I love this one. Love love love it. No matter how many times I type “love,” I doubt you’re going to understand just how happy I am to have this awful, awful movie on a format that’s only slightly more obsolete than VHS. I’m jazzed, man.
Why? Because I’m a complete and total sucker for The Creeping Terror. I love this stupid terrible movie beyond what is probably considered acceptable limits of, erm, acceptability…? That kind of fell apart, but suffice it to say, I’m quite fond of the flick. It’s one of the worst movies ever made, and it’s gloriously entertaining because of that.
The Creeping Terror has it all: shoddy black & white footage, limited dialogue but plenty of awkward narration, a star that you won’t buy for a minute as a legitimate star and who doesn’t really do enough to warrant being called a star anyway (but being the director/producer/guy who made this movie happen, naturally he had first dibs on leading man-status), a scientist played by the original Marlboro Man (yes, really), a random lecture on bachelor-hood and married life, a very slow-moving monster that looks to be made of shag carpet, victims that not only lack the ability to run or even walk away from said monster but who also crawl into the damn thing, a rather rotund man and his grandson Bobby (“Bobbbby!“), and the most awkward, goes-on-for-far-too-long dance party that you’ve ever seen.
It’s one “say what?” moment after another, and thus it’s clearly one of the worst (greatest) things ever committed to film. Fittingly, it was given the Mystery Science Theater 3000 treatment, but the movie is so, so out there that it’s a trip by itself.
I first saw (and taped!) the film in 1998 on WAOH TV-29, years before I saw the MST3K version, and it was the recording of that broadcast that I was most familiar with for years (rarity of rarities: Unlike most of the stuff I taped, I actually wound up watching it!). My reasons for taping it were two-fold: 1) at that time, any old horror/sci-fi flicks were fair-game for my vicious recordin’ tactics (that is, I’d tape anything and everything possible that fit my preferred criteria), and more importantly, 2) thanks to my beloved Mystery Science Theater 3000 Amazing Colossal Episode Guide, I knew the movie had been featured on the show, and even though it would be a few years before I became familiar with the actual episode, the mere fact that the movie was on the show was enough to make me want it.
That said, despite the extreme oddness of the film, it didn’t really do much for me then. Sure, it was an uber-amateurish, grade-z sci-fi flick, but I had plenty of those in my collection already (albeit few, if any, as inept). And while the MST3K treatment has since become one of my favorites, my first viewing of that episode several years after first seeing The Creeping Terror left me a little cold as well.
It wasn’t until almost 2 years ago, when I came across this thread at the Classic Horror Film Board, that my interest in the film rose to peaks I never thought it would. The thread started way back in 2006, and it’s still going! There’s so much interesting backstory regarding The Creeping Terror that the movie itself is almost (but not quite) overshadowed by it all. And since I stumbled across the thread after it was already well, well underway, it was simply amazing to watch as more and more info about the film was progressively revealed. The contributors to that thread are some of the most knowledgeable and downright cool people I’ve come across online, and the sheer amount of information I’ve learned from not only that thread but from that forum in general is something I’m certainly grateful for. If you don’t know how The Creeping Terror came to be (and I sure didn’t), you owe it to yourself to check the thread out. It’s an absolutely fascinating read.
Indeed, that thread is how I learned of the VCI home video release in the first place. Prior to that, The Creeping Terror is a film I had figured as incredibly public domain. That is, there was endless VHS/DVD releases of it out there, be it standalone or in compilation sets, not unlike The Brain That Wouldn’t Die. I’m not sure how I got that idea in my head, because while there were a few VHS releases, as well as a few DVD compilations nowadays, it turns out The Creeping Terror is not only not in the public domain, it also never had much of a life in the home video market, either. There was apparently a Rhino VHS release in the late-1980s/early-1990s, and of course the MST3K version on both VHS and DVD, but as far as I can ascertain, the VCI release under their “Le Bad Cinema” banner from the early-to-mid-1980s (there’s no video release date anywhere on my copy) was the first. Maybe it wasn’t, but as far as I can tell it was. Either way, in short order the VCI release became one of my “most wanted” videos.
I tend to operate under a “sooner or later I’ll come across it” optimism. Not just with videos, but also with old broadcasts/commercials/etc., electronics, and so on. And time and time again, that optimism and patience has paid off. But, it’s not fool-proof. For example, even though I’ve had a copy for years (two copies, actually), I still haven’t come across the Vestron release of Giorgio Moroder’s Metropolis in person; I had to resort to Ebay back in the day (luckily, it’s out on DVD now). Considering VCI’s The Creeping Terror is far, far more rare than that video ever was (Moroder’s Metropolis used to go for big bucks on Ebay because it was, at the time, the best restoration of the film, but there were always multiple copies for sale; even though it was out of print, it was really more popular than outright rare), I knew my chances of finding a copy “in the wild” were slim, though certainly not impossible.
Still, when the opportunity to pick up the Beta version of the VCI release presented itself (and I had no idea there was a Beta release beforehand, though given the rough timeframe of release, it makes sense), I jumped at it. I paid more than I really would have liked; the final total was akin to what rarer tapes were going for back in the good ol’ days (ha!) of late-1990s Ebay. I’ve spent less on (some) used blank Beta tape lots, but I had the money, so whatever. Needless to say, I was successful, as the picture above can attest.
I love the cover art. I mean, just look at it up there! It’s 1980s in all the best ways. I dig the hand drawn artwork of the era, and the cover of this particular video fits in perfectly: It’s simple, but perfect for this type of film. Though I’ll admit the absence of “The” in the title irritates me. It’s The Creeping Terror, not Creeping Terror! I got the same way with Goodtimes’ 35th anniversary release of The Blob back in the day; the cover listed it simply as Blob, which is even more awkward than Creeping Terror.
It appears my copy has some staining to the box, mostly visible on the back. I pray it was only someones drink and not something more sinister. It doesn’t smell like anything troubling, or anything at all really, which is always a good sign. Yeah, I smelled the thing. Could I be any weirder?
The description on the back is adequate enough, but not exactly spot-on. None of the film takes place in the Rocky Mountains; it’s set in “Angel County,” California. And while it’s true that a ’57 Ford (I guess it’s a ’57 Ford, anyway) does indeed kill one of the monsters (there are two of ’em), they are certainly not immune to grenades; immediately before the Ford takes the one monster out, the other one is killed by a hand grenade thrown by the illustrious “Colonel Caldwell.”
Still, you can’t fault them for a few mistakes. This is the kind of film where, without intense concentration, it would be easy to let your mind wander and your eyes glaze over. Besides, who would really want or need a deeper-than-necessary knowledge of the film (besides me, I mean)?
Also, the copyright date for the film is almost always listed as 1964, as demonstrated on the back of this box. It was made around that time, but another interesting thing I learned from that aforementioned thread is that it’s almost positive that this film was never actually released theatrically! It seems the public never saw the film until it was licensed for TV showings sometime in the 1970s! And that’s really just the tip of the iceberg when it comes to the wonderfully bizarre backstory of the film.
There were a number of movies in VCI’s “Le Bad Cinema” line. It was probably a smart move to tag them as such, because at least as far as The Creeping Terror goes, you’re almost certainly gonna irk a lot of people if you advertise it as a ‘straight’ sci-fi/horror movie. No one is going to buy this as a ‘real’ film, and if by some chance they did, those hopes and dreams would be crushed as soon as the alien craft landing on Earth is shown as (and I’m not kidding here) blurred car headlights and stock footage of a rocket blasting off ran in reverse. Rather than pretend this is something “legit,” it was a wise choice to play up the real strengths of the flick (such as they are).
There’s the tape itself, with a fairly cheap identification label affixed to it. So now you know. Really, what more can I say about it?
Since I have several Betamax VCRs, there’s never an issue of playing Beta tapes (duh!), but I generally prefer VHS (due to convenience plus it being the format I grew up with and still predominantly use for this sorta thing). As fond as I am of the format, given the choice I probably would have went with a VHS copy over Beta. There is a major benefit to having this on Beta, however: higher quality video (yes, people still argue about this, but Betamax does look superior to my eyes). Granted, there’s only so much that can be done with The Creeping Terror; even a pristine 1st generation film print is probably going to look shoddy to an extent, because it’s just a shoddy film in general (that’s why people love it!).
Even with the limited number of releases out there, there are worse looking versions. In fact, VCI’s version looks pretty darn good, all things considered. Sure, there’s plenty of film scratches and dust, some scenes are too dark, and some are too light, but the image itself is relatively sharp. I mean, I can actually read the copyright notice in the opening credits; a minor miracle? I really was able to pick out little details in this version that I couldn’t in others, small victory that may be.
From my very first viewing, I remember being mildly surprised that they used what appears to be the design from the opening credits of The Blob for the credits of this movie. Or maybe they technically didn’t and it just looks insanely close.
That’s the title screen up above, by the way. You’ll get a better idea of this momentarily, but the superior sharpness of this particular print was evident as soon as those wondrous words that make up the name of this movie popped on-screen.
You have no idea what a pain it was trying to get a decent screenshot of the titular character, and I still don’t think I was all that successful. I wanted an all-encompassing shot that would give those unfamiliar with the film an idea of just how goofy the monster is, but the thing is always moving around whilst surrounded by trees and shrubbery and whatnot. Plus, the screen often being on the dark side only made things more difficult for your Northeast Ohio Video
Idiot Hunter. Even the back of the video box had trouble with this (scroll back up and see if y’all don’t believe me). Rest assured, it’s a giant shaggy-carpet monster with hoses of some sort protruding from its head. It looks really bad (which of course means it’s awesome). The mostly-obscured illustration on the front cover looks better than the actual in-movie monster (dull surprise, I know).
Much has been made of the “worst movie ever,” and from the screencaps of the monster alone it’s easy to see why The Creeping Terror frequently makes those lists, which I don’t disagree with. It is without a doubt one of the most inept movies ever made; I mean, even Manos: The Hands of Fate was in color and had real continuous dialogue (even if it was dubbed in later, not unlike the small bits of actual speech found in this film), and as silly as Torgo was/is, he’s infinitely more believable than the slow-moving title character of The Creeping Terror. And, hollow victory, The Creeping Terror is better than the similarly-narrated and similarly-hated The Beast Of Yucca Flats in my eyes. Kind of a wash, but whatever.
Actually, for as bad as it is, I’ve seen other movies that may technically be better but I’ve enjoyed far, far less. I’ve seen early-1970s European horror films that have actually left me depressed. The Creeping Terror, though? It’s too goofy to take even remotely seriously.
Though even I’ll admit that the goofiness can’t carry the entire movie. Despite what VCI says on the box, this movie only runs some 76 minutes, and there are long stretches where the monster eats person after person and/or stretches where there is no speech or narration, only silly music, which for all intents and purposes turns this into a silent movie. What I’m saying is the wackiness only goes so far before things become a little tiresome. Still, there’s obviously enough “huh?!” moments to save the whole thing (from a pure entertainment standpoint, at least). Otherwise, I wouldn’t love the flick as much as I do.
Just for the fun of it, here’s some comparison screenshots between my Betamax copy and the version I recorded off of WAOH TV-29 way back in 1998. Of course, since my Betamax copy is a commercially-released version recorded in the high-quality BII mode and the one I taped back in ’98 was recorded some 16 years ago in low-quality SLP off an over-the-air broadcast on a low-power independent station and on a good-but-not-great blank tape, there’s really no direct comparison between the two versions, but hey, let me do this. It brings me joy, and don’t I deserve some of that in my life?
(For all of these, Beta’s on the left, ’98 recording’s on the right. Got it? Good.)
Remember that time I provided a screencap of the title screen? Here it is again, only twice-over. As the comparison demonstrates, the WAOH broadcast is always much grayer than the Beta. Furthermore, the sharpness of the Beta version is particularly evident here.
This is our “hero,” the “star” Vic Savage, aka A.J. Nelson, who is responsible for the film. Vic Savage is a pseudonym, y’see? Does our leading man inspire confidence in his Creeping Terror-stopping abilities? I’ll let you be the judge.
This is from the infamous “Bobby!” scene, in which the grandfather you’re seeing above goes searching for his grandson by stumbling about and constantly shouting “Bobby!” in the most annoying manner possible. Spoiler alert: They both get eated.
I’m not sure which is more infamous, the aforementioned “Bobby!” or this “Community Dance Hall” scene, in which we’re shown several minutes worth of repetitive shots of people badly dancing while the same tune plays over and over and over. Spoiler alert: They all get eated.
Man, The Creeping Terror on Betamax. I can’t quite place my finger on why, but it just seems so right. I’ll venture a guess that this was the only release of the movie on the format. Quite a leap, huh?
In lieu of the film as-is, less adventurous souls may opt to hunt down the Mystery Science Theater 3000 treatment on DVD, or VHS if one was so inclined. But even with Mike & The Bots, the film is pretty out there. ‘Course, if you’re feeling brave, the uncut version is also available on DVD, in a number of various multi-movie compilartions. As far as DVD goes though, your best option really is to hunt down the MST3K version, which, despite featuring the ever-annoying double-sided disc, has both their episode and the uncut movie.
As for me, I’ve got the MST3K version (on VHS and DVD), I’ve got the uncut version in a 12-movie DVD set, I’ve got my old WAOH recording, and now I’ve got this swanky VCI Betamax copy, which has immediately become a treasured part of my collection.
That’s a lotta The Creeping Terror, far more than should be allowed.
Cool recommended readins: