special sauce. They taste as good as they look. If you ever find yourself in a Big Boy, this is the option on the menu that I heartily endorse.


Okay, that was the show (and lunch), but what about the goods, the loot, the booty I picked up during the trip? I always come home with some good stuff, and this just may be one of my best hauls ever. And even if it’s not, I still feel perfectly justified in blowing through my money at an alarming rate.

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I have the previously-released clear glass “Certain Ethnic Last Supper” mug (you can see it in this post), but when I saw these new white mug versions, I had to get one. Two, actually; my good friend Pete G. helped me out big time by providing me with tickets to the show, allowing me to save some extra precious bucks, so I got him one of these as a thank you. You’re a good man, Pete!

It’s a cool mug, showcasing much of the Northeast Ohio TV talent that has infiltrated the airwaves over the years. There are a lot of mugs/cups/whatever featuring these guys, but this one is easily one of my favorites of the bunch.

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I got this from Son of Ghoul, and man is it cool. It is what it looks like: a picture of Superhost in a wooden frame. Sure, technically I could print out my own Supe picture, get an old frame and make my own, but there was something about this that made me have to buy it as soon as I saw it. It just felt so right.

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Yeah, I bought another. If you go back to my Ghoulardifest post from last year, you’ll see how jazzed I was to get a Superhost shirt from Son of Ghoul. In my weird little world, I decided I needed another one that I could wear around without fear of wearing it out or accidentally staining it. I’m normally a size-large wearer, but I can get away with a medium, which is fortunate, because there were no more larges left. SOG jokingly explaining the sizes sans-large: “You can get an extra-large and throw it in the dryer to shrink it, or you can get a medium and lay off the Whoppers!” I was cracking up!

Like I said before, Son of Ghoul got more of my money than anybody this year. Truth be told, he usually gets more of my money than anyone else every year. I’m fine with that!

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This was a longtime coming, and I’m a little ashamed to admit that it took me this long to get Jungle Bob’s excellent book, BobTails. Naturally he autographed it to me. You’d be well advised to pick one up, it’s good stuff!

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My official The Mummy and the Monkey DVD of the original Little Shop of Horrors, a swanky flyer, and that aforementioned official button. I pinned the button to my jacket when we took the photo, and promptly forgot it was there for most of the day, and that’s not a bad thing!

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My copy of Mike & Janice Olszewski’s brand new Cleveland TV Tales Volume 2 book. They even autographed it for me! I haven’t had time to read much of it yet (I just got it yesterday!), but the content is directly up my alley. Indeed, it’s already on track to becoming one of my very favorite books of this nature. Why? Because I’m in it, that’s why!

Well, a piece of my interview with Marty “Superhost” Sullivan is, anyway.

A few months back, Mike contacted me asking for my permission to use the bit in the interview where Marty talks about his feelings following the filming of his final episode. Well heck yeah Mike, use away! What a thrill!

When I went up to Mike’s table, he had sample copies of all of his books on display, and I quickly began searching myself out in this newest one. I didn’t have time to find the exact quote (I did when I got home though; this site is mentioned in the body of the section!), but I did find myself listed right at the top of the bibliography. I considered stomping around and shrieking “I is published, I is published!” I decided against it though; having security cart me out for being too obnoxious probably would have put a dark cloud over the day.

But seriously, what a monumental honor for me. This really does feel like some kind of validation, like I’m actually contributing something to something. I mean, okay, most of the time on this blog, I’m just screwing around and posting things that I know only select people are gonna care about. That’s fine, that’s why I do what I do. But, when I do something actually important, and I’d certainly like to think my Superhost interview qualifies, it’s nice to know that the big names (and make no mistake, Mike & Janice Olszewski’s work is VERY well known) take notice. Mike even thanked me again for letting him use the piece and told me what a great interview it was. Hey, if I’m getting Mike Olszewski’s approval, I must be doing something right!

So, thanks again Mike! (And thanks again also to Marty Sullivan for taking the time to speak with me in the first place!)

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Some decidedly cool postcard reproductions of classic Cleveland TV artwork. At a buck apiece, I couldn’t resist. Included: Batguy & Rinaldi, Superhost, The Kielbasy Kid, and Hoolihan & Big Chuck’s good night bumper.

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No, I didn’t buy this CD there, but I was fortunate enough to find it at a thrift store early last week. No kidding, I almost flipped out. The first time I thumbed through the CDs I didn’t even notice it. It wasn’t until my usual second run-through that I saw it. It was placed in backwards, so I was reading the spine upside down, and I thought to myself “wait, am I reading that right?” Obviously I was, and from that moment on it was coming home with me. Quite a few people I told about it thought it was extremely cool as well, and everyone agreed I should get it signed at Ghoulardifest.

It was released in 2002 as a 9/11 tribute, and features vocals by not only Dick Goddard but also fellow WJW 8 talent Tim Taylor and Wilma Smith, along with a few others. There are some standards on it, and some monologues. I like to think of it as Dick Goddard’s attempt at his own The Rising. (How many superfluous Springsteen references in this post does that make? I’m up to three – so far.)

Goddard got a big kick out of it when I presented it to him to be signed. When asked where I got it, I couldn’t lie, so I told him the thrift store. Then, how much did I pay? Well, that was prickly, because I didn’t want to accidentally insult him by telling him the CD was only going for $1.50. I needn’t have worried; he cracked up!

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And finally, my mega-cool Ghoulardifest 2015 promotional poster. Like the Dick Goddard CD, I didn’t get this at the show, but unlike the CD, I didn’t bring it to be signed there. But, I feel I’d be remiss if I didn’t thank my good friend Scott at Time Traveler Records for it. Every year he thinks of me when he gets the promotional Ghoulardifest stuff and gives me the poster after the event. Scott helps me out in so many ways, far beyond keeping me in mind when cool stuff likes this comes along, and I can’t thank him enough. I’m proud to call him amigo.


And with that, my big giant Ghoulardifest 2015 recap comes to a close. From the people there, to the people I met, to the stuff I came home with, to the book with my gol’derned Superhost thing in it, I dare say this was one of the best ones ever. My brother and I had an absolute blast (and a fine, fine lunch). I’ve mentioned this before, but it’s so great to know that Northeast Ohio memories are long; when personalities such as these have meant so much to so many, they never really go away, even if they’re not on the air. Furthermore, the new personalities that come along to take up the torch are not only treated with respect, but also welcomed into the fold, as it were. Ghoulardifest is a celebration of all that, and as a lifelong Northeast Ohioan and TV fan, that’s something I’m absolutely grateful for.

And yes, even though this all took place only yesterday, I’m already starting to itch for the next one!

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WJW TV-8 – The Big Chuck & Lil’ John Ghoulardi Special (October 10, 2015)

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I usually don’t look at ‘modern’ television broadcasts, especially broadcasts as recent as this past weekend, but this was so unabashedly cool that I can’t resist. Besides, it may be a new broadcast, but it’s a new broadcast of older material which in turn featured even older material. There, wrap your mind around that!

‘Course, the fall-back here is that this is my blog and I’ll write about what I want. I could go in the backyard and describe all the neat-lookin’ rocks I find if I so desire. You keep pushing me and I just might, too.

I was made aware of this special just the night before it aired: on Saturday, October 10, 2015 at 3:30 PM, WJW TV-8 would be airing the 30 minute Big Chuck & Lil’ John Ghoulardi Special. I’m glad I only had to wait less than a day for this, because man, I was stoked. A Big Chuck & Lil’ John special, airing (roughly) in their old Couch Potato Theater time slot, and focusing solely on Ernie “Ghoulardi” Anderson, the man who set this whole thing in motion waaay back in 1963? I was so there.

This is what I love so much about Northeast Ohio TV: for all of the changes it has gone through over the years, the steady erosion of locally-grown programming in favor of syndicated content and whatnot, there’s still a sense of history here; there’s a reason Big Chuck & Lil’ John have been forever in the public eye, Son of Ghoul is still plugging away, and no one bats an eye when a special regarding a character that hasn’t been on Cleveland airwaves since 1966 is allotted a 30 minute time slot. Doesn’t hurt that Ghoulardi had (and continues to have) an incalculable impact on so much of the populace, either.

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The announcement I saw didn’t elaborate, and I automatically assumed this was going to be a half hour edition of their regular skits-only show, tailored solely to Ghoulardi material. As it turned out, this wasn’t actually a new special; as the above screencap attests, this was instead a re-broadcast of Big Chuck & Lil’ John’s tribute to Ernie Anderson following his 1997 death. It’s actually not too far off from what I envisioned, just 18 years older. I guess it makes sense to simply re-run the earlier special; a new version would just cover the same ground and take time to film.

Not that I’m complaining, mind you. Anything that gives Big Chuck & Lil’ John and Ghoulardi airtime is absolutely fine with me. Always. Besides, seeing Chuck & John on that old set with the studio audience gets the nostalgia fired up somethin’ fierce.

(By the way: why the slightly fuzzy reception in this day and age of ultra-clear digital everything? Meh, for old times’ sake I recorded this onto DVD on my downstairs CRT TV, which apparently doesn’t play by the same rules as my cute HDTV upstairs does. I also DVR’d the special upstairs, but what the heck, this DVD is already made and handy for screencaps, so here we are.)

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Being a tribute to Ernie Anderson, in addition to actual Ghoulardi footage there’s also a lot of reminiscing, as you would expect. In addition to a short bio of Anderson and how he wound up as Ghoulardi, among other stories Chuck recounts the famous tale of his stealing a Ghoulardi poster off a bus while Anderson kept the driver distracted. Funny stuff!

Keep in mind, this originally aired some time before the phenomenal Ghoulardi: Inside Cleveland TV’s Wildest Ride book was released, and waaaay before Big Chuck’s terrific autobiography (head on back to that BC & LJ store link for that one), so a lot of the information here hadn’t been widely recounted and available to the masses yet.

(For the record, both of those books are absolutely essential reads, not only for Northeast Ohioans or fans of Horror Hosts, but for television lovers in general; both offer an indelible snapshot of TV history, an era that won’t be repeated, and are ridiculously entertaining to boot.)

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Much of the tribute also consists of Chuck’s one-on-one interview with Anderson himself, obviously conducted some years prior. As I recall it, this interview provided the basis for a previous BC & LJ special show, though integrating the segments into this tribute show makes all the sense in the world, given the circumstances.

After giving up Ghoulardi in 1966, Anderson went to Hollywood and made the mighty dollars doing voiceover work. I have countless commercials/promos featuring his voice, and on a nationwide scale that’s what he’s really known for. At one point during this show, Chuck mentions that when Ernie went to Hollywood and became a millionaire, it didn’t change him a bit; he was still the same guy he was back in Cleveland. You get a real sense of that during these interview segments. There’s no showing off, no posturing or anything like that. It’s just two friends talking about the old times.

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As far as actual Ghoulardi material goes, with only 30 minutes and so much ground to cover, well, you’re only going to see so much. However, the official Ghoulardifest website sells a phenomenal DVD of much (all?) of the remaining footage from Ghoulardi’s show, the only official place to get this stuff. I have it in my collection, and you should have it in yours too.

As for this special though, I personally would have liked to see a few more bits with Ghoulardi on his set doing his thing. As it stands, there are two brief clips, and the skit you’re seeing above, The Pitching Coach.

Y’see, Chuck got his behind-the-camera and, as in this case, his in-front-of-the-camera start on the show, performing in skits and even providing the basis for running gags such as the whole “PARMA?!” thing. In this skit, he plays the new pitching coach for the Cleveland Indians, who proves to be fairly incompetent. My favorite moment comes when Ghoulardi tosses a ball back to him, and it lightly hits Chuck’s arm; Chuck holds his arm in pain and pouts in the corner while Ghoulardi tries to apologize!

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More Chuck, this time in one of the legendary skits from Ghoulardi’s show: Parma Place.

Parma Place was a take-off on the soap opera Peyton Place, and the line of skits basically existed to poke fun at the Cleveland suburb of Parma. The loose idea was that Chuck’s character was always trying to make time with Anderson’s wife behind his back (and often right in front of him), but the more notable aspect of the skits were the stereotypes of Parma they perpetuated: white socks, polka music, and so on.

And this was all in addition to the jokes Anderson would make about the suburb when in character as Ghoulardi. Naturally, some residents of Parma didn’t take too kindly to all this, but it’s all still funny, and the genesis of a running joke that continued (and continues) on through The Ghoul and Hoolihan & Big Chuck (& Lil’ John).

A few different Parma Place entries are spotlighted during the special, and this screencap comes from a moment when Chuck’s character “Jerry” gifts Anderson with a pair of white socks, to which he and his wife marvel at endlessly.

Also, you have no idea how funny I find Chuck’s PARMA shirt.

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A fun bit where Ernie Anderson interviews, well, himself. Using a split screen and some handy pre-filming, Ernie Anderson as Ernie Anderson interviews Ernie Anderson as Ghoulardi (who insists he be called “King”). It actually works pretty well; in fact, for the time period it’s fairly seamless.

My favorite line: “I first got my start as Ghoulardi when they fired me from channel 3 and 5 wouldn’t hire me!

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The whole open-wounds-shock of Anderson’s passing may not be as hard to take today as it was in ’97, which is understandable; it has been nearly 20 years, after all (20 years? I refuse to believe this all happened that long ago!). That’s not to say it isn’t still sad, because of course it is. I don’t mean to downplay anything here, it’s just that after 18 years, (most?) Northeast Ohioans have learned to live with Ghoulardi being gone, really gone.

All that said, there is a moment that still packs an emotional wallop in this tribute: the final scene returns to Chuck interviewing Anderson, and Anderson recounts that he met a lot of great people in Cleveland, and then jokingly says to Chuck “You’re not one of them,” to which they both crack up. After they calm down a bit, he then adds “You are, you’re great,” and then the scene freezes as the copyright info pops up. It stays there a bit before fading out, and in that little moment, the deeper meaning of all this is hammered home: it’s not just about what Anderson accomplished as Ghoulardi and what he meant (means) to Clevelanders, it’s also about the genuine friendship between him and Chuck that was there up until the very end of Ernie’s life. It’s a terrific, honest scene, and an absolute perfect way to end the special.

You know, maybe it’s for the best that they didn’t film an all-new Ghoulardi tribute episode; it would be nearly impossible to improve upon this one. From the recollections to the clips, it’s as concise a definition of the character and what he represented to Clevelanders as you’re likely to get in half an hour.

But wait! In a for-modern-day rarity of rarities (for me), there were some great commercials during this broadcast. ‘Course, they all had to with Ghoulardi and/or Big Chuck & Lil’ John, but frankly, that’s how I prefer things. Behold:

Big Chuck For Empire Windows

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Chuck has been pitching Empire Windows for quite awhile now, often in print ads that come nearly every week in one of those circulars. I haven’t seen a whole lot of TV advertising with him for the company, so I was glad to see this and add it to my collection (y’see, through my massive collection of old videotapes, I have amassed a large “archive” of commercials, promos and whatnot featuring horror hosts, and not just our horror hosts, either; it spans the entire nation).

Chuck gives really a pretty standard pitch, though the commercial is so short (15 seconds) there isn’t a whole lot of time for much else. Chuck says he’s been plugging the company for 29 years at this point; that’s as long as I’ve been alive!

If I ever need new windows, I’ll go to Empire. Why? Big Chuck told me to.

Empire Windows’ official website is here.

WJW TV-8 Big Chuck & Lil’ John Ghoulardi Special Promo

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A mega-quick (5 seconds!) promo for the special itself, which aired less than a minute before the show began. I was really, really happy to capture this one; not only does it give me fond memories of this, but also because I just wasn’t sure if there even was a promo for this special. I don’t care how short it is, either; it’s another one for the collection!

The voiceover: “The Big Chuck & Lil’ John Ghoulardi Special, today at 3:30!” Yeah, yeah, basically the same info that’s printed on-screen.

Ghoulardifest 2015 Commercial

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I’m thinking Ghoulardifest is the reason this special was run in the first place; what better promotion could there be? In prior years, the convention was sponsored by WBNX TV-55, but this year it’s WJW, which means they’ve got carte blanche as far as Ghoulardi footage and whatnot goes. It’s a more involved commercial than what has aired in recent years, which more or less usually amounted to basically Chuck & John standing in front of a green screen and giving their pitch. In this spot, however, lotsa Ghoulardi clips are interspersed with the pertinent information, though perhaps oddly, Chuck & John are nowhere to be seen.

WJW was pushing Ghoulardifest pretty hard during the special (as you’d expect). A full 30 second spot aired twice during the show, and a 15 second version right after it.

Needless to say, I am now even more jazzed for Ghoulardifest, which is saying something since I’m always jonesing for the convention. Yes, I will be attending again this year, and yes, there will be another write-up. In the mean time, check out my 2013 and 2014 reviews! And if you can attend, please do so! It’s always a blast!

The Ghoulardifest website with all the info y’all need is here.

The Big Chuck & Lil’ John Show Promos

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And finally, promos for Big Chuck & Lil’ John’s current 30 minute Sunday night show proper were, for obvious reasons, ran twice during the special. On the left, a spot featuring a brief clip from their Nukey Shoes skit. On the right, the bit where, as part of the opening fanfare for a movie, John gears up to hit a gong but instead accidentally nails Chuck in his, erm, manhood. Yikes!


 

I love the fact that a special so undeniably Cleveland in every facet can still air on local TV here in 2015. The sad fact of the matter is that there’s not always a place for this kind of thing on modern airwaves. Like I said at the start of this post, there’s a very real sense of history in Northeast Ohio television, one that seemingly won’t let people forget the accomplishments of its past.

And I wouldn’t have it any other way.