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Blockbuster-Branded (and Subsequently Autographed) Godzilla 2000 VHS

The time is right for this one.

I guess I got the inkling for this a few weeks back, when I covered that widescreen ’98 Godzilla VHS. As a follow-up to that post, I initially planned on dragging out a copy of the regular, full-screen edition of the movie; not so much for the sake of comparison, but rather because it was a used VHS, re-sealed and branded by Blockbuster video, as was their habit back in the day. Found for only 60 cents at a thrift store, it was an impossibly cool artifact of the late-1990s video store era, one that I was going home with the instant I found it. I’m a sucker for tapes with old Blockbuster stickers all over ’em.

That post obviously never happened, though it still could at some point, depending on how industrious I feel.

Instead, for several reasons, not the least of which being personal memories, I’m going with this tape today, the US VHS release of Godzilla 2000. It’s got the same late-1990s/early-2000s-ness about it, and the same Blockbuster-factor, but it’s a different movie – and it’s signed. Take note of that, because that’s where the personal memories part come in.

First though, the tape (and movie) itself. Godzilla 2000, was released in Japan at the end of 1999 and in the US in August 2000. Unlike many (most?) of the then-new entries in the series, Godzilla 2000 was released theatrically here, and coming off the controversial ’98 Hollywood product two years prior, it almost seemed like a “here’s your real Godzilla!” move. Maybe it was intended that way?

For my part, I did indeed see the film in the theater. The chance to see my first “real” Godzilla movie on the big screen? I almost never went to the movies then, or now for that matter, but I made an exception for ‘Zilla.

My fandom, which was only a few years old at that time, was still evolving, and the sad fact of the matter was that it was probably around that point that I realized I just wasn’t real big on the “new” entries in the series. The Columbia/Tristar VHS releases of movies from the 1990s (heretofore unavailable in the US, to the best of my knowledge) were coming out, Godzilla 1985 had been re-released on tape, there was 1989’s Godzilla vs. Biollante (released by HBO with absolutely stunning cover art), and the one thing I took away from all that was this: They just didn’t do much for me. I’m an “original series” guy; that is, I dig the entries from the 1950s through 1970s, but after that, I must admit my interest wanes. That’s probably anathema to admit to any serious kaiju fan, I know, but I can’t lie to you, my bored reader. (In all fairness though, I haven’t seen the film since that visit to the theater back in 2000; maybe it held up better than I’m expecting?)

So anyway, Godzilla 2000. It was neat, it was cool to see in theaters, but truth be told, it didn’t blow me away. As such, I committed the previously-inconceivable act of not picking up the VHS release as soon as it came out.

As you can see, I eventually wound up with a copy, the circumstances of which I’ll get to momentarily. Say what you want about the film, you can’t deny it was given a positively striking release on VHS. I had to tilt my camera a bit when taking the picture, lest the flash overwhelm the artwork, and that’s why the image above isn’t “straight on.” Still, this worked out; it gives you a good impression of the textured front cover. The regular edition of Godzilla 1998 featured a textured cover too, but this one is so, so much cooler; it’s got the real ‘Zilla on it, amidst the carnage you’ve come to know and love from him, and let’s be honest, adding “2000” to a title makes anything sound cooler.

The only part I personally would have dropped is the “GET READY TO CRUMBLE!” tagline. Yes, I know it was used in the promotion for the film’s US release, but it’s too pun-y; it sounds like something that would’ve wound up on a low budget, direct-to-video release. I don’t know, maybe it’s just me. (Full Disclosure: I can’t get “REST IN…BEAST” via 1996’s Werewolf out of my head here.)

There’s the back cover. Ah, that tagline again!

My (probably arbitrary) qualms with that aside, it’s a perfectly serviceable back cover and synopsis. It’d be even more serviceable if Blockbuster hadn’t obscured ‘Zilla’s head and Lou Lumeni-somebody’s quote with their big huge used VHS sticker. The price? Uh, “$*”. I no longer recall what that means, if I ever did, but it probably meant “cheap.”

The synopsis certainly sells the movie adequately. It’s exciting, hyperbolic, and it’s got that little registered trademark thing after every utterance of “Godzilla.” Though, it does point to one aspect that I later became increasingly irritated with: The usage of UFOs/aliens/etc. as antagonists. By the 1970s, nearly every movie in the series used that to drive their plot, and the trend seemingly continued in the revived series. Once in awhile is fine, but frankly, I grew tired of it. That’s probably another arbitrary qualm on my part.

(The outstanding Toho Kingsom site features a gallery of Toho VHS art, and in their section for this tape, they state this was the last ‘Zilla flick to see VHS release in the US – which I have no problem believing.)

The Blockbuster sticker sez this was placed out for sale on April 16, 2001. That’s not when I got it though. In fact, this tape doesn’t even hail from Northeast Ohio. So where did it come from?

Chicago, believe it or not. I wasn’t there all happenstance, either. Nope, it was Godzilla himself that got me to Chi-Town back in the summer of 2001.

How so? G-Fest 2001, that’s how!

G-Fest is an annual Godzilla and general kaiju convention celebrating, uh, Godzilla and general kaiju. My fandom for all things ‘Zilla may have tapered off somewhat from its late-1990s zenith, but I was (and am) still a huge fan of this stuff. So no, there was no need to resort to blackmail to get me there; I was no regular convention-goer by any means, but this was too neat to pass up!

It was a neat show, with plenty to see and do. I was mainly interested in the memorabilia, of course, and I picked up some cool tapes (we saw one before), both there and at a nearby Japanese mall, as well as some other assorted bits; indeed, the original lobby card for Godzilla vs. the Smog Monster I scored for $15 was a particular boon. (We also stopped at a yard sale one night; I picked up a couple old comics and a vintage Mattel handheld Basketball.)

By the way, the show was actually held July 13-15, 2001, and had I been on my game, I could have posted this on the anniversary date. But, I wasn’t so I didn’t.

I didn’t pick up this Godzilla 2000 at the show, though. Nope, we actually sought out a local Blockbuster, who just happened to have a used copy – which needless to say is why this article is happening. Somehow we found the place, the Godzilla 2000 VHS finally became mine, and I was prepared for the next day…

This section from the official program, which I dug out just for this post, explains all. They had special guests, and I wanted autographs.

I already had a copy of Godzilla vs. King Ghidorah, the 1991 flick that had only seen a VHS release in the US in, I don’t know, 1998 or so. So, I was ready to get Robert Scott Field’s signature on it (he played M-11 in the film), but I was woefully unprepared for Shinichi Wakasa, who as per the program, was responsible for the Godzilla suit in 2000.

The trip to Blockbuster solved that problem, and I met both guys on the Saturday date of that convention, ready to roll.

I want to say we got pictures with both. Either way, both were super nice guys I’m glad to have met. I was more familiar with Robert Scott Field, simply due to his on-screen presence in Godzilla vs. King Ghidorah, (I’ve still got my signed VHS, but that’s a subject for another post, another time), but there’s no denying it was cool to meet Mr. Wakasa, the man behind the Godzilla of Godzilla 2000. Even if I wasn’t huge on the movie, there’s no doubt his suit, and the special effects in general, were darn impressive.

So anyway, that’s Shinichi Wakasa’s signature you’re seeing at the bottom of the front cover of my Godzilla 2000 tape. I’m not sure anyone other than kaiju fans would know that unless I pointed it out, but I’m absolutely glad it’s there.

In summation, it was a neat experience, and the story of how I came to get the tape to be signed is, to me, even more interesting than if I had just picked it up brand new upon release. I’ve got a tale to tell along with the signature on it, and in addition it still exhibits the remnants of a now-gone video rental era. I dare say it’s a pretty cool piece of my collection thanks to all that!

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VHS Review: Godzilla (1998 Widescreen Version)

You know, I originally had a whole different post planned for a late-July update. It didn’t happen, with the result being that now I’m scrambling to get something up before the end of the month, lest the blog become, uh, update-less. Or something like that.

This actually works out perfectly though, because recently I’ve been mega-nostalgic for the late-1990s of my youth, and since we are now in the thick of summer, things from these months in particular. In that arena, I’ve got something that strikes more than a few chords.

Behold: To your left, it’s the 1998 US remake of Godzilla, that product of Hollywood that, for a few months at least, dominated the American entertainment front. (And yes, I know the movie actually released in May, but I still think of it as a late-90s summer blockbuster, and thus, that’s where I’m coming from with this article. May counts, right?) I had already fallen in love with the original Godzilla movies by the time this came out, so to be around for a brand new theatrical adaptation? Too cool! (Nostalgic Bullet Point #1 = CHECK!)

‘Course, this isn’t just the ’98 Godzilla, it’s the ’98 on Godzilla on good ol’ VHS, and therefore you should be having visions of Blockbuster Video right…about…now. (Nostalgic Bullet Point #2 = CHECK!)

‘Course, this isn’t just the the ’98 Godzilla on VHS, either; it’s the widescreen version. Cool winnins! Now, while I’ll never claim this particular release to be rare, anyone that regularly hits thrifts stores and whatnot up like I do knows there’s at least a 90% chance you’ll find the regular full-screen edition on any given visit. No joke, it’s uber-common. The widescreen edition, however, is not as commonly found.

This tape strikes particular chords with yours truly not only because it’s ‘Zilla and it’s VHS, but also because of my dad. No, he didn’t take me to see this in theaters; I didn’t see any of the film until it hit home video. (Not for any particular reason, I just never went to the movies all that often; still don’t, truth be told.) Rather, it was the “home theater” TV set-up dad put together. Hi-Fi 4-Head VHS VCR, surround sound, the whole deal. Even though we generally (always?) went the full-screen route with the VHS tapes we bought, it was a darn impressive home theater, especially sound-wise. I could be in the other room or downstairs, and as soon as I heard that booming rumbling, I knew someone was watching a movie! (Nostalgic Bullet Point #3 = CHECK!)

So yes, this tape, even though we didn’t have this particular version then, it absolutely takes me back. I’m not sure how much nowadays, but back in the 1990s, getting the theatrical “experience” at home was a pretty big deal. And that’s where these widescreen releases came in. Judging by their relative scarcity, I’m assuming they were more of a niche market, but for those that wanted the whole picture (as in aspect ratio) with their movies, they were a must.

Like I said, anyone that regularly scours the VHS sections of thrift stores undoubtedly comes across the normal full-screen Godzilla on a regular basis, and as such, should be familiar with that textured (embossed) dark green sleeve peering out at them, probably sandwiched between 19 copies of Titanic and that one sports bloopers tape you can’t believe anyone ever wanted. Whatever your thoughts on the movie itself may be, you can’t deny Columbia Tristar gave it wildly attractive packaging. Well, you can deny it, but I won’t believe you. Either way, it’s a perfect artifact of late-1990s home video. (Nostalgic Bullet Point #4 = CHECK!)

This widescreen edition, however, changes things up a bit. Many widescreen releases of the time had the same general layout of the full-screen editions, often with only a banner along the top or similar, relatively minor, notation regarding the aspect ratio. Not so here; there could be no mistaking what you were getting with this one, with declarations not once but twice on the front cover alone. And, if you somehow missed the “Widescreen Presentation” at the top, the gigantic “WIDESCREEN” running down the right side of the cover had to have slammed you like the foot of ‘Zilla himself.

This comes at the expense of the full-screen edition’s textured cover however, and that hurts me deep. Instead, the artwork is, as you can see, squeezed into a box, and without said texturing. The black-and-green color scheme is attractive, and the overall presentation feels like something special, but to me it’s not as visually stunning as the more-common full-screen edition.

(The back of the box, except for the expected alterations to the aspect ratio information, is identical to the regular release, so if you live in some weird world where you immediately identify video tapes by the back cover first, that ain’t gonna fly here man.)

Oh, by the way, you can actually play the video! Go figure! Dig this…

Any kid growing up in the VHS era has to remember the strings of trailers and whatnot that often preceded the movie on major studio releases like this one. I mean, for people my age, there was Batman rushing out for a Diet Coke, that kid playing baseball before Teenage Mutant Ninja Turtles, and Hulk Hogan’s smash hit Suburban Commando trailer lurking before Teenage Mutant Ninja Turtles II. This stuff is indelibly burnt into my mind and, I’m sure, the minds of countless others my age. Sure, we could have fast-forwarded through them, but the fact so many of us grew up knowing Suburban Commando was a thing means we usually didn’t. Or at least, I usually didn’t. To me nowadays, these additional bits stand out to me as much as the movies they were preceding. And yes, I totally have “Right Field” stuck in my head now…

Anyway, Godzilla was no exception to this. Before the movie, you’ve got some previews! There was some trailer for The Mask of Zorro, but the main areas of interest for our purposes today are the two Godzilla-related bits.

First, an ad for Godzilla: The Series, an animated continuation of this very movie that aired on Fox Kids back in the late-90s. No, not this series, this series. I was a little too old to watch Fox Kids by the time this debuted, though from I understand it it had a more mature artistic style, and was probably aimed towards somewhat older audiences, but the fact remains I only caught fleeting moments of it. (Still, according to Wikipedia, it was a direct follow-up to the film, which I think is cool.)

After that, an ad for Godzilla: The Album, the official soundtrack to the movie that was about to start. I won’t say this soundtrack is as ubiquitous as the full-screen VHS Godzilla, but it’s up there. Wikipedia sez it was heavily focused on alternative-rock, and one look at that line-up of artists to the right seems to bear that out.

I never owned the soundtrack, though my cousin did. All I know is that the cover of “Heroes” was inescapable around that time, and naturally it shows up in this ad, which means it has now replaced “Right Field” in my head. Since I’m not a fan of even the original version of that song (“Heroes,” that is, not “Right Field”), I’m not especially enamored by this, though even I will admit that hearing it instantly places me in 1998, so far-reaching was the song back then.

So, Godzilla, the movie itself. That’s the title screen to the left, yo. As I said, I didn’t see it in theaters during release, though I was certainly excited for it. The Taco Bell tie-in promotion was sampled, and toys were collected. Even better, the wave of promotion brought forth reissues of many of the original Godzilla movies on VHS, some of which had become pretty hard to find prior. I think only Godzilla Raids Again and Godzilla vs. the Smog Monster remained MIA, though Destroy all Monsters got a first-ever US video release around that time, as did many of the heretofore unavailable (domestically) installments from the 1990s. It was great, and I fondly recall going to Blockbuster one night, seeing 1991’s Godzilla vs. King Ghidorah on the shelves along with a slew of other new-to-me entries, and just being blown away. This was completely unfamiliar territory to me!

(Of course, we saw the same wave of merchandising here in the DVD era when 2014’s Godzilla came out, and in the same wheelhouse, 2005’s King Kong remake, as well. I love these releases that show up whenever Hollywood puts out a new, mega-hyped remake! Indeed, they’re some of my favorite things about these updates!)

Anyway, Godzilla 1998. It featured a totally-new, iguana-like Godzilla, with extensive CGI animation to match, and since it was by the same guys who did Independence Day, the flick was a special effects extravaganza. In short, the kind of movie that instantly comes to mind when you (well, I) think of the American summer movie season.

All that in addition to a plot in which ‘Zilla stomps all over New York City, chases Ferris Bueller and the voice of Moe Szyslak around, and has a ton of baby Godzillas cause he’s now capable of asexual reproduction, well, it didn’t take long for negative word-of-mouth to strike the film. The longtime G fans naturally hated it, and because it was a loud, special-effects laden Hollywood product, the critics weren’t especially kind to it, either. Of course, the reactions from casual moviegoers, who were probably just looking for some entertainment and didn’t necessarily care whether the flick was faithful to the source material or not, varied as you’d expect.

Truth be told, in previous years I’ve been more on the negative side of the fence in regards to the film, though as of late I’ve taken a more positive stance on it. I don’t really see it as a legit “Godzilla movie,” but I think that’s just the trick needed. Taken on its own merits, yes it’s big, yes it’s loud, and no, it’s not exactly an exercise in intellectual stimulation, but for what it is, a product of late-90s Hollywood, it’s perfectly serviceable entertainment. Your mileage may vary of course, and I can certainly see someone being unable to forgive it for the Godzilla mythos it ignores and/or destroys, but me personally? Aw, it’s not so bad. I look at it the same way I do 2006’s theatrical Miami Vice; as an adaption of the original material, it’s not so successful, but as a standalone film taken on its own merits, it works.

You know, I spend so much time looking at ancient budget VHS tapes, it’s easy for me to forget that the format can look and sound really, really nice. Relatively speaking, of course; it’s still not digital quality, but as a product of a major studio, this widescreen version of Godzilla could (and probably did) show off entertainment centers equipped only with VHS pretty adequately. Also, an SP recording never hurts.

Here, you can see ‘Zilla busting out of what remains of Madison Square Garden. (His discovery that the lil’ baby Godzillas are now dead really irks him, by the way.) Maybe my screenshot isn’t the greatest in the world, but if nothing else, it gives you an idea of how this appears in action, not only due to the letterbox format, but also the quality in general. Trust me, it looks nice, though not without the expected VHS ‘grain’ (which only adds to the old school vibes of the tape, in my opinion – it’s a good thing).

Also, the sound; it has that booming quality I mentioned earlier! But then, why wouldn’t it? It’s a Hi-Fi stereo tape, played in a Hi-Fi stereo VCR. And bear in mind, I played this on my crappy beater VCR; had I run this through a high-end, or at least higher-end, deck, this would have all came off even better! Still, as it stands, it’s pretty impressive to me eyes (and ears).

Look, it’s 2017. Obviously my widescreen Godzilla VHS is now wildly, wildly obsolete. Not only format-wise, but also because there’s a new, mega-deluxe 4K Blu-ray release of the film. Have at it over on Amazon! That said, for the time this tape came out, unless you were a Laserdisc loyalist or an early adopter of DVD (I assume this released on DVD right away, anyway), this was the best version of the film for the common man-about-town, on a format basically anyone and everyone owned by that point. Laserdisc was still niche, DVD hadn’t taken off into the stratosphere yet, and VHS was king; that’s 1998 home video in a nutshell.

So, the next time you’re out thrifting, and you’re looking for a Hollywood special effects extravaganza by way of VHS, Godzilla, widescreen or otherwise, isn’t a bad choice, despite the infamy it has garnered over the years. You can sit back, let the sound and CGI envelope you, and turn off your mind for 2+ hours. Pretend it’s 1998 again; you’ll be happier that way. I know I am. (Though, you may have to contend with the hopes that the VCR doesn’t eat the tape; hey, I’ll never say 1998 was perfect!)

Blockbuster-Branded Batman & Robin VHS (1998)

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I get excited over the weirdest stuff. For instance, take this thrift-store-find from a few nights ago; I was legit stoked to come across it. Maybe it’s because I’m a Batman Batfan and totally remember the massive hype (and even more massive letdown) that was the summer 1997 release of this movie. Maybe it’s because I miss the all-but-dead video rental store days (and have been looking for something to pay tribute, albeit belated, to the now-gone Blockbuster). Or, maybe it’s simply because I already had a Blockbuster-branded copy of Batman Forever and in my weird little world this compliments it nicely.

Aw, who am I kidding? It’s all of those. And more?

Despite the fact the movie is one of the worst things ever, I have an inexplicable fondness for the film. Well, not really for the film per se. More for the time period and where it falls in my lifetime. Going further into all that would be a huge digression, so let me stay kinda on track here. Batman & Robin: I remember the release, I remember (and sampled) the stupid Taco Bell tie-in promotion, and I remember the revelation that it apparently made theater-goers cry. I wouldn’t know, though; we tried to go see it, but the only available-to-us showing was sold out, so we settled for, I’m pretty sure, Men In Black.

(I’ve kinda made up for not seeing it in theaters, not that it matters, though: this is my actually my second copy of the film on VHS, and I even have the stupid thing on DVD and freakin’ Laserdisc. Now if I can just find a Betamax copy, my collection will be complete*.)

Despite there being other Batman movies released to theaters in the 1990s, Batman & Robin feels the most overtly 1990s-ish to me. No doubt that’s due to my memories of that summer of ’97. At any rate, the fact remains that I have a copy of Batman & Robin with Blockbuster stickers slapped on it, and on the freakin’ VHS format to boot. Thus, it goes without saying that I am currently experiencing an all-encompassing 90s rush that’s threatening to drive me straight-up nutz; it’s taking every ounce of my energy to refrain from playing a Smash Mouth CD** whilst watching an episode of Boy Meets World. That’s what everyone was doing in the late-1990s, right?

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I’ve seen the film, and it lives up (or is it down?) to the reputation it has acquired. It is not a good flick. Yeah, I know, big revelation. That said, I find it more gloriously entertaining than the higher-regarded Batman Forever, even if that entertainment is only derived from how jaw-dropping bad it is. I cannot believe this was a major Hollywood production. But, look at the damn tape. I don’t care what you say, everything about it is 1997 in a nutshell. Don’t ask me to explain, because I can’t (and considering the movie can and probably has been used as a torture device, maybe that’s a good thing).

The pic above is worth clicking on for a super-sized version, because the description on the back is kinda out there (yes, I know the Blockbuster sticker obscures some of it). My favorite part is the mention of “New very special effects…“, as if these special effects are substantially more special than your usual , run-of-the-mill special effects. I love this tape.

Also, “From our Batfamily to yours“? That’s adorable Give me a break.

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According to Amazon, the VHS was originally released on October 21, 1997. Upon first finding this tape and seeing that January 6, 1998 date printed on the sticker, my initial thought was “so soon after release?” But, I figure, there were probably plenty of copies put up for rental following the release date, then once the “fervor” died down, nearly as many put out for sale. Plus Christmas sales, plus johnny-come-latelys, etc., and well, 1/6/98 actually seems kinda late to the game. Also, 1/6/98 was when this copy was presumably put out for sale, it’s not a sale date. So who knows when Blockbuster finally unloaded this burden video. Anyway, it was put out for sale in ’98, which is why the title of this post is dated “1998” and not the probably-more-accurate “1997.”

My aforementioned copy of Blockbuster-Batman Forever features all of the same branding, except it also features a cute little sticker on the front proclaiming the low, low bargain price of only $4.99. Batman & Robin features no such pricing identification, and the sticker on the back, as evidenced by the photo above, is silent on the matter. I don’t know what “*” means in regards to what some unlucky video purchaser paid, but I assume it meant “cheap.”

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Oh now that’s just precious. Remember the days when Blockbuster was the go-to place for not only the hot new movie hits, but all of your entertainment needs? I’m pretty sure we rented more video games there than we ever did movies. Nevertheless, the sticker brings back serious memories.

Back in the late-90s when I started doing the whole Ebay thang, there were some VHS videos that were going for what we I call “the mighty dollars.” DVD hadn’t quite taken off yet, and thus VHS was still the predominant format. That market would eventually drop hardcore, but at the time, if you had a copy of the M*A*S*H series finale or Giorgio Moroder’s restoration of Metropolis on VHS (or even better, Laserdisc), and they were in halfway decent shape, you stood to make a good chunk of money fast. Well, collectors being collectors, rental store stickers such as the ones on this tape were seen as detriments. Not that I’m arguing with that; if you’re spending $40-$50 for a VHS, preferably it should be in the best shape possible. I don’t recall ever being too bothered as to whether a tape had stickers/fading/etc. or not, as long as I got what I was going after, but that sort of thing could and did affect prices for other collectors.

Nowadays, I really don’t mind finding these kinds of markings on tapes (obviously). They add a nice bit of historical value. I’ve got an ancient VHS copy of Jaws with Fotomat stickers all over it, and I actually care more about those stickers and the earlier release date than I do the movie (I know, I know, it’s a classic, but I just don’t like Jaws nor any of the sequels nor any of the countless rip-offs it spawned). This copy of Batman & Robin could never be described as “mint” or “fresh outta da shrinkwrap,” but since copies are plentiful and generally worthless (for so, so many reasons), these Blockbuster stickers add a whole different dimension to the thing, one that many may tend to overlook.

Plus, there’s a lot of people that would claim that the Blockbuster stickers on this thing are worth more than the movie itself. I’m not gonna argue that, either; Batman & Robin is really bad.

To be completely and totally honest, and this shows just how friggin’ strange I am, I’ve specifically been looking for a copy of Batman & Robin just like this to go with that previously-mentioned Batman Forever, if only because they represent the 1990s rental store period so well. Since copies of the film are plentiful and Blockbuster stores were plentiful, I’m kinda surprised it took me as long as it did to actually come across one. Victory is mine?

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There it is, a Blockbuster-branded copy of Batman & Robin, from back when people relied on video rental stores and before the internet became so widespread that it went and spoiled everything for movie studios/tape manufacturers that were hoping against hope that potential-purchasers hadn’t heard just how unrelentingly bad a movie was/is.

‘Course, I’ve just written over a thousand words about a film and the VHS release of said film that, for all intents and purposes, isn’t really worth it. This begs the question: the hell’s wrong with me?

(And hey, look, the last owner was indeed a friend and rewound when he or she reached the end! Thanks, Blockbuster!)

* = I know full well there’s not a Betamax release of Batman And Robin, settle down.

** = While I do indeed have an extensive music collection, I don’t actually own anything by Smash Mouth.