Tag Archives: 1980’s

Magnavox Hi-Fi VHS VCR Model No. VR2072AT01 (Circa-1988)

Well, I wasn’t planning on doing another electronics post so soon after the last one, but this is just too cool to not warrant an update. I can’t promise it will be a long update, but an update it will be nonetheless.

Now at first glance, this may not look all that noteworthy; I mean, it’s a Magnavox 4-Head, Hi-Fi VCR from somewhere in the late-1980s, model number VR2072AT01 – cool, but cool enough to write about? It’s got a fair amount of features, it’s solidly built, and unlike most of the stuff I bring home, it had its original remote included. The fact that the initial testing in the thrift store where I found it seemed to rule out any major problems was just the icing on the cake. At only $5, it was a fine find.

And yet, none of that was quite why the machine blew my mind enough to warrant an article. Oh no; look up above and see if you can spot the really interesting aspect. Upon my first coming across this, my eyes were quickly drawn to the door; it had the audio level gauge printed right on it! That’s something I had never seen before, and I was wondering just how such a thing would operate in action. So, I plugged the thing in, grabbed a random tape lying about, and got to testing. My suspicions were confirmed: During playback, the audio levels are actually displayed on the tape door! Now that’s cool!

When I hunt for old electronics, I’m always on the lookout for things with unique features, that dared to step out of the box in some way. I say this qualifies. Sure, having the audio level meter on VCRs was common among the better models of the time, but to actually render them on the tape door? That’s a new one on me, and it feels just special enough to give this model an extra air of “high-tech-ness.”

Here’s a closer, albeit lower-resolution (because I left the flash on my phone off and it evidently doesn’t like that), shot of the machine in action. The door feels just thick enough to allow for whatever makes putting the audio levels on it happen, so I hesitate to state they’re actually superimposed on there, but with an actual tape right behind them, that’s sure what they feel like.

I did some further token tape testin’ (alliteration) while still at the thrift store, but this was such a neat aspect of the VCR that it was basically already decided it was coming home with me, especially at only $5. It appeared to work perfectly, but by that point that was just gravy for yours truly.

No joke, I had never seen something like this on a VCR before, and after purchasing it, you know what? I still haven’t! I figured a quick online search would tell me more about this model, but oddly enough, aside from an expired Craigslist ad and a few scattered mentions of the model number here and there, info on this particular unit was surprisingly scarce. Even the much-loved Vintage VHS Gallery site left me hangin’ in regards to this Magnavox, though I gleaned some other important knowledge regarding their models from the period.

Such as: Many, maybe even all, were Panasonic-made VCRs, simply rebadged with the Magnavox name (Panasonic made a bunch of machines for other companies around that time), and they were very solidly-built. I assume same goes for this one. And, while I don’t know if this is the case with this VCR, but some such as this machine only featured a single rubber belt inside, which resulted in units that continue to function well even today. That would account for how well this one currently performs (more on that in a bit), unless unbeknownst to me it had been repaired at some point, of course.

Also, these were/are early On-Screen Display VCRs. That is, they brought up a blue-screen that let you program the clock and other functions right from your seat via remote. Also, other pertinent information is displayed on-screen during playback, if the viewer so desired. That’s all something that became incredibly commonplace in the following years, so to see it in its infancy here is pretty interesting.

A close-up of the other side of the front panel. The hours-minutes-seconds counter is infinitely preferable to the older-style four-digit counter that was increasingly out-of-date by then. The expected tape-in, recording speed, and audio info indicators are also nice, and the display here remains nicely bright and sharp, which isn’t always the case nowadays. Indeed, I passed up an otherwise-solid Sony from 1995 the other day simply because the display was a bit too dim for my liking; not that I really cared about the display itself, but rather, from how I understand it, that can be an indicator of power supply issues. I ain’t got time for that noise, yo.

Button-wise, there’s the typical starts and stops and pauses and what have yous, plus buttons to control the counter and whatnot, which would have been helpful for those that lost their remote (a category I’m not included in – for once).

Back in the early-2000s, a relative gave me their old Magnavox VCR. It wasn’t nearly as nice as this one, and a repair job at some point in the past left it without recording capabilities, but it played okay, which was all I cared about with that one. Anyway, it had tiny, hard-plastic, “clicky” buttons just like this VCR, so as it weird as it sounds, these actually do take me back somewhat.

Lest you miss it, there’s a flip-down panel too, with even more options to peruse. This of course was even better for those who may not have had their original remote. The buttons to allow for adjustments to the clock and/or recording timer are everlastingly handy, and look at that: An index write feature! Neato!

Back to the left-side again: A headphone jack, and volume adjustment knob for said headphone jack. Also, tracking knobs, which helped with playback once I got this plugged in at home. How so? This VCR plays exponentially well given its age, but despite using an SP-recorded, Hi-Fi, big budget tape, the picture still had some tracking issues. The adjustments here alleviated that somewhat, though it still wasn’t perfect. (Not that that really bothers me; it’s an old VCR, after all.)

Upon firing the sucker up, you’re presented with the previously-mentioned blue-screen.

Sure, there’s the on-screen information regarding playback, Hi-Fi, stuff like that. That’s all well and good, but what I really got a kick out of here was the clock settings. Not so much merely because they’re here, though they’re certainly helpful and hopefully they put an end to the “I can’t get my VCR to stop blinking 12 O’Clock HAW HAW HAW” joke, but rather because of the date featured.

Look, there’s no year listed on this VCR itself, but I did find an online listing for the original manual, and that was dated 1988. Furthermore, upon trying to set the clock, the default date you’re presented with is January 1st, 1988. So, that’s why the title of the post is notated as “Circa-1988.” I couldn’t find when this particular unit was manufactured, but 1988 or thereabouts seems like a safe guess, right?

If nothing else, it’s cool to see a small example of the era this VCR hails from (beyond the VCR itself, of course). This was apparently a pretty decent model for the time, and it was around that point that VHS had really taken off into the stratosphere. Machines and tapes were becoming more affordable, and increasingly, VCRs were seen as essential parts of any living room. To me, seeing “1988” on the screen brings all that into sharp focus.

As I said, playback here was good, though not perfect. I could happily watched an entire movie on this VCR if needed, but it was showing its age. Some tracking issues, a little jittery, nothing major but still not preferable.

Nevertheless, upon pressing the “X2 Play” button(s), I was happy to discover things were relatively crystal clear. Look to your right if you don’t believe me. (X2 Play, for those not-in-the-know, merely played a tape at, say it with me, twice the speed of regular playback, albeit without sound. The benefits of this are, to me, negligible, but at least it works.)

What you’re seeing here is a scene from Anchors Aweigh, the lavish Frank Sinatra / Gene Kelly musical put out by MGM in 1945. Hey buddy, Frankie can’t see the X2 info when it’s behind his head! Fun Fact: While a cursory glance at this blog will reveal I’m more into classic horror and sci-fi movies, there’s a part of me that doesn’t mind old school musicals such as this. They’re such a great reminder of a bygone, ostensibly more-innocent age in Hollywood. Plus, they really do tend to be entertaining. I guess I’m not just a horror / sci-fi movie buff, I’m a movie buff period.

All that said, when it came time to test this VCR, there were two factors at play: 1) I wanted something big budget, major-studio-released, in SP and Hi-Fi (to better test the capabilities of this machine), and 2) it needed to be something that, should calamity strike and the VCR damaged the tape in some way, I wouldn’t be too irritated by the circumstance. A quick trip to my left, where a big stack of needs-to-be-put-away tapes currently reside, provided me with Anchors Aweigh. And so, here we are. I got a good look at what the VCR can do, and the tape came out of the ordeal no worse for wear. Though, I did discover that while fast-forwarding or rewinding during playback, the picture was pretty jittery. Whether this was an issue of age, the heads, the belt(s), or just how it always was, I couldn’t say. It did what I needed it to, without harming the tape, but it was a cause for concern, though a fairly mild one.

Here’s the remote. It’s always nice when one of those are included, though in this case, the only function on it that I’m not seeing on the VCR itself is a button labeled “calendar.” For all I know, that function is accessed through some other way on the unit.

I didn’t put batteries in the remote, and thus didn’t test it. Look, it’s nice that’s it’s here, but rarely do I ever need the remote. They’re good to have though. In this case, despite having old batteries still left in it, there was only the tiniest amount of corrosion, which 91% isopropyl alcohol removed nicely.

Speaking of alcohol, the remote and VCR itself were both pretty grimy. Indeed, I’m surprised the machine worked as good as it did, given the amount of sticker residue and other, hopefully non-sinister, substances on it. It’s times like that when I bust out the trusty alcohol and give everything a good rub down. I didn’t get the machine or remote spotless, but at least I could afterwards touch both without worrying if I had a bout of dysentery coming my way.

There actually wasn’t a whole lot going on with back of the unit; I’m used to seeing countless inputs and outputs and whatnot that, quite frankly, I don’t always know the purpose of. I’m not sure how I feel about this; simplicity is nice, but so is having option upon option.

Anyway, here’s the little information plate as seen on the back. See, model number VR2072AT01. Did you think I was lying? I wasn’t.

Usually these plates, or at least plates from the era this comes from, feature the date and month that the particular unit was manufactured. Here though, all I get is a bunch of numbers, numbers whose purpose remains a mystery to me. Therefore, “Circa-1988” things shall remain.

Here are the inputs, such as they are, on the back of the VCR. There’s not much to talk about here; you’ve got red-white-yellow inputs and outputs, as should be expected, a channel selector, and antenna inputs and outputs.

This Panasonic VCR, from 1985, had more options around the back, including what continues to be a somewhat-mysterious Pay TV-knob, and as such, this Magnavox comes off a little barren in comparison. I mean, it doesn’t really matter; the bare necessities are here, and it’s not not like there weren’t plenty of options around front – plus, that whole mega-cool audio-levels-on-the-door thing. After that, do you really need anything else? I posit that you do not.

The only thing present on the back of that Panasonic that I especially wish this VCR had its own version of? Something indicating when it was manufactured, man!

Let us take one more gander at the Magnavox VR2072AT01, shall we? It’s a cool VCR, one of the coolest I’ve found in recent months. It looks slick, it’s relatively feature-packed, and it works; what more could you ask for? (Normally, I’d say the remote, but as you can see again above, I done gots the remote too!!)

Oh, I forgot to point out that this VCR has classy-lookin’ feet. Look up above. It’s got feet. You can’t deny it.

Still, it’s those audio levels on the tape door that I keep coming back to; it’s a feature that would almost seem superfluous, except given all that this unit has, isn’t. I mean, where else could they have put them?! It’s a extra, almost “futuristic” touch that gives this model an added layer of coolness. I can’t say I would have picked this up had it not been here, honestly.

Look, the last thing I need is another ancient VCR added to my stack of other ancient VCRs, but I dare say this one was worth the addition. What say you, the reader?

Panasonic Omnivision Hi-Fi VHS VCR PV-1730 (February 26, 1985)

See, I didn’t take April off. Just most of it.

I’ve been a busy Video Hunter this past month, and the sad fact of the matter is I’ve had neither the time nor, to be quite honest, the inclination to put together a ‘big’ article. The reasons for this are several, though I won’t bother to go in to them. Still, I wanted to get something up before April ended, lest y’all think I abandoned the site and, by extension, you. Never let it be said that I don’t care, because I do, I do care!

Anyway, this isn’t going to be a long post, and truth be told, you can consider it more of a stop-gap entry than anything. BUT, that doesn’t mean I don’t like the subject, because I most certainly do. Dig this: From early 1985 (February 26, as per the back), it’s one of Panasonic’s famous Omnivision VHS VCRs, and boy, is this one technologically advanced – well, it was 32 years ago, anyway. Behold the PV-1730! A slick, feature-packed Hi-Fi stereo deck that had the capability to blow your face off – well, it did 32 years ago, anyway.

The best way I can describe this VCR is “heavy duty.” It just feels like a real product, a high-tech, ostensibly end-all be-all addition to the home entertainment center. And that silver casing that flies in the face of the predominantly-black styles of so, so many other VCRs? Looks sharp, man. Is it wrong that I can see this machine being used as decoration in some episode of Miami Vice? Maybe it was.

However, this deck doesn’t quite work correctly, though it mostly does; it powers up, it registers whatever button I slam my paws against, it fast-forwards, it rewinds. The only problem is it doesn’t like to play. Not consistently, anyway. Sometimes I can get it to go and it will run for a period before stopping, but other times it will play for only a moment or two before it takes a powder. I have several ideas as to what the problem is, but it’s not like this is going to be my daily driver; honestly, I picked this machine up simply because of the supreme mid-1980s-ness it exudes. I didn’t even bother taking a screencaps of something playing on it, because it just doesn’t matter.

(So why even bring it home? I love the the era of electronics it so deftly defines, and besides, even if it doesn’t work 100% right now, I always grab these with an eye towards getting them repaired at some unknown point in the future. But really, it all comes to down to the looks and features – even if none of them really mean anything in this day and age. It’s this same mentality that got me my swanky Sylvania VCR.)

Luckily, I got the thing to play for most of my picture-taking session. The display is pretty nice and bright, and while I hate the old school “counter” system, this machine rectifies that with giving the exact minutes and seconds too, which makes it my friend.

You can barely see it, but there’s a sticker stating this was one of Panasonic’s “Tech 4” models, always a welcome sight to yours truly. Indeed, one of the best VCRs I ever found was a 1986 Omnivision “Tech 4” that works flawlessly and may have even more features than this deck. I keep that one on a figurative pedestal because I’m weird.

See that panel at the bottom? It opens up, and oh what it harbors just beneath the hood…

BOOM.

Here’s your station for “One-Touch Recording,” along with the ability to set the OTR timer, as you’d expect. Also, not one but two tracking-control knobs, nifty left and right audio controls, a switch for recording in all three speeds, and Dolby noise reduction.

Now see, I didn’t grow up with, or at least didn’t grow up using, VCRs with such a now-convoluted recording scheme; I came around, thankfully, when that set-up had been reduced to on-screen displays and programmed with the remote. As such, the thought of setting a timer with this system kinda makes my head swim. I could have mastered it, I could still master it, but luckily, I’ll never have to!

Hold on, there’s more to it!

On top of the unit there’s a flip-up panel with controls for picture sharpness, regular TV or cable TV, display options, and so on. Sorry this pic is alternately too bright and too dark; this was about as satisfactory a picture as I was going to get.

Also, V-Lock for SP and SLP? That’s a new one on me. They’re probably found on some of my other VCRs, but if so, I never paid much attention – what exactly is that? “Vertical Lock?” Is that like the “Vertical Hold” on old TVs?

You know what attracted me most to this unit when I first came across it? That “Hi-Fi Audio HD” declaration above. It may not mean anything anymore, but man does that just sound completely top-of-the-line for the time. For the time? Heck, to me that still sounds cool!

Besides the ‘normal’ controls for playing and recording, you’ve also got plenty of audio features, including audio dub, and needless to say, the audio levels meter I always love seeing on these old models.

Along the back are the expected microphone inputs and whatnot and the television hook-ups, but what I really get a kick out of is the “Pay TV” knob; I’m not even sure what it does, but it almost doesn’t matter, because it’s such a neat mid-1980s throwback. I said the same thing about the previously-linked Sylvania VCR, so anyone with the appropriate knowledge wanna fill me in? Hit the comments section!

More inputs/outputs, including handy ports for a camera. The “Editing” plug has me curious, though the declaration of “See Manual” feels like a diss; I don’t have the manual, VCR! Thrift store finds rarely include them, and as such I’m performing a lot of guesswork (such as it is) with some of these features. There’s probably a PDF of the manual online somewhere, but frankly, searching it out is too much work for a stop-gap post that approximately three people are going to read anyway.

So, just where did I get this beast? I honestly couldn’t remember until I dug the machine out and noticed the “$8.00 Y” price written in marker. “Y” stood for “Yellow,” which means I got this from some Village Thrift somewhere. Evidently I never did much with this machine upon getting it home, since I hadn’t even bothered to clean that off! Nope, it had just been sitting in my stack of VCRs, staring at me, day in, day out, wondering why I shun it so. Until today anyway, when I decided I should probably write a token post for April 2017.

So there it is, a Panasonic VHS VCR, loaded with options and still looking darn cool to boot. This was one of those finds I buy based solely on looks, features and “aura.” I grab things like this all the time, and even though I usually never do all that much with them, I love having them, simply because of the era in electronics that they represent.

There. Gap = Stopped!

Zenith VRL2110 VHS VCR.

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In the past, I’ve mentioned by general dislike for ‘newer’ VCRs; that is, anything mid-1990’s on-up. Of late, however, I’ve had a softening of heart regarding these obsolete beasts. True, I still prefer decks from the mid-to-late-1980’s, but I guess I can live with the newer, cheaper models. That said, I haven’t had a good, ‘old’ VCR find in the wild for some time now, so maybe my resolve is just weak. I’m an enigma that way.

…Wait, did I seriously just say that my resolve is weak in regards to VCRs, and that somehow makes me an enigma? That’s dangerously close to the stupidest thing I’ve ever written on this blog, and that’s really saying something!

I found this sucker at Goodwill last night for the low, low price of $6, which truthfully was a dollar more than I would have preferred paying, but it really has been quite awhile since I’ve bought a VCR, any VCR, from the joint, so screw it. The deck is, as the title so aptly states, a Zenith VRL2110 VHS VCR. I have no idea what year it’s from; there’s no date to be found anywhere on it. I’m gonna say “circa-1995.” Could be from a few years earlier, could be from a few years later, or I could be dead wrong from the get-go. There’s just no way to be sure.

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What I am sure of is that, regardless of when it came out, this certainly isn’t even close to a high-end VCR. If anything, this model sort of exemplifies everything that makes up my (usual) reluctance to purchase decks from this era of VCR: cheap plastic casing, no special features whatsoever, and the sixth-sense-like feeling that just looking at this thing cross-eyed during playback will cause it to eat my tape with so much reckless abandon. Also, the facts it’s clearly marked as having only 2-heads and it is not a stereo VCR are also red flags. they didn’t stop me from buying it though, so what am I even complaining about? Plus, it’s not like there weren’t cheaper VCRs in 1980’s.

‘Course, it’s a Zenith, a brand I’ve had good luck with in the past in regards to vintage electronics, so that’s a good thing. A low-end Zenith VCR is still a Zenith VCR, after all. I can live with 2-heads, but I do really wish it was Hi-Fi.

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It may be made of plastic, but it does have a cool rounded look to the front of the unit that I find appealing. Also, I’m mildly surprised it records in all three modes: SP, LP and EP. For a deck clearly intended for the decidedly more frugal purchaser, I would have expected only SP and EP. The front brags about on-screen programming, but since no remote was included, those features are evidently forever barred from my usage. Oh the pain…oh the torture…

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See, Zenith, VRL2110. Did you think I was lying? I wasn’t. If you didn’t believe me, you could have looked at the front of the unit, but I guess that would have been too easy. Nothing I do is ever good enough, is it? I thought I had a picture of the A/V jacks on the back, but apparently I don’t, and I refuse to drag the VCR out for another picture taking session. Simply put, it only uses the yellow and white jacks, no reds. Trust me on this.

I can whine about how cheap the thing looks all night and/or day, but that would be ignoring the figurative elephant in the figurative room: does the sucker work? I have no shortage of tapes to use as test subjects, but a title I purchased along with this VCR last night will serve that purpose nicely…

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An ancient, 1984 copy of It’s A Wonderful life, from back when that title was public domain (it’s not anymore, is it?) There’s something about Video Film Classics and their big giant clamshell boxes that always make me snap them up with lightnin’ quick speed, despite their artwork being of only the most generic quality. Plus, I really, really like It’s A Wonderful Life, and the sheer number of old budget copies I have of it is, quite honestly, semi-embarassing. I mean, it’s not like I have a hundred or anything, but there’s probably enough to last me a lifetime.

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The moment of truth. Will I soon be delighted with classic Christmas images and the everlasting adorableness of Donna Reed, or will I be crushed beyond belief when the damn VCR chews the tape beyond the point of no return (he asked as if he didn’t already know the answer prior to this post)? Also, isn’t the lil’ red light on the power button cute?

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It lives, it lives! And aside from fast-forwarding and rewinding, which, thanks to there only being 2-heads, is pretty tough viewin’, it works pretty good. It’s a nice surprise, considering it really can be difficult to find VCRs of this particular vintage in working condition. ‘Course, as previously stated, it ain’t exactly a high-end model; this is not a machine you’d use to make the best possible DVD conversions of VHS tapes, but it’ll do in a pinch.

As for It’s A Wonderful Life, there are worse prints out there, or at least were out there. I wasn’t expecting much from it, but it looks nicer than I’d have guessed it would. Maybe it looks even better when played on a higher-end VCR. Or maybe the screencap above is an accurate representation of the tape’s quality. I now see the folly in my choice of testing (i.e., I should have used a flick that’s a bit newer and high-res.)

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There it be, my Zenith VCR from 19–. Is it the best VCR in my collection? Hardly. Is it the most notable VCR in my collection? Not even close. Will I ever use it again? Who knows. And yet, for some odd reason, I really don’t mind plunking a cool $6 for it. It means no harm, it’s just out there doin’ it’s thing, despite the numerous odds stacked against it. Maybe there’s a life lesson for all of us, buried deep in there somewhere.

Or maybe I just had no idea how to end this post.

Vintage Bruce Springsteen Carnival Mirror Prize!

For $2, your Northeast Ohio Video Hunter found pure joy at Goodwill last night. No, this has nothing to do with videos, broadcasting, electronics, or any of the crap I usually cover, but I’m a diehard Bruce Springsteen fan and it’s my blog so I’ll do what I want.

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An old school Bruce Springtsteen carnival mirror prize! It sat, sad and alone, with the other miscellaneous goods that made up the “knick knacks” section, but this was so, so much better than candle holders and novelty statuettes. Generally, you’d win these things at, say it with me, carnivals, should you perform whatever feat a rigged game called for. There seem to be a few pin-prick holes in the graphics, so maybe it was won by throwing darts? That’s what my patented NEO Video Hunter deductive reasonin’ is telling me, at least.

This is clearly from the Brucemania days of the mid-1980’s; the red & white stripes and headband are dead giveaways this is Born In The U.S.A.-era Bruce. Not quite my favorite Springsteen period (that probably goes to the Darkness On The Edge Of Town and The River-eras of his career), but certainly his biggest. It’s impossible to overstate how huge Bruce Springsteen was in the mid-to-late-80’s; The Born In The U.S.A. album and tour were massive. Springsteen never had a wider audience, though this has had the unfortunate side-effect of creating a bunch of stuck-in-1984 fans that refuse to give anything else he’s done since a listen (seriously, during his 2012 Cleveland concert, some joker directly behind us bitched and moaned nearly the entire time because Bruce wasn’t playing songs he recognized. The only time he did shut up was when an older song he did know was played. If this clown would have shut his mouth for even a moment, maybe he would have realized what an amazing show Bruce was putting on. But, I digress).

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Now, as far as I can ascertain, this is a carnival mirror prize, but it isn’t like most carnival mirror prizes I’ve seen online. Typically, carnival mirror prizes would feature an image over mirrored-glass (hence the term “mirror prize,” dig?), placed into a cheap, usually cardboard, frame. If you can peel your eyes away from the admittedly cluttered spot I decided to take this picture, you’ll see that my Bruce Springsteen thing lacks a frame proper. Rather, it’s under glass, which is duct taped to a piece of cardboard. Furthermore, the image (which isn’t mirrored in any way) doesn’t appear to be a part of the glass, but rather a plastic-graphic sandwiched in-between the glass and cardboard. So, while I’m thinking this was a carnival mirror prize, it may have been some other kinda-related promotional item. I seem to recall stands that had these pics hung on the back wall, and you could pick which one you wanted to be airbrushed onto a shirt. Maybe this comes from some guy making bootleg t-shirts outside of whatever venue Springsteen happened to be playing at? Whatever it was originally intended for, this was almost certainly not sanctioned by Springsteen or his management.

No doubt about it, this thing is cool. Yes, joy can be had for only two damn dollars.

(In the interest of full-disclosure, I would have had absolutely no clue what this might be if it weren’t for a helpful article on one of my very favorite sites, Dinosaur Dracula. The proprietor of that fine site wrote an article all about carnival mirror prizes, and it’s thanks to him that I even know to call them “carnival mirror prizes”. You can read that article here: http://dinosaurdracula.com/blog/carnival-mirror-prizes/ ).